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I'm constantly taken aback by the huge variety of property styles | 0:00:02 | 0:00:04 | |
in Britain, from character timber-framed cottages, | 0:00:04 | 0:00:07 | |
to grand townhouses. | 0:00:07 | 0:00:10 | |
But sometimes the insides don't live up to the expectations | 0:00:10 | 0:00:13 | |
on the outside. | 0:00:13 | 0:00:15 | |
So we've gathered together the most talented amateur interior designers, | 0:00:15 | 0:00:18 | |
who think they could be the next big thing, | 0:00:18 | 0:00:20 | |
to show us how it's done. | 0:00:20 | 0:00:22 | |
But it's not as easy as it looks. | 0:00:22 | 0:00:24 | |
Oh, no. I'm panicking. | 0:00:24 | 0:00:25 | |
-SMASHING -Ooh! | 0:00:25 | 0:00:28 | |
It's a bit make or break, really. | 0:00:28 | 0:00:30 | |
Across three knock-out episodes, | 0:00:30 | 0:00:32 | |
a group of designers will compete for one place in Finals Week. | 0:00:32 | 0:00:35 | |
Oh, why isn't it easy? | 0:00:35 | 0:00:37 | |
-I just like to do things properly. -HAMMERING | 0:00:37 | 0:00:40 | |
Ooh, that's wonderful! | 0:00:40 | 0:00:43 | |
Judging them, two industry experts - | 0:00:43 | 0:00:45 | |
Daniel Hopwood... | 0:00:45 | 0:00:47 | |
Having survived Round One, | 0:00:47 | 0:00:48 | |
I want to see that the designers have listened to our feedback. | 0:00:48 | 0:00:51 | |
And Sophie Robinson... | 0:00:51 | 0:00:53 | |
They are going to have to | 0:00:53 | 0:00:54 | |
take it up a notch, if they are going to stay in this competition. | 0:00:54 | 0:00:57 | |
They'll be scrutinising presentation skills... | 0:00:57 | 0:01:00 | |
That's not the way to present to somebody. | 0:01:00 | 0:01:02 | |
..artistic flair... | 0:01:02 | 0:01:04 | |
-There's not much ambition, no. -Yeah, it's really disappointing. | 0:01:04 | 0:01:06 | |
..and how well they deliver their brief. | 0:01:06 | 0:01:09 | |
Pretty amazing transformation. | 0:01:09 | 0:01:11 | |
Absolutely beautiful. | 0:01:11 | 0:01:13 | |
In the finals, the best will face giants of the design world. | 0:01:13 | 0:01:16 | |
Oliver Heath... | 0:01:16 | 0:01:17 | |
Oh, my word! | 0:01:17 | 0:01:18 | |
..Orla Kiely... | 0:01:18 | 0:01:20 | |
It does look quite rough. | 0:01:20 | 0:01:21 | |
..and Kelly Hoppen. | 0:01:21 | 0:01:23 | |
I want perfection. | 0:01:23 | 0:01:24 | |
But only one can be crowned winner | 0:01:25 | 0:01:28 | |
of the Great Interior Design Challenge. | 0:01:28 | 0:01:30 | |
Last time, four designers battled to impress the judges. | 0:01:36 | 0:01:40 | |
Here it goes! | 0:01:40 | 0:01:41 | |
It slightly rubs me up the wrong way. | 0:01:41 | 0:01:43 | |
One went home. | 0:01:43 | 0:01:45 | |
Three of them made it through. | 0:01:45 | 0:01:47 | |
We got there. And I absolutely love it. | 0:01:47 | 0:01:49 | |
I've given everything I can to this design. | 0:01:49 | 0:01:52 | |
I'm pleased with the whole thing. | 0:01:52 | 0:01:54 | |
Now, things are getting even tougher. | 0:01:54 | 0:01:57 | |
Our amateurs will be taking on a kitchen each | 0:01:57 | 0:01:59 | |
in three period half houses in north-east London. | 0:01:59 | 0:02:03 | |
The clients are more exacting... | 0:02:03 | 0:02:04 | |
-PHONE: -The thing is, I really don't like vinyl. -OK. | 0:02:04 | 0:02:07 | |
..and the judges' expectations higher... | 0:02:07 | 0:02:09 | |
Have you ever seen that done before? | 0:02:09 | 0:02:11 | |
No. It's weird. | 0:02:11 | 0:02:12 | |
..as the three designers fight for a place in the next round. | 0:02:12 | 0:02:15 | |
Where the sink was, it's rotten. | 0:02:15 | 0:02:18 | |
Hold on, what is that? | 0:02:18 | 0:02:19 | |
It's kind of a race against time. | 0:02:19 | 0:02:21 | |
One more must go. | 0:02:21 | 0:02:23 | |
The designer going home will be... | 0:02:23 | 0:02:25 | |
The backdrop for this challenge is the leafy Warner Estate | 0:02:34 | 0:02:37 | |
in Walthamstow, north-east London, | 0:02:37 | 0:02:39 | |
built between the 1880s and the 1930s. | 0:02:39 | 0:02:43 | |
These suburbs weren't just for the middle classes. | 0:02:43 | 0:02:45 | |
This might look like a well-to-do Victorian terrace, | 0:02:45 | 0:02:48 | |
but it was actually built as half houses, | 0:02:48 | 0:02:50 | |
pre-divided into flats, affordable flats, | 0:02:50 | 0:02:53 | |
for the working classes. | 0:02:53 | 0:02:55 | |
Now, our designers will take on the mammoth task | 0:02:55 | 0:02:57 | |
of transforming a kitchen each. | 0:02:57 | 0:02:59 | |
-Hi, team. -All right? | 0:03:09 | 0:03:11 | |
The designers have been working on a brief from their homeowners | 0:03:11 | 0:03:13 | |
for the past week. | 0:03:13 | 0:03:15 | |
The competition's definitely getting tougher. | 0:03:15 | 0:03:17 | |
There's a lot more pressure on improving from the last round. | 0:03:17 | 0:03:20 | |
Kind of pushing yourself more as a designer. | 0:03:20 | 0:03:22 | |
They have a budget of £1,000 | 0:03:22 | 0:03:24 | |
and just three days to complete their transformations. | 0:03:24 | 0:03:27 | |
The colour would be teal on this wall. | 0:03:27 | 0:03:31 | |
'Last time, I tried to do quite a lot.' | 0:03:31 | 0:03:33 | |
But, this time around, I think I've pared back. | 0:03:33 | 0:03:37 | |
They've also each got a small team to help them, | 0:03:37 | 0:03:39 | |
including a builder and a decorator. | 0:03:39 | 0:03:41 | |
This is your list. | 0:03:41 | 0:03:43 | |
The first thing, it's in order of importance, obviously. | 0:03:43 | 0:03:46 | |
I like that. That's great. | 0:03:46 | 0:03:47 | |
LAUGHTER | 0:03:47 | 0:03:49 | |
-'God, I'm back.' -LAUGHTER | 0:03:49 | 0:03:50 | |
Here we go again. | 0:03:50 | 0:03:52 | |
'A kitchen, which is going to be a nightmare.' | 0:03:52 | 0:03:55 | |
I'm up for it. Bring it on. | 0:03:55 | 0:03:56 | |
First up is garden designer Sarah from Hove. | 0:03:59 | 0:04:04 | |
SHE SINGS: # Goldfinger... # | 0:04:04 | 0:04:07 | |
LAUGHTER | 0:04:07 | 0:04:08 | |
Last time, Sarah lost a green ceiling, | 0:04:08 | 0:04:10 | |
which was a crucial part of her design, | 0:04:10 | 0:04:13 | |
because she didn't keep the homeowner on board. | 0:04:13 | 0:04:16 | |
This time, I don't want any of those design elements disappearing. | 0:04:16 | 0:04:20 | |
The kitchen Sarah is in charge of | 0:04:20 | 0:04:22 | |
was in desperate need of a redesign. | 0:04:22 | 0:04:24 | |
And, before she got her hands on it, | 0:04:24 | 0:04:26 | |
judges Sophie and Daniel assessed its potential. | 0:04:26 | 0:04:29 | |
This kitchen clearly needs a little bit of love. | 0:04:32 | 0:04:35 | |
It certainly does. | 0:04:35 | 0:04:36 | |
I mean, we're going to need new worktops, new doors. | 0:04:36 | 0:04:40 | |
You know, doing all of that, | 0:04:40 | 0:04:42 | |
I think is going to be mega challenging. | 0:04:42 | 0:04:44 | |
Sarah's homeowner asked for a traditional country kitchen, | 0:04:44 | 0:04:47 | |
with neutral styling and plenty of storage. | 0:04:47 | 0:04:51 | |
This is more about design solutions, rather than just dressing the space. | 0:04:51 | 0:04:55 | |
And Sarah loves to use colour and quite bold colour. | 0:04:55 | 0:04:58 | |
So I will be looking out to see | 0:04:58 | 0:05:00 | |
if she's really thought that one through. | 0:05:00 | 0:05:03 | |
This time, Sarah has chosen a restrained scheme | 0:05:03 | 0:05:06 | |
of cream and duck egg blue, | 0:05:06 | 0:05:08 | |
with a selection of natural fabrics. | 0:05:08 | 0:05:10 | |
So, I've got your board here. | 0:05:10 | 0:05:12 | |
-I'm going to show you the designs that I've come up with. -Right. | 0:05:12 | 0:05:16 | |
As well as needing sign-off from her client, Karen, | 0:05:16 | 0:05:19 | |
Sarah also had to impress the judges, | 0:05:19 | 0:05:21 | |
since all the designers will be ranked on their presentation skills. | 0:05:21 | 0:05:25 | |
-This hessian here... -Yeah. | 0:05:25 | 0:05:27 | |
..I want to cover this back wall in. | 0:05:27 | 0:05:29 | |
Oh, right. So it's interesting, putting this on the wall. | 0:05:29 | 0:05:32 | |
And then, in front of that, you'll have the shelves and the lights. | 0:05:32 | 0:05:36 | |
I like the colours. | 0:05:36 | 0:05:37 | |
Thumbs-up for the colour, but she has unusual plans for the cupboards. | 0:05:37 | 0:05:41 | |
-This lovely, soft stripe cotton... -Yes, I like that. Yeah. | 0:05:41 | 0:05:45 | |
..that's actually going to be for around the front of the cooker | 0:05:45 | 0:05:48 | |
-and the washing machine. -Oh, wow. | 0:05:48 | 0:05:50 | |
And hide all of those | 0:05:50 | 0:05:51 | |
and, in some places, hide a little bit of the cupboards. | 0:05:51 | 0:05:54 | |
Right. Okey-doke. | 0:05:54 | 0:05:56 | |
So she's trying to create a softness in the kitchen, | 0:05:56 | 0:05:59 | |
so adding fabric to walls and units. | 0:05:59 | 0:06:01 | |
It's soft, I grant her that, | 0:06:01 | 0:06:03 | |
but it's not hugely practical. | 0:06:03 | 0:06:05 | |
With the work underway... | 0:06:08 | 0:06:09 | |
She's asked us to deal with this in here, | 0:06:09 | 0:06:11 | |
-cos she says this isn't working. -Yeah. | 0:06:11 | 0:06:13 | |
..it seems it's not just the judges | 0:06:13 | 0:06:15 | |
that are dubious of Sarah's curtains. | 0:06:15 | 0:06:17 | |
The curtains are going to be | 0:06:17 | 0:06:19 | |
over the washing machine and the oven. | 0:06:19 | 0:06:22 | |
And underneath the sink. | 0:06:22 | 0:06:24 | |
I'm not sure whether... | 0:06:24 | 0:06:26 | |
Yes, no, I think they're going to end there. | 0:06:26 | 0:06:29 | |
Yeah, I'm not... | 0:06:29 | 0:06:30 | |
Perhaps not 100% clear on that. | 0:06:30 | 0:06:33 | |
We've got some leftover scaffolding about, | 0:06:40 | 0:06:42 | |
-so we could build something on top of the drawer. -OK. | 0:06:42 | 0:06:45 | |
The second designer is 21-year-old Jamie, | 0:06:45 | 0:06:48 | |
a carer and shop assistant from County Durham. | 0:06:48 | 0:06:51 | |
Last time, Jamie dropped in a project | 0:06:51 | 0:06:54 | |
that didn't have any thought to either homeowner or building. | 0:06:54 | 0:06:58 | |
This time, I want to see a lot more consideration. | 0:06:58 | 0:07:01 | |
Jamie's second heat challenge is to create a kitchen-cum-living area | 0:07:02 | 0:07:06 | |
in what was an already cluttered room. | 0:07:06 | 0:07:09 | |
Charming little kitchen. But... | 0:07:11 | 0:07:13 | |
all this has got to go, because this is turning into a living room. | 0:07:13 | 0:07:16 | |
You don't necessarily want to sit on your sofa | 0:07:16 | 0:07:18 | |
and look your cereal packets, so a lot of stuff | 0:07:18 | 0:07:20 | |
needs to get hidden away. | 0:07:20 | 0:07:21 | |
The homeowners not only want a multi-purpose room, | 0:07:21 | 0:07:24 | |
they also want a farmers' market theme, | 0:07:24 | 0:07:26 | |
bringing the outside in. | 0:07:26 | 0:07:28 | |
This is the perfect brief for Jamie, | 0:07:28 | 0:07:30 | |
because we know he's got bags of style, | 0:07:30 | 0:07:32 | |
but what we want to see from him is that he can understand | 0:07:32 | 0:07:36 | |
how people live and deliver a design that meets their needs. | 0:07:36 | 0:07:39 | |
But, to get this room to work, | 0:07:39 | 0:07:42 | |
you have to have a level of maturity as a designer, | 0:07:42 | 0:07:45 | |
so I'm just hoping he comes up with something interesting. | 0:07:45 | 0:07:47 | |
What Jamie had come up with was a botanical green theme, | 0:07:49 | 0:07:52 | |
incorporating old vegetable crates and terracotta accents. | 0:07:52 | 0:07:56 | |
We start off with going through the mood boards, | 0:07:56 | 0:07:58 | |
the different colours and different objects I put on there. | 0:07:58 | 0:08:01 | |
But, before he got to work, | 0:08:01 | 0:08:03 | |
he had to run his layout past homeowner Alex. | 0:08:03 | 0:08:06 | |
This is where the new sofa is going to be. | 0:08:06 | 0:08:08 | |
This is where the TV is going to go. | 0:08:08 | 0:08:09 | |
And then I've got some apple crates as well, which I want to be | 0:08:09 | 0:08:12 | |
cutting in half, so you can store your fruit and veg on the wall. | 0:08:12 | 0:08:15 | |
Ah! | 0:08:15 | 0:08:16 | |
Jamie also used the building as inspiration. | 0:08:16 | 0:08:18 | |
And another thing, I noticed that the Warner houses, | 0:08:18 | 0:08:21 | |
-when they were first built, all the doors were painted green. -Yes. | 0:08:21 | 0:08:24 | |
So that's kind of the wall colour for that. | 0:08:24 | 0:08:25 | |
And, obviously, around the outside of the doors, | 0:08:25 | 0:08:28 | |
it's kind of the nice terracotta red brick, | 0:08:28 | 0:08:30 | |
so that's why have chosen that accent. | 0:08:30 | 0:08:32 | |
It's cos I like the terracotta. | 0:08:32 | 0:08:34 | |
Oh, it looks great. Good luck. | 0:08:34 | 0:08:35 | |
-Thank you. -LAUGHTER | 0:08:35 | 0:08:37 | |
He has completely changed from his last presentation. | 0:08:37 | 0:08:41 | |
He's been much more thoughtful about the homeowner | 0:08:41 | 0:08:44 | |
and also the architecture, too. | 0:08:44 | 0:08:45 | |
He was referring to the original colours. | 0:08:45 | 0:08:48 | |
The thing is with green, you've got to add some light and shade with it. | 0:08:48 | 0:08:51 | |
Maybe a bit of white to freshen it up? | 0:08:51 | 0:08:53 | |
WHIRRING | 0:08:56 | 0:08:57 | |
With work underway, | 0:08:57 | 0:08:58 | |
Jamie's homeowner has some changes to the work surface height. | 0:08:58 | 0:09:02 | |
-Cos I've got a three-and-a-half year old... -Yeah. | 0:09:02 | 0:09:05 | |
-..and they're only...about that tall. -Yeah. | 0:09:05 | 0:09:08 | |
-It's nice to have something that's their... -Something lower? | 0:09:08 | 0:09:10 | |
-..something that's their height. -Whatever's best for you. | 0:09:10 | 0:09:13 | |
So I've just spoken to Alex and she's not... She's happy with it, | 0:09:13 | 0:09:16 | |
but she wants these sections at the side lower, | 0:09:16 | 0:09:18 | |
so the kids can kind of have access to them. | 0:09:18 | 0:09:20 | |
-So if we just drop it, say, five centimetres... -OK. | 0:09:20 | 0:09:22 | |
below from what... | 0:09:22 | 0:09:24 | |
-A bit lower than that? -Erm... | 0:09:25 | 0:09:26 | |
-You're going to have the worktop on top. -Yeah. | 0:09:26 | 0:09:28 | |
-Say ten centimetres. -Ten centimetres? So it's a decent step, | 0:09:28 | 0:09:31 | |
-rather than it look like we made a mistake. -Yeah. | 0:09:31 | 0:09:33 | |
Every kind of thing that happens | 0:09:33 | 0:09:35 | |
is a learning curve for me. And I'm learning | 0:09:35 | 0:09:37 | |
and my confidence is growing, as a designer and as a person, | 0:09:37 | 0:09:40 | |
so it's a brilliant experience. Yeah. | 0:09:40 | 0:09:42 | |
But that is kind of... | 0:09:46 | 0:09:48 | |
Also growing in confidence is our final designer, | 0:09:48 | 0:09:50 | |
photographer Lily from London. | 0:09:50 | 0:09:52 | |
Later on, I will paint some squares, | 0:09:52 | 0:09:55 | |
or you can paint some squares. | 0:09:55 | 0:09:58 | |
Lily is hugely creative. | 0:09:58 | 0:10:00 | |
But last time she just made far too much. | 0:10:00 | 0:10:02 | |
This time, it's about quality, not quantity. | 0:10:02 | 0:10:05 | |
In this round, Lily is taking on | 0:10:07 | 0:10:08 | |
what was a rather loud, but uninspired, | 0:10:08 | 0:10:11 | |
top flat kitchen. | 0:10:11 | 0:10:12 | |
Rather nice kitchen. | 0:10:15 | 0:10:16 | |
It just needs the... | 0:10:16 | 0:10:17 | |
finishing touches, the flourishes. | 0:10:17 | 0:10:20 | |
It does kind of look like one of those | 0:10:20 | 0:10:21 | |
-shop-bought kitchens, doesn't it? -Mm, exactly. | 0:10:21 | 0:10:24 | |
So, really, I think, to bring some creativity to this room, | 0:10:24 | 0:10:27 | |
to make this kitchen feel a little bit more special, | 0:10:27 | 0:10:29 | |
that would be the treat. | 0:10:29 | 0:10:31 | |
Lily's homeowners want to avoid any dark colours, | 0:10:31 | 0:10:34 | |
so their brief is for a bright '70s retro kitchen/diner. | 0:10:34 | 0:10:38 | |
So we really are looking out for the detail on this one. | 0:10:39 | 0:10:42 | |
Yeah, but steady. I don't want too much extraneous detail. | 0:10:42 | 0:10:45 | |
I think the theme for Lily is less is more. | 0:10:45 | 0:10:48 | |
But, as usual, Lily was bursting with ideas. | 0:10:49 | 0:10:53 | |
Her design focused on zoning. | 0:10:53 | 0:10:55 | |
In the dining area, she chose a bright lime green scheme, | 0:10:55 | 0:10:58 | |
with retro furniture and '70s style wall art | 0:10:58 | 0:11:01 | |
for homeowners Yasmin and Sam. | 0:11:01 | 0:11:04 | |
So I thought that I would paint | 0:11:04 | 0:11:06 | |
an Orla Kiely inspired design on this wall here. | 0:11:06 | 0:11:10 | |
Her plan for the kitchen was to give it a dark teal paint job. | 0:11:10 | 0:11:14 | |
A step away from the bright colours requested. | 0:11:14 | 0:11:17 | |
-So will all the walls be teal, then? Or is it...? -No. | 0:11:17 | 0:11:20 | |
-Just this wall, this wall. -OK, so just this back wall? | 0:11:20 | 0:11:22 | |
-Until here. -OK. -And then this will be the pale green walls. -OK. | 0:11:22 | 0:11:26 | |
-I would like to create a trim around the ceiling. -Right. | 0:11:26 | 0:11:29 | |
-It will be the same colour as the wall. -Yeah. | 0:11:29 | 0:11:31 | |
-So it just takes the edge off. -OK. | 0:11:31 | 0:11:33 | |
-You know, when... -Will it make it feel quite enclosed? | 0:11:33 | 0:11:36 | |
-Like make it feel like a box? -But it's not going to feel gloomy, | 0:11:36 | 0:11:38 | |
-so don't worry about that. -Yeah. | 0:11:38 | 0:11:40 | |
And, also change the flooring into... | 0:11:40 | 0:11:42 | |
-an oak laminate flooring. -Yay! -SAM CHUCKLES | 0:11:42 | 0:11:45 | |
-Yeah. That'll really brighten it up a bit more. -Yeah. | 0:11:45 | 0:11:48 | |
Lily is throwing masses of ideas at that room. | 0:11:48 | 0:11:50 | |
She's taking that dark colour over and onto the ceiling, partially. | 0:11:50 | 0:11:55 | |
What is the reason for that? | 0:11:55 | 0:11:56 | |
I was going to ask you that. Have you ever seen that done before? | 0:11:56 | 0:11:59 | |
No, cos, by painting the ceiling darker on the edges, | 0:11:59 | 0:12:02 | |
it's going to reduce the sort of outline of the room, | 0:12:02 | 0:12:05 | |
which is going to make it feel a lot smaller. | 0:12:05 | 0:12:07 | |
-It is going to look weird, isn't it? -It's weird. | 0:12:07 | 0:12:10 | |
So it will be about six inches from the ceiling, | 0:12:10 | 0:12:12 | |
the same colour as the wall, going all the way around. | 0:12:12 | 0:12:15 | |
Does that make sense? | 0:12:15 | 0:12:16 | |
Lily's unusual ceiling border isn't only confusing the charges. | 0:12:16 | 0:12:20 | |
Her decorator is pretty baffled, too. | 0:12:20 | 0:12:22 | |
Where do I start the line? | 0:12:22 | 0:12:24 | |
Do I start the line back here on the very end of the wall? | 0:12:24 | 0:12:26 | |
-Yes. Yeah, yeah, yeah. Yeah. -Continuous? | 0:12:26 | 0:12:28 | |
-Continuous. All the way around. -Then it bring around, | 0:12:28 | 0:12:30 | |
-in line with that frame there. -Er, not in line with the frame. | 0:12:30 | 0:12:33 | |
So in line with the back of the fridge, | 0:12:33 | 0:12:35 | |
where that unit is on the wall. | 0:12:35 | 0:12:36 | |
And then I've got make a dead straight line | 0:12:36 | 0:12:38 | |
-and continue the teal on the ceiling? -Yes. | 0:12:38 | 0:12:40 | |
-Yes. Yes. -All right. -Yeah? | 0:12:40 | 0:12:42 | |
-OK. Thank you. -It's going to be fun. | 0:12:42 | 0:12:44 | |
LAUGHTER | 0:12:44 | 0:12:46 | |
The contestants are cracking on with their designs. | 0:12:48 | 0:12:51 | |
Maybe a tiny bit higher? | 0:12:51 | 0:12:53 | |
But they know they're about to be judged on their mood boards | 0:12:53 | 0:12:56 | |
and presentation skills. | 0:12:56 | 0:12:58 | |
I came last last time. | 0:12:59 | 0:13:00 | |
So, actually, theoretically... | 0:13:02 | 0:13:04 | |
the only way is up. | 0:13:04 | 0:13:06 | |
I don't really have any ideas of what they're going to say, just, | 0:13:06 | 0:13:09 | |
hopefully, that they've noticed more confidence in me, hopefully, maybe. | 0:13:09 | 0:13:14 | |
All of this has got to be done so let's do it. | 0:13:14 | 0:13:17 | |
Can I apply some lippy on? | 0:13:17 | 0:13:19 | |
With one designer going home at the end of this project, | 0:13:19 | 0:13:22 | |
how well they do here is crucial. | 0:13:22 | 0:13:26 | |
So, we're going to start with you, Sarah. | 0:13:26 | 0:13:28 | |
What really impressed us | 0:13:28 | 0:13:30 | |
about your presentation were your perspective drawings. | 0:13:30 | 0:13:32 | |
However, I think you could have gone one step further | 0:13:32 | 0:13:35 | |
and done some elevations. | 0:13:35 | 0:13:36 | |
For example, where you're remodelling the kitchen with | 0:13:36 | 0:13:38 | |
curtains and doors and open shelving, it wasn't | 0:13:38 | 0:13:41 | |
made particularly clear how that's going to work and, as a result, | 0:13:41 | 0:13:44 | |
at the moment, your homeowner doesn't understand | 0:13:44 | 0:13:46 | |
how that's going to work. | 0:13:46 | 0:13:48 | |
Lily, I loved the confidence in your presentation - | 0:13:48 | 0:13:51 | |
a vast improvement from last time - | 0:13:51 | 0:13:53 | |
and I liked the idea of you using the three boards to help | 0:13:53 | 0:13:57 | |
the homeowner visualise your design. | 0:13:57 | 0:14:01 | |
Jamie, what we really liked about your board, it was very clear | 0:14:01 | 0:14:04 | |
and concise, but you could have taken it one step further. | 0:14:04 | 0:14:08 | |
I would have liked to have seen some more visuals, some, | 0:14:08 | 0:14:10 | |
some photos or sketches, | 0:14:10 | 0:14:12 | |
or illustrations of how this kind of farmers' market style | 0:14:12 | 0:14:15 | |
is actually really going to look. | 0:14:15 | 0:14:17 | |
Designers, it's essential that you have a good presentation board | 0:14:20 | 0:14:23 | |
in order to communicate your design, | 0:14:23 | 0:14:26 | |
and one of you was particularly good at that... | 0:14:26 | 0:14:28 | |
..and that was Lily. Lily, you come first. | 0:14:34 | 0:14:37 | |
The other two, you've got room for improvement. | 0:14:38 | 0:14:42 | |
I was joint-last instead of last. | 0:14:43 | 0:14:46 | |
If there is a next time, then maybe I'll build the room | 0:14:46 | 0:14:50 | |
in their back garden first and they can walk around it. | 0:14:50 | 0:14:54 | |
I need to push myself now to, kind of, show them | 0:14:54 | 0:14:56 | |
that I can achieve something brilliant at the end. | 0:14:56 | 0:14:59 | |
They thought I'm a lot more confident in presenting | 0:14:59 | 0:15:03 | |
my ideas, cos that's one of the things that they said - | 0:15:03 | 0:15:05 | |
I just need to really push forward with my ideas - and if that | 0:15:05 | 0:15:08 | |
came across, even if I didn't feel it, then that's brilliant. | 0:15:08 | 0:15:11 | |
Confidence, even audacity, | 0:15:14 | 0:15:16 | |
was what led to these houses being built in the first place. | 0:15:16 | 0:15:20 | |
The Warner Estate is made up of 4,000 similar redbrick homes. | 0:15:20 | 0:15:24 | |
It was built across 50 years by the enterprising Warner family | 0:15:24 | 0:15:28 | |
who once lived at the heart of the estate. | 0:15:28 | 0:15:30 | |
Blink, these days, and you might miss it, | 0:15:32 | 0:15:34 | |
but that was the family seat of the Warners, built in 1813. | 0:15:34 | 0:15:38 | |
Its elegant, Greek columns would once have looked out over | 0:15:38 | 0:15:41 | |
vast landscaped parkland. | 0:15:41 | 0:15:43 | |
Thomas Courtenay Theydon Warner, though, was a visionary | 0:15:43 | 0:15:46 | |
who saw an opportunity to build on the family land to accommodate | 0:15:46 | 0:15:50 | |
the swelling ranks of people escaping the city for the suburbs. | 0:15:50 | 0:15:53 | |
The Warner family created a standard look across the estate. | 0:15:57 | 0:16:00 | |
Doors and windows are painted a standard green and cream. | 0:16:00 | 0:16:03 | |
There are two originals behind me here. | 0:16:03 | 0:16:05 | |
And they branded the ends of buildings | 0:16:05 | 0:16:07 | |
and their gables with their monogram "W" or "WE", | 0:16:07 | 0:16:11 | |
a logo that marked out the quality rental homes | 0:16:11 | 0:16:14 | |
provided for you by the Warner family. | 0:16:14 | 0:16:17 | |
As day one progresses, the designers are also adding their own | 0:16:23 | 0:16:26 | |
design details to these half-houses. | 0:16:26 | 0:16:28 | |
In the back garden, Sarah is fashioning a wire lampshade. | 0:16:30 | 0:16:34 | |
I've never made one of these before, | 0:16:34 | 0:16:37 | |
so this is a brand-new invention. | 0:16:37 | 0:16:40 | |
THUNDER RUMBLES | 0:16:41 | 0:16:45 | |
-RAIN SPLASHES -Oh, here comes the rain. | 0:16:45 | 0:16:49 | |
THUNDER RUMBLES | 0:16:49 | 0:16:52 | |
Is that clouds' thunders? | 0:16:52 | 0:16:54 | |
The weather is trying its best to blow the designers off course... | 0:16:54 | 0:16:58 | |
THUNDER RUMBLES | 0:16:58 | 0:17:00 | |
That was the gods telling us to stop making the kitchen. | 0:17:00 | 0:17:04 | |
..but a little bit of rain is nothing | 0:17:13 | 0:17:15 | |
compared to decades of damp... | 0:17:15 | 0:17:17 | |
Oh, dear. | 0:17:17 | 0:17:18 | |
..on a chipboard kitchen. | 0:17:18 | 0:17:20 | |
Can we build batten up the back and front? | 0:17:20 | 0:17:24 | |
-And then... -Sarah's simple job of replacing the worktops has turned | 0:17:24 | 0:17:27 | |
into the major, time-consuming task of rebuilding the whole cupboard. | 0:17:27 | 0:17:32 | |
Where the sink was has been leaking for years, I think, | 0:17:32 | 0:17:36 | |
and it's rotten so it's all got to come out. | 0:17:36 | 0:17:38 | |
This is not easy right now cos I can't actually get on with anything. | 0:17:44 | 0:17:49 | |
The weather means we can't work outside, | 0:17:49 | 0:17:51 | |
so we can't get all the tools up and running, | 0:17:51 | 0:17:54 | |
and we're having to come up with solutions to replace | 0:17:54 | 0:17:57 | |
the whole back section of the kitchen, | 0:17:57 | 0:18:00 | |
which is a bit of a nightmare. | 0:18:00 | 0:18:03 | |
Overcoming problems quickly is something Sarah experienced | 0:18:03 | 0:18:06 | |
in round one when her clients didn't like the colour... | 0:18:06 | 0:18:09 | |
I now know I'm not going to be able to live with | 0:18:09 | 0:18:12 | |
the ceilings in this colour. | 0:18:12 | 0:18:14 | |
Painting back over the dark colour is going to be tricky. | 0:18:14 | 0:18:18 | |
..but her solution, to paint the ceiling white, | 0:18:18 | 0:18:21 | |
meant a compromise to her design. | 0:18:21 | 0:18:23 | |
It's not ideal, but it is what it is, | 0:18:23 | 0:18:26 | |
and I can't do anything about it now. | 0:18:26 | 0:18:29 | |
What I have here... | 0:18:33 | 0:18:35 | |
Now, Sarah needs to come up with a plan to fix the rotten cupboards | 0:18:35 | 0:18:38 | |
that pleases her homeowner but also works with her scheme. | 0:18:38 | 0:18:42 | |
What I want to do here is actually build in framework out of timber | 0:18:42 | 0:18:46 | |
and then have timber shelves going along. | 0:18:46 | 0:18:48 | |
There's no denying that Sarah's project is hugely challenging, | 0:18:48 | 0:18:51 | |
but she's thinking on her feet, she's coming up with solutions. | 0:18:51 | 0:18:54 | |
She's dealing with it in a really calm and collected way | 0:18:54 | 0:18:57 | |
and, I have to say, I'm really impressed. | 0:18:57 | 0:18:59 | |
-I'm so pleased you've got rid of this... -Oh, you are? | 0:18:59 | 0:19:02 | |
-Oh, yes, it was an eyesore. -OK. | 0:19:02 | 0:19:04 | |
I don't think we had a choice. It fell down when we took it out! | 0:19:04 | 0:19:08 | |
It's not just Sarah having to problem-solve. | 0:19:11 | 0:19:14 | |
Squeezing a living room and a kitchen into a smallish room | 0:19:14 | 0:19:18 | |
means Jamie is coming up with space-saving ideas. | 0:19:18 | 0:19:22 | |
This is the storage boxes which are going to house the toys, | 0:19:22 | 0:19:24 | |
and I wanted to, kind of, give it a padded top | 0:19:24 | 0:19:26 | |
so they can use it as a seating. | 0:19:26 | 0:19:28 | |
Creating something that can be used for loads of different things | 0:19:28 | 0:19:30 | |
was really important and hopefully I've ticked that box. | 0:19:30 | 0:19:35 | |
Jamie learned in the last round that he's not always | 0:19:35 | 0:19:37 | |
so considerate of both the room and his client. | 0:19:37 | 0:19:40 | |
Oh, are you liking it, or...? | 0:19:40 | 0:19:41 | |
-I'm slightly concerned that... -Right. | 0:19:41 | 0:19:44 | |
-..that it's slightly more modern than we were expecting. -Right. | 0:19:44 | 0:19:47 | |
DANIEL: What the brief was was traditional Scandinavian, | 0:19:47 | 0:19:50 | |
-and he didn't read the word "traditional". -Traditional. | 0:19:50 | 0:19:53 | |
I feel like I've sort of, missed something, | 0:19:53 | 0:19:55 | |
kind of, researching, kind of, traditional. I don't know. | 0:19:55 | 0:19:58 | |
I feel really sick. | 0:19:58 | 0:20:00 | |
But he impressed the judges with his bold look. | 0:20:00 | 0:20:03 | |
First of all, I've just got to say, what a transformation. | 0:20:03 | 0:20:06 | |
I like this, sort of, stencilling on the shutters. | 0:20:06 | 0:20:08 | |
It almost looks like a Fair Isle jumper. | 0:20:08 | 0:20:11 | |
TOOL BUZZES | 0:20:11 | 0:20:13 | |
Today, Jamie thinks he's got it all covered | 0:20:13 | 0:20:15 | |
but the judges are concerned he's missed something with the layout. | 0:20:15 | 0:20:19 | |
-OK, so, TV's there... -Yeah. | 0:20:19 | 0:20:21 | |
-..and unit below. -Your TV's there? -Yes. | 0:20:21 | 0:20:24 | |
Cos on your plan, the sofa was there. | 0:20:24 | 0:20:26 | |
So, the sofa was here, so it's kind of an L sofa. | 0:20:26 | 0:20:29 | |
It's an L shape. What's on that? What's on this wall here? | 0:20:29 | 0:20:32 | |
It's going to be crates, so it's going to be like a herb wall, | 0:20:32 | 0:20:34 | |
grow your own herbs and fruit and veg on the wall. | 0:20:34 | 0:20:36 | |
Ah, OK, so you can sit on the sofa and watch the herbs. | 0:20:36 | 0:20:39 | |
I do appreciate Jamie's enthusiasm | 0:20:41 | 0:20:43 | |
but his youthful naivete means he's missing some of the fundamentals. | 0:20:43 | 0:20:48 | |
-It's called getting the TV on the right wall. -Mmm. Mmm. | 0:20:48 | 0:20:51 | |
You're going to be sitting at the sofa looking at a herb garden. | 0:20:51 | 0:20:55 | |
Also dabbling with an off-the-wall idea, Lily's painted coving is | 0:20:59 | 0:21:03 | |
going up and she's giving some vintage chairs a retro face-lift. | 0:21:03 | 0:21:08 | |
OK, this is an original 1950s-1960s teak chair, | 0:21:08 | 0:21:13 | |
so I'm just going to cover over it. | 0:21:13 | 0:21:15 | |
I enjoy being creative a lot and making with my hands | 0:21:18 | 0:21:21 | |
but it is time-consuming and it does put a lot of pressure on you. | 0:21:21 | 0:21:26 | |
In the last round, Lily tried to impress | 0:21:29 | 0:21:31 | |
by taking on a multitude of crafting projects... | 0:21:31 | 0:21:34 | |
I've put so much in this competition - | 0:21:34 | 0:21:37 | |
so much planning and sleepless nights. | 0:21:37 | 0:21:40 | |
I didn't realise it would take this much work. | 0:21:40 | 0:21:43 | |
..but, ultimately, the judges thought less would have been more. | 0:21:43 | 0:21:47 | |
Maybe there's just too many gimmicks. | 0:21:47 | 0:21:49 | |
You've painted a border on the ceiling. | 0:21:51 | 0:21:53 | |
What's the reason behind that? | 0:21:53 | 0:21:55 | |
-Instead of buying a coving to make the edges disappear... -Mm-hmm. | 0:21:55 | 0:21:59 | |
..I'll just paint. I'll paint it, so... | 0:21:59 | 0:22:01 | |
So it's, sort of, visually, almost lifting the ceiling up higher? | 0:22:01 | 0:22:04 | |
That's one of the things, | 0:22:04 | 0:22:06 | |
but also because they wanted this fresh, contemporary, | 0:22:06 | 0:22:09 | |
but homely and inviting, and I wanted that kind of cocooning. | 0:22:09 | 0:22:13 | |
I'm pretending to understand you but I don't, | 0:22:13 | 0:22:16 | |
but you said it with such confidence | 0:22:16 | 0:22:18 | |
that I'm going to actually believe that it's going to be a great idea. | 0:22:18 | 0:22:21 | |
-How about that, Lily? -OK, that'll be great. | 0:22:21 | 0:22:23 | |
When Lily described that ceiling border, | 0:22:23 | 0:22:25 | |
I really wasn't sure about it but, now it's up, | 0:22:25 | 0:22:28 | |
it actually works and looks rather cool. | 0:22:28 | 0:22:31 | |
It's not just their schemes the designers are being tested on - | 0:22:34 | 0:22:38 | |
they're also getting a huge surprise, receiving a raw material | 0:22:38 | 0:22:42 | |
to incorporate into the rooms, to test their creativity. | 0:22:42 | 0:22:45 | |
-Hello, Lily. -Hi. -You know the routine. | 0:22:47 | 0:22:50 | |
-24 hours to turn this copper wire... -Oh. | 0:22:50 | 0:22:53 | |
..and some black and silver wire | 0:22:53 | 0:22:55 | |
-into something that is integrated into the room. -OK. | 0:22:55 | 0:22:58 | |
-That's kind of perfect for me today. -There's your challenge, then. | 0:22:58 | 0:23:01 | |
But what I'm really hoping you're going to do with that | 0:23:01 | 0:23:04 | |
is be really creative. | 0:23:04 | 0:23:05 | |
And we'll be looking forward to judging it. | 0:23:05 | 0:23:07 | |
-Good luck. -Thanks. | 0:23:07 | 0:23:10 | |
Wire! More wire! | 0:23:10 | 0:23:11 | |
How clever and creative they are... | 0:23:14 | 0:23:16 | |
What am I doing? | 0:23:16 | 0:23:18 | |
..will have a huge impact on the judges' final decision. | 0:23:18 | 0:23:22 | |
Slinky copper... | 0:23:22 | 0:23:23 | |
As soon as I, kind of, saw them, | 0:23:23 | 0:23:25 | |
the thing that, kind of, popped into my head is, | 0:23:25 | 0:23:27 | |
kind of, like a farmers' market basket that they store eggs in. | 0:23:27 | 0:23:30 | |
But first, loads of painting to do. | 0:23:30 | 0:23:32 | |
The judges will see their ideas later on. | 0:23:33 | 0:23:36 | |
As day one comes to a close, the designers are one step closer | 0:23:40 | 0:23:44 | |
to finding out who will leave at the end of this round. | 0:23:44 | 0:23:48 | |
I've had cupboards literally dissolve on me when we've touched | 0:23:48 | 0:23:51 | |
-them today, so we've got a lot of building work to do tomorrow. -Oh. | 0:23:51 | 0:23:55 | |
While Jamie is full of youthful enthusiasm... | 0:23:55 | 0:23:58 | |
I'm just excited to get started in the morning. | 0:23:58 | 0:24:00 | |
I just don't want to go home. I'd rather stay. | 0:24:00 | 0:24:03 | |
..and Lily is weathering what is thrown at her... | 0:24:03 | 0:24:06 | |
We've had some sun, | 0:24:06 | 0:24:07 | |
we've had some rain but we did start on the painting | 0:24:07 | 0:24:10 | |
and it's, like, a weight lifted. | 0:24:10 | 0:24:13 | |
..Sarah is left having a night on the tiles. | 0:24:13 | 0:24:16 | |
There's nothing I love more at 8.30pm on a Thursday evening | 0:24:16 | 0:24:21 | |
than to be scrubbing someone else's tiles. | 0:24:21 | 0:24:23 | |
After a few kitchen sink issues, | 0:24:36 | 0:24:38 | |
all three designers are forging ahead, but there's still | 0:24:38 | 0:24:41 | |
plenty to do before their rooms are ready to be revealed. | 0:24:41 | 0:24:45 | |
With one designer due to leave the competition after | 0:24:45 | 0:24:48 | |
the rooms are judged tomorrow, timings are crucial. | 0:24:48 | 0:24:51 | |
-Good morning, guys. -Good morning! -Morning. | 0:24:51 | 0:24:53 | |
OK, lots to do today. | 0:24:53 | 0:24:55 | |
My list is as long as my arm. | 0:24:55 | 0:24:57 | |
It's kind of a race against time. | 0:24:57 | 0:24:58 | |
We need to get things done so we can lay the floor. | 0:24:58 | 0:25:01 | |
It's all about, kind of, timetable-juggling. | 0:25:01 | 0:25:03 | |
Today is the longest day, | 0:25:03 | 0:25:05 | |
erm, so I'm just excited to, kind of, see what today brings. | 0:25:05 | 0:25:07 | |
Yesterday, Sarah was set back, | 0:25:07 | 0:25:09 | |
cos she had to rebuild the rotting cabinets for her country kitchen. | 0:25:09 | 0:25:13 | |
I'd like to say I've got a fighting spirit, but I don't know today. | 0:25:13 | 0:25:17 | |
There's a lot to do. Talk to me later. | 0:25:17 | 0:25:20 | |
Later, I'll be like, "Yeah, I did it!" | 0:25:20 | 0:25:23 | |
But, right now, yeah, | 0:25:23 | 0:25:26 | |
a tiny bit worn down. | 0:25:26 | 0:25:27 | |
Down but not out, | 0:25:29 | 0:25:32 | |
Sarah is pushing on by creating a feature from natural-toned hessian | 0:25:32 | 0:25:36 | |
stapled directly onto the wall... | 0:25:36 | 0:25:38 | |
Beautiful! | 0:25:39 | 0:25:40 | |
..a big departure from her usual bold colour choices. | 0:25:40 | 0:25:45 | |
It's looking great. | 0:25:45 | 0:25:46 | |
Really great. | 0:25:46 | 0:25:47 | |
Perfect. | 0:25:47 | 0:25:49 | |
Was there something last time that you got wrong that | 0:25:51 | 0:25:53 | |
you've made sure you're not going to get wrong again? | 0:25:53 | 0:25:55 | |
Mmm, I'm didn't go green this time. | 0:25:55 | 0:25:57 | |
Yeah, no green. | 0:25:57 | 0:25:59 | |
-Yeah. -What challenges has Walthamstow thrown up for you? | 0:25:59 | 0:26:02 | |
It's totally not my style | 0:26:02 | 0:26:05 | |
so it's a very pared-back, calm, soft palette. | 0:26:05 | 0:26:10 | |
No pattern, really, to speak of. | 0:26:10 | 0:26:13 | |
All the things that I live and breathe for. | 0:26:13 | 0:26:16 | |
I couldn't resist myself. | 0:26:16 | 0:26:19 | |
There's no holding back in Jamie's farmers' market kitchen. | 0:26:22 | 0:26:25 | |
It's all go as the cupboards and walls get a coat of green paint | 0:26:25 | 0:26:29 | |
but he is doing a U-turn on where to position the TV. | 0:26:29 | 0:26:33 | |
I went back and thought about it, | 0:26:33 | 0:26:34 | |
and I've decided to put the TV in the centre of the wall, | 0:26:34 | 0:26:37 | |
so you can, kind of, view it from all angles of the sofa, | 0:26:37 | 0:26:40 | |
which I think will work better than, | 0:26:40 | 0:26:41 | |
kind of, having it the way I originally planned. | 0:26:41 | 0:26:43 | |
Well, kind of, being the room, has, kind of... | 0:26:43 | 0:26:46 | |
Yeah, you realise that the space is quite small | 0:26:46 | 0:26:48 | |
and you need to, kind of, change things while you are here on-site. | 0:26:48 | 0:26:51 | |
I'm so impressed that Jamie is thinking about his homeowners | 0:26:51 | 0:26:55 | |
and designing this room around them, | 0:26:55 | 0:26:59 | |
but I am concerned they've got a lot of stuff in that kitchen | 0:26:59 | 0:27:01 | |
and I just don't know if he's going to get it all back in. | 0:27:01 | 0:27:04 | |
He's not adding kitchen storage but has designed a TV cabinet | 0:27:06 | 0:27:10 | |
from scaffolding board with a wallpapered back panel. | 0:27:10 | 0:27:13 | |
Do you do wallpapering as well? | 0:27:13 | 0:27:15 | |
Erm, I do, yeah. I don't... I don't do a lot of it. | 0:27:15 | 0:27:18 | |
-No, just so that you can tell us how to do it. -Yeah. | 0:27:18 | 0:27:21 | |
I've done it before myself but I just probably... | 0:27:21 | 0:27:23 | |
I'm going to look like an idiot, doing it. | 0:27:23 | 0:27:25 | |
But inexperience is no excuse not to give it a go. | 0:27:25 | 0:27:28 | |
I've only, kind of, done little bits in my own home of wallpapering. | 0:27:28 | 0:27:31 | |
I've never done it, like, properly, as, kind of, | 0:27:31 | 0:27:33 | |
like this in someone else's house. | 0:27:33 | 0:27:35 | |
And I've always had help from... | 0:27:35 | 0:27:36 | |
My mam, kind of, learnt us how to do it, and... | 0:27:36 | 0:27:38 | |
but, yeah, but hopefully it'll kind of work | 0:27:38 | 0:27:40 | |
and there'll be no issues. Yeah. | 0:27:40 | 0:27:44 | |
Lily is also taking a gamble, | 0:27:47 | 0:27:49 | |
embarking on a time-consuming mural on the dining room wall. | 0:27:49 | 0:27:54 | |
I had to get some kind of pattern in this room, | 0:27:54 | 0:27:56 | |
rather than just plain. | 0:27:56 | 0:27:58 | |
They said "quirky". | 0:27:58 | 0:27:59 | |
They said they want a bit of quirky but not too wacky. | 0:27:59 | 0:28:03 | |
I don't think this is wacky. | 0:28:03 | 0:28:06 | |
Now you're on your second project, do you feel like | 0:28:06 | 0:28:08 | |
you've inched closer to being a professional interior designer? | 0:28:08 | 0:28:11 | |
I think I'm more confident with my ideas | 0:28:11 | 0:28:14 | |
this time round, definitely. | 0:28:14 | 0:28:15 | |
Erm, gosh, about professional, I don't know. | 0:28:15 | 0:28:18 | |
How did you feel when you got the brief? What did you think of it? | 0:28:18 | 0:28:20 | |
I have never designed or decorated a kitchen, even my own kitchen. | 0:28:20 | 0:28:25 | |
It's... It's a huge amount of work but I'm actually enjoying it. | 0:28:25 | 0:28:29 | |
Oh, steady. | 0:28:29 | 0:28:31 | |
That huge workload has been added to, | 0:28:33 | 0:28:35 | |
as Lily and the other designers have been asked to prove | 0:28:35 | 0:28:38 | |
their creativity by integrating some wire into their schemes. | 0:28:38 | 0:28:43 | |
I have no idea what I'm doing here, here, you know, | 0:28:43 | 0:28:46 | |
as you can probably tell. | 0:28:46 | 0:28:48 | |
How well they rise to this challenge will affect who stays | 0:28:48 | 0:28:52 | |
and who leaves the competition. | 0:28:52 | 0:28:54 | |
Jamie is moulding the wire to make an egg basket. | 0:28:54 | 0:28:57 | |
There's, like, a million different things you could do | 0:28:57 | 0:29:00 | |
with wire, but this was, kind of, the first thing that | 0:29:00 | 0:29:02 | |
popped into my head and it fits with the scheme of the farmers' market. | 0:29:02 | 0:29:05 | |
It does fit his theme, although, it looks a bit home-made. | 0:29:05 | 0:29:09 | |
Yes, he's taking that farmers' market theme | 0:29:09 | 0:29:11 | |
just a little bit too literally. | 0:29:11 | 0:29:13 | |
Cool. | 0:29:16 | 0:29:17 | |
I'm going to make a wind chime | 0:29:18 | 0:29:21 | |
because that back door doesn't have any accessory on it. | 0:29:21 | 0:29:26 | |
The other thing I could do is make a vase out of it. | 0:29:26 | 0:29:29 | |
True to form, Lily can't resist stretching herself, | 0:29:29 | 0:29:32 | |
so is making both a wind chime and a vase. | 0:29:32 | 0:29:35 | |
I'll put some flowers in it or something in it | 0:29:35 | 0:29:37 | |
and they probably will not hate it so much. | 0:29:37 | 0:29:41 | |
Typical Lily, doing more than one project. | 0:29:41 | 0:29:42 | |
Yeah, but none of them work for me. Have you seen that wind chime? | 0:29:42 | 0:29:45 | |
All it's going to do is knock you over the head with a pebble. | 0:29:45 | 0:29:49 | |
Sarah, however, is taking an easy route. | 0:29:49 | 0:29:52 | |
She is simply adding to her existing wire lampshade. | 0:29:52 | 0:29:56 | |
I'm making a big flower. | 0:29:56 | 0:29:59 | |
Quite a good opportunity to de-industrialise this light. | 0:29:59 | 0:30:03 | |
There's not much ambition there. | 0:30:03 | 0:30:04 | |
All she's done is stick a bit of wire on a lamp she'd already made. | 0:30:04 | 0:30:07 | |
Yeah, it's really disappointing. | 0:30:07 | 0:30:10 | |
I was worried about whether this was right for the homeowner | 0:30:10 | 0:30:13 | |
but there are going to be elements she wouldn't necessarily want, | 0:30:13 | 0:30:18 | |
but it's all in the name of creativity. | 0:30:18 | 0:30:21 | |
Pretty. | 0:30:21 | 0:30:22 | |
The items will be judged on how well they integrate | 0:30:22 | 0:30:25 | |
into the entire schemes, so the judges will have to wait to see them | 0:30:25 | 0:30:28 | |
in the completed rooms. | 0:30:28 | 0:30:29 | |
With a lot to do, Lily needs to get her laminate flooring laid, | 0:30:35 | 0:30:39 | |
but there's a problem. | 0:30:39 | 0:30:40 | |
Have you got soundproof underlay for that? | 0:30:40 | 0:30:44 | |
-No, I don't. -OK... | 0:30:44 | 0:30:45 | |
Now, can we just put the floor on top of this | 0:30:45 | 0:30:48 | |
and use this as underlay? | 0:30:48 | 0:30:49 | |
Erm, no. | 0:30:49 | 0:30:51 | |
-OK, so I need to get that, then? -It needs to be sound-rated. | 0:30:51 | 0:30:54 | |
Being a first-floor flat, there may be building regulations | 0:30:54 | 0:30:57 | |
about the type of underlay for laminates, so Lily calls her client. | 0:30:57 | 0:31:00 | |
-OK. -I think we need to see the lease | 0:31:00 | 0:31:02 | |
to make sure that we are doing what is specified. | 0:31:02 | 0:31:07 | |
-I don't know off the top of my head... -Mm-hmm? | 0:31:07 | 0:31:09 | |
..and I can't tell you exactly where it is, | 0:31:09 | 0:31:12 | |
so I wouldn't be able to get it out until this evening. | 0:31:12 | 0:31:14 | |
Waiting until the end of the day will limit Lily's options | 0:31:14 | 0:31:17 | |
so she's got an idea. | 0:31:17 | 0:31:19 | |
-Erm... -I mean, the other option, Yasmin, | 0:31:19 | 0:31:21 | |
-because we really need to change the floor anyway, was... -Yeah. | 0:31:21 | 0:31:24 | |
..if I were to research on getting a wood-effect vinyl. | 0:31:24 | 0:31:30 | |
-Yeah, the thing is, I really don't like vinyl. -OK. | 0:31:30 | 0:31:34 | |
That was one of the main reasons to get rid of what we've got, | 0:31:34 | 0:31:37 | |
cos I really don't like the vinyl. | 0:31:37 | 0:31:40 | |
Lily's schedule will hang in the balance until tonight, | 0:31:40 | 0:31:43 | |
when they can check the lease. | 0:31:43 | 0:31:45 | |
We don't want to do something that we can | 0:31:45 | 0:31:47 | |
get in trouble for later on, | 0:31:47 | 0:31:49 | |
so I'll see later. | 0:31:49 | 0:31:51 | |
Busy professionals like Lily's homeowners are exactly the type | 0:31:55 | 0:31:59 | |
of people Warner wanted to take up residence in his half houses. | 0:31:59 | 0:32:03 | |
Warner advertised in local newspapers. He was one of the first | 0:32:03 | 0:32:07 | |
property developers to do so and it's clear from these | 0:32:07 | 0:32:09 | |
original photographs exactly the kind of image | 0:32:09 | 0:32:12 | |
he was keen to promote. | 0:32:12 | 0:32:13 | |
These days, our living rooms are cosy and casual spaces, | 0:32:16 | 0:32:20 | |
but back in the late 19th century and early 20th century | 0:32:20 | 0:32:23 | |
when these flats were built, they'd have been much more formal | 0:32:23 | 0:32:26 | |
and light would have flooded in from the front, | 0:32:26 | 0:32:28 | |
though estate rules meant that you had to have net curtains | 0:32:28 | 0:32:32 | |
and you'd be fined if they were anything | 0:32:32 | 0:32:33 | |
other than perfectly spotless. | 0:32:33 | 0:32:35 | |
Spotless curtains are on Sarah's mind, too. | 0:32:43 | 0:32:46 | |
These are the curtains for the front of the kitchen cupboards. | 0:32:46 | 0:32:51 | |
Even though we haven't got any kitchen cupboards yet! | 0:32:52 | 0:32:55 | |
The curtains will be in front of the cooker | 0:32:55 | 0:32:58 | |
so the material must be heat-resistant and fire-retardant. | 0:32:58 | 0:33:02 | |
I didn't want this to be a flowery kitchen and when you're putting | 0:33:02 | 0:33:05 | |
curtains in, I think it can look a bit OTT, | 0:33:05 | 0:33:09 | |
although I do rather like OTT. | 0:33:09 | 0:33:11 | |
Sarah seems to be learning restraint... | 0:33:14 | 0:33:16 | |
..while Jamie is learning about practical layouts. | 0:33:19 | 0:33:22 | |
-With his TV cabinet finished... -Perfect. | 0:33:23 | 0:33:26 | |
..his next job is to decide where to put the family fish tank. | 0:33:27 | 0:33:31 | |
I think I'm just going to move it... | 0:33:32 | 0:33:34 | |
Actually, it'll need to be plugged in. | 0:33:34 | 0:33:37 | |
But maybe next... | 0:33:40 | 0:33:42 | |
Yeah, it'll be moved, but not too far. | 0:33:42 | 0:33:44 | |
If that's not confusing enough... | 0:33:45 | 0:33:48 | |
This looks interesting. | 0:33:48 | 0:33:50 | |
Hold on, what is that? | 0:33:51 | 0:33:52 | |
He also has to put together the new sofa his clients have bought. | 0:33:52 | 0:33:56 | |
Hopefully it'll fit and not take over the kitchen! | 0:33:56 | 0:33:59 | |
'So what did you think when you got the brief for a kitchen? | 0:34:00 | 0:34:03 | |
'I mean, not only a kitchen, | 0:34:03 | 0:34:04 | |
-'a kitchen with a living space as well. -Yeah.' | 0:34:04 | 0:34:06 | |
Really scared, but kind of willing to take on the challenge. | 0:34:06 | 0:34:09 | |
Not being in the space, as well, to see how big it is for the sofa | 0:34:09 | 0:34:12 | |
and everything, kind of, trying to spatial plan it. | 0:34:12 | 0:34:15 | |
This is what I'm here for, to push myself and kind of do these | 0:34:15 | 0:34:18 | |
things so I can prove that I can take on bigger things in the future. | 0:34:18 | 0:34:22 | |
The designers are around the halfway point of their project and | 0:34:29 | 0:34:33 | |
the time has come for them to reveal their progress to their homeowners. | 0:34:33 | 0:34:37 | |
The client generally goes away overnight, thinks about it a bit, | 0:34:37 | 0:34:41 | |
and then they come back with things they'd been worrying about a bit, | 0:34:41 | 0:34:44 | |
so I wouldn't be surprised if there were more changes, | 0:34:44 | 0:34:47 | |
but we shall have to see. | 0:34:47 | 0:34:49 | |
After her experience in the last round, | 0:34:49 | 0:34:51 | |
Sarah is particularly keen to avoid any deviations from her design. | 0:34:51 | 0:34:56 | |
-Can I touch it? -Yes, please! | 0:34:56 | 0:34:59 | |
Wow... Oh, it's lovely. | 0:34:59 | 0:35:01 | |
Hiya! | 0:35:01 | 0:35:02 | |
-Oh, I love the colours. -Lovely, isn't it? | 0:35:02 | 0:35:05 | |
-Yeah, they work so well. Oh, and the cupboard doors! -Yep! | 0:35:05 | 0:35:09 | |
-Oh, wow! It's lucky I like green! -It's all coming together. | 0:35:09 | 0:35:12 | |
LAUGHTER | 0:35:12 | 0:35:13 | |
The visit is the homeowner's first opportunity to see | 0:35:13 | 0:35:16 | |
some of the designers' more unusual concepts. | 0:35:16 | 0:35:19 | |
OK, these three lights, these two, will they have shades on them? | 0:35:20 | 0:35:23 | |
-Will they have covers on them? -No, the lights hanging down here, | 0:35:23 | 0:35:27 | |
hopefully what's going to happen is that you'll get | 0:35:27 | 0:35:29 | |
shadows of this on the ceiling. | 0:35:29 | 0:35:32 | |
I think the homeowner liked the lights. | 0:35:32 | 0:35:35 | |
She seemed to go with it, she didn't seem worried by any of it. | 0:35:35 | 0:35:38 | |
However... | 0:35:38 | 0:35:39 | |
I'm not entirely sold, at this stage, on the lamp | 0:35:39 | 0:35:42 | |
which will be in the centre of the kitchen. | 0:35:42 | 0:35:45 | |
It would have been nice to have had, erm... | 0:35:45 | 0:35:49 | |
some fabric. | 0:35:49 | 0:35:50 | |
While Lily awaits the return of her homeowners, it's all hands on deck. | 0:35:55 | 0:35:59 | |
Full house at the moment. | 0:35:59 | 0:36:01 | |
We've got the electrician, we've got the builder, | 0:36:01 | 0:36:03 | |
we've got the painter and I've got my mural to do, | 0:36:03 | 0:36:07 | |
so four people in a small kitchen trying to work around each other. | 0:36:07 | 0:36:11 | |
Room for two more? | 0:36:11 | 0:36:12 | |
-Now, I'm looking at the floor. Nothing's changed. -Huge problem. | 0:36:14 | 0:36:17 | |
You were planning on a laminate. Huge problem? What's happening? | 0:36:17 | 0:36:20 | |
It's just this whole thing about building regulations | 0:36:20 | 0:36:23 | |
and we didn't know there was no underlay, we don't know what's | 0:36:23 | 0:36:26 | |
in the lease and they can only come back tonight and get the lease. | 0:36:26 | 0:36:29 | |
Lily's got a major situation going on with that floor | 0:36:29 | 0:36:31 | |
and I could see fear in her eyes. | 0:36:31 | 0:36:33 | |
I mean, it totally needs dealing with. | 0:36:33 | 0:36:35 | |
Leaving such a big job till the end could cost Lily time and money. | 0:36:35 | 0:36:40 | |
Nowadays, building regulations are often strict | 0:36:42 | 0:36:45 | |
when it comes to soundproofing flats, | 0:36:45 | 0:36:47 | |
but when these half houses were built, | 0:36:47 | 0:36:49 | |
noises from next door could be made into a virtue each morning. | 0:36:49 | 0:36:53 | |
There are even tales of neighbours instigating a four-way alarm system. | 0:36:53 | 0:36:57 | |
Downstairs knocked on the ceiling, they in turn knocked on the wall, | 0:36:57 | 0:37:01 | |
they in turn knocked on the floor and everyone got to work on time. | 0:37:01 | 0:37:04 | |
The floors may have been thin, but the workmanship | 0:37:07 | 0:37:10 | |
of the buildings was a cut above the average Victorian terrace. | 0:37:10 | 0:37:14 | |
Gables vary from pitched to curved to stepped, from pebbledashed | 0:37:14 | 0:37:19 | |
to stripy brick and these rather decorative terracotta tiles | 0:37:19 | 0:37:23 | |
add a touch of class to otherwise modest homes. | 0:37:23 | 0:37:27 | |
It's approaching the end of day two. | 0:37:32 | 0:37:35 | |
Lily's wait is nearly over. | 0:37:35 | 0:37:37 | |
She's about to hear if the homeowners' lease demands | 0:37:37 | 0:37:40 | |
specialist underlay for her laminate flooring. | 0:37:40 | 0:37:43 | |
We've checked the lease, haven't we? | 0:37:43 | 0:37:45 | |
Yeah, we've checked over the lease, there's nothing... | 0:37:45 | 0:37:47 | |
absolutely nothing in it about, sort of, noise levels and decibel levels. | 0:37:47 | 0:37:51 | |
I think that's good news | 0:37:51 | 0:37:52 | |
because that has solved my dilemma for the day. | 0:37:52 | 0:37:55 | |
Nothing was specified on the lease at all. | 0:37:55 | 0:37:58 | |
We can just use the normal-grade flooring that flooring companies | 0:37:58 | 0:38:02 | |
sell, so we're good. | 0:38:02 | 0:38:04 | |
But the delay has cost Lily dearly. | 0:38:04 | 0:38:06 | |
It's so late in the day, the floor will have to go down tomorrow. | 0:38:06 | 0:38:10 | |
Down the road, Sarah is visiting Jamie's room... | 0:38:12 | 0:38:16 | |
I love this wood, it's nice. | 0:38:16 | 0:38:18 | |
..and she seems green with envy. | 0:38:18 | 0:38:20 | |
It's looking lovely. She'll be very happy. | 0:38:20 | 0:38:23 | |
How are you getting on with yours? | 0:38:23 | 0:38:25 | |
-Oh, day two insanity. -Yeah. | 0:38:25 | 0:38:27 | |
Exhausted. | 0:38:27 | 0:38:29 | |
'She seemed really stressed and seemed like she had' | 0:38:29 | 0:38:31 | |
a lot more to do and wanting to get straight back to her room. | 0:38:31 | 0:38:33 | |
It doesn't make me feel panicky cos, obviously, | 0:38:33 | 0:38:36 | |
I'm kind of in a good place at the minute. | 0:38:36 | 0:38:38 | |
I'm just kind of excited to see what tomorrow brings | 0:38:38 | 0:38:40 | |
and kind of seeing the end result. | 0:38:40 | 0:38:42 | |
But as the curtain falls on day two... | 0:38:42 | 0:38:45 | |
Oh, God... | 0:38:45 | 0:38:46 | |
..with her measurements wrong... | 0:38:46 | 0:38:48 | |
That's much lower than that side. | 0:38:48 | 0:38:50 | |
..Sarah's in for a long night. | 0:38:50 | 0:38:52 | |
I've got to sew them up. | 0:38:52 | 0:38:53 | |
I always said I wouldn't do this, be sewing up to the end. | 0:38:55 | 0:38:59 | |
But I just know tomorrow morning we haven't got a lot of time. | 0:39:01 | 0:39:04 | |
Here's my depressed face. | 0:39:06 | 0:39:08 | |
It's the final day of this round | 0:39:19 | 0:39:22 | |
and one designer won't be going any further. | 0:39:22 | 0:39:24 | |
To stay in the competition, | 0:39:24 | 0:39:26 | |
our three amateurs need to make the most of the last few hours. | 0:39:26 | 0:39:29 | |
'At this second-round stage, | 0:39:31 | 0:39:32 | |
'the scrutiny from the judges will be even tougher.' | 0:39:32 | 0:39:35 | |
So, last night I probably went home at about ten and it gave me | 0:39:37 | 0:39:41 | |
a chance to kind of clean down and get ready for today | 0:39:41 | 0:39:44 | |
so that we can literally get in there, finish off and dress. | 0:39:44 | 0:39:47 | |
I've got to build the sofa and there's a few little last bits | 0:39:47 | 0:39:51 | |
with the crates to go onto the wall for the herb wall. | 0:39:51 | 0:39:54 | |
'But Lily is the designer facing the biggest time pressure | 0:39:54 | 0:39:57 | |
'as she still needs her laminate floor to be delivered.' | 0:39:57 | 0:40:00 | |
We only got the go-ahead last night and that was, like, half six | 0:40:00 | 0:40:04 | |
so it had to be done this morning, | 0:40:04 | 0:40:06 | |
so yeah, it's all very kind of tight. | 0:40:06 | 0:40:09 | |
While she waits, Lily goes on the hunt for hooks | 0:40:09 | 0:40:11 | |
to hang her tea towels. | 0:40:11 | 0:40:13 | |
Look what I got! | 0:40:13 | 0:40:15 | |
I walked past this discarded chest of drawers | 0:40:15 | 0:40:18 | |
with some broken, erm...handles | 0:40:18 | 0:40:21 | |
and I got some and these are retro | 0:40:21 | 0:40:24 | |
and they are perfect for my kitchen, so look! | 0:40:24 | 0:40:27 | |
She's found a way to save some time, too. | 0:40:29 | 0:40:33 | |
They don't need to be drilled onto the wall as they only will | 0:40:33 | 0:40:36 | |
have tea towels so they can just be stuck on the wall with a glue gun. | 0:40:36 | 0:40:41 | |
Last time, Lily tried to achieve so much, | 0:40:43 | 0:40:45 | |
but sometimes the quality of the finish wasn't quite there. | 0:40:45 | 0:40:47 | |
Has she got a handle on it this time? | 0:40:47 | 0:40:49 | |
We know we're going to get bags of creativity from Lily | 0:40:49 | 0:40:52 | |
although the jury's very much out for me at the moment. | 0:40:52 | 0:40:54 | |
It's looking a little bonkers. | 0:40:54 | 0:40:56 | |
We've got loads of, kind of, stripes on the ceiling, | 0:40:56 | 0:40:58 | |
feature walls and there's still the original floor down there, | 0:40:58 | 0:41:01 | |
so if she's actually going to pull it off...is yet to be seen. | 0:41:01 | 0:41:04 | |
'There's a lot going on with Jamie's farmers' market theme, too. | 0:41:07 | 0:41:11 | |
'As the apple crate storage goes up...' | 0:41:11 | 0:41:14 | |
Yeah. | 0:41:14 | 0:41:15 | |
'..Jamie cracks on with stencilling a botanical pattern | 0:41:15 | 0:41:18 | |
'on his blind and footstool.' | 0:41:18 | 0:41:20 | |
I first kind of did this back at school. | 0:41:20 | 0:41:22 | |
It's nice and simple, anyone can do it | 0:41:22 | 0:41:24 | |
and it's nice just to use little tester pots that don't | 0:41:24 | 0:41:26 | |
really cost anything to transform something really simple. | 0:41:26 | 0:41:30 | |
Is Jamie's kitchen shaping up well? | 0:41:30 | 0:41:32 | |
They asked for a botanical theme and he's picked the obvious colour | 0:41:32 | 0:41:35 | |
choice, green, and he's put it on all the walls | 0:41:35 | 0:41:38 | |
and on the cupboards, too. | 0:41:38 | 0:41:40 | |
Concerned that they might be a little bit overpowering | 0:41:40 | 0:41:43 | |
in such a small space. | 0:41:43 | 0:41:44 | |
Green's a bit oppressive, if I'm honest. | 0:41:44 | 0:41:46 | |
One of Sarah's last big jobs is to fix the curtains | 0:41:49 | 0:41:52 | |
she made last night. | 0:41:52 | 0:41:53 | |
Oh, no, I can't do that. | 0:41:54 | 0:41:56 | |
I've just realised that this needs to be right on the end | 0:41:59 | 0:42:04 | |
because the cooker's here so you need to be able to run it all | 0:42:04 | 0:42:07 | |
the way back that way when, erm...when you're cooking. | 0:42:07 | 0:42:11 | |
You don't want it in front of the cooker. | 0:42:11 | 0:42:14 | |
'It's a sensible solution that works in addition to the fabric | 0:42:14 | 0:42:17 | |
'being fire-retardant.' | 0:42:17 | 0:42:19 | |
That's what happens when you're working | 0:42:19 | 0:42:21 | |
till ten o'clock at night - | 0:42:21 | 0:42:23 | |
not concentrating. | 0:42:23 | 0:42:25 | |
Last time, Sarah wowed us with some really bold colour. | 0:42:25 | 0:42:28 | |
Is she doing something similar this time? | 0:42:28 | 0:42:30 | |
Well, the brief doesn't require a bold colour story this time, | 0:42:30 | 0:42:33 | |
actually. It's a lot to do with the practicalities. | 0:42:33 | 0:42:35 | |
Exactly. Some of the things that she's chosen to do, | 0:42:35 | 0:42:37 | |
I don't know if they'll work that well. | 0:42:37 | 0:42:39 | |
'The designers have had three days | 0:42:44 | 0:42:46 | |
'and £1,000 to transform a kitchen each.' | 0:42:46 | 0:42:49 | |
I think at this stage I can just... | 0:42:49 | 0:42:51 | |
do what we can, do the best we can, really, at this stage. | 0:42:51 | 0:42:56 | |
They've been challenged to get creative with wire | 0:42:57 | 0:43:00 | |
and tested on their client presentation skills, in which | 0:43:00 | 0:43:03 | |
Lily impressed the most, but have the other two overtaken her? | 0:43:03 | 0:43:07 | |
Brilliant. | 0:43:07 | 0:43:09 | |
As the deadline approaches, Sarah is finding that old habits die hard. | 0:43:09 | 0:43:13 | |
I couldn't resist a little bit of floral | 0:43:13 | 0:43:15 | |
so I'm going to cover this old stool that I found. | 0:43:15 | 0:43:19 | |
I love a bit of floral, me. | 0:43:19 | 0:43:21 | |
With just the final touches to go, it's a far cry | 0:43:24 | 0:43:27 | |
from the disastrous rotted kitchen that collapsed just 48 hours ago. | 0:43:27 | 0:43:31 | |
We've got five minutes to go. | 0:43:34 | 0:43:36 | |
Who would have thought it? | 0:43:37 | 0:43:40 | |
This is the bit where I go... | 0:43:40 | 0:43:41 | |
-SHE GASPS -.."I've forgotten that!" | 0:43:41 | 0:43:43 | |
It's too late now. It's just me and my cup of tea. | 0:43:43 | 0:43:46 | |
Sarah's brief was to create a rustic country kitchen. | 0:43:48 | 0:43:51 | |
Three days ago, crumbling cabinets were crying out | 0:43:53 | 0:43:56 | |
for some design attention. | 0:43:56 | 0:43:57 | |
Now it's a homely room with style. | 0:44:07 | 0:44:09 | |
Sarah has created a muted traditional look | 0:44:12 | 0:44:15 | |
with duck-egg blue units and cream walls. | 0:44:15 | 0:44:18 | |
A hessian wall panel adds to the soft scheme. | 0:44:19 | 0:44:22 | |
She's hung handmade curtains to cover the units and added storage | 0:44:22 | 0:44:26 | |
with open shelving as well as some floral and more modern details. | 0:44:26 | 0:44:32 | |
I hope when the judges come in I can hear them go, "Wow!" | 0:44:32 | 0:44:36 | |
cos it is a total transformation | 0:44:36 | 0:44:39 | |
so if they can't see the difference then, erm... | 0:44:39 | 0:44:43 | |
I'll be getting them glasses. | 0:44:43 | 0:44:45 | |
That is quite a transformation in 48 hours! | 0:44:51 | 0:44:55 | |
Astonishing. | 0:44:55 | 0:44:56 | |
I like Sarah's selection of colours as well. | 0:44:56 | 0:44:58 | |
This clotted cream colour reminds me of old dairies. | 0:44:58 | 0:45:02 | |
It's a really old-fashioned colour and, again, we all know this colour, | 0:45:02 | 0:45:06 | |
but it's such a successful one, this duck-egg blue works very well. | 0:45:06 | 0:45:10 | |
One concern we had was that there was going to be too much | 0:45:10 | 0:45:13 | |
fabric in here and it's not really very practical for a kitchen. | 0:45:13 | 0:45:16 | |
Looking at this now - move that across, Sophie - | 0:45:16 | 0:45:18 | |
that works beautifully cos it stays over at that side, | 0:45:18 | 0:45:22 | |
it's not gathering up too tightly and then that oven, | 0:45:22 | 0:45:25 | |
which has seen better days, frankly, is hidden most of the time. | 0:45:25 | 0:45:28 | |
It's done a lot in Provence, it's very trendy in France to do | 0:45:28 | 0:45:31 | |
that and I think it's travelled very well. | 0:45:31 | 0:45:33 | |
Is this a bit of fabric too much, though, | 0:45:33 | 0:45:35 | |
putting it on the wall like this? | 0:45:35 | 0:45:37 | |
Really do question how practical it is. | 0:45:37 | 0:45:39 | |
You've only got to open a pot of ketchup at the dining table | 0:45:39 | 0:45:42 | |
and it goes up there and that whole beautiful display is ruined. | 0:45:42 | 0:45:46 | |
You can't clean it. | 0:45:46 | 0:45:47 | |
As well as the scheme, Sophie and Daniel will judge each | 0:45:47 | 0:45:50 | |
designer on how inventive they've been with the wire they supplied. | 0:45:50 | 0:45:54 | |
She's used the copper wire to add some flower shapes to a wire light. | 0:45:54 | 0:45:57 | |
They look slightly confusing to me. | 0:45:57 | 0:46:00 | |
-I think it's overkill. -Hm. | 0:46:00 | 0:46:02 | |
I think the homeowner's going to love it. | 0:46:02 | 0:46:05 | |
It's soft, it's pretty, it's functional. | 0:46:05 | 0:46:08 | |
If she doesn't love it, I'll have it. | 0:46:08 | 0:46:11 | |
How happy the homeowners are with the finished schemes will inform | 0:46:11 | 0:46:14 | |
the judges' final decision. | 0:46:14 | 0:46:16 | |
Right, in you come...to your new country kitchen in Walthamstow. | 0:46:16 | 0:46:21 | |
Wow. | 0:46:21 | 0:46:23 | |
I'm overwhelmed, actually, | 0:46:23 | 0:46:24 | |
because it is so different from how it was two days ago. | 0:46:24 | 0:46:28 | |
The colour scheme is good. | 0:46:28 | 0:46:30 | |
I have a slight reservation about that, | 0:46:30 | 0:46:32 | |
but everything else, I think she's done a splendid job. | 0:46:32 | 0:46:35 | |
I'm very, very pleased. | 0:46:35 | 0:46:37 | |
Next, Jamie's time is almost up. | 0:46:41 | 0:46:44 | |
We're kind of seeing the sofa and it's kind of... | 0:46:44 | 0:46:46 | |
The room's coming together now. | 0:46:46 | 0:46:48 | |
In this round, the judges have pushed Jamie | 0:46:48 | 0:46:50 | |
to prove his spatial planning skills. | 0:46:50 | 0:46:52 | |
They're great. We're done. | 0:46:55 | 0:46:57 | |
It's kind of overwhelming seeing your designs being made real. | 0:46:59 | 0:47:03 | |
I think your emotions get mixed at this stage cos you're | 0:47:03 | 0:47:06 | |
really happy and you're kind of sad as well cos it could be the end. | 0:47:06 | 0:47:09 | |
Jamie's brief was to create a farmer's market inspired kitchen | 0:47:09 | 0:47:12 | |
cum living room. | 0:47:12 | 0:47:13 | |
Three days ago, it was a cluttered room, lacking character. | 0:47:15 | 0:47:18 | |
Now it's a multifunctional family room. | 0:47:22 | 0:47:25 | |
He's cultivated natural tones of olive and avocado on cabinets | 0:47:28 | 0:47:33 | |
and walls. | 0:47:33 | 0:47:35 | |
And added accents of earthy terracotta on soft furnishings. | 0:47:35 | 0:47:39 | |
He's used reclaimed scaffolding board to create a TV cabinet. | 0:47:39 | 0:47:43 | |
And vegetable crates as extra kitchen storage. | 0:47:44 | 0:47:48 | |
This is the second room I've designed, | 0:47:48 | 0:47:50 | |
and kind of each stage you are learning all the time, | 0:47:50 | 0:47:52 | |
and I'm feeling more confident in myself, and as a designer. | 0:47:52 | 0:47:55 | |
So, I hope I've done enough to impress the judges. | 0:47:55 | 0:47:57 | |
SHE LAUGHS | 0:47:59 | 0:48:01 | |
Isn't it fun? I'm going to have to say, I walk in here and I get a | 0:48:02 | 0:48:05 | |
huge smile smacked on my face. | 0:48:05 | 0:48:07 | |
Just what they were asking for, in terms of the look. | 0:48:07 | 0:48:10 | |
I'm just going to do the TV test. Yeah, I think he's got away with that, | 0:48:10 | 0:48:13 | |
because he talked about putting it here, which would have been | 0:48:13 | 0:48:16 | |
a disaster because that would have given you neck ache. | 0:48:16 | 0:48:18 | |
-But I think by moving it into that cabinet, he's got away with it. -Mmm. | 0:48:18 | 0:48:23 | |
For the first time, the judges will see Jamie's egg basket in situ, | 0:48:23 | 0:48:27 | |
-but has he cracked it? -I'm a bit speechless. | 0:48:27 | 0:48:30 | |
Is that a good one or a bad speechless? | 0:48:30 | 0:48:32 | |
I don't know, there's something very childlike about it, and I think, | 0:48:32 | 0:48:35 | |
in this very kind of rustic, organic setting, you can get away with that. | 0:48:35 | 0:48:40 | |
You were concerned about all these greens, that they would look really oppressive. | 0:48:40 | 0:48:44 | |
And the solution was some brick accent colours, but who would have | 0:48:44 | 0:48:49 | |
guessed it would also be in the carrots, and a ball of string, too? | 0:48:49 | 0:48:53 | |
Ingenious. | 0:48:53 | 0:48:54 | |
This herb garden wall has always been quite a contentious issue | 0:48:54 | 0:48:57 | |
with us, because we felt he was being a little indulgent. | 0:48:57 | 0:49:00 | |
But actually what he's done is create a really lovely | 0:49:00 | 0:49:04 | |
collection of objects that all really hang together. | 0:49:04 | 0:49:06 | |
I love the letters, I love that apple crate. | 0:49:06 | 0:49:08 | |
But the joke goes too far by playing the same game on this wall. | 0:49:08 | 0:49:13 | |
I think some flat storage, painted in the same colour of the wall, | 0:49:13 | 0:49:17 | |
would have been a good, practical approach, | 0:49:17 | 0:49:19 | |
and would have just shown that Jamie not only can have fun in a room, | 0:49:19 | 0:49:23 | |
but he actually can be quite serious about his practicalities. | 0:49:23 | 0:49:26 | |
I'm proud of it. I feel like the homeowner is going to love it. | 0:49:28 | 0:49:31 | |
I put a lot of effort into it, so, yeah, hope it pays off. | 0:49:31 | 0:49:36 | |
Right, come on through to your new kitchen cum lounge cum | 0:49:38 | 0:49:42 | |
-living space. -Oh, my goodness. Oh, it looks so nice. | 0:49:42 | 0:49:46 | |
-Oh, I'm shaking. -SHE LAUGHS | 0:49:46 | 0:49:49 | |
Oh, it is too much to take in. | 0:49:49 | 0:49:51 | |
-Oh. -There's enough storage for you? | 0:49:51 | 0:49:54 | |
Yeah, I think so. I have to say, it looks lovely. | 0:49:54 | 0:49:59 | |
Oh! Oh! | 0:49:59 | 0:50:00 | |
So exciting, I want to see Jamie so I can give him a hug. | 0:50:00 | 0:50:03 | |
SHE LAUGHS | 0:50:03 | 0:50:05 | |
In Lily's kitchen, the floor has finally arrived. | 0:50:10 | 0:50:14 | |
We have enough flooring. | 0:50:14 | 0:50:15 | |
Time has been against Lily ever | 0:50:17 | 0:50:19 | |
since the hold-up with the laminate floor earlier on. | 0:50:19 | 0:50:22 | |
I mean, it is looking good, it might just be... | 0:50:23 | 0:50:26 | |
We'll see, I don't know. | 0:50:26 | 0:50:29 | |
With just moments left, it's all hands on deck. | 0:50:29 | 0:50:32 | |
And put these on top. | 0:50:32 | 0:50:34 | |
Whoa! Let's not break that clock. | 0:50:34 | 0:50:36 | |
OK, right, we're done. | 0:50:41 | 0:50:42 | |
The kitchen is so difficult, | 0:50:44 | 0:50:46 | |
and I didn't know how challenging doing a kitchen is. | 0:50:46 | 0:50:51 | |
So, yeah, I have to be proud of what I've done. | 0:50:52 | 0:50:56 | |
Lily's brief was for a bright, retro kitchen with industrial features. | 0:50:58 | 0:51:02 | |
Before, the room was bright green and a little loud. | 0:51:04 | 0:51:07 | |
Now, Lily has created a different type of impact. | 0:51:10 | 0:51:13 | |
She's used a bold teal colour to zone the kitchen, | 0:51:15 | 0:51:18 | |
which continues to the ceiling as painted coving. | 0:51:18 | 0:51:21 | |
A playful mural gives a nod to the retro. | 0:51:23 | 0:51:25 | |
And the vinyl floor has been replaced by a light laminate. | 0:51:27 | 0:51:31 | |
I hope the judges think that there is some new, inventive things | 0:51:31 | 0:51:35 | |
that I've done. | 0:51:35 | 0:51:37 | |
And it's surprising enough. | 0:51:37 | 0:51:39 | |
The triumph of this scheme, for me, is the way she has zoned | 0:51:43 | 0:51:46 | |
these two areas using colour. | 0:51:46 | 0:51:48 | |
The fresh green here, in this corner, and a darker, | 0:51:48 | 0:51:52 | |
more cosy vibe in the cooking area. | 0:51:52 | 0:51:53 | |
Both the homeowners asked for bright and fresh, | 0:51:53 | 0:51:55 | |
and I think Lily has been pushing it a little bit, | 0:51:55 | 0:51:59 | |
going for this very dark teal on the walls. | 0:51:59 | 0:52:02 | |
Yes, but most people think that to make a room feel fresh, you just have to paint it white. | 0:52:02 | 0:52:06 | |
What she has gone and done is play with some interesting colours | 0:52:06 | 0:52:09 | |
and then added a paler floor, | 0:52:09 | 0:52:11 | |
which has bounced the light into the room, and she's put this | 0:52:11 | 0:52:14 | |
border on the ceiling, which links everything together very well. | 0:52:14 | 0:52:18 | |
Lily used her wire in a few different places in her retro room. | 0:52:18 | 0:52:22 | |
She's been really busy, but this is what Lily does. | 0:52:22 | 0:52:25 | |
-She has loads and loads of ideas. -It is classic Lily. | 0:52:25 | 0:52:27 | |
She has lots of ideas and she experiments with them, | 0:52:27 | 0:52:29 | |
but I'm not sure that any of them are hugely successful. | 0:52:29 | 0:52:33 | |
Maybe just one good idea would have impressed us a little more. | 0:52:33 | 0:52:36 | |
I mean, I have to question some of the decisions with the detailing. | 0:52:36 | 0:52:39 | |
We've got little hooks here... | 0:52:39 | 0:52:41 | |
using glue. So, the quality of finish, I'm sorry, | 0:52:41 | 0:52:44 | |
is really not up to scratch. | 0:52:44 | 0:52:46 | |
So, this seems, to me, somebody who is really ambitious, | 0:52:46 | 0:52:49 | |
really creative and perhaps trying to do too much, | 0:52:49 | 0:52:52 | |
and therefore not actually getting the basics right. | 0:52:52 | 0:52:55 | |
It would really make me so happy to go to the next round. | 0:52:57 | 0:53:02 | |
It would make me even happier | 0:53:02 | 0:53:04 | |
if my homeowners are completely | 0:53:04 | 0:53:07 | |
pleased with my design. | 0:53:07 | 0:53:10 | |
-Wow. -Wow. | 0:53:11 | 0:53:14 | |
This is good. Floor looks good. | 0:53:14 | 0:53:17 | |
This whole unit over there looks just amazing. | 0:53:17 | 0:53:19 | |
I'm not quite sure about the colours yet. | 0:53:19 | 0:53:22 | |
It's obviously really bright and airy at the moment, | 0:53:22 | 0:53:24 | |
but come the dead of winter, whether it will be light enough | 0:53:24 | 0:53:27 | |
in that area, but I guess only time sort of will tell with that one. | 0:53:27 | 0:53:30 | |
But in terms of looks, it looks fantastic. | 0:53:30 | 0:53:32 | |
With all three rooms scrutinised, | 0:53:38 | 0:53:40 | |
the amateur designers await their fate. | 0:53:40 | 0:53:44 | |
I don't feel like I've had a chance to really show what I can do. | 0:53:44 | 0:53:48 | |
And I know that I can do much more, | 0:53:48 | 0:53:50 | |
so, yeah, if there is a reason to get through, that would be the reason. | 0:53:50 | 0:53:54 | |
Hopefully, the judges have seen I've improved from the last time, | 0:53:54 | 0:53:57 | |
and maybe want to see me again in the next round. | 0:53:57 | 0:54:00 | |
I'm a little bit nervous about the judges' decision. | 0:54:00 | 0:54:03 | |
Anyone could go, the other two are really good, | 0:54:03 | 0:54:06 | |
and I just hope I've done enough. | 0:54:06 | 0:54:08 | |
So, judges, kitchens this time. The most challenging room in a house. | 0:54:11 | 0:54:15 | |
Not only that, all three briefs required very different solutions. | 0:54:15 | 0:54:20 | |
And it's also been really fascinating to see the resourceful ideas | 0:54:20 | 0:54:22 | |
they have of updating the kitchen without having to remove it. | 0:54:22 | 0:54:26 | |
Sarah was asked for a country kitchen in Walthamstow. Did she deliver it? | 0:54:26 | 0:54:30 | |
What I like about Sarah is she went that extra mile and actually | 0:54:30 | 0:54:33 | |
produced something that was thoroughly charming and really creative. | 0:54:33 | 0:54:36 | |
For example, the little curtains around the kitchen units | 0:54:36 | 0:54:39 | |
-really looked good. -Fabric wall, I wasn't so convinced. | 0:54:39 | 0:54:42 | |
It looked good, but I don't think it is that practical. | 0:54:42 | 0:54:45 | |
The homeowner loved it! Loved it! | 0:54:45 | 0:54:47 | |
The only misgiving she had, really, was the exposed metal. But the rest of it she loved. | 0:54:47 | 0:54:51 | |
Who can blame her for liking that design, because it is an absolute transformation. | 0:54:51 | 0:54:54 | |
It does actually tick all the boxes. | 0:54:54 | 0:54:56 | |
Jamie's homeowners asked for a botanically-inspired kitchen | 0:54:56 | 0:54:59 | |
cum living space. Did he create one? | 0:54:59 | 0:55:02 | |
He absolutely nailed the look. | 0:55:02 | 0:55:04 | |
It was gorgeous, it was coherent, it was comprehensive. | 0:55:04 | 0:55:07 | |
But interior design is more than just styling, it is actually | 0:55:07 | 0:55:10 | |
addressing the practical issues in a room, | 0:55:10 | 0:55:12 | |
-and I had some doubts he achieved that. -The homeowner adored it! | 0:55:12 | 0:55:16 | |
-She was bowled over. -And he actually read the brief. | 0:55:16 | 0:55:20 | |
And interpreted beautifully to make that client happy. | 0:55:20 | 0:55:23 | |
I just knew she would love it. | 0:55:23 | 0:55:24 | |
Lily was asked for a fresh kitchen with retro and industrial touches. | 0:55:24 | 0:55:28 | |
She came up with a really bold colour scheme. | 0:55:28 | 0:55:30 | |
We will thoroughly commend her for that. | 0:55:30 | 0:55:32 | |
I don't think it was what the homeowners maybe asked for, | 0:55:32 | 0:55:35 | |
but original and creative, and definitely something neither of us had seen before. | 0:55:35 | 0:55:39 | |
It was, but that room wasn't just about colour, | 0:55:39 | 0:55:41 | |
it was about finishing, and the quality was not brilliant. | 0:55:41 | 0:55:44 | |
She had glued these pegs on the wall, | 0:55:44 | 0:55:47 | |
which were going to fall off any second. Not great. | 0:55:47 | 0:55:49 | |
The homeowners loved the transformation. | 0:55:49 | 0:55:51 | |
They were not entirely convinced about the colours, | 0:55:51 | 0:55:54 | |
and certainly the practicalities of that dark side of the room. | 0:55:54 | 0:55:57 | |
Well, she took a punt with that colour scheme. I think even Lily would admit to that. | 0:55:57 | 0:56:01 | |
So, because they had a kitchen this time, they worked so hard. | 0:56:01 | 0:56:03 | |
It's really going to be a tough one, isn't it, Sophie? | 0:56:03 | 0:56:06 | |
These Warner flats were designed to be compact but efficiently | 0:56:12 | 0:56:15 | |
planned, a spirit, I think, all three of you have channelled this time. | 0:56:15 | 0:56:18 | |
And kitchens, that is a tough challenge, given 48 hours, | 0:56:18 | 0:56:22 | |
but all three of you have completely blown us away. | 0:56:22 | 0:56:26 | |
-Well done. -And it is a very fine line between all of you. | 0:56:26 | 0:56:29 | |
These two have had a tough job, | 0:56:32 | 0:56:34 | |
but they've decided that the designer going home | 0:56:34 | 0:56:38 | |
this time will be... | 0:56:38 | 0:56:40 | |
..Lily. | 0:56:45 | 0:56:47 | |
Oh, Lily. Oh. | 0:56:47 | 0:56:50 | |
-You were brilliant. You were brilliant. -Oh, my God. | 0:56:52 | 0:56:55 | |
-I told you. -Yours was amazing, though. -I'm gutted, to be honest. | 0:56:55 | 0:56:58 | |
Obviously the finish wasn't good enough. | 0:56:58 | 0:57:01 | |
I mean, yes, we just really ran out of time with the floor, | 0:57:01 | 0:57:04 | |
it was a big job. Do you like your new kitchen? | 0:57:04 | 0:57:07 | |
Oh. | 0:57:07 | 0:57:09 | |
While Lily might lack confidence as a designer, | 0:57:09 | 0:57:12 | |
here schemes certainly don't. They are really bold and hugely creative. | 0:57:12 | 0:57:16 | |
What lets her down is perhaps being too overly ambitious, | 0:57:16 | 0:57:20 | |
and the quality of the detail really isn't there. | 0:57:20 | 0:57:24 | |
Well done! | 0:57:24 | 0:57:25 | |
Me and Sarah. | 0:57:27 | 0:57:28 | |
-Oh, my God, guess what, though. -What? | 0:57:28 | 0:57:30 | |
One away from the quarterfinal. | 0:57:30 | 0:57:33 | |
It's kind of becoming real that getting through twice, maybe | 0:57:33 | 0:57:37 | |
-I am good. -HE LAUGHS | 0:57:37 | 0:57:39 | |
Come here. Oh, thank you so much... | 0:57:39 | 0:57:43 | |
Moving on, Jamie has got to look at the practicalities. | 0:57:43 | 0:57:46 | |
It's all about spatial design that he's got to master. | 0:57:46 | 0:57:50 | |
Yeah, Jamie is great. And I think he'll give me a run for my money. | 0:57:50 | 0:57:54 | |
-What do you think? -It is lovely. I'm...I'm speechless. | 0:57:54 | 0:57:59 | |
We work for it. | 0:57:59 | 0:58:01 | |
What I'd really like to know now is, | 0:58:01 | 0:58:02 | |
could Sarah do something contemporary? | 0:58:02 | 0:58:04 | |
We've seen two quite vintage looks. | 0:58:04 | 0:58:06 | |
If she can pull off modern, it could get exciting. | 0:58:06 | 0:58:09 | |
Next time in '60s riverside apartments, Jamie... | 0:58:14 | 0:58:18 | |
-Ah! -..and Sarah... -That is insane. | 0:58:18 | 0:58:21 | |
..battle it out for one place in the quarterfinal. | 0:58:21 | 0:58:25 | |
The designer going through is... | 0:58:25 | 0:58:28 |