Modern Riverside The Great Interior Design Challenge


Modern Riverside

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Transcript


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I'm constantly taken aback by the huge variety of

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property styles in Britain - from characterful

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timber-framed cottages to grand townhouses.

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But sometimes,

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the insides don't live up to the expectations on the outside.

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So, we've gathered together the most talented amateur

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interior designers who think they could be the next big thing

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to show us how it's done. But it's not as easy as it looks.

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Oh, no! I'm panicking!

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GLASS SMASHES

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It's a bit make-or-break, really.

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Across three knockout episodes,

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a group of designers will compete for one place in finals week.

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Oh, why isn't easy?

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I just like to do things properly.

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Oh, that's wonderful!

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Judging them, two industry experts - Daniel Hopwood...

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To make it through to the final four,

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they will have to impress with every inch of their designs.

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..and Sophie Robinson.

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These designs really do need to be outstanding.

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They'll be scrutinising presentation skills...

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-That's not the way to present somebody.

-..artistic flair...

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-Have you ever seen that done before?

-No, it's weird.

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..and how well they deliver their brief.

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-Pretty amazing transformation.

-Absolutely beautiful.

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In the finals, the best will face giants of the design world -

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-Oliver Heath...

-Oh, my word!

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-..Orla Kiely...

-It does look quite rough.

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-..and Kelly Hoppen.

-I want perfection.

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But only one can be crowned winner

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of The Great Interior Design Challenge.

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Last time, three designers battled to impress the judges.

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They said they want a bit of quirky but not too wacky.

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-I don't think this is wacky.

-It's looking a little bonkers.

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-One went home. Two of them made it through.

-I'm proud of it.

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I put a lot of effort into it.

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It is a total transformation.

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Now things are getting even tougher.

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This time, our amateurs will be tackling an attic bedroom

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each in two riverside properties in Marlow.

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It's a clash of experience versus raw talent...

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Sarah - she is such a class act.

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Her cool, calm nature shows in every inch of her accomplished schemes.

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Jamie is full of youthful creativity,

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but surprisingly sophisticated.

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-..as the designers fight...

-Aargh!

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-..to please their homeowners...

-I am worried!

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-..and impress the judges.

-There's all of that going on in the walls.

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It's going to feel a bit hectic.

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Whoa! That looks a lot brighter than it should be.

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It's not beautiful and it's almost useful.

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I'm absolutely done.

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There's only one quarterfinal place up for grabs.

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The designer going through is...

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First up, the location for this epic design battle may look pretty,

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but the unusual rooms won't be a pleasure cruise.

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These houses beside the river in picturesque Marlow do look rather

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strange with their angular roof and their white weatherboarding.

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They were built in the 1960s -

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a decade that can be unfairly knocked for its architecture

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but, actually, it was a brilliantly inventive time

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when the way in which we lived was radically rethought.

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Now, our designers have to be equally inventive as they transform

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a bedroom each.

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Headboard - that's going to be MDF and then the front's going to be the scaffolding boards.

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The designers have been working on a brief from their homeowners

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for the past week.

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One step away from the quarterfinals, which is

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absolutely mind-blowing.

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They have a small team including a builder and a decorator...

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Paint it all white.

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I'll mask is all off and then you paint the yellow in the putty

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-and then come back and paint that one.

-No problem.

-Yeah?

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..and just £1,000 and three days to complete their transformations.

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Competition's definitely getting tougher and I'm up against my buddy

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Jamie this time, so I'm bittersweet, but we're both in it to win it.

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Where to start?

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The first designer battling for a quarterfinal place

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is 41-year-old garden designer Sarah.

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Sarah consistently delivers competent, cohesive schemes,

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but she's had two traditional briefs.

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This time, I'm wondering how she's going to handle a different look.

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Before Sarah started work, her attic room was boysy and bland,

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which Sophie and Daniel checked out before work began.

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Looking at it right now, the layout isn't that bad,

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but it does just look a little bit boring.

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It actually looks a bit like a teenager's room.

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-This room needs to go onto the next level.

-Sarah's designing for Jay.

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He's away travelling at the moment but wants a more grown-up,

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masculine bedroom when he returns to the family home.

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It's almost like creating a studio flat, if you like.

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It needs to be his sleeping space, somewhere to work

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and then probably to have some friends round, too.

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But the difficulty with Sarah is she's a real vintage girl.

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This guy wants bachelor pad.

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Yes, we really want to see Sarah deliver a very contemporary look.

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Sarah's take on contemporary?

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A yellow putty and black colour palette in jagged blocks.

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The room will be dominated by an ambitious wardrobe,

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shelf and desk unit.

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This brief is not really my style.

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My style is more eclectic, so I'm stepping out of my comfort zones.

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In Jay's absence, Sarah had to get her ideas past

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Mum and Dad, Lynne and John, and impress Sophie and Daniel who, once

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again, will be judging how well each designer presents their schemes.

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The yellow's going to wrap around the back section of the wall

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and then this putty colour is going to come up

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and across the top of the bed to create a kind of visual canopy.

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I think he'll love this yellow.

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The putty colour doesn't leap out at me.

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So, that's a base palette that's going to soften everything else

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-and allow it to be a bit more graphic in other ways.

-Yeah.

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So I think it's quite important to keep that.

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So I've actually found this amazing tape which is a magnetic black tape.

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-So it means that you can stick up postcards.

-What a nice idea.

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She also plans to feature accessories

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inspired by a love of travel.

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-The accent colours that I'm using are blacks...

-OK.

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-..tan, leather, denim...

-Yeah.

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..and also elements of fabrics from around the world.

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These are fabrics I would never think of using myself but,

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to him, hopefully, that will be cool and modern.

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I'm so excited about Sarah's scheme,

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because not only has she moved away from her classic, vintage look,

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but she's created something really new

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and exciting with all these sort of different angles,

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which are going to change the perspective of that room.

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-You do love a bit of a jaunty angle, don't you?

-Oh, I do!

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I know, I can tell! But, you know, at the same time,

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it is a bedroom and my concern is there's all of that

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going on in the walls, it's going to feel a bit hectic.

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With work well under way, it isn't the jaunty angles in question.

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The putty colour's not quite what I imagine.

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It's murky.

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I think we have to suspend judgment.

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Well, they won't have to wait long as, with the walls now washed,

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Sarah's masking out shapes ready for the colours.

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-Does that look straight?

-Yeah, that's a straight line.

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There are more lines and angles across Sarah's ambitious shelving,

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desk and wardrobe unit, which will cover the entire back wall.

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From the back, you can see large timbers either side of the wardrobe.

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-We're going to box the wardrobe in.

-Yeah.

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So what we've got to do is get all this stuff upstairs.

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Oh, don't look at me!

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THEY LAUGH

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Next up is 21-year-old Jamie - a sales assistant from County Durham.

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Jamie doesn't always take into consideration

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the needs of his client or the demands of the space.

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This time, he's really got to get those right.

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Yeah, out of my comfort zone. Feel a bit scared with this one.

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Perhaps with good reason as his room started off uber-colourful

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and uber-cluttered.

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I tell you what's really banging me in the face in this room,

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is the colour. I mean, wow!

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This homeowner has gone for it but it's not really working, is it?

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And I think rule of thumb is maybe just go for

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three colours as your main story. You can always add more.

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Jamie's client is university student Betty,

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who wanted a hippy chic bedroom with colours inspired by

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an Indian sari and plenty of practical storage.

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Designing wardrobes in a tight space like this isn't going to be easy.

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And while the brief might sound like lots of fun,

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this sort of like bohemian multicoloured look, making

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that feel quite sophisticated and coherent is going to be really hard.

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Hoping he'd pick the right mix of ethnic colours,

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Jamie's using pink, blue, mint green and a bright and paler orange.

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With Betty at university,

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it was up to mum Chrissie to sign off the design.

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This is the colour that I've got for the main back wall, and that's

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also going to follow through

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and kind of going to this wall with the door.

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-OK.

-The actual headboard that I'm going to be doing is a storage

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headboard, and this is the wood that I'm going to be using.

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-It's kind of distressed pink.

-Yeah, that's lovely.

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-That's probably a favourite colour.

-Yeah?

-Yeah.

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Um, I wanted to pick a lighter colour for the bottom wall

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-over there, which is where the seating area's going to be.

-Um...

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-I'm not so sure about this colour here.

-Right.

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But then, as long as you just bear in mind that the

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overall is going to be that very rich Indian sari, vibrant colour.

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-Yeah.

-This is a very good colour. This is very...

-The teal?

-Yeah.

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So with the sort of accessories and the cushions and the throws,

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that's what I want to be bringing that colour. Um...

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Jamie may not have got all his shades spot-on

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but he's out to impress with his wardrobe built into the eaves

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and innovative headboard storage.

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So, the bed's staying in the same place.

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The depth is going to be about the thickness of kind

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of a scaffolding board and there's going to be

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-the dug-outs in the side for the shoes to be kept.

-That's interesting.

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The wardrobe's actually going to be sitting in that back corner there.

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-I just thought that was the best position within the room to kind of access.

-It's really tricky.

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I think you've done really well to interpret the brief as you have.

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-As long as it stays bright, the richness is really important.

-Yeah.

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I think Jamie's come up with a very interesting

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choice of colours but I'm not sure they're quite the right tone.

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They're what I call sort of sorbet shades

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and this homeowner wanted something which was a lot more

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kind of ethnic - those lovely rich Indian colours.

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And I don't think those colours have got enough energy.

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I don't know. I just feel stupid.

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I think I got the colours right,

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just not the intensity of the colours.

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I went too kind of pale with certain ones.

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With the current scheme very bright Jamie's decorator also has

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concerns about his paler shades.

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The colours are really vivid.

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I know.

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Yeah, and it's going to be a good three or four coats just to

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-neutralise it, just to blank it all out before we add colour.

-Right.

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With half the day gone both designers are up against it,

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but the judges need to give them feedback on their presentations.

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It's now the third time they've pitched and Sophie

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and Daniel's expectations are higher than ever.

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The first one I came last,

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the second one I came last, and this one I've come last. No.

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I know it didn't go very good so I just wasn't very confident

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in it and I think that definitely showed.

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We'll see what they say.

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I've done a lot more this time. If that wasn't good enough, what is?

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With a quarterfinal place at stake the designers will be ranked,

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which will count in the judges' final deliberation.

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Overall, we'd like to say that we think you got a lovely

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rapport with both of your homeowners.

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Jamie, I love the fact that you created all these samples.

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For example, the crochet pieces and the ruffles.

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They really help the homeowner imagine what you want to do.

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But I don't feel that your presentations have moved on very much.

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I think if you had rendered those drawings that would've been

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a vast improvement.

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You had a really complicated design to communicate to your homeowner

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and the sketch that you made really helps see that room in 3D.

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It was excellent.

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However, we felt like you just lost a bit of soul in your presentation.

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There was no touchy-feely. It was all a bit ironed-out,

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flat board, lost a sense of creativity.

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So, balancing on what you did well and not so well, we're going

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to put...

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..Sarah in first place. Which means, Jamie, you came second.

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Pumped. I'm feeling good.

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They were quite right, it needed more texture

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which is why I brought along the fabric and the belt

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because I thought that would bring that in.

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But, obviously, they want it stapled to the board instead.

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I'm not saying what I'm thinking.

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I went over the brief and every time it's gone wrong.

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Rachel won first. Lily won last time.

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I'd like to win but I think after this briefing

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it's knocked my confidence a little tiny bit.

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Erm...

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Both amateur designers are busy transforming rooms

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they hope will be anything but run-of-the-mill.

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-That is a brilliant colour.

-Yes, I like it.

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Perhaps divining inspiration from the development's past life.

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I love the crisp white lines of these 1960s buildings.

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Although they are strikingly Modernist,

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they seem to sit very well on the riverside setting probably because

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the architects have referred in their design

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to the history of the site.

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There's been a mill here on the river

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since medieval times harnessing the power of the Thames.

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And the weather-boarding and the jagged roofline,

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the pitched roofs, seem to refer to the buildings that once stood here.

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While these houses reference a past, they also embodied

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the optimism of the 1960s.

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In 1957, the Prime Minister told us all that we'd never had it so good

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and homes like these were built for the aspiring professional classes

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with their TVs, their fridges and their cars, and had in-built garages

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that took up almost the whole of the ground floor.

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You need to get right up to the top.

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It's lofty space however our amateurs are contending with.

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In Jamie's attic room, the pale orange is being tested

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on the wall whilst he's trying to work out how to make a new beanbag.

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What I did plan to do is take the cover off the original one

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and just cut the same shapes as is currently there

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and just cut them out of this fabric and sew them back together.

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Creating a new cover using the old one as a template

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could have worked. However...

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You can't take the cover off because the beans are just inside.

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They're not in a separate bag. It would just be a mess.

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Jamie's inexperience is showing through.

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18 minutes later, he's got a plan.

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Ditch the template and make a bag from scratch.

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What I'm actually thinking about doing now is taking the beans

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out of that bag, so just putting the beans

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directly into this one, which might be messy.

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Jamie's youthful enthusiasm has got him through two rounds

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of the competition

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as the judges have been impressed by his creativity.

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I want it to stand out, but I didn't want it to be too scary.

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It's quite bohemian, as well.

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What a transformation!

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I like this sort of stencilling.

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Almost looks like a Fair Isle jumper.

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But he sometimes struggled with the fundamental rules

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of interior design and spatial planning.

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-So, the sofa is here, so it's kind of an L sofa.

-It's an L-shaped sofa.

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What's on this wall?

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It's going to be creative. It's going to be a herb wall,

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grow your own herbs and fruit and veg on the wall.

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You're going to be sitting at the sofa looking at a herb garden.

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THEY LAUGH

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Now you've seen the space, how are you finding the practicalities?

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Going from last time and not measuring out where the sofa

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was going to be and how it was going to work, I learned from that.

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-You've got the wardrobe here, haven't you?

-Yes.

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What it is, the wardrobe's going to have a back section

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just for tubs, the front section will have hanging space and shelving.

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Tell me about the headboard. You've got some interesting things going on on the headboard.

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Yes. I wanted to make a statement headboard.

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In the sides is storage for shoes.

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-It's quite unusual to have shoe storage in your headboard.

-Yeah.

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Also unusual, Jamie's choice of pastel colours

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to answer a rich, ethnic brief.

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Can I ask you how you came to choose the colours?

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I know that orange is one of her favourite colours,

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so I wanted to bring in different tones and shades of that one.

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That's where I got the inspiration from.

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And then the dark pinks and teals

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are going to be in accessories and throws.

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When you said, "Why are you painting that in the orange colour?"

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He said, "Because the homeowner likes it." Wrong answer.

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He should have said, "Because that orange is soft

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"and is quite relaxing to the eye.

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He hasn't sort of got that.

0:17:050:17:07

Whatever the reason, it seems Jamie is pleased with his choices.

0:17:070:17:11

-You like the colour, do you?

-Yeah. Do you not?

-Yeah. No. I love it.

0:17:110:17:14

No. I love it. Once we've got rid of that final bit of cerise

0:17:140:17:18

-it will be really sharp and really bright.

-Yeah.

0:17:180:17:21

While he's feeling positive, it's time to

0:17:210:17:24

get those polystyrene beans into his new bag.

0:17:240:17:27

Don't know if this is going to work.

0:17:280:17:30

He may be short on experience, but not on ingenuity

0:17:300:17:33

and has come up with a nifty invention to cut down on spillage.

0:17:330:17:37

-A paper-cup funnel.

-Do you know what?

0:17:370:17:40

What would be the worst thing that would happen?

0:17:400:17:43

HE LAUGHS

0:17:430:17:45

If like, when it gets judged,

0:17:450:17:47

someone jumped on it and it exploded!

0:17:470:17:51

I might have to put a sign on saying, "Do not use".

0:17:520:17:56

Sarah is also getting to grips with accessories.

0:18:010:18:04

She's trying to make a couple of cushions using an ethnic rug

0:18:040:18:07

she bought for £75.

0:18:070:18:10

Using normal material would be really easy to make a cushion,

0:18:100:18:13

but I have to be a bit more thoughtful about this one,

0:18:130:18:17

so that it looks right.

0:18:170:18:19

And luckily, look, they've put a stripe for me right down the middle of it.

0:18:210:18:25

The rug is thick so Sarah's sewing machine has got its work cut out,

0:18:250:18:29

especially as she is using denim as backing.

0:18:290:18:32

Wasn't sure if my sewing machine would go through a rug. But it did.

0:18:320:18:36

Perfect!

0:18:370:18:38

Are we done yet?

0:18:420:18:44

Sarah's not been resting on the job in previous rounds,

0:18:450:18:49

demonstrating to the judges she can deliver a strong look.

0:18:490:18:52

I couldn't resist a little bit of floral. Magic.

0:18:520:18:56

I really do feel like I'm standing in a country kitchen

0:18:560:18:58

which is what the brief was.

0:18:580:19:01

But she hasn't always hit the mark with her colour choices.

0:19:010:19:05

What a gorgeous colour. He's going to love that.

0:19:050:19:09

One green was nice but two greens working together? I don't know.

0:19:090:19:13

Yeah, it's a bit of a risky kind of strategy, isn't it?

0:19:130:19:16

I'm not going to be able to live with the ceilings in this colour.

0:19:160:19:19

There's a lot of shapes going on.

0:19:210:19:22

I can see you've been busy with the yellow tape already.

0:19:220:19:25

And you've selected a putty colour which the homeowners

0:19:250:19:28

don't seem to like. Where have you got with that?

0:19:280:19:31

The putty colour is a really great neutral.

0:19:310:19:33

What I didn't want to do in here

0:19:330:19:35

was have an '80s room. I wanted to soften it.

0:19:350:19:38

So, it's more of a blend because you've got putty

0:19:380:19:41

and what is the other colour that's going against it?

0:19:410:19:43

It's yellow. So, yellow and putty.

0:19:430:19:45

It's quite clever that she's using the colour to zone the space.

0:19:470:19:51

-Do you think it's going to work though?

-That yellow, I'm not sure.

0:19:510:19:56

It's the colour selection that is not winning me.

0:19:560:19:59

Sarah might be having second thoughts about the tone, as well.

0:19:590:20:02

That looks a lot brighter than it should be.

0:20:020:20:05

Redesigning awkward attic rooms in three days is tough enough,

0:20:110:20:15

but in this third round the judges are raising the stakes, surprising

0:20:150:20:19

the designers with a brand-new task they have no idea about whatsoever.

0:20:190:20:24

-The judges want to see you.

-OK. I wonder what that's about then.

0:20:240:20:28

It's time to put the pressure on

0:20:280:20:30

so we're going to set a junk-van challenge.

0:20:300:20:33

Now, we're getting an upcycle thing that we don't really have time for.

0:20:330:20:36

But, yeah, let's do this.

0:20:360:20:38

This new challenge is going to test their imaginations,

0:20:390:20:42

how well they think on their feet,

0:20:420:20:44

and shows what sort of interior designer they really are.

0:20:440:20:47

Inside this van we've got a whole heap of junk.

0:20:490:20:54

What we'd like you to do is design a one-off product.

0:20:540:20:58

It could be your signature piece

0:20:580:21:00

something that really sums up you and your style.

0:21:000:21:02

We really want you to play to your strengths

0:21:020:21:05

and we're going to give you 15 minutes to grab whatever you want.

0:21:050:21:09

Off you go.

0:21:120:21:13

Sophie and Daniel will simply be deciding

0:21:130:21:16

which designer comes up with the best stand-alone product.

0:21:160:21:19

-SARAH:

-Oh, that was crafty.

0:21:190:21:22

-SARAH:

-Just like being at a car boot.

0:21:230:21:25

The results will be critical in deciding who wins

0:21:250:21:28

the quarterfinal place.

0:21:280:21:29

That's quite good.

0:21:330:21:34

Jamie's junk-van booty includes a wooden stool and a suitcase.

0:21:340:21:39

I kind of picked out things that are kind of like myself,

0:21:390:21:41

but I can put together.

0:21:410:21:43

(I hope he's going to come up with something original,

0:21:430:21:45

(because we've seen the suitcase side tables before.)

0:21:450:21:48

I picked this for the wheels.

0:21:480:21:49

Sarah's haul consists of a hostess trolley,

0:21:490:21:53

a '70s pouf and some fabric.

0:21:530:21:55

It's a whole load of junk. I've got to turn it into something cool.

0:21:550:21:58

The judges have given them 90 minutes on day two

0:21:590:22:03

to transform their junk into a standout piece of product design.

0:22:030:22:06

I love going to a junk shop and finding things that people

0:22:060:22:09

don't want any more and kind of making them new again.

0:22:090:22:11

-So, it's kind of perfect. But I've got no ideas.

-All right, actually.

0:22:110:22:15

This is kind of what I like doing

0:22:150:22:17

is making things out of old junk.

0:22:170:22:19

So, weirdly, I'm not stressing. I'm quite excited.

0:22:190:22:23

With both designers talking the talk,

0:22:230:22:26

the judges' expectations will be high.

0:22:260:22:28

They'll see what they come up with later on.

0:22:280:22:31

It's the afternoon of day one

0:22:350:22:37

and there's a long way to go for both designers.

0:22:370:22:41

Are we all good?

0:22:410:22:43

Yeah, it's all good. Got the main frame going round.

0:22:430:22:45

-Yeah.

-So, just getting your uprights for the doors.

0:22:450:22:48

Then we'll start working on the shelves.

0:22:480:22:50

While Sarah's driving her team

0:22:500:22:52

to achieve her ambitious wardrobe design,

0:22:520:22:54

Jamie's sitting down on the job.

0:22:540:22:56

Need thousands of strips.

0:22:580:23:00

Thousands, thousands, thousands.

0:23:000:23:02

He's making a ruffled cushion by poking offcuts of material

0:23:020:23:06

through a piece of hessian.

0:23:060:23:08

So, once you've got them in,

0:23:080:23:09

it looks like a bow. Then you do them in rows.

0:23:090:23:11

Leaving a little bit of a gap, you can do the next row,

0:23:110:23:14

they'll kind of pull together and create the ruffle kind of texture.

0:23:140:23:18

First couple are really slow.

0:23:180:23:20

But once you've got a few in a row you fly with it.

0:23:230:23:27

Jamie's chilled-out vibe could be fleeting

0:23:270:23:29

as back home from university

0:23:290:23:31

to check on progress, his client, Betty.

0:23:310:23:34

It is kind of scary to think that she could disagree

0:23:340:23:37

with something that I've done.

0:23:370:23:39

Betty's mum was worried Jamie's chosen colours could be too pale.

0:23:390:23:43

If Betty agrees it could mean a complete rethink.

0:23:430:23:46

-I really like the green.

-Yeah, I really like the green.

0:23:460:23:49

And I like this colour, as well.

0:23:490:23:50

-I didn't think I would but I do.

-Good.

0:23:500:23:52

It seems Jamie needn't have worried.

0:23:520:23:55

-I'm so glad it's not bland, which it completely is the opposite.

-Good.

0:23:550:23:59

-Good. I'm pleased.

-I'm really excited.

0:23:590:24:02

-Yes. Good.

-I'm really excited.

0:24:020:24:04

'I feel over the moon with the reaction from Betty.'

0:24:060:24:09

That's one of the points that you need to do - please your homeowner.

0:24:090:24:12

That's certainly what I've done so, yeah, I'm really happy.

0:24:120:24:15

As day one draws to a close, both designers are feeling confident.

0:24:220:24:27

-I'm really happy. I'm happy with the way it's gone today.

-Yeah.

0:24:270:24:30

We've got masses done when I didn't think we would get that much done.

0:24:300:24:33

I think that's how I feel. Like, sometimes on the first day,

0:24:330:24:36

I haven't even got any paint on the walls.

0:24:360:24:38

While Jamie's had his colour scheme approved...

0:24:380:24:41

I feel really confident now.

0:24:410:24:44

I feel like I can kind of get through to the next stage.

0:24:440:24:46

..Sarah's still fretting about hers.

0:24:460:24:49

Whoa! That is insanely intense.

0:24:490:24:53

The yellow on my walls is a bit brighter than...

0:24:530:24:56

-You thought.

-..I envisaged.

0:24:560:24:59

Not that she's letting it dent her confidence.

0:24:590:25:02

Great day today. Think I'm going to go and have a glass of wine now.

0:25:020:25:05

Maybe a big pint.

0:25:050:25:08

The first day brought straight lines and an awful lot of bright paint.

0:25:240:25:29

But the designers still have lots to do to secure a quarterfinal place.

0:25:290:25:33

We've got to kind of just push ahead to be the winner.

0:25:330:25:37

I'm really excited today. Today is like the day

0:25:370:25:40

where you really start to see everything come together.

0:25:400:25:43

Sarah's contemporary room is a long way off a cool retreat, though,

0:25:430:25:47

and she's yet to convince anyone on her choice of colours,

0:25:470:25:51

including her decorator.

0:25:510:25:53

I wouldn't really put them together myself

0:25:530:25:55

but I'm sure it's going to look great at the end of the day.

0:25:550:25:59

HE LAUGHS

0:25:590:26:01

More worryingly, Sarah's homeowner still has serious doubts.

0:26:010:26:05

Not about the putty colour any more, but the bright yellow.

0:26:050:26:08

It's just the massive block of yellow.

0:26:080:26:10

It's very bright isn't it? It's strong.

0:26:100:26:12

-It's a brighter yellow than in my mind's eye.

-Yeah.

0:26:120:26:14

-It sees a bright yellow but it's a neon-y, acid-y yellow.

-Yeah.

0:26:140:26:18

As ever, unflappable Sarah isn't wavering.

0:26:180:26:22

-There's a huge block of the putty going up now...

-OK, excellent.

0:26:220:26:25

..so that's going to really calm it down.

0:26:250:26:29

-OK.

-You'll see lots of change today.

0:26:290:26:31

Also undergoing big change - Jamie's hippy-chic bedroom.

0:26:330:26:37

The second coat of mint green is going up while he's busy

0:26:370:26:40

outside priming scaffolding planks for his statement headboard.

0:26:400:26:44

I'm just giving them a coat of white paint before I put the intense

0:26:440:26:47

pink on, so when I distress them the whiteness comes through.

0:26:470:26:51

I'm excited now to get these done,

0:26:510:26:53

get them distressed, get them waxed, and then get them

0:26:530:26:55

onto the headboard and see.

0:26:550:26:57

Jamie is getting industrious and back in the day,

0:26:570:27:01

Marlow, too, was a centre of industry.

0:27:010:27:04

It's easy to forget how important the River Thames was

0:27:040:27:07

to the economy and history of towns like Marlow.

0:27:070:27:10

The town's wealth was literally built on it.

0:27:100:27:13

Water mills made anything from thimbles to paper

0:27:130:27:16

and the river would once have been lined with

0:27:160:27:18

the cottages of eelmen, wharfingers and bargees

0:27:180:27:20

before they were replaced by the grander homes

0:27:200:27:23

of the Victorians and the Georgians.

0:27:230:27:25

And you can see exactly why. It's not a bad life here on the river.

0:27:250:27:29

The mill on this spot was powered by so-called rushes.

0:27:310:27:34

There's one right here.

0:27:340:27:36

As the concentrated force of the river flowed through it,

0:27:360:27:39

it powered a water wheel, providing energy in the pre-electric times.

0:27:390:27:43

Most have now disappeared, but this one remains as a nod to the past.

0:27:430:27:48

As well as their room schemes the amateurs need to prove to the

0:27:500:27:54

judges their design abilities, turning junk from the back of a van

0:27:540:27:57

into something special.

0:27:570:27:59

This is going to be a time challenge.

0:27:590:28:01

We're giving them 90 minutes to see if they can keep their cool

0:28:010:28:04

under pressure, and yet, deliver a quality product.

0:28:040:28:08

Jamie picked an old suitcase and a wooden stool.

0:28:080:28:11

First idea that I've come up with

0:28:110:28:13

is creating a storage and seating area with this suitcase.

0:28:130:28:17

So, the back will be padded and covered

0:28:170:28:19

in this tie-dye fabric, and then the bottom,

0:28:190:28:21

I'm going to be using the excess scaffolding boards.

0:28:210:28:23

I don't know if I can win,

0:28:230:28:25

but this is something that I'll love and something that I will do.

0:28:250:28:28

Sarah decided to use a '70s pouf, a hostess trolley and leatherette.

0:28:280:28:33

Let's see if there's a way that we can take these feet off...

0:28:330:28:37

..and put them on the bottom of this.

0:28:380:28:41

And then cover the pouf...

0:28:410:28:44

..with leather...ette.

0:28:450:28:48

-Both designers have a basic craft box...

-I'm not impressed.

0:28:510:28:55

And their builders at their disposal.

0:28:550:28:58

-You want to fit it onto that stool?

-Yeah.

0:28:580:29:01

Jamie is cleverly using left over scaffolding boards to create

0:29:010:29:04

a seat in the suitcase while he hastily makes a cushion.

0:29:040:29:08

As you can tell, I haven't cut anything neat at all.

0:29:080:29:11

Literally rushed to get it done. Crazy things.

0:29:110:29:15

Jamie's come up with a brilliant idea.

0:29:170:29:19

He's got a multifunctional piece of furniture that's a stool,

0:29:190:29:22

a table and storage. He is CLEARLY out to impress.

0:29:220:29:26

I'm not used to upholstering 1970s poufs in leatherette.

0:29:300:29:34

It's going to be a rush.

0:29:340:29:37

Sarah has decided to keep things simple,

0:29:380:29:40

giving her pouf a face-lift and fitting wheels from her trolley.

0:29:400:29:44

I'm actually not that impressed by Sarah's idea,

0:29:440:29:46

she's sticking wheels on a pouf and upholstering it in leather.

0:29:460:29:49

I was expecting something far more creative

0:29:490:29:52

and left-field thinking from her.

0:29:520:29:54

F, F, F, F, F, F, F.

0:29:540:29:57

Jamie's cushion might be finished,

0:29:580:30:00

but his inexperience is once more showing through.

0:30:000:30:03

-Johnny...

-Yeah?

-I know you're a builder,

0:30:030:30:06

-how would you stick that cushion to the back of that?

-How would I?

-Yeah.

0:30:060:30:10

-What, to the underside of the lid there?

-Yeah.

0:30:100:30:13

I don't really know, to tell you the truth.

0:30:130:30:16

I mean, you'd need to, I think, sew it in, somehow, I think.

0:30:160:30:19

I don't think I've hand-sewn anything in my life.

0:30:220:30:26

Haven't.

0:30:260:30:28

Her pouf upholstered,

0:30:280:30:29

the usually-confident Sarah is doubting herself.

0:30:290:30:33

God, it's knowing when to stop, isn't it?

0:30:330:30:35

Cos that's actually

0:30:350:30:38

really cute.

0:30:380:30:39

Maybe I will just do another leather detail around it.

0:30:420:30:46

Almost so it is bowed, that is what I'm going to do, that's clever.

0:30:480:30:54

Jamie is painting his scaffolding seat pink but the time is ticking

0:30:540:30:59

away fast and both designers are beginning to feel the strain.

0:30:590:31:03

Go under!

0:31:030:31:04

HE YELLS IN FRUSTRATION

0:31:060:31:07

This is cutting it really fine.

0:31:080:31:10

I am done.

0:31:190:31:20

How well they've done transforming their junk is an important part

0:31:220:31:26

of determining who will win a place in the quarterfinal

0:31:260:31:29

and at least one of the designers is worried.

0:31:290:31:31

It just looks the same as what it was - a heap of junk.

0:31:320:31:36

I'm stoked, I think it looks brilliant.

0:31:360:31:39

It looks so cute, it looks like a cake.

0:31:390:31:42

The judges will let the paint dry before deciding which product

0:31:420:31:45

is best later on.

0:31:450:31:46

Meanwhile, work hasn't stopped in the rooms.

0:31:520:31:55

In Sarah's contemporary scheme, the yellow and putty paint job is

0:31:550:31:57

finished but she's pushing her team, varnishing the ambitious wardrobe.

0:31:570:32:03

-HE SINGS:

-Happy, happy, joy, joy, happy, happy, joy, joy.

0:32:030:32:07

-I love painting...

-HE LAUGHS

0:32:070:32:09

With her new-found passion for upholstery,

0:32:100:32:13

Sarah is covering a chair she bought for just £12 from a car-boot sale.

0:32:130:32:18

I should have cut this before I sewed it but I was distracted.

0:32:180:32:24

It is not finished yet, but when it is finished, I think it will rock.

0:32:240:32:28

Jamie's room is rocking along, too.

0:32:320:32:34

The wardrobe carcass is in and his statement headboard is half built.

0:32:340:32:39

Meanwhile, he's trying out a new skill.

0:32:390:32:41

Block printing fabric with bleach and paint for another cushion cover.

0:32:410:32:45

So all I've got is a wooden block,

0:32:460:32:48

so I am literally going to roll a small amount of bleach onto that,

0:32:480:32:51

print it and then you can't see the effect straightaway

0:32:510:32:55

cos obviously it just takes the colour straight out.

0:32:550:32:57

I'll have to buy Chrissie some bleach.

0:32:570:32:59

-INTERVIEWER: Where have you got that from?

-The toilet.

0:33:010:33:05

It is a cost-effective way of creating pattern on the cheap.

0:33:050:33:08

Now, he just needs to sew it up.

0:33:080:33:12

HE LAUGHS

0:33:160:33:18

I've sewn it the wrong way.

0:33:200:33:21

It is a quick unpick and take two.

0:33:210:33:24

Right. And then now, I can cut all this excess fabric off,

0:33:250:33:28

turn it inside out and it will be a cushion cover.

0:33:280:33:31

It's worked out perfect.

0:33:340:33:36

I hear you've been trying out a new skill with some bleaching

0:33:380:33:41

and some blocks, is that right?

0:33:410:33:42

Yeah, it is the first time I've ever done it,

0:33:420:33:44

but researching into different cultures, how they print fabrics,

0:33:440:33:48

I found a really cool printing block which links in with clothing

0:33:480:33:50

that she has got in the room and fabrics

0:33:500:33:52

and I wanted to try it out and it has worked out really well.

0:33:520:33:55

You have been loading the room with colour

0:33:550:33:57

and each round, you have been getting bolder

0:33:570:33:59

and bolder with your use of pattern and colour.

0:33:590:34:01

Where's that come from?

0:34:010:34:02

Erm, I don't know, it is kind of scary, especially this one,

0:34:020:34:06

kind of bold, vibrant, putting mad colours together

0:34:060:34:09

and grouping them together,

0:34:090:34:10

making sure they work and not kind of just clash.

0:34:100:34:13

Clever, very clever.

0:34:130:34:14

Sarah is being rather clever, too,

0:34:160:34:18

making handles for her wardrobe from a leather belt and industrial bolts.

0:34:180:34:23

I wanted to do something quite masculine and industrial

0:34:230:34:26

so it was a perfect solution and these are brilliant,

0:34:260:34:30

brilliant bolts and I think that whole thing cost me about 50p.

0:34:300:34:35

Upstairs, her uber-modern yellow and putty paint job is finished

0:34:370:34:41

but it has been a concern for homeowner Lynne since day one.

0:34:410:34:45

I am worried. I'm worried that I may have been too bold with asking for

0:34:450:34:50

bright yellow and bright colours and maybe it is a little bit too bright.

0:34:500:34:55

If she's still unhappy now the putty has gone up, too,

0:34:550:34:58

Sarah might have to rethink and repaint.

0:34:580:35:01

I am worried. It's one of my main concerns, always,

0:35:020:35:05

that the homeowner loves it.

0:35:050:35:06

I don't want to do something that they are really going to hate

0:35:060:35:09

and is going to cause lots of upset, it's their home.

0:35:090:35:12

-Whoo!

-Hello.

-Hello.

0:35:120:35:15

Hey, I like it, I like-I like the putty colour.

0:35:170:35:20

SARAH LAUGHS NERVOUSLY

0:35:200:35:22

-I didn't think...

-That's what I was hoping to hear.

0:35:220:35:24

-I really didn't think I would and I love you breaking up that.

-Yeah.

0:35:240:35:28

That is really cool, actually.

0:35:280:35:30

Encouraged, Sarah gets carried away.

0:35:300:35:33

And when it is dressed, you will see all the areas and how they all work.

0:35:330:35:37

This is really simple which means that we can go a bit more bonkers

0:35:370:35:40

on the other side.

0:35:400:35:41

"A bit more bonkers",

0:35:410:35:43

that is a bit worrying.

0:35:430:35:44

With her homeowner's fears allayed, more or less, Sarah makes a start on

0:35:460:35:50

her magnetic tape which she bought off the internet for around £20.

0:35:500:35:54

But laid-back Sarah is coming a bit unstuck.

0:35:540:35:59

Oh.

0:35:590:36:00

Whoopsie.

0:36:000:36:01

What are all those crazy shapes about?

0:36:030:36:05

It feels like you are being yanked - your eye - from one side

0:36:050:36:07

to the next, to the next, to the next, to the next

0:36:070:36:10

-cos it's quite like...

-HE MAKES EXPLODING NOISES

0:36:100:36:12

Yanked?

0:36:120:36:14

Was yanking not what you wanted?

0:36:140:36:16

No, I wanted a smooth flow around the room,

0:36:160:36:18

I wanted to connect each part of the room together by using that line.

0:36:180:36:23

So, it works, obviously, but maybe faster than I appreciated.

0:36:230:36:28

Jamie is working pretty fast, too.

0:36:290:36:31

His distressed pink scaffolding boards are finally ready

0:36:310:36:34

to be attached to the bedhead...

0:36:340:36:36

That's looking good.

0:36:360:36:37

..and he's growing ever more confident with his colour scheme.

0:36:370:36:41

It's a great set of colour that I think I have chosen

0:36:410:36:44

and Betty seems to like them so I have got something right.

0:36:440:36:49

Now Jamie's got colour on the walls, I have to admit,

0:36:490:36:51

it's looking rather good and I am surprised to say that

0:36:510:36:53

cos there's actually five bold colours all in one small room.

0:36:530:36:58

He doesn't understand the theory behind why they work.

0:36:580:37:00

I think it's cos they're all tonally similar.

0:37:000:37:02

He's been quite intuitive,

0:37:020:37:05

but it has paid off.

0:37:050:37:06

With his confidence on the up,

0:37:060:37:08

Jamie decides to get a sneaky peek of the competition.

0:37:080:37:12

What's that you're you sticking up - magnet?

0:37:120:37:14

-This is magnet tape.

-Cool. Are you having things hanging off it?

0:37:140:37:18

I've got some magnets to go on it.

0:37:180:37:21

That's so cool and I love how it's black in there.

0:37:210:37:23

Yeah, it needed some black. Grrr.

0:37:230:37:26

-Manly.

-It is the stressful part now.

0:37:260:37:29

Well, for me it is. Looks like you're nearly finished.

0:37:290:37:31

I'm doing all right, it is my poor builder I am worried about,

0:37:310:37:36

-who's on the point of exhaustion.

-JAMIE LAUGHS

0:37:360:37:39

Oh, It looks amazing.

0:37:390:37:42

It's somewhere that I would want to have as a bedroom and...

0:37:420:37:46

Yeah, I'm scared now.

0:37:460:37:48

Sarah's room has rattled Jamie but both amateurs are aiming high with

0:37:500:37:54

their designs, an ethos shared by the architect of this development.

0:37:540:37:59

The 1960s were the era of the tower block and the skyscraper

0:37:590:38:04

and these homes do have a touch of the high-rise about them,

0:38:040:38:07

but here, it is mostly about trying to maximise

0:38:070:38:09

the space inside on a very, very tight spot

0:38:090:38:13

and giving great views from the top, over the river,

0:38:130:38:15

both, great selling points to those aspiring buyers,

0:38:150:38:18

hoping to better themselves in this age of upward social mobility.

0:38:180:38:22

Back in 1967, these properties sold for £17,000 a pop,

0:38:240:38:29

far from small fry at the time,

0:38:290:38:31

but, at least, thrown in at that price was a mooring for every house.

0:38:310:38:35

When they were built, the vision behind developments like these -

0:38:350:38:38

exclusive ones - was to give families a high standard of living,

0:38:380:38:41

an easy life, but also to foster a sense of community

0:38:410:38:44

so communal gardens like these were provided,

0:38:440:38:47

very typical of the era, but also reflecting

0:38:470:38:49

the belief at the time that young families might have wanted

0:38:490:38:52

big gardens but they no longer had the time to look after them.

0:38:520:38:55

Time isn't in abundance for our designers either

0:39:020:39:05

but Sarah is powering on with new light fittings.

0:39:050:39:08

This is going to come from that ceiling fitting up there and then

0:39:080:39:11

the cable is going to come down the wall and fit to the wall down there.

0:39:110:39:16

She's designed a tropical leaf shape and had it cut out in Perspex.

0:39:160:39:20

With the help of a suitable shop-bought fitting,

0:39:200:39:23

Sarah has created a bespoke light for £30.

0:39:230:39:26

Fabulous.

0:39:270:39:28

-It's nearly the end of day two.

-Things are coming together.

0:39:340:39:37

The wardrobe has now been painted. It's had two coats on the main side.

0:39:370:39:40

I just want to get the door sorted now,

0:39:400:39:42

so they can put straight on tomorrow

0:39:420:39:44

and I need to finish the textured cushion

0:39:440:39:46

and other than that, I think we...

0:39:460:39:49

It is going good.

0:39:490:39:50

A quarterfinal place is at stake and both amateurs want to be there.

0:39:500:39:54

I'm tired but I'm relieved and I am happy.

0:39:560:39:59

I'm really enjoying it now, I don't want to go home.

0:39:590:40:02

Well, I want to go home, but I don't want to go HOME, home.

0:40:020:40:06

-JAMIE:

-Who knows what's going to happen tomorrow?

0:40:060:40:09

Either way I'm going to be excited,

0:40:090:40:11

but, obviously, I'd prefer me to get through.

0:40:110:40:13

But, yeah, just wait and see.

0:40:130:40:15

Whatever happens happens for a reason.

0:40:150:40:18

It's the start of day three,

0:40:290:40:31

and our two amateurs can't afford to let up for a moment

0:40:310:40:34

if they want to win a place in the quarterfinals.

0:40:340:40:37

Morning!

0:40:370:40:38

I've woken up this morning a little bit bleary, but...

0:40:380:40:42

I'm going to kill it today.

0:40:430:40:45

SHE LAUGHS

0:40:450:40:46

-JAMIE:

-I think now, getting through to this stage,

0:40:460:40:49

I'm believing in myself more,

0:40:490:40:50

and believing that I could win this competition.

0:40:500:40:52

At the end of the day, Sophie and Daniel will scrutinise

0:40:520:40:55

the rooms for creativity, quality of finish

0:40:550:40:58

and how well the brief is met

0:40:580:41:00

to decide who will stay and who will go.

0:41:000:41:03

We're so close to the quarterfinals,

0:41:030:41:05

and I really do want to get there to show kind of more skills

0:41:050:41:09

and more design ideas that I have.

0:41:090:41:11

I'm super planned,

0:41:110:41:13

super organised,

0:41:130:41:14

super Sarah.

0:41:140:41:16

In Sarah's room, the ambitious wardrobe is nearly done,

0:41:220:41:25

but she's got yet more work for her builder - her bedside table.

0:41:250:41:29

It's got a shelf going across it. Supposed to be at this level,

0:41:290:41:32

but I think I'd quite like to bring that one a bit higher.

0:41:320:41:34

-And then that's all done and you can just...

-OK, so I do that next?

0:41:340:41:37

-Yes, I think so.

-And then, do the door, yeah?

-Yeah.

0:41:370:41:40

Meanwhile, Sarah's having another sticky moment with magnetic tape.

0:41:420:41:46

Never use adhesive magnetic tape again.

0:41:460:41:48

SHE LAUGHS

0:41:480:41:50

Now, Sarah - there's a lot of faffing going in on in that room.

0:41:510:41:54

Well, she's still got quite a lot of the build to do. There are bedside tables to make.

0:41:540:41:58

What it is is a very, very ambitious project.

0:41:580:42:00

Well, you wanted her to become more contemporary. Do you think she's gone a bit too far?

0:42:000:42:04

She could never go too far for contemporary with me.

0:42:040:42:06

I just LOVE it.

0:42:060:42:08

Jamie has got his work cut out for him -

0:42:080:42:10

quite literally, as once again, he's stencilling.

0:42:100:42:13

I actually hate stencilling.

0:42:150:42:16

It's just an easy way to add pattern to something.

0:42:160:42:19

It's not something I would use personally,

0:42:190:42:21

but I think it just works within the scheme that I've been doing.

0:42:210:42:25

If I get through, I'm not going to use it again.

0:42:250:42:28

HE LAUGHS

0:42:280:42:29

Extra storage was on the brief, and he knows

0:42:290:42:32

he needs to prove to the judges he can nail the spatial planning.

0:42:320:42:36

-Well, that's where the door's going to come to. About there.

-Yeah.

0:42:360:42:40

-Yeah, that'll be fine.

-Yeah?

0:42:400:42:42

-Maybe along a little few centimetres.

-That way, yeah?

0:42:440:42:47

Now, you've had misgivings about Jamie,

0:42:490:42:51

about the practicality of his designs

0:42:510:42:53

and the functionality of them. Is he solving them this time?

0:42:530:42:55

He's having a really good stab at it.

0:42:550:42:57

He's got an absolutely massive wardrobe in the corner of the room.

0:42:570:43:00

The headboard's in there now which is going to add extra storage, too.

0:43:000:43:03

So, I think he is answering the brief.

0:43:030:43:05

We're yet to see it all come together,

0:43:050:43:07

and I think with creating this look,

0:43:070:43:09

it is so in the dressing and the accessories,

0:43:090:43:12

so that's what I'm holding out for.

0:43:120:43:14

Dressing these attic rooms is easier said than done, though.

0:43:140:43:18

Have you ever tried moving a mattress yourself?

0:43:180:43:20

Why are there so many stairs?

0:43:280:43:30

The designers' three-day challenge is almost over.

0:43:360:43:39

Oh, that's lovely.

0:43:390:43:41

Sarah started strongly,

0:43:410:43:42

as she was deemed the best when it came to presenting her ideas.

0:43:420:43:46

Now, Sophie and Daniel must decide who coped best under pressure

0:43:460:43:50

designing something out of a load of old junk.

0:43:500:43:53

There is nothing more I could have done in 90 minutes.

0:43:530:43:56

It's well made, it's really well upcycled,

0:43:560:43:59

it's cool.

0:43:590:44:01

I'd have that in my house any day of the week.

0:44:010:44:03

It's amazing to think that I could get to the quarterfinals.

0:44:030:44:07

A win here could secure Jamie his place.

0:44:070:44:10

So, judges, what a challenge.

0:44:100:44:12

Making silk purses out of sow's ears - I don't fancy it myself.

0:44:120:44:14

This is Sarah's. She hasn't actually done a lot -

0:44:140:44:17

she's just sort of put a strap of leatherette around a vintage pouffe

0:44:170:44:19

and some hostess trolley wheels on the bottom.

0:44:190:44:21

-But it's all about the simplicity.

-Oh, is it?

-Yes.

0:44:210:44:24

I could see you in a pair of Capri pants sitting on that,

0:44:240:44:26

-looking very chic.

-OK, well, let's try that, shall we?

0:44:260:44:29

-Whooa!

-Whoo!

0:44:290:44:30

-OK!

-It's nice to look at, but it's not very useful.

0:44:300:44:33

What about Jamie's? Let's look at Jamie's.

0:44:330:44:35

Well, I had high hopes for this,

0:44:350:44:37

-because this is a multifunctional piece of furniture.

-Oh, really?

0:44:370:44:40

He is trying to offer storage, a seat...

0:44:400:44:42

This is trying too hard.

0:44:420:44:44

Oh, I like his ambition.

0:44:440:44:46

Do the Sophie test.

0:44:460:44:47

-Well, I'm not falling over, so it's more practical than that.

-So, you can sit on it.

0:44:470:44:51

-But I'm not going to lean back.

-I've got to be behind it.

0:44:510:44:53

-It's not beautiful, and it's almost useful.

-Mm.

0:44:530:44:57

Come on, Sophie, you're not going to have that in your own home.

0:44:570:45:00

The judges are divided,

0:45:000:45:02

but they have to come to a unanimous decision.

0:45:020:45:05

So, out of the pair of them, who's won?

0:45:060:45:08

-This is the best product design, isn't it, overall?

-I'm with you.

0:45:080:45:11

-Think it's probably going to be Sarah.

-I think Sarah, too.

0:45:110:45:14

Sarah won, but it was a close-run thing,

0:45:150:45:17

and quite frankly, neither of them impressed us that much.

0:45:170:45:20

It'll come down to the all-important room reveals,

0:45:210:45:24

and Sarah's time is almost up.

0:45:240:45:27

Doesn't matter how organised you are,

0:45:280:45:30

it's always rushed to the end.

0:45:300:45:32

She's spent her £1,000 budget

0:45:330:45:35

delivering a masculine, minimal look...

0:45:350:45:38

Perfect.

0:45:380:45:40

..for Jay, who's away travelling.

0:45:400:45:42

Little nod to the travel.

0:45:420:45:45

After clashing with his mum Lynn over colour choices,

0:45:450:45:48

will the final look win her a place in the quarterfinal?

0:45:480:45:51

That's me done.

0:45:520:45:54

Went really well.

0:45:570:45:58

Went REALLY well, actually.

0:45:580:46:00

I love it.

0:46:000:46:02

Sarah's brief was to create a cool, contemporary, masculine retreat.

0:46:040:46:08

Three days ago, the room was bland and boyish.

0:46:100:46:12

Now Sarah has created a minimal, modern bachelor pad.

0:46:170:46:20

In her bid for contemporary, she's zoned the room

0:46:210:46:24

with layered shades of yellow and putty,

0:46:240:46:26

uniting them with a magnetic graphic line.

0:46:260:46:29

She's designed a desk and storage unit,

0:46:310:46:33

and created a seating area with an upcycled chair.

0:46:330:46:36

She has completed the look with handmade ethnic cushions,

0:46:380:46:42

and a bespoke tropical plant light.

0:46:420:46:45

Think I've nailed the brief.

0:46:450:46:47

It's cool.

0:46:470:46:48

-Pretty amazing transformation.

-They asked for impact...

0:46:540:46:58

-And you have it here.

-Yes!

-Wow.

-In buckets, actually.

0:46:580:47:02

Is this fulfilling your angle quota? Cos they are everywhere in here.

0:47:020:47:05

-Yeah, this is right up my boulevard, as they say.

-THEY LAUGH

0:47:050:47:09

Because it's really clever and it's really unexpected,

0:47:090:47:11

and the angles are actually not just there for decoration,

0:47:110:47:14

-they're cleverly zoning this space.

-Exactly.

0:47:140:47:17

What they're doing is creating an atmosphere over the bed

0:47:170:47:20

that's warming it up here,

0:47:200:47:22

and also the little seating area that we've got in the corner.

0:47:220:47:25

And at the same time, those lines are making your eyes move around

0:47:250:47:29

the room and are fighting against the apex of the roof really nicely.

0:47:290:47:32

-But look, this is a bedroom.

-Mm-hm.

-It's somewhere to come and relax.

0:47:320:47:36

-Jump in.

-Can I jump in?

-Yeah, why not?

0:47:360:47:38

-Ooh. I like it.

-It's pretty jazzy.

0:47:390:47:41

-SHE LAUGHS

-Oh, you like it.

0:47:410:47:43

I like the perspective.

0:47:430:47:45

OK, but look this way, and I'm just seeing sort of black lines

0:47:450:47:47

and yellow blocks streaking everywhere.

0:47:470:47:51

It needs softening off.

0:47:510:47:53

I mean, my criticism is, maybe this is over-stylised.

0:47:530:47:56

I know. But you can never be over-stylised.

0:47:560:47:59

THEY LAUGH

0:47:590:48:00

Important to the judges' decision is what the client thinks of the room.

0:48:000:48:05

You're always a bit trepidatious.

0:48:050:48:06

Not entirely sure what they're going to think of it.

0:48:060:48:10

Jay's mum and dad will give their verdict.

0:48:100:48:13

-Ooh, wow. Gosh.

-Oh, my word.

0:48:130:48:16

Wow, look at this.

0:48:160:48:17

-Oh, I love it. It's so minimal!

-THEY LAUGH

0:48:170:48:20

-You like the minimal look?

-Yeah, I do.

-Fantastic.

0:48:200:48:22

It was so cluttered before,

0:48:220:48:24

but looks really cool now, doesn't it?

0:48:240:48:27

-Great room. I think we should move in.

-HE LAUGHS

0:48:270:48:30

It's too cool for us. Far too cool for us.

0:48:300:48:33

And what do you think Jay will think?

0:48:330:48:36

He will love it. He really will love it.

0:48:360:48:38

I don't know what else to say. I'm wonderfully impressed.

0:48:380:48:41

Seriously, I really am, though.

0:48:410:48:43

THEY LAUGH

0:48:430:48:45

With his deadline fast approaching,

0:48:450:48:47

Jamie has got a lot of dressing to do.

0:48:470:48:50

I'm absolutely sweating.

0:48:500:48:52

Having spent more than half his budget on accessories...

0:48:520:48:55

The big dreamcatcher, which I don't know where it's... Ah.

0:48:550:48:58

Where's it gone?

0:48:580:48:59

He's relying on these finishing touches to create

0:48:590:49:02

the hippy-chic vibe.

0:49:020:49:04

She'll be sweating when she gets into bed.

0:49:040:49:06

There's, like, a million throws on it.

0:49:060:49:08

His client's mum, Chrissie, had serious reservations

0:49:080:49:11

about the richness of the scheme, so he must make sure

0:49:110:49:14

the overall look is spot-on if he's to become a quarterfinalist.

0:49:140:49:19

It's like cushion overload, isn't it?

0:49:190:49:21

HE LAUGHS

0:49:210:49:22

Craziness.

0:49:220:49:23

OK, I'm finished.

0:49:260:49:28

I'm loving the room, and it's absolutely incredible.

0:49:380:49:41

It's got quite a kind of cool vibe with it,

0:49:410:49:45

which is kind of what I wanted to bring.

0:49:450:49:47

Jamie's brief was to create a colourful, hippy chic bedroom.

0:49:480:49:51

Three days ago, the room had plenty of colour, but bordered on garish.

0:49:510:49:55

Now Jamie's created an Indian-sari inspired scheme,

0:49:590:50:03

contrasting orange, teal, pink and green.

0:50:030:50:06

He's added a wardrobe built into the eaves

0:50:070:50:10

and further storage in the headboard.

0:50:100:50:12

And in his bid for hippy,

0:50:120:50:14

he's made a beanbag and cushions,

0:50:140:50:17

while creating further mood with shop-bought items -

0:50:170:50:21

throws, wall hangings, dreamcatchers and a Moroccan lamp.

0:50:210:50:25

I'm always quite excited for the judging,

0:50:250:50:27

no matter whether it's negative or positive,

0:50:270:50:29

cos that's where you need to learn and kind of progress as a designer.

0:50:290:50:32

Oh, fantastic!

0:50:340:50:36

I was not expecting this.

0:50:370:50:39

He's got the mood and the lighting absolutely spot on.

0:50:390:50:43

-Well, I'm thinking I'm in Jaipur, not Marlow.

-SOPHIE LAUGHS

0:50:430:50:46

I want to go and have a look at the cupboard.

0:50:460:50:48

-I mean, it looks big enough for a small family to live in here.

-Yeah.

0:50:480:50:51

Oh, yes!

0:50:520:50:54

So that works, from a practical point of view,

0:50:540:50:56

-but it is just a bit of a box.

-Because he's painted it the bright colour, which works

0:50:560:51:00

with the whole scheme of things, but it draws your eyes to the weakest point in the room.

0:51:000:51:04

When, in fact, the bed head should be the centre of attention.

0:51:040:51:07

Yeah, that does look pretty cool, doesn't it?

0:51:070:51:10

Got loads of storage down here, and that is jolly useful.

0:51:100:51:13

So, a really multifunctional piece, that.

0:51:130:51:16

Now, there is something about pinning tie-dye bedspreads

0:51:160:51:20

to the ceiling that I just cannot allow.

0:51:200:51:23

That is so wrong. It's such a dated thing.

0:51:230:51:25

I mean, it's up there with, like, paper-ball lampshades and posters of Bob Marley.

0:51:250:51:29

Yeah, but this is the brief.

0:51:290:51:31

This is what this young lady wants to have in her room.

0:51:310:51:34

The end result is kind of better than I thought it was going to be,

0:51:350:51:39

so I'm just excited to see the homeowner's reactions now.

0:51:390:51:42

-Quite a transformation.

-Oh, my gosh.

0:51:460:51:49

Stunning.

0:51:500:51:51

It's stunning.

0:51:510:51:53

He's done so well.

0:51:530:51:55

Oh, I feel like I'm going to cry.

0:51:550:51:56

He's done so well. It just doesn't look like the same room.

0:51:560:51:59

-Why do you feel like you're going to cry?

-I think I was just so worried. I was thinking,

0:51:590:52:03

he's such a nice chap and I would hate it if I walk in and think,

0:52:030:52:06

"This is awful." It's just lovely.

0:52:060:52:08

Will daughter Betty love it as much?

0:52:090:52:11

Oh, my God.

0:52:120:52:13

Oh, my God, this is amazing!

0:52:140:52:17

My God.

0:52:170:52:18

It literally looks like a completely different room.

0:52:200:52:23

With both rooms scrutinised,

0:52:290:52:31

Sarah and Jamie can do no more.

0:52:310:52:33

-Well done.

-I'm happy.

0:52:330:52:35

-Happy, happy?

-Really happy. I love it.

0:52:360:52:40

They've grown close throughout the competition,

0:52:410:52:44

but now only one can make it through.

0:52:440:52:47

I can feel myself changing as a person,

0:52:470:52:49

and becoming me, I suppose, and more confident in my designs.

0:52:490:52:52

So, getting through to the final

0:52:520:52:54

and maybe winning it would be life-changing.

0:52:540:52:57

-It was good.

-Yeah, it is good.

0:52:570:53:00

I'll walk away a winner no matter what.

0:53:000:53:03

And Jamie, I'll champion him

0:53:030:53:05

the whole way if he gets through.

0:53:050:53:07

But, yeah, I do want to win.

0:53:070:53:09

So, judges, a third round.

0:53:120:53:14

You are going to pick a quarterfinalist,

0:53:140:53:16

so the stakes are pretty high, I guess.

0:53:160:53:18

Yeah, so we've got to be very careful who we choose.

0:53:180:53:21

Which of the two do you think are pulling forward?

0:53:210:53:23

They're both incredibly strong.

0:53:230:53:25

We wanted to see Sarah do something more contemporary,

0:53:250:53:28

a bit more modern - she totally has proved

0:53:280:53:30

that she can be versatile.

0:53:300:53:32

-It's quite an incredible scheme, isn't it?

-I loved it.

0:53:320:53:35

You know that I can't hide that at all. I find it very exciting.

0:53:350:53:38

Because it was intelligent design.

0:53:380:53:39

One area where I'm not sure she's progressing

0:53:390:53:42

quite so well is with her colour selections.

0:53:420:53:44

You know, her first project, she got those greens SO wrong.

0:53:440:53:47

And with this project, I feel that that very acidic yellow

0:53:470:53:51

wasn't the right choice for a bedroom.

0:53:510:53:53

It's not restful at all, really.

0:53:530:53:54

How do you think she coped with designing for a client she had never met?

0:53:540:53:57

I think she had a difficult balance, actually,

0:53:570:53:59

because she's also designing for the parents.

0:53:590:54:02

They're the guys who are here approving this brief,

0:54:020:54:04

and they've got a very particular sense of style

0:54:040:54:06

and aesthetic in their own home, too,

0:54:060:54:08

which is very clean, very minimal.

0:54:080:54:10

-What did they think?

-They really, really adored it.

-Good for them.

0:54:100:54:13

And they thought that their son would love it, as well,

0:54:130:54:16

and they couldn't really wait to get him into the room.

0:54:160:54:19

-Oh, wow.

-If he wasn't, you know, travelling around the world.

0:54:190:54:21

Jamie was asked for something that was almost kind of bohemian.

0:54:210:54:24

When I walked in there, it was quite a melange of different things. What did you think of it?

0:54:240:54:28

Well, I think when you're going to do this look,

0:54:280:54:31

you have got to go for it. More is more.

0:54:310:54:33

It's a complete kind of maximalist approach, isn't it?

0:54:330:54:35

It's maximalist, but you've got to be really careful how you do it,

0:54:350:54:38

too, cos it's not RANDOM.

0:54:380:54:40

I know that the homeowner had a go at doing this look previously,

0:54:400:54:43

and they just hadn't pulled it off at all. But Jamie did.

0:54:430:54:46

And what's quite interesting is not only did he pull it off,

0:54:460:54:49

but it was completely out of his field,

0:54:490:54:51

and I'm really impressed by that.

0:54:510:54:52

It seems like on each round he really pushes himself,

0:54:520:54:55

grapples with a very tough brief. When you remember Walthamstow,

0:54:550:54:58

-we had to put a living room in the kitchen.

-Yeah.

0:54:580:55:00

He's not had it easy at all, has he?

0:55:000:55:02

He's had some killer briefs, I have to admit.

0:55:020:55:04

And he's met the challenge every time.

0:55:040:55:06

And for someone who's 21, it is outstanding level of confidence.

0:55:060:55:10

Well, the homeowner loved it.

0:55:100:55:12

Loved the clashing colours and patterns and textures,

0:55:120:55:14

and really thought that Jamie had understood her daughter.

0:55:140:55:17

Well, it did feel so special in there.

0:55:170:55:19

He got the mood just right.

0:55:190:55:21

It seems like you've got two really strong designers

0:55:210:55:24

who have come on in leaps and bounds over the competition.

0:55:240:55:28

Exactly. They're so different from each other,

0:55:280:55:30

-and yet, so good, as well.

-Yeah, they're both seriously good.

0:55:300:55:34

The judges must now decide which designer shows the most potential

0:55:380:55:41

and deserves that quarterfinal place.

0:55:410:55:44

It's third-round stage, and next, it's the quarterfinals,

0:55:470:55:50

so these two are expecting an awful lot of you.

0:55:500:55:53

But, by golly, you two delivered this time.

0:55:530:55:55

And in really difficult rooms, as well.

0:55:550:55:58

I mean, loft rooms are a nightmare.

0:55:580:56:00

All those angles, to get a comprehensive scheme

0:56:000:56:02

and storage, as well - it's not easy.

0:56:020:56:05

But you guys nailed it.

0:56:050:56:07

And that's why it's been a tough time for us to make a decision,

0:56:070:56:09

because frankly, we think you're both extremely talented.

0:56:090:56:13

The designer going through

0:56:160:56:19

to the quarterfinals is...

0:56:190:56:21

Sarah.

0:56:280:56:29

Well done. You won!

0:56:310:56:33

That's incredible.

0:56:330:56:35

Still on a journey together,

0:56:350:56:36

and I want to know all about next time.

0:56:360:56:38

-Yeah, you're coming with me.

-Yeah, I would.

-In spirit.

-THEY LAUGH

0:56:380:56:42

I am a little bit gutted.

0:56:420:56:44

But over the moon that I've got this far in the competition.

0:56:440:56:47

Like, three rounds in,

0:56:470:56:48

two other amazing designers have gone.

0:56:480:56:50

Yeah, it could have been worse - I could have gone the first week.

0:56:500:56:53

Oh, my God.

0:56:530:56:54

-Do you like it?

-Well done! It's bloody beautiful!

-Thank you.

0:56:540:56:58

-I'm so happy that you like it.

-Oh, it's amazing.

-I love it.

0:56:580:57:01

-I don't know how you've done this.

-HE LAUGHS

0:57:010:57:04

I am completely heartbroken to have lost Jamie.

0:57:040:57:07

He is so talented.

0:57:070:57:09

So incredibly competent for somebody who's only 21.

0:57:090:57:12

But he does lack just that little bit of maturity.

0:57:120:57:15

But I know he's going to get it, and then he'll be a superstar.

0:57:150:57:19

It's completely changed my life, and I'm not just going to let it slip out of my hands.

0:57:190:57:22

I'm going to take this and kind of run with it,

0:57:220:57:25

and hopefully, in a couple of years, be an interior designer.

0:57:250:57:28

I'm so excited.

0:57:300:57:32

SHE LAUGHS

0:57:320:57:34

That was amazing. I feel awesome.

0:57:340:57:36

I really wanted to get through this one.

0:57:360:57:39

Feel like I'm just getting into my stride.

0:57:390:57:41

Quarterfinals!

0:57:410:57:43

I was blown away by Sarah's project.

0:57:430:57:46

It was totally contemporary, really forward-thinking,

0:57:460:57:49

and showed us something we hadn't seen before. And what's more,

0:57:490:57:52

it shows that she is versatile,

0:57:520:57:54

which is a key ingredient in staying in this competition.

0:57:540:57:58

Next time, in four self-build South London homes,

0:58:030:58:06

a brand-new set of wannabe designers fight it out...

0:58:060:58:10

-I don't think I've ever been this tired.

-Perfect.

0:58:100:58:13

..for just three places in the next round.

0:58:130:58:15

The designer going home is...

0:58:150:58:17

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