Highgate Gothic Revival The Great Interior Design Challenge


Highgate Gothic Revival

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Here in the UK, we're blessed with an enormous variety of types

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and styles of buildings that we call home,

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from thatched cottages, to 1930s Art Deco apartments,

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regency terraces, to contemporary townhouses.

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But sometimes while the exterior creates a wow factor,

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the interior can be distinctly lacking.

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So we've gathered together some of the UK's most talented amateur

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interior designers to show us what they're made of.

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I'm actually raring to go.

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That looks great.

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Argh!

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Work quicker, come on!

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In our first heat, three designers will transform a room each.

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But only two will make it through to the next round.

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I'm feeling a little bit nervous now.

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Putting them through their paces and scrutinising

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their every move are judges Daniel Hopwood, designer,

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and a director of the British Institute Of Interior Design...

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This year, we've got new challenges for the designers,

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so really going to push them to the limit.

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..and internationally renowned interior designer Kelly Hoppen.

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As a judge in this competition, I want to see perfection.

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I think I will be quite a hard judge.

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But it's going to take a lot of creativity and hard work

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to be crowned winner of The Great Interior Design Challenge.

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We're in Holly Village,

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a unique collection of Grade II star listed properties in North London.

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This time our three amateur interior designers have been given the task

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of transforming a bedroom

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each in these imposing Victorian gothic cottages.

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They will have just 48 hours...

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-Push!

-I'm going to have fun with it.

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..£1,000...

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Oh, that's lovely. Oh!

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..and a small team, including a builder and a decorator.

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-Could we glue it?

-No.

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To complete their transformations...

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-Ow!

-Oh, shouldn't have done that.

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I'm in my element.

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I've already hit a light.

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-And a switch!

-Done.

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..they'll need to impress...

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I think I've done the best that I could do.

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So hopefully it's enough.

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I'm feeling a little bit nervous now, but it's all good.

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-It's all good.

-I've given it my best shot and it's a waiting game now.

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..as one of them will be going home at the end of this round.

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Holly Village was built around 1865 by Baroness Angela Burdett-Coutts

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who, in her early 20s, inherited a vast fortune from her late

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grandfather - the founder of Coutts Bank.

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Included in the legacy was the private Holly Lodge Estate

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in Highgate, five miles outside the City of London.

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12 homes are grouped around a central, communal garden

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with a wrought iron gate house at the entrance.

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And no expense was spared in the construction

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of this Gothic fantasy village.

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Italian craftsmen carved materials like Portland stone and teak -

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highly prized commodities of the time.

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Fast forward 150 years and it's the turn of our designers to make an

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impression on these elegant buildings.

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Our first designer is 31-year-old Richard,

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an artist from Kirklees in West Yorkshire.

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My style is mainly influenced by my love of imperfection.

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It's raw, a bit industrial -

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graphics and geometric shapes,

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eclectic things that don't really fit into any sort of style,

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other than my style, I think.

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Although the designers have had their briefs for just over a week,

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this'll be the first time they'll be seeing the rooms in person.

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Richard will be using his raw talents to makeover this rather

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flamboyant guest bedroom for homeowner Danielle.

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It's bright and gold, but it needs calming down and sophisticating.

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Danielle's brief is to transform this room from gaudy Gothic

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to global hotel room chic.

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I'd like the room to reflect the kind of rooms that we stayed in when

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we'd go on our travels. We're keen scuba divers and we have stayed in

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some fantastic hotels in places like Bali and Zanzibar.

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I think it'll be all right, size-wise.

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The Grade II listing means it's important that Richard respects the room's historical features.

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But the homeowner is also keen for some fresh additions.

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I would very much look forward to having a new bed made.

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Do something fantastic with the headboard.

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Judging his presentation will be industry experts Kelly Hoppen

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and Daniel Hopwood.

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They'll be assessing how well he puts forward his design,

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and how adaptable he is to his client's needs.

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So this is the mood board that I've come up with.

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I've taken your theme of global hotel chic.

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And the walls are going to be this kind of off-white.

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And then in a lot of the Balinese luxury hotels,

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there's a lot of white fabric kind of draping over the beds and things.

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It will almost give the illusion of a four-poster and it will be quite

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-luxurious, hopefully.

-Not keen on that at all.

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-OK, all right.

-Can we possibly knock that out?

-Don't need it in.

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Yeah. OK.

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Richard plans to add original artwork for a splash of colour, and,

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controversially, he wants to give

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the 150-year-old wardrobes a modern makeover.

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I thought I would cover the wardrobe with a floor to ceiling

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carcass and it will be painted black.

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It's one of my favourite materials.

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It's OSB, so it's just like a chipboard.

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-Hmm.

-But I love the texture it's got.

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I have a concern because they are original.

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How are you going to attach that without damaging the woodwork?

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That's a good question.

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Um...

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I was going to talk with the builders and which...

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-what's the best way forward for it.

-Right.

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The bed is the most prominent piece.

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And what he wanted to do was have this sort of gauze-like fabric,

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which she didn't like.

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So it will be interesting to see now how he interprets what she wants

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at the back of the bed to give it some texture and some depth.

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I'm still sad about losing that voile, because it

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really softened that room and made it feel a little bit more feminine.

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So, the whole room's going to be painted white.

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-OK, no problem.

-That wall, grey.

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First to start, Richard has just 48 hours.

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So his priority is his plan to modernise the wardrobe doors.

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I was wanting to build some covers for the wardrobe doors here.

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-OK.

-The homeowner's a bit concerned about having to screw anything in.

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-Yeah.

-But I was wanting to have it just hiding it,

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rather than being stuck to it.

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But we can fix into the plaster work, presumably,

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rather than the doorframe?

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Excellent.

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My concern is that he's got to remember that he's in a very charming

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Gothic revival space with some original features in the room

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and he seems to be blanking them out.

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So actually we could end up with what is just, I think, a stage set.

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-Take the bed apart.

-Yeah.

-Get that out of the room.

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I've already hit a light. And a switch!

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The next designer is Shaida,

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a 37-year-old freelance make-up artist from Northampton.

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I've always had this love for the Moroccan prints, and the themes,

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and the colours, and everything.

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At the same time, I love natural textures.

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Stripping things back to their original form.

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British country cottage.

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I believe my style is me.

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My past, my experiences, and my beliefs.

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Shaida will be working with homeowner Kathleen,

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a managing director from America.

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My vision for the room would be comfortable, cosy,

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and I would like clean lines cos the room's tiny.

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Hmm.

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Interesting.

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So as not to overwhelm her compact spare bedroom,

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Kathleen wants just a hint of the exotic.

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I also think that a certain Moroccan style

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actually integrates quite well with the Gothic revival.

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The sofa's going!

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When I see the mood boards for the first time, I will be extremely honest.

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I'll either go, "Boom, boom, boom!"

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Or, "Pfft!"

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Fortunately, when it comes to Moorish style,

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both designer and homeowner are on the same page.

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You mentioned that you like this kind of subtle Gothic with a lot of

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that kind of Moroccan feel as well.

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-Mm-hmm.

-I'd like to say that I absolutely loved your brief.

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-Thank you.

-Really happy, really happy to be doing this for you.

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So I'm creating a lot of ambient lighting.

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-I love it.

-So a lot of candles, a lot of warmth.

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For your windows, I've decided to create screens

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made out of MDF with the Moorish kind of patterns.

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-Oh, wow.

-And then your wall colour for two of the walls is

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going to be this deep olive.

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As well as designing a unique Moroccan themed desk,

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Shaida also wants to add a few frilly, romantic touches

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to this Gothic room.

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I'm also going to create a bed throw for you with lace

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-and this fabric here.

-Too much lace.

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-I'm not a very girlie-girlie.

-Yeah?

-I think maybe if we can...

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-Yeah, limit that?

-I think that might be an idea.

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-Lovely, lovely.

-But I think you're right on course.

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-This has been too easy, hasn't it?

-Yeah!

-Have we met before?!

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Who'd have guessed that decision was pulled out of a hat

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to put those two together?

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-Yeah.

-And it's a match made in heaven.

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And Shaida loves Moorish design -

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it's her thing - and the homeowner does, too.

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The only thing that put me off was the black lace.

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I thought that was looking at the Gothic too much and it just, for me,

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doesn't go with this Moorish sort of East meets West kind of look.

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Myself and yourself are going to remove everything from the room.

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While we're doing that, you're going to crack on with the desk.

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Shaida's 48 hours have begun

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and, as she'll need to squeeze a romantic bed and a Moroccan desk

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into this Gothic room, it's out with all the old furniture.

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Push.

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Oh, my goodness me.

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Because we're going to have to stand it on top of you.

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I think now we might need a man.

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I think we need a man.

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The last designer is 57-year-old Susanne,

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a solicitor from Loch Lomond in Scotland.

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I like clashing colours.

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I do not follow trends.

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Mix up your patterns, go for it.

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Don't hang back with pattern.

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You need as much as possible.

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I've got a strong connection with the countryside.

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I like to bring colours out from that,

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particularly Scottish country style - that's my favourite.

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Susanne is working for retired architect Colin and his wife Diana.

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Their spare bedroom is in desperate need of design attention.

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It's a small room.

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It needs to be kept simple.

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Always different when you see it for real.

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I would like it to be calm, natural and airy.

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A peaceful, muted, Zen-like room -

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it's a testing brief for pattern-loving Susanne.

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I think it should have a positive character,

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but it's low key positiveness, if I can put it that way.

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Even more challenging will be incorporating the homeowners'

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rather bulky furniture and technology.

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One of the key things is to accommodate the projector and a screen.

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Quite a bit of work there.

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This is your mood board -

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a Zen, calm, serene space,

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somewhere that not only do you sleep in at night,

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but you are also able to use in the daytime.

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I'm retaining your furniture, as you wish,

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but I wish to bring in a new bed for you, which is a daybed.

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-Right.

-The palate is very soft blues and greens

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and, to complement that, your ceiling will be cream.

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The fabrics I'm using, I'm using a paisley fabric,

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-gives it a bit of a zing.

-Hmm.

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I don't really want paisley pattern.

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If you've got any alternatives,

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I would be very interested in seeing them.

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I would be tempted to push you towards accepting that fabric

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-because I think, once it's in place, you will enjoy it.

-OK.

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Susanne also plans to add nature motifs and a shelf for Colin's

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projector, but her biggest addition will be a Japanese Zen sand garden

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in the fireplace hearth.

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So you'll be able to practise the art of meditation and such.

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Well, I find myself struggling to criticise what you're offering me.

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-Oh, how lovely!

-Go to it.

-Go to it, go forwards!

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There was a lot of energy on that board, actually,

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and I would think that's going to reflect in a lot of passion

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in the interior design.

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And Susanne giving him a box of sand because it's some sort of

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Zen-inspired thing that she wants to do.

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Well, that would be about creating sand in a shallow tray,

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where you then create this design

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and possibly put a stone ball or a couple of stones,

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that's very kind of Zen, Japanese,

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but how does that relate to everything else that's going on in the room?

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It will be really interesting to see how it all pans out.

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The clock has started on Susanne's 48 hours and the clearout is underway.

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Oh, that's lovely.

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Including temporarily moving the homeowners' bulky arts

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and crafts furniture.

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But Susanne's top priority is working out where to fit the shelf

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for Colin's beloved projector.

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-It's basically attached to the wall.

-Right.

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-And it's a sort of C shape.

-Cool.

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As each designer faces the obstacles in their individual rooms,

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it's easy to forget that these houses

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have some individual faces of their own.

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Think of Gothic architecture and gargoyles spring to mind -

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you'll find them all over Holly Village.

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Carved from stone,

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gargoyles were used to funnel rainwater away to prevent erosion

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to mortar and masonry walls.

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Gargoyles were designed to ward off evil spirits and harm,

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and protect those that they guarded,

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so they tend to be pretty scary.

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These, though, at Holly Village - they're quite a friendly bunch.

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Another astonishing feature of the houses in Holly Village is the use

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of William De Morgan tiles on the exterior walls.

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De Morgan was a member of the influential arts and crafts

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movement and head of tile production for William Morris.

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They've even found discarded De Morgan tiles buried in the back garden,

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stamped with the De Morgan seal.

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As part of her brief,

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Shaida's homeowner asked her to integrate some of these broken tiles

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into her scheme.

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The tiles, yeah, just there. This is this way.

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These tiles are from the grounds of this house.

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The homeowner found them and I've decided to incorporate them in a

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very creative way, so I'm actually putting them onto bedside shelves.

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In fact, Holly Village is crammed full of original features.

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Here we go.

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The floorboards in Richard's room have also remained untouched

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for many years.

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We've got old pine boards.

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Unfortunately, the listed status of the property means they can't be

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sanded without prior approval.

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What's your thoughts on them?

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I think...

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We've got a massive rug, so, I mean,

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that bit there's going to be covered up.

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I mean, all the Balinese wood is kind of reclaimed and all aged and stuff.

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I quite fancy the rough look anyway.

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Happy to go with the raw look,

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Richard moves on to his next challenge -

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building his Balinese bed.

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I'm trying to build the bed so that I can paint it,

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but I've got the wrong bits in the box.

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-You're joking?

-No.

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I've got two rights.

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-Oh, yeah.

-When I should have a left and a right.

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Left and a right, yeah. And you've got to get it painted, haven't you?

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-Yeah.

-With his schedule dependent on getting his bed assembled and

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painted by the end of the day, it's a delay Richard could do without.

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Across the communal gardens,

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Susanne is channelling the surrounding nature for her Zen room.

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I'm taking a basic blind and, to enhance it,

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I'm using fabric paint on a stamp,

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which is a very quick way of putting paint onto fabric.

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Stencilling can be fiddly and not always accurate,

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and this actually comes out really well, so I'm in my element.

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At home in Loch Lomond,

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Susanne's textile trickery can be found just about everywhere.

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I love this idea of fabric decoupage.

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I'll start and see what it's like, then it's like, "Oh, to hang,

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"I'm doing the whole lot. It's brilliant."

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Susanne's love of textiles came from her childhood home.

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I am a Paisley girl.

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I grew up in Paisley and it goes through the centuries,

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my family seem to have been involved with mills...

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in the recent past and also in the distant past.

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So it's lovely to have this connection with my heritage.

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However, Susanne's resolution to use her favourite fabric in her Zen room

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could be a risky decision.

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I'm using the paisley pattern that my homeowner's not sure of,

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but I've cut it into little pieces so it's not patently obvious that

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it's the teardrop. I found this Danish mirror inside the house.

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It's seen better days, there's wee chips and bashes round it,

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but I'm going to make it pretty again.

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Susanne, she's got a big challenge up there, actually.

0:18:370:18:40

It's a really tough one. There's a lot of furniture she's having to deal with.

0:18:400:18:43

She's also got a projector she needs to put in that's movable.

0:18:430:18:46

Well, fair enough.

0:18:460:18:47

Even if the homeowner says he doesn't particularly like Paisley,

0:18:470:18:50

she needs to make a bit of a mark. I just think we've got to let her

0:18:500:18:53

go and give her a chance to be expressive.

0:18:530:18:55

100%. I'm with you on that.

0:18:550:18:57

Also going against her homeowner's wishes,

0:19:040:19:06

Shaida is adding lashings of black lace.

0:19:060:19:09

So even though Kathleen did mention she doesn't want lace everywhere,

0:19:090:19:12

that's fine because the black lace is actually coming from the Gothic

0:19:120:19:16

theme with the romantic theme that the homeowner has asked for,

0:19:160:19:19

but it's got a backing to it, so it's not in your face.

0:19:190:19:22

Back home in Northampton, Shaida rarely shies away from a brave decision.

0:19:250:19:29

I'm confident within myself because

0:19:290:19:32

I'm a very determined and motivated person.

0:19:320:19:35

I've always been a bit of a perfectionist,

0:19:350:19:37

so, if there's something that I put my mind to,

0:19:370:19:39

I will make sure I achieve it.

0:19:390:19:41

Shaida will need to focus all her determination to achieve her ambitious scheme.

0:19:440:19:49

I'm trying to create a very nice kind of romantic,

0:19:490:19:52

Gothic, Moroccan feel,

0:19:520:19:54

bringing in all of the ideas that the homeowner gave.

0:19:540:19:58

And the black is very important in the theme,

0:19:580:20:01

as you will see when the room is done.

0:20:010:20:03

-Gothic.

-Romantic.

0:20:060:20:08

And Moroccan.

0:20:080:20:09

Three looks in one small space.

0:20:090:20:12

She's trying to make the room do too many things.

0:20:120:20:14

But it's early days.

0:20:140:20:16

Let's be positive and hopeful that it's going to work out.

0:20:160:20:19

The end of day one is rapidly approaching and all the designers

0:20:260:20:29

are busy getting as much accomplished as possible.

0:20:290:20:31

These are pieces of timber that I've painted.

0:20:310:20:34

I'm using them as pendants on the light fitting,

0:20:340:20:37

which I've just attached the last one.

0:20:370:20:40

So that's that finished. Another job done.

0:20:400:20:43

In Shaida's room, the olive paint is going on.

0:20:450:20:48

Love it. First day is going a bit too smooth.

0:20:480:20:51

I'm feeling a little bit nervous now.

0:20:510:20:54

But it's all good, it's all good.

0:20:540:20:56

The missing parts of Richard's bed have finally arrived.

0:20:570:21:00

Now the pressure is on to get it assembled

0:21:000:21:02

and painted as quickly as possible.

0:21:020:21:05

I've had a few hiccups today that put me back a few hours,

0:21:100:21:13

but I would have hoped to have had it all painted by now and have less

0:21:130:21:17

of a rush because I won't have enough time to do it all tomorrow.

0:21:170:21:21

It's day two and, after a busy start yesterday, our designers still have

0:21:410:21:44

a lot to do if they're to make it through to the next round.

0:21:440:21:47

You're doing your grouting for the tiling.

0:21:500:21:52

-Yeah.

-I'll come in and then do the beading.

0:21:520:21:54

I'm not as calm as I was yesterday because I know

0:21:540:21:57

I've got a lot to get through today.

0:21:570:21:58

Completing the projector's the main thing this morning.

0:21:580:22:01

-We've got the runners, the drawer runners for it.

-OK.

0:22:010:22:04

Calm and relaxed still.

0:22:040:22:05

It's going to change though sometime soon.

0:22:050:22:08

I've got to finish painting the bed,

0:22:080:22:09

and then the table and the bed have got to be waxed.

0:22:090:22:12

Then there's the artwork base that's got to be made and then painted.

0:22:120:22:16

It's a lot to do. That was only half of it as well.

0:22:160:22:20

Yesterday's delay in getting his bed has pushed Richard's plan to have

0:22:200:22:25

the frame painted massively behind schedule.

0:22:250:22:28

It's doing my head in.

0:22:280:22:30

Absolutely no reason why it shouldn't be going in.

0:22:300:22:32

-It's just not doing it.

-They go the same direction, don't they?

0:22:320:22:35

-Just plonk it on.

-Yeah, you've got to undo that.

0:22:350:22:38

But now I've undone it, I can't get it back together again.

0:22:380:22:41

It seems this is one bed that won't let him rest easy.

0:22:420:22:45

It hasn't gone down, has it?

0:22:450:22:47

I don't understand why it won't.

0:22:470:22:48

Hammer.

0:22:480:22:49

Despite her homeowner's no-frills brief,

0:22:550:22:58

Shaida's adding yet more romantic black lace to a lampshade.

0:22:580:23:01

Meanwhile, the Moorish shutters are being constructed

0:23:030:23:06

and a replica Victorian ceiling rose is going up...

0:23:060:23:10

SHE GASPS

0:23:100:23:12

..and coming down.

0:23:120:23:14

-Hi, Shaida.

-Oh, hi.

0:23:140:23:16

-How are you?

-Good, thanks.

0:23:160:23:18

-How are you?

-Good, I'm good.

0:23:180:23:19

You're doing two walls in one thing.

0:23:190:23:21

Absolutely. So those two walls are the green, the olive-green,

0:23:210:23:24

and then these are going to stay the way they are.

0:23:240:23:26

-Right, OK.

-Sort of get that Moorish feel.

0:23:260:23:29

Yes, because I've got more than one theme running and I'm trying to kind

0:23:290:23:32

of merge them together. We've got the Gothic, very subtle,

0:23:320:23:35

we've got the romantic theme coming in,

0:23:350:23:37

and then we've got the Moroccan theme running through as well.

0:23:370:23:40

You're brave. SHAIDA LAUGHS

0:23:400:23:42

-Yes.

-That's a lot, because it's not a big room, is it?

0:23:420:23:44

No, it's not. I've got to have the balance correct, basically.

0:23:440:23:46

-OK. Well, every faith.

-Yeah.

-Good luck.

-Thank you.

0:23:460:23:49

-Good luck.

-Thank you.

0:23:490:23:50

To be honest, I think that they will be very pleasantly surprised to see

0:23:500:23:54

the room when it's done.

0:23:540:23:55

It's all about creating that harmony with all of the themes

0:23:550:23:59

and all of the colours that I've got in there.

0:23:590:24:01

In Susanne's room, her choice of relaxing mint green paint is

0:24:060:24:09

-going up on the walls.

-Colour's good.

0:24:090:24:12

Keeping with her Zen theme,

0:24:150:24:17

she's also inserting a Japanese garden into the fireplace hearth.

0:24:170:24:20

Constructed from MDF, the tray will eventually be filled with sand.

0:24:220:24:26

I'm cutting out the detail for the front of the tray

0:24:260:24:30

that's going in the fireplace.

0:24:300:24:31

Her scalloped edge pattern is inspired by the surrounding

0:24:310:24:35

Gothic revival architecture.

0:24:350:24:37

Gothic architecture emerged in the early Middle Ages and dominated

0:24:440:24:47

Europe until the 15th century.

0:24:470:24:49

The Victorians, who loved decorative surfaces, revived this Gothic style.

0:24:490:24:55

It's defined by the pointed arch, the ribbed vault,

0:24:550:24:58

the flying buttress, and you'll usually find this early version on

0:24:580:25:01

grand ceremonial halls, churches and cathedrals.

0:25:010:25:04

Barge boards, the wooden edging to gables,

0:25:060:25:08

were common across Victorian neo-Gothic houses.

0:25:080:25:11

Here in Holly Village, each building has its own particular design.

0:25:110:25:15

Some are intricate and delicate,

0:25:150:25:17

others simple and plain.

0:25:170:25:19

Pattern-loving Susanne has decided to err on the side of elaborate

0:25:240:25:28

when it comes to her Zen box.

0:25:280:25:30

This inset tray that's been made for the fireplace is now one of my

0:25:300:25:35

favourite pieces. Just get a coat of paint on this,

0:25:350:25:38

at least a coat's on it, and I can see how it looks.

0:25:380:25:41

Probably give it another coat.

0:25:410:25:42

Hi, there.

0:25:420:25:44

-Hello, Susanne.

-Hi, there.

0:25:440:25:47

-Pale green.

-Pale green.

-It's quite ice cream colour, isn't it?

0:25:470:25:50

And this is your Zen box?

0:25:500:25:53

It's a Zen box, yeah. I'm going to fill it with sand.

0:25:530:25:55

Have, maybe, rocks and put in some nice plants.

0:25:550:25:59

And this green colour, is it just on these pieces of furniture,

0:25:590:26:01

or are you using it anywhere else in the room?

0:26:010:26:04

-Yes, it's on the walls. But it is toned down by the creams on the ceiling and the floor.

-Super.

0:26:040:26:08

It sounds like you've got a plan.

0:26:080:26:10

-I can see it in my head, yeah.

-Full steam ahead.

-Full steam ahead.

0:26:100:26:13

I love Zen, but what she's done is take this idea and have it in

0:26:150:26:19

the fire hearth, but it's got a very ornate edge to it.

0:26:190:26:23

It's sort of looks like a rather grand cat litter to me.

0:26:230:26:26

The jury's up. I hope she pulls it off.

0:26:260:26:28

I'm going to have to wait and see.

0:26:280:26:30

After having his idea of a fabric canopy dismissed by the homeowner,

0:26:400:26:44

Richard needs to design a new headboard to fit with his scheme.

0:26:440:26:47

It's a lot easier to make decisions when I know I've got time to think

0:26:470:26:52

about it. Trying to make decisions quickly is not good for me

0:26:520:26:56

at the best of times, so it's an added challenge.

0:26:560:27:00

Drawing on his artistic skills,

0:27:000:27:03

Richard decides to do what he knows best.

0:27:030:27:06

So the stencils, although they're quite time-consuming,

0:27:060:27:09

the bit that I'm most used to, this is what I do pretty much most days.

0:27:090:27:14

It's going to be quite abstract and a bit random.

0:27:140:27:19

At home in Kirklees, Richard is a dab hand at urban art.

0:27:210:27:25

I create artworks using spray paint and hand-cut stencils,

0:27:250:27:30

almost as if it's a bit of graffiti in the street or something.

0:27:300:27:32

I do some work onto canvas and paper, but most of it I do onto OSB.

0:27:320:27:37

I think it probably says about me that maybe I'm a bit scruffy.

0:27:370:27:41

I don't know!

0:27:410:27:43

I'm quite used to criticism.

0:27:430:27:45

I get it with my artwork all the time.

0:27:450:27:47

But we'll see.

0:27:470:27:49

-One thing that I'm concerned about.

-Oh, what are you concerned about?

0:27:510:27:54

Stencilling.

0:27:540:27:56

That word worries me because I sort of depict something that's very

0:27:560:28:01

girlie and it depends what his stencil is.

0:28:010:28:04

By and large, they're pretty naff.

0:28:040:28:05

Don't know if it's because it's too hot and it's getting too watery.

0:28:100:28:13

It's making it really difficult for me to see it to put on the next stencil.

0:28:130:28:17

Shaida's also decided to give stencilling a go.

0:28:230:28:27

I haven't actually done this before,

0:28:270:28:29

so...

0:28:290:28:31

Going to be quite interesting to see how this looks.

0:28:310:28:35

She's using some of her Moroccan-style fretwork

0:28:350:28:38

to create a pattern on the door glass.

0:28:380:28:41

Oh... OK.

0:28:410:28:44

Now that is good, isn't it?

0:28:440:28:47

That is good.

0:28:470:28:49

I like.

0:28:490:28:51

Oh, shouldn't have done that.

0:28:510:28:52

That was a silly idea, wasn't it?

0:28:520:28:55

While the stencilling dries, Shaida and her decorator have time

0:28:550:28:59

to embellish her mosaic tile shelves.

0:28:590:29:01

They're going off quite quick, actually,

0:29:010:29:03

so you need to get a move on.

0:29:030:29:05

I'll put them in. If you could just...

0:29:050:29:07

-Push them?

-Yeah, please, yeah.

0:29:070:29:08

I'm merging three themes together to create one.

0:29:080:29:11

And the beads, that's coming from the Moroccan theme

0:29:110:29:14

because they use a lot of kind of embellishment and what have you.

0:29:140:29:17

This is my little touch, I guess.

0:29:170:29:19

-Looks good, doesn't it?

-Yeah. I love it.

-It's different.

0:29:210:29:24

Richard, come over, I've got something to show you.

0:29:300:29:33

The judges are keen for all the designers to demonstrate their

0:29:330:29:36

creativity on a level playing field.

0:29:360:29:38

-I'm now going to unveil it.

-Lovely.

0:29:380:29:40

You will never guess what I've got under here.

0:29:400:29:43

So they've been given an identical object

0:29:430:29:45

to artistically incorporate into their scheme.

0:29:450:29:48

You have got three hours to do whatever you want with this.

0:29:480:29:54

It's very tasteful.

0:29:540:29:56

I can only think of a doorstop, or something to heave through a window.

0:29:560:30:01

I'm going to spray paint it...

0:30:010:30:04

..and then I'm going to attach some beads to it.

0:30:050:30:08

I'm going to use the same beads as I did with the tiles.

0:30:100:30:14

It's a little bit uninspiring. I can't really alter it too much,

0:30:150:30:18

well, apart from smashing it up.

0:30:180:30:20

Even an angle grinder is proving no match for this stony-faced

0:30:220:30:26

-garden ornament.

-I'm just trying to sand concrete.

0:30:260:30:29

-You can feel the stones in it now.

-It is proper concrete, isn't it?

0:30:290:30:32

Yeah, it is.

0:30:320:30:33

It does, kind of, fit in with the theme, a little bit.

0:30:340:30:36

I'm going to have fun with it.

0:30:360:30:38

He's got a little hat to put on, so it's going to be

0:30:410:30:44

a side table-type thing.

0:30:440:30:45

I decided that I would try and use him as a plant holder

0:30:480:30:52

and he will become functional. Maybe not beautiful, but functional.

0:30:520:30:56

-Could we glue it?

-No.

0:30:580:30:59

Clarence the lion. I'm just defining him a wee bit.

0:30:590:31:03

What do you think? Do you want to give it a pat?

0:31:060:31:08

Do you recognise one of your own? Do you think it's good?

0:31:080:31:11

Or do you think I've done a really bad job?

0:31:110:31:14

While Clarence the lion's manicure dries...

0:31:140:31:17

..Susanne's client, Colin,

0:31:180:31:20

wants an update on the mechanism for the wall-mounted projector.

0:31:200:31:23

Yeah, so it's a great idea to have this sliding arrangement.

0:31:240:31:29

Unfortunately, it has to come out rather longer.

0:31:290:31:33

-Yeah?

-Just have it freestanding?

0:31:330:31:34

I don't think you're going to screw it to the wall, frankly. What's wrong with it being mobile?

0:31:340:31:39

-Yes.

-We can work something round, just putting it on top of something.

0:31:390:31:42

-OK?

-OK.

-Happy?

-Rock and roll.

0:31:420:31:45

Decision made. Susanne will have to bring in another piece of furniture

0:31:450:31:49

to rest the projector on.

0:31:490:31:52

As long as he's happy with it not being fixed to the wall,

0:31:520:31:56

which is a shame, we go with that decision.

0:31:560:32:00

The time limit on the three-hour creative challenge is up.

0:32:040:32:07

How well the designers have done will be taken into

0:32:070:32:10

the judges' overall decision.

0:32:100:32:12

This is...

0:32:120:32:13

..the creative challenge done.

0:32:140:32:16

-A bejewelled lion.

-Very, very cool.

0:32:160:32:18

It's tiny, little beads that I would have used when I was a little girl.

0:32:180:32:22

You thread them through a wire, is that right?

0:32:220:32:24

Yeah, absolutely.

0:32:240:32:26

I wanted to use the beads, so that I could incorporate it into the theme.

0:32:260:32:31

I feel a little bit underwhelmed.

0:32:310:32:32

But she said the lion is part of the bigger scheme in the room,

0:32:320:32:36

-so I might be impressed later on.

-We can't say until we see it.

0:32:360:32:40

-Ooh!

-Wow!

-A pink lion with a yellow nose.

0:32:420:32:45

-Brilliant.

-I think that's really cool.

0:32:450:32:47

Is this a clue to what your room's going to look like?

0:32:470:32:50

Is it going to fit very well in that space?

0:32:500:32:53

It will probably be a bit of a stand-out piece in the room.

0:32:530:32:56

I love Richard's creative challenge.

0:32:560:32:57

At last, we saw a bit of humour in him, as well,

0:32:570:33:01

-because that room is quite serious.

-I think it's really impressive.

0:33:010:33:04

Susanne, what have you done to Clarence the lion?

0:33:040:33:07

Clarence the lion's had a makeover, basically!

0:33:070:33:10

The proud bearer of a spider plant.

0:33:100:33:11

The proud bearer of a beautiful spider plant.

0:33:110:33:13

She's actually made Clarence look very regal and very pretty.

0:33:130:33:18

If it was really obvious that she'd been a bit tongue in cheek with it,

0:33:180:33:22

slightly facetious, then I would have thought that was great. But it wasn't enough.

0:33:220:33:25

Just checking out the builder's handiwork.

0:33:330:33:35

It is exactly how I pictured it, so he's done a really good job.

0:33:350:33:39

At Richard's, the new cupboard doors have been constructed from oriented

0:33:390:33:44

strand board, or OSB - a composite similar to chipboard.

0:33:440:33:47

-Hello, Richard.

-Hello.

0:33:490:33:51

I'll try not to spill paint all over you.

0:33:530:33:56

Why do you hide the...?

0:33:560:33:57

Oh, look, there's the original cupboard.

0:33:570:33:59

Why are you hiding those and covering them in this OSB?

0:33:590:34:03

The main reason was because I thought it just looked a bit busy.

0:34:030:34:06

I just thought it would look better just to have two nice

0:34:060:34:10

minimal panels on either side.

0:34:100:34:12

It's quite rough-looking wood, isn't it?

0:34:120:34:14

Yeah, I love the texture of it.

0:34:140:34:16

It's very industrial, when you see in its raw form.

0:34:160:34:19

It's a tiny, tiny room.

0:34:190:34:21

You're brave during those in black.

0:34:210:34:24

I think it makes it look quite luxurious.

0:34:240:34:26

We'll see how the whole thing pans out,

0:34:260:34:29

to see if that was a good move or not.

0:34:290:34:32

Don't panic. You looked terrified.

0:34:320:34:34

Just concentrate on the scheme and getting it done.

0:34:340:34:37

You don't have much time.

0:34:370:34:39

-Bye.

-Thanks.

0:34:390:34:40

I think the time constraints are definitely starting to play

0:34:420:34:46

on my mind now because I've got a lot to do and I think

0:34:460:34:49

the judges mentioning it probably suggests that they think

0:34:490:34:52

I haven't got enough time - and they're possibly right.

0:34:520:34:54

I need to get a wriggle on.

0:34:540:34:55

Our designers are almost done for the day.

0:35:020:35:04

Tomorrow, their rooms will have to be finished,

0:35:040:35:06

ready for the two people who will decide their fate - the judges.

0:35:060:35:09

Shaida's room had these Moroccan shutters.

0:35:110:35:14

They were closed, so that evening sun, the light, was just beautiful.

0:35:140:35:18

Home time.

0:35:180:35:19

I'm concerned about this very dark green because it's already

0:35:190:35:23

-a small room.

-We've got a schedule and we need to work with it,

0:35:230:35:27

but it's all under control.

0:35:270:35:29

-That's amazing!

-Do you like it?

-Yeah, I love it.

0:35:290:35:33

Exactly the feel that I wanted.

0:35:330:35:36

Susanne's got a lot of high demands on that project.

0:35:360:35:39

And it's all gone into that small room.

0:35:390:35:41

Mint green, the black, the sandbox, the projector, his furniture -

0:35:410:35:47

there's a lot going on.

0:35:470:35:49

Probably a bit tired now. It's been a long day today.

0:35:490:35:53

It's had its challenges. A few steps back, a few steps forward.

0:35:530:35:57

It just leaves tomorrow, to get the carpet in, the bed in

0:35:570:36:00

and start dressing the room, which is the bit I love.

0:36:000:36:03

Still needing to give his bed a coat of wax,

0:36:040:36:07

Richard is working right up to the last minute.

0:36:070:36:11

There's a lot. It's taken me... How long's it taken me?

0:36:110:36:13

It's taken a long time, yeah.

0:36:130:36:15

It's taken me a while to go over everything.

0:36:150:36:17

Richard, he's got the headboard done.

0:36:170:36:19

I was worried about the headboard because of all the colour.

0:36:190:36:22

Pleasantly surprised by those stencils, though.

0:36:220:36:25

-Yeah.

-They're clever.

-They're very creative.

-He cut them himself.

0:36:250:36:28

Given the time constraints, I think I will be dropping

0:36:280:36:32

the dark wax idea for the bed.

0:36:320:36:34

I don't think I'd have had time to do it...

0:36:340:36:36

..given the amount of time that's left, so...

0:36:380:36:41

We've got three extremely-strong contenders

0:36:440:36:48

and if I'm really honest, which I always am,

0:36:480:36:50

I can't pick one, between them, which is my favourite.

0:36:500:36:55

It's the final day and. With a place in the next round at stake,

0:37:150:37:19

the designers need to make sure they're ready.

0:37:190:37:21

Today the judges have the unenviable task of deciding which two designers

0:37:230:37:28

will go through to the quarterfinals and who will leave the competition.

0:37:280:37:31

-Morning.

-Morning.

-All right?

-Today's the day.

0:37:310:37:35

-That looks good.

-Nothing I enjoy more in the morning

0:37:350:37:38

than scrubbing a floor(!)

0:37:380:37:40

Hopefully, I'll be kicking back and relaxing with ten minutes to go.

0:37:400:37:44

-I don't think that's going to happen.

-Did you sleep well?

0:37:440:37:47

-Er, no.

-Yeah, join the club.

0:37:470:37:49

I'm waiting for the carpet fitter to arrive.

0:37:490:37:52

He's running, probably, an hour over.

0:37:520:37:55

There they are. Yeah, it would be nice if he arrived.

0:37:550:37:58

-Have you got plenty of things to do?

-Yeah, a bit too many, I think.

0:37:580:38:01

I'm feeling quite...nervous now.

0:38:010:38:05

I've got quite a bit of work still to do,

0:38:050:38:08

but hopefully everything will be fine.

0:38:080:38:10

Shaida's biggest job is to finish her Moroccan-inspired

0:38:100:38:13

desk and TV unit.

0:38:130:38:15

Two hours down... I can do this.

0:38:150:38:18

What I've done is used MDF and used a silver paint,

0:38:190:38:23

brown-coloured paint, and then an antique white paint.

0:38:230:38:27

And what I'm doing now is just rubbing into the surface

0:38:270:38:30

to bring out all of those colours beneath.

0:38:300:38:32

But all work has ground to a halt, as she's just discovered

0:38:340:38:38

she's £135 over budget.

0:38:380:38:40

And then, we have...

0:38:400:38:43

These items that we don't need.

0:38:450:38:47

I am over budget, so I'm going to go into the room and try to take

0:38:470:38:50

some things out or it will be marked against me.

0:38:500:38:55

That's a bit of a bummer, isn't it?

0:38:550:38:58

Now, Shaida was asked for quite a mixed bag of styles, wasn't she,

0:38:580:39:01

-in the brief?

-Yeah, it was Gothic, it was Romantic

0:39:010:39:04

-and it was Moroccan.

-Actually, I think if she can nail that Romantic,

0:39:040:39:08

she's nailed the scheme

0:39:080:39:09

because it will just soften the whole thing off.

0:39:090:39:12

-Except her Romantic piece on the board was black lace...

-Oh, yeah.

0:39:120:39:15

-..and the homeowner didn't like it.

-Neither did we.

0:39:150:39:19

And how's her project management?

0:39:190:39:22

Yeah, she's gone way over budget. She got carried away with

0:39:220:39:24

the accessories, so she's going to have to claw the back,

0:39:240:39:26

but I've no doubt that that room is going to be really full of things.

0:39:260:39:30

Hey!

0:39:370:39:38

Oh, comfy!

0:39:390:39:40

At Susanne's, the carpet fitter has finally arrived, two hours late.

0:39:400:39:45

-Carpet!

-Shall we put this...?

0:39:450:39:48

Now, Susanne can set to work

0:39:480:39:50

rummaging through the homeowner's belongings

0:39:500:39:53

for fun items to go into her Zen garden.

0:39:530:39:55

He's clapping his hands because he thinks I've done a good job.

0:39:560:39:59

Lovely.

0:40:000:40:02

Oh, that's going in my Zen garden.

0:40:020:40:05

Oh, I just love when a plan comes together.

0:40:050:40:09

These sand gardens are supposed to be an aid to meditation.

0:40:110:40:14

I'm going to just place that there. It's quite Zen-looking,

0:40:160:40:18

catching the light, and it's very pretty.

0:40:180:40:21

And it seems it's already having the desired effect on the team.

0:40:210:40:24

I'm just letting the man concentrate.

0:40:240:40:27

He's in a Zen-inspired room, as you can see, sitting cross-legged.

0:40:270:40:31

He's now going to go into down dog.

0:40:310:40:33

So, is it all calm in Susanne's Zen room?

0:40:330:40:36

Susanne is sunshine,

0:40:360:40:38

but she's also firm and she knows what she wants to do.

0:40:380:40:42

She's got this very pale green, which I'm not sure about,

0:40:420:40:46

-but it might work, you know.

-Yeah.

-We'll see.

-Can I say something?

0:40:460:40:49

There's a Zen box, where she wanted to put sand in and, sort of, put

0:40:490:40:52

some stones. But that, for me, should be very simple.

0:40:520:40:56

But it's, again, in this, kind of, green colour,

0:40:560:40:59

and then it's got scalloped, quite Gothic, edges.

0:40:590:41:03

And there's a lot of elements in there that, I think, for me,

0:41:030:41:06

just miss slightly. But I might be wrong.

0:41:060:41:08

In Richard's room, the original wood floor is being given a final clean.

0:41:150:41:19

Erm...all right, then.

0:41:190:41:21

One bit at a time.

0:41:210:41:23

And, at last, he can get that fiddly bedframe into place.

0:41:230:41:28

So, Richard's brief was to create a beachy, global hotel bedroom.

0:41:350:41:40

He had designed to have a, sort of, typical Balinese voile

0:41:400:41:44

sort of mosquito-type net over the bed.

0:41:440:41:47

She didn't want that, so that was taken out.

0:41:470:41:49

And then, the headboard was added on.

0:41:490:41:51

So, I think he's thought on his feet.

0:41:510:41:53

But the jury's out for me on those cupboards.

0:41:530:41:56

I need to see what they're going to look like in situ

0:41:560:41:58

because, I think, by blocking out those lovely period cupboards,

0:41:580:42:01

he's turning his back on the Victorian village that it's in.

0:42:010:42:04

I do think you need to respect the architecture somewhat.

0:42:040:42:07

Shaida's time is running out and she needs to get her desk finished.

0:42:120:42:16

Bit under pressure now. I've only got 45 minutes left.

0:42:160:42:19

-Hi, Shaida.

-Oh, hi.

0:42:210:42:23

-Are you OK?

-I'm good, how are you?

-Yeah, just busy.

0:42:230:42:26

-Final touches and...

-What about your budget?

0:42:260:42:28

-You were over.

-I won't be in a few minutes cos I'm trying to sort out

0:42:280:42:31

-what I want to keep and what I don't want.

-OK, so you're confident?

0:42:310:42:34

-Absolutely, yeah.

-Right, I'll leave you to it, then.

0:42:340:42:36

-Excellent. Lovely.

-See you later.

-Thank you.

-Bye!

0:42:360:42:39

That's it.

0:42:400:42:41

Shaida's 48 hours are up...

0:42:430:42:46

-On time, guys.

-..and there's nothing more she can do.

0:42:460:42:50

Done.

0:42:500:42:52

Shaida's homeowner asked for a cosy room, with clean lines

0:42:520:42:56

and hints of Morocco.

0:42:560:42:59

48 hours ago, the room lacked both personality and purpose.

0:42:590:43:03

Now, it's overflowing with Moroccan opulence.

0:43:060:43:09

Shaida's Moorish theme is reflected in the North African-styled

0:43:100:43:13

window shutters and olive green walls.

0:43:130:43:16

Sumptuous cushions and black lace give a Romantic feel.

0:43:180:43:22

And there's a nod to the Gothic Revival, with mosaic shelves.

0:43:240:43:27

Finally, Shaida has designed a desk with stepped shelving

0:43:300:43:32

and cupboard to hide the television.

0:43:320:43:34

Wow.

0:43:420:43:43

I like the shutters - I think they're clever.

0:43:430:43:47

-Mm-hm.

-They're very Moorish.

0:43:470:43:49

And I like the way they open and close,

0:43:490:43:51

because you've got the Gothic element,

0:43:510:43:52

but you've got the Moroccan.

0:43:520:43:54

I can imagine, at night, the light through that would be

0:43:540:43:57

-really beautiful.

-Accessories and the way that she was

0:43:570:43:59

pulling together the room is clearly important to her,

0:43:590:44:02

and she's good at that. You know, she's got the Moroccan candle

0:44:020:44:06

in the corner. She's gone and put her lion on the mantelpiece there,

0:44:060:44:09

-which is really nice.

-Remember the tiles.

0:44:090:44:11

-Where are they?

-Well, I spotted them, actually, but they're

0:44:110:44:14

very hard to see. They're just hidden in that corner.

0:44:140:44:16

Come and have a look. She's done some shelves

0:44:160:44:20

and she's dropped them in. I think that's rather...

0:44:200:44:23

That's actually quite beautiful. It's a shame they're hidden.

0:44:230:44:26

-I would want to see them all, but it's subtle.

-Very nice.

0:44:260:44:28

I love this step because it's a very ziggurat design,

0:44:280:44:31

which is a very Moorish design. That's really cool.

0:44:310:44:34

But washing down and ageing a brand-new piece of furniture,

0:44:340:44:37

it just looks fake. You know she said she didn't want black lace.

0:44:370:44:41

But there's still the lace on the lampshade over there and it's here,

0:44:410:44:46

and I just think it's unnecessary.

0:44:460:44:48

-Moroccan design is quite over the top.

-Yeah.

0:44:480:44:51

So is Gothic and Romantic.

0:44:510:44:54

So, you've got three incredibly strong characters in a room.

0:44:540:45:00

You've got to be able to pare it down because otherwise, for me,

0:45:000:45:03

I feel, sort of, slightly breathless in here.

0:45:030:45:06

The homeowner's opinion will be taken into consideration

0:45:060:45:09

by the judges when they make their final decision.

0:45:090:45:12

-Wow, I feel like I'm on holiday!

-Well, that's a good reaction!

0:45:170:45:21

-And you've got the tiles.

-Oh, I didn't even see that.

0:45:210:45:23

-See in the corner - the little corner?

-Oh, I love it.

0:45:230:45:26

And she's used colours that I normally would not go for.

0:45:260:45:30

-So she's pushed you?

-She has pushed me, she really has.

0:45:300:45:32

The lace, definitely, almost pushed me over the edge.

0:45:320:45:35

HE LAUGHS

0:45:350:45:36

But she has... She's done a fascinating job.

0:45:360:45:39

In Susanne's Zen room,

0:45:440:45:46

time is almost up, so it's anything but calm.

0:45:460:45:49

We lost two hours this morning with the carpet fitter,

0:45:490:45:52

so this is just us rushing at the end.

0:45:520:45:54

Listen, if you weren't rushing at the end,

0:45:540:45:57

there's something wrong with you.

0:45:570:45:59

It's scary because, if I get this wrong, I'll be annoyed with myself.

0:45:590:46:04

-Susanne, half an hour.

-Yeah.

-Speed it up.

-Yeah, will do, sir.

-OK.

0:46:080:46:12

Go away and let me get on!

0:46:120:46:14

Susanne's 48 hours are up.

0:46:180:46:20

The room's done and...

0:46:230:46:24

..I've loved doing it.

0:46:260:46:28

I like making something new out of something old.

0:46:280:46:31

It's such a lovely building and I hope the building likes

0:46:310:46:34

what I've done to it, as well as the homeowners.

0:46:340:46:37

So, yeah, that's me.

0:46:370:46:39

Susanne's brief was to create an airy and natural room,

0:46:390:46:42

with Zen-like qualities.

0:46:420:46:45

Before, this spare room was cluttered, dark and fussy.

0:46:450:46:49

Now, it's been transformed into a calm and serene space.

0:46:510:46:55

Susanne's painted the walls a peaceful mint green and brought

0:46:570:47:01

the outside in, with leaf motifs on the blinds and cushions.

0:47:010:47:04

Her Paisley mirror and abstract light add a touch of playfulness...

0:47:060:47:10

..while the Zen garden brings a feeling of tranquillity.

0:47:120:47:16

I felt emotional in the room, which I didn't expect.

0:47:210:47:24

I've given it my best shot and it's a waiting game now.

0:47:240:47:28

-Quite a transformation.

-Isn't it? It feels like a much happier room,

0:47:300:47:34

-in fact.

-Yeah. I'm really quite surprised, actually.

-Mm.

0:47:340:47:39

Working with three really important pieces of furniture.

0:47:390:47:44

Three very dominant pieces of furniture, in fact.

0:47:440:47:46

It's terribly hard for a designer in such a small space.

0:47:460:47:50

What I do love is this daybed. I think it's really nice.

0:47:500:47:54

-I love the colour.

-Yeah.

-I think it's quite genius, with the handles

0:47:540:47:56

that she's done.

0:47:560:47:58

What I find hard is the stencilling on the walls and on the voile.

0:47:580:48:03

It's just not generous enough. If you're going to do this,

0:48:030:48:05

be assertive with it - fill the wall with it.

0:48:050:48:08

It's all just a little bit polite.

0:48:080:48:10

I like the fact that she's painted the fireplace with the stripes -

0:48:100:48:14

that does give it that bit of weight.

0:48:140:48:16

For me, if the Zen garden had just been a black box,

0:48:160:48:20

the way she's painted out the fireplace would have been more Zen.

0:48:200:48:24

She's almost ticked every single box.

0:48:240:48:25

You know, she's got a good eye, she's just got to learn from this

0:48:250:48:29

that you can, actually, still do it and achieve something great,

0:48:290:48:33

but you don't have to do it all.

0:48:330:48:34

I had to work within the constraints of my brief and, yeah,

0:48:350:48:39

if it had been me doing it for me, it would have been...a bit bolder.

0:48:390:48:45

-Come on through.

-Right. Thank you.

0:48:530:48:56

-First reactions?

-Nice green. This is fun, isn't it?

0:48:560:49:00

Yes, I think this was a really clever surprise.

0:49:000:49:04

The way she has treated the leaf details is very nice.

0:49:040:49:09

And she said that we would find the Paisley acceptable

0:49:090:49:13

and it works very well.

0:49:130:49:16

-Yes.

-So I think she's done extremely well on an extremely difficult task.

0:49:160:49:20

Richard's time is running out fast

0:49:270:49:28

and he still needs to finish assembling the bed.

0:49:280:49:32

If you can get that one to grip, it will go, but not the bottom one.

0:49:320:49:35

Lift it up.

0:49:360:49:38

Yeah, looks good.

0:49:380:49:39

Ow!

0:49:410:49:42

Luckily, I'm little.

0:49:440:49:46

-Richard's 48 hours are up.

-Oh, are we done?

0:49:460:49:49

I think I've done the best that I could do.

0:49:490:49:52

So, hopefully, it's enough.

0:49:520:49:54

Richard's brief was to create a chic hotel-style bedroom,

0:49:540:49:58

reflecting far-away travels and white, sandy beaches.

0:49:580:50:02

Before, the room struggled, with gaudy gold walls

0:50:030:50:05

and clashing colours.

0:50:050:50:08

Now it embodies an exotic luxury hotel.

0:50:100:50:14

Richard went for fresh white on the walls,

0:50:160:50:17

with calming grey at one end to hug the bed head.

0:50:170:50:21

He created an original headboard and continued his colour theme

0:50:220:50:26

onto the cushions and stencilled artwork.

0:50:260:50:30

And floor-to-ceiling cupboards in bold black give the room an edgy,

0:50:300:50:33

raw feel.

0:50:330:50:34

And, finally, hints of far-off travels finish off the look.

0:50:350:50:39

I'll be pleased if they're happy that I've brought together

0:50:420:50:45

a good design, rather than just, maybe,

0:50:450:50:47

"That bit's good" or "That bit's good".

0:50:470:50:49

If the whole thing together works for them, I think I'll be pleased.

0:50:490:50:53

Wow.

0:50:550:50:57

What a serene space.

0:50:580:50:59

-Isn't it?

-It's really calm and it's really elegant.

0:50:590:51:04

I love the headboard, the way he's placed it inside the frames,

0:51:040:51:08

and there's a small gap there.

0:51:080:51:09

The colours are muted. The stencilling's good.

0:51:090:51:12

What do you think of the piece of art?

0:51:120:51:13

I would have liked to have seen some texture in it

0:51:130:51:16

and maybe gone down a bit in his colour on it, as well.

0:51:160:51:22

He could have chosen any other colour, but you've got the pink,

0:51:220:51:24

the crimson, the pink, crimson, the pink, the crimson

0:51:240:51:27

and not enough of the neutrals, and I'm really disappointed by that.

0:51:270:51:31

I have to say, I do think the new cupboards are really

0:51:310:51:34

quite effective. They do lengthen the eye in the room.

0:51:340:51:38

Now, if this had been just any old room,

0:51:380:51:41

it would have been a great idea. But when you've got...

0:51:410:51:45

Oh, hang on a minute. This rug is in the way.

0:51:450:51:48

-Not thought about that, has he?

-It's a shame he didn't have time

0:51:480:51:50

-to finish painting the inside.

-That's a shame.

-I would have painted

0:51:500:51:53

all of the inside black.

0:51:530:51:54

These lovely, original, Victorian cupboards in here

0:51:540:51:57

should be celebrated in this space.

0:51:570:52:00

I wonder if he's just ignored the building he's in.

0:52:000:52:04

Hopefully, the homeowner's pleased

0:52:080:52:10

with it and she's happy to have it in her house.

0:52:100:52:12

Come on in!

0:52:130:52:15

Wow. I think that's excellent. Love it. Like the bed,

0:52:180:52:22

-he's done a really good job.

-Cupboards?

0:52:220:52:25

I'm not sure how you feel about opening a cupboard

0:52:250:52:28

to open another cupboard, functionally.

0:52:280:52:30

Well, it's a design feature. Not sure of the practicalities of it,

0:52:300:52:33

but it was very gold before, so now it's very chic,

0:52:330:52:37

which is actually what the brief was.

0:52:370:52:39

Shaida's brief asked for a Moorish look.

0:52:450:52:47

And the result was fabulous.

0:52:470:52:49

And these little Victorian, Gothic spaces

0:52:490:52:52

do lend themselves very well to Moorish style.

0:52:520:52:54

But I think it's quite difficult to put a Moorish design

0:52:540:52:57

in a Gothic house. You know, it's about slightly balancing,

0:52:570:53:01

so that you have enough of both, rather than overpowering.

0:53:010:53:04

We both loved those shutters, though, didn't we?

0:53:040:53:06

They were quite a triumph. What a great idea.

0:53:060:53:08

But there were some details that let it down for me

0:53:080:53:11

and that was the joinery finish.

0:53:110:53:12

You just do not try and age a modern piece of wood -

0:53:120:53:16

you're just not going to get away with it.

0:53:160:53:18

-It looked fake.

-But I think she delivered, hopefully,

0:53:180:53:21

what the client wanted.

0:53:210:53:22

-Loved it.

-Oh!

-Yay!

-Loved it, loved it.

0:53:220:53:25

Wasn't quite sure about the lace on the bed.

0:53:250:53:27

But, again, she could be convinced.

0:53:270:53:29

Susanne had a pretty tough brief.

0:53:290:53:31

She had some big lumps of furniture that dominate that room,

0:53:310:53:34

going back in there. She had this projector to deal with.

0:53:340:53:37

Yeah, it was very difficult. Her composure was extraordinary.

0:53:370:53:42

And she created this lovely scheme.

0:53:420:53:44

When you walked into that room,

0:53:440:53:46

the first feeling that you get is it's fresh and it's happy and very,

0:53:460:53:51

very welcoming, just like her.

0:53:510:53:53

I think the difficulty was, though,

0:53:530:53:55

she tried to tick all the boxes for the homeowner.

0:53:550:53:58

She decided to do a tray with sand in,

0:53:580:54:01

but, for me, it was just over the top.

0:54:010:54:04

Parts of the room, at times, just felt a little bit over-manicured.

0:54:040:54:08

So, I'm dying to know, more than ever.

0:54:080:54:10

Well, they were pleasantly surprised.

0:54:100:54:12

-Yay!

-Really loved it, really loved it.

0:54:120:54:13

So, did Richard achieve that hotel chic?

0:54:130:54:17

I think what Richard did was really think outside of the box.

0:54:170:54:19

By putting in those modern cupboards on either side and painting the room

0:54:190:54:24

white, he did an extremely-brilliant job of it.

0:54:240:54:27

There was understanding the design rules and working with them.

0:54:270:54:31

For example, lengthening the eye, by making those cupboards taller.

0:54:310:54:35

And his use of colour, for me, was a little bit over the top,

0:54:350:54:38

-with the pink.

-Absolutely.

-That, for me, spoilt it.

0:54:380:54:41

Well, the homeowner...loved it.

0:54:410:54:44

Oh, well, that's good news. Happy homeowner.

0:54:440:54:46

The cupboard wasn't... She maybe could come round to.

0:54:460:54:49

Maybe a bit too radical for her, I thought.

0:54:490:54:51

Of course, she loves her Gothic house and wanted to retain

0:54:510:54:54

a little bit of that style, perhaps.

0:54:540:54:55

It's going to make us think, isn't it, really hard,

0:54:570:54:59

who we're going to pick?

0:54:590:55:01

I'm feeling quite excited. I think it's going to be quite nice

0:55:040:55:07

to actually get some feedback from the judges.

0:55:070:55:09

It will be nice to hear what they've got to say.

0:55:090:55:11

I've put my heart and soul into it and, sometimes, that's not enough.

0:55:110:55:15

But I think, as long as I know I've done my level best

0:55:150:55:19

to try and get into the next round, that's enough for me.

0:55:190:55:22

I would like to think that I've done enough to go through to

0:55:230:55:26

the next round. I think I've done the best that I could do,

0:55:260:55:29

so, hopefully, it's enough.

0:55:290:55:30

High Victorian Gothic, like this, is really strong architecture

0:55:330:55:36

-to have to work within.

-Richard, you've played with the rules.

0:55:360:55:41

You know what the rules are in interior design.

0:55:410:55:43

Susanne, I think you had an incredibly-difficult brief

0:55:430:55:47

and you kept your poise and you kept on going

0:55:470:55:50

and it was a very cheerful room.

0:55:500:55:52

Shaida, I think what's stunning about that space

0:55:520:55:55

is something almost intangible because you created an atmosphere.

0:55:550:56:00

There is only room for two in the next round, I'm afraid.

0:56:020:56:04

First designer going through is...

0:56:070:56:10

..Richard.

0:56:120:56:13

The second designer going through...

0:56:170:56:19

..is Shaida.

0:56:230:56:24

So, Susanne, I'm sorry, it's goodbye. Sorry!

0:56:250:56:28

Sad to be leaving the competition.

0:56:310:56:32

I was up against two strong competitors,

0:56:320:56:35

so I'm delighted for them. All the best to them and I hope they win.

0:56:350:56:39

Well, I really loved it, so thank you very much, indeed.

0:56:390:56:42

You're most kind. I'm so pleased.

0:56:420:56:44

Susanne is leaving because I feel that her design was just too much.

0:56:440:56:48

She took everything on board with the brief,

0:56:480:56:51

but, instead of having an edit, it was all there.

0:56:510:56:53

I've got through. Really pleased.

0:56:550:56:58

I think all three of us did a really, really good job.

0:56:580:57:00

Fantastic job. And looking forward to the next challenge.

0:57:000:57:05

-You all right?

-How are you? Boom, girl!

0:57:050:57:08

-You're the one!

-I know, I got in!

0:57:080:57:11

It was absolutely beautiful room. Shaida is a really

0:57:130:57:16

clever artist, who can make a room have an atmosphere.

0:57:160:57:20

-Hiya, you all right?

-Hi, how are you? Congratulations, well done.

0:57:210:57:24

-Thanks.

-Good job.

0:57:240:57:25

I'm really pleased that the hard work and my design

0:57:250:57:28

hasn't gone unnoticed and it was appreciated.

0:57:280:57:32

For me, it's because he designs, literally, out of the box.

0:57:320:57:35

He does things that are different. He is not safe.

0:57:350:57:37

It was forward-thinking, it was modern, it was classic,

0:57:370:57:41

but, at the same time, it worked within an environment,

0:57:410:57:43

like a Gothic design.

0:57:430:57:44

I particularly like what you did with the board.

0:57:440:57:47

-That's great. Are you pleased with that?

-Yeah, I am really pleased.

0:57:470:57:50

In Holly Village, Angela Burdett-Coutts'

0:57:500:57:53

flight of fancy created a fantastical design that has truly

0:57:530:57:56

stood the test of time. Now, our designers, too,

0:57:560:57:59

have taken inspiration and added their own unique marks

0:57:590:58:02

to these most eccentric of cottages.

0:58:020:58:05

Next time, in mock-Tudor homes in Worsley, Salford,

0:58:110:58:15

-who's faking it...

-This is, kind of, a rip off.

0:58:150:58:17

It's not the vision that I had in my head.

0:58:170:58:20

..and who's losing it...

0:58:200:58:21

I'm freaking out now.

0:58:230:58:24

..when James and Daniella go head-to-head?

0:58:240:58:27

Oh, I feel like I've just had a baby!

0:58:270:58:29

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