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Here in the UK we're blessed with an enormous variety of types and styles | 0:00:02 | 0:00:04 | |
of buildings that we call home. | 0:00:04 | 0:00:06 | |
From thatched cottages to 1930s Art Deco apartments. | 0:00:06 | 0:00:10 | |
Regency terraces to contemporary townhouses. | 0:00:10 | 0:00:14 | |
But sometimes while the exterior creates a wow factor, | 0:00:14 | 0:00:17 | |
the interior can be distinctly lacking. | 0:00:17 | 0:00:21 | |
So we've gathered some of the UK's most talented | 0:00:22 | 0:00:25 | |
amateur interior designers to show us what they're made of. | 0:00:25 | 0:00:28 | |
-Ready to hear my plans? -Let's get started, guys. | 0:00:30 | 0:00:33 | |
We're in the quarterfinals... | 0:00:33 | 0:00:35 | |
It looks really nice. | 0:00:35 | 0:00:37 | |
..and spirits are high. | 0:00:37 | 0:00:39 | |
And I'm happy. So, that's OK. | 0:00:39 | 0:00:42 | |
Putting the designers through their paces | 0:00:42 | 0:00:44 | |
and scrutinising their every move are judges Daniel Hopwood, | 0:00:44 | 0:00:48 | |
designer, and a director | 0:00:48 | 0:00:49 | |
of the British Institute of Interior Design... | 0:00:49 | 0:00:52 | |
This year we've got new challenges for the designers, | 0:00:52 | 0:00:55 | |
we're really going to push them to the limit. | 0:00:55 | 0:00:57 | |
..and internationally renowned interior designer Kelly Hoppen. | 0:00:57 | 0:01:00 | |
As a judge in this competition, I want to see perfection. | 0:01:00 | 0:01:04 | |
I think I will be quite a hard judge. | 0:01:04 | 0:01:06 | |
But it's going to take a lot of creativity and hard work | 0:01:06 | 0:01:10 | |
to be crowned winner of The Great Interior Design Challenge. | 0:01:10 | 0:01:13 | |
This time we're in the picturesque town of Worsley | 0:01:24 | 0:01:26 | |
on the outskirts of Salford. | 0:01:26 | 0:01:28 | |
Our two quarterfinalists will be working on two rooms each | 0:01:28 | 0:01:30 | |
in neighbouring mock-Tudor houses. | 0:01:30 | 0:01:33 | |
James and Daniela have battled their way through the first round | 0:01:35 | 0:01:39 | |
and now they're competing for a place in the semifinals. | 0:01:39 | 0:01:43 | |
They'll have just 48 hours over three days, and £2,000, | 0:01:44 | 0:01:49 | |
to transform two rooms. | 0:01:49 | 0:01:51 | |
This time their teams have doubled. | 0:01:53 | 0:01:55 | |
They'll have two builders and two decorators to manage. | 0:01:55 | 0:01:59 | |
Oh! I'm freaking out now. | 0:01:59 | 0:02:01 | |
And in their toughest challenge yet, | 0:02:01 | 0:02:03 | |
their first room must be finished and judged on day two. | 0:02:03 | 0:02:07 | |
So, they'll need to work hard to impress. | 0:02:09 | 0:02:11 | |
At this point they really have to stretch their creativity. | 0:02:11 | 0:02:15 | |
I need to see that extra special bit | 0:02:15 | 0:02:16 | |
of sparkle that could turn them into a professional. | 0:02:16 | 0:02:19 | |
I've really had to up my game this time. I want to impress the judges. | 0:02:19 | 0:02:22 | |
I think I have the talent and the creativity | 0:02:22 | 0:02:24 | |
to get through to the next round, | 0:02:24 | 0:02:26 | |
so watch this space! | 0:02:26 | 0:02:28 | |
HE CHUCKLES | 0:02:28 | 0:02:29 | |
Today, Worsley is a pretty village | 0:02:38 | 0:02:40 | |
made up of mock-Tudor Arts and Crafts properties | 0:02:40 | 0:02:43 | |
dating back to the early 1900s. | 0:02:43 | 0:02:46 | |
But its rural appearance belies its industrial past. | 0:02:46 | 0:02:49 | |
In 1759, the 3rd Duke of Bridgewater | 0:02:51 | 0:02:53 | |
began work on one of the technological wonders of his age. | 0:02:53 | 0:02:57 | |
Just beyond the bridge over there | 0:02:57 | 0:02:59 | |
lie hidden 50 miles of underground tunnels, | 0:02:59 | 0:03:02 | |
dug out into the hills to reach the seams of coal | 0:03:02 | 0:03:06 | |
that lay buried inside. | 0:03:06 | 0:03:08 | |
The tunnels were the brainchild of the engineer John Gilbert, | 0:03:08 | 0:03:12 | |
designed to transport thousands of tonnes of coal. | 0:03:12 | 0:03:15 | |
It was boom time for Worsley. | 0:03:15 | 0:03:17 | |
It might look all quaint today, | 0:03:17 | 0:03:19 | |
but back in the late 18th century, it was a hive of industry, | 0:03:19 | 0:03:23 | |
buzzing with blacksmiths and boatyards. | 0:03:23 | 0:03:25 | |
Now, these days, its narrow boats carry passengers and holidaymakers, | 0:03:25 | 0:03:29 | |
not coal. | 0:03:29 | 0:03:30 | |
And today, in this tranquil waterside setting, | 0:03:31 | 0:03:34 | |
with two rooms to transform, | 0:03:34 | 0:03:36 | |
the pressure is on for our ambitious designers. | 0:03:36 | 0:03:39 | |
In a pair of monochrome mock-Tudor houses, | 0:03:41 | 0:03:43 | |
they'll each have a bedroom... | 0:03:43 | 0:03:45 | |
..and a living room to work on. | 0:03:46 | 0:03:48 | |
The first designer returning | 0:03:54 | 0:03:56 | |
is 30-year-old photographer Daniela, from Essex. | 0:03:56 | 0:03:59 | |
In the heats, she created a regency Tropicana bedroom that delighted | 0:04:00 | 0:04:05 | |
the homeowners. | 0:04:05 | 0:04:06 | |
Wow, that's amazing! | 0:04:07 | 0:04:10 | |
I really like it. | 0:04:10 | 0:04:12 | |
So, judges, we've two very different designers. | 0:04:13 | 0:04:15 | |
We've got Daniela. What are your hopes and fears for her? | 0:04:15 | 0:04:18 | |
She designs well, but her styling is unbelievable. | 0:04:18 | 0:04:22 | |
She put things together really well, but it's the basics, | 0:04:22 | 0:04:26 | |
the foundations of good interior design, | 0:04:26 | 0:04:28 | |
which is all about the detailing, which she is not very good at doing. | 0:04:28 | 0:04:32 | |
It's whether or not she can actually finish it... | 0:04:32 | 0:04:34 | |
-Exactly. -..to a level that is exceptional. | 0:04:34 | 0:04:36 | |
With the amount that she does... | 0:04:36 | 0:04:39 | |
Oh, I don't know. | 0:04:39 | 0:04:41 | |
Daniela's challenge this time is to breathe new life | 0:04:43 | 0:04:46 | |
into John and Julie's family home. | 0:04:46 | 0:04:49 | |
Thank you very much. | 0:04:49 | 0:04:52 | |
Although both designers have had their briefs for just over a week, | 0:04:52 | 0:04:55 | |
today is the first time they'll be seeing the rooms in person. | 0:04:55 | 0:04:59 | |
Starting with the bedroom. | 0:04:59 | 0:05:00 | |
Oh, my goodness! | 0:05:02 | 0:05:03 | |
I think for the bedroom, we'd like to go Scandi-style, | 0:05:03 | 0:05:07 | |
fairly pared back. | 0:05:07 | 0:05:10 | |
I'd like to keep the vanity unit because I think it's, you know, | 0:05:10 | 0:05:13 | |
fairly handy. But I would like them to paint it | 0:05:13 | 0:05:16 | |
because I'm not keen on that mahogany colour. | 0:05:16 | 0:05:19 | |
The second room for Daniela to tackle is the living room. | 0:05:19 | 0:05:23 | |
Oh, wow! | 0:05:23 | 0:05:24 | |
I think it's my favourite room in the house. | 0:05:24 | 0:05:27 | |
I envisage it being a room where we would go and relax. | 0:05:27 | 0:05:30 | |
I would like lots of different textures, you know, velvets, silks, | 0:05:30 | 0:05:35 | |
that sort of thing. | 0:05:35 | 0:05:36 | |
Quite a luxurious room, I think. | 0:05:36 | 0:05:38 | |
On hand to assess her performance are industry experts Kelly Hoppen | 0:05:44 | 0:05:48 | |
and Daniel Hopwood. | 0:05:48 | 0:05:49 | |
Thank you for setting me such a lovely brief, to start with. | 0:05:49 | 0:05:52 | |
They'll be looking out for strong presentation skills, | 0:05:52 | 0:05:56 | |
as well as an ability to adapt to her clients' needs. | 0:05:56 | 0:06:00 | |
Daniela's kicking off with John and Julie's bedroom. | 0:06:00 | 0:06:03 | |
You said that you wanted Scandi. | 0:06:03 | 0:06:05 | |
Normally Scandi is quite kind of, you know, pared back. | 0:06:05 | 0:06:09 | |
-Yeah. -But I think with a house of this kind of size and grandeur, | 0:06:09 | 0:06:13 | |
I wanted to bring some sort of luxury element into that as well, | 0:06:13 | 0:06:16 | |
to give it that kind of warmth. | 0:06:16 | 0:06:18 | |
Tied together by the same tones and colours, you know, just whites, | 0:06:18 | 0:06:21 | |
creams, really neutral, really calming and almost quite angelic. | 0:06:21 | 0:06:26 | |
Oh! | 0:06:26 | 0:06:28 | |
Daniela's also planning to modernise the mahogany washstand | 0:06:28 | 0:06:32 | |
by transforming it into a sleek floating vanity unit. | 0:06:32 | 0:06:35 | |
I'm liking that, if you can do that with the wash basin, | 0:06:35 | 0:06:39 | |
that would be great... | 0:06:39 | 0:06:41 | |
-Yeah, me too. -..because it's an eyesore at the moment, really. | 0:06:41 | 0:06:43 | |
Now, we don't like radiators. | 0:06:43 | 0:06:45 | |
-No, we don't. -So, what I'm going to do, floor-to-ceiling, | 0:06:45 | 0:06:49 | |
is a huge piece of artwork, | 0:06:49 | 0:06:50 | |
so it's going to have light dusky pinks and a splash of yellow | 0:06:50 | 0:06:53 | |
and some silver leaf as well. | 0:06:53 | 0:06:55 | |
-Wonderful! -You're blown away. -I am. | 0:06:55 | 0:06:57 | |
-She's blown away! -Feel quite emotional! | 0:06:57 | 0:06:59 | |
Oh, no, | 0:06:59 | 0:07:01 | |
-don't! -Calm down. | 0:07:01 | 0:07:02 | |
I am, I'm thrilled. | 0:07:02 | 0:07:04 | |
Next, it's the living room. | 0:07:04 | 0:07:06 | |
From the brief, you said that you wanted imposing, elegant, | 0:07:07 | 0:07:11 | |
with a slight Parisian edge. | 0:07:11 | 0:07:13 | |
And that instantly drew me to these chic Parisian boutiques. | 0:07:13 | 0:07:16 | |
-Yeah. -Where the sofa is at the moment, | 0:07:16 | 0:07:18 | |
obviously once again you have a radiator. | 0:07:18 | 0:07:20 | |
-Yeah, a big one, again. -Yeah. -A big, ugly radiator. | 0:07:20 | 0:07:22 | |
Yeah. So what I wanted to do, | 0:07:22 | 0:07:24 | |
which is kind of like, once again, quite a radical idea, perhaps, | 0:07:24 | 0:07:28 | |
is do a curtained wall like this, | 0:07:28 | 0:07:30 | |
and that's going to be down-lit by LEDs, | 0:07:30 | 0:07:33 | |
-so it's going to be a really soft, warm light. -Very elegant. | 0:07:33 | 0:07:37 | |
The alcoves here, they're going to be lit up in LEDs, | 0:07:37 | 0:07:40 | |
so they're going to have shelves in there. | 0:07:40 | 0:07:41 | |
That's somewhere you can put your books on and things like that, | 0:07:41 | 0:07:44 | |
so it's all really smart and really well put together, hopefully. | 0:07:44 | 0:07:48 | |
Daniela's presentation - wow, wow, wow! | 0:07:48 | 0:07:51 | |
I especially like the fact where she'd say, | 0:07:51 | 0:07:54 | |
"OK, I know that you like the Scandinavian look, | 0:07:54 | 0:07:57 | |
"but I think it could be just a little bit too bare for your bedroom, | 0:07:57 | 0:08:00 | |
"so I've taken it off into a slightly different direction." | 0:08:00 | 0:08:02 | |
They followed her into that direction. | 0:08:02 | 0:08:04 | |
She's very good at getting them involved in what she's created | 0:08:04 | 0:08:08 | |
to the point the excitement is so much | 0:08:08 | 0:08:10 | |
that she's absolutely won them over. | 0:08:10 | 0:08:12 | |
But does that mean that the expectations are so high, | 0:08:12 | 0:08:16 | |
if she doesn't pull this off, | 0:08:16 | 0:08:18 | |
everyone is going to be incredibly disappointed? | 0:08:18 | 0:08:22 | |
-Hello. -Hello. | 0:08:22 | 0:08:23 | |
The clock has started on Daniela's 48 hours, | 0:08:23 | 0:08:26 | |
and keen to get going, she's assembled her team. | 0:08:26 | 0:08:30 | |
Ready to hear my plans? | 0:08:30 | 0:08:32 | |
Wayne and Steve, | 0:08:32 | 0:08:34 | |
make a sink unit box | 0:08:34 | 0:08:35 | |
and then basically I've got a big piece of 6mm MDF | 0:08:35 | 0:08:39 | |
and I'm going to do some artwork on it. | 0:08:39 | 0:08:42 | |
And then that just needs some strip wood put round the edge. | 0:08:42 | 0:08:45 | |
-Cool. -Cool. | 0:08:45 | 0:08:47 | |
The pressure is on, as one room has to be finished tomorrow, | 0:08:49 | 0:08:53 | |
so Daniela's tackling the bedroom first. | 0:08:53 | 0:08:55 | |
But she's got a problem with her waterworks. | 0:08:58 | 0:09:00 | |
Basically the sink is actually mounted on the unit. | 0:09:00 | 0:09:03 | |
-Right. -So, if we take the unit away, there's nothing to support the sink. | 0:09:03 | 0:09:06 | |
-You need a plumber. -Right, OK. | 0:09:06 | 0:09:08 | |
-I don't have any money for a plumber... -OK. | 0:09:08 | 0:09:10 | |
..so maybe we box around it and have a push opening door at the front. | 0:09:10 | 0:09:16 | |
-Yeah. -OK. -Yeah. -Make it look as minimalistic and chic as possible. | 0:09:16 | 0:09:21 | |
Yeah. All right, let's go. | 0:09:21 | 0:09:24 | |
Our second designer returning is 44-year-old James, | 0:09:28 | 0:09:32 | |
a marketing assistant from Kent. | 0:09:32 | 0:09:34 | |
Last time, James impressed with his presentation... | 0:09:35 | 0:09:38 | |
-Yeah, I like that. -..and his quirky creativity. | 0:09:38 | 0:09:42 | |
This is the sort of innovation that we're wanting from the designers - | 0:09:44 | 0:09:47 | |
making it useful and practical. | 0:09:47 | 0:09:49 | |
But his delegation and time management let him down. | 0:09:49 | 0:09:52 | |
He has listened to the brief, it's just, it's not finished. | 0:09:52 | 0:09:57 | |
Bit disappointing that we didn't finish, but, well, | 0:09:57 | 0:09:59 | |
I've done as much as I can do in the time, so, yeah. | 0:09:59 | 0:10:03 | |
So, judges, what has he got to improve from the last round? | 0:10:03 | 0:10:05 | |
-Well, he's got to finish. -Yeah, that is it. | 0:10:05 | 0:10:07 | |
-I mean... -We have taken a risk putting James into the next round, | 0:10:07 | 0:10:11 | |
but we both believe that there's a bit of a spark with him | 0:10:11 | 0:10:14 | |
and a really good design ability | 0:10:14 | 0:10:16 | |
that we are hoping is going to flourish this round. | 0:10:16 | 0:10:19 | |
What he's got to do is be confident in himself. | 0:10:19 | 0:10:22 | |
James' challenge is to revamp two rooms | 0:10:24 | 0:10:27 | |
for homeowner and new mum Jen, | 0:10:27 | 0:10:29 | |
who wants a rustic farmhouse-style family home. | 0:10:29 | 0:10:32 | |
The first room James is looking at is the bedroom. | 0:10:33 | 0:10:36 | |
We like simple, we like neutral. | 0:10:37 | 0:10:39 | |
We like calming environments. | 0:10:39 | 0:10:41 | |
This room feels smaller than I imagined it. | 0:10:41 | 0:10:44 | |
I like the rustic. | 0:10:44 | 0:10:45 | |
The more thrown-together look. | 0:10:45 | 0:10:49 | |
Probably a bit more romantic. | 0:10:49 | 0:10:51 | |
The living room is so dark. | 0:10:54 | 0:10:57 | |
If we can get some light in there, that's what we want. | 0:10:57 | 0:11:00 | |
I would hate for anything to be busy, to be bold. | 0:11:00 | 0:11:04 | |
You can't go far wrong with relaxed. | 0:11:04 | 0:11:07 | |
-Hi, Jen. -Hi, James. | 0:11:07 | 0:11:09 | |
First of all, the bedroom. | 0:11:09 | 0:11:12 | |
I'm going to try and put a sliding door for the walk-in wardrobe. | 0:11:12 | 0:11:15 | |
-We love sliding doors! -OK. Also, what I've tried to do in this is | 0:11:15 | 0:11:18 | |
-add some ironwork to try and make it feel farmhouse-y. -Yeah. | 0:11:18 | 0:11:21 | |
The colours will be grey, white and cream. | 0:11:21 | 0:11:24 | |
-Lovely. -OK. -Very nice. | 0:11:24 | 0:11:26 | |
The carpet's going to be replaced as well in a grey, | 0:11:26 | 0:11:29 | |
slightly darker than this grey. | 0:11:29 | 0:11:30 | |
And then this is the piece that makes the statement. | 0:11:30 | 0:11:34 | |
So, what I want to do is basically make this dresser | 0:11:34 | 0:11:38 | |
from two existing tables. | 0:11:38 | 0:11:40 | |
Basically, got some oak for the middle section. | 0:11:40 | 0:11:43 | |
-Yeah. -And the mirror above the dresser will be framed | 0:11:43 | 0:11:46 | |
with the shepherd's hooks. | 0:11:46 | 0:11:48 | |
So, basically it gives it a proper edgy-farmhouse feel. | 0:11:48 | 0:11:52 | |
-Very unusual, yeah, ace. Brilliant. -OK, the lounge. | 0:11:52 | 0:11:55 | |
So, basically, the bit above the picture rail would be the sage green | 0:11:56 | 0:12:00 | |
and the chimney breast, as well. | 0:12:00 | 0:12:02 | |
I'm going to make you a clock. | 0:12:02 | 0:12:04 | |
It's basically a pear-drop shaped piece of wood which, I think, | 0:12:04 | 0:12:07 | |
kind of works really nicely in terms of the feel of the room. | 0:12:07 | 0:12:10 | |
-OK. -Flooring. | 0:12:10 | 0:12:12 | |
Basically, we're going to sand the floor. | 0:12:12 | 0:12:13 | |
I was thinking basically, if it was painted white... | 0:12:13 | 0:12:15 | |
Yeah, yeah. The only thing is with white | 0:12:15 | 0:12:18 | |
is I've got white up in the nursery... | 0:12:18 | 0:12:19 | |
-OK. -..and I don't think it looks as warm and as inviting | 0:12:19 | 0:12:24 | |
and friendly, maybe, as what a warm oak would do. | 0:12:24 | 0:12:26 | |
That's why I probably wanted to keep it more farmhouse, if we could. | 0:12:26 | 0:12:29 | |
-OK. No, no, that's fine. -Yeah. | 0:12:29 | 0:12:30 | |
-I thought I'd give you the choice. -Thank you. | 0:12:30 | 0:12:32 | |
Thank you very much. | 0:12:32 | 0:12:34 | |
James - what a change with him. | 0:12:34 | 0:12:35 | |
He was so confident in that presentation. | 0:12:35 | 0:12:38 | |
And also, the boards look really good. | 0:12:38 | 0:12:40 | |
But I feel that sometimes he holds back because | 0:12:40 | 0:12:43 | |
he wants to have that surprise when he unveils what he's done. | 0:12:43 | 0:12:47 | |
If you remember the last time he did the presentation, | 0:12:47 | 0:12:50 | |
it was very similar. But when we walked in, | 0:12:50 | 0:12:52 | |
it just had that certain look that we hadn't actually imagined | 0:12:52 | 0:12:55 | |
we were going to get, and that's what we liked about him. | 0:12:55 | 0:12:58 | |
So, I think, and I'm hoping, when we actually go and see the rooms, | 0:12:58 | 0:13:02 | |
he's going to have something with a bit of a twist there. | 0:13:02 | 0:13:06 | |
James's 48 hours have begun. | 0:13:06 | 0:13:09 | |
And like Daniela, he's planning to finish the bedroom first. | 0:13:09 | 0:13:12 | |
You all right, guys? These are the plans for the bedroom. | 0:13:12 | 0:13:15 | |
This one's the one that's got to be finished by tomorrow. | 0:13:15 | 0:13:17 | |
Keen not to repeat past mistakes, he's delegating with confidence. | 0:13:17 | 0:13:21 | |
Sliding door to be fitted onto the walk-in wardrobe. | 0:13:21 | 0:13:24 | |
-OK. -And then this is the dresser. | 0:13:24 | 0:13:26 | |
Then, it's just painting the walls. | 0:13:26 | 0:13:28 | |
So, can we finish the bedroom by tomorrow? | 0:13:28 | 0:13:30 | |
-Should get it done. -All right, brilliant. | 0:13:30 | 0:13:32 | |
The fact that there's two rooms this time round, | 0:13:32 | 0:13:34 | |
just means that I need to be a little bit more focused | 0:13:34 | 0:13:38 | |
and basically make ideas more concise. | 0:13:38 | 0:13:41 | |
After clearing both rooms, | 0:13:41 | 0:13:44 | |
it's straight to work sanding in the lounge floor... | 0:13:44 | 0:13:47 | |
..and getting rid of the old carpet in the bedroom, | 0:13:48 | 0:13:51 | |
ready for the carpet fitters. | 0:13:51 | 0:13:53 | |
-So, I wanted to kind of match the... -Yeah, yeah, yeah. | 0:13:53 | 0:13:56 | |
And James is determined to get the bedroom finished on time. | 0:13:56 | 0:13:59 | |
How long will that take to put down? | 0:13:59 | 0:14:02 | |
-One hour. -One hour. | 0:14:02 | 0:14:04 | |
We are on a timeframe, I think, | 0:14:04 | 0:14:06 | |
so if you could make the hour... 50 minutes? | 0:14:06 | 0:14:09 | |
-We'll do our best. -All right, brilliant. Thank you. | 0:14:09 | 0:14:11 | |
I've asked them to make it as quick as possible, | 0:14:11 | 0:14:14 | |
so if I pull an angry face, they might go a bit quicker. | 0:14:14 | 0:14:18 | |
So, yeah, we'll see. We'll see what happens. | 0:14:18 | 0:14:20 | |
With both designers off their starting blocks, | 0:14:22 | 0:14:25 | |
tomorrow's deadline to have their bedrooms finished is inching | 0:14:25 | 0:14:29 | |
ever nearer in this quaint, waterside village. | 0:14:29 | 0:14:32 | |
Arts and Crafts architecture was all about the art of craft. | 0:14:32 | 0:14:34 | |
Following the mid-19th century writings of John Ruskin, | 0:14:34 | 0:14:38 | |
it celebrated the skill of the craftsmen | 0:14:38 | 0:14:40 | |
as a riposte to industrialisation | 0:14:40 | 0:14:43 | |
and mass production. You can see it here on the beautiful carving | 0:14:43 | 0:14:46 | |
on the edge of the bargeboard and the finials. | 0:14:46 | 0:14:48 | |
"A happy craftsman," said Ruskin, "made happy architecture." | 0:14:48 | 0:14:52 | |
This style of architecture was all about authenticity and honesty, | 0:14:55 | 0:14:58 | |
as opposed to the frippery and fakery of high-Victorian style. | 0:14:58 | 0:15:02 | |
It was about showing off how a building was made, | 0:15:02 | 0:15:05 | |
not covering it up, | 0:15:05 | 0:15:06 | |
right down to the pegs that held the beams together. | 0:15:06 | 0:15:09 | |
And behind this monochrome exterior, | 0:15:19 | 0:15:22 | |
Daniela is showing off her interpretation of Scandi chic. | 0:15:22 | 0:15:26 | |
This involves lots of white and natural textures. | 0:15:26 | 0:15:29 | |
She's also getting crafty with a shop-bought lampshade, | 0:15:29 | 0:15:32 | |
which hasn't broken the bank. | 0:15:32 | 0:15:34 | |
This light is just a standard light from a superstore, | 0:15:34 | 0:15:39 | |
and I think it was, like, 20 quid or something. | 0:15:39 | 0:15:42 | |
And what I've done is I've made about 200 tassels altogether. | 0:15:42 | 0:15:46 | |
Did some suede ones and string ones as well. | 0:15:46 | 0:15:49 | |
And what I'm doing is I'm just going to customise the light with them. | 0:15:49 | 0:15:53 | |
It cost about 20 quid for the tassels, so for 40 quid, | 0:15:53 | 0:15:56 | |
you've got a light that no-one else has and it's, like, stunning. | 0:15:56 | 0:16:00 | |
And this unique mixing of styles is reflected | 0:16:02 | 0:16:05 | |
in Daniela's home in Essex. | 0:16:05 | 0:16:07 | |
I really love retro furniture | 0:16:09 | 0:16:11 | |
because I think it adds personality to my modernity. | 0:16:11 | 0:16:16 | |
When I do upcycling, I don't do it in your usual way. | 0:16:16 | 0:16:19 | |
I try to do it in quite a slick way. It's quite subtle. | 0:16:19 | 0:16:22 | |
In Worsley, in James's rustic-inspired home, | 0:16:29 | 0:16:32 | |
he's rising to the challenge of completing two rooms, | 0:16:32 | 0:16:35 | |
and he's making good progress. | 0:16:35 | 0:16:38 | |
Downstairs in the living room, the sanding is in full flow. | 0:16:38 | 0:16:42 | |
Meanwhile, upstairs, the carpet has been laid. | 0:16:42 | 0:16:46 | |
Yeah, it's nice. | 0:16:46 | 0:16:47 | |
And the sliding wardrobe door... is sliding. | 0:16:48 | 0:16:52 | |
-So, your door's on. -Cool. -I'll just check, | 0:16:52 | 0:16:54 | |
are you happy with the way it all looks and all the rest of it? | 0:16:54 | 0:16:56 | |
-Yeah, that looks perfect to me. -Perfect. OK. | 0:16:56 | 0:16:59 | |
-Yeah, yeah. -Great. | 0:16:59 | 0:17:00 | |
When it comes to personal taste at home, for James, less is more. | 0:17:02 | 0:17:07 | |
My style is geometric shapes, clean lines. | 0:17:07 | 0:17:11 | |
I like minimalistic approaches. | 0:17:11 | 0:17:13 | |
I think that my strengths are bringing bespoke pieces | 0:17:15 | 0:17:18 | |
that will stand out and make the room unique. | 0:17:18 | 0:17:20 | |
I like the fact that when I've decorated a room, | 0:17:22 | 0:17:25 | |
there is kind of a piece of me left in there. | 0:17:25 | 0:17:26 | |
Back in Worsley, | 0:17:29 | 0:17:30 | |
James is working hard to communicate with his team | 0:17:30 | 0:17:33 | |
and manage his time well. | 0:17:33 | 0:17:36 | |
Where are we going to be by the end of the day? | 0:17:36 | 0:17:38 | |
Ideally, I want to get the first coat of paint on the walls. | 0:17:38 | 0:17:41 | |
So, they'll be one coat on all walls by the end of play? | 0:17:41 | 0:17:44 | |
-Yeah, yeah. -All right, cool. -On schedule. | 0:17:44 | 0:17:46 | |
There's definitely something to be said about lots of communication. | 0:17:46 | 0:17:50 | |
That way, you kind of know what's happening | 0:17:50 | 0:17:52 | |
and you know where you're going to be | 0:17:52 | 0:17:54 | |
and you don't leave it to the last minute, so, yeah. | 0:17:54 | 0:17:56 | |
Yeah, it's all good. | 0:17:56 | 0:17:58 | |
Kelly, we're asking for a huge leap from what he did last time. | 0:17:58 | 0:18:02 | |
But what I'm hoping is that his creativity isn't left behind because | 0:18:02 | 0:18:07 | |
he's panicking too much to try and get those rooms finished. | 0:18:07 | 0:18:10 | |
And I'm really looking forward to seeing if he can do it. | 0:18:10 | 0:18:12 | |
Fingers crossed. | 0:18:12 | 0:18:13 | |
With the sanding done in the living room... | 0:18:19 | 0:18:21 | |
-It looks really nice. -..the varnish can go on. | 0:18:21 | 0:18:25 | |
End of day one, and the last project | 0:18:25 | 0:18:27 | |
was nowhere near as accomplished as today. | 0:18:27 | 0:18:30 | |
Time management and delegation worked well today. | 0:18:30 | 0:18:33 | |
But it's not so smooth over at Daniela's. | 0:18:33 | 0:18:36 | |
She's got no plumber and she's been forced to abandon her design | 0:18:36 | 0:18:39 | |
for a floating vanity unit, | 0:18:39 | 0:18:41 | |
so she's come up with an alternative solution. | 0:18:41 | 0:18:44 | |
What we're going to do is we're going to neatly box it in, | 0:18:44 | 0:18:46 | |
still keep that really slick look, plywood on the top. | 0:18:46 | 0:18:50 | |
And we're just going to have a little access hatch to go in there, | 0:18:50 | 0:18:53 | |
so we can access the plumbing. | 0:18:53 | 0:18:55 | |
Things haven't gone quite to plan for Daniela, | 0:18:56 | 0:18:59 | |
and she still has lots to do. | 0:18:59 | 0:19:00 | |
Tomorrow, we've got to finish the bedroom. | 0:19:00 | 0:19:03 | |
Priority is getting a coat of paint on the walls, | 0:19:03 | 0:19:06 | |
getting the wallpaper up. | 0:19:06 | 0:19:08 | |
Making the side tables, finishing the sink. | 0:19:08 | 0:19:12 | |
It's the end of the first day. | 0:19:12 | 0:19:13 | |
Both James and Daniela have got a lot of work to do if the first | 0:19:13 | 0:19:17 | |
of their two rooms is to be ready for the judges to see tomorrow. | 0:19:17 | 0:19:20 | |
And with day one over, the designers touch base to compare notes. | 0:19:22 | 0:19:26 | |
-Hiya. -How you getting on? -Not too bad. Not too bad. | 0:19:26 | 0:19:29 | |
-Yourself? -Yeah? Yeah, good. | 0:19:29 | 0:19:31 | |
So, second round. | 0:19:31 | 0:19:32 | |
Oh, don't. | 0:19:32 | 0:19:35 | |
-How you coping? -Yeah, I'm really excited. | 0:19:35 | 0:19:37 | |
I felt like almost the first round was like a practice. | 0:19:37 | 0:19:40 | |
-Yeah. -And I'm hoping to up my game a little bit. | 0:19:40 | 0:19:42 | |
-We've got to finish it by tomorrow now, haven't we? -Yeah. | 0:19:42 | 0:19:44 | |
-The game's on. -The game is on. -Good luck. | 0:19:44 | 0:19:47 | |
Good luck to you, too. | 0:19:47 | 0:19:49 | |
You're going to need it. | 0:19:49 | 0:19:51 | |
It's the start of day two, | 0:20:01 | 0:20:02 | |
and today, both designers must finish their first room. | 0:20:02 | 0:20:06 | |
-Morning, guys. -Morning. -Morning. I'm going to do the ceiling first | 0:20:06 | 0:20:09 | |
and then jump straight back onto the walls. | 0:20:09 | 0:20:11 | |
James is confidently forging ahead. | 0:20:11 | 0:20:14 | |
-Blinds will need to go up. -OK. | 0:20:14 | 0:20:15 | |
Curtain pole needs to go back up. | 0:20:15 | 0:20:18 | |
Mirror needs to go on the wall, as well. | 0:20:18 | 0:20:20 | |
-Yeah. -So, I'll start doing your desk. | 0:20:20 | 0:20:22 | |
OK. Approximate timeframe on that getting together? | 0:20:22 | 0:20:24 | |
-Putting together? -I don't know. | 0:20:24 | 0:20:26 | |
-Shouldn't take more than an hour, so... -Cool. All right, thank you. | 0:20:26 | 0:20:29 | |
The pressure's on. | 0:20:29 | 0:20:30 | |
We just need to get focused today and meet the deadline. | 0:20:30 | 0:20:34 | |
But Daniela is definitely feeling the pressure. | 0:20:36 | 0:20:39 | |
-Good morning. -Morning, hi. -You all right? | 0:20:39 | 0:20:42 | |
Had lots of things keeping me awake last night. | 0:20:42 | 0:20:45 | |
You know, just worrying about kind of... | 0:20:45 | 0:20:48 | |
You know, how we were going to do things in time | 0:20:48 | 0:20:50 | |
and to the standard that I would like. | 0:20:50 | 0:20:53 | |
First thing for Daniela, | 0:20:53 | 0:20:54 | |
she's getting creative with some MDF to make her original artwork, | 0:20:54 | 0:20:58 | |
which will also double up as a bespoke radiator cover. | 0:20:58 | 0:21:02 | |
Jo, the decorator, | 0:21:02 | 0:21:03 | |
gave me some very valuable advice last time about painting | 0:21:03 | 0:21:07 | |
and how you're supposed to do things. | 0:21:07 | 0:21:09 | |
But actually I'm going to go against everything she says for this one | 0:21:09 | 0:21:12 | |
because it's an expressive art piece. | 0:21:12 | 0:21:15 | |
It's all going to be very tonal. | 0:21:15 | 0:21:17 | |
I want it to be really smudgy, really messy. | 0:21:17 | 0:21:19 | |
It's all about the texture with this one. | 0:21:19 | 0:21:21 | |
She's getting stuck in. | 0:21:21 | 0:21:24 | |
I've got some leftover filler | 0:21:24 | 0:21:27 | |
and I'm just slapping it on to create some texture. | 0:21:27 | 0:21:32 | |
And it's messy work. | 0:21:32 | 0:21:34 | |
Oh! | 0:21:36 | 0:21:37 | |
SHE LAUGHS | 0:21:37 | 0:21:39 | |
This is expressive. I'm just doing what feels right. | 0:21:42 | 0:21:44 | |
I'm kind of layering it. | 0:21:44 | 0:21:46 | |
I am totally making it up as I go along, | 0:21:46 | 0:21:48 | |
but I do this a lot, I make art for my home | 0:21:48 | 0:21:50 | |
and they always work out all right in the end. | 0:21:50 | 0:21:53 | |
James is also putting his creative abilities to the test | 0:21:59 | 0:22:03 | |
in his rustic farmhouse-themed home. | 0:22:03 | 0:22:05 | |
This is the wild flower feature. | 0:22:05 | 0:22:07 | |
The homeowner specified kind of a farmhouse-y, magazine style. | 0:22:07 | 0:22:12 | |
So, this was just an idea that I thought of when I saw the wallpaper. | 0:22:12 | 0:22:15 | |
I thought, "Oh, that's really nice." | 0:22:15 | 0:22:17 | |
I haven't done this before, | 0:22:17 | 0:22:18 | |
but I thought this would be quite a unique way of | 0:22:18 | 0:22:21 | |
basically having a feature on the wall. | 0:22:21 | 0:22:23 | |
Anybody can just stick up some wallpaper. | 0:22:23 | 0:22:25 | |
It's just a bit more creative, I guess. | 0:22:25 | 0:22:28 | |
The end effect should be worthwhile. | 0:22:28 | 0:22:30 | |
It's the little things that are going to enhance the room, | 0:22:30 | 0:22:32 | |
so I'm hoping this is one of those little things | 0:22:32 | 0:22:34 | |
that has been worth the time it's taken me to cut out. | 0:22:34 | 0:22:37 | |
James is putting his own stamp on, and pinning his hopes on, | 0:22:43 | 0:22:47 | |
some shop-bought furniture. | 0:22:47 | 0:22:49 | |
I got a box and an ottoman that are upholstered at the top, | 0:22:49 | 0:22:52 | |
so they have kind of foam in them. | 0:22:52 | 0:22:54 | |
The staple gun forms the indentation | 0:22:54 | 0:22:57 | |
and then I have little studs that I'm going to glue | 0:22:57 | 0:23:00 | |
into the indentation. | 0:23:00 | 0:23:01 | |
This is a quick and effective way of getting a pin-tuck effect. | 0:23:01 | 0:23:06 | |
The trunk itself was under £20, so, yeah, | 0:23:08 | 0:23:11 | |
I think it's quite a nice finish. | 0:23:11 | 0:23:13 | |
It's nice to kind of add the personal touches | 0:23:13 | 0:23:15 | |
and kind of upcycle, or change things in whichever way you can. | 0:23:15 | 0:23:19 | |
Judges Kelly and Dan are keen to check up on James's progress. | 0:23:19 | 0:23:22 | |
-James. -Hi. You all right? | 0:23:22 | 0:23:24 | |
Do you feel confident about the scheme | 0:23:24 | 0:23:26 | |
and how you've planned it this time? | 0:23:26 | 0:23:28 | |
Yes. Yes. | 0:23:28 | 0:23:29 | |
I learned lessons from kind of not finishing last time. | 0:23:29 | 0:23:32 | |
And, you know, just in terms of delegation and budget management, | 0:23:32 | 0:23:36 | |
I think I've corrected those mistakes this time round. | 0:23:36 | 0:23:40 | |
What have you got that you feel really proud of in | 0:23:40 | 0:23:43 | |
the projects you're doing in the two rooms? | 0:23:43 | 0:23:45 | |
In the bedroom itself, | 0:23:45 | 0:23:47 | |
I've designed a little vanity table dresser. | 0:23:47 | 0:23:50 | |
And then downstairs, I'm going to do a clock. | 0:23:50 | 0:23:53 | |
It's interesting because your presentation, | 0:23:53 | 0:23:55 | |
you are really confident this time. | 0:23:55 | 0:23:57 | |
-Yeah. -But for me, the presentation boards are beautiful, | 0:23:57 | 0:24:00 | |
but you never show any pieces that people are going to have, | 0:24:00 | 0:24:03 | |
so a lot of it's left to mystery. | 0:24:03 | 0:24:05 | |
Is that done on purpose? | 0:24:05 | 0:24:07 | |
There is an element of that. | 0:24:07 | 0:24:09 | |
LAUGHTER | 0:24:09 | 0:24:11 | |
He's holding something back. | 0:24:11 | 0:24:12 | |
I think he wants to give us a bit of a surprise | 0:24:12 | 0:24:14 | |
because when you mentioned the clock | 0:24:14 | 0:24:16 | |
being a bit of a star on your project, | 0:24:16 | 0:24:18 | |
when you actually see it on the board, | 0:24:18 | 0:24:20 | |
it's just this tiny little thing hiding in the corner, | 0:24:20 | 0:24:22 | |
so that is going to turn out to be something that's really interesting. | 0:24:22 | 0:24:26 | |
Kelly, you know, we took a bit of a risk letting James through into | 0:24:26 | 0:24:30 | |
the next round, but I've got a hint we are doing the right thing. | 0:24:30 | 0:24:34 | |
100%. 100%. He's got something. | 0:24:34 | 0:24:36 | |
I knew he had something, and he's proven it. | 0:24:36 | 0:24:38 | |
-So, all those little details... -But it's all secrets. | 0:24:38 | 0:24:41 | |
I'm proving it to myself more than anybody else. | 0:24:41 | 0:24:43 | |
I didn't finish the last room, I'm kind of... | 0:24:43 | 0:24:46 | |
You know, I need to prove to myself that I can get this done. | 0:24:46 | 0:24:49 | |
Making their own impression in the early 20th century, | 0:24:53 | 0:24:56 | |
the architects of our houses understood a thing or two | 0:24:56 | 0:24:59 | |
about showing off. Edwardian houses really knew how to make an entrance. | 0:24:59 | 0:25:03 | |
They were usually built on the edge of town on cheap farmland, | 0:25:03 | 0:25:05 | |
so they had more elbow room to spread themselves out with great | 0:25:05 | 0:25:08 | |
big porches and entrances like this one, topped with a Tudor arch, | 0:25:08 | 0:25:13 | |
with some beautiful stained-glass windows behind, | 0:25:13 | 0:25:16 | |
all designed in a kind of slightly Art Nouveau style. | 0:25:16 | 0:25:19 | |
For Daniela, the pressure is mounting. | 0:25:28 | 0:25:30 | |
Her bedroom must be completed later today. | 0:25:30 | 0:25:33 | |
OK. All right. | 0:25:33 | 0:25:36 | |
And her bespoke vanity unit is still causing her issues. | 0:25:36 | 0:25:40 | |
What varnish would you suggest? | 0:25:40 | 0:25:42 | |
Because I want something that's going to bring out the grain, | 0:25:42 | 0:25:44 | |
but is still matt. I don't really want it shiny. | 0:25:44 | 0:25:47 | |
You need something that's waterproof obviously, | 0:25:47 | 0:25:49 | |
cos that's the main thing, to actually waterproof this wood. | 0:25:49 | 0:25:52 | |
So, matt isn't waterproof? | 0:25:52 | 0:25:53 | |
-It's got to be water-sealed, hasn't it? -Yeah. | 0:25:53 | 0:25:55 | |
So, there we are. Steve, the builder, brought to my attention | 0:25:55 | 0:25:58 | |
that the vanity worktop next to the sink, which is plywood, | 0:25:58 | 0:26:00 | |
needs to be, like, watertight, basically | 0:26:00 | 0:26:04 | |
because it's obviously next to a sink. | 0:26:04 | 0:26:06 | |
I'm freaking out now. | 0:26:06 | 0:26:07 | |
These are rookie mistakes, here. | 0:26:07 | 0:26:09 | |
So, the mirror... | 0:26:09 | 0:26:11 | |
I'm going to say it's going there. | 0:26:11 | 0:26:13 | |
And is there a curtain on this wall? | 0:26:13 | 0:26:15 | |
It is, yeah. Floor-to-ceiling curtain. | 0:26:15 | 0:26:17 | |
Wall-to-wall curtain. | 0:26:17 | 0:26:20 | |
Keen to see how Daniela's getting along, the judges pay her a visit. | 0:26:20 | 0:26:24 | |
Now, it isn't Scandinavian, which is what they were looking for, | 0:26:24 | 0:26:28 | |
but you've convinced them cleverly. | 0:26:28 | 0:26:29 | |
With this... The grandeur of this house, | 0:26:29 | 0:26:31 | |
I just didn't want to go down that stark Scandinavian route. | 0:26:31 | 0:26:33 | |
I wanted it a bit more luxurious, a bit more peaceful. | 0:26:33 | 0:26:36 | |
So, you've gone quite romantic, actually. | 0:26:36 | 0:26:37 | |
-I have gone quite romantic. -I mean, Scandinavian is all quite | 0:26:37 | 0:26:40 | |
very hard lines and sort of primary colours. | 0:26:40 | 0:26:42 | |
-Yes, exactly. -I'm not picking that up in here, at all. | 0:26:42 | 0:26:44 | |
-No, no. -Can you deliver what you presented? -I hope so. | 0:26:44 | 0:26:46 | |
I hope so. I can only hope and try my hardest. | 0:26:46 | 0:26:49 | |
My concern is that Daniela has created a dream of a scheme, but... | 0:26:51 | 0:26:56 | |
Is she going to deliver? | 0:26:56 | 0:26:57 | |
Is she going to be the one who's not going to finish? | 0:26:57 | 0:26:59 | |
Is she going to be the one who's going to disappoint? | 0:26:59 | 0:27:02 | |
Because she has put everything into that. | 0:27:02 | 0:27:04 | |
You're completely ensconced in this amazing experience in design. | 0:27:04 | 0:27:09 | |
Mm. One little bit missing, we're going to be disappointed. | 0:27:09 | 0:27:12 | |
As the rooms are all slightly different, | 0:27:17 | 0:27:19 | |
the judges want both the designers to demonstrate their creativity | 0:27:19 | 0:27:23 | |
on a level playing field. | 0:27:23 | 0:27:25 | |
So, Daniela and James are being given an identical surprise item | 0:27:25 | 0:27:29 | |
which they must artistically incorporate | 0:27:29 | 0:27:32 | |
into either of their rooms. | 0:27:32 | 0:27:34 | |
Hello, Daniela. You know it's that moment, don't you? | 0:27:34 | 0:27:37 | |
The wonderful moment of the creative challenge. | 0:27:37 | 0:27:39 | |
-OK. -Because I realise you've got so much spare time on your hands. | 0:27:39 | 0:27:42 | |
-I have loads. -You don't have to use all of them, you can use one, | 0:27:42 | 0:27:45 | |
two, three, four, five, and you can use the tray. | 0:27:45 | 0:27:49 | |
You CAN do anything you want with this. | 0:27:49 | 0:27:52 | |
-A breeze. Yeah. -It's closed. -Quite a tricky one, this. | 0:27:52 | 0:27:55 | |
I have no idea what I'm going to do. | 0:27:57 | 0:28:00 | |
I'm going to have to sleep on this one, | 0:28:00 | 0:28:02 | |
or at least think about it for a little while. | 0:28:02 | 0:28:04 | |
I like the ribbing of the cans and I like the silver. | 0:28:04 | 0:28:07 | |
So, I have no clue, but I'm sure it'll be wonderful. | 0:28:07 | 0:28:12 | |
The creative challenge will have to wait for Daniela as | 0:28:14 | 0:28:17 | |
the clock is ticking and she really needs to complete that bedroom. | 0:28:17 | 0:28:22 | |
I'm just finishing off my art piece. | 0:28:22 | 0:28:24 | |
And I think that's it now. | 0:28:24 | 0:28:27 | |
I'm really happy. I've just put enough silver on. | 0:28:27 | 0:28:29 | |
I don't want overdo it. It's not some sort of glitzy piece. | 0:28:29 | 0:28:32 | |
James is putting his bedroom plans into action, | 0:28:39 | 0:28:42 | |
which all hinge around his statement piece - | 0:28:42 | 0:28:45 | |
the bespoke dressing table. | 0:28:45 | 0:28:47 | |
Basically, what I would like to do is basically have | 0:28:47 | 0:28:50 | |
this middle section of oak... | 0:28:50 | 0:28:52 | |
-Right. -..untreated, basically set in between the two. | 0:28:52 | 0:28:56 | |
-Oh, I see. -So, it forms like a desk. | 0:28:56 | 0:28:59 | |
-So, it's... That's in the middle there, is it? -Uh-huh. -OK. | 0:28:59 | 0:29:03 | |
The table at present, erm... | 0:29:10 | 0:29:13 | |
Not quite, it doesn't look quite right. | 0:29:13 | 0:29:16 | |
It's not the vision that I had in my head. It looks a bit... | 0:29:16 | 0:29:19 | |
a little bit off-balance. It doesn't look sturdy enough, | 0:29:19 | 0:29:22 | |
so there's going to be a few adjustments made. | 0:29:22 | 0:29:26 | |
Basically, what's going to happen is we're going to make a back | 0:29:26 | 0:29:28 | |
for the table. That way, it makes it more rigid. | 0:29:28 | 0:29:31 | |
Ten minutes to go. Just silly me | 0:29:38 | 0:29:39 | |
forgot that we had to put the blind in, still. | 0:29:39 | 0:29:41 | |
The builder reckons that that's going to take about ten minutes, | 0:29:41 | 0:29:44 | |
so just on the buzzer, I think. | 0:29:44 | 0:29:46 | |
As the first designer to start, Daniela's time is ticking away. | 0:29:47 | 0:29:52 | |
And her deadline is rapidly approaching. | 0:29:54 | 0:29:57 | |
Yeah, that's all done. | 0:29:57 | 0:29:58 | |
Lovely. Well done. Right. | 0:29:58 | 0:30:00 | |
So, she's ensuring that her room is styled to perfection. | 0:30:00 | 0:30:04 | |
Done. | 0:30:05 | 0:30:07 | |
Daniela's time is now up. | 0:30:07 | 0:30:09 | |
I am so happy with that room. | 0:30:09 | 0:30:12 | |
You know, in comparison to my mood board, | 0:30:12 | 0:30:14 | |
I just think it's even lovelier. In my opinion, anyway. | 0:30:14 | 0:30:18 | |
Daniela's brief was to create a cool, | 0:30:19 | 0:30:22 | |
light and modern Scandi-style bedroom. | 0:30:22 | 0:30:24 | |
Yesterday, it was drab and uninspiring, | 0:30:25 | 0:30:28 | |
full of mismatched florals, dominating the room. | 0:30:28 | 0:30:31 | |
Now, it has the unmistakable air of modern chic. | 0:30:33 | 0:30:37 | |
Daniela's clean, white and minimal theme | 0:30:43 | 0:30:46 | |
is enhanced by her hand-painted artwork | 0:30:46 | 0:30:48 | |
and striking marble effect wallpaper. | 0:30:48 | 0:30:50 | |
Her remodelled basin and vanity unit blends in with the sleek scheme. | 0:30:53 | 0:30:57 | |
And she's cleverly combined different textures | 0:30:59 | 0:31:02 | |
to pull the final look together. | 0:31:02 | 0:31:04 | |
Wowzer! | 0:31:07 | 0:31:09 | |
It's a major, big impact when you come in. It's so white. | 0:31:09 | 0:31:13 | |
It's white, on white, on white. | 0:31:13 | 0:31:14 | |
But on top of that, there's some amazing texture. | 0:31:14 | 0:31:16 | |
Oh, I love that painting! | 0:31:16 | 0:31:18 | |
Isn't it good? What's clever, though, | 0:31:18 | 0:31:20 | |
she's also covered the windows with that full-on white... | 0:31:20 | 0:31:25 | |
I almost want to say muslin curtain, isn't it? | 0:31:25 | 0:31:27 | |
I love the muslin curtain, | 0:31:27 | 0:31:28 | |
but I could live without the bit behind the sink. | 0:31:28 | 0:31:31 | |
Turning to the boxing around the vanity unit, | 0:31:31 | 0:31:34 | |
clever that it is with this lovely stripe. | 0:31:34 | 0:31:36 | |
-Yeah, it's lovely, that. -Like that detail. -Yeah, love it. | 0:31:36 | 0:31:38 | |
My concerns about Daniela, though, is... | 0:31:38 | 0:31:40 | |
is this all just style over substance? | 0:31:40 | 0:31:44 | |
It looks great. | 0:31:44 | 0:31:45 | |
But if you were actually living in this bedroom | 0:31:45 | 0:31:48 | |
and you wanted to put your toothpaste in the corner here, | 0:31:48 | 0:31:50 | |
it's going to look like a mess. | 0:31:50 | 0:31:52 | |
This is not going to last five minutes. | 0:31:52 | 0:31:55 | |
You know, some bloke is going to throw his dirty old boxer shorts | 0:31:55 | 0:31:57 | |
-into that and it's not going to look good. -Not in my house. | 0:31:57 | 0:32:01 | |
Daniela has been working to the homeowner's brief. | 0:32:02 | 0:32:05 | |
And John and Julie's opinion will be taken into consideration by | 0:32:05 | 0:32:09 | |
the judges when they make their final decision. | 0:32:09 | 0:32:12 | |
Wow! | 0:32:12 | 0:32:14 | |
Goodness me. Love that wall. That is fantastic. | 0:32:14 | 0:32:17 | |
-I do! -That is spot-on. | 0:32:17 | 0:32:19 | |
We'll have to up our game. | 0:32:19 | 0:32:21 | |
Yes, I know. I'm going to get some silk pyjamas now, or something! | 0:32:21 | 0:32:24 | |
Does anything not sit right in the room? | 0:32:24 | 0:32:26 | |
Anything you're not quite sure of? | 0:32:26 | 0:32:28 | |
I'll probably have to get used to this. | 0:32:28 | 0:32:30 | |
-That's your radiator cover. -Yeah, yeah. | 0:32:30 | 0:32:32 | |
Doesn't look like a radiator cover, but it is. | 0:32:32 | 0:32:34 | |
I got the impression she was going to hang it from maybe the picture rail | 0:32:34 | 0:32:38 | |
or from the ceiling, rather than it just being propped up. | 0:32:38 | 0:32:40 | |
-I think propping's all the rage. -John doesn't do all the rage. | 0:32:40 | 0:32:43 | |
No. No, I haven't done all the rage since about 1977, I don't think. | 0:32:43 | 0:32:48 | |
Definitely got that cool theme that we asked for, in fairness. | 0:32:48 | 0:32:52 | |
Scandi-style? You wanted a bit of Scandi-style. | 0:32:52 | 0:32:54 | |
Yeah, a bit Scandi. Yeah, yeah. | 0:32:54 | 0:32:57 | |
I'm feeling anxious because there's only an hour left | 0:32:59 | 0:33:01 | |
and I know how quick an hour goes, but the room is pretty much done. | 0:33:01 | 0:33:05 | |
Anxious, but positive. | 0:33:05 | 0:33:07 | |
Time's about to be called on James, but will his room be finished? | 0:33:09 | 0:33:13 | |
Oh! | 0:33:15 | 0:33:16 | |
He's cleverly incorporating mirrors into his scheme, | 0:33:16 | 0:33:19 | |
which will create an illusion of space | 0:33:19 | 0:33:21 | |
to make the room look bigger and brighter. | 0:33:21 | 0:33:24 | |
James adds his final touches. | 0:33:24 | 0:33:26 | |
He finesses the bed | 0:33:27 | 0:33:29 | |
and styles the curtains. | 0:33:29 | 0:33:31 | |
His time is up. | 0:33:31 | 0:33:33 | |
I don't know if I've done enough to impress the judges. | 0:33:35 | 0:33:38 | |
I think I've done little key things to kind of hopefully catch their eye | 0:33:38 | 0:33:41 | |
and for things to stand out. | 0:33:41 | 0:33:43 | |
And we'll see, we'll see. | 0:33:43 | 0:33:45 | |
I don't know. I was really chuffed that I finished the room. | 0:33:45 | 0:33:48 | |
James's brief was to design a relaxed and romantic retreat | 0:33:48 | 0:33:52 | |
with a feel of all things rustic. | 0:33:52 | 0:33:54 | |
Yesterday, the bedroom was dark and tired, | 0:33:55 | 0:33:59 | |
lacking in any personality. | 0:33:59 | 0:34:01 | |
Now, it has a serene and contemporary edge. | 0:34:05 | 0:34:08 | |
With a sleek sliding entrance to the dressing room beyond. | 0:34:09 | 0:34:13 | |
Rustic touches give the room the farmhouse feel | 0:34:15 | 0:34:17 | |
the homeowner was after. | 0:34:17 | 0:34:19 | |
All set off by James's bespoke statement-piece dresser. | 0:34:20 | 0:34:24 | |
And the clever combination of different greys creates a striking, | 0:34:26 | 0:34:30 | |
but tranquil feel. | 0:34:30 | 0:34:31 | |
Wow! | 0:34:33 | 0:34:34 | |
So, they asked for homely, friendly. | 0:34:37 | 0:34:40 | |
-And I think we're getting that feel, aren't we? -Yeah. -Yeah. | 0:34:40 | 0:34:44 | |
I love the colour of the walls, I love the existing bed. | 0:34:44 | 0:34:47 | |
I love the cushions on the bed, I think. | 0:34:47 | 0:34:49 | |
I love that sort of cable knit. | 0:34:49 | 0:34:51 | |
I think that's all beautiful. | 0:34:51 | 0:34:53 | |
I mean, that dressing table is really genius. | 0:34:53 | 0:34:57 | |
He's found two Chinese console tables, | 0:34:57 | 0:35:00 | |
he's put marble on the top and he's connected it. | 0:35:00 | 0:35:02 | |
He's found an old piece of mirror. | 0:35:02 | 0:35:04 | |
-And he's connected it up. -And it's very nice. | 0:35:04 | 0:35:05 | |
-Yes. -I think what he's done on the wall there is very creative. | 0:35:05 | 0:35:09 | |
Do you like that? I quite like that. | 0:35:09 | 0:35:10 | |
I think it's clever. Cutting it out and gluing it on the wall, | 0:35:10 | 0:35:13 | |
it's very feminine. Do you know, | 0:35:13 | 0:35:15 | |
the feeling in this room is really lovely, | 0:35:15 | 0:35:18 | |
and that's what the homeowner asked for. | 0:35:18 | 0:35:20 | |
They wanted something comfortable and homely, and he's nailed it. | 0:35:20 | 0:35:24 | |
He's done the brief. | 0:35:24 | 0:35:25 | |
Absolutely. I look at this and I just want to lie down. | 0:35:25 | 0:35:28 | |
I feel very at ease and calm in here. | 0:35:28 | 0:35:30 | |
And he has... He has answered the brief. | 0:35:30 | 0:35:33 | |
Come on through, Jen. | 0:35:37 | 0:35:39 | |
Oh, wow! | 0:35:39 | 0:35:41 | |
Oh, this is lovely. | 0:35:41 | 0:35:42 | |
Really like this. | 0:35:44 | 0:35:45 | |
To me, it looks sophisticated, but that kind of rugged, | 0:35:45 | 0:35:49 | |
English-country-farmhouse thing. | 0:35:49 | 0:35:51 | |
That's kind of gone. Do you miss that? | 0:35:51 | 0:35:53 | |
No, to be fair... | 0:35:53 | 0:35:54 | |
Because like see you've got these sheer curtains here, | 0:35:54 | 0:35:57 | |
they make it feel a little bit more cosy and inviting. | 0:35:57 | 0:35:59 | |
-Softening. -Softer. You know, | 0:35:59 | 0:36:01 | |
whereas if you would have took them away and things, | 0:36:01 | 0:36:04 | |
it could have felt a little bit more harder, but it doesn't. | 0:36:04 | 0:36:06 | |
It's all really working together. | 0:36:06 | 0:36:08 | |
And, OK, it's not as rustic, | 0:36:08 | 0:36:09 | |
but you've got like little gems like this | 0:36:09 | 0:36:12 | |
that help to just bring in a bit of charm. | 0:36:12 | 0:36:14 | |
And he promised me I would like the table, and it's gorgeous. | 0:36:14 | 0:36:18 | |
-Very nice. -So, good! Thumbs up. -Very good. | 0:36:18 | 0:36:21 | |
Nothing wrong with it at all? Nothing at all? | 0:36:21 | 0:36:23 | |
-Nothing! -Nothing? -No! No, no, it's lovely. | 0:36:23 | 0:36:25 | |
Now, Daniela and James may have finished one room, | 0:36:30 | 0:36:32 | |
but there's a whole other room to do if they are to stand a chance of | 0:36:32 | 0:36:35 | |
getting through to the semifinals. | 0:36:35 | 0:36:37 | |
So, it's full steam ahead, as their second room will be revealed | 0:36:39 | 0:36:43 | |
and judged tomorrow. | 0:36:43 | 0:36:45 | |
Buoyed up by successfully completing one room, | 0:36:45 | 0:36:48 | |
James now turns his attention to the living room. | 0:36:48 | 0:36:51 | |
There's another coat to go on the floor before end of play today. | 0:36:51 | 0:36:56 | |
Yeah, I think we're on schedule for this room. | 0:36:56 | 0:36:59 | |
With his sage-green chimney breast, complementing his muted walls, | 0:37:00 | 0:37:04 | |
James's painting is progressing well. | 0:37:04 | 0:37:06 | |
However, it's a very different matter over at Daniela's, | 0:37:08 | 0:37:11 | |
who's not happy with her wall colour. | 0:37:11 | 0:37:13 | |
I just don't think it's a very nice colour. I'm just not happy with it. | 0:37:13 | 0:37:16 | |
I think I'm going to have to look at paint colours again, | 0:37:16 | 0:37:20 | |
have a think on it. Maybe go with it. | 0:37:20 | 0:37:23 | |
Maybe I'll come in tomorrow and it'll be a different light in here | 0:37:23 | 0:37:26 | |
and it'll have dried completely and I'll feel completely differently. | 0:37:26 | 0:37:29 | |
It's the end of the day, | 0:37:35 | 0:37:37 | |
and both designers have got their eyes fixed firmly on the prize. | 0:37:37 | 0:37:41 | |
Judges have seen our first rooms. | 0:37:42 | 0:37:44 | |
-Yeah. -I mean, scary or what? -I know, tell me about it. | 0:37:44 | 0:37:46 | |
-This is it now, isn't it? -Yeah. | 0:37:46 | 0:37:48 | |
For me, it was more about getting the room finished. | 0:37:48 | 0:37:50 | |
-Yeah. -That was kind of the big thing for me. | 0:37:50 | 0:37:52 | |
-Yeah. -It was definitely a confidence booster. | 0:37:52 | 0:37:54 | |
It's definitely best man wins, isn't it? | 0:37:54 | 0:37:56 | |
-Yeah, it will be best man wins. -Yeah. -Best MAN wins. | 0:37:56 | 0:37:58 | |
Best man... Yeah. Best man... | 0:37:58 | 0:38:01 | |
Yeah, right. | 0:38:01 | 0:38:03 | |
Day three, and the gloves are well and truly off. | 0:38:18 | 0:38:21 | |
One room down, and these two are getting super-competitive. | 0:38:21 | 0:38:24 | |
But there's only room for one in the semifinals. | 0:38:24 | 0:38:26 | |
And Worsley's wet weather isn't going to dampen James' spirits | 0:38:26 | 0:38:30 | |
-this morning. -Morning, guys. -Morning. -Hello. | 0:38:30 | 0:38:33 | |
Oh, last day! | 0:38:33 | 0:38:35 | |
The plan is to kind of just... | 0:38:35 | 0:38:37 | |
Yeah, get the room finished to the best standard that we can. | 0:38:37 | 0:38:41 | |
Hopefully, it will be enough. | 0:38:41 | 0:38:43 | |
But it's a soggy start for Daniela. | 0:38:45 | 0:38:47 | |
I am feeling completely shot to pieces. | 0:38:47 | 0:38:50 | |
Yeah, didn't... Once again, didn't get much sleep last night. | 0:38:50 | 0:38:54 | |
I know that I've got to change paint colours today and things like that. | 0:38:54 | 0:38:57 | |
I'm feeling really nervous. | 0:38:57 | 0:38:59 | |
-Good morning. -Morning, hi. | 0:38:59 | 0:39:01 | |
-All right? -Oh, don't. | 0:39:01 | 0:39:03 | |
Don't give me that sad face. | 0:39:03 | 0:39:06 | |
That's the sad face of change. | 0:39:06 | 0:39:08 | |
-It may be. -Right, OK. | 0:39:08 | 0:39:10 | |
-The issue is time. -Yeah. -We've got so much to do on woodwork | 0:39:10 | 0:39:14 | |
and trying to create everything else that you want, | 0:39:14 | 0:39:16 | |
so it is a bit of an issue. | 0:39:16 | 0:39:18 | |
I 100% get what you're saying. | 0:39:18 | 0:39:20 | |
-Yeah. -It's making me think... | 0:39:20 | 0:39:21 | |
Especially now I've come in now and I'm like... | 0:39:21 | 0:39:23 | |
-I've had some sleep. I'm going to think about it. -Yeah. | 0:39:23 | 0:39:28 | |
It's your space. | 0:39:28 | 0:39:29 | |
Right. | 0:39:32 | 0:39:34 | |
I've made a decision. | 0:39:34 | 0:39:35 | |
-Hopefully, it's in our favour. -It actually is. -OK. | 0:39:37 | 0:39:39 | |
It actually is. I'm going to keep the paint colour. | 0:39:39 | 0:39:41 | |
-Great, fantastic. -Yeah. | 0:39:41 | 0:39:43 | |
With the decorating back on track, | 0:39:45 | 0:39:47 | |
Daniela turns her attention to the creative challenge. | 0:39:47 | 0:39:52 | |
How easy are these to cut? Do you know? | 0:39:52 | 0:39:54 | |
-Yeah. -Yeah, easy. Because what my idea is... | 0:39:54 | 0:39:57 | |
-Do a drawing for me because... -Yeah. Right, so, square vase. | 0:39:57 | 0:40:01 | |
-Like that. -Yeah. | 0:40:01 | 0:40:03 | |
And so, you'd cut the tin can down the middle and you'd flatten it out. | 0:40:03 | 0:40:06 | |
Just stripping the metal and creating... | 0:40:06 | 0:40:08 | |
So, you've got some sheets of it... | 0:40:08 | 0:40:09 | |
-Yeah. -..to do something with. -Yeah. Thank you. | 0:40:09 | 0:40:12 | |
Daniela's got a CANNY design plan to make an alternative flowerpot | 0:40:14 | 0:40:19 | |
using MDF and the flattened metal tins. | 0:40:19 | 0:40:22 | |
It's the best I could come up with. | 0:40:23 | 0:40:25 | |
James is also adopting a CAN-DO attitude. | 0:40:27 | 0:40:30 | |
OK, so, last night I gave it some thought | 0:40:31 | 0:40:33 | |
and I decided what I'm going to do is I'm basically going to | 0:40:33 | 0:40:37 | |
cover the tins in some string. | 0:40:37 | 0:40:40 | |
So, basically I'm going to wrap it around like this | 0:40:40 | 0:40:44 | |
and have three different heights | 0:40:44 | 0:40:46 | |
and I'm going to use them as vases for artificial dried flowers. | 0:40:46 | 0:40:49 | |
And I'll put them somewhere in the lounge. | 0:40:49 | 0:40:52 | |
Next, James is sticking with his tried-and-tested idea | 0:40:57 | 0:41:00 | |
of cut-out wallpaper. | 0:41:00 | 0:41:01 | |
This will be a bit tricky. | 0:41:01 | 0:41:03 | |
It's a calm exterior, but underneath the water, | 0:41:03 | 0:41:05 | |
the legs are flapping away. "Have I done enough?" I guess, | 0:41:05 | 0:41:09 | |
is the question that I'm asking myself now. | 0:41:09 | 0:41:12 | |
I think it looks all right. Looks OK. | 0:41:13 | 0:41:15 | |
So, judges, final day. | 0:41:20 | 0:41:21 | |
Clock's ticking. And, stop press, James has finished a room. | 0:41:21 | 0:41:25 | |
How do you think he's going to cope with another room? | 0:41:25 | 0:41:28 | |
Well, I think the next room is meant to be his jewel in the crown. | 0:41:28 | 0:41:31 | |
And this first one was just a little bit of a build-up, | 0:41:31 | 0:41:34 | |
so I'm hoping that this special moment | 0:41:34 | 0:41:35 | |
which we're both looking forward to | 0:41:35 | 0:41:37 | |
is actually going to be there. | 0:41:37 | 0:41:39 | |
And has all gone to plan for Daniela? | 0:41:39 | 0:41:41 | |
Well, I'm sort of slightly concerned, actually. | 0:41:41 | 0:41:43 | |
-I know. -Really, are you? | 0:41:43 | 0:41:45 | |
Yeah, no, I am a little bit because... | 0:41:45 | 0:41:47 | |
I think I've been slightly thrown by James and I was expecting | 0:41:47 | 0:41:51 | |
so much that I've sort of come away thinking | 0:41:51 | 0:41:53 | |
maybe we've had everything from Daniela | 0:41:53 | 0:41:56 | |
and the second room isn't going to be as good. | 0:41:56 | 0:41:58 | |
Oh, I get you. So, you're saying he's holding back because | 0:41:58 | 0:42:01 | |
-it's going to be a big surprise next time. -Yeah. | 0:42:01 | 0:42:03 | |
-And she's just actually... -She's given everything. | 0:42:03 | 0:42:05 | |
Given it all and it can't be any better than that. | 0:42:05 | 0:42:07 | |
So, I'm so confused right now. | 0:42:07 | 0:42:09 | |
You know, I'm normally very clear of what I'm thinking | 0:42:09 | 0:42:12 | |
and where it's going to go and now I'm completely flummoxed | 0:42:12 | 0:42:15 | |
and I don't know which way it's going to go. | 0:42:15 | 0:42:18 | |
With that deadline inching ever nearer, | 0:42:18 | 0:42:20 | |
Daniela has still got a lot of work left to do. | 0:42:20 | 0:42:23 | |
This is my curtain wall that I put on my mood board. | 0:42:23 | 0:42:26 | |
And it'll be curtains for her | 0:42:26 | 0:42:28 | |
if she doesn't complete that Parisian boutique feature wall | 0:42:28 | 0:42:31 | |
with the LED lights that she promised the homeowners. | 0:42:31 | 0:42:35 | |
I don't know, it's very atmospheric, I think, once you put it up there. | 0:42:35 | 0:42:39 | |
But there's a problem. There aren't enough strips for the alcoves. | 0:42:39 | 0:42:43 | |
The design in here is going to be affected because I wanted them to be | 0:42:43 | 0:42:47 | |
able to switch off all the other light and just have the LEDs on | 0:42:47 | 0:42:50 | |
here and behind the sofa, | 0:42:50 | 0:42:52 | |
and it just be like a really beautiful, like, atmospheric light, | 0:42:52 | 0:42:55 | |
and it's now only going to be half the atmosphere. | 0:42:55 | 0:42:58 | |
With his entire team getting to grips with the accessories, | 0:43:02 | 0:43:05 | |
James gets to grips with the statement piece for the living room. | 0:43:05 | 0:43:09 | |
His clock. | 0:43:09 | 0:43:11 | |
At home, I've done quite a few different wall hangings | 0:43:11 | 0:43:14 | |
that are done with wood, | 0:43:14 | 0:43:15 | |
where you can see the grain and use stones or tiles. | 0:43:15 | 0:43:19 | |
So, I'm just incorporating that into this brief. | 0:43:19 | 0:43:21 | |
And then I bought clock hands separately, | 0:43:21 | 0:43:23 | |
so the mechanism and the clock hands actually fit into the circle | 0:43:23 | 0:43:26 | |
that's cut out of the board. Yeah, there it is. | 0:43:26 | 0:43:29 | |
It's finished. So, it's a nice, | 0:43:29 | 0:43:31 | |
cost-effective way of making a clock. | 0:43:31 | 0:43:34 | |
Meanwhile, Daniela's faking it with some MDF | 0:43:36 | 0:43:38 | |
and some gold sticky-back plastic. | 0:43:38 | 0:43:40 | |
You know, | 0:43:40 | 0:43:42 | |
this is kind of a rip-off of a real high-end designer piece that's like, | 0:43:42 | 0:43:46 | |
you know, thousands of pounds. | 0:43:46 | 0:43:49 | |
But it's going to be very, very subtle. | 0:43:49 | 0:43:51 | |
It's going to sit on the rug and, yeah, | 0:43:51 | 0:43:53 | |
just going to be a little glimmer of gold underneath. | 0:43:53 | 0:43:56 | |
So, altogether, probably, like, £15-worth of materials. | 0:43:56 | 0:44:00 | |
And you just, a bit like wallpaper, really, you just smooth as you go. | 0:44:00 | 0:44:04 | |
Pushing out any air bubbles and stretching it down. | 0:44:04 | 0:44:07 | |
But I think it looks so good. | 0:44:10 | 0:44:11 | |
And once it's on the rug as well and we got a lovely cream rug down, | 0:44:11 | 0:44:14 | |
that's going to reflect in that. | 0:44:14 | 0:44:16 | |
Oh, it's going to be lovely. I'm really pleased. | 0:44:16 | 0:44:18 | |
As Daniela was the first designer to start, her deadline is almost up. | 0:44:21 | 0:44:25 | |
Make that up for me, please, darling. | 0:44:25 | 0:44:29 | |
SHE SIGHS LOUDLY | 0:44:29 | 0:44:32 | |
She uses every last second to style the room. | 0:44:32 | 0:44:37 | |
Oh, get in! | 0:44:37 | 0:44:39 | |
Yep! | 0:44:39 | 0:44:41 | |
And now, she can do no more. | 0:44:42 | 0:44:44 | |
LAUGHTER | 0:44:46 | 0:44:48 | |
-Oh, my gosh! -Her 48 hours are over. | 0:44:48 | 0:44:51 | |
Oh, I feel like I've just had a baby! | 0:44:51 | 0:44:53 | |
I actually do. I probably sweated more doing this, I reckon. | 0:44:53 | 0:44:58 | |
I reckon I did. | 0:44:58 | 0:44:59 | |
Yeah, I'm finished. | 0:44:59 | 0:45:01 | |
I'm done and I'm happy. | 0:45:01 | 0:45:04 | |
Daniela's brief was to create a sophisticated and luxurious | 0:45:05 | 0:45:08 | |
Parisian-inspired living room. | 0:45:08 | 0:45:10 | |
48 hours ago, it was a blank, cold blue canvas. | 0:45:12 | 0:45:15 | |
Now, it's a warm, glamorous and elegant drawing room. | 0:45:28 | 0:45:31 | |
With wall-to-floor curtains... | 0:45:34 | 0:45:35 | |
..enhanced by a muted colour scheme and clever lighting. | 0:45:37 | 0:45:41 | |
The Parisian boutique theme is reflected | 0:45:42 | 0:45:45 | |
in the use of opulent textures | 0:45:45 | 0:45:47 | |
and elegant cushions, with Daniela's own photography adorning the walls. | 0:45:47 | 0:45:53 | |
While her bespoke reflective gold coffee table takes centre stage. | 0:45:55 | 0:45:59 | |
-Wow! C'est tres jolie. -Tres, tres jolie. | 0:46:02 | 0:46:06 | |
Sophisticated, elegant, Parisian. | 0:46:06 | 0:46:11 | |
There's a lovely warmth in this room. | 0:46:11 | 0:46:12 | |
-I just have to take it all in. -A perfect evening room. | 0:46:12 | 0:46:16 | |
You know, she's created the statement wall with the fabric, | 0:46:16 | 0:46:19 | |
and it's clever. | 0:46:19 | 0:46:20 | |
And she's hidden the radiator with it as well. | 0:46:20 | 0:46:23 | |
I think I've just discovered the creative challenge. | 0:46:23 | 0:46:26 | |
-Well spotted. -Is that it? | 0:46:26 | 0:46:30 | |
It is. So, she's actually taken them apart and stretched them. | 0:46:30 | 0:46:35 | |
That's very clever. That's very clever. | 0:46:35 | 0:46:38 | |
-Very creative. -I'm going sit down and see how it feels in the room. | 0:46:38 | 0:46:42 | |
A couple of little details that are missing, | 0:46:42 | 0:46:45 | |
which I think means she was a bit rushed towards the end. | 0:46:45 | 0:46:48 | |
I've noticed the skirting down here's not been painted. | 0:46:48 | 0:46:51 | |
Wasn't there some LED lighting? | 0:46:52 | 0:46:54 | |
There's supposed to be LED lighting in there, | 0:46:54 | 0:46:56 | |
which has not been completed. | 0:46:56 | 0:46:57 | |
-It's a shame. -There is no question, she's very talented, | 0:46:57 | 0:47:01 | |
she's not just a stylist, | 0:47:01 | 0:47:02 | |
she's a designer, but there's a huge amount to learn. | 0:47:02 | 0:47:05 | |
But will her design work be good enough to win over the homeowners | 0:47:07 | 0:47:11 | |
and, crucially, win that coveted place in the semifinals? | 0:47:11 | 0:47:15 | |
Come through. | 0:47:15 | 0:47:17 | |
Oh, goodness! | 0:47:19 | 0:47:21 | |
-Goodness! -So, what do you think? | 0:47:21 | 0:47:23 | |
-It's a lot to take in. -It IS a lot to take in. | 0:47:23 | 0:47:26 | |
I don't know where to look, to be honest with you. | 0:47:26 | 0:47:28 | |
Very pleased with this. | 0:47:28 | 0:47:30 | |
That really is kind of... | 0:47:30 | 0:47:31 | |
..boutique hotel style. | 0:47:32 | 0:47:35 | |
With the LED lighting coming down, nice and gentle. | 0:47:35 | 0:47:40 | |
From my point of view, it's all a bit monotone. | 0:47:40 | 0:47:43 | |
They seem to have used the one colour. | 0:47:43 | 0:47:46 | |
Ceilings, walls, beams, seems to have been used everywhere. | 0:47:46 | 0:47:51 | |
What do you think of the overall finish of the room? | 0:47:51 | 0:47:54 | |
I can see bare bits of MDF about. | 0:47:54 | 0:47:57 | |
I don't know if they ran out of time. | 0:47:57 | 0:47:58 | |
I'm slightly disappointed. | 0:47:58 | 0:48:00 | |
Meanwhile for James, time is slipping away. | 0:48:02 | 0:48:06 | |
Oh! | 0:48:06 | 0:48:08 | |
Every second counts, as his deadline is fast approaching. | 0:48:09 | 0:48:13 | |
How's that, James? | 0:48:13 | 0:48:15 | |
Awesome, yeah. Brilliant. | 0:48:15 | 0:48:18 | |
James adds some final flourishes to his room. | 0:48:18 | 0:48:20 | |
Oh, brilliant. Thank you. | 0:48:20 | 0:48:22 | |
-There you go. -Cool. | 0:48:22 | 0:48:24 | |
Brilliant, cushions, cool. | 0:48:24 | 0:48:26 | |
Doors shutting nicely there? | 0:48:26 | 0:48:27 | |
-Yeah. -All right, cool. | 0:48:27 | 0:48:29 | |
And his 48 hours are now up. | 0:48:30 | 0:48:33 | |
OK, guys, thanks a lot. That's that. | 0:48:33 | 0:48:35 | |
-Thanks. Brilliant. -You're very welcome. | 0:48:35 | 0:48:37 | |
-Yes. -I've done the best I can do. | 0:48:37 | 0:48:39 | |
It's finished, it's finished on time. | 0:48:39 | 0:48:40 | |
There's not much more I can do now. It's in the hands of the gods! | 0:48:40 | 0:48:44 | |
James' brief was to create a homely farm-inspired living room. | 0:48:47 | 0:48:50 | |
48 hours ago, it was bland, drab and lacking in personality. | 0:48:52 | 0:48:57 | |
Now, it has a bright, cosy and contemporary edge. | 0:49:07 | 0:49:10 | |
The light and stylish soft furnishings are drawn together by | 0:49:11 | 0:49:14 | |
the fresh natural oak tones of the newly varnished floor. | 0:49:14 | 0:49:18 | |
The floral artwork showcases James's creative nature, | 0:49:21 | 0:49:25 | |
set off by his rustic statement-piece clock. | 0:49:25 | 0:49:28 | |
Ah! | 0:49:33 | 0:49:34 | |
Wow! Very bright and airy. | 0:49:34 | 0:49:38 | |
Very smart, very crisp. | 0:49:38 | 0:49:40 | |
The colour of the walls is gorgeous. | 0:49:40 | 0:49:42 | |
-I love the green paint on here. -I'm with you on that. | 0:49:42 | 0:49:44 | |
The floor, it feels fresh and it feels open, but for me, Dan, | 0:49:44 | 0:49:49 | |
you've got two existing sofas that could definitely do with some throws | 0:49:49 | 0:49:54 | |
over them because they look old and they look dirty, | 0:49:54 | 0:49:57 | |
and their position, surely, | 0:49:57 | 0:49:58 | |
either side of the fireplace to make it more welcoming when you come in. | 0:49:58 | 0:50:03 | |
Yeah. Ah, that's clever! | 0:50:03 | 0:50:05 | |
You see, that's the James. | 0:50:05 | 0:50:07 | |
Oh! Now, that's him! | 0:50:07 | 0:50:09 | |
-That is brilliant! -Yeah. | 0:50:09 | 0:50:11 | |
He's stacked the tins and wrapped them in rope. | 0:50:11 | 0:50:14 | |
This is James when he's being creative. | 0:50:14 | 0:50:17 | |
The interesting thing is, the presentation he produced | 0:50:17 | 0:50:20 | |
-is exactly what he has given them. -Mm-hm. | 0:50:20 | 0:50:22 | |
SHE CHUCKLES | 0:50:31 | 0:50:32 | |
Wow! | 0:50:32 | 0:50:33 | |
I love it. Oh, wow, look at this! | 0:50:37 | 0:50:39 | |
-Oh, I really... -First impressions? | 0:50:39 | 0:50:41 | |
Really, really like it. It feels so much bigger. | 0:50:41 | 0:50:44 | |
It feels like a really big room | 0:50:44 | 0:50:46 | |
and it feels so much brighter and lighter. | 0:50:46 | 0:50:49 | |
Was it the right decision about the floor as well? | 0:50:49 | 0:50:51 | |
Yes, I think it was the right decision with the flooring, | 0:50:51 | 0:50:53 | |
especially seeing bits of wood here and having the floor and the wood door, | 0:50:53 | 0:50:57 | |
I think it helps to bring it all together as a room. | 0:50:57 | 0:51:00 | |
And it gives a warmth, really. It's a beautiful floor. | 0:51:00 | 0:51:02 | |
Yeah, this room couldn't be any better for me, it's really my style, | 0:51:02 | 0:51:06 | |
really relaxing and not too heavy on the design. | 0:51:06 | 0:51:10 | |
It's not overdesigned for me, and I quite like that. | 0:51:10 | 0:51:13 | |
The designers have done all they can. | 0:51:21 | 0:51:24 | |
Now, they must wait for the judges | 0:51:24 | 0:51:26 | |
to decide who's made it through to the semifinals | 0:51:26 | 0:51:29 | |
and who's going home. | 0:51:29 | 0:51:31 | |
If I don't get through... | 0:51:32 | 0:51:35 | |
I've had a brilliant time and, yeah, it's given me so much back. | 0:51:35 | 0:51:39 | |
I can't believe I'm getting tearful! | 0:51:40 | 0:51:42 | |
It would mean a lot to me to get through to the next round. | 0:51:45 | 0:51:48 | |
You know, I didn't think I would get this far, | 0:51:48 | 0:51:51 | |
the fact I'm this far into the competition now, | 0:51:51 | 0:51:53 | |
I would like to see its course. | 0:51:53 | 0:51:56 | |
So, judges, some amazing mock-Tudor Arts and Crafts houses, | 0:52:02 | 0:52:05 | |
all about authenticity and design quality. | 0:52:05 | 0:52:08 | |
Now, do we see that from our two designers? | 0:52:08 | 0:52:11 | |
Let's start with James. | 0:52:11 | 0:52:12 | |
Well, James is always authentic. | 0:52:12 | 0:52:15 | |
What he shows you on those boards is exactly what you're going to get. | 0:52:15 | 0:52:20 | |
I still believe that he has something unique, | 0:52:20 | 0:52:24 | |
but I think his prime focus | 0:52:24 | 0:52:26 | |
was that he had to finish both the rooms. | 0:52:26 | 0:52:29 | |
And I think the design just let it down a little bit. | 0:52:29 | 0:52:32 | |
There was no flourish in there. | 0:52:32 | 0:52:33 | |
He had two sofas, | 0:52:33 | 0:52:35 | |
very worn, that could have had some throws on them, and I think that | 0:52:35 | 0:52:39 | |
he could have just been that little more creative. | 0:52:39 | 0:52:41 | |
It was clever, though. | 0:52:41 | 0:52:43 | |
His colour scheme in the living room, I loved. | 0:52:43 | 0:52:45 | |
It was really simple, it was the right tone of the stone grey colour, | 0:52:45 | 0:52:49 | |
I think some of us call it "greige". | 0:52:49 | 0:52:52 | |
And yet he balanced it off by painting the entire chimney-breast | 0:52:52 | 0:52:56 | |
in a soft green, which is a really relaxing colour. | 0:52:56 | 0:52:59 | |
The homeowner loved it. | 0:52:59 | 0:53:02 | |
Both rooms. She could barely fault anything. | 0:53:02 | 0:53:06 | |
-Wonderful. -I mean, adored it. -I knew that, we knew that. | 0:53:06 | 0:53:09 | |
He worked to that brief, to the tee. | 0:53:09 | 0:53:12 | |
Now, Daniela was organised and she showed creativity | 0:53:12 | 0:53:16 | |
the first time around - how about the second time around? | 0:53:16 | 0:53:19 | |
Daniela has got incredible style | 0:53:19 | 0:53:21 | |
and she's very good at pulling a design together. | 0:53:21 | 0:53:23 | |
When she presents, she presents with the total experience. | 0:53:23 | 0:53:28 | |
She does the mood board, she completely engages the homeowner | 0:53:28 | 0:53:32 | |
in how they're going to feel in that space. | 0:53:32 | 0:53:34 | |
And I think she designs that way. | 0:53:34 | 0:53:36 | |
She sees the end result. | 0:53:36 | 0:53:38 | |
Exactly, Daniela is an absolute show girl. | 0:53:38 | 0:53:40 | |
She pulled out all the stoppers this time | 0:53:40 | 0:53:42 | |
and it was really impressive, | 0:53:42 | 0:53:44 | |
but when you scratch a little bit under the surface, | 0:53:44 | 0:53:46 | |
you realise she is almost setting up something for a photoshoot. | 0:53:46 | 0:53:50 | |
It will look fabulous, | 0:53:50 | 0:53:52 | |
but there were quite a few corners that weren't finished. | 0:53:52 | 0:53:56 | |
I think she's still got to learn how to finish something, | 0:53:56 | 0:54:00 | |
and have a bit of breathing space. | 0:54:00 | 0:54:03 | |
Well, the homeowners were swept away by the bedroom, they adored it, | 0:54:03 | 0:54:07 | |
adored it. | 0:54:07 | 0:54:10 | |
The living room, much more equivocal, I would say. | 0:54:10 | 0:54:12 | |
-Really? -They were fairly disappointed by it. | 0:54:12 | 0:54:15 | |
They were disappointed that they didn't get their paint effect. | 0:54:15 | 0:54:17 | |
They also felt that she hadn't made enough of the room. | 0:54:17 | 0:54:20 | |
Well, we sort of said that. | 0:54:20 | 0:54:21 | |
I think they found the overall tone | 0:54:21 | 0:54:25 | |
and the paint colours all just too neutral. | 0:54:25 | 0:54:28 | |
I think maybe they got let down cos they were disappointed by the things | 0:54:28 | 0:54:31 | |
that hadn't gone in. | 0:54:31 | 0:54:33 | |
So, an interesting response from the homeowner. | 0:54:33 | 0:54:35 | |
You two have got a lot of discussions to have. | 0:54:35 | 0:54:37 | |
Kelly, we have, we've got a lot more thinking to do. | 0:54:37 | 0:54:40 | |
I'm not often speechless, but I'm really shocked and I think | 0:54:40 | 0:54:43 | |
we've got to go back to the drawing board. | 0:54:43 | 0:54:46 | |
Now, Arts and Crafts designers believed | 0:54:55 | 0:54:57 | |
that happy workers made happy buildings. | 0:54:57 | 0:55:00 | |
Now, I know it's been a slog for you two, | 0:55:00 | 0:55:02 | |
but I hope you're a little bit happy with the results. | 0:55:02 | 0:55:05 | |
James and Daniela, you have done incredibly well, | 0:55:05 | 0:55:09 | |
and this is just the beginning for both of you, | 0:55:09 | 0:55:12 | |
so you should be extremely proud of yourselves. | 0:55:12 | 0:55:15 | |
We've taken ages deliberating this | 0:55:15 | 0:55:17 | |
because it's really difficult for us to make a decision because | 0:55:17 | 0:55:20 | |
you both are very good, | 0:55:20 | 0:55:22 | |
but you've both got different strengths and weaknesses. | 0:55:22 | 0:55:25 | |
Daniela, you've done so well, and you have incredible flair, | 0:55:25 | 0:55:30 | |
you style beautifully, | 0:55:30 | 0:55:32 | |
and your designing is really very good, but going forward, | 0:55:32 | 0:55:36 | |
you need to think about the bigger picture as a whole, | 0:55:36 | 0:55:39 | |
and it's all about the detail. | 0:55:39 | 0:55:42 | |
James, what a different person you were from last time. | 0:55:42 | 0:55:45 | |
This time, extremely happy homeowners. | 0:55:45 | 0:55:49 | |
Moving on, take a little bit back from that first project, | 0:55:49 | 0:55:52 | |
that lovely design flair that you had, which I felt | 0:55:52 | 0:55:54 | |
was a little bit missing here | 0:55:54 | 0:55:56 | |
and that you were being a bit too conservative. | 0:55:56 | 0:55:59 | |
So, it's decision time. | 0:56:00 | 0:56:02 | |
The judges have decided that the designer going through | 0:56:02 | 0:56:05 | |
to the semifinals is... | 0:56:05 | 0:56:07 | |
..Daniela. | 0:56:13 | 0:56:16 | |
But this might not be goodbye, as in a twist, | 0:56:20 | 0:56:23 | |
Kelly and Daniel will be bringing back one of the eliminated designers | 0:56:23 | 0:56:27 | |
as a wild card for the semifinals. | 0:56:27 | 0:56:29 | |
Just wanting to go home, with not going through to the next round, | 0:56:33 | 0:56:36 | |
but...um, I did the best I could. | 0:56:36 | 0:56:40 | |
So, how did you get on, then? | 0:56:40 | 0:56:42 | |
-I didn't get through. -Oh, I'm so sorry. | 0:56:42 | 0:56:44 | |
I really am so sorry. | 0:56:44 | 0:56:46 | |
You deserved to go through, you met our brief. | 0:56:46 | 0:56:48 | |
James didn't go through because, unlike Daniela, | 0:56:48 | 0:56:51 | |
he was missing the flair this time, and I'm so sad about that. | 0:56:51 | 0:56:55 | |
You go get some sleep. Thank you for working so hard. | 0:56:55 | 0:56:59 | |
-Not a problem. Not a problem. You take care of yourself. -Thank you. | 0:56:59 | 0:57:02 | |
James didn't go through because he wasn't as GOOD as Daniela. | 0:57:02 | 0:57:05 | |
And I think James's problem this time around | 0:57:05 | 0:57:08 | |
was purely about finishing the room, | 0:57:08 | 0:57:11 | |
and he lost the integrity of design. | 0:57:11 | 0:57:14 | |
I'm absolutely gobsmacked that I went through. | 0:57:16 | 0:57:18 | |
To be in the semifinals now as a contestant, is just like my dream. | 0:57:18 | 0:57:22 | |
What I'm looking for in Daniela next time | 0:57:22 | 0:57:25 | |
is even better than she's produced so far. | 0:57:25 | 0:57:27 | |
-Hi, Daniela. -Hello. | 0:57:27 | 0:57:29 | |
All the stress is over now? | 0:57:29 | 0:57:31 | |
It's all over, I can breathe. | 0:57:31 | 0:57:32 | |
I rarely see someone who's got that styling ability - | 0:57:32 | 0:57:37 | |
that is something that is very rare amongst people, | 0:57:37 | 0:57:40 | |
and Daniela's got it, and actually, she blew me away. | 0:57:40 | 0:57:43 | |
These Arts and Crafts houses in Worsley | 0:57:47 | 0:57:49 | |
prove that history is never really dead, it just gets recycled. | 0:57:49 | 0:57:53 | |
Styles come into fashion, they go out of fashion, | 0:57:53 | 0:57:55 | |
but the one thing that lasts is design quality - | 0:57:55 | 0:57:58 | |
something our two designers have proved | 0:57:58 | 0:57:59 | |
with their own contemporary take on Arts and Crafts. | 0:57:59 | 0:58:02 | |
Next time, in Georgian-style homes in Wales... | 0:58:07 | 0:58:11 | |
-a study... -This is not what I expected. | 0:58:11 | 0:58:14 | |
-..and a bedroom. -It's going to look beautiful. | 0:58:14 | 0:58:17 | |
But hard graft means emotions run high. | 0:58:17 | 0:58:20 | |
He looks so nervous. | 0:58:20 | 0:58:22 | |
I am very much making this up as I go along. | 0:58:22 | 0:58:24 | |
I'm going to cry! I'm going to cry! | 0:58:24 | 0:58:27 |