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-Hello and welcome. -We're in the wonderful West Midlands. | 0:00:02 | 0:00:04 | |
-Famed for producing cars. -Chocolate. -And, for today, cheese. | 0:00:04 | 0:00:10 | |
Today, dear viewers, our house-hunter's profession | 0:00:19 | 0:00:22 | |
-is my obsession. -You are a bit obsessed with cheese, aren't you? | 0:00:22 | 0:00:25 | |
I absolutely love it. I've been trying to convince the producers | 0:00:25 | 0:00:29 | |
to give me my own cheesy spin-off series | 0:00:29 | 0:00:32 | |
called "To Brie Or Not To Brie" | 0:00:32 | 0:00:34 | |
where I test the cheese tastes of the stars. Good idea, isn't it? | 0:00:34 | 0:00:37 | |
Sounds like "fon-due" you want an assistant? | 0:00:37 | 0:00:41 | |
Never mock the cheese, Nikki. | 0:00:42 | 0:00:44 | |
'Coming up on To Buy Or Not To Buy, Ed gets tough.' | 0:00:45 | 0:00:50 | |
There's a way round it. We can either put a big fence up or you could grow up. | 0:00:50 | 0:00:54 | |
'Nikki gets it in the neck.' | 0:00:54 | 0:00:55 | |
-Property number two, my property. -THEY LAUGH | 0:00:55 | 0:01:00 | |
-Sorry, Nikki. -That is a terrible first reaction. | 0:01:00 | 0:01:03 | |
That's a great start! | 0:01:03 | 0:01:05 | |
-'And a property tour takes a turn for the worse.' -The decor's not quite to our taste. | 0:01:05 | 0:01:10 | |
-I'm worried about that road. -This is going even worse! | 0:01:10 | 0:01:14 | |
SHE LAUGHS This is awful! | 0:01:14 | 0:01:16 | |
'For the last seven years, Birmingham-based couple Kelly and Mark Sprawson | 0:01:17 | 0:01:22 | |
'have been living in their city-centre terrace.' | 0:01:22 | 0:01:24 | |
'But they've gone from dinkies to diddies, or double income, double doggy.' | 0:01:24 | 0:01:28 | |
'And the addition of their four-legged friends | 0:01:28 | 0:01:31 | |
'means the Sprawsons want to swap urban living for a more rural existence.' | 0:01:31 | 0:01:35 | |
'Glazier Mark travels the land window-fitting the nation's homes and shop fronts.' | 0:01:35 | 0:01:40 | |
'Whilst wife Kelly is a sales manager for a cheese company, | 0:01:40 | 0:01:43 | |
'who spends her days testing and tasting Ed's favourite food stuff.' | 0:01:43 | 0:01:48 | |
'When she returns home, packed full of dairy goodness, | 0:01:49 | 0:01:53 | |
'what better way to keep in trim than turning herself into a human milk churn and jogging with hubby Mark?' | 0:01:53 | 0:01:59 | |
'And their canine companions.' | 0:01:59 | 0:02:01 | |
'Today, though, they're getting us to do all the running for them. | 0:02:05 | 0:02:08 | |
'So, lace up your trainers, Ed, stretch those house-hunter's hamstrings | 0:02:08 | 0:02:12 | |
-'and make your way to the starting blocks.' -'I can feel the burn already, Nikki!' | 0:02:12 | 0:02:16 | |
-So, Kelly and Mark, although I believe we're not to call you Mark, is this correct? -That is correct. | 0:02:16 | 0:02:22 | |
-Please call me Sprog. -Why? Why? | 0:02:22 | 0:02:26 | |
-Well, my surname is Sprawson. -Mm-hm. | 0:02:26 | 0:02:30 | |
And my father was known as Sproggie, and I just got called Little Sprog and it's stuck. | 0:02:30 | 0:02:34 | |
-OK, so, I've got to say this, your house is lovely. -Mm. | 0:02:34 | 0:02:38 | |
-Thank you. -It's phenomenal. -Thank you. | 0:02:38 | 0:02:41 | |
Which puts the pressure on us already, and we don't know what you want. | 0:02:41 | 0:02:44 | |
You want better than this? You want a different place than this? What do you want? | 0:02:44 | 0:02:49 | |
Well, this is the difficulty, cos I would quite happily move this house to the country with a bigger garden. | 0:02:50 | 0:02:57 | |
-OK. So it's the country you want? -It's more country and it's more outside space, really. | 0:02:57 | 0:03:03 | |
We've lived in our house for seven years now | 0:03:03 | 0:03:06 | |
and, to be honest, when we moved in here, we were quite different people. | 0:03:06 | 0:03:10 | |
We liked to go out, we liked to do this, that and the other. | 0:03:10 | 0:03:13 | |
Now we're boring, we've got two dogs, | 0:03:13 | 0:03:16 | |
we go running, we go walking and that's about the height of it. | 0:03:16 | 0:03:19 | |
-That's lovely! -I think that's a beautiful life. -It's a different life. | 0:03:19 | 0:03:23 | |
So, how many bedrooms are we looking at? | 0:03:23 | 0:03:27 | |
Well, we've got three at the minute, but we need to have at least two and a study | 0:03:27 | 0:03:33 | |
or three bedrooms so that I can turn one of them into an office, because I work from home. | 0:03:33 | 0:03:37 | |
-You'll just be tasting your cheese at home? -No, I don't taste the cheese at home because it smells too bad. | 0:03:37 | 0:03:43 | |
-It'd be a very pongy room! -Really pongy. If I find a bit under there, it's not very nice. | 0:03:43 | 0:03:48 | |
Speaking of work, you're a... Is it a glazier, a glacier or a glazer? | 0:03:48 | 0:03:55 | |
Structural glazier. Is that good enough for you? | 0:03:55 | 0:04:00 | |
-You put glass in, basically. -He puts windows in. -You put windows in. | 0:04:00 | 0:04:03 | |
Will that be something you look at very closely in our properties? | 0:04:03 | 0:04:06 | |
-THEY LAUGH -I'll be looking for shoddy workmanship. -We all are! | 0:04:06 | 0:04:10 | |
So, we know how many bedrooms, we know you want more outside space. | 0:04:10 | 0:04:15 | |
-Where are we looking? -As long as we're close to the M5, M42, | 0:04:15 | 0:04:20 | |
so we could stretch right round to junction one, | 0:04:20 | 0:04:22 | |
over towards Bromsgrove direction, right up to Shirley, Solihull. | 0:04:22 | 0:04:27 | |
-Would you want village life? -I don't mind being in the middle of nowhere, | 0:04:27 | 0:04:31 | |
-but you like villagey, don't you? -Yeah, so you've got more of an atmosphere. | 0:04:31 | 0:04:35 | |
There's a nice village about five miles away called Alvechurch, which is very nice. | 0:04:35 | 0:04:40 | |
-What's nice about it? -It's got a couple of nice pubs and some of them do take dogs. | 0:04:40 | 0:04:44 | |
What we like about there, as well, is you've got a number of different walks you can do. | 0:04:44 | 0:04:49 | |
You can walk off into the countryside or there's the canal there, which is nice. | 0:04:49 | 0:04:53 | |
Which we run along quite regularly. | 0:04:53 | 0:04:55 | |
-I think we're near the point where we need to know how much money. -Indeed. | 0:04:55 | 0:04:59 | |
-What is your budget? -I'd say our top is about 325 | 0:04:59 | 0:05:04 | |
and that would include doing work or anything else, so 325 is the maximum we would have. | 0:05:04 | 0:05:09 | |
-Wish us luck. -Good luck! -See you later. -Bye. -Bye-bye. | 0:05:09 | 0:05:12 | |
Well, Ed, we know what they want now. | 0:05:15 | 0:05:18 | |
-And, more importantly, Nikki, we know what they don't want. -Do you know what we need now? | 0:05:18 | 0:05:22 | |
-Perhaps a piece of Stilton cheese I've been carrying? -No. | 0:05:22 | 0:05:25 | |
Or, er, a little nibble of the Cheddar that I've got? | 0:05:25 | 0:05:28 | |
No, Ed! You are obsessed! | 0:05:28 | 0:05:31 | |
What we need now is to find out more about the areas they're interested in. | 0:05:31 | 0:05:35 | |
Right. Would you like a little bit of Stilton, viewers? No? | 0:05:35 | 0:05:39 | |
'Mark and Kelly are searching just south of the M42, where Birmingham meets Worcestershire.' | 0:05:40 | 0:05:46 | |
'The transport links are great, with three motorways minutes away.' | 0:05:46 | 0:05:50 | |
'But it's also in the West Midlands green belt, | 0:05:50 | 0:05:52 | |
'which buffers Birmingham to the north and Redditch to the south.' | 0:05:52 | 0:05:56 | |
'The villages here offer the Sprawsons the country feel they're looking for.' | 0:05:56 | 0:06:00 | |
'We're centring our search in Sprog's preferred location of Alvechurch.' | 0:06:00 | 0:06:05 | |
'The village is classified as a conservation area.' | 0:06:05 | 0:06:08 | |
'This means building is restricted and demand for housing is high.' | 0:06:08 | 0:06:11 | |
'Even if we can find them what they want, | 0:06:11 | 0:06:14 | |
'will Mark and Kelly's £325,000 be enough?' | 0:06:14 | 0:06:18 | |
'While we worry about that, dear viewers, feast your eyes on some rustic retreats | 0:06:18 | 0:06:23 | |
'which today's budget will buy you elsewhere in the UK.' | 0:06:23 | 0:06:26 | |
'This three-bedroom terrace in Chesham needs updating | 0:06:26 | 0:06:30 | |
'but is at the end of the Metropolitan Line. | 0:06:30 | 0:06:33 | |
'Countryside, a short commute from the city, | 0:06:33 | 0:06:35 | |
'could be yours for £299,950.' | 0:06:35 | 0:06:39 | |
'You could soak in the Scottish scenery from any of the four bedrooms | 0:06:39 | 0:06:43 | |
'of this double upper, or maisonette to you and me, | 0:06:43 | 0:06:46 | |
'part of a Jacobean-style villa in the conservation area of Preston Village. | 0:06:46 | 0:06:50 | |
'You're only a 12-minute train ride away from the bright lights of Edinburgh. | 0:06:50 | 0:06:54 | |
'With offers in the region of £320,000, | 0:06:54 | 0:06:56 | |
'it's accessible living at an affordable price.' | 0:06:56 | 0:07:00 | |
'If you're yearning for a bit of Yorkshire, then treat yourself to this white-washed wonder. | 0:07:00 | 0:07:06 | |
'This quirky cottage has two reception rooms, a whopping four bedrooms | 0:07:06 | 0:07:10 | |
'and these priceless views across God's own country.' | 0:07:10 | 0:07:13 | |
'Beautifully put, but factually incorrect, Nikki, because the views and the house can be yours | 0:07:13 | 0:07:18 | |
'for a very quantifiable £269,950.' | 0:07:18 | 0:07:22 | |
-Sir, can I ask you your name? -Paul Queen. -Paul Queen? | 0:07:22 | 0:07:25 | |
You're clearly a man who knows the area. You've won many awards for your butchery. | 0:07:25 | 0:07:30 | |
Paul, would you like to take part in a one-time-only opportunity | 0:07:30 | 0:07:35 | |
-to play To Brie Or Not To Brie? -Right. | 0:07:35 | 0:07:38 | |
If you could fish into the To Brie Or Not To Brie arena. | 0:07:40 | 0:07:44 | |
OK. | 0:07:44 | 0:07:47 | |
Right, OK, now pop that into your mouth, please. | 0:07:47 | 0:07:51 | |
If you could hand me the stick. | 0:07:52 | 0:07:54 | |
Whilst Paul is tasting those cheeses, here are some facts about the cheese in his mouth. | 0:07:55 | 0:08:02 | |
'Cheddar cheese was originally made in the village of Cheddar in Somerset. | 0:08:02 | 0:08:06 | |
'It's the most popular cheese in the United Kingdom, | 0:08:06 | 0:08:09 | |
'but will Paul recognise its distinctive tang?' | 0:08:09 | 0:08:13 | |
Paul, the cheese in your mouth. Is it To Brie Or Not To Brie? | 0:08:13 | 0:08:17 | |
-To Brie. -You're saying it's to Brie? -Yeah. | 0:08:19 | 0:08:21 | |
-You believe it's a Brie? -Yep. -Paul, unfortunately, that cheese was a Cheddar. | 0:08:21 | 0:08:26 | |
OK, right, place that into your beak. | 0:08:28 | 0:08:31 | |
Hand me the stick. | 0:08:32 | 0:08:34 | |
OK, viewers, this is name of the cheese that Paul is currently tasting. | 0:08:34 | 0:08:40 | |
And here are a few facts about this cheese. | 0:08:40 | 0:08:43 | |
'Paul's picked the Brie, named after the province of France it originates from. | 0:08:43 | 0:08:47 | |
'But will he call it correctly in the taste test?' | 0:08:47 | 0:08:50 | |
Paul, if you could now open your eyes. You're in play. | 0:08:50 | 0:08:55 | |
-To Brie Or Not To Brie? -To Brie. | 0:08:55 | 0:08:58 | |
Paul...it is a Brie! Congratulations! | 0:08:58 | 0:09:02 | |
-Do you think we've got some legs in this idea? -Could do, yes, very much so. | 0:09:02 | 0:09:06 | |
As a contender, did it seem fun, was it engaging? | 0:09:06 | 0:09:09 | |
Fun and tasteful. | 0:09:09 | 0:09:12 | |
To Brie Or Not To Brie, Nikki, has gone incredibly well with the people of Alvechurch | 0:09:12 | 0:09:16 | |
and I'm expecting any time probably... I've got the phone on. | 0:09:16 | 0:09:21 | |
Prime time, I think, are interested. It's a very strong format. | 0:09:21 | 0:09:25 | |
-So if I do have to go at any point, just carry on. -OK. | 0:09:25 | 0:09:28 | |
-Shall we talk about the houses? -Let's. | 0:09:28 | 0:09:31 | |
This is a beauty. They're all in brilliantly-named places. | 0:09:31 | 0:09:35 | |
Cofton Hackett for this one. SHE COUGHS | 0:09:35 | 0:09:39 | |
Which does sound like an instruction to do that. It's very nice. It is a mixture of two things | 0:09:39 | 0:09:45 | |
and I think it's a cracker. I won't say any more cos I don't want to spoil it, | 0:09:45 | 0:09:49 | |
but it is really good. I'm hoping, nay believing, they'll go for that one. | 0:09:49 | 0:09:52 | |
Well, mine is a 1950s property. | 0:09:52 | 0:09:56 | |
It has three large bedrooms. | 0:09:56 | 0:09:59 | |
It needs a little love. It's semi-detached. | 0:09:59 | 0:10:03 | |
-The most important thing is... -What? -It's in the village of Alvechurch, which they love. | 0:10:03 | 0:10:07 | |
They do. They may love that, but everyone loves the wild card. | 0:10:07 | 0:10:11 | |
The wild card does not meet any of their criteria. | 0:10:11 | 0:10:15 | |
It is boxy, it is modern...ish. | 0:10:15 | 0:10:19 | |
But, and this is the radical gamble we've played, we think they'll like it. | 0:10:19 | 0:10:23 | |
-We do! -We think they'll love it. We're quite confident about it. | 0:10:23 | 0:10:27 | |
I'm confident about my one, but also about the wild card. I'm not confident about Nikki's. | 0:10:27 | 0:10:31 | |
Well, that's his duty, to be unconfident. | 0:10:31 | 0:10:34 | |
-Where should we start today's journey? -You, confident one! | 0:10:34 | 0:10:38 | |
The one in Cofton Hackett. | 0:10:38 | 0:10:41 | |
'Nestled in their favourite dog-walking hotspot, the Lickey Hills, | 0:10:43 | 0:10:47 | |
'property number one is the brick-built embodiment of everything Kelly and Sprog asked for. | 0:10:47 | 0:10:53 | |
'It's rural but it's connected. It's got the space they need and the character they'd like. | 0:10:53 | 0:10:58 | |
'With credentials like that, what could possibly go wrong?' | 0:10:58 | 0:11:02 | |
Kelly and Sprog, walk towards what could be your dream home. | 0:11:02 | 0:11:06 | |
We are in a place that sounds like a medical condition. We're in Cofton Hackett. | 0:11:06 | 0:11:11 | |
Kelly, I want your first impressions of the area, the property. What do you think? | 0:11:11 | 0:11:17 | |
-I know this area. My friend lives round the corner and I've discounted this road before. -Why? | 0:11:17 | 0:11:25 | |
-Because we're close to a reservoir. -Fear of water? -Frogs. | 0:11:25 | 0:11:29 | |
-Genuinely? -Genuinely, 100 percent, frogs. -OK, so frogs are an issue. | 0:11:29 | 0:11:34 | |
There's a way round it. We could either put a big, high fence up or you could grow up | 0:11:34 | 0:11:40 | |
and stop being scared of frogs. OK? THEY LAUGH | 0:11:40 | 0:11:43 | |
You could have some CBT, cognitive behavioural therapy. | 0:11:43 | 0:11:46 | |
-There are ways. -OK, there's ways round the frog issue. | 0:11:46 | 0:11:49 | |
Look at that. Now, this is perfect for you. | 0:11:49 | 0:11:53 | |
You know the area, your friend lives down the road. | 0:11:53 | 0:11:56 | |
You've got the Lickey Hills there, lots of runs and walks, the dogs would be over the moon. | 0:11:56 | 0:12:01 | |
I think it looks really nice. I like the style of the house. | 0:12:01 | 0:12:05 | |
I'm intrigued as to why there's wood sitting outside. I'm thinking there's a burner or something. | 0:12:05 | 0:12:12 | |
Yeah, I like how it looks. Good first impression. | 0:12:12 | 0:12:14 | |
Likewise. First impression is very nice. | 0:12:14 | 0:12:17 | |
Presumably, when you look at that view, you see the potential to run every week. | 0:12:17 | 0:12:21 | |
-I just think tired legs. -Tired legs. | 0:12:21 | 0:12:24 | |
Now, commute-wise, we are five miles from the M5 | 0:12:24 | 0:12:30 | |
and we are four miles from the M42, I believe. | 0:12:30 | 0:12:33 | |
So that is quite good for commuting? | 0:12:33 | 0:12:35 | |
-That's not too bad at all. -Are you ready to go in? | 0:12:35 | 0:12:38 | |
-Don't think about the frogs. Go in the house. -OK. | 0:12:38 | 0:12:41 | |
-Parquet flooring. -Oh, I like parquet floor. | 0:12:45 | 0:12:48 | |
I've always liked parquet floor, haven't I? | 0:12:48 | 0:12:51 | |
Ed, Kelly wouldn't sit out here, would she? | 0:12:51 | 0:12:53 | |
Not with this jazz-playing frog about! | 0:12:53 | 0:12:58 | |
-Ooh, there's your little wood burner. -Ah, that'll be why the wood was there. OK. | 0:12:58 | 0:13:04 | |
-I like the size of this. -Yep, quite a good size. | 0:13:04 | 0:13:09 | |
-I like the wood burner. I do like that. What do you think? -I quite like it. It's a nice feature. | 0:13:09 | 0:13:16 | |
They were very cunning to spot that from the outside. | 0:13:16 | 0:13:19 | |
I thought it was just decorative when I saw it. | 0:13:19 | 0:13:22 | |
Some people do do that, but here, it's for function and fashion. | 0:13:22 | 0:13:26 | |
OK, where are we now? Dining room. OK. | 0:13:26 | 0:13:30 | |
I wonder, is there another dining room, or is this it? What do you think? | 0:13:30 | 0:13:33 | |
-Not bad, not bad. -It is quite good that you can open the door in between. | 0:13:33 | 0:13:37 | |
-Yep. -OK. -Quite light. As most people say, light and airy. -Light and airy. | 0:13:37 | 0:13:43 | |
They're fans of the show, they're aware that they've made an embarrassing mistake | 0:13:43 | 0:13:47 | |
-by using the phrase "light and airy" but it is! -It is. -If something is, something is. | 0:13:47 | 0:13:52 | |
OK, we've got a conservatory. | 0:13:52 | 0:13:55 | |
Never really thought about one of those, but OK. | 0:13:55 | 0:13:57 | |
What do you we think of the outside space? | 0:13:57 | 0:14:00 | |
It's bigger than ours, which is what we're looking for. | 0:14:00 | 0:14:03 | |
-Yeah. -And it looks manageable. | 0:14:03 | 0:14:06 | |
-Can you see any frogs? -No. | 0:14:06 | 0:14:08 | |
I quite like this conservatory. I've never really thought about it before, but it's nice. | 0:14:09 | 0:14:14 | |
-I'm not a conservatory fan. -Yeah, but look. | 0:14:14 | 0:14:16 | |
-Oh, the views are nice. -Yeah. Which is nice. | 0:14:16 | 0:14:20 | |
So, into the kitchen. | 0:14:20 | 0:14:23 | |
This is... | 0:14:24 | 0:14:26 | |
-Not so keen on the worktop, but... -No. | 0:14:26 | 0:14:30 | |
Quite a decent size. Looks like there's lots of storage. | 0:14:30 | 0:14:33 | |
-Yeah, OK. I quite like it. -There's another door there. | 0:14:33 | 0:14:36 | |
I'm assuming that goes to a lean-to or something. | 0:14:36 | 0:14:40 | |
-Cos a utility would be quite nice. We said that, didn't we? -That would be good. | 0:14:40 | 0:14:45 | |
With the dogs and everything. | 0:14:45 | 0:14:47 | |
Oh. What have we got? | 0:14:47 | 0:14:49 | |
-Oh, it's just... -Just a little walkway through from the front. | 0:14:49 | 0:14:53 | |
-Look, though. Extra space here. This is a handy space, actually. -It would be. | 0:14:53 | 0:14:58 | |
-I like this landing. -Nice, spacious landing. | 0:14:58 | 0:15:02 | |
Yes, I like this. Nice and warm, as well. | 0:15:02 | 0:15:06 | |
-Right, OK. -I'm assuming this is bedroom three. | 0:15:06 | 0:15:09 | |
-Quite a nice size, really, isn't it? -It's bigger than our bedroom three. -Yeah. | 0:15:09 | 0:15:14 | |
-That's all right for an office. -Yeah, but it's not the most inspired view for an office. | 0:15:14 | 0:15:20 | |
View out of the front instead of the back. I'd prefer to be out the back. | 0:15:20 | 0:15:24 | |
Now, she has got the view over her neighbours at the front if she wants to turn that into an office, | 0:15:24 | 0:15:29 | |
-but the Lickey Hills are at the back, -Yes. -What more... -Look at the hills and eat cheese. | 0:15:29 | 0:15:34 | |
-Doing your cheese accounting whilst looking over the Lickey Hills. -Mm. | 0:15:34 | 0:15:38 | |
OK. Ooh, right, OK. | 0:15:39 | 0:15:42 | |
I'm assuming this is the main bedroom, then. OK. | 0:15:42 | 0:15:47 | |
-Furniture-wise, you can see that it would all fit in here. -It would. | 0:15:47 | 0:15:50 | |
-Especially if you got rid of the wardrobes. -Yeah. | 0:15:50 | 0:15:54 | |
Let's go in here. Ah! | 0:15:54 | 0:15:56 | |
So, another third bedroom, then. | 0:15:57 | 0:16:02 | |
Currently used as a bit of a storage office area. | 0:16:02 | 0:16:07 | |
-No fitted wardrobes. -No fitted wardrobes, which is good. | 0:16:07 | 0:16:10 | |
Now, that's a much nicer view out the back, isn't it? | 0:16:12 | 0:16:16 | |
-It is. That's a bit strange. -What? | 0:16:16 | 0:16:18 | |
White wedging gasket in the windows. | 0:16:18 | 0:16:21 | |
I have no idea what you're talking about. | 0:16:21 | 0:16:23 | |
-A white wedging wedgy... -Gasket, yes. White wedging gasket. Come on, Ed! | 0:16:23 | 0:16:28 | |
-Do you know what it is? -Of course I do! -Can you explain it now? | 0:16:28 | 0:16:31 | |
-No, it's your house, I'll leave that to you. -OK, good. | 0:16:31 | 0:16:36 | |
-You don't know, do you? -No. | 0:16:36 | 0:16:38 | |
Oh! Teeny-tiny little room. | 0:16:38 | 0:16:41 | |
-Ah! -So four bedrooms, but this isn't really a bedroom, is it? | 0:16:41 | 0:16:46 | |
But do you know what it feels like to me? It feels like a new house on the inside. | 0:16:46 | 0:16:52 | |
-Because of the size of things. -No, not necessarily because of the size, | 0:16:52 | 0:16:55 | |
because of the colours and stuff, which I know is silly, but it just feels a bit soulless, really. | 0:16:55 | 0:17:02 | |
She may be saying those words, but she doesn't mean it. Inside she's saying, "I'm scared of frogs." | 0:17:02 | 0:17:08 | |
This is a lovely house, it's beautiful, it's perfect. | 0:17:08 | 0:17:11 | |
It has character seeping from every corner. But, right, Kelly can't handle the frog. That's the problem. | 0:17:11 | 0:17:16 | |
Right. | 0:17:16 | 0:17:19 | |
Well, it's not the smallest of bathrooms, that's for sure. | 0:17:19 | 0:17:22 | |
At least we've got a shower as well as a bath. | 0:17:22 | 0:17:25 | |
-Carpet, though. That would have to... -I couldn't be doing with carpet. OK. | 0:17:25 | 0:17:30 | |
-Yeah, there we go. -After you. -Thank you very much. | 0:17:30 | 0:17:33 | |
Kelly and Sprog. This is quite a moment for you, Kelly, because... | 0:17:36 | 0:17:39 | |
-I'm really scared. -This is the last place on earth you want to be. -It is. | 0:17:39 | 0:17:43 | |
On a scale of nervousness of one to ten, | 0:17:43 | 0:17:46 | |
where are you now? She's scared of frogs. | 0:17:46 | 0:17:49 | |
-I'd say I'm probably about an eight. -I sense from a couple of comments | 0:17:49 | 0:17:53 | |
that you might not have to worry about frogs, because it wasn't grabbing you, was it? | 0:17:53 | 0:17:59 | |
I wasn't too concerned. I just think it needs a bit of colour, your own touch. | 0:17:59 | 0:18:04 | |
-So you do think you could put something into it. -I don't see why not. | 0:18:04 | 0:18:07 | |
I think you could. For me, the big shame is that the big bedrooms are at the front of the house, | 0:18:07 | 0:18:14 | |
so you can't see the lovely view. That would be my... | 0:18:14 | 0:18:18 | |
No, one bedroom's at the back and one's at the front, the two master ones. | 0:18:18 | 0:18:23 | |
Only in theory. It's a smaller bedroom, I think, at the back. Only slightly, so you could do it. | 0:18:23 | 0:18:28 | |
-You're only trying to wangle for a bigger office at the front. -No! | 0:18:31 | 0:18:34 | |
-Listen, cheese and time wait for no man. Do we want to know how much it costs? -We do. -We do. | 0:18:34 | 0:18:40 | |
-Well, we won't tell you. We never do. -Yes, we have to guess. | 0:18:40 | 0:18:44 | |
-Who wants to go first for guess the price? -Ladies first. | 0:18:44 | 0:18:48 | |
I'm going to go for £329,950. | 0:18:48 | 0:18:52 | |
-OK. -Sprog. | 0:18:52 | 0:18:55 | |
-I'll go for 318. -318. | 0:18:55 | 0:18:58 | |
You are closest, Kelly, so it's 1-0 to you, | 0:18:58 | 0:19:02 | |
but the actual price is £349,950. Everyone loves a haggle, especially in this market, | 0:19:02 | 0:19:08 | |
so I'm not saying they told me you could get money off it, | 0:19:08 | 0:19:12 | |
but you could chance your arm if you wanted to and it might come nearer your budget. | 0:19:12 | 0:19:16 | |
-But I think you need to look at more houses, don't you? -I think so. | 0:19:16 | 0:19:19 | |
All right. Shall we pluck up the courage to go to Nikki's, which is in a more frog-dense area than this? | 0:19:19 | 0:19:25 | |
-You wouldn't dare. -It so isn't! | 0:19:25 | 0:19:29 | |
-Just get me out of this one. -OK. Go. | 0:19:29 | 0:19:32 | |
Go on, this way. Run. There's one coming. | 0:19:32 | 0:19:34 | |
'My choice is frog-free and bang on location in the sought-after village of Alvechurch. | 0:19:37 | 0:19:44 | |
'I think this has the potential to be the perfect house for Kelly and Sprog. | 0:19:44 | 0:19:49 | |
'But property in this desirable location is scarce, and this place needs a thorough overhaul. | 0:19:49 | 0:19:54 | |
'Kelly and Sprog have done it before | 0:19:54 | 0:19:56 | |
'and I'm convinced they could turn this into a contemporary pad | 0:19:56 | 0:19:59 | |
'in the heart of a rural community.' | 0:19:59 | 0:20:02 | |
So, Sprog, Kelly, property number two. | 0:20:02 | 0:20:05 | |
-My property. -KELLY LAUGHS | 0:20:05 | 0:20:08 | |
-What's that? -THEY LAUGH -Sorry, Nikki. | 0:20:08 | 0:20:11 | |
-That is a terrible first reaction. -That's a great start! | 0:20:11 | 0:20:16 | |
I take it you don't like 1950s houses. In Alvechurch! | 0:20:16 | 0:20:21 | |
Well, that's true. We are in a village where we wanted to be. | 0:20:21 | 0:20:26 | |
-Not convinced. -You don't like... -From the outside, I'm not convinced. | 0:20:26 | 0:20:30 | |
-OK. This has three double bedrooms. -OK. | 0:20:30 | 0:20:33 | |
Unusual, because other ones in this period only have two and a box room. | 0:20:33 | 0:20:37 | |
This has got a room that goes... Well, you'll see. | 0:20:37 | 0:20:39 | |
Also, 200 yards that way, you have the Birmingham to Worcester canal, beautiful. | 0:20:39 | 0:20:45 | |
You've got countryside for the dogs. And, apparently, there's a pub very close by | 0:20:45 | 0:20:50 | |
where, on a lovely summer's day, | 0:20:50 | 0:20:52 | |
-owners stand outside with their dogs. -There we go. | 0:20:52 | 0:20:55 | |
Erm, do we think, by the end of the tour, we can change our initial laughter into "Well done, Nikki"? | 0:20:55 | 0:21:01 | |
-Give it your best shot. -Well, you go in there and you try | 0:21:01 | 0:21:05 | |
-and we'll try from out here. Good luck. -Use your imagination, guys. | 0:21:05 | 0:21:09 | |
-Well, it's a hallway, which we haven't got. -That's true. -Need to get rid of all the wallpaper. | 0:21:12 | 0:21:18 | |
So, are you confident, then? | 0:21:18 | 0:21:20 | |
They've stopped laughing now. That's a positive, isn't it? | 0:21:20 | 0:21:24 | |
-OK. -Obviously, the decor's not quite to our taste. | 0:21:26 | 0:21:30 | |
No, it's not, really, is it? The dining room... | 0:21:30 | 0:21:35 | |
-The dining room with the bay window, that's quite nice. -I am worried about that road, though. | 0:21:35 | 0:21:39 | |
-And the school. -And the school. There's a lot of kids walking around there. | 0:21:39 | 0:21:43 | |
So let's make the list so far. They laughed at the house. They didn't want to live near a school. | 0:21:43 | 0:21:49 | |
And, also, you thought the objection would be the massive amount of cars going past. | 0:21:49 | 0:21:53 | |
That's three strikes and they've not even got past the first room. | 0:21:53 | 0:21:57 | |
-Right, so what have we got here? -This is obviously the lounge. | 0:21:57 | 0:22:00 | |
-Bit of a groovy fireplace. -Like the one we used to have. | 0:22:01 | 0:22:06 | |
But, do you know what? I quite like the fact that it's not rectangular and it's not square. | 0:22:06 | 0:22:13 | |
And you've got double windows, which I quite like. | 0:22:13 | 0:22:16 | |
Kitchen! | 0:22:16 | 0:22:18 | |
-Dark, isn't it? -Very dark. -You'd need to put in a brand new kitchen. | 0:22:20 | 0:22:26 | |
-Hm. I'm not mad about it. -Likewise. | 0:22:26 | 0:22:29 | |
-Not mad about it, really. -But you can see past the decor. | 0:22:29 | 0:22:34 | |
You can, and it's not a bad size kitchen, really. | 0:22:34 | 0:22:37 | |
I have to stress this, it is a very nice house. | 0:22:37 | 0:22:40 | |
It isn't the house for them, though, is it? | 0:22:40 | 0:22:43 | |
Well, evidently not. But I really think this has got huge potential, | 0:22:43 | 0:22:47 | |
otherwise I would not have taken up their time. | 0:22:47 | 0:22:50 | |
-OK. -Oh, quite a nice bathroom. | 0:22:51 | 0:22:54 | |
-Ooh, it is. It's not what I was expecting. -Not at all. | 0:22:54 | 0:22:58 | |
Yeah, not what I was expecting at all in here. | 0:22:58 | 0:23:00 | |
To the credit of Sprog and Kelly, they are trying. They are really trying. | 0:23:00 | 0:23:07 | |
-One of the big bedrooms. -Back bedroom. Fairly big, is it? | 0:23:07 | 0:23:10 | |
Not quite what we're used to, but... | 0:23:11 | 0:23:14 | |
I don't know, I feel quite overlooked here, to be honest. | 0:23:14 | 0:23:17 | |
-You're thinking estate. -This isn't an estate, but we're on the back of an estate here. | 0:23:17 | 0:23:23 | |
So I'm not really liking that. | 0:23:23 | 0:23:26 | |
-I feel as if I'm back at home a little bit. -Yeah. | 0:23:26 | 0:23:29 | |
You've moved Kelly now, emotionally, back to Northern Ireland. | 0:23:29 | 0:23:33 | |
Not that it's a bad place, but she just didn't sound like she was happy where she was. | 0:23:33 | 0:23:38 | |
This is going even worse! SHE LAUGHS | 0:23:38 | 0:23:41 | |
This is awful! | 0:23:41 | 0:23:43 | |
-This room seems a little bit bigger. -More built-in wardrobes. | 0:23:46 | 0:23:50 | |
-Am I the only person in the world who doesn't like built-in wardrobes? -No, I'm the other person. | 0:23:50 | 0:23:55 | |
-Bay window, that's not bad. -Interesting light. Interesting light position. | 0:23:55 | 0:24:00 | |
Yes! Plus tree and telegraph pole right outside your bedroom window. | 0:24:00 | 0:24:05 | |
-Mm. I'm not liking this one. -No, it's not...floating my boat. | 0:24:05 | 0:24:12 | |
Doesn't tick any boxes, really. But still more to see. | 0:24:12 | 0:24:15 | |
OK. Gosh, you are positive. | 0:24:15 | 0:24:18 | |
-Ooh! This is the TARDIS room. -Ah! Right! OK! | 0:24:19 | 0:24:23 | |
It is a bit of a TARDIS. Interesting. Let's... | 0:24:23 | 0:24:26 | |
-Do we dare look round the corner? After you. -Let's have a look. | 0:24:26 | 0:24:30 | |
Hm. | 0:24:30 | 0:24:32 | |
Oh, it's all right, we're only little. Oh, it's just a wardrobe space, really. | 0:24:32 | 0:24:36 | |
To be fair, this would be a great office for me. | 0:24:36 | 0:24:39 | |
I can just put all my rubbish there out of the way. | 0:24:39 | 0:24:43 | |
However, I don't think that's going to save it, really, do you? | 0:24:43 | 0:24:50 | |
We haven't done guess the price. | 0:24:50 | 0:24:52 | |
They haven't got to any potential yet. | 0:24:52 | 0:24:55 | |
Oh, my goodness. This is all hanging on guess the price. How much is it going to be worth? | 0:24:55 | 0:25:00 | |
I'm not tell you, Ed Hall. It's a guessing game. | 0:25:00 | 0:25:04 | |
Well, I think that's the saddest audio-snoop I've ever had. | 0:25:07 | 0:25:13 | |
-Sorry, Nikki. -You're not sorry. -No. -You're right on that. | 0:25:13 | 0:25:16 | |
You're the one who should be sorry. | 0:25:16 | 0:25:18 | |
-OK, so, even when you saw the house from the front, it wasn't your type of property. -No. | 0:25:18 | 0:25:25 | |
I'd had some confidence in thinking that you might see some potential and use your imaginations. | 0:25:25 | 0:25:32 | |
-You singularly lack imagination. -Thank you very much. | 0:25:32 | 0:25:36 | |
She has opened it up for attack now. THEY LAUGH | 0:25:36 | 0:25:40 | |
To be fair, I think we can see what we'd do, | 0:25:40 | 0:25:44 | |
but the telegraph pole is still going to be outside the bedroom window | 0:25:44 | 0:25:47 | |
and I still don't feel as if I live in a village. | 0:25:47 | 0:25:51 | |
Right. Even though you do actually know that 200 yards away is the most amazing countryside, | 0:25:51 | 0:25:55 | |
-the village is a couple of minutes down the road? -Yep. -None of that? | 0:25:55 | 0:26:00 | |
-Afraid not. -Right. Wild card? | 0:26:00 | 0:26:02 | |
-THEY LAUGH Now, listen. -There is something you can do. | 0:26:02 | 0:26:06 | |
I think, right, one of the reasons Nikki may have chosen this property | 0:26:06 | 0:26:11 | |
will be revealed when we play everyone's favourite part of the programme, guess the price. | 0:26:11 | 0:26:16 | |
-You were closest last time, Kelly. -I was, yes. -Would you like to go first or second? | 0:26:16 | 0:26:21 | |
-I'll make Sprog go first. -Sprog, guess first. | 0:26:21 | 0:26:24 | |
-£269,950. -Confidence there. | 0:26:25 | 0:26:29 | |
I think it's more because of where we are, so I'm going for £289,950. | 0:26:29 | 0:26:35 | |
-Hm. -Right, well, | 0:26:35 | 0:26:39 | |
you're closest, so it's one-all. | 0:26:39 | 0:26:42 | |
£249,950. | 0:26:42 | 0:26:46 | |
OK, now we're seeing a little excitement on your face! | 0:26:46 | 0:26:49 | |
You're missing the stamp duty, you've got so much money to play with | 0:26:49 | 0:26:52 | |
in terms of remodelling and doing the things you might like to. Does that put a new complexion on it? | 0:26:52 | 0:26:57 | |
-No. -THEY LAUGH | 0:26:57 | 0:27:00 | |
-I'll say slightly. -Oh, thank you! -Shall we go to the wild card? | 0:27:00 | 0:27:05 | |
-Let's go to the wild card. -Are you crossing your fingers? -Yes. | 0:27:05 | 0:27:08 | |
-Like you've never crossed them before. This way. -Come on. | 0:27:08 | 0:27:13 | |
'Let's hope the wild card proves more popular.' | 0:27:16 | 0:27:19 | |
'This could go either way, Ed. Outside, it's a everything they don't want.' | 0:27:19 | 0:27:23 | |
'But beneath its boxy exterior, we think there's a purrfect quirky charm | 0:27:23 | 0:27:27 | |
'that could win the seal of approval.' | 0:27:27 | 0:27:30 | |
'Only one way to find out, then. Let's unleash the beast that is the wild card upon them.' | 0:27:30 | 0:27:37 | |
Kelly and Sprog, I would like you to walk toward everyone's favourite part of the programme, the wild card. | 0:27:37 | 0:27:43 | |
-Now, there are many reasons why this is wild. You said you didn't like boxiness. -Right. | 0:27:43 | 0:27:49 | |
-You said you didn't like modern. -Mm. | 0:27:49 | 0:27:51 | |
I would say this is boxy and modern, | 0:27:51 | 0:27:55 | |
but in a different way. | 0:27:55 | 0:27:57 | |
I think that, from the outside, is a slice of seventies chic fabulosity. Don't you? | 0:27:57 | 0:28:04 | |
I have to say, it's not modern-modern in the way that we dislike. | 0:28:04 | 0:28:10 | |
I really quite like the big windows at the front. | 0:28:10 | 0:28:12 | |
-Mm! -And I think it looks very interesting. -Sprog, what are your thoughts? | 0:28:12 | 0:28:16 | |
As you know, I prefer a lot of brick. There is some PVC cladding but it doesn't put me off. | 0:28:16 | 0:28:22 | |
-I'm still quite interested. -It's got brick on the side. That's good. | 0:28:22 | 0:28:25 | |
-And you know this area. -We do. -Ed, tell us your affection for this area. | 0:28:25 | 0:28:31 | |
It is a personal moment of mine. I've been on the programme for quite some time | 0:28:31 | 0:28:35 | |
and I have really wanted to come to this place. Ladies and gentlemen, | 0:28:35 | 0:28:39 | |
we are in the amusingly titled Lickey End. | 0:28:39 | 0:28:43 | |
You know the area. You've got friends who live near here, is that true? | 0:28:43 | 0:28:46 | |
We have. Our friend lives about two miles down that way | 0:28:46 | 0:28:51 | |
and the Lickey Hills are just behind where we are. | 0:28:51 | 0:28:54 | |
It's pretty handy for motorways. So, yeah, we've considered Lickey End before. | 0:28:54 | 0:28:58 | |
-And you've got your walks. -Loads of walks round here. | 0:28:58 | 0:29:01 | |
And you've got a garden with a view. You overlook fields. | 0:29:01 | 0:29:04 | |
You've got your own decking so you can survey your land. | 0:29:04 | 0:29:08 | |
-It won't be your land, but it's your visual land. -We can pretend. -Yes. | 0:29:08 | 0:29:11 | |
-OK. -Are you prepared to enter the wild card? -Without a doubt. | 0:29:11 | 0:29:15 | |
-Let's do it. -Three, two, one, enter Lickey End's wild card. | 0:29:15 | 0:29:20 | |
Oh, this is quite nice. | 0:29:21 | 0:29:23 | |
-Straight into the... -Straight in. | 0:29:23 | 0:29:26 | |
Ha! No hall. | 0:29:26 | 0:29:28 | |
-I'd call it a hall area. -Well, yes. | 0:29:28 | 0:29:32 | |
-There's a space.. -It's a futuristic seventies hall. -Yeah. | 0:29:32 | 0:29:35 | |
Which I was. I was made in the seventies. | 0:29:35 | 0:29:38 | |
-Oh. -This is a nice size. -Nice burner, as well. I'm assuming that works. | 0:29:38 | 0:29:43 | |
-It's not bad. -I like it. What have they done with the floor? | 0:29:44 | 0:29:49 | |
Have these been painted? | 0:29:49 | 0:29:52 | |
Cos it's not real floorboards, is it? Or it is? | 0:29:52 | 0:29:55 | |
-I've no idea. -Couldn't tell you. | 0:29:55 | 0:29:58 | |
I walked in there and was a bit confused about the floorboard, | 0:29:58 | 0:30:01 | |
but when you go into the utility area, you see them slightly worn away, | 0:30:01 | 0:30:05 | |
so I think they are, they're just painted with a strange paint. | 0:30:05 | 0:30:09 | |
So they are real, but what is real, ladies and gentlemen? That's the question. | 0:30:09 | 0:30:13 | |
-OK. -It hasn't quite got a hall, but it's still a space. | 0:30:13 | 0:30:18 | |
You could always put a door in there to make it a hall. | 0:30:18 | 0:30:20 | |
-You could. However, I quite like the fact that it's open. -It's not bad. | 0:30:20 | 0:30:26 | |
-I want "oohs" and "aahs". This is my favourite part. -The kitchen and dining room. | 0:30:26 | 0:30:30 | |
-So we've come into a kitchen. -What have we got here, then? | 0:30:30 | 0:30:33 | |
OK. | 0:30:33 | 0:30:35 | |
-Kitchen, dining room. -This is quite nice. -I like this. | 0:30:35 | 0:30:40 | |
-Yep. -Same floor all through. -Yep. | 0:30:40 | 0:30:43 | |
So it's not a formal dining room as such, but it's quite nice that you're there. | 0:30:43 | 0:30:49 | |
You've got a breakfast bar. | 0:30:49 | 0:30:51 | |
-Ooh, this looks interesting! -I'm quite excited by this space. | 0:30:51 | 0:30:56 | |
Ooh, look at the size of this! | 0:30:56 | 0:30:59 | |
I like this. I like the brickwork rather than it just being bare walls. | 0:30:59 | 0:31:05 | |
Kelly, by being so excited about that room, is planting her flag there | 0:31:05 | 0:31:08 | |
and saying, "Sprog, because you haven't said anything nice about this, this is mine. | 0:31:08 | 0:31:13 | |
-"And if you say you want this as your area, you'll make me unhappy." -This is her study. -Yes. | 0:31:13 | 0:31:18 | |
Yeah, this would be nice to work in. | 0:31:18 | 0:31:21 | |
-I like this. -I thought you might do when I saw it. -I like this. | 0:31:21 | 0:31:26 | |
-Views up the garden. -The garden's not massive, is it? | 0:31:26 | 0:31:29 | |
I just wonder what there is upstairs. | 0:31:30 | 0:31:34 | |
-Bedroom-wise. -Bedroom-wise. | 0:31:34 | 0:31:36 | |
-Because I'm wondering, might this be nicer as a type of snug area, as well. -OK. | 0:31:36 | 0:31:42 | |
I can see room here, | 0:31:42 | 0:31:45 | |
if they had a fight about it, for an outside space. | 0:31:45 | 0:31:49 | |
-No banister. -We need to get that sorted. | 0:31:49 | 0:31:52 | |
-While we're young, we're OK. -Yeah, but remember the number of times I fell down ours to start off with. | 0:31:52 | 0:31:58 | |
-OK. Needs new doors throughout, I would say, wouldn't you? -Yep. | 0:31:58 | 0:32:03 | |
What have we got? Ooh, see, now... | 0:32:03 | 0:32:06 | |
This would be plenty big enough for me as an office. | 0:32:08 | 0:32:10 | |
-Which means you could have a snug downstairs. -That's true. | 0:32:10 | 0:32:14 | |
-It's whether you'd... I don't know. -Whether you want to look out the front or the back. | 0:32:15 | 0:32:20 | |
I could do both, really. Cos it's not a bad view. | 0:32:20 | 0:32:23 | |
What's happening here is now, at the moment, Sprog hasn't got a room to live in in the house. | 0:32:23 | 0:32:28 | |
Because it would seem that Kelly's found another office. How dare she? | 0:32:28 | 0:32:32 | |
Ooh, now! | 0:32:32 | 0:32:35 | |
Spare bedroom, I'm assuming. | 0:32:35 | 0:32:38 | |
-Was there four bedrooms? -Who knows? | 0:32:38 | 0:32:42 | |
Again, this is a nice size room. Do you know what I find a little bit odd? | 0:32:42 | 0:32:46 | |
-The windows are quite high up. -Yeah. | 0:32:46 | 0:32:49 | |
-Mind you, at Elaine's, they're quite low. -Yeah. -Views of the garden. | 0:32:49 | 0:32:52 | |
-Ooh. -And some fields. -Fields out the back. -That doesn't look bad. | 0:32:52 | 0:32:57 | |
Nope, he didn't do anything technical about the windows. | 0:32:57 | 0:33:00 | |
What I wanted Sprog to do was metaphorically suck a pencil and say, | 0:33:00 | 0:33:03 | |
"Kelly, love, in the window game, it's a tricky thing and the windows are this height because..." | 0:33:03 | 0:33:08 | |
OK, we've still got a load of doors here, so I wonder what we're into next. | 0:33:08 | 0:33:13 | |
She's turned it into a game show. Maybe she's caught that from To Brie Or Not To Brie. Great game. | 0:33:13 | 0:33:20 | |
Ooh. Another bedroom. | 0:33:20 | 0:33:22 | |
Looks like a boy's bedroom at the minute, perhaps. | 0:33:22 | 0:33:26 | |
Definitely getting there size-wise. | 0:33:26 | 0:33:28 | |
-Nice, large windows. -This is it, they are still quite high up, obviously. | 0:33:28 | 0:33:33 | |
But, again, this is a good size for a spare bedroom. | 0:33:33 | 0:33:36 | |
This has got better views out over the field, which is quite nice. | 0:33:36 | 0:33:40 | |
-Very nice. -We'll have to find out more about that field, though. | 0:33:40 | 0:33:44 | |
Bathroom! | 0:33:44 | 0:33:46 | |
-Fairly modern. -Tiles look nice. -They're not bad. | 0:33:46 | 0:33:49 | |
There's no shower, though, it's just a bath. | 0:33:49 | 0:33:52 | |
Yeah, just a bath. | 0:33:52 | 0:33:54 | |
-Bit small. Not what we're used to. -No. | 0:33:54 | 0:33:57 | |
They are in Lickey End. | 0:33:57 | 0:33:59 | |
They're moving into a nicer postal code, | 0:33:59 | 0:34:02 | |
therefore, sometimes there might be a little bit of a compromise on space. | 0:34:02 | 0:34:06 | |
And now Kelly's saying this isn't that special. | 0:34:06 | 0:34:09 | |
-You can do your own specialising. -Grrr! Grrr! | 0:34:09 | 0:34:13 | |
Ooh! These are the big windows that I liked. | 0:34:13 | 0:34:18 | |
-Now, for once, you can say, "It is light and airy". -Light and airy, yeah. | 0:34:18 | 0:34:23 | |
I quite like this. It's not massive, though, it is? | 0:34:24 | 0:34:28 | |
-Not as big as I'd like. -No. | 0:34:28 | 0:34:32 | |
-Seems strange, looking down at floor level through the windows. -I know, I feel a bit dizzy. | 0:34:32 | 0:34:36 | |
I like it, though. I like the fact that it is so bright. | 0:34:37 | 0:34:42 | |
-It's almost a shame this room's at the front rather than the back. -Yeah. | 0:34:43 | 0:34:46 | |
So you could be able to look out over the garden and the fields. | 0:34:46 | 0:34:50 | |
So, how wild was the wild card for you? | 0:34:52 | 0:34:56 | |
Definitely different. Not what I would be expecting. | 0:34:56 | 0:34:59 | |
As football managers often say in the post-match interview, it was a game of two halves. | 0:34:59 | 0:35:04 | |
I think it was a game of downstairs and upstairs. | 0:35:04 | 0:35:07 | |
-And the downstairs went very well. -It certainly did. | 0:35:07 | 0:35:11 | |
We liked it, it was very open, it was just... | 0:35:11 | 0:35:14 | |
I liked it. I really liked the bit downstairs that I staked a claim on. | 0:35:14 | 0:35:18 | |
-Yes, you really did. -I quite liked that. | 0:35:18 | 0:35:21 | |
-Then you also did it upstairs, as well. -Absolutely, yeah. | 0:35:21 | 0:35:25 | |
-Yeah, upstairs... How did you feel? -What were your reservations with the upstairs, Sprog? | 0:35:25 | 0:35:30 | |
I just felt that they were trying to cram too much in, | 0:35:30 | 0:35:33 | |
-trying to make it a four-bedroom instead of a decent three-bedroom. -The builders in the seventies? -Yeah. | 0:35:33 | 0:35:39 | |
-In terms of the garden, did you have a good look at your view? -Ohh! | 0:35:39 | 0:35:43 | |
That would be really nice, to sit out on a nice summer's evening | 0:35:43 | 0:35:46 | |
and just have that field behind you. I think this feels nice in the garden. | 0:35:46 | 0:35:50 | |
-I want to tell you something about this land. -Yes? -It's Cadbury land. | 0:35:50 | 0:35:55 | |
-Ah! -Which means... -Made of chocolate. | 0:35:55 | 0:35:57 | |
-Which means you can't build on it? -Well, you will need to verify and check that, | 0:35:57 | 0:36:02 | |
but according to the estate agent, it won't be built on. | 0:36:02 | 0:36:05 | |
-Brilliant. -Do please check that. -This is all fantastic news. | 0:36:05 | 0:36:09 | |
It can only become even more fantastic once we know one thing. | 0:36:09 | 0:36:12 | |
ALL: The price! | 0:36:12 | 0:36:14 | |
-So, whose turn is it to guess the price? -Oh, I don't know. | 0:36:14 | 0:36:17 | |
-Ladies first. -It's one-all, isn't it? -Neck and neck. | 0:36:17 | 0:36:21 | |
-Oh, no, this is the decider. I'm going to go for £289,950. -OK. | 0:36:21 | 0:36:27 | |
-I'm going to go for 285. -Close. -285. | 0:36:28 | 0:36:32 | |
The closest person and the winner of today's guess the price competition is... | 0:36:32 | 0:36:38 | |
-It's you. -Yay! -Kelly, well done. | 0:36:40 | 0:36:43 | |
-Commiserations, Sprog. But the actual price is £295,000. -Ooh. OK. | 0:36:43 | 0:36:49 | |
-So that leaves you 30 grand to spend on the property. -I think you'd have to wiggle a little bit. | 0:36:49 | 0:36:55 | |
-What do you want to wiggle them to? -About 280, I would say. -You might be able to wiggle them. | 0:36:55 | 0:37:00 | |
-That's reasonable. -You could wiggle them further. Never know till you try. | 0:37:00 | 0:37:05 | |
You could wiggle in Lickey End. Would you like to go and make the biggest decision of your adult lives? | 0:37:05 | 0:37:10 | |
-We need a chat and a think. -OK. Head down that way. -Good luck. Choose wisely, won't you? | 0:37:10 | 0:37:15 | |
Whilst they wiggle in Lickey End, here's a chance for you to have a look at what we've seen so far. | 0:37:15 | 0:37:20 | |
'Will it be my property, number one, in Cofton Hackett? | 0:37:20 | 0:37:24 | |
'It had space, style, location and views, but Kelly's frog phobia | 0:37:24 | 0:37:28 | |
'meant she hardly dared step foot beyond the conservatory. | 0:37:28 | 0:37:32 | |
'And, at £349,950, it's above their budget.' | 0:37:32 | 0:37:35 | |
'Maybe they'll plump for my property, number two. | 0:37:37 | 0:37:39 | |
'OK, it wasn't love at first sight, but it's in Sprog's favourite village of Alvechurch | 0:37:39 | 0:37:44 | |
'and they'd have bags of cash to transform the tired decor, | 0:37:44 | 0:37:47 | |
'as it's on at a keenly priced £249,950.' | 0:37:47 | 0:37:52 | |
'Let's not forget the wild card, though. They didn't want boxy or modern, so we gave them both. | 0:37:52 | 0:37:57 | |
'But the interior allure and the rolling countryside on their doorstep won them over.' | 0:37:57 | 0:38:02 | |
'And it came in under-budget at 295 grand.' | 0:38:02 | 0:38:05 | |
Kelly and Sprog, you have chosen to test-drive | 0:38:10 | 0:38:15 | |
my one, which is a victory for me and, also, it's an internal victory for you, | 0:38:15 | 0:38:20 | |
-because I can see you tensing up. -Frogs. -Frogs. | 0:38:20 | 0:38:23 | |
-You have come back to the house with frogs. -I know. -Or potentially with frogs. | 0:38:23 | 0:38:28 | |
First question, why did you pick the house of frogs? | 0:38:28 | 0:38:32 | |
THEY LAUGH | 0:38:32 | 0:38:34 | |
-Why did we pick this one, Sprog? -It's just a nicer looking house, more brick. | 0:38:34 | 0:38:38 | |
-He does like his brick. -Better layout. -OK. | 0:38:38 | 0:38:42 | |
We like the location. We liked the field in number three, | 0:38:42 | 0:38:46 | |
but I like the fact that it's looking out over the Lickey Hills. | 0:38:46 | 0:38:49 | |
Do you think a bit of cognitive behavioural therapy added to this could see you moving in here? | 0:38:49 | 0:38:54 | |
Well, I think I have to stop living my life ruled by frogs. | 0:38:54 | 0:38:58 | |
-THEY LAUGH -And ruled by Sprog! | 0:38:58 | 0:39:01 | |
Yes. Now, we have had our mysterious surveyor come round and sniff round this house. | 0:39:01 | 0:39:07 | |
It's not a legally-binging survey, but it's a good heads-up if you wish to purchase. | 0:39:07 | 0:39:11 | |
-Nikki has the information. -Just a couple of things. One is, you see that tree there? | 0:39:11 | 0:39:16 | |
-Yep. -On a survey, the roots of that silver birch could show up as being a potential problem. -OK. | 0:39:16 | 0:39:22 | |
Bear that in mind. The second thing is, the pointing, | 0:39:22 | 0:39:26 | |
around the chimney but mostly on the gables. | 0:39:26 | 0:39:29 | |
So that's something you're going to have to consider. | 0:39:29 | 0:39:32 | |
-OK. -Other than that, he pulled up nothing. | 0:39:32 | 0:39:36 | |
-Are you ready to tuck your trousers into your socks and deal with the frogs? -Yep. | 0:39:36 | 0:39:42 | |
Walk toward the house. It's your fault, this, right? Deal with the frogs. | 0:39:42 | 0:39:47 | |
Three, two, one, test drive that house! | 0:39:47 | 0:39:49 | |
'Don't tell me Kelly's fleeing the frogs already. She hasn't given it a chance!' | 0:39:52 | 0:39:57 | |
'Calm down, Ed, they're just collecting their canine companions, Oscar and Milo.' | 0:39:57 | 0:40:02 | |
'And just look at them. They love it, Nikki! Not a frog phobia in sight!' | 0:40:02 | 0:40:07 | |
Hey! Good lad! | 0:40:07 | 0:40:10 | |
-'But it's not only the house they're interested in, of course.' -'No, it's the call of the wild. | 0:40:10 | 0:40:15 | |
'And what could be more natural than the sight of a Lycra-clad couple and their domesticated beasts | 0:40:15 | 0:40:20 | |
'hot-footing it in perfect harmony through the Lickey Hills?' | 0:40:20 | 0:40:24 | |
'And what better way to round off an energetic afternoon than exploring another must on their wish-list, | 0:40:24 | 0:40:29 | |
-'a great local boozer?' -'And while it's all been too much for Milo, | 0:40:29 | 0:40:34 | |
'it looks like Oscar's lapping up the idea of a new life in the Lickeys.' | 0:40:34 | 0:40:38 | |
Sprog and Kelly, you're very, very important. Very, very important. | 0:40:38 | 0:40:43 | |
But I believe the most important pair are Oscar and Milo, is it? | 0:40:43 | 0:40:47 | |
-That's right, yeah. -The dogs. Now, what have they thought, and most importantly, | 0:40:47 | 0:40:52 | |
how on earth have they communicated that to you? | 0:40:52 | 0:40:55 | |
If their tails wag a lot, then it's a good sign. | 0:40:55 | 0:40:58 | |
OK. And on the tail-wagging front thus far, how have we gone? | 0:40:58 | 0:41:02 | |
-I think we're probably about an eight or a nine out of ten. -Wow! | 0:41:02 | 0:41:05 | |
-They've been wagging so much, they could've taken off. -They've had a run round the garden, a sniff around. | 0:41:05 | 0:41:10 | |
I'm a bit worried there's a cat next door, but that can be entertainment for them. | 0:41:10 | 0:41:15 | |
-We aren't on the grass at the moment. -Correct. | 0:41:15 | 0:41:18 | |
And it really is a big issue for you, frogs, isn't it? | 0:41:19 | 0:41:22 | |
I mean, we are giggling about it slightly, a lot, | 0:41:22 | 0:41:27 | |
but do you think you could get over it? I mean, is it something you would be prepared to do? | 0:41:27 | 0:41:34 | |
I think it's something I'm going to have to do. | 0:41:34 | 0:41:36 | |
Because if I want to live in the countryside, there's always the chance that there'll be a frog. | 0:41:36 | 0:41:42 | |
So I just think I need some professional help, really. | 0:41:42 | 0:41:45 | |
-Here, here! -I'm with you, Sprog. | 0:41:45 | 0:41:48 | |
-That's very brave of you. -Thank you very much. | 0:41:48 | 0:41:51 | |
-Yes. -We are near the end. | 0:41:51 | 0:41:54 | |
-The question is, are we near the end of your house-hunting? Nikki, do you want to ask? -Yes, please. | 0:41:54 | 0:42:00 | |
-To buy or not to buy? -We're sitting on the fence. It's a maybe. | 0:42:00 | 0:42:03 | |
Everyone sits on the fence! I want to know why it's a maybe. Justify yourselves, please. | 0:42:03 | 0:42:09 | |
-The main reason is it's just slightly over our budget. -Uh-huh. | 0:42:09 | 0:42:13 | |
-I think, if we can get that wiggle room in there, that would be a much stronger veer towards yes. -OK. | 0:42:13 | 0:42:21 | |
-Good! -All in all, we're very happy, I would say. | 0:42:21 | 0:42:24 | |
-Yeah! Are you happy? -Yeah, we're really happy. | 0:42:24 | 0:42:26 | |
-And I think the dogs are also happy. -Aww! | 0:42:26 | 0:42:29 | |
-If you buy this or any other house, please let us know. -Certainly will. -See you soon. -Bye! -Bye! | 0:42:29 | 0:42:35 | |
Subtitles by Red Bee Media Ltd | 0:42:47 | 0:42:50 |