Episode 3 Your Home In Their Hands


Episode 3

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Transcript


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Would you hand over your front door keys to complete strangers?

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I can't believe what we've done.

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Coo-ee!

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In exchange for a massive makeover?

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Red sky at night.

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I'm not sure I would.

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Different people have different tastes.

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I'm Celia Sawyer and I've been an interior designer for a decade.

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In this series, I'll be introducing families

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at the end of their decorating tether...

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We just can't move forward. Everybody's ideas are so different.

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..to interior designers who are desperate to help.

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Yes!

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The plug for the light.

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But these designers are not professionals.

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Let's just hope they like space films, eh?

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In fact, they're complete amateurs.

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They've wrecked that room.

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That is different.

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What have we done?

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They may have passion.

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I know about composition, dude.

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They might even have vision.

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I like to create a temple of hope.

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And lovely colours, lovely colours, lovely colours.

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But I'm giving them just five days to do the job.

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You beauty.

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My question is, will it be tears of joy...

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-Wow.

-Look at this.

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Couldn't wish for anything better.

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..or just plain tears?

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I'm regretting it.

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He's going to hate it.

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You need to be as hard as nails

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to become a professional interior designer.

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My career took off when I restyled my own home.

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People who saw it loved it and started asking me

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to do up their homes too.

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Now I design for the rich and famous,

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high-end clients who can spend millions on their homes.

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It's always a big responsibility to have someone's home in your hands,

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even as a professional interior designer, so I'm really hoping

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these amateur designers can pull it off and take the pressure.

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In this series I'll be introducing fledging interior designers

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to my world.

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I've had a passion for interior design

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ever since I was seven years old.

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As each of them has only ever done up their own home,

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they're at the same point I was when I launched my career.

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I've never had the opportunity to unleash my creativity

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on someone's home before.

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I'm giving them the chance to set their creative juices free.

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To help families who are so stuck in design dead ends,

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they're prepared to try anything.

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It's a huge risk, as the home owners won't even meet the amateurs

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until it's all finished.

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Tonight I'm heading to south-east England to meet two families

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with several generations living under one roof.

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With so many people to please,

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I suspect it's going to be a tricky week.

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First up, Ilford in Essex,

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home to the Ahmed family.

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Sherjeel and Khansa,

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his parents Masood and Jalis,

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and little Raees and Imani,

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three generations living in just one house.

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Come from a Pakistani background and culture

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and within our culture it's commonplace for the eldest son

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to look after the parents when they become older.

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He comes home, he looks after the kids, looks after his wife and us,

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and I'm really proud of him.

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Two years ago, the Ahmeds bought a home big enough

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for the whole family.

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But the dreary decor left a lot to be desired.

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When you walk in, it feels incredibly faded and drab.

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It's just plain, boring, dull everywhere.

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Nothing looks right.

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So why has it taken so long to do anything about it?

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My parents have got their views, Khansa's got some ideas,

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I've got ideas and so when you're trying to put everything

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into the mix, it doesn't necessarily come out with an easy answer.

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We just can't move forward. Everybody's ideas are so different.

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And it's chartered accountant Sherjeel's design ideas

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that really don't add up for the rest of the family.

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I like the idea of having a partition with a TV

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that you could swivel round.

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I've always had this idea of having dynamic lighting in some way

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that you could control it with a smartphone or something like that.

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I'd love to have like an elevated stage towards the windows

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and bifold windows that would open out into the garden.

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-What do you think of that, Mum?

-No.

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No.

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I don't like his wild ideas because we have to live as a family.

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One person likes this and the others don't.

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Not too much stuff in the house, you know, there should be space.

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We have to come to a decision in between somewhere.

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I'm with you there, Mum.

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I'd love my house to look like a complete unique one-off,

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and I just think that life's about taking risks and, you know,

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they say fortune favours the brave

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and I think we're being very brave here.

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I think we're all being very brave taking this job on.

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First I need to see the problem for myself, as I'll be briefing

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the two amateurs redesigning the Ahmeds' home.

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Hi. You must be Sherjeel.

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Hi, please come in, welcome.

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-Thank you.

-And so this is our lovely kitchen.

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Our lovely dated kitchen.

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I can tell you really like it.

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I love it.

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It's just very old and the kids generally eat here as well.

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Like a quick snack.

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Where do they eat? They sit on here?

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Yeah, well, they have a little table. That's not really practical.

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OK, show me the next room, please.

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So this is the dining room.

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This is where we spend our time together as a family.

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We don't want a bog-standard dining room.

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I think that's the one definite thing that we can agree on.

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Off you go.

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This is our living room.

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It doesn't feel like it's got a lot of soul at the moment.

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Sort of lacking in... Lacking personality.

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Yeah, that's it, personality and character, it's got none of that.

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I like somewhere where it's fun and practical but it's also cosy.

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I'd love this to be a house that isn't an ordinary house.

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I'd like people to come here and have a real wow factor about it.

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Time to hand over your keys.

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You're going to come back in a few days. Off you go.

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The now very worried Ahmeds will be back in two days

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to see the first two rooms.

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Bye-bye, house.

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Take care.

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We've got three generations under one roof here

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and from my experience as a professional designer,

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that's always a tough one.

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So I think these amateurs are going to have their work

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cut out for them big time.

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In total, three rooms will be transformed in the Ahmeds' home,

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but up till now, they've had no idea who's taking them on.

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First I've chosen 53-year-old Emily,

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a jewellery designer from London who doesn't mince her words.

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My design style, I would say, would be vintage industrial.

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Oh, no!

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I love concrete, I love metals, I love bricks,

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I love lovely fabrics and I love wrought iron.

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I love modern clean lines, jumbled with old desks

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and medical cabinets filled with junk.

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My friends describe my style as bold, unique and quite masculine.

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From me, you'll be getting 20 shades of grey.

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And grey and more grey.

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You are lucky to have me.

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You'll get a complete new modern look, whether you like it or not.

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I won't be holding back, I will stick to my design style.

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I wouldn't go middle of the road,

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otherwise there's no point me being there.

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-I don't like it.

-I loved it. I thought she was amazing.

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It's far too grey for me.

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I don't think it's practical for our family.

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I've just realised, my parents, what will they think?

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Your poor parents, they're not going to be happy.

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Next, to counterbalance Emily's industrial feel

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is 55-year-old yoga instructor Pandora.

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I adore wood. I'm surrounded by it.

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I live with it and I love to use it in my designs.

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Who else would hang tree stumps from the ceiling?

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I love wood because it's living.

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It's breathing, it's evolving, every single piece is unique.

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What's really transformed my creative process

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is my meditation practice.

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My work is really about transcending the mundane.

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I like to create a temple of hope for humanity.

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I draw inspiration from all of the places that I've travelled.

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I've lived in a cave in India, drunk tea with the Dalai Lama,

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been in a dugout canoe with some warriors

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in a dark and mysterious river in Papua New Guinea.

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My approach to life and design is...just do it.

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-I really liked that.

-Did you?!

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I did really like. I mean, OK, maybe not so much wood in the house

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and the tree trunks, but she has some really good style in there.

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It's a fire hazard, the amount of wood there is.

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Did you see that shelving and see the little lamps,

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ah, that's exactly what I want.

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-Ah no, no.

-I like this one.

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Wouldn't you know it? It's a design taste-off.

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Industrial concrete versus a natural vibe.

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Each budding designer has seen a floor plan in advance,

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but this is the first time they've clapped eyes on the actual rooms.

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Wow. This takes me back.

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Emily will be redesigning the Ahmeds' retro kitchen.

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Well, there's quite a lot of space to work with, potential.

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While Pandora will be unleashing her vision on the dining room.

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It's a nice room, it's got a nice vibe to it.

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And the strip lighting has to go. That's not very friendly.

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I'm going to give it definition and style, so when you walk

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through this door, you're really going to feel something.

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Looking forward to the challenge, but everything has to go

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and that includes the kitchen sink.

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The novice designers have had a little information on the family

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and their design deadlock.

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Now I've got to make sure they've understood the brief.

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Hi, Pandora. Meet Emily.

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Hi, Emily, how you doing? Nice to meet you.

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Nice to meet you too.

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Right, ladies, how's your first impressions of your rooms?

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Ah. Bland, boring and a throwback to the '70s.

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And she just wants something more up to date, maybe a bit cosier

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and I think the room also needs a bit of space for them to eat,

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you know, because they feed the children in there,

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but I'm not quite sure how at the moment, how that works.

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-I don't know either.

-You've got £7,000 to spend in there.

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-Fabulous.

-Oh, lucky you.

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Pandora, you've got £3,500 for the dining room.

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-I think that's quite a good budget.

-I don't think so.

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-You don't?

-No. I'd like more.

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-You've got to be creative with it.

-Yeah, of course, I will be.

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It's got to be a great space for all of them.

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Mum, Dad, Sherjeel, Khansa.

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Yeah, totally, yeah. I have designed it with that in mind

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and hopefully you'll walk into that room

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and you'll be struck by the beauty of it and the simplicity of it.

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One thing they have agreed on is that they want a house

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that's not just an ordinary run-of-the-mill type of house,

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so it's got to have something going on it,

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it's got to have some personality, and good luck.

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Looking forward to it.

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A full refurb on a kitchen is a tough task for an amateur designer.

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So I've sent in builder Nathan to bring the amateurs' vision to life.

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His first job is ripping out the '70s kitchen

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to make way for Emily's grand designs.

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The vision I have for this room would be like a vintage

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industrial urban feel to it.

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Grey, shiny, glossy, slick cabinets

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integrated with stainless steel worktops and actual mesh.

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What's not to like about metal? I love it.

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We'll see about that.

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In the dining room, friend of the forest Pandora

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is going for a very different vibe.

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My vision for the room is to do Moroccan simple plasterwork,

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combined with the very textural, rustic, beautiful oak.

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The idea is to have quite a primitive feel,

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but I'm really trying to bring in an Islamic kind of spiritual element.

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Later in the week, these two will have to blend their opposing styles

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and work together in the Ahmeds' living room.

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How's that going to work?

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In Bexleyheath, south-east London,

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lives another family stuck in a rut over renovations.

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The Powers.

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Trainee cabbie Nev, wife Traci

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and Traci's 79-year-old mum, Lily.

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On the whole, no, we get on OK, don't we?

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I mean you can't be absolutely perfect. He's the trouble.

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And once again, we have a man with slightly worrying taste.

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I do like sparkly and glittery things.

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I'd like to put a glitterball in the corner. I'd be happy with that.

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No way.

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And Lily's opinion is key.

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She and her late husband bought the house way back in 1958.

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We were looking around and we saw this and immediately said yes.

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There's Dad, Mum.

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It had a homely feel about it.

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Oh, look at you.

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How sweet was I? I've still got the teddy bear.

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Lots of memories. I was born in this house,

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so was my sister, in the very bedroom that my mum still sleeps in.

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We could sell that room to a museum.

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Two years ago, Nev and Traci bought the house from Lily.

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They're now keen to make it their own.

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We'd like to put our stamp on the house

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but we always run everything past Lily first to get her approval.

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But it's not just Lily's approval that's holding them back.

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Creative differences have put all renovations firmly on hold.

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I really don't think I can go through another year

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of living in a building site.

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I don't mind someone else coming in and doing a bit,

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but I hope they haven't got the same taste as Neville.

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This house has been in the family 56 years,

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so it is a big risk but one I think is worth taking.

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This home is crying out for help.

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It would be a big job even for a professional designer.

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You don't mind living like this?

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Yes.

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We've got nowhere to sit and watch TV.

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Nowhere to relax, nowhere to invite friends.

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If you could have anything you wanted, what would you have?

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I would like a glitter ball but you know, apparently it's not practical.

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Any major hates?

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I don't like dark, dark wood.

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I think you ought to show me the rest of the house.

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-Right, OK, you ready?

-Yes.

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So this is what we used to call the front room, but the lounge.

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Where do you sit down and relax?

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-Well, we don't.

-No, not in here.

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At least it's a blank canvas.

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Well, that's for sure. Crikey.

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This is Lily's room.

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It does look like a blast from the past.

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Yeah. It was last decorated 30 years ago.

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This is the one I'm most nervous about.

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OK, well, I think I've seen enough, so I think it's time to leave.

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OK.

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Time to hand over those keys. Come on.

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Cue two sleepless nights for Nev and Traci.

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They're being very brave.

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Oh, my God, what are we doing?

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I'm not sure they're going to be feeling much better

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when they find out who I'm sending in.

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First up is Sue Martini,

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a housewife from Birmingham who has an eye for the extravagant.

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Right, here we go, Nev.

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My style is sophisticated bling with a wow.

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Yes.

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Sometimes over the top, but always exciting.

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The style you'll get from me will be glamorous, elegant,

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and I can't wait to get a bit of bling sparkle

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and zhuzh into your home.

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See, I like that. It's plain, nice, classy.

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Yeah, it does look very classy.

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Yeah, but it's if we get someone that's a bit too out there.

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They could very well be describing our next designer,

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48-year-old Marina, who likes to dabble with the dark side.

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My design style is sexy, dramatic.

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Some people might think that black walls are a brave choice.

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I think it's a little bit more freeing.

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That looks really nice.

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It's too dark.

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I'd like to help somebody to go over to the dark side.

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What? I'm worried now.

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I think we should be worried.

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How worried?

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Very worried. I'm really worried now.

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I can see why. It's the battle of bling versus black.

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Marina will be getting her hands on the living room.

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Yeah, I reckon we could do quite a lot with this room

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and it doesn't need to be this light.

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Oh, wow.

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And Sue has the intimidating task of modernising Lily's bedroom.

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Oh, gosh, it looks like it hasn't been decorated in ages.

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We've definitely got a space issue in here, mostly I think

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because of these cupboards.

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Now the amateurs know what they're up against,

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I'm keen to remind them of the family's brief.

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Hi Sue, meet Marina.

0:17:450:17:46

Hello.

0:17:460:17:47

Hello, Sue. Nice to meet you.

0:17:470:17:49

Marina, the brief in the living room is they want a comfortable room

0:17:490:17:53

they can sit in, enjoy, relax and not too in your face.

0:17:530:17:57

It's got to suit all three of them and you've got £3,000 to spend.

0:17:570:18:01

Yes.

0:18:010:18:02

Sue. You have Lily's room.

0:18:020:18:05

You also have £3,000 to spend in there.

0:18:050:18:08

It's got too much storage in it that she doesn't use.

0:18:080:18:11

It needs to be something that she feels

0:18:110:18:13

she can move around a little bit easier in.

0:18:130:18:16

-Lovely, thank you.

-Good luck.

0:18:160:18:18

They're going to need it.

0:18:180:18:20

As usual, I've asked builder Russell to be on hand to aid the amateurs

0:18:210:18:25

with the nuts and bolts of their designs.

0:18:250:18:28

Well, my vision for the room is Hollywood glam,

0:18:280:18:30

so it's going to make it a lot more luxurious.

0:18:300:18:32

I will bring in some gold for the glitz effect.

0:18:320:18:34

There's no reason why when you get old you can't have glam in your life.

0:18:340:18:38

Walls are going to be a very dark, darkest turquoise.

0:18:380:18:42

There's going to be a lovely fire surround.

0:18:420:18:45

There's going to be quirky bits.

0:18:450:18:47

I like people to walk into a room and smile.

0:18:470:18:49

Yes, so do I. No tears, please.

0:18:490:18:52

It's day two at the Ahmeds' home.

0:18:580:19:00

In the dining room, Pandora has made a rather worrying decision.

0:19:020:19:06

The plan is that I'm building out from the wall.

0:19:060:19:09

Which will make the room look smaller.

0:19:090:19:11

So that we can fit alcoves in.

0:19:110:19:14

I think the alcoves are the base of her room,

0:19:140:19:16

so she had to bring the walls in to create the depth of the alcove.

0:19:160:19:19

But I think it is just all going to close in a bit.

0:19:190:19:22

It's a big room but it's a big family,

0:19:220:19:24

so to bring it smaller, it's not the way I would have gone with it.

0:19:240:19:27

Some people might like a cave in their house.

0:19:270:19:30

So we'll have to wait and see if they do.

0:19:300:19:32

So we've got a cave in the dining room

0:19:320:19:35

and what looks like a fence in the kitchen.

0:19:350:19:38

This is the mesh I'm intending to use to separate the wall units.

0:19:380:19:43

I love working with any metals. It brings a certain urban element

0:19:430:19:47

into the design, and complements slates and charcoals and greys

0:19:470:19:51

and all the shades that I love.

0:19:510:19:53

In the garden, it's less urban jungle, more enchanted forest.

0:19:540:19:59

Surely, everybody loves wood.

0:19:590:20:01

I spent my whole childhood, quite a feral childhood, me and my sister

0:20:010:20:06

and my brother were just allowed to run wild and we made amazing camps

0:20:060:20:11

and where you could plait wood, we'd make things with dandelions hanging,

0:20:110:20:14

we used lawn mowings to make beautiful carpets,

0:20:140:20:17

and I guess that's where I've got my love of wood

0:20:170:20:21

and my love of natural materials.

0:20:210:20:23

Just five minutes down the road,

0:20:280:20:30

Sherjeel has called a family meeting.

0:20:300:20:33

It's time to tell his parents he thinks they've all made a mistake.

0:20:340:20:38

Emily likes concrete, she likes metals,

0:20:390:20:43

her style is industrial vintage.

0:20:430:20:46

Her worktops in her kitchen were concrete.

0:20:460:20:49

-It's not practical for the kids.

-Yeah.

0:20:490:20:51

But she had like a real fascination, I suppose, with the colour grey.

0:20:510:20:55

Sounds like Pakistan.

0:20:550:20:57

Sounds like Pakistan!

0:20:570:20:58

Is that a good or a bad thing?

0:21:010:21:03

It doesn't appeal to me. It sounds boring.

0:21:030:21:07

Oh, no!

0:21:080:21:10

It's to be mesh at the back and a mesh dividing shelves.

0:21:130:21:17

-Do you want the back meshed on the sides?

-Yes, please.

0:21:170:21:20

I do worry a little bit about whether or not you will be able

0:21:200:21:24

to warm to her style, cos it is quite unique.

0:21:240:21:28

The second designer's name is Pandora.

0:21:290:21:32

She really likes wood,

0:21:320:21:34

so in her house everything was made out of wood.

0:21:340:21:38

She had tree trunks dangling from the ceiling,

0:21:380:21:41

she had seats made out of wood.

0:21:410:21:44

She had features on the wall carved out of wood.

0:21:440:21:46

I did really like Pandora

0:21:460:21:48

but I just think that there was just far too much wood in the house.

0:21:480:21:51

I think she just put wood everywhere.

0:21:510:21:54

I think that I wouldn't like it.

0:21:540:21:56

What a surprise.

0:21:560:21:58

Basically, I love trees.

0:21:580:22:01

I quite often stop my car and pick things up when I find them

0:22:010:22:06

and this was one little episode

0:22:060:22:08

and this piece of birch is going to be hanging over the dining table.

0:22:080:22:12

She's a very extreme designer

0:22:140:22:16

but I would say that the opposite of Emily.

0:22:160:22:18

Isn't there anything in between? We could get together.

0:22:180:22:21

-No.

-Are these two people going to go ahead with this?

0:22:210:22:25

-They're doing it now.

-Both?

0:22:250:22:28

-They're in the house now making it.

-Both of them?

0:22:280:22:30

Both of them, yes.

0:22:300:22:31

You think you made a mistake letting them in the house?

0:22:310:22:34

I'm a little bit worried myself this morning, after having thought about it.

0:22:340:22:37

I am concerned.

0:22:370:22:39

I don't blame you.

0:22:390:22:40

Wow. That's different.

0:22:440:22:46

Even Emily's getting a bit concerned.

0:22:480:22:52

Not something I do.

0:22:520:22:54

Clearly, Pandora likes the natural elements.

0:22:540:22:57

It's becoming crystal clear that moving on to the joint room

0:22:590:23:02

may take this challenge to a new dimension.

0:23:020:23:05

If this is more what's to come,

0:23:050:23:09

then we are going to have to work quite hard to collaborate, I think.

0:23:090:23:15

In Bexleyheath at the Powers',

0:23:180:23:21

budding interior designer Sue has turned into an archaeologist...

0:23:210:23:25

Leicester Square. That's interesting.

0:23:250:23:28

..digging out treasure from under Lily's floor.

0:23:280:23:31

We found this old newspaper, look at this.

0:23:330:23:36

A Star is Born, theatre.

0:23:360:23:39

1937. They kind of come into my Hollywood glam theme.

0:23:390:23:43

I may be able to incorporate this in a frame.

0:23:430:23:46

Don't know yet. I'm thinking along those lines.

0:23:460:23:49

It just really hits home how long Lily has been in this room, actually,

0:23:490:23:53

and in this house.

0:23:530:23:54

Unaware of the history being excavated in their home,

0:23:550:23:58

Nev and Traci are telling their Uncle Buster about their concerns.

0:23:580:24:03

So are you worried or not?

0:24:030:24:05

I'm so worried about Mum's room.

0:24:050:24:07

Whatever designer does that has got to get it right.

0:24:070:24:10

She deserves nice because she's had a hard life in lots of ways.

0:24:100:24:15

She lost your dad and after that she still carried on

0:24:150:24:21

doing her bit for all the family.

0:24:210:24:24

-Here she is.

-You all right, Mum?

0:24:250:24:28

Sit yourself down.

0:24:280:24:29

Come on, darling.

0:24:290:24:30

So, Mum, we've just been talking about the designers and that.

0:24:300:24:33

-How you feeling about it, you nervous?

-Yeah.

0:24:330:24:35

About what bit, particularly?

0:24:350:24:37

Mine, really.

0:24:370:24:39

She don't care about the rest.

0:24:390:24:40

Oh, thanks.

0:24:400:24:42

No bright colours.

0:24:430:24:45

But what happens if they do?

0:24:450:24:47

They'll have to come and do it again then, won't they?

0:24:470:24:50

Oh, dear. Sue's in full swing with operation bling.

0:24:510:24:55

Adding gold gives you that bit of the wow factor

0:24:560:24:58

which is a bit of a signature thing for me.

0:24:580:25:01

It adds a bit of glamour.

0:25:010:25:02

But it's Marina's choice of dark colours

0:25:030:25:06

that's giving me the biggest headache.

0:25:060:25:08

I hope she doesn't do any of the house like she's done her own.

0:25:080:25:12

All the walls are painted black.

0:25:120:25:14

There could have been a flash of lightning and she could have gone,

0:25:140:25:17

"Don't worry, your house is safe in our hands."

0:25:170:25:19

EVIL LAUGH

0:25:190:25:21

I don't want to be welcomed to the dark side.

0:25:210:25:23

I'm frightened.

0:25:230:25:25

Well, good luck to all and sundry and I hope everything goes well.

0:25:290:25:33

Thank you very much.

0:25:330:25:35

Cheers.

0:25:350:25:37

Well, it is all going well, if you like dark.

0:25:380:25:42

Marina's dark carpet is even scaring builder Russell.

0:25:440:25:48

I feel Marina's gone too dark with that colour in that room.

0:25:480:25:51

There's not enough natural light coming in there.

0:25:510:25:54

I can't see it working.

0:25:540:25:55

I'm going to wait and see. I'm a firm believer in bold design,

0:25:550:25:58

but Nev and Traci may take some convincing.

0:25:580:26:01

It's day three in Ilford.

0:26:050:26:07

The amateur designers have just a few hours

0:26:070:26:10

until I return to cast my eye over their individual rooms.

0:26:100:26:14

Gritty designer Emily is going metal mad in the kitchen.

0:26:140:26:18

Whilst lumber-loving Pandora is branching out in the dining room.

0:26:200:26:24

This is my vision and the journey was exactly how I planned it.

0:26:240:26:29

I've tried my best.

0:26:290:26:31

I would be really gutted if they don't like it.

0:26:310:26:34

I totally love this room.

0:26:340:26:36

I've given it 100% and I would have this kitchen in my own house,

0:26:360:26:39

and I can't really say more than that.

0:26:390:26:42

Two designers, two opposing styles.

0:26:420:26:45

Collaboration on the joint room is going to be interesting.

0:26:450:26:49

But first it's time to see how they fared on their individual designs.

0:26:520:26:56

For £7,000, Emily waved goodbye to the '70s kitchen.

0:27:000:27:03

And said hello to modern metal.

0:27:050:27:07

The old yellow units were replaced with her trademark grey

0:27:080:27:12

and the retro tiles have made way for modern metallic-look wallpaper.

0:27:120:27:18

But is this contemporary look right for the Ahmeds?

0:27:180:27:21

Very good. I like it.

0:27:300:27:32

It's modern, I like the colour,

0:27:340:27:37

I like the fact that we now have a proper place

0:27:370:27:40

for the children to sit and have breakfast.

0:27:400:27:43

I like the floor.

0:27:430:27:45

I really don't think that they will find this offensive.

0:27:450:27:49

But obviously you never know.

0:27:490:27:51

In the dining room, Pandora had £3,500 to create

0:27:540:27:58

an otherworldly experience.

0:27:580:28:01

Bland walls have been replaced by Moroccan-style plasterwork.

0:28:010:28:05

And her carved furniture and accessories fill the room.

0:28:060:28:11

I need to check the impact of Pandora's decision

0:28:120:28:15

to bring in the walls.

0:28:150:28:16

This room feels smaller. That's for sure.

0:28:230:28:26

And if Sherjeel wants something that perhaps is very different,

0:28:290:28:35

then maybe this is it.

0:28:350:28:38

There's so much wood.

0:28:380:28:40

Wooden floor, wooden table, wooden chairs, wooden light.

0:28:400:28:43

Wood in the walls.

0:28:430:28:45

I mean, we have gone a bit wood-mad in here.

0:28:450:28:48

Chairs are interest... Oh, goodness me. Crikey!

0:28:490:28:53

You've got small children in the house

0:28:530:28:55

and you've got older people as well.

0:28:550:28:58

They absolutely weigh a tonne.

0:28:590:29:02

But what will they think?

0:29:040:29:06

Welcome back. Hello.

0:29:080:29:09

And nice to meet Mum and Dad at last.

0:29:090:29:12

You're looking very calm.

0:29:120:29:13

Not for long.

0:29:130:29:15

Not for long!

0:29:150:29:16

Would you like to lead the way, as it's your home?

0:29:160:29:19

First up is Emily's industrial kitchen.

0:29:210:29:24

Oh, my goodness.

0:29:260:29:27

I like it. Do you like it?

0:29:380:29:41

I was going to say, "Phew!"

0:29:410:29:43

You do like it?

0:29:440:29:46

Yeah, I do like it, actually! I really like it!

0:29:460:29:48

-Emily.

-Yes.

0:29:480:29:51

See, I always had faith.

0:29:510:29:53

Mum and Dad like it?

0:29:530:29:54

Yes, I like it. Very much, very much, very much.

0:29:540:29:57

I don't believe it's the same kitchen.

0:29:570:29:59

-It's lovely.

-There's an area here now where the children can sit

0:29:590:30:02

and have their food.

0:30:020:30:04

That's very good. This is really good.

0:30:040:30:06

I was really concerned by it, but now I think I just want to hug her.

0:30:060:30:10

Oh, that's nice.

0:30:100:30:11

Yeah, I'm really happy with it.

0:30:110:30:12

She raised the bar, a metal bar,

0:30:120:30:15

and it's going to be difficult for Pandora, I think,

0:30:150:30:18

but I look forward to seeing what she's come up with.

0:30:180:30:21

Shall we go and find out?

0:30:210:30:23

OK, lead the way.

0:30:230:30:25

Thank you.

0:30:280:30:29

Oh, my goodness.

0:30:310:30:34

Bit speechless.

0:30:440:30:46

I don't know what to say about this one.

0:30:480:30:51

I don't know if I like it or I don't like it.

0:30:510:30:54

The room is smaller, it's a little more small.

0:30:540:30:57

-It looks smaller.

-Smaller, yes.

0:30:570:30:59

You've obviously lost a bit of space with this being built out.

0:30:590:31:02

But what's really bugging me is the walls.

0:31:020:31:05

I really like that light being there, I like this.

0:31:050:31:07

I think the walls to me look unfinished.

0:31:070:31:10

I really like the roughness of the walls. It feels like...

0:31:100:31:13

The roughness of the walls is OK but...these.

0:31:130:31:16

-You don't like it?

-No.

0:31:160:31:19

I don't know how practical it is with kids.

0:31:200:31:24

Yeah, there are sharp edges and things poking out

0:31:240:31:27

that will worry me slightly about this.

0:31:270:31:30

If they were a little bit older, sensible, then it is different.

0:31:300:31:33

I think a lot of things will worry me

0:31:330:31:35

about this room with the children.

0:31:350:31:36

The curtains being one, even though I like them a lot.

0:31:360:31:39

That's a big thing for me, though, that it needs to be safe for them.

0:31:390:31:42

What I really wanted was something completely different.

0:31:420:31:46

-You have that, for sure.

-Yes, definitely, yeah.

0:31:460:31:49

Out of the two rooms, which is your preferred?

0:31:490:31:51

-Kitchen.

-Kitchen.

0:31:510:31:52

-That was a very definite kitchen, wasn't it?

-Yes.

0:31:520:31:56

Both designers will be working together doing the joint room

0:31:560:31:59

which is your living room.

0:31:590:32:01

You have to be honest now and tell me

0:32:010:32:03

if there's anything you might be slightly concerned about.

0:32:030:32:06

It has to be safe.

0:32:060:32:08

The main problem with a lot of designers is they go in

0:32:090:32:12

and they do something that's aesthetically nice,

0:32:120:32:15

but they actually don't think about practicalities

0:32:150:32:17

and don't think about the people that are really living in the space,

0:32:170:32:21

and that's exactly what Pandora's done in this room.

0:32:210:32:24

She's not thought about the young children,

0:32:240:32:26

because there's so many things in that room that could cause problems.

0:32:260:32:29

Time for Pandora and Emily to get their first dose of client feedback.

0:32:290:32:34

-Hi, Celia.

-Hi.

0:32:340:32:37

Hi, Celia.

0:32:370:32:39

Hello. How you feeling?

0:32:390:32:40

-Great.

-Good.

0:32:400:32:42

Emily, your wallpaper was interesting.

0:32:420:32:44

Yes, I love it.

0:32:440:32:46

Do you think that you've met the brief with the older

0:32:460:32:48

members of the family?

0:32:480:32:51

They're more traditional.

0:32:510:32:52

I have no idea.

0:32:520:32:54

My game plan was to literally stick with what I felt passionate with

0:32:540:32:58

and hopefully they would too in the long run.

0:32:580:33:02

They all loved it.

0:33:020:33:03

Wonderful.

0:33:030:33:05

Pandora. The dining room.

0:33:050:33:07

Do you think that you met the brief?

0:33:090:33:12

I hope so.

0:33:130:33:14

Mum and Dad had a few reservations and so did Khansa.

0:33:140:33:17

There were elements of the room

0:33:170:33:19

that weren't child-friendly enough for them, they were worried about.

0:33:190:33:23

-For example?

-Well, they felt that...

0:33:230:33:25

-Just out of interest.

-For instance, there were sharp edges in places.

0:33:250:33:29

You know, the chairs were very heavy.

0:33:290:33:32

It's very important to remember that the room that you do together

0:33:320:33:35

needs to be child-friendly.

0:33:350:33:37

OK, that's a good point.

0:33:370:33:39

It's a bit disappointing that their Islamic screen

0:33:410:33:44

and that Moroccan feel wasn't really taken into consideration.

0:33:440:33:48

I really wanted to do something unusual

0:33:480:33:51

and that's what they sounded like they were up for.

0:33:510:33:54

I stuck to my guns and did it with my best intentions

0:33:540:33:57

and it looked like it paid off.

0:33:570:33:59

So I did good.

0:33:590:34:01

I think after the feedback I've just given the two girls,

0:34:010:34:04

I don't think that anything's going to change,

0:34:040:34:07

because what I see behind the eyes is two people with big egos.

0:34:070:34:11

And I think they'll continue to do exactly what they want.

0:34:110:34:15

In Bexleyheath, it's also judgment day at the Powers residence.

0:34:190:34:23

Up in Lily's bedroom, Sue is adding the final bits of bling.

0:34:240:34:28

Stuck some diamante on the headboard which just sets it off.

0:34:280:34:31

I think it's quite special now, quite pleased with it.

0:34:310:34:34

Just hope Lily is.

0:34:340:34:36

In the living room,

0:34:360:34:37

Marina's also feeling confident about her dramatically dark design.

0:34:370:34:42

I did say that I'd like to bring them over to the dark side,

0:34:420:34:44

so obviously when they come into the room, we'll see if that's worked.

0:34:440:34:48

With Marina and Sue out of the house, there's just

0:34:510:34:54

time to see the results for myself before the homeowners return.

0:34:540:34:58

In the bedroom,

0:35:010:35:02

Sue had £3,000 to create her vision of a Hollywood glamour pad.

0:35:020:35:07

She stripped out over 30 years of dated decoration

0:35:090:35:13

to make way for diamante, gold and glitz.

0:35:130:35:16

But will bling be the right thing?

0:35:180:35:21

I do not like that wallpaper.

0:35:250:35:27

I'm not sure I feel particularly relaxed in this room

0:35:290:35:32

because it's got so much diamond stuff going on, you know,

0:35:320:35:35

we've got crystal headboard, we've got the crystal in the knobs,

0:35:350:35:39

you know, it's quite gold.

0:35:390:35:41

We've got crystal on the lights, crystal on those lights.

0:35:410:35:43

It's very in your face.

0:35:430:35:45

There's quite a lot of bling for someone of this age group.

0:35:450:35:49

How you feeling, Mum?

0:35:490:35:51

Um, all right but a little bit, you know.

0:35:520:35:55

I had a dream last night.

0:35:560:35:58

-You did?

-Yeah.

0:35:580:36:00

I dreamt that your room was worse than what it started

0:36:000:36:04

and I had a real row.

0:36:040:36:07

Not sure how it's going to go down.

0:36:080:36:10

It's more about Sue and not so much about Lily, as far as I'm concerned.

0:36:100:36:14

In the living room,

0:36:150:36:16

Marina had £3,000 to prove that dark could be desirable.

0:36:160:36:21

Transforming the empty space into a relaxing family chill out area

0:36:210:36:25

complete with mirrored fireplace, personal pictures

0:36:250:36:29

and sumptuous furnishings.

0:36:290:36:32

But does it work?

0:36:320:36:33

Oh, it's very dark.

0:36:360:36:38

I don't think they like dark colours, particularly.

0:36:410:36:43

With Marina, I think you're worrying about nothing,

0:36:430:36:46

cos you are a bit panicky poos.

0:36:460:36:48

You are, you are. Actually, you haven't stopped going on about it.

0:36:490:36:53

She likes the dark side.

0:36:530:36:54

Good they put a fireplace in.

0:36:540:36:57

Even just decorative, it still gives the room a focal point.

0:36:580:37:03

It's just dark. It's just too dark.

0:37:030:37:05

I don't know if they're going to like it.

0:37:070:37:10

Oh, dear.

0:37:110:37:13

I'm not bowled over by either room.

0:37:140:37:16

But it's the client's judgment that counts.

0:37:160:37:18

Welcome back.

0:37:180:37:20

Hello, Lily. Nice to meet you.

0:37:200:37:22

-And you.

-Heard a lot about you, all good.

0:37:220:37:25

Better be good.

0:37:250:37:26

All good. How have you been feeling?

0:37:260:37:28

Are you nervous or excited?

0:37:280:37:30

-A little bit.

-Clammy hands.

0:37:300:37:32

A little bit of both, yeah, clammy hands, yeah.

0:37:320:37:34

-You as well, Lilly?

-Yes.

0:37:340:37:36

Well. I suppose you'd better come in and have a look then.

0:37:360:37:39

-OK.

-Mind the step.

0:37:390:37:41

Right, here we go, Mum.

0:37:410:37:44

Whee, can I get in it now?

0:37:500:37:53

-Do you like it?

-Yes, I do.

0:37:530:37:55

-Better than you thought?

-Oh, yeah, different.

0:37:550:37:57

-Stunning, isn't it?

-Can you relax now?

-Yeah.

0:37:570:37:59

Right, you dropped a tissue, I think I might need that.

0:37:590:38:01

Yeah, lovely.

0:38:030:38:05

You like a bit of gold, do you, Lily?

0:38:050:38:07

Oh, yeah. Who don't?

0:38:070:38:08

It is just amazing and she's going to enjoy it,

0:38:100:38:14

and that's, that's what I wanted, so...

0:38:140:38:17

Good.

0:38:190:38:20

And you?

0:38:200:38:21

Yeah. Couldn't wish for anything better.

0:38:230:38:26

Going to make me go now.

0:38:280:38:30

We'll all be in tears in a minute.

0:38:300:38:32

Be a wreck by the end of the week.

0:38:320:38:33

Well, good, that's a really good outcome, isn't it?

0:38:350:38:38

Now there's just the small matter of Marina's dark living room.

0:38:380:38:42

Jeez.

0:38:450:38:46

Oh, that's a colour.

0:38:460:38:49

Look at the fireplace.

0:38:560:38:58

Oh, my God.

0:38:580:39:00

Oh, this is a shock.

0:39:030:39:05

Nice shock?

0:39:050:39:07

Funnily enough, yeah, it is.

0:39:070:39:10

Traci, you're keeping quite quiet. You don't look very sure.

0:39:120:39:15

It's just a shock to see something so bright that we had

0:39:150:39:18

and then to go so dark, especially all the way round.

0:39:180:39:21

It's not even one wall, it's all the way round.

0:39:210:39:24

I think dark makes it look small.

0:39:240:39:26

But there is a lot that I do like, so...

0:39:260:39:29

-Good.

-So, it's, yeah.

-It's got elements.

0:39:290:39:31

OK, well, I'm going to be talking to the designers soon.

0:39:310:39:35

Anything you want me tell them?

0:39:350:39:36

What is it you really wanted in the kitchen-diner?

0:39:360:39:39

Just, you know, like a wow space.

0:39:390:39:42

-A wow space.

-Yeah.

0:39:420:39:44

It's important not for it to be dark.

0:39:440:39:46

Trace and I are differing on the colour scheme.

0:39:460:39:49

I think the dark and light.

0:39:490:39:51

When you're entertaining people, you want somewhere light, airy,

0:39:510:39:54

welcoming, not dark and dingy like it's in some underground club.

0:39:540:39:59

Not for me. It's not how I want to welcome my friends.

0:39:590:40:03

It's another mixed response.

0:40:050:40:06

Time for me to break the news to the designers.

0:40:060:40:09

-Welcome back.

-Hello there.

0:40:090:40:11

Sue. Lily's room, they loved it.

0:40:120:40:16

That's a relief. That's really good.

0:40:180:40:20

Marina.

0:40:220:40:23

Living room, it is quite a brave move making it that dark,

0:40:230:40:28

but Nev actually surprised me because he really liked it.

0:40:280:40:32

Great, good.

0:40:320:40:34

And Traci's 50/50 on it.

0:40:340:40:36

There are elements that she likes,

0:40:360:40:38

but I have got a message for you both because you know that

0:40:380:40:41

you're coming back to do this room as a joint room.

0:40:410:40:44

-They don't want it too dark.

-Right.

0:40:460:40:49

So, good luck and I'll see you in a few days.

0:40:490:40:53

-Thank you.

-Thank you.

0:40:530:40:55

OK.

0:40:550:40:56

We've got two designers, one who likes dark drama.

0:40:580:41:02

One that liked glitzy diamante.

0:41:020:41:05

Not sure how all this is going to work,

0:41:050:41:07

so fingers crossed we're going to get a great result.

0:41:070:41:09

'Or else.'

0:41:090:41:11

A new day brings a new challenge.

0:41:150:41:18

Collaboration is key in interior design,

0:41:180:41:20

so I need to see if these amateurs can compromise.

0:41:200:41:24

Can wood-loving Pandora and industrial Emily

0:41:250:41:28

find a way to work as a team in the Ahmeds' living room?

0:41:280:41:32

I'm thinking a very slick modern room. Lots of hard lines.

0:41:330:41:36

I've got a lot of metal lamps and tables with soft elements.

0:41:360:41:41

So it's actually a family-friendly living room.

0:41:410:41:44

Pandora's living up to her name.

0:41:440:41:47

I could do box shelving using this lovely ply.

0:41:470:41:50

Pandora's boxes are 13 wooden shelves

0:41:500:41:54

she plans to hang from the walls.

0:41:540:41:56

But they don't sit well with Emily's vision.

0:41:560:41:58

How many boxes have you got to cover what area of wall?

0:41:580:42:01

Well, for example for the TV, for their Sky box.

0:42:010:42:05

-I just think...

-Keep it simple.

0:42:050:42:08

-Yeah, and not too many boxes.

-Yeah.

0:42:080:42:10

For my opinion, less is going to be more,

0:42:100:42:12

so I think she said there were 13 boxes.

0:42:120:42:15

I think maybe six would look good, especially

0:42:150:42:17

if one of them's going to be encasing the television.

0:42:170:42:20

As well as her batch of boxes,

0:42:220:42:24

Pandora has one other key design piece she wants to incorporate.

0:42:240:42:29

Hi, Emily, what do you think? Do you like the painting?

0:42:290:42:31

Um. Truthfully?

0:42:310:42:33

-Yeah. You don't like it?

-No.

-Oh, OK.

0:42:330:42:36

I love it cos it's got a deep powerful Islamic meaning.

0:42:360:42:39

It's very spiritual.

0:42:390:42:40

It's one of the first letters of one of the chapters of the Koran.

0:42:400:42:44

I don't think the colours complement all the colours that we've

0:42:440:42:47

-put into the room.

-OK.

0:42:470:42:49

I love it, I think it's got... It's very powerful deep meaning,

0:42:490:42:53

but, yeah, we have to compromise.

0:42:530:42:56

I think they would embrace it...

0:42:560:42:58

..because of its spiritual significance.

0:43:000:43:02

I'm not convinced they would.

0:43:020:43:04

I think it's probably more spiritual for you than it would be for them.

0:43:040:43:07

And I'm willing to trade off that with many boxes.

0:43:070:43:10

Well I, do you know, starting from a...

0:43:100:43:12

What about if we put a black frame around it?

0:43:120:43:15

No, I think it's... I think the problem is...

0:43:150:43:18

Yes.

0:43:180:43:19

For me, aesthetically for the room I don't think it does it any justice.

0:43:190:43:22

OK. That's fair. I take that on board.

0:43:220:43:25

I'll go with that.

0:43:250:43:26

-OK then, can we agree that we don't use that?

-OK, yes.

0:43:260:43:29

Right, how we going then, girls?

0:43:290:43:31

-Yeah, good.

-Nice picture.

0:43:310:43:32

Ha, that's debatable.

0:43:320:43:34

Is it? Do you like it?

0:43:340:43:36

Why, what have I said?

0:43:360:43:37

No, you said it was nice, you obviously like it immediately.

0:43:370:43:40

You were drawn to it.

0:43:400:43:41

So Emily's artistic aesthetic has won over Pandora's spiritual style.

0:43:420:43:47

Both our original ideas have had to morph and evolve.

0:43:470:43:51

I love the painting so I did mind about it,

0:43:510:43:54

but you know, a lot of jobs are about compromises.

0:43:540:43:57

Over in Bexleyheath in the Powers' kitchen/diner,

0:44:010:44:04

amateur designers Sue and Marina are getting

0:44:040:44:07

on famously and have already agreed to combine Sue's trademark bling...

0:44:070:44:12

..with Marina's dark wallpaper.

0:44:140:44:16

-I think it's spectacular.

-It just shouts tropical.

0:44:180:44:22

To me it's not dark.

0:44:220:44:25

There's a lot of white to counteract it so...

0:44:250:44:29

I think it...

0:44:290:44:30

I think it's magnificent. I want it at home.

0:44:300:44:33

I think both Marina and Sue have gone quite bold with the kitchen.

0:44:330:44:38

No, they seem to be going all out.

0:44:380:44:40

Coming down every morning to that might be a little bit, you know...

0:44:400:44:44

I know what you mean.

0:44:460:44:48

In Ilford, after losing the fight to put up her Islamic painting,

0:44:530:44:57

Pandora is desperate to hang on to her 13 wooden boxes.

0:44:570:45:01

Let's clear out the ones we want to use.

0:45:010:45:03

Yes. Did you like that idea with the lights?

0:45:030:45:05

Yeah, love it, beautiful.

0:45:050:45:07

OK, so that could go next to the TV, couldn't it?

0:45:070:45:09

Do you want them together?

0:45:090:45:11

-No, no gaps, gaps, gaps.

-OK.

0:45:110:45:13

So how many more units do we want to use?

0:45:130:45:15

On the drawing, there's six units there that we were going to

0:45:150:45:18

-use inside.

-And then maybe we could put one on top then.

0:45:180:45:20

-I'm thinking that's enough for me.

-Yes.

0:45:200:45:23

One, two, three, four, five, six boxes, agreed?

0:45:230:45:27

Great, yeah.

0:45:270:45:28

I haven't needed to make compromises

0:45:280:45:30

because initially Pandora was willing to forego her

0:45:300:45:34

print for more boxes, but we settled without extra boxes.

0:45:340:45:38

Emily is very controlling and she wants it her way.

0:45:390:45:43

She's happy... The thing she's happy to give on she almost uses

0:45:430:45:46

that to her advantage to get something she wants, I think,

0:45:460:45:48

but if she doesn't like it she'll just say no and move you on.

0:45:480:45:52

But Pandora isn't giving up on her painting yet.

0:45:580:46:01

Emily, am I going to be allowed to have my picture up?

0:46:010:46:03

-The only thing apart from my light. Emily?

-What?

0:46:030:46:06

It might make the room, it might pull it together, Emily.

0:46:060:46:09

LAUGHING

0:46:100:46:12

That seems like a definite no from Emily.

0:46:120:46:14

I'm still trying about the picture.

0:46:140:46:16

I love the picture.

0:46:160:46:17

Back at the Powers, the boldness of their design decisions is

0:46:200:46:23

dawning on Marina and Sue.

0:46:230:46:25

It's going to be a dark sparkly worktop. The flooring?

0:46:260:46:30

Yeah, the flooring is also dark.

0:46:300:46:32

After combining their two styles, it seems they've unwittingly

0:46:320:46:36

ended up firmly on the dark side.

0:46:360:46:39

The fire surround will be black.

0:46:390:46:42

And, of course, there's the dark wallpaper.

0:46:420:46:45

I don't think there's anything else that's dark.

0:46:450:46:47

The drinks cabinet is dark.

0:46:470:46:49

And what was Traci's one no-no, ladies?

0:46:490:46:52

Not too dark.

0:46:530:46:54

It's the final day in Ilford and not long before I see the finished

0:47:010:47:06

joint room and decide who's impressed me the most.

0:47:060:47:08

I don't think the palette's Pandora's at all really.

0:47:080:47:11

It's all Emily's greys and metallic sort of obsession.

0:47:110:47:15

Even her boxes now are Emily's grey,

0:47:150:47:17

so they just look like part of Emily's design.

0:47:170:47:21

I guess there's more of Emily's things because I was really thinking

0:47:210:47:26

about the walls and the kind of cubist Mondrian kind of box idea.

0:47:260:47:32

But I think we've still got time to make it work.

0:47:320:47:34

And that can only mean one thing.

0:47:370:47:39

I reckon I can talk Emily around it.

0:47:450:47:48

And I think fair's fair.

0:47:480:47:49

Her compromise is letting me have this picture.

0:47:490:47:52

Easier said than done.

0:47:570:47:59

So far Emily has been as inflexible as her metal accessories.

0:47:590:48:03

-Emily?

-Yes, dear.

0:48:030:48:05

I really love this painting and I think it's working

0:48:050:48:08

so well in the room, we've got so many harsh, very design things

0:48:080:48:12

-and we just need that kind of sense of freedom and that texture.

-Um.

0:48:120:48:16

I just didn't think it blended,

0:48:170:48:19

but now that we've put this colour on the walls it kind of diffuses it.

0:48:190:48:23

-Let's put it up.

-Great.

0:48:230:48:26

It needs colour.

0:48:260:48:27

Finally, Pandora's persistence has paid off.

0:48:290:48:32

Over in Bexleyheath, it's all hands to the pump at the Powers'

0:48:380:48:41

house as I'm on my way to assess their efforts first-hand.

0:48:410:48:45

I'm dreading what I'm going to go and see in here

0:48:450:48:48

because we don't want it too dark, because Traci will hate that

0:48:480:48:50

and we don't want it too bland because Nev wants a bit of glitz.

0:48:500:48:54

And let's not forget Lily as well.

0:48:540:48:56

It's got to please them all.

0:48:560:48:57

I feel quite confident.

0:48:590:49:00

I might be delusional but I think it is quite bold but it's light,

0:49:000:49:04

it's bright. I want to move in there now.

0:49:040:49:06

Maybe the biggest risk is that we've mixed the dark

0:49:060:49:09

with bright colours as well.

0:49:090:49:11

It is a little bit in your face and they may not like that totally.

0:49:110:49:14

MUSIC: Back To Black by Amy Winehouse

0:49:140:49:16

'Let's see what they've done.'

0:49:210:49:23

For £7,000 the Powers' derelict kitchen diner has been transformed.

0:49:280:49:34

From building site to tropical delight.

0:49:340:49:37

With clean lines, modern units and an explosion of black and bling.

0:49:400:49:45

-Hello.

-Hello there.

0:49:480:49:49

Quite dark in here, isn't it?

0:49:550:49:57

It's my choice of wallpaper

0:49:580:49:59

but even though the background is dark it's bright, it's vibrant.

0:49:590:50:04

I don't know what Traci's going to think of that.

0:50:040:50:06

She made it quite clear that she doesn't like dark walls

0:50:060:50:08

and she was worried about it. So perhaps that will be an issue.

0:50:080:50:11

I think you've done a very good job.

0:50:130:50:15

You've tied up the two rooms nicely, but you've also got Nev's glitz,

0:50:150:50:20

you've got Traci's lightness and practicalities here

0:50:200:50:24

and you've got something of Lily in here as well, so well done.

0:50:240:50:27

-Thank you.

-The only worry I've got is the dark wall.

0:50:270:50:30

So I want you to leave so that they can be honest and say what

0:50:300:50:34

they think of the room and then we'll get you back in to meet them.

0:50:340:50:38

-OK? But well done. I think you've done really well.

-Thank you.

0:50:380:50:41

It's the moment of truth.

0:50:440:50:46

With the family divided over dark colours,

0:50:460:50:48

what will they make of the designer's brave statement?

0:50:480:50:51

Wow.

0:50:530:50:54

Eager to find out, the amateur designers are earwigging next door.

0:50:560:51:01

I've got a glittery vase.

0:51:020:51:04

Oh, yeah.

0:51:040:51:06

Well, that is pretty lairy, isn't it, the wallpaper?

0:51:060:51:10

What a change.

0:51:100:51:12

The fireplace, look at the fireplace.

0:51:120:51:15

Look at the wallpaper, that's what I like. Look at that.

0:51:150:51:18

-I told you, I knew it would be good.

-Oh, you like it, then?

0:51:180:51:21

-Yeah, I love it.

-Oh, good.

0:51:210:51:23

-I really like it.

-I really like it.

0:51:230:51:25

I'm surprised you like the wallpaper, Traci.

0:51:260:51:28

So am I.

0:51:280:51:29

-Because, you know, you don't like dark.

-No.

0:51:290:51:31

It's not dark because of all the colours on it.

0:51:310:51:33

-There you go.

-Yeah, that's right.

0:51:330:51:36

Sit and watch all the birds.

0:51:360:51:38

Nev, do you like the sort of version of your glitter ball there?

0:51:380:51:42

It's fantastic.

0:51:420:51:43

In you come, designers.

0:51:430:51:45

-Hello.

-Hello.

0:51:460:51:49

Amazing, absolutely amazing.

0:51:490:51:51

We're just so happy that you like it.

0:51:510:51:54

This experience has made me realise that I have got a talent that's

0:51:540:51:58

worth pursuing so it makes me want to do that now and take it forward.

0:51:580:52:01

Really, really happy.

0:52:010:52:03

-You're not crying again, are you, Traci?

-A little bit. Thank you.

0:52:030:52:06

-Great job.

-It was quite overwhelming.

0:52:060:52:08

I was surprised at how emotional I felt, but it was what myself and

0:52:080:52:12

Sue always wanted, we just wanted the legacy for the homeowners.

0:52:120:52:15

THEY LAUGH

0:52:150:52:17

Marina has impressed me the most as an amateur designer.

0:52:170:52:20

When you design a room, I like to see someone really push the limits

0:52:200:52:25

and I think she's got that edginess that you need.

0:52:250:52:28

I think Sue is competent but just a little bit too safe.

0:52:280:52:32

I've lived in this house for 56 years.

0:52:320:52:35

I've never, ever dreamt that it could look like this,

0:52:350:52:38

but it's different and you have to move on, don't you?

0:52:380:52:42

What a fantastic result.

0:52:430:52:45

But will it be the same happy ending over at the Ahmeds'?

0:52:470:52:50

When I go and look at this joint room

0:52:530:52:54

I want to see both of the designers in the room.

0:52:540:52:57

I don't want to see one dominating the other, and even though

0:52:570:53:00

Pandora took a knock, I hope she's still in that room.

0:53:000:53:04

I personally would have preferred to have done something a little

0:53:040:53:07

bit more cutting edge, but I think we've fulfilled our task.

0:53:070:53:12

I think Khansa and Sherjeel will actually really like it.

0:53:120:53:15

I do love the living room. I'm not totally happy with it.

0:53:150:53:18

I think we could have done a lot better.

0:53:180:53:20

For both designers, it seems that compromise hasn't come easy,

0:53:230:53:27

but you don't know if it's going to work

0:53:270:53:29

until you're standing in the finished room.

0:53:290:53:31

For £3,500, the Ahmeds' dull and dated living room has been

0:53:340:53:39

transformed into a sleek and sophisticated chill-out pad.

0:53:390:53:43

The room is now dominated by Emily's grey and metal style.

0:53:440:53:48

But Pandora did fight to hang her precious painting

0:53:500:53:53

and her wall boxes.

0:53:530:53:54

Which Emily painted grey.

0:53:550:53:58

-Hello.

-Hello again.

0:53:580:54:00

-It's a very trendy room, isn't it?

-Trendy?

0:54:040:54:07

Yeah, I think it looks very, sort of, contemporary.

0:54:070:54:10

Who did what here?

0:54:110:54:13

Where are you, Pandora, because I don't see much of you.

0:54:130:54:16

I'm to do with the more kind of structural architectural things.

0:54:160:54:20

The box idea and the recess kind of graphic design

0:54:200:54:25

and Emily was more of the soft furnishings.

0:54:250:54:28

Yeah, that's nice.

0:54:300:54:31

What worries me, it doesn't feel like a family room somehow.

0:54:330:54:37

It almost doesn't look like children would live here.

0:54:370:54:40

But I think it... Because we've left quite a lot of empty space,

0:54:400:54:44

it gives them some scope to do what they want.

0:54:440:54:47

Looks lovely and stylish. But just a little bit cold.

0:54:470:54:51

-But it does look very nice.

-Thank you.

0:54:510:54:53

OK, well the homeowners are about to come back, but because

0:54:530:54:57

I want them to be honest about the room, I want you two to go outside.

0:54:570:55:00

Will do. OK? Thanks, Celia.

0:55:000:55:02

OK. See you in a bit.

0:55:020:55:04

'I'm really not sure.'

0:55:080:55:10

Is this a room that can suit all age groups?

0:55:100:55:13

I think my biggest worry would be if it wasn't practical

0:55:130:55:16

again for the kids because we're in that room all the time.

0:55:160:55:19

-That's the main room for us.

-We're just itching to get in there

0:55:190:55:22

and see what the girls have come up with.

0:55:220:55:24

I like it.

0:55:320:55:33

Actually I do. I like it a lot.

0:55:340:55:36

I love it. It's really better than what I thought.

0:55:380:55:42

Size the same?

0:55:420:55:43

Yes, exactly the same.

0:55:430:55:45

The size is the same.

0:55:460:55:49

-I love the floor, as well. Oh, wow.

-Yes, it's very nice.

0:55:490:55:51

And I like the lighting in here, as well.

0:55:510:55:54

I think I'm going to get my warm cosiness.

0:55:540:55:56

And the kids will, I think they'll really enjoy themselves in there.

0:55:560:55:59

They can still freely run around.

0:55:590:56:01

Oh, they've got an Arabic letter on the wall. That is brilliant.

0:56:020:56:07

-It's Arabic lettering.

-Absolutely marvellous.

0:56:070:56:09

It's my favourite thing in the room actually.

0:56:090:56:11

It's an Arabic word, it's a very...

0:56:110:56:13

It's a really nice touch.

0:56:130:56:14

Is it adventurous enough for you?

0:56:140:56:16

It's really adventurous, I think.

0:56:160:56:18

I mean it's... I'm lost for words, Celia.

0:56:200:56:25

In you come, designers.

0:56:250:56:27

Hello. Lovely to meet you.

0:56:280:56:31

-I'm so glad you liked it.

-Nice to meet you.

0:56:310:56:34

Thank you, guys, so much first of all. We're just...

0:56:360:56:39

-We love it.

-You love it, that's so nice to hear.

0:56:390:56:42

You took a risk.

0:56:420:56:43

You put your home in their hands - was it worth it?

0:56:430:56:46

-Yes, it was.

-Absolutely.

-Yes, definitely.

0:56:460:56:49

It's the best thing we've ever done.

0:56:490:56:51

It's been really heartfelt that they were so happy.

0:56:510:56:54

Do you like it, do you like your new room?

0:56:540:56:57

I'm hungry for more interior design.

0:56:570:56:59

Who is going to go and sit on the cushion?

0:56:590:57:00

And I look forward to doing some more in the future.

0:57:000:57:03

Make some space for me.

0:57:030:57:04

If I had to pick one designer that really impressed me, it would

0:57:050:57:08

be Emily, purely because you're designing for the family

0:57:080:57:11

and she got it right.

0:57:110:57:12

They absolutely love the kitchen and they love the joint room.

0:57:120:57:17

Thumbs up to her.

0:57:170:57:18

It's going to push the whole house forward now.

0:57:180:57:20

We're going to come up with new things that are just going

0:57:200:57:23

to complement the brilliant things that the designers have done.

0:57:230:57:26

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