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Would you hand over your front door keys to complete strangers... | 0:00:02 | 0:00:05 | |
I can't believe what we've done. | 0:00:05 | 0:00:06 | |
Coo-ee! | 0:00:06 | 0:00:08 | |
..in exchange for a massive makeover? | 0:00:08 | 0:00:10 | |
Red sky at night. | 0:00:10 | 0:00:12 | |
I'm not sure I would. | 0:00:12 | 0:00:14 | |
Different people have different tastes. | 0:00:14 | 0:00:17 | |
I'm Celia Sawyer, and I've been an interior designer for a decade. | 0:00:17 | 0:00:22 | |
In this series, I'll be introducing families at the end | 0:00:22 | 0:00:25 | |
of their decorating tether... | 0:00:25 | 0:00:26 | |
We just can't move forward. Everybody's ideas are so different. | 0:00:26 | 0:00:30 | |
..to interior designers who are desperate to help. | 0:00:30 | 0:00:32 | |
Yes! | 0:00:32 | 0:00:33 | |
The plug for the light. | 0:00:33 | 0:00:35 | |
But these designers are not professionals. | 0:00:35 | 0:00:38 | |
Let's just hope they like space films, eh? | 0:00:38 | 0:00:40 | |
In fact, they're complete amateurs. | 0:00:40 | 0:00:42 | |
They've wrecked that room. | 0:00:42 | 0:00:43 | |
That is different. | 0:00:43 | 0:00:45 | |
What have we done? | 0:00:45 | 0:00:47 | |
They may have passion... | 0:00:47 | 0:00:48 | |
I know about composition, dude. | 0:00:48 | 0:00:50 | |
..they might even have vision... | 0:00:50 | 0:00:51 | |
I like to create a temple of hope. | 0:00:51 | 0:00:53 | |
Lovely colours, lovely colours, lovely colours. | 0:00:53 | 0:00:57 | |
..but I'm giving them just five days to do the job. | 0:00:57 | 0:00:59 | |
You beauty. | 0:00:59 | 0:01:00 | |
My question is, will it be tears of joy... | 0:01:00 | 0:01:03 | |
-Wow. -Wow, look at this. | 0:01:03 | 0:01:05 | |
Couldn't have wished for anything better. | 0:01:05 | 0:01:07 | |
..or just plain tears? | 0:01:07 | 0:01:08 | |
I'm regretting it. | 0:01:08 | 0:01:10 | |
He's going to hate it. | 0:01:10 | 0:01:11 | |
Starting a career in interior design isn't easy. | 0:01:15 | 0:01:17 | |
Mine began by chance when I did up my own place. | 0:01:19 | 0:01:22 | |
Friends and neighbours saw it and asked me to do theirs too. | 0:01:22 | 0:01:26 | |
Some might say I got a lucky break. | 0:01:26 | 0:01:28 | |
But it's what you do with an opportunity like that that spells success. | 0:01:28 | 0:01:32 | |
It's very important to remember that you have a | 0:01:32 | 0:01:34 | |
style as an interior designer, but that doesn't mean you just | 0:01:34 | 0:01:37 | |
stamp your own taste on someone else's home. | 0:01:37 | 0:01:40 | |
What it means is you have a style | 0:01:40 | 0:01:41 | |
and you adapt it for your client's needs. | 0:01:41 | 0:01:45 | |
In this series, I'm giving a break to keen amateurs | 0:01:45 | 0:01:47 | |
who are at the point I was when my career began. | 0:01:47 | 0:01:50 | |
Whilst my friends were out in the park playing football, | 0:01:50 | 0:01:53 | |
I was the one sat indoors watching interior design programmes. | 0:01:53 | 0:01:56 | |
I'll be testing them to see | 0:01:56 | 0:01:57 | |
if they have what it takes to become professional... | 0:01:57 | 0:02:00 | |
I really want to show people what I'm capable of | 0:02:00 | 0:02:02 | |
and let loose my interior design skills. | 0:02:02 | 0:02:05 | |
..by hooking them up with families | 0:02:05 | 0:02:07 | |
so desperate for help they'll try anything. | 0:02:07 | 0:02:10 | |
But it's not going to be easy, as the home owners | 0:02:10 | 0:02:12 | |
and designers won't actually meet until it's all done. | 0:02:12 | 0:02:15 | |
This week I'm in County Durham with two couples | 0:02:20 | 0:02:22 | |
so stuck in design deadlock, they're prepared to try anything. | 0:02:22 | 0:02:26 | |
First up is the old steel town of Consett, | 0:02:27 | 0:02:30 | |
and the terraced house where family of four, | 0:02:30 | 0:02:32 | |
the Geoghegans, have been living for the past 11 years. | 0:02:32 | 0:02:35 | |
Lorry driver John is the daddy of the house, | 0:02:36 | 0:02:39 | |
and he knows exactly what he likes. | 0:02:39 | 0:02:41 | |
Nothing too dark and nothing gaudy and nothing horrible. | 0:02:41 | 0:02:44 | |
It's all just lovely, isn't it? Nice and cream. | 0:02:44 | 0:02:47 | |
-Boring. -Boring. | 0:02:47 | 0:02:49 | |
I've got a really good burning passion for creams. | 0:02:49 | 0:02:53 | |
In fact, even the inside of John's lorry is cream. | 0:02:53 | 0:02:56 | |
He simply can't get enough of it. | 0:02:57 | 0:02:59 | |
Cream furnishings, cream walls, cream everywhere with | 0:02:59 | 0:03:02 | |
a little bit of, you know, brown just to darken things down. | 0:03:02 | 0:03:05 | |
But wife Rachel is desperate for a chance to express herself. | 0:03:07 | 0:03:11 | |
There's nothing in our house that sums up me, it's all John's. | 0:03:11 | 0:03:14 | |
I would like reds, or teals. | 0:03:14 | 0:03:17 | |
Every morning when I wake up I just feel as if it's a nightmare. | 0:03:18 | 0:03:22 | |
I just need that mood lifted. | 0:03:22 | 0:03:24 | |
I think a bit of colour would make our lives happier. | 0:03:24 | 0:03:28 | |
But it's not just colour that's the problem. | 0:03:28 | 0:03:30 | |
The kitchen layout doesn't work for their extended family either. | 0:03:30 | 0:03:33 | |
There has been occasions where people have had to go through | 0:03:33 | 0:03:36 | |
the back door and go through the passage | 0:03:36 | 0:03:38 | |
and up the stairs to go to the toilet, to come back down. | 0:03:38 | 0:03:41 | |
And the kids, if they want to go, | 0:03:41 | 0:03:42 | |
they've got to sneak underneath the table. | 0:03:42 | 0:03:45 | |
It's not functional. It doesn't work. | 0:03:45 | 0:03:47 | |
Things are so bad that John and Rachel have agreed to let two | 0:03:47 | 0:03:50 | |
amateur designers loose on their home. | 0:03:50 | 0:03:53 | |
We need somebody to come in and help us | 0:03:53 | 0:03:56 | |
because we can't work it out between the two of us. | 0:03:56 | 0:03:59 | |
I think John's terrified of handing over the keys, | 0:03:59 | 0:04:02 | |
but I'm hoping my cream nightmare is going to be over. | 0:04:02 | 0:04:05 | |
Well, clearly they need this intervention. | 0:04:11 | 0:04:13 | |
As John and Rachel won't meet the designers to give them | 0:04:13 | 0:04:16 | |
the brief, I'd better see the problem for myself. | 0:04:16 | 0:04:19 | |
-Hello, there. -Hello, you must be John. | 0:04:23 | 0:04:25 | |
I am. | 0:04:25 | 0:04:26 | |
-Nice to meet you. -You too. | 0:04:26 | 0:04:28 | |
And where better to start than the couple's cream bedroom. | 0:04:28 | 0:04:31 | |
Oh, OK. | 0:04:31 | 0:04:33 | |
Just observing how beautifully painted this is(!) | 0:04:33 | 0:04:38 | |
Bit of a bodger, are you, John? | 0:04:38 | 0:04:39 | |
Yeah, John the Bodger. | 0:04:39 | 0:04:41 | |
LAUGHTER | 0:04:41 | 0:04:42 | |
Looks like John needs a spell in finishing school. | 0:04:42 | 0:04:45 | |
Rachel, you can't feel that this is | 0:04:45 | 0:04:47 | |
a lovely romantic environment, surely? | 0:04:47 | 0:04:50 | |
If we go too dark, it's... | 0:04:50 | 0:04:52 | |
Sounds like you're trying to get your own way, doesn't he? | 0:04:52 | 0:04:55 | |
It does. It's horrible, it's just like a box. | 0:04:55 | 0:04:57 | |
A cream box. | 0:04:57 | 0:04:58 | |
And you like this, do you, John? | 0:04:58 | 0:05:00 | |
You don't want any colour at all? | 0:05:00 | 0:05:01 | |
No. | 0:05:01 | 0:05:02 | |
Well, this is it, the big moment. | 0:05:04 | 0:05:06 | |
Time for you to leave us. | 0:05:06 | 0:05:08 | |
Hand over your keys. Come on! | 0:05:08 | 0:05:11 | |
See you in a few days. | 0:05:13 | 0:05:14 | |
-Bye. -Bye-bye! | 0:05:14 | 0:05:15 | |
The Geoghegans will be back in two days to give me | 0:05:15 | 0:05:17 | |
feedback on the first two rooms. | 0:05:17 | 0:05:20 | |
Bye-bye, house of cream. | 0:05:20 | 0:05:22 | |
I don't know what I've let myself in for here. | 0:05:23 | 0:05:26 | |
John, oh... | 0:05:26 | 0:05:27 | |
It's this, all the time, over Rachel. | 0:05:27 | 0:05:30 | |
And I think it's about time Rachel had her voice heard. | 0:05:30 | 0:05:33 | |
They know that a total of three rooms will be transformed in | 0:05:33 | 0:05:36 | |
their home, but up until now, | 0:05:36 | 0:05:38 | |
they've had no idea who'll be doing them. | 0:05:38 | 0:05:40 | |
First up, I'm bringing in a | 0:05:44 | 0:05:45 | |
42-year-old mother of two from Somerset. | 0:05:45 | 0:05:48 | |
Here we go. | 0:05:48 | 0:05:49 | |
Hi, I'm Leila. I love colour. | 0:05:49 | 0:05:52 | |
I'd hate to live in a world of black and white, | 0:05:52 | 0:05:54 | |
it would be so boring. | 0:05:54 | 0:05:56 | |
I feel like I was born in a rainbow. | 0:05:56 | 0:05:57 | |
It's something about colour and pattern that makes me feel alive. | 0:05:57 | 0:06:01 | |
Interior design is something I really want to do. | 0:06:01 | 0:06:04 | |
I love the way it makes me feel and the creativity that I can have. | 0:06:04 | 0:06:07 | |
There is no way that I'm going to play it safe with your home. | 0:06:07 | 0:06:10 | |
I'm going to add a lot of colour and patterns. | 0:06:10 | 0:06:12 | |
You've been playing it safe for too long. You are so lucky. | 0:06:12 | 0:06:16 | |
Eh?! | 0:06:16 | 0:06:17 | |
That's your nightmare, your proper nightmare. | 0:06:17 | 0:06:20 | |
Aye. See who pops up next, because | 0:06:20 | 0:06:22 | |
I tell you what, it can't be any worse. | 0:06:22 | 0:06:26 | |
Next in is a 38-year-old venture capitalist | 0:06:27 | 0:06:29 | |
who puts the "prima" in prima donna. | 0:06:29 | 0:06:32 | |
Hi, I'm Nic, from Milan, Italy, | 0:06:32 | 0:06:34 | |
the capital of design, creativity and style. | 0:06:34 | 0:06:36 | |
So, don't worry, you are in safe hands. | 0:06:36 | 0:06:39 | |
But we don't live in Italy. We live in Consett. | 0:06:39 | 0:06:41 | |
# This is a man's world... # | 0:06:41 | 0:06:43 | |
I'm really excited about getting the opportunity | 0:06:45 | 0:06:47 | |
to transform someone's place. | 0:06:47 | 0:06:49 | |
I think it's a gift of my experience, it's my style, | 0:06:49 | 0:06:52 | |
it's a bit of my life that I'm giving to you. | 0:06:52 | 0:06:54 | |
I would describe my style as contemporary, cosy, cool. | 0:06:54 | 0:06:59 | |
I am Italian, and that brings a lot of passion, | 0:06:59 | 0:07:01 | |
a lot of creativity, but also I think I've mixed Italian style | 0:07:01 | 0:07:04 | |
with lots of the countries I've lived in. | 0:07:04 | 0:07:06 | |
He can do all of the house. | 0:07:06 | 0:07:08 | |
Cos that is lush. | 0:07:08 | 0:07:10 | |
Our life's boring at the minute and needs livened up. | 0:07:10 | 0:07:13 | |
And you will like it. You will. | 0:07:13 | 0:07:16 | |
It's a design taste-off. | 0:07:18 | 0:07:20 | |
Neutral tones versus vibrant colour. | 0:07:20 | 0:07:23 | |
Remind you of anyone? | 0:07:23 | 0:07:24 | |
Each designer has seen a floor plan in advance. | 0:07:25 | 0:07:29 | |
Nic's got £3,500 for the lounge | 0:07:29 | 0:07:32 | |
and Leila has the same in the bedroom. | 0:07:32 | 0:07:35 | |
But this is the first time they've actually stood in the space | 0:07:35 | 0:07:38 | |
they're transforming. | 0:07:38 | 0:07:40 | |
Wow. | 0:07:40 | 0:07:41 | |
Yeah, not exactly like my place. | 0:07:42 | 0:07:44 | |
Probably in a bit of a bad way on the walls and the cracks. | 0:07:44 | 0:07:48 | |
The pictures on the floor. | 0:07:48 | 0:07:49 | |
I mean, that looks like a graveyard. | 0:07:49 | 0:07:52 | |
Yes, needs a little bit of work in here, I think. | 0:07:52 | 0:07:55 | |
No colour at all. | 0:07:55 | 0:07:57 | |
It's crying out for help. | 0:07:57 | 0:07:59 | |
These novice designers have been given some | 0:07:59 | 0:08:01 | |
information about the home owners and their design dilemmas, | 0:08:01 | 0:08:04 | |
but I want to make sure they completely understand the brief. | 0:08:04 | 0:08:08 | |
-Hi. -Hi. -Hi, meet Nic. | 0:08:08 | 0:08:10 | |
-Hi, Nic, nice to meet you. -Hi, nice to meet you. | 0:08:10 | 0:08:12 | |
So, Leila, Rachel wants a really romantic feel, | 0:08:12 | 0:08:14 | |
and actually so does John. | 0:08:14 | 0:08:16 | |
No kids, so they can close it off and just have their own time there. | 0:08:16 | 0:08:21 | |
Nic, they want a room that they can all relax in as a family, | 0:08:21 | 0:08:24 | |
but Rachel wants a wow factor in the room. | 0:08:24 | 0:08:27 | |
We have cream versus colour here. | 0:08:28 | 0:08:31 | |
Good luck, | 0:08:31 | 0:08:32 | |
because you're going to need it. | 0:08:32 | 0:08:34 | |
As well as working on their individual rooms, | 0:08:36 | 0:08:38 | |
Leila and Nic will have to combine their very different styles | 0:08:38 | 0:08:42 | |
and collaborate in the kitchen later in the week. | 0:08:42 | 0:08:45 | |
Right, this design overhaul needs to begin, | 0:08:48 | 0:08:51 | |
so I'm sending in builder Russell to help them create their visions. | 0:08:51 | 0:08:55 | |
His first job is to strip Nic's living room back to basics. | 0:08:55 | 0:08:59 | |
As you see, we've basically stripped down all of the walls. | 0:09:02 | 0:09:05 | |
The doors are all going to be changed, | 0:09:05 | 0:09:07 | |
we're going to make sliding doors. | 0:09:07 | 0:09:08 | |
The theme for this room, basically, is for it to be a combination | 0:09:08 | 0:09:12 | |
of a gentleman club, but also a place where kids can stay. | 0:09:12 | 0:09:16 | |
So it's almost like a family club. | 0:09:16 | 0:09:18 | |
Rachel wanted a wow factor, | 0:09:18 | 0:09:20 | |
but I'm not entirely sure this is what she had in mind. | 0:09:20 | 0:09:23 | |
Upstairs, Leila's planning to cover | 0:09:26 | 0:09:28 | |
all four walls with wild wallpaper. | 0:09:28 | 0:09:32 | |
A feature wall maybe, but the whole room? | 0:09:32 | 0:09:34 | |
My God, it's going to be amazing. | 0:09:34 | 0:09:37 | |
I'm worried. | 0:09:38 | 0:09:39 | |
This could feel way too busy. | 0:09:39 | 0:09:42 | |
This is definitely more Rachel. | 0:09:42 | 0:09:43 | |
She wanted the colour, John, obviously, is a bit more neutral, | 0:09:43 | 0:09:46 | |
so he's going to have to really, hopefully, go with this. | 0:09:46 | 0:09:50 | |
And it is going to be a massive colour explosion in here. | 0:09:50 | 0:09:53 | |
Massive colour explosion for the man who likes cream? | 0:09:53 | 0:09:56 | |
May not be the best move for a budding interior designer, Leila. | 0:09:56 | 0:10:01 | |
Just six miles away, | 0:10:02 | 0:10:04 | |
in the neighbouring town of Stanley, | 0:10:04 | 0:10:05 | |
lives a second couple desperate for | 0:10:05 | 0:10:07 | |
some interiors intervention. | 0:10:07 | 0:10:10 | |
Newly-wed pensioners, Brian and Eileen Ridley, can't work out | 0:10:10 | 0:10:13 | |
how to combine her feminine taste with his masculine converted chapel. | 0:10:13 | 0:10:18 | |
And they want a home that suits them both. | 0:10:18 | 0:10:21 | |
Well, I bought this place in 1988. | 0:10:21 | 0:10:23 | |
Probably now, it's in need for a little bit of updating. | 0:10:23 | 0:10:27 | |
Brian met his second wife, Eileen, two years ago, | 0:10:27 | 0:10:30 | |
and though she fell in love with him | 0:10:30 | 0:10:33 | |
she wasn't so keen on his house. | 0:10:33 | 0:10:36 | |
I lived here a long time with my late wife, and she'd had | 0:10:36 | 0:10:38 | |
a hand in doing all the furnishings and what have you, you know? | 0:10:38 | 0:10:42 | |
It was still very much their combined taste rather than mine. | 0:10:42 | 0:10:47 | |
The decor was, for me, quite heavy and oppressive. | 0:10:47 | 0:10:50 | |
Victorian hunting lodge, I think, about sums it up. | 0:10:50 | 0:10:53 | |
I just thought, "I can't really live here." | 0:10:53 | 0:10:55 | |
All these animal heads staring at me with their dead eyes. | 0:10:55 | 0:10:59 | |
HOWL | 0:10:59 | 0:11:01 | |
I would prefer things to be lighter and brighter. | 0:11:01 | 0:11:05 | |
I'm certainly not a minimalist, | 0:11:05 | 0:11:06 | |
but I'm not that keen on having all that much to dust. | 0:11:06 | 0:11:11 | |
As the relative newcomer here, | 0:11:11 | 0:11:13 | |
Eileen has found it tricky to put her stamp on the place. | 0:11:13 | 0:11:16 | |
It does feel a bit strange, | 0:11:16 | 0:11:18 | |
as a second wife, to come | 0:11:18 | 0:11:19 | |
into somebody else's bedroom | 0:11:19 | 0:11:21 | |
and try to make it yours. | 0:11:21 | 0:11:23 | |
Maybe it would just take that designer's eye to make it all | 0:11:23 | 0:11:27 | |
more reflective of who we are as a couple. | 0:11:27 | 0:11:29 | |
Yeah. | 0:11:29 | 0:11:30 | |
Really, at the end of the day, | 0:11:30 | 0:11:31 | |
it's more about Eileen being happy | 0:11:31 | 0:11:34 | |
with the home. | 0:11:34 | 0:11:35 | |
I would just like Brian and I to have something that's ours. | 0:11:35 | 0:11:38 | |
So that it's almost like the fresh start that we've been | 0:11:38 | 0:11:41 | |
given as a couple. | 0:11:41 | 0:11:42 | |
The old is gone, the new has come, | 0:11:42 | 0:11:44 | |
the best is yet to be. | 0:11:44 | 0:11:46 | |
Well, change is on its way. | 0:11:46 | 0:11:48 | |
I'm heading to see Brian and Eileen's issues for myself. | 0:11:48 | 0:11:51 | |
-Hi! -Hello. -Come in. | 0:11:55 | 0:11:57 | |
Are you going to show me around? | 0:11:57 | 0:11:58 | |
-Yes, come through. -Great. | 0:11:58 | 0:12:00 | |
Let's start in the heart of the home, the kitchen. | 0:12:01 | 0:12:05 | |
And right away, I can see that the partition | 0:12:05 | 0:12:07 | |
is something I'd want to change. | 0:12:07 | 0:12:09 | |
It's a very interesting shape, isn't it? | 0:12:10 | 0:12:13 | |
When we're entertaining, I've got to peer through the teapots to | 0:12:13 | 0:12:16 | |
actually talk to people. | 0:12:16 | 0:12:18 | |
And what would be your worst nightmare in here? | 0:12:18 | 0:12:20 | |
Some of the kitchens that you see now look more like laboratories... | 0:12:20 | 0:12:23 | |
-Right. -..where you would dissect a mouse rather than cook a dinner. | 0:12:23 | 0:12:26 | |
So, not too contemporary. | 0:12:26 | 0:12:28 | |
Not too contemporary. | 0:12:28 | 0:12:29 | |
And this is the bedroom. | 0:12:31 | 0:12:32 | |
Wow. | 0:12:33 | 0:12:35 | |
-Interesting. -LAUGHING: -Yes. | 0:12:35 | 0:12:37 | |
Is this your favourite room? | 0:12:37 | 0:12:39 | |
Not especially, no. | 0:12:39 | 0:12:40 | |
Not your taste. | 0:12:40 | 0:12:41 | |
Not my taste. | 0:12:41 | 0:12:43 | |
It's a nice thick carpet and obviously very good quality, | 0:12:43 | 0:12:45 | |
but I think this kind of hectic floral pattern may have had its day. | 0:12:45 | 0:12:50 | |
You could be right there, actually. | 0:12:50 | 0:12:52 | |
So Brian, Eileen, this is it. | 0:12:55 | 0:12:58 | |
Time to hand over those keys. | 0:12:58 | 0:13:00 | |
Come on. Be brave. | 0:13:02 | 0:13:04 | |
Good luck. See you soon. | 0:13:04 | 0:13:06 | |
Brian and Eileen have two nail-biting days | 0:13:06 | 0:13:09 | |
before they see the results. | 0:13:09 | 0:13:11 | |
Bye, house. | 0:13:11 | 0:13:12 | |
-Bye, house. -See you when I get back. | 0:13:12 | 0:13:15 | |
I think the house could be amazing. | 0:13:15 | 0:13:17 | |
It needs a lot of love and attention, | 0:13:17 | 0:13:20 | |
and let's see what we get. | 0:13:20 | 0:13:22 | |
And who we get. | 0:13:22 | 0:13:23 | |
It's time to see which amateur designers I'm | 0:13:23 | 0:13:26 | |
unleashing on their chapel of love. | 0:13:26 | 0:13:28 | |
First in, a 34-year-old self-proclaimed | 0:13:31 | 0:13:33 | |
tree hugger from Merseyside. | 0:13:33 | 0:13:35 | |
Here goes. | 0:13:35 | 0:13:37 | |
Hi, my name's Sam. | 0:13:37 | 0:13:39 | |
I'm a tattoo artist, not that you'd ever guess, | 0:13:39 | 0:13:41 | |
and I can't really think of anybody who's got a style like mine. | 0:13:41 | 0:13:44 | |
It's somewhere between Victorian, Gothic, | 0:13:44 | 0:13:47 | |
definitely more Bavarian palace than Buckingham Palace. | 0:13:47 | 0:13:50 | |
As you can see, behind me | 0:13:50 | 0:13:51 | |
I have my altar which is jam-packed | 0:13:51 | 0:13:53 | |
full of very beautiful things, because | 0:13:53 | 0:13:55 | |
I believe in energy in life, | 0:13:55 | 0:13:57 | |
and feeling the energy in a building. | 0:13:57 | 0:14:00 | |
So I can't wait to get into your house | 0:14:00 | 0:14:01 | |
and see what the building wants to tell me, | 0:14:01 | 0:14:03 | |
see what secret it's got. | 0:14:03 | 0:14:05 | |
The fact that you're putting your home in my hands says to me | 0:14:05 | 0:14:07 | |
that you guys are ready for an adventure | 0:14:07 | 0:14:09 | |
and I think I'm just the girl to take you on it. | 0:14:09 | 0:14:12 | |
-Oh, dear. -Gosh. | 0:14:12 | 0:14:13 | |
I think I like her as a person. | 0:14:13 | 0:14:15 | |
I'm not really sure what she's going to do to the house. | 0:14:15 | 0:14:18 | |
Following in Sam's footsteps is a 53-year-old mum of two from Devon. | 0:14:20 | 0:14:24 | |
Hi, I'm Shirley, and I'm a fashion lecturer, | 0:14:25 | 0:14:29 | |
so I do know what I'm doing. | 0:14:29 | 0:14:31 | |
I know what I want. | 0:14:31 | 0:14:32 | |
And I'll push for it. | 0:14:34 | 0:14:35 | |
Most of the time, I get it. | 0:14:36 | 0:14:38 | |
# One of these days these boots are going to walk all over you... # | 0:14:38 | 0:14:41 | |
My personality is big, | 0:14:43 | 0:14:45 | |
so I always strive to go out and put together the things that | 0:14:45 | 0:14:48 | |
I know are unique, only to me, | 0:14:48 | 0:14:51 | |
in a very selfish way. | 0:14:51 | 0:14:54 | |
Mistakes? | 0:14:54 | 0:14:55 | |
This lady doesn't make mistakes. | 0:14:55 | 0:14:57 | |
So it's going to be very much her taste and what she wants. | 0:15:00 | 0:15:02 | |
Is she going to listen to what we want, I wonder? | 0:15:02 | 0:15:05 | |
Well, I wonder too. | 0:15:05 | 0:15:07 | |
For the first two days, | 0:15:07 | 0:15:08 | |
the designers will be working on their individual rooms. | 0:15:08 | 0:15:12 | |
Shirley's been given the cluttered kitchen and a budget of £8,500. | 0:15:12 | 0:15:16 | |
Sam's got the old bedroom and 2,500 to transform that. | 0:15:16 | 0:15:21 | |
Okey dokey. | 0:15:23 | 0:15:24 | |
A lot of stuff. My gosh! Look at this. | 0:15:24 | 0:15:29 | |
It's like a giant tub of margarine has exploded in here. | 0:15:29 | 0:15:33 | |
And that's just like a magic eye picture that's gone wrong. | 0:15:33 | 0:15:36 | |
It needs bringing up to date. | 0:15:36 | 0:15:39 | |
It needs a soul. | 0:15:39 | 0:15:41 | |
A bit scary, aren't they? | 0:15:41 | 0:15:43 | |
Like an army of advancing wardrobes | 0:15:43 | 0:15:46 | |
marching across the bedroom towards you. | 0:15:46 | 0:15:48 | |
As well as working on their own rooms, | 0:15:48 | 0:15:50 | |
they will be collaborating on the large living room later in the week. | 0:15:50 | 0:15:54 | |
But for now I want to be sure they understand the brief. | 0:15:56 | 0:16:00 | |
-Shirley, hi. -Hi. -Come and meet Sam. -Oh. -Sam, meet Shirley. | 0:16:00 | 0:16:04 | |
-Nice to meet you. Hi. -Nice to meet you. -Good to meet you too. | 0:16:04 | 0:16:07 | |
So, what do you think of your rooms? | 0:16:07 | 0:16:09 | |
Oh, overwhelming. | 0:16:09 | 0:16:12 | |
-Really? -Yeah. | 0:16:12 | 0:16:13 | |
-This room has to be made a much more sociable room, OK? -Yeah. | 0:16:13 | 0:16:19 | |
Because Eileen's cooking in there, | 0:16:19 | 0:16:21 | |
-and her friends are in the bottom level... -Yes. | 0:16:21 | 0:16:23 | |
-..and she has to lean over to see them and speak to them. -Yeah. | 0:16:23 | 0:16:27 | |
So they want it to be a really fun room. | 0:16:27 | 0:16:29 | |
-A nice room that they can socialise in. -I understand that. | 0:16:29 | 0:16:32 | |
-Sam. -Hi. | 0:16:32 | 0:16:34 | |
Your brief is that they want a nice relaxing room, | 0:16:34 | 0:16:38 | |
so you've got to be very careful there not to put too much | 0:16:38 | 0:16:41 | |
of what you would like in your home in their home. | 0:16:41 | 0:16:44 | |
So, girls, you've got to get on with it now. | 0:16:44 | 0:16:47 | |
-This is your big chance, OK? -Yes, boss. -We hear that. No pressure. | 0:16:47 | 0:16:50 | |
Pressure? Well, you know what they say - | 0:16:52 | 0:16:54 | |
if you can't stand the heat, get out of the kitchen, | 0:16:54 | 0:16:57 | |
which is not so easy if you're supposed to be designing it. | 0:16:57 | 0:17:00 | |
I'm going to get rid of all of this and create space. | 0:17:00 | 0:17:04 | |
Dividing wall really cuts the kitchen in half | 0:17:04 | 0:17:09 | |
and makes it really, really poky. | 0:17:09 | 0:17:11 | |
That's definitely got to go! That one and that one. | 0:17:11 | 0:17:14 | |
MUSIC: So Macho by Sinitta | 0:17:14 | 0:17:16 | |
To help Shirley and Sam achieve their goals, | 0:17:16 | 0:17:19 | |
I'm giving them builder Nathan. | 0:17:19 | 0:17:21 | |
Shirley will be happy when everything's empty and clean. | 0:17:21 | 0:17:25 | |
You've got it. You've got the picture. | 0:17:25 | 0:17:28 | |
I'm a little bit scared of Shirley, as well, | 0:17:28 | 0:17:29 | |
so I'm just doing what I'm told so I stay out of trouble. | 0:17:29 | 0:17:32 | |
In the master bedroom, the margarine wardrobes are hitting the skip | 0:17:32 | 0:17:35 | |
as budding designer Sam branches out. | 0:17:35 | 0:17:39 | |
So my big idea for the bed, and it is quite a big idea, | 0:17:39 | 0:17:43 | |
I really want to make a four poster bed, | 0:17:43 | 0:17:45 | |
-but the four posts are going to be trees. -Trees? | 0:17:45 | 0:17:48 | |
Yeah, I think it's just going to feel very boudoir-ish | 0:17:48 | 0:17:51 | |
and very special to them. | 0:17:51 | 0:17:52 | |
I hope so. That's the vibe. | 0:17:52 | 0:17:55 | |
Either that or Liberace has exploded in here. | 0:17:55 | 0:17:58 | |
Sam's also committing an interior design crime - | 0:17:58 | 0:18:01 | |
painting over wallpaper. Risky if it's this old. | 0:18:01 | 0:18:04 | |
For the theme for this room, I really like that feel of, like, | 0:18:04 | 0:18:07 | |
The Lion, the Witch and the Wardrobe. | 0:18:07 | 0:18:09 | |
Bringing that touch of Narnia, | 0:18:09 | 0:18:11 | |
so that you've got that kind of slightly fantastical feel. | 0:18:11 | 0:18:15 | |
I can't say that's a design inspiration I've ever used. | 0:18:15 | 0:18:19 | |
The purple paint is on. | 0:18:19 | 0:18:21 | |
Yeah, it's all gone really well, | 0:18:21 | 0:18:24 | |
which is a bit scary. | 0:18:24 | 0:18:26 | |
Yes, it is. | 0:18:26 | 0:18:27 | |
MUSIC: Half The World Away by Oasis | 0:18:27 | 0:18:30 | |
Six miles away in Consett, Leila may have put John's dislike of colour | 0:18:30 | 0:18:34 | |
out of her mind, but John certainly can't put Leila out of his. | 0:18:34 | 0:18:38 | |
He's filling his nan and mum in on his worries. | 0:18:38 | 0:18:41 | |
She looks perfectly normal, | 0:18:41 | 0:18:43 | |
but her tastes suggest that she's come down from a different planet. | 0:18:43 | 0:18:48 | |
But that's her ideas, you see, John. | 0:18:48 | 0:18:51 | |
Different people have different tastes in everything. | 0:18:51 | 0:18:55 | |
She is different. That's the thing. She's different to everybody else. | 0:18:55 | 0:18:59 | |
Oh, John. | 0:18:59 | 0:19:00 | |
I think Leila's the best one to have, because she's got colour. | 0:19:00 | 0:19:04 | |
You've got to give the girl a chance. | 0:19:04 | 0:19:06 | |
There's more colours going to go into that house | 0:19:06 | 0:19:08 | |
than what's on a snooker table, I can tell you that. | 0:19:08 | 0:19:11 | |
Well, it just might be nice now. Just hold on. | 0:19:11 | 0:19:14 | |
I do hope Nan's right. | 0:19:14 | 0:19:16 | |
I really do. | 0:19:16 | 0:19:17 | |
MUSIC: Aquarius (Let the Sunshine In) by The Fifth Dimension | 0:19:19 | 0:19:22 | |
At the house, it appears John's worst fears are coming true. | 0:19:22 | 0:19:26 | |
Leila has stamped her colourful taste onto the walls. | 0:19:26 | 0:19:30 | |
Downstairs, Nic is struggling to decide between 50 shades of grey. | 0:19:31 | 0:19:36 | |
Nic's proving to be a proper Italian prima donna. | 0:19:36 | 0:19:39 | |
He's taking ages to pick paint | 0:19:39 | 0:19:41 | |
and see what it looks like when it's dry, | 0:19:41 | 0:19:43 | |
and we're on a very tight schedule. | 0:19:43 | 0:19:44 | |
I just can't see his room being done in time. | 0:19:44 | 0:19:47 | |
He needs to hurry up and make a decision, | 0:19:47 | 0:19:49 | |
as I'm back tomorrow and that room needs to be good. | 0:19:49 | 0:19:52 | |
It's a new day in County Durham, | 0:19:58 | 0:20:00 | |
and, at the chapel, things aren't going too well | 0:20:00 | 0:20:02 | |
for tattoo artist Sam. | 0:20:02 | 0:20:04 | |
The moisture in paint has a habit of unsticking old wallpaper. | 0:20:05 | 0:20:09 | |
Oh. | 0:20:09 | 0:20:10 | |
She should have stripped. | 0:20:11 | 0:20:13 | |
God, that's not ideal, is it? | 0:20:13 | 0:20:16 | |
Oh, that's just completely coming off. | 0:20:16 | 0:20:18 | |
Good news is - paint looks nice. | 0:20:18 | 0:20:20 | |
Bad news is - it's now falling off the wall. | 0:20:20 | 0:20:24 | |
Win some, lose some. | 0:20:24 | 0:20:26 | |
Only one thing for it. | 0:20:26 | 0:20:27 | |
MUSIC: Rip It Up by Orange Juice | 0:20:27 | 0:20:30 | |
Argh! Argh! | 0:20:30 | 0:20:31 | |
Blissfully unaware of the chaos in their home, | 0:20:39 | 0:20:42 | |
Brian and Eileen are having drinks with friends. | 0:20:42 | 0:20:45 | |
They probably need it after taking such a huge risk. | 0:20:45 | 0:20:49 | |
I think it's really interesting to invite somebody in, | 0:20:49 | 0:20:52 | |
to actually remodel everything. | 0:20:52 | 0:20:54 | |
We've handed over the keys. | 0:20:54 | 0:20:56 | |
Our home is in their hands | 0:20:56 | 0:20:57 | |
so they can go into any room and do pretty much what they choose. | 0:20:57 | 0:21:02 | |
I think it's exciting. I wouldn't because... | 0:21:02 | 0:21:06 | |
-Because I wouldn't let him! -I knew that was coming! | 0:21:06 | 0:21:10 | |
-Whose idea was this in the first place? -Yeah! Whose? | 0:21:10 | 0:21:13 | |
I'm quite excited to go back to see which rooms they've done, | 0:21:16 | 0:21:20 | |
but I'm also going to have a bit of a sleepless night, | 0:21:20 | 0:21:22 | |
worrying about what they've done to those rooms, I must admit. | 0:21:22 | 0:21:26 | |
I mean, to be honest, are you just putting on a brave face or...? | 0:21:26 | 0:21:31 | |
A little bit, maybe. | 0:21:31 | 0:21:34 | |
What have we done? | 0:21:34 | 0:21:35 | |
What, indeed! | 0:21:36 | 0:21:38 | |
In Stanley, the flowers are blooming, the rivers are running | 0:21:44 | 0:21:48 | |
and the trees... | 0:21:48 | 0:21:49 | |
Well, they look like they've been chopped down for Sam. | 0:21:49 | 0:21:53 | |
All righty. | 0:21:53 | 0:21:55 | |
It's a tree. | 0:21:55 | 0:21:56 | |
You know what? That's not bad. | 0:21:57 | 0:21:59 | |
-I have five of these. -Good, good. | 0:21:59 | 0:22:02 | |
The more trees the better. Let's go! Let's do it! | 0:22:02 | 0:22:06 | |
Inside, the flowery carpet's coming out at last | 0:22:06 | 0:22:11 | |
and Shirley's on a roll. | 0:22:11 | 0:22:13 | |
Yes! At last! | 0:22:13 | 0:22:16 | |
She's ordered London print wallpaper | 0:22:16 | 0:22:18 | |
to help bring the chapel kitchen into the 21st century. | 0:22:18 | 0:22:22 | |
I clearly remember Eileen saying she didn't want contemporary. | 0:22:22 | 0:22:26 | |
Back at the Geoghegans, Leila's rainbow room is taking shape. | 0:22:29 | 0:22:34 | |
They're my babies. My babies! | 0:22:34 | 0:22:37 | |
Bedrooms should be relaxing places to unwind. | 0:22:37 | 0:22:40 | |
Leila's design is worrying me. | 0:22:40 | 0:22:42 | |
John is my concern about most of this room. | 0:22:43 | 0:22:46 | |
I'm hoping that he's going to come round to a bit of colour | 0:22:46 | 0:22:50 | |
because he hasn't really got a lot of choice. | 0:22:50 | 0:22:52 | |
Love the colour! | 0:22:52 | 0:22:54 | |
Downstairs, Nic's finally whittled it down to just one shade of grey. | 0:22:54 | 0:22:57 | |
MUSIC: Fade To Grey by Visage | 0:22:57 | 0:23:00 | |
As Leila will soon have to join forces with him, | 0:23:00 | 0:23:02 | |
his one colour revamp is setting off alarm bells. | 0:23:02 | 0:23:06 | |
Oh, my God. | 0:23:06 | 0:23:07 | |
That is very brave. | 0:23:07 | 0:23:10 | |
I like the colour. | 0:23:10 | 0:23:11 | |
I'm just not sure about the ceiling. | 0:23:11 | 0:23:14 | |
If Leila loves rainbows but Nic only likes grey, | 0:23:14 | 0:23:17 | |
how on earth are they going to work together on a joint room? | 0:23:17 | 0:23:21 | |
I am a bit nervous, actually, about doing a design with him. | 0:23:21 | 0:23:24 | |
To be honest with you, | 0:23:24 | 0:23:25 | |
I'm actually not looking forward to it at the moment. | 0:23:25 | 0:23:29 | |
Over at the chapel and it's all hands on deck. | 0:23:29 | 0:23:33 | |
I've got one hour to Celia coming back | 0:23:33 | 0:23:36 | |
and I've never done grouting before. | 0:23:36 | 0:23:39 | |
Next door, the tree bed's having a spot of last minute surgery | 0:23:39 | 0:23:43 | |
before its big unveiling. | 0:23:43 | 0:23:45 | |
There we go. | 0:23:45 | 0:23:46 | |
I'm all for the design trend of bringing the outside in, | 0:23:46 | 0:23:49 | |
but this is bonkers. | 0:23:49 | 0:23:52 | |
Ah! No! Ah, no! I like that. | 0:23:52 | 0:23:55 | |
It's time for Sam and Shirley | 0:23:57 | 0:23:58 | |
to down tools and make themselves scarce. | 0:23:58 | 0:24:01 | |
Brian and Eileen will be back soon | 0:24:02 | 0:24:04 | |
and I need to see the rooms for myself. | 0:24:04 | 0:24:06 | |
Before, the bedroom didn't reflect its occupants' tastes | 0:24:10 | 0:24:13 | |
with its highly-patterned carpet, | 0:24:13 | 0:24:15 | |
cream wallpaper and old-fashioned furniture. | 0:24:15 | 0:24:18 | |
Now, with a budget of £2,500, | 0:24:19 | 0:24:23 | |
the bedroom has been transformed with statement purple walls, | 0:24:23 | 0:24:26 | |
upcycled furniture | 0:24:26 | 0:24:28 | |
and a feature tree trunk bed. | 0:24:28 | 0:24:31 | |
Wow. | 0:24:32 | 0:24:33 | |
The bed's interesting. | 0:24:37 | 0:24:38 | |
I feel like I'm in a forest. | 0:24:40 | 0:24:42 | |
I don't like the fact that the tree is over the window. | 0:24:45 | 0:24:49 | |
This room would have worked much better | 0:24:49 | 0:24:51 | |
had the bed been on this wall. | 0:24:51 | 0:24:54 | |
That window is a feature, so we're kind of covering that. | 0:24:54 | 0:24:58 | |
I mean, it's a bit fantasy land. | 0:25:01 | 0:25:03 | |
I wouldn't say it's in keeping with the property at all. | 0:25:03 | 0:25:07 | |
It's a childish room. | 0:25:07 | 0:25:08 | |
It's something a 12-year-old would absolutely adore, | 0:25:08 | 0:25:13 | |
but not a mature couple. | 0:25:13 | 0:25:15 | |
Right, I've seen enough. On to Shirley's kitchen. | 0:25:15 | 0:25:19 | |
Before, it was divided into two with a partition wall | 0:25:21 | 0:25:25 | |
and filled with trinkets and traditional furniture. | 0:25:25 | 0:25:28 | |
With the budget of £8,500, | 0:25:31 | 0:25:33 | |
the space has been dramatically altered. | 0:25:33 | 0:25:36 | |
Shirley removed the central wall, replaced the units, | 0:25:36 | 0:25:39 | |
and hung statement London wallpaper, | 0:25:39 | 0:25:42 | |
all very contemporary. | 0:25:42 | 0:25:44 | |
Right, it's very bright. | 0:25:48 | 0:25:49 | |
I love the fact they've opened the space up. That's a really good job, | 0:25:51 | 0:25:56 | |
but it feels very cold. | 0:25:56 | 0:25:59 | |
I hate the wallpaper. | 0:25:59 | 0:26:01 | |
I mean, at least if you're going to do something like that, | 0:26:01 | 0:26:03 | |
reflect on where your house is. | 0:26:03 | 0:26:06 | |
It is not, in any way, shape or form, | 0:26:06 | 0:26:11 | |
in keeping with the rest of the property, | 0:26:11 | 0:26:13 | |
and Eileen, specifically, said | 0:26:13 | 0:26:16 | |
that she didn't want a kitchen like a laboratory, | 0:26:16 | 0:26:20 | |
and, to me, apart from a few test tubes missing, | 0:26:20 | 0:26:24 | |
there's not much difference. | 0:26:24 | 0:26:26 | |
And Brian and Eileen are getting closer. | 0:26:28 | 0:26:31 | |
It's about sympathy for the period of the property | 0:26:31 | 0:26:34 | |
and for the history of the property, | 0:26:34 | 0:26:36 | |
and I think we both feel very protective about that. | 0:26:36 | 0:26:41 | |
I don't think they're going to like it. I really, really don't. | 0:26:41 | 0:26:44 | |
I really don't. Oh, my goodness. | 0:26:44 | 0:26:46 | |
It's the moment of truth. | 0:26:48 | 0:26:49 | |
Welcome back, Brian and Eileen. | 0:26:49 | 0:26:52 | |
I think I'll show them Sam's bedroom first. | 0:26:52 | 0:26:56 | |
-Open your eyes. -I daren't! | 0:26:56 | 0:26:58 | |
SHE GASPS | 0:26:59 | 0:27:01 | |
-Wow! -Oh, my goodness. | 0:27:03 | 0:27:06 | |
Gosh. | 0:27:06 | 0:27:07 | |
Love the bed. | 0:27:16 | 0:27:18 | |
Yeah. | 0:27:18 | 0:27:19 | |
-Wow. -Just the trees are... | 0:27:21 | 0:27:24 | |
The dogs are going to love that. | 0:27:24 | 0:27:25 | |
We're going to have to keep them out. | 0:27:25 | 0:27:27 | |
-Gosh. -Wow, I love the wardrobe. | 0:27:29 | 0:27:32 | |
Yeah, yeah, that's beautiful. | 0:27:32 | 0:27:34 | |
Oh, the carpet's lovely. | 0:27:34 | 0:27:36 | |
That's gorgeous. Yeah. | 0:27:36 | 0:27:37 | |
-Because it was quite a busy carpet before. -It was very busy. | 0:27:37 | 0:27:40 | |
-Very busy, yes. -Yeah, there was too much going on. | 0:27:40 | 0:27:42 | |
-And I think this is our old furniture. -It is. | 0:27:42 | 0:27:45 | |
-What a brilliant idea. -Wow. -That's good. | 0:27:45 | 0:27:47 | |
I'm really pleased you like it. | 0:27:47 | 0:27:49 | |
I wouldn't have chosen dark purple, although I did in my teens. | 0:27:49 | 0:27:53 | |
I see you as quite a colourful lady. | 0:27:53 | 0:27:55 | |
Yeah. It works, though. It's good. | 0:27:55 | 0:27:58 | |
Well, I'm really pleased, but you haven't seen the other room yet. | 0:27:58 | 0:28:01 | |
-I know, we've got one more room to go. -So that's next. | 0:28:01 | 0:28:04 | |
Fingers firmly crossed. | 0:28:04 | 0:28:06 | |
Now open your eyes! | 0:28:07 | 0:28:09 | |
SHE GASPS | 0:28:09 | 0:28:11 | |
-Whoa! -Wow! | 0:28:11 | 0:28:14 | |
-Oh, my lord! -It's bright! | 0:28:14 | 0:28:16 | |
-Are we in the right house? -Are we in the same house? | 0:28:22 | 0:28:25 | |
I don't think we are. I didn't think this space was this big. | 0:28:25 | 0:28:30 | |
-What do you think? -It is so different to the bedroom... | 0:28:30 | 0:28:33 | |
..but it's absolutely fabulous. | 0:28:36 | 0:28:39 | |
-And the walls! I love the wallpaper. -The wallpaper, yeah. -Yeah. | 0:28:39 | 0:28:43 | |
We have a London kitchen in our Geordie house! | 0:28:43 | 0:28:47 | |
Man, this is just phenomenal! I love it. | 0:28:47 | 0:28:50 | |
You did mention that you didn't want a white kitchen | 0:28:50 | 0:28:52 | |
that looked quite sort of sterile and like a laboratory. | 0:28:52 | 0:28:55 | |
But it works. It's amazing and I absolutely love it. | 0:28:55 | 0:28:59 | |
Honestly, I'm going to cry. | 0:28:59 | 0:29:01 | |
Fabulous. Fabulous. | 0:29:01 | 0:29:03 | |
I was so shocked when they came in | 0:29:03 | 0:29:06 | |
and said, "We love it!" | 0:29:06 | 0:29:09 | |
How did that happen? | 0:29:09 | 0:29:11 | |
-I think they've really excelled themselves. -Oh, definitely. | 0:29:11 | 0:29:13 | |
-Definitely. -Really excelled themselves. | 0:29:13 | 0:29:15 | |
Before the amateur designers move on to the joint room, | 0:29:15 | 0:29:18 | |
they need to get the all-important client feedback. | 0:29:18 | 0:29:22 | |
-Hello, girls. -Hello. -Hi. | 0:29:22 | 0:29:23 | |
-Welcome back. -Thank you. | 0:29:23 | 0:29:26 | |
Let's start with you, Shirley. | 0:29:26 | 0:29:28 | |
Explain to me the London wallpaper. | 0:29:28 | 0:29:31 | |
Why London when we're in County Durham? | 0:29:31 | 0:29:35 | |
I just loved it. It felt right | 0:29:35 | 0:29:37 | |
and that's enough for me. | 0:29:37 | 0:29:39 | |
-But you know what, Shirley? -Yes. | 0:29:42 | 0:29:45 | |
-You're very lucky this time, because they love it. -Yes! | 0:29:45 | 0:29:49 | |
-Sorry. -So, well done. -Oh, my God! | 0:29:49 | 0:29:53 | |
-Sam. -Hi. | 0:29:56 | 0:29:58 | |
-We've got a very purple room. -I know. | 0:30:00 | 0:30:02 | |
And the bed...! | 0:30:02 | 0:30:04 | |
I have to say, though... | 0:30:04 | 0:30:06 | |
-they loved it. -Oh, God! | 0:30:06 | 0:30:09 | |
-They loved it again! -OK. | 0:30:09 | 0:30:12 | |
Now, the question is, of course, | 0:30:12 | 0:30:14 | |
we have the most important room of the house to do next, | 0:30:14 | 0:30:18 | |
how are you two going to work together? And do you think, | 0:30:18 | 0:30:22 | |
how are we going to put these two very different styles into one room? | 0:30:22 | 0:30:26 | |
They want a room they can relax in. | 0:30:26 | 0:30:28 | |
-So I wish you the best of luck. -Thank you. -Thank you. | 0:30:28 | 0:30:31 | |
You've got two days. | 0:30:31 | 0:30:33 | |
Two days?! | 0:30:33 | 0:30:34 | |
I'm giving them a budget of £4,000 to design this amazing space. | 0:30:36 | 0:30:40 | |
But as they've both got their individual designs right, | 0:30:40 | 0:30:44 | |
I worry that they may struggle when it comes to compromising now. | 0:30:44 | 0:30:48 | |
Back in Consett, Nic and Leila | 0:30:51 | 0:30:54 | |
are running out of time on their individual rooms. | 0:30:54 | 0:30:57 | |
We've got about 22 seconds left. | 0:30:58 | 0:31:00 | |
Slightly higher. Perfect, perfect, perfect. | 0:31:04 | 0:31:07 | |
I'd better take a good look at what they've done before I show | 0:31:07 | 0:31:10 | |
the clients, John and Rachel. | 0:31:10 | 0:31:12 | |
For the past 12 years, | 0:31:14 | 0:31:16 | |
the living room's been catering to John's taste - cream. | 0:31:16 | 0:31:20 | |
Nic used his £3,500 budget to transform the space, stripping the | 0:31:20 | 0:31:26 | |
plaster to expose the brick, adding grey to the walls and ceiling, | 0:31:26 | 0:31:31 | |
and accessorising with a mixture of leather and soft furnishings. | 0:31:31 | 0:31:35 | |
I can see who Nic's trying to please. | 0:31:35 | 0:31:38 | |
It's very manly. | 0:31:38 | 0:31:41 | |
Gosh! Oh, that's awful! | 0:31:41 | 0:31:44 | |
-LAUGHS: -What is that?! | 0:31:44 | 0:31:47 | |
God, it's dreadful! | 0:31:47 | 0:31:49 | |
I don't feel it's a family environment at all. | 0:31:49 | 0:31:52 | |
It's definitely a bachelor pad. | 0:31:52 | 0:31:54 | |
I'm not saying I hate it, though, because I don't. | 0:31:54 | 0:31:57 | |
-I think we'll be surprised with what we're going to see. -I think we'll be in for a shock. | 0:31:57 | 0:32:00 | |
They wanted wow factor, relaxing family room... | 0:32:00 | 0:32:04 | |
The only wow factor, I would say, in here is, "Wow, isn't it dark?" | 0:32:04 | 0:32:09 | |
-There's going to be no cream. -No. | 0:32:09 | 0:32:11 | |
Fingers crossed, no cream. | 0:32:11 | 0:32:12 | |
We've been waiting for colour in the house for years. | 0:32:12 | 0:32:15 | |
I'm just going to see if I can watch TV. | 0:32:15 | 0:32:17 | |
No. I'm all right here, but I have got to sit like this. | 0:32:19 | 0:32:23 | |
Fireplace is all right. It's done well. | 0:32:25 | 0:32:28 | |
It'll be very interesting to see what they think. | 0:32:28 | 0:32:31 | |
I'm genuinely, genuinely concerned about the room that Leila's done. | 0:32:31 | 0:32:36 | |
I know the feeling. | 0:32:36 | 0:32:37 | |
Whoa! | 0:32:40 | 0:32:42 | |
The bedroom used to be home to poorly painted pale walls | 0:32:42 | 0:32:45 | |
and uninspired furniture. | 0:32:45 | 0:32:47 | |
With a budget of £3,500, John the bodger's cream bedroom | 0:32:47 | 0:32:52 | |
has been transformed into a riot of bright | 0:32:52 | 0:32:54 | |
and vibrant clashing colours and statement furniture. | 0:32:54 | 0:32:59 | |
I think this is quite nicely done. | 0:33:00 | 0:33:02 | |
I think the colour here is good. | 0:33:02 | 0:33:04 | |
I don't think it needed the wallpaper as well. | 0:33:04 | 0:33:08 | |
You've got to remember, in a room, | 0:33:08 | 0:33:10 | |
if your walls are foreground or background. | 0:33:10 | 0:33:13 | |
And if you're going to put artwork on, which she has, | 0:33:13 | 0:33:16 | |
it's fighting with the background. | 0:33:16 | 0:33:18 | |
SHE SIGHS | 0:33:19 | 0:33:20 | |
How do you sleep in this chaos? | 0:33:20 | 0:33:22 | |
I feel like I'm in a kind of tacky hotel where, you know, | 0:33:22 | 0:33:26 | |
these should be flashing. | 0:33:26 | 0:33:28 | |
He's going to hate it. | 0:33:30 | 0:33:31 | |
I'm dreading this. I really am. | 0:33:33 | 0:33:35 | |
-Hello there. -Hello. | 0:33:39 | 0:33:40 | |
Welcome back to your home. How are you feeling? | 0:33:40 | 0:33:43 | |
Nervous. | 0:33:43 | 0:33:45 | |
Nic's living room first, I think. | 0:33:46 | 0:33:48 | |
Open your eyes. | 0:33:49 | 0:33:51 | |
Don't want to! | 0:33:51 | 0:33:52 | |
Oh, my God! | 0:33:53 | 0:33:55 | |
It's totally different. | 0:33:57 | 0:33:58 | |
It is. | 0:33:58 | 0:34:00 | |
And...this is really, really nice. | 0:34:00 | 0:34:02 | |
-Really? -Really nice. | 0:34:02 | 0:34:04 | |
Yes, I really do like it. It's very nice. | 0:34:04 | 0:34:06 | |
What do you think, Rachel? | 0:34:06 | 0:34:07 | |
I really like it. I really do. | 0:34:07 | 0:34:09 | |
Totally changed. | 0:34:09 | 0:34:11 | |
It's absolutely superb. | 0:34:11 | 0:34:14 | |
-Enough colour for you, Rachel? -It is. | 0:34:14 | 0:34:16 | |
I wouldn't have chosen this colour, but it looks...looks really nice. | 0:34:16 | 0:34:20 | |
Space here as well. It's got sliding doors. | 0:34:20 | 0:34:24 | |
So, considering you only like light colours... | 0:34:24 | 0:34:28 | |
Yeah, it is kind of light, though, isn't it? It's not exactly... | 0:34:28 | 0:34:31 | |
-Light? Hmm... -..tutti-fruttis and a bag of sweets. | 0:34:31 | 0:34:34 | |
Let's hope that you like the next room as much. | 0:34:34 | 0:34:38 | |
Miracles do happen. | 0:34:38 | 0:34:39 | |
What do you think, Rachel? | 0:34:45 | 0:34:47 | |
You've got your colour. | 0:34:49 | 0:34:50 | |
Mm-hm. Yeah, I do. I like the wardrobes and... | 0:34:50 | 0:34:53 | |
No, it's too much. | 0:34:53 | 0:34:55 | |
For me, it's too busy. | 0:34:55 | 0:34:58 | |
I wouldn't have done anything like it and I don't like it. | 0:34:58 | 0:35:01 | |
Supposed to be able to go to sleep in a bedroom, | 0:35:01 | 0:35:03 | |
and it's like a kids' play area. | 0:35:03 | 0:35:05 | |
I think it looks horrendous. | 0:35:05 | 0:35:06 | |
It doesn't look anything like a bedroom. | 0:35:06 | 0:35:09 | |
So, sorry, but it's a big thumbs-down from me. It's hideous. | 0:35:09 | 0:35:14 | |
I think it's even too much for Rachel, | 0:35:14 | 0:35:16 | |
if she was to tell the truth. | 0:35:16 | 0:35:17 | |
Is it, Rachel? | 0:35:17 | 0:35:19 | |
I like... I do like the bed and the wardrobes. | 0:35:19 | 0:35:21 | |
I like the...theme of it. | 0:35:21 | 0:35:24 | |
-So, overall, you quite like it? -Mm-hm, yeah. | 0:35:24 | 0:35:27 | |
-It's rank. Don't like it at all. -I like the lights. | 0:35:27 | 0:35:30 | |
Definitely not. | 0:35:30 | 0:35:31 | |
I think Rachel likes it, though, John. | 0:35:31 | 0:35:34 | |
I know you're telling her she doesn't, but I think she does. | 0:35:34 | 0:35:36 | |
No, I'll leave it to her. Rachel's... | 0:35:36 | 0:35:39 | |
-But you're answering for her. -Yeah. | 0:35:39 | 0:35:41 | |
I haven't heard much out of Rachel's mouth, actually. Come on, Rachel. | 0:35:41 | 0:35:44 | |
I think it'll grow on us. I like... I do like the bed and the wardrobes. | 0:35:44 | 0:35:47 | |
I did ask for colour. | 0:35:47 | 0:35:49 | |
If Rachel likes it, yeah, so be it. | 0:35:49 | 0:35:51 | |
And so if Rachel likes it, can you keep it the same? | 0:35:51 | 0:35:55 | |
Not for long. | 0:35:55 | 0:35:56 | |
So you were going to accept what Rachel wanted | 0:35:56 | 0:36:00 | |
and you said if she's happy, that's fine. | 0:36:00 | 0:36:02 | |
So what you're actually saying now is it isn't fine? | 0:36:02 | 0:36:05 | |
-It's rank. Horrible. -I like it. | 0:36:05 | 0:36:06 | |
I think she's got to be heard. | 0:36:06 | 0:36:08 | |
No, sorry. It's not for me. | 0:36:08 | 0:36:12 | |
So what message would you have for the designer? | 0:36:12 | 0:36:15 | |
Don't touch the other room. | 0:36:15 | 0:36:16 | |
Right. | 0:36:18 | 0:36:19 | |
We took a chance when we handed the keys over. | 0:36:21 | 0:36:25 | |
And she's done colour, what I asked for. Might grow on you. | 0:36:25 | 0:36:29 | |
Fungus grows. That's horrible. | 0:36:29 | 0:36:31 | |
'This is feedback Nic and Leila need to hear.' | 0:36:33 | 0:36:35 | |
-Hello. -Hi. -Hello. | 0:36:35 | 0:36:38 | |
-How are you feeling? -Erm...OK. | 0:36:38 | 0:36:41 | |
-Confident. -And Nic? | 0:36:41 | 0:36:43 | |
Yeah, very curious. | 0:36:43 | 0:36:45 | |
Do you think that what you did was quite brave? | 0:36:45 | 0:36:48 | |
-It was quite brave, yes. -OK. | 0:36:48 | 0:36:50 | |
Good news for you, because they loved it. | 0:36:53 | 0:36:55 | |
So you've done a good job there. | 0:36:56 | 0:36:58 | |
-Good, good. Wow! -Well done. | 0:36:58 | 0:37:01 | |
-So, Leila... -Yes. | 0:37:01 | 0:37:02 | |
-Now, you obviously listened to Rachel. -Yes. | 0:37:02 | 0:37:05 | |
She said, "I want colour." | 0:37:05 | 0:37:07 | |
-John's the one I'm worried about. -Yeah. | 0:37:07 | 0:37:10 | |
John should be the one you're worried about. | 0:37:12 | 0:37:15 | |
Now, Rachel, she liked it. | 0:37:15 | 0:37:18 | |
Right. | 0:37:18 | 0:37:19 | |
-John, I'm afraid, hated it. -Oh, no! | 0:37:19 | 0:37:23 | |
I'm afraid he didn't like it. | 0:37:23 | 0:37:25 | |
Rachel got heard by you, OK? | 0:37:28 | 0:37:34 | |
He was my challenge. | 0:37:34 | 0:37:35 | |
You knew what you were doing when you stuck the bright colours up there, didn't you? | 0:37:35 | 0:37:39 | |
I knew what I was doing and I am... I am sticking by it. I love it. | 0:37:39 | 0:37:42 | |
-It's just that he hates it. -Yeah. Yeah. | 0:37:43 | 0:37:46 | |
He'll probably have his roller out later, painting it cream! | 0:37:46 | 0:37:49 | |
Now you've both got to work together on this room, the kitchen. | 0:37:51 | 0:37:56 | |
Now, they have a large family, they want to sit round | 0:37:56 | 0:38:00 | |
and eat at the table. | 0:38:00 | 0:38:01 | |
-So we have to make this something that works for them. -Yes. | 0:38:01 | 0:38:06 | |
Although you've both got very different styles, we've got | 0:38:06 | 0:38:08 | |
to find a way to gel them together so that you work as a team. | 0:38:08 | 0:38:13 | |
-OK. -And you've got two days. | 0:38:13 | 0:38:15 | |
-LEILA GASPS -OK. | 0:38:15 | 0:38:18 | |
This part of the challenge is to see if they can collaborate, | 0:38:18 | 0:38:21 | |
as professionals often have to work as a team. | 0:38:21 | 0:38:24 | |
To impress me, they'll have to take on board the feedback | 0:38:24 | 0:38:26 | |
and hold their nerve, | 0:38:26 | 0:38:29 | |
and use their £8,000 budget wisely. | 0:38:29 | 0:38:32 | |
I had a bit of an emotional time last night. | 0:38:36 | 0:38:38 | |
There's a lot of tension, a lot of stress going on at the moment. | 0:38:38 | 0:38:41 | |
Emotions are running really high. | 0:38:41 | 0:38:44 | |
# I see your true colours shining through | 0:38:44 | 0:38:48 | |
# I see your true colours... # | 0:38:48 | 0:38:50 | |
My challenge to myself was to get John to like colour, | 0:38:50 | 0:38:53 | |
and I failed miserably with it. | 0:38:53 | 0:38:56 | |
# Like a rainbow. # | 0:38:56 | 0:38:59 | |
Obviously, Leila's got very strong taste. | 0:38:59 | 0:39:03 | |
She obviously likes to clash things. | 0:39:03 | 0:39:06 | |
The person to please was probably more John, | 0:39:06 | 0:39:09 | |
and I think Leila did 99% Rachel and 1% John. | 0:39:09 | 0:39:12 | |
So I think for the kitchen, we need to compromise. | 0:39:12 | 0:39:16 | |
But for these two, compromise may not come easy. | 0:39:16 | 0:39:19 | |
They both have clear but different visions for their joint room. | 0:39:19 | 0:39:22 | |
I thought for the kitchen... I'm really passionate about this floor. | 0:39:22 | 0:39:26 | |
-Mm-hm. -Wall lights, I have these amazing rhinos. | 0:39:26 | 0:39:31 | |
This is a real gem. It's like a... But I think they can all match. | 0:39:33 | 0:39:37 | |
Yeah, I-I love it, but I have equally as mad wallpaper. | 0:39:37 | 0:39:40 | |
OK. Well, you know that they don't like that? | 0:39:40 | 0:39:43 | |
-Here's some tiles that I also have. -What, for the floor? | 0:39:47 | 0:39:50 | |
For the wall. Kind of like blue-turquoise. | 0:39:50 | 0:39:53 | |
Cos I've gone with clear glass all the way round. | 0:39:53 | 0:39:57 | |
We need to compromise on what we're going to do. | 0:39:57 | 0:40:00 | |
We need to share a vision, this is just reductive. | 0:40:00 | 0:40:02 | |
-I've had enough of you, actually! -HE CHUCKLES | 0:40:02 | 0:40:05 | |
All right? I've had absolutely enough of you sighing, huffing and puffing. I'm doing this as well. | 0:40:05 | 0:40:10 | |
'I have no idea what happened.' | 0:40:10 | 0:40:11 | |
She's... I think she's overreacted a little bit. | 0:40:11 | 0:40:14 | |
Ohhh! | 0:40:14 | 0:40:16 | |
You're just a right control freak! | 0:40:16 | 0:40:19 | |
I think she's taking it a bit too personal, to be honest. | 0:40:19 | 0:40:22 | |
She needs to face the fact that she can't just put bright stuff | 0:40:22 | 0:40:25 | |
in their face, cos they're not going to like it. | 0:40:25 | 0:40:28 | |
Oh, dear. | 0:40:29 | 0:40:30 | |
And it's not just Nic and Leila who aren't seeing eye to eye. | 0:40:30 | 0:40:33 | |
At the chapel, Shirley and Sam | 0:40:33 | 0:40:35 | |
are at odds over what to use to replace the old chandeliers. | 0:40:35 | 0:40:39 | |
I've got...two white, two reds. | 0:40:39 | 0:40:43 | |
Shirley's gone contemporary again. | 0:40:43 | 0:40:45 | |
And Sam seems have come over all Moroccan. | 0:40:45 | 0:40:48 | |
O...K! | 0:40:48 | 0:40:50 | |
-Oh, dear. -Well, I wanted to go big. | 0:40:50 | 0:40:52 | |
OK, OK, OK, OK... | 0:40:52 | 0:40:55 | |
OK! | 0:40:55 | 0:40:57 | |
In Consett, Leila's calling for peace talks. | 0:40:57 | 0:41:00 | |
At the moment, we're not... Had a bit of a blow out, | 0:41:02 | 0:41:05 | |
but we've got to get this job done, yeah? | 0:41:05 | 0:41:07 | |
-Yeah. -Got to work together with this. -Yeah. -OK, that's fine. | 0:41:07 | 0:41:11 | |
-I do want to work with you. -And I want to work with you, and I want us to make an amazing kitchen. -Yes. | 0:41:11 | 0:41:16 | |
A look from Shirley is all it takes to get Sam to see things her way. | 0:41:16 | 0:41:20 | |
I prefer yours. That's really depressing. | 0:41:20 | 0:41:24 | |
-OK, right. What about this one? I'm using that wallpaper... -Yeah. | 0:41:24 | 0:41:29 | |
-..you can have your lights. -Er... | 0:41:29 | 0:41:31 | |
I brought these along because I thought we might need them. | 0:41:33 | 0:41:35 | |
It's like a little hug from the universe. | 0:41:35 | 0:41:37 | |
Whenever you feel a bit "ugggh", just take that out of your pocket, give it a little rub. | 0:41:37 | 0:41:41 | |
Come here, it's all good. It's all going to be all right. | 0:41:41 | 0:41:44 | |
That's what that is. | 0:41:44 | 0:41:46 | |
They're big, painted, burgundy wall cabinets with arches. | 0:41:47 | 0:41:53 | |
Burgundy? | 0:41:53 | 0:41:55 | |
Can we repaint? | 0:41:55 | 0:41:56 | |
Halfway though Brian and Eileen's living room refurb, | 0:42:02 | 0:42:05 | |
and Shirley's lights are going up. | 0:42:05 | 0:42:08 | |
It's just right, just the right position. | 0:42:08 | 0:42:10 | |
Shirley's artwork is being framed. | 0:42:10 | 0:42:12 | |
-What do you think? -Perfect. -All righty. | 0:42:12 | 0:42:14 | |
Shirley's cushions are in position. | 0:42:14 | 0:42:17 | |
Do you own every pillow that's ever been made? | 0:42:17 | 0:42:19 | |
And wouldn't you know it? | 0:42:19 | 0:42:21 | |
Shirley's contemporary sofas have got the go-ahead too. | 0:42:21 | 0:42:24 | |
Sam's seriously in danger of over-compromising. | 0:42:24 | 0:42:27 | |
No, we've not gone with my sofa. | 0:42:27 | 0:42:29 | |
I saw Shirley's and it's huge, it's got a great scale. | 0:42:29 | 0:42:33 | |
So inspiring working with someone like Shirley. | 0:42:33 | 0:42:35 | |
Surely something of Sam's can squeeze into the design | 0:42:35 | 0:42:38 | |
of this super-sized sitting room? | 0:42:38 | 0:42:40 | |
-It's beautiful. -It's what? | 0:42:40 | 0:42:42 | |
-Look at the petroleum colours in there. -It's what? -It's beautiful. | 0:42:42 | 0:42:47 | |
-Now... -Do you know, I can't even force myself. No way. | 0:42:49 | 0:42:53 | |
There's no way I like them, and they certainly don't fit into this | 0:42:53 | 0:42:56 | |
vision that's going on in here whatsoever. | 0:42:56 | 0:42:59 | |
-Coin toss? -Sam, heads, Shirley, tails. | 0:42:59 | 0:43:02 | |
Whatever! | 0:43:02 | 0:43:03 | |
-Ohhh! -YE-E-ES! Right! | 0:43:05 | 0:43:07 | |
Even the coin has let you get your own way. | 0:43:10 | 0:43:13 | |
Ohhhhh! | 0:43:13 | 0:43:14 | |
I'm not quite sure what you mean by that! | 0:43:14 | 0:43:18 | |
We are, Shirley. | 0:43:18 | 0:43:19 | |
In Consett, the clock is ticking before John and Rachel arrive home. | 0:43:20 | 0:43:24 | |
Nic's hard at work in the garden, and worryingly, | 0:43:24 | 0:43:28 | |
Leila's injecting some colour into the kitchen. | 0:43:28 | 0:43:30 | |
Wow, that is amazing. He's going to really like this, John. | 0:43:30 | 0:43:36 | |
-You think? -Absolutely not! | 0:43:36 | 0:43:38 | |
I am quite nervous to meet John, | 0:43:39 | 0:43:42 | |
purely because he absolutely hated my bedroom. | 0:43:42 | 0:43:45 | |
Celia's warned the guys about not being too colourful in the kitchen, | 0:43:45 | 0:43:48 | |
yet we've got really crazy colourful wallpaper and pink walls. | 0:43:48 | 0:43:53 | |
Bit concerned what Celia's going to think about that one. | 0:43:53 | 0:43:56 | |
At least someone's listened to me. | 0:43:56 | 0:43:58 | |
But quite frankly I'm the least of their worries. | 0:43:58 | 0:44:01 | |
John Geoghegan's regretting ever climbing on board this | 0:44:01 | 0:44:04 | |
makeover merry-go-round. | 0:44:04 | 0:44:06 | |
Come on, John, cheer up, son. | 0:44:06 | 0:44:08 | |
No! The house is a mess. | 0:44:08 | 0:44:10 | |
It's maybe Your Home in Their Hands. | 0:44:10 | 0:44:12 | |
It'll be my home in my hands as soon as they go. | 0:44:12 | 0:44:14 | |
Because they haven't listened to a word we asked for. | 0:44:14 | 0:44:17 | |
The wallpaper that Leila's put on will be the most expensive | 0:44:17 | 0:44:20 | |
backing paper that anybody's put on any house, | 0:44:20 | 0:44:23 | |
cos that'll be painted next week. | 0:44:23 | 0:44:25 | |
It's an absolute mess. It's disgusting. | 0:44:25 | 0:44:28 | |
Rachel asked for a little bit of colour, but there's less | 0:44:28 | 0:44:31 | |
colour on this fairground ride than what's in the bedroom at the minute. | 0:44:31 | 0:44:34 | |
And when you ask for something romantic, you don't | 0:44:34 | 0:44:36 | |
put yellow wallpaper on a wall with blues and greens and birds | 0:44:36 | 0:44:40 | |
and stuff like that, then put turquoise furniture in front of it. | 0:44:40 | 0:44:44 | |
-Right. -And then put lights around your headboard with kiddies' | 0:44:44 | 0:44:47 | |
figurines on the headboard. | 0:44:47 | 0:44:48 | |
Two arrows pointing down to it. It's a mess! | 0:44:48 | 0:44:51 | |
I hope I don't meet the lady, because she'll hate me if I do. | 0:44:51 | 0:44:55 | |
Maybe the kitchen might be a bit better. | 0:44:55 | 0:44:57 | |
It can't be any worse, can it? | 0:44:57 | 0:44:58 | |
I tell you what, kitchens cost a lot of money, and if they get | 0:44:58 | 0:45:01 | |
that as badly wrong as what they've got the rest of it, God help us. | 0:45:01 | 0:45:05 | |
It's a mess, and I wouldn't recommend anybody do it. | 0:45:05 | 0:45:10 | |
Big risk? Yeah, risk too far. | 0:45:10 | 0:45:11 | |
I'm disgusted in it, and that's the truth. Absolutely disgusted. | 0:45:11 | 0:45:16 | |
And all the fun of the fair continues back at the house, | 0:45:21 | 0:45:24 | |
where Nic and Leila are still trapped on their own unmerry-go-round. | 0:45:24 | 0:45:28 | |
We're just going to have to go... | 0:45:28 | 0:45:30 | |
Nic, we've got to paint this. It's going to have to go over there. | 0:45:30 | 0:45:33 | |
You have to start listening and do as you're told for a minute. | 0:45:33 | 0:45:36 | |
I'd say that Nic and Leila are both very passionate about design. | 0:45:36 | 0:45:39 | |
-Just stick it over there. -Leila, shut up! | 0:45:39 | 0:45:40 | |
No, you shut up and stick it over there! | 0:45:40 | 0:45:43 | |
But they're a little way off being classed as professional designers. | 0:45:43 | 0:45:46 | |
-This is not for you to worry. -Yes, it is for me to worry! | 0:45:46 | 0:45:48 | |
It's my bench. You've got all the furniture to be done, don't worry about it. | 0:45:48 | 0:45:51 | |
-But you're not doing anything! -Don't worry! | 0:45:51 | 0:45:53 | |
-Any time there's been any stress... -Are you painting, then? | 0:45:53 | 0:45:56 | |
..you've had Nic walk off in a hissy | 0:45:56 | 0:45:59 | |
and Leila panic and get all stressy that nothing's happening. | 0:45:59 | 0:46:03 | |
I am just speechless, absolutely speechless. | 0:46:03 | 0:46:06 | |
Don't be difficult. Don't try and be difficult! | 0:46:06 | 0:46:09 | |
-LEILA STUTTERS -Don't be difficult. | 0:46:09 | 0:46:11 | |
I've got Nic being Nic, I've got Celia about to turn up with | 0:46:11 | 0:46:14 | |
the home owners, that I'm about to meet for the first time. | 0:46:14 | 0:46:17 | |
So, stress? Yes! | 0:46:17 | 0:46:18 | |
And she's not the only one under pressure. | 0:46:18 | 0:46:22 | |
At the chapel, Shirley and Sam are putting the finishing touches | 0:46:22 | 0:46:26 | |
to their souped-up sitting room. | 0:46:26 | 0:46:28 | |
Well, Shirley's souped-up sitting room. | 0:46:28 | 0:46:31 | |
It's difficult to say how much of me is in this room. | 0:46:31 | 0:46:33 | |
I'll hazard a guess... | 0:46:33 | 0:46:35 | |
not very much. | 0:46:35 | 0:46:36 | |
All the main pieces, the rug, the sofa, coffee tables, | 0:46:41 | 0:46:45 | |
the artwork, it's just Shirley written all over it. | 0:46:45 | 0:46:48 | |
It's all her pieces. Sam just sort of went with the flow. | 0:46:48 | 0:46:50 | |
Honestly, quite a lot of the room is Shirley's. | 0:46:50 | 0:46:53 | |
Her style is flawless, and I would have been an absolute idiot | 0:46:53 | 0:46:56 | |
if I wasn't going to use her few more | 0:46:56 | 0:46:58 | |
years of experience on top of mine to just, like, learn | 0:46:58 | 0:47:01 | |
and kind of almost study underneath this lady. She's so stylish. | 0:47:01 | 0:47:05 | |
Even though Sam and I have got very different tastes, I can give | 0:47:06 | 0:47:10 | |
a little, she can give a little, and we can bring something together. | 0:47:10 | 0:47:14 | |
I'd say one of them brought more than a little. | 0:47:14 | 0:47:17 | |
But before I decide who's impressed me the most, | 0:47:17 | 0:47:20 | |
I want to see this room for myself. | 0:47:20 | 0:47:22 | |
With a budget of £4,000, the sitting room has been | 0:47:23 | 0:47:27 | |
transformed from dull, dated and dreary to bright, white and airy. | 0:47:27 | 0:47:32 | |
The deep pile carpet has made way for wood effect lino. | 0:47:32 | 0:47:36 | |
The sofas have been replaced with contemporary furniture. | 0:47:36 | 0:47:39 | |
This chapel's been well and truly converted. | 0:47:39 | 0:47:43 | |
-Hello. -Hello, Celia. | 0:47:48 | 0:47:50 | |
Would you say, Shirley, | 0:47:57 | 0:47:59 | |
that perhaps you've put your stamp on a lot more than Sam? | 0:47:59 | 0:48:04 | |
Erm, yes. | 0:48:04 | 0:48:06 | |
She's an endlessly inspiring woman. | 0:48:07 | 0:48:10 | |
Every time she unpacked a box, I fell in love with something new. | 0:48:10 | 0:48:12 | |
So I think we've successfully fused an old-fashioned | 0:48:12 | 0:48:16 | |
and a contemporary style. | 0:48:16 | 0:48:18 | |
Whose idea was it to put a very light-coloured floor down? | 0:48:18 | 0:48:23 | |
-Both. -Yeah. | 0:48:23 | 0:48:25 | |
The sofas. They've very bold, Shirley. | 0:48:25 | 0:48:30 | |
And a little bit... | 0:48:31 | 0:48:34 | |
nasty, actually, aren't they? | 0:48:34 | 0:48:36 | |
I made my choice. I went for visual more than comfort. | 0:48:36 | 0:48:39 | |
They wanted somewhere relaxing, and a place to entertain. | 0:48:39 | 0:48:44 | |
Do I think you've created it? | 0:48:45 | 0:48:48 | |
No, actually, I don't. | 0:48:49 | 0:48:52 | |
Really? | 0:48:52 | 0:48:53 | |
Eileen and Brian are about to come back | 0:48:54 | 0:48:56 | |
-and see what you've done to their home. -OK. | 0:48:56 | 0:49:00 | |
You excited about that? | 0:49:00 | 0:49:01 | |
Not any more! | 0:49:01 | 0:49:03 | |
So, come on, let's get you both out of the way. | 0:49:04 | 0:49:08 | |
And the couple don't seem that excited either. | 0:49:12 | 0:49:15 | |
-Nervous for the third room. -Nervous for the third room, yes. | 0:49:15 | 0:49:18 | |
Let's hope they haven't discarded all our nice antique furniture | 0:49:18 | 0:49:22 | |
and replaced it with flat-pack. | 0:49:22 | 0:49:24 | |
That would be dreadful, wouldn't it? That would be dreadful. | 0:49:24 | 0:49:27 | |
With the girls hiding in the kitchen, | 0:49:27 | 0:49:29 | |
Brian and Eileen have no idea they're listening in. | 0:49:29 | 0:49:32 | |
Ooh! | 0:49:33 | 0:49:35 | |
-SHE GASPS -Oh, my gosh! | 0:49:35 | 0:49:38 | |
Welcome home. | 0:49:38 | 0:49:40 | |
Wow. Wow! | 0:49:40 | 0:49:42 | |
It is light and bright! | 0:49:44 | 0:49:46 | |
I feel a bit shaky. | 0:49:46 | 0:49:48 | |
-We'd never have thought it. -Oh, my goodness. | 0:49:49 | 0:49:51 | |
Not keen on the sofas, I'm really not. | 0:49:51 | 0:49:53 | |
EILEEN LAUGHS | 0:49:53 | 0:49:55 | |
-I know what you mean on that one. -Yeah. | 0:49:55 | 0:49:57 | |
Absolutely love the floor. Love these coffee tables. | 0:50:01 | 0:50:04 | |
And I like these bright colours. | 0:50:04 | 0:50:06 | |
So, I mean, it's quite contemporary, isn't it? | 0:50:06 | 0:50:08 | |
Yes. This really works, this really works for me. | 0:50:08 | 0:50:11 | |
I absolutely love it. | 0:50:11 | 0:50:12 | |
So, Brian, Eileen, | 0:50:14 | 0:50:16 | |
it's time to meet the two designers who had your home in their hands. | 0:50:16 | 0:50:20 | |
Come on, then, girls. | 0:50:20 | 0:50:21 | |
BRIAN: Hello. | 0:50:22 | 0:50:24 | |
SHIRLEY: Hi! | 0:50:24 | 0:50:25 | |
Hello. | 0:50:25 | 0:50:27 | |
It's lovely to meet you. Thank you so much. | 0:50:27 | 0:50:29 | |
BRIAN: Bright and colourful Shirley! | 0:50:29 | 0:50:31 | |
I'm absolutely delighted that Brian and Eileen loved their home, | 0:50:31 | 0:50:36 | |
and well done to the designers. | 0:50:36 | 0:50:37 | |
-LOVED the bedroom. -Oh, thank goodness! | 0:50:37 | 0:50:40 | |
Fantastic. | 0:50:40 | 0:50:41 | |
There's a lot more thought has to go into interior design than | 0:50:41 | 0:50:44 | |
I first thought. | 0:50:44 | 0:50:46 | |
But I've had a ball doing it, and I think I'm just going to go home | 0:50:46 | 0:50:49 | |
and completely redecorate my life now. | 0:50:49 | 0:50:51 | |
I feel really inspired. | 0:50:51 | 0:50:53 | |
Sam should really think, though, | 0:50:53 | 0:50:55 | |
if she wants to go forward with this, that she needs to be heard. | 0:50:55 | 0:50:59 | |
You've got to be strong in design, you've got to go forward, | 0:50:59 | 0:51:02 | |
show your personality. | 0:51:02 | 0:51:04 | |
Certainly Shirley does. | 0:51:04 | 0:51:06 | |
The style that I brought to Brian and Eileen's home is my style, | 0:51:06 | 0:51:12 | |
but taking into consideration, you know, their home. | 0:51:12 | 0:51:16 | |
And it's made me reflect on what I do. | 0:51:16 | 0:51:20 | |
So it's been a good experience. | 0:51:20 | 0:51:22 | |
- This is not the same house. - It's not the same house! | 0:51:22 | 0:51:25 | |
Two incredibly talented ladies. | 0:51:25 | 0:51:27 | |
-Thank you. -Oh, thank you. -Thank you very much. | 0:51:27 | 0:51:29 | |
I think it's fair to say that Shirley impressed me the most. | 0:51:29 | 0:51:32 | |
She had the strength to follow through, | 0:51:32 | 0:51:35 | |
and I could see her style in both rooms. | 0:51:35 | 0:51:36 | |
-Well, you took a risk, as you know. -Mm. | 0:51:36 | 0:51:39 | |
You put your home in their hands. What do you think? | 0:51:39 | 0:51:42 | |
Was it worth...? Was it worth all the nail-biting? | 0:51:42 | 0:51:44 | |
-It was. -Wow! -I can't think of better hands that it could have been in. | 0:51:44 | 0:51:48 | |
Honestly, I'm just... | 0:51:48 | 0:51:50 | |
Well done, girls. Really glad. | 0:51:50 | 0:51:52 | |
In fact, what's your fee for the rest of the house? | 0:51:52 | 0:51:56 | |
And that's how you get a professional contract - | 0:51:56 | 0:51:59 | |
leave a job with happy customers. | 0:51:59 | 0:52:01 | |
Sadly, I think it'll take a lot for Nic and Leila | 0:52:03 | 0:52:06 | |
to convert John Geoghegan into one of those. | 0:52:06 | 0:52:09 | |
But not for lack of trying. | 0:52:09 | 0:52:12 | |
They've been pulling out all the stops to get the kitchen ready. | 0:52:12 | 0:52:15 | |
We managed to get 100 things done at once in the last 24 hours. | 0:52:15 | 0:52:19 | |
We've got an amazing kitchen. | 0:52:19 | 0:52:21 | |
Before, the kitchen was impractical for a large family, | 0:52:21 | 0:52:24 | |
and Rachel found it bland and boring. | 0:52:24 | 0:52:27 | |
Now, despite all the bickering, the kitchen has been transformed. | 0:52:27 | 0:52:31 | |
With the £8,000 budget, | 0:52:32 | 0:52:34 | |
Leila and Nic have added space-saving furniture, | 0:52:34 | 0:52:37 | |
bright wallpaper, colourful tiles and new kitchen units. | 0:52:37 | 0:52:42 | |
But will the colour inflame John? | 0:52:43 | 0:52:45 | |
-Hello. -Hello. -Hello, Celia. | 0:52:51 | 0:52:53 | |
This is a transformation, isn't it? | 0:52:53 | 0:52:55 | |
It certainly is. | 0:52:55 | 0:52:57 | |
My goodness! | 0:52:57 | 0:52:58 | |
I'm just taking it all in. It's quite a shock. | 0:53:02 | 0:53:06 | |
Yes. | 0:53:06 | 0:53:07 | |
So, Leila, looks like you had your input on the wall. | 0:53:10 | 0:53:13 | |
Yes, I have. | 0:53:13 | 0:53:15 | |
-And the lampshade. -Yes. | 0:53:15 | 0:53:17 | |
Lots of colour. | 0:53:17 | 0:53:19 | |
What do you think John's going to say? | 0:53:19 | 0:53:21 | |
I-I've compromised, but I had to have a little bit... | 0:53:21 | 0:53:25 | |
I feel really passionate about what I do. | 0:53:25 | 0:53:27 | |
The tiles? | 0:53:27 | 0:53:29 | |
-That's Nic. -Ahh! | 0:53:29 | 0:53:31 | |
Nic, you've used colour. | 0:53:31 | 0:53:33 | |
-Yeah, yeah, it works. -That's a shock! | 0:53:33 | 0:53:37 | |
Now, I heard that there was a little bit of tension between you both. | 0:53:37 | 0:53:41 | |
-Yes, there was quite a bit of tension. -Yeah. | 0:53:41 | 0:53:45 | |
It's just because we're both very passionate about this | 0:53:45 | 0:53:47 | |
and we both wanted to please everyone. | 0:53:47 | 0:53:50 | |
-Was it stressful? -Very. | 0:53:50 | 0:53:51 | |
Obviously, it's about what John and Rachel want | 0:53:51 | 0:53:55 | |
and whether they like it or not. | 0:53:55 | 0:53:56 | |
So, it's crunch time. | 0:53:56 | 0:53:59 | |
And here comes the crunch. | 0:54:05 | 0:54:07 | |
I'm excited. Bit nervous, but just wait and see. | 0:54:07 | 0:54:12 | |
Everybody knows what I wouldn't want to see. | 0:54:12 | 0:54:14 | |
And if that room's anything like the bedroom... | 0:54:14 | 0:54:16 | |
I fear for my own sanity, along with anything else. | 0:54:18 | 0:54:22 | |
'Fearing the worst, | 0:54:22 | 0:54:23 | |
'Nic and Leila have made a break for the back patio. | 0:54:23 | 0:54:26 | |
'Lucky them! | 0:54:26 | 0:54:27 | |
'The family have no idea that they're listening in.' | 0:54:27 | 0:54:31 | |
Hello. | 0:54:31 | 0:54:33 | |
Welcome back. | 0:54:36 | 0:54:38 | |
-Thank you very much. -How are you feeling? | 0:54:38 | 0:54:41 | |
A lot better now. | 0:54:50 | 0:54:51 | |
-Relieved? -Yes. | 0:54:51 | 0:54:53 | |
-(Oh, my God!) -Yes, very much so. | 0:54:53 | 0:54:56 | |
Really, really like this room. | 0:54:56 | 0:54:59 | |
Oh, good! | 0:54:59 | 0:55:00 | |
(Yes!) | 0:55:00 | 0:55:02 | |
We were slightly worried, John. | 0:55:02 | 0:55:03 | |
I like the paper. | 0:55:03 | 0:55:05 | |
(Yes!) | 0:55:06 | 0:55:07 | |
I think everything goes. | 0:55:07 | 0:55:09 | |
I'm really, really at ease now, because I was frightened. | 0:55:09 | 0:55:12 | |
I was... I was really worried about coming home. | 0:55:12 | 0:55:14 | |
What do you think, Rachel? | 0:55:14 | 0:55:16 | |
-I really like it. I do. -Good. | 0:55:16 | 0:55:18 | |
It's just totally different. | 0:55:18 | 0:55:20 | |
We wouldn't have been able to do this, would we? | 0:55:20 | 0:55:22 | |
-No, it's lovely. Couldn't have asked for any different. -Phew! | 0:55:22 | 0:55:26 | |
(Oh, brilliant!) | 0:55:26 | 0:55:27 | |
And has it made up for your unhappy face in the bedroom? | 0:55:27 | 0:55:31 | |
It has, yes. Very much so. | 0:55:31 | 0:55:33 | |
What do you think, kids? You like it? | 0:55:35 | 0:55:37 | |
I like all of it, especially the wallpaper and the chalkboard. | 0:55:37 | 0:55:42 | |
JOHN: There you go. | 0:55:44 | 0:55:46 | |
You can say thank you properly in a minute, | 0:55:46 | 0:55:48 | |
cos it's time for you to meet the two amateur designers. | 0:55:48 | 0:55:51 | |
-Hi. -Thank you very much. -Oh, a pleasure! | 0:55:51 | 0:55:54 | |
I am so relieved. | 0:55:54 | 0:55:56 | |
I didn't expect that at all, especially with John. | 0:55:56 | 0:56:00 | |
And I can't believe he actually even liked the wallpaper. | 0:56:00 | 0:56:03 | |
So, great result. | 0:56:03 | 0:56:05 | |
This has really solved our biggest social gathering issue. | 0:56:05 | 0:56:09 | |
Nobody needs to leave the house to come back in, | 0:56:09 | 0:56:11 | |
and for that, it's a big thumbs up. Ten out of ten. | 0:56:11 | 0:56:14 | |
Thank you very much. | 0:56:14 | 0:56:16 | |
This has made me think really seriously about what I want | 0:56:16 | 0:56:18 | |
to do now, and I would love to take up interior design professionally. | 0:56:18 | 0:56:22 | |
It would be a dream come true. | 0:56:22 | 0:56:23 | |
This is absolutely magnificent. This really, really works for us. | 0:56:23 | 0:56:27 | |
Nic, how many times do I say a thank you to somebody for them to, | 0:56:27 | 0:56:30 | |
you know, understand how grateful we are? | 0:56:30 | 0:56:33 | |
It seems that both Celia and the home owners like what I've done. | 0:56:33 | 0:56:37 | |
So, you know, I'm just very pleased with that. | 0:56:37 | 0:56:41 | |
-There's a couple of things that we'll change. -Yes... | 0:56:41 | 0:56:44 | |
I know, I know! | 0:56:44 | 0:56:46 | |
Nic has definitely impressed me the most, by the way that he's | 0:56:46 | 0:56:50 | |
used the space really cleverly and he's listened properly to the brief. | 0:56:50 | 0:56:55 | |
I am very happy. | 0:56:55 | 0:56:57 | |
We would never have chosen a paper like that, but it goes very well. | 0:56:57 | 0:57:00 | |
-It's just...so lovely. -Feels like a new house, doesn't it? | 0:57:00 | 0:57:03 | |
It does. | 0:57:03 | 0:57:04 | |
Obviously, you took a risk. You put your home in their hands. | 0:57:04 | 0:57:07 | |
-Yeah. -Was it worth it? | 0:57:07 | 0:57:09 | |
Now I've seen the whole house, yes, | 0:57:09 | 0:57:11 | |
I would say it definitely is worth it. | 0:57:11 | 0:57:12 | |
You know, thanks to you two. Thank you. | 0:57:12 | 0:57:15 | |
-Thank you, thank you. -Much appreciated. -It's great to hear that. | 0:57:15 | 0:57:18 | |
Thank you so much. | 0:57:18 | 0:57:21 | |
-Ohh, thank you! -Thanks a lot. | 0:57:21 | 0:57:22 | |
MUSIC: God Put A Rainbow In The Sky by Mahalia Jackson | 0:57:22 | 0:57:25 | |
# God put a rainbow in the sky A rainbow in the sky | 0:57:25 | 0:57:28 | |
# A rainbow in the sky | 0:57:28 | 0:57:30 | |
# God, he put a rainbow in the sky | 0:57:30 | 0:57:34 | |
# A rainbow in the sky A rainbow in the sky | 0:57:34 | 0:57:37 | |
# It looked like the sun wasn't going to shine any more | 0:57:37 | 0:57:44 | |
# God | 0:57:44 | 0:57:46 | |
# He put a rainbow in the sky. # | 0:57:46 | 0:57:54 |