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Would you hand over your front door keys to complete strangers... | 0:00:02 | 0:00:05 | |
I can't believe what we've done. | 0:00:05 | 0:00:06 | |
Cooee! | 0:00:06 | 0:00:08 | |
..in exchange for a massive makeover? | 0:00:08 | 0:00:10 | |
Red sky at night. | 0:00:10 | 0:00:12 | |
I'm not sure I would. | 0:00:12 | 0:00:14 | |
Different people have different tastes. | 0:00:14 | 0:00:17 | |
I'm Celia Sawyer and I've been an interior designer for a decade. | 0:00:17 | 0:00:22 | |
In this series, I'll be introducing families at the end | 0:00:22 | 0:00:25 | |
of their decorating tether... | 0:00:25 | 0:00:26 | |
We just can't move forward. Everybody's ideas are so different. | 0:00:26 | 0:00:29 | |
..to interior designers who are desperate to help. | 0:00:29 | 0:00:32 | |
Yes! | 0:00:32 | 0:00:33 | |
The plug for the light. | 0:00:33 | 0:00:35 | |
But these designers are not professionals. | 0:00:35 | 0:00:38 | |
Let's just hope they like space films, eh? | 0:00:38 | 0:00:40 | |
In fact, they're complete amateurs. | 0:00:40 | 0:00:42 | |
-They've wrecked that room. -That is different. | 0:00:42 | 0:00:45 | |
-What have we done? -They may have passion... | 0:00:45 | 0:00:48 | |
I know about composition, dude. | 0:00:48 | 0:00:50 | |
..they might even have vision... | 0:00:50 | 0:00:51 | |
I like to create a temple of hope. | 0:00:51 | 0:00:54 | |
And lovely colours, lovely colours, lovely colours. | 0:00:54 | 0:00:57 | |
..but I'm giving them just five days to do the job. | 0:00:57 | 0:00:59 | |
You beauty. | 0:00:59 | 0:01:01 | |
My question is, will it be tears of joy... | 0:01:01 | 0:01:03 | |
-Wow. -Oh, look at this. | 0:01:03 | 0:01:05 | |
Couldn't wish for anything better. | 0:01:05 | 0:01:07 | |
..or just plain tears? | 0:01:07 | 0:01:08 | |
I'm regretting it. | 0:01:08 | 0:01:10 | |
He's going to hate it. | 0:01:10 | 0:01:11 | |
People think interior design is easy, but it's not. | 0:01:15 | 0:01:18 | |
My career took off after I designed my own home and people sat up | 0:01:18 | 0:01:22 | |
and took notice. | 0:01:22 | 0:01:24 | |
Now I get to travel the world | 0:01:24 | 0:01:25 | |
and work with clients designing homes worth millions. | 0:01:25 | 0:01:28 | |
But whether you're an amateur or a professional, | 0:01:28 | 0:01:30 | |
the basic rules are exactly the same. | 0:01:30 | 0:01:32 | |
It's very, very important as an interior designer | 0:01:32 | 0:01:36 | |
that you don't just create a pretty room, that you actually | 0:01:36 | 0:01:39 | |
think about practicalities, get the technical side right. | 0:01:39 | 0:01:42 | |
These are all key elements for a good design. | 0:01:42 | 0:01:44 | |
Now, I'm exposing keen interior design amateurs | 0:01:44 | 0:01:47 | |
to the world of the professional. | 0:01:47 | 0:01:49 | |
Whilst my friends are out in the park playing football, | 0:01:49 | 0:01:52 | |
I was the one sat indoors watching interior design programmes. | 0:01:52 | 0:01:56 | |
Having only done up their places, | 0:01:56 | 0:01:58 | |
they're at the same point I was when I launched my career. | 0:01:58 | 0:02:00 | |
I'm looking forward to getting my hands on someone else's home. | 0:02:00 | 0:02:03 | |
So I'm hooking them up with families stuck in design stalemates, | 0:02:03 | 0:02:06 | |
to see whether they've what it takes. | 0:02:06 | 0:02:09 | |
It's a brave experiment for all concerned, as the designers | 0:02:09 | 0:02:12 | |
and families won't meet until it's all over. | 0:02:12 | 0:02:17 | |
This week, I'm between Fareham on the south coast | 0:02:17 | 0:02:20 | |
and Harrow in northwest London, trying to breathe some | 0:02:20 | 0:02:23 | |
interior design life into the homes of two desperate families. | 0:02:23 | 0:02:27 | |
First, it's to Fareham, where just a short walk from the beach | 0:02:29 | 0:02:32 | |
live the Parkers. | 0:02:32 | 0:02:33 | |
Jo, Russell, and their two boys, | 0:02:35 | 0:02:39 | |
William and Tom, who are seven and ten. | 0:02:39 | 0:02:43 | |
But the look of their home has been causing some conflict. | 0:02:43 | 0:02:46 | |
We've been at the house now for six years and ever | 0:02:46 | 0:02:48 | |
since we've moved here, we've basically been at loggerheads | 0:02:48 | 0:02:52 | |
ever since, on how to decorate the house. | 0:02:52 | 0:02:54 | |
I've got my taste, Russ has got his taste | 0:02:54 | 0:02:56 | |
and it just doesn't seem to be working | 0:02:56 | 0:02:58 | |
when we come to making decisions on how to decorate the rooms. | 0:02:58 | 0:03:01 | |
I'm a florist, so I like to sort of create lovely things. | 0:03:02 | 0:03:07 | |
I love experimenting with colours. | 0:03:07 | 0:03:10 | |
Unfortunately, I'm married to Captain Sensible. | 0:03:10 | 0:03:13 | |
I like things simple, no fuss, just basic. | 0:03:14 | 0:03:18 | |
Creams or whites, that sort of thing. | 0:03:18 | 0:03:21 | |
I feel like I've spent my entire married life trying to persuade | 0:03:21 | 0:03:24 | |
Russell that we can do something creative in the house, we can inject | 0:03:24 | 0:03:27 | |
some colour and, unfortunately, Russ has just sort of | 0:03:27 | 0:03:31 | |
spent his entire... | 0:03:31 | 0:03:32 | |
My whole married life has been spent dodging that bullet. | 0:03:32 | 0:03:35 | |
So, it's obviously true that opposites attract. | 0:03:35 | 0:03:39 | |
I have a mantra that... "May there always be pebbles in your pocket | 0:03:39 | 0:03:43 | |
"and sand in your shoes" - | 0:03:43 | 0:03:44 | |
and I would love to bring the beach more into our home. | 0:03:44 | 0:03:48 | |
I don't know what that's all about. | 0:03:48 | 0:03:50 | |
We all love the beach, but the beach is fine where it is, | 0:03:50 | 0:03:52 | |
it's a short walk down the road, we can all go and enjoy it | 0:03:52 | 0:03:56 | |
when we want and come back and settle down to the house as it is. | 0:03:56 | 0:04:01 | |
Faced with the immovable object that is Captain Sensible, | 0:04:02 | 0:04:06 | |
Jo has decided to reach out for help. | 0:04:06 | 0:04:08 | |
This is a huge gamble - | 0:04:08 | 0:04:09 | |
inviting some amateur interior designers into the home, | 0:04:09 | 0:04:12 | |
but I just feel that if it's a way of getting Russ to see that it would | 0:04:12 | 0:04:19 | |
work, introducing more creativity, more colours, more textures. | 0:04:19 | 0:04:23 | |
If he's not going to trust me, then I'm hoping he's going to trust them. | 0:04:23 | 0:04:26 | |
Before these amateurs get here, I want to have a good | 0:04:29 | 0:04:31 | |
nose around and see the problems for myself. | 0:04:31 | 0:04:34 | |
-Hello. -Hi, Jo, I'm Celia. -Hi. -Nice to meet you. -Nice to meet you. | 0:04:39 | 0:04:43 | |
This is our room. | 0:04:47 | 0:04:48 | |
Ah, it's quite neutral, isn't it? | 0:04:51 | 0:04:53 | |
-Yes, surprise, surprise. -Nice and safe. That's how I like it. | 0:04:53 | 0:04:56 | |
So what is it you...? What doesn't work in here for you? | 0:04:56 | 0:04:59 | |
I've got this idea of a room with a view | 0:04:59 | 0:05:02 | |
and if it can be incorporated in this room, it would be fantastic. | 0:05:02 | 0:05:06 | |
So that's sort of, like, | 0:05:06 | 0:05:07 | |
bringing, preferably, a beach scene into the room. | 0:05:07 | 0:05:11 | |
I just think it would look lovely. | 0:05:11 | 0:05:13 | |
Let's push the boundaries a little bit, let's go for it. | 0:05:13 | 0:05:16 | |
He's sweating a bit, isn't he? | 0:05:16 | 0:05:18 | |
I can't... Yeah, you see, it's difficult to see... | 0:05:18 | 0:05:20 | |
I think I might get my way here definitely, I hope so, anyway. | 0:05:20 | 0:05:23 | |
I think a change, a change is needed now in this room, definitely. | 0:05:23 | 0:05:27 | |
OK, well, that's good. | 0:05:27 | 0:05:28 | |
You agree on something, so agree to disagree on the rest, I guess. | 0:05:28 | 0:05:32 | |
Yes, yeah. | 0:05:32 | 0:05:34 | |
A room with a view. That's a clear brief from Jo, at least, | 0:05:34 | 0:05:37 | |
but will they agree on the other room? | 0:05:37 | 0:05:39 | |
So, this is the kid's room. | 0:05:40 | 0:05:43 | |
They both sleep together, | 0:05:43 | 0:05:44 | |
they've got bunk beds which are, er...yeah, which are good. | 0:05:44 | 0:05:48 | |
Yeah, definitely. No, they use it a lot. | 0:05:48 | 0:05:50 | |
I mean, they do come downstairs a lot, but they do like their den and | 0:05:50 | 0:05:53 | |
I think that's what we'd like the interior designers to really let | 0:05:53 | 0:05:56 | |
their imaginations run wild, create something really special for them. | 0:05:56 | 0:06:00 | |
Want to bring their mates back and upstairs. | 0:06:00 | 0:06:02 | |
-So anything goes? -Absolutely anything goes. | 0:06:02 | 0:06:06 | |
Oh, I do like a brave brief. | 0:06:06 | 0:06:08 | |
Let's hope they don't live to regret it. | 0:06:08 | 0:06:12 | |
Hand over those keys. Off you go. | 0:06:12 | 0:06:14 | |
-Cheers, thank you. -Bye. -Have fun. | 0:06:14 | 0:06:17 | |
Jo and Russell now have two nail-biting days | 0:06:17 | 0:06:20 | |
before returning to see the first two rooms. | 0:06:20 | 0:06:22 | |
Bye, see you. | 0:06:22 | 0:06:23 | |
Up until now, they've had no idea who they're | 0:06:24 | 0:06:27 | |
letting into their precious home. | 0:06:27 | 0:06:29 | |
So, I suppose I'd better show them. | 0:06:29 | 0:06:31 | |
First up is Sara, | 0:06:35 | 0:06:36 | |
an events producer who specialises in fashion catwalk shows. | 0:06:36 | 0:06:40 | |
My style is about glamour, but it's a kind of mix of all | 0:06:40 | 0:06:44 | |
different styles and then bringing them all together | 0:06:44 | 0:06:47 | |
into a huge melange. | 0:06:47 | 0:06:48 | |
Oh, my word. What is that? | 0:06:50 | 0:06:52 | |
One thing you won't get from me is beige. | 0:06:54 | 0:06:56 | |
En masse, I love bold statement colours. | 0:06:57 | 0:07:03 | |
You guys are really lucky to have me, cos I've got | 0:07:05 | 0:07:08 | |
so many ideas that I haven't even tried out in my house | 0:07:08 | 0:07:13 | |
and I can't wait to try them out in yours. | 0:07:13 | 0:07:16 | |
OK. My heart... I'm having slight heart palpitations now. | 0:07:17 | 0:07:20 | |
I think, "Bring back beige, it's all forgiven!" | 0:07:20 | 0:07:23 | |
That's nice. | 0:07:24 | 0:07:25 | |
We've solved the problem before the second designer's even got in. | 0:07:25 | 0:07:28 | |
And here he is - Zyg. He used to work in the movies. | 0:07:30 | 0:07:34 | |
In my previous life, I was a model-maker in the film industry, | 0:07:35 | 0:07:39 | |
so my style is based on familiar and famous films. | 0:07:39 | 0:07:43 | |
-Crikey. -Oh, my gosh. | 0:07:43 | 0:07:45 | |
I cannot stand conventional. | 0:07:45 | 0:07:47 | |
Why live in a boring home when you can live in a movie set? | 0:07:47 | 0:07:50 | |
The one thing I can promise you is I'm going to surprise you. | 0:07:54 | 0:07:58 | |
Oh, my word! | 0:07:58 | 0:08:00 | |
I'm actually quite scared now. | 0:08:00 | 0:08:02 | |
Oh, my goodness, we could be coming back to something, | 0:08:02 | 0:08:05 | |
like, so way out there. | 0:08:05 | 0:08:06 | |
I know I was up for a change but, you know. | 0:08:06 | 0:08:10 | |
Aha! The bedroom. | 0:08:10 | 0:08:13 | |
The amateurs have had floor plans ahead of time, | 0:08:13 | 0:08:16 | |
but it's only fair they see what they're getting themselves into. | 0:08:16 | 0:08:19 | |
For big kid Zyg, there's a budget of £4,000 for the boys' room... | 0:08:19 | 0:08:24 | |
OK, no problem. Do something with this. | 0:08:24 | 0:08:28 | |
..and the same for Sara in the master bedroom. | 0:08:28 | 0:08:32 | |
I mean, it's quite pretty, but it's boring, isn't it? | 0:08:32 | 0:08:36 | |
I mean, the colour has just got to come in somehow. | 0:08:36 | 0:08:41 | |
They've been given info on the family and their design | 0:08:41 | 0:08:44 | |
dilemmas, but I need to make sure they totally understand the brief. | 0:08:44 | 0:08:48 | |
-Meet Sara. -Oh, you're a man. | 0:08:48 | 0:08:50 | |
Not sure what to say about that, but hello. | 0:08:50 | 0:08:53 | |
-Hello to you too. -Take a seat. -Thank you. | 0:08:53 | 0:08:56 | |
-So it's the master bedroom that you're doing, Sara, isn't it? -Yes. | 0:08:58 | 0:09:01 | |
And it is quite bland in there, isn't it? | 0:09:01 | 0:09:04 | |
And I know that Jo is really keen to bring in some | 0:09:04 | 0:09:07 | |
personality into the rooms. | 0:09:07 | 0:09:09 | |
I can definitely bring them something more exciting. | 0:09:09 | 0:09:12 | |
Zyg, how are you feeling about your room? | 0:09:12 | 0:09:14 | |
-Cos you're doing the children's room. -I am. -Yeah. | 0:09:14 | 0:09:18 | |
I'm interested, I'm definitely excited. | 0:09:18 | 0:09:20 | |
Jo and Russ said, "Let your imagination run wild." | 0:09:20 | 0:09:24 | |
How does that sound? | 0:09:24 | 0:09:25 | |
It's a blank canvas and my forte is to make things theatrical | 0:09:25 | 0:09:29 | |
and entertaining, so that's what I'm aiming for. | 0:09:29 | 0:09:31 | |
Sounds good. Sounds exciting. | 0:09:31 | 0:09:34 | |
This is going to be fun. | 0:09:34 | 0:09:36 | |
We've got Sara, who's really, really confident, | 0:09:36 | 0:09:39 | |
let's hope she can walk the walk, not just talk the talk. | 0:09:39 | 0:09:42 | |
And we've got Zyg, who's completely theatrical and creative. | 0:09:42 | 0:09:46 | |
Completely different people, two separate rooms, should be | 0:09:46 | 0:09:51 | |
really fun to watch. | 0:09:51 | 0:09:52 | |
As well as working on their individual rooms, | 0:09:54 | 0:09:56 | |
Sara and Zyg's talents will be tested further | 0:09:56 | 0:09:59 | |
when they have to collaborate on the beige living room later in the week. | 0:09:59 | 0:10:03 | |
80 miles away in Harrow, northwest London, this ground floor | 0:10:08 | 0:10:12 | |
Victorian flat is the cramped and cluttered home of our next couple, | 0:10:12 | 0:10:17 | |
newlywed teachers Zaheed and Ceri. | 0:10:17 | 0:10:19 | |
The flat's, um, yeah, it's messy, it's cramped. | 0:10:21 | 0:10:24 | |
The reason why it's not our own is | 0:10:24 | 0:10:25 | |
because most of the stuff, they're hand-me-downs from my mother-in-law. | 0:10:25 | 0:10:31 | |
The heart of their problem is that when Zaheed moved in, | 0:10:31 | 0:10:34 | |
Ceri was already sharing the flat with her mum. | 0:10:34 | 0:10:36 | |
She actually helped me in buying the place with a deposit. | 0:10:42 | 0:10:45 | |
A year later, we got married, | 0:10:45 | 0:10:47 | |
so a lot of our resources kind of went on those two big events. | 0:10:47 | 0:10:52 | |
Six months later, Zaheed's mother-in-law moved out, | 0:10:52 | 0:10:55 | |
but she kept a massive presence in their lives. | 0:10:55 | 0:10:58 | |
She kept her room. | 0:10:58 | 0:11:00 | |
Even though she's been gone all that time, we've never actually | 0:11:00 | 0:11:02 | |
touched the room, partly because of the lack of time | 0:11:02 | 0:11:06 | |
and not really being able to afford to do it ourselves, | 0:11:06 | 0:11:09 | |
but also because Mum still comes to visit and we don't really | 0:11:09 | 0:11:12 | |
want her to feel like we've pushed her out or anything like that. | 0:11:12 | 0:11:15 | |
-No. -No. | 0:11:15 | 0:11:18 | |
It's like a wee kind of shrine to her almost, isn't it, that bedroom? | 0:11:18 | 0:11:22 | |
A shrine? I'd call it a waste of valuable space. | 0:11:23 | 0:11:26 | |
This smallish flat is already bursting at the seams with | 0:11:26 | 0:11:29 | |
second-hand furniture. | 0:11:29 | 0:11:30 | |
Basically, we're sort of stuck living in a hand-me-down hell. | 0:11:32 | 0:11:36 | |
There's certainly one thing that we'd probably want to throw | 0:11:36 | 0:11:39 | |
away quite quickly, er, it's the sofa. | 0:11:39 | 0:11:42 | |
The reason we haven't got rid of the sofa is | 0:11:47 | 0:11:50 | |
because it was something that we inherited from my mum | 0:11:50 | 0:11:54 | |
and she was a massive fan of the sofa, but, unfortunately, | 0:11:54 | 0:11:58 | |
the orange and yellow doesn't quite fit with what we're going for. | 0:11:58 | 0:12:02 | |
It sounds like these busy young schoolteachers need to make | 0:12:02 | 0:12:05 | |
this place their own. | 0:12:05 | 0:12:07 | |
But first, I need to give it the once-over | 0:12:08 | 0:12:10 | |
before the amateurs are set loose. | 0:12:10 | 0:12:13 | |
So, it's straight through hand-me-down hell into the shrine. | 0:12:16 | 0:12:21 | |
This is our spare room which we still call Mum's room. | 0:12:21 | 0:12:25 | |
It's nice, innit? | 0:12:25 | 0:12:26 | |
-And how often does she come here - Mum? -About once a month. | 0:12:26 | 0:12:30 | |
It would be really sensible to try and use this space, wouldn't it? | 0:12:30 | 0:12:34 | |
So that you've got a bit more space, cos you're the ones living here | 0:12:34 | 0:12:37 | |
at the end of the day, not her any more. | 0:12:37 | 0:12:39 | |
I just don't want to get it wrong once it's changed. | 0:12:39 | 0:12:42 | |
-It's about respect? -Yes, exactly what it is. | 0:12:42 | 0:12:44 | |
What would be the ideal scenario in here? | 0:12:44 | 0:12:47 | |
Well, we need somewhere to actually do our schoolwork, | 0:12:47 | 0:12:49 | |
cos we do teach and we do mark a lot, so it would be nice to actually | 0:12:49 | 0:12:52 | |
find the space away from the living room where we can do that. | 0:12:52 | 0:12:55 | |
What about style? Ceri? | 0:12:55 | 0:12:57 | |
I think it would be a shame to put any dark colours in this room, | 0:12:57 | 0:13:01 | |
as it is such a light and airy room as it is. | 0:13:01 | 0:13:05 | |
Thankfully, the issues in the next room have nothing to do with | 0:13:05 | 0:13:08 | |
Ceri's mum. | 0:13:08 | 0:13:09 | |
In fact, she might even struggle to get in. | 0:13:09 | 0:13:11 | |
And if you make your way past the fridge, which is | 0:13:11 | 0:13:14 | |
quite a feat in itself, you find yourself in the kitchen. | 0:13:14 | 0:13:17 | |
Gosh. It's very tight, isn't it? | 0:13:17 | 0:13:21 | |
You've got to be almost apologetic when there are more than two | 0:13:21 | 0:13:25 | |
people in here, because you want to apologise for lack of space. | 0:13:25 | 0:13:28 | |
So, it doesn't function very well as a kitchen, does it, for you both? | 0:13:28 | 0:13:31 | |
There's not really enough space to cook. | 0:13:31 | 0:13:33 | |
The kitchen is actually... was brand-new. | 0:13:33 | 0:13:36 | |
It's just that whoever put it in, I don't think | 0:13:36 | 0:13:39 | |
they really thought carefully about what a kitchen actually needs, | 0:13:39 | 0:13:42 | |
so they decided on this side to have a breakfast bar instead, | 0:13:42 | 0:13:46 | |
which in a kitchen this size you really need more cupboard space. | 0:13:46 | 0:13:49 | |
I don't think this was designed by a woman, actually. | 0:13:49 | 0:13:52 | |
I absolutely agree. | 0:13:52 | 0:13:54 | |
Or it wasn't designed by someone that likes cooking anyway, | 0:13:54 | 0:13:56 | |
or ever cooks. | 0:13:56 | 0:13:57 | |
You look scared. | 0:14:04 | 0:14:06 | |
I don't know what you're going to do with the place. | 0:14:06 | 0:14:08 | |
I'm not doing anything. | 0:14:08 | 0:14:09 | |
You've got two amateur designers coming in | 0:14:09 | 0:14:12 | |
and they're going to do it. | 0:14:12 | 0:14:14 | |
That fills my heart with glee. It really does. | 0:14:14 | 0:14:16 | |
Hand over your keys. | 0:14:16 | 0:14:18 | |
And off you go. | 0:14:20 | 0:14:22 | |
I really could not live with all this clutter around me, | 0:14:26 | 0:14:29 | |
it's chaotic. | 0:14:29 | 0:14:30 | |
It's not relaxing and they both need to relax, they're both busy people. | 0:14:30 | 0:14:35 | |
Sometimes, you just need to get someone else in | 0:14:35 | 0:14:37 | |
to sort out your problems. | 0:14:37 | 0:14:39 | |
And I guess they need to finally see who's coming in | 0:14:41 | 0:14:44 | |
to attempt to solve theirs. | 0:14:44 | 0:14:46 | |
Here we go. | 0:14:46 | 0:14:47 | |
First up, is Tracey, a 49-year-old B&B owner, | 0:14:49 | 0:14:52 | |
who thinks the very best shabby chic comes from the skip. | 0:14:52 | 0:14:56 | |
I think a home is a reflection of your personality and, for me, | 0:14:56 | 0:15:00 | |
having a car in my home is perfectly natural. | 0:15:00 | 0:15:03 | |
Oh, my God. That's horrendous. | 0:15:03 | 0:15:05 | |
I don't think you can categorise my style, I think | 0:15:05 | 0:15:07 | |
it's just a collection of objects and things that I like, | 0:15:07 | 0:15:09 | |
so who knows what could end up in your home? | 0:15:09 | 0:15:12 | |
Oh, Tracey. | 0:15:12 | 0:15:13 | |
Next in is aristocratic Zara, who believes | 0:15:15 | 0:15:18 | |
we all deserve the finer things in life. | 0:15:18 | 0:15:20 | |
I'm Zara Elizabeth Roberts. | 0:15:20 | 0:15:22 | |
I'm 22 and I'm an estate agent from Shropshire. | 0:15:22 | 0:15:25 | |
My design style is royal heraldry with added opulence, | 0:15:25 | 0:15:28 | |
luxury and glamour. | 0:15:28 | 0:15:29 | |
Oh, no, gold! I want to cry. | 0:15:31 | 0:15:34 | |
Very Asian. | 0:15:34 | 0:15:36 | |
My friends call me Her Royal Highness Duchess Tweedy | 0:15:36 | 0:15:38 | |
and I'm well known for my royal style. | 0:15:38 | 0:15:41 | |
Ceri and Zaheed, I believe one's home should be absolutely | 0:15:41 | 0:15:44 | |
divine and I'm going to give you my stately style. | 0:15:44 | 0:15:47 | |
Some would say I'm OTT, but you'll just have to wait and see. | 0:15:48 | 0:15:52 | |
Oh, dear. | 0:15:53 | 0:15:54 | |
It feels like there's a design taste-off brewing - | 0:15:58 | 0:16:01 | |
posh panache versus really shabby chic. | 0:16:01 | 0:16:04 | |
But before they begin, I want to make sure | 0:16:07 | 0:16:10 | |
they understand what the clients need. | 0:16:10 | 0:16:13 | |
-So, Tracey, the kitchen. -The kitchen. | 0:16:13 | 0:16:16 | |
Ceri likes cooking, yet finds there's no space really | 0:16:16 | 0:16:20 | |
and you can see why. | 0:16:20 | 0:16:21 | |
We've got mother-in-law's room, | 0:16:21 | 0:16:24 | |
now, Zara, you're going to be working on that room. | 0:16:24 | 0:16:27 | |
They would like somewhere where they can work, as well as also having | 0:16:27 | 0:16:30 | |
mother-in-law to come and stay, still, | 0:16:30 | 0:16:32 | |
-cos that's very important to them. -Absolutely. | 0:16:32 | 0:16:34 | |
I think it's important we need to get the balance | 0:16:34 | 0:16:36 | |
between practicality and also the physical appeal of the room. | 0:16:36 | 0:16:40 | |
Zara, you've got £4,000 for the bedroom. | 0:16:40 | 0:16:43 | |
Tracey, you've got £5,500 for the kitchen. | 0:16:43 | 0:16:47 | |
I'm going to leave you now and I'm going to come back in a few days | 0:16:47 | 0:16:50 | |
and see what you've managed to create. | 0:16:50 | 0:16:52 | |
And I'm going to bring the homeowners back. Good luck. | 0:16:52 | 0:16:55 | |
-Thank you. -You're going to need it. | 0:16:55 | 0:16:57 | |
Zara seems very, very confident. | 0:16:57 | 0:16:59 | |
Let's hope she can deliver, let's hope she can please them, | 0:16:59 | 0:17:02 | |
let's hope she remembers the brief. | 0:17:02 | 0:17:04 | |
This is definitely going. | 0:17:04 | 0:17:08 | |
Tracey's got a hard task ahead. That kitchen is tiny. | 0:17:08 | 0:17:11 | |
She's going to have to try and create a very workable kitchen | 0:17:11 | 0:17:14 | |
and even for an expert like myself, I'd find it tough. | 0:17:14 | 0:17:19 | |
It's day two and at Jo and Russell's home on the south coast... | 0:17:23 | 0:17:27 | |
-Cooee! -..amateur designers Sara and Zyg have begun | 0:17:28 | 0:17:32 | |
to let their creative juices flow. | 0:17:32 | 0:17:34 | |
I've left them with head builder Nathan | 0:17:34 | 0:17:36 | |
and his team to oversee the work. | 0:17:36 | 0:17:39 | |
He'll be helping the amateur designers | 0:17:39 | 0:17:42 | |
realise their visions in his own tactful way. | 0:17:42 | 0:17:45 | |
-Another blue. -Another blue. Every blue imaginable, yeah. | 0:17:45 | 0:17:50 | |
Florist Jo likes colour | 0:17:50 | 0:17:51 | |
and the early indication is, she's going to get it. | 0:17:51 | 0:17:55 | |
More, more, more is in my mind. | 0:17:55 | 0:18:00 | |
Lots of colour, texture, bringing it all together, the blues, | 0:18:00 | 0:18:05 | |
the seas, the views, everything, maximal-ism. | 0:18:05 | 0:18:10 | |
Maximal-ism? That's a bold word. | 0:18:10 | 0:18:13 | |
And certainly not one Captain Sensible Russell | 0:18:14 | 0:18:17 | |
will want to hear. | 0:18:17 | 0:18:18 | |
He's already on edge. | 0:18:19 | 0:18:21 | |
Be careful, Tom. | 0:18:21 | 0:18:22 | |
Tom, just move away from where he is. | 0:18:22 | 0:18:24 | |
He almost hit you on the head with that. | 0:18:24 | 0:18:27 | |
In all honesty, when I first saw those designers, they are... | 0:18:28 | 0:18:32 | |
I know you wanted change and you wanted colour, but... | 0:18:32 | 0:18:35 | |
I know. | 0:18:35 | 0:18:37 | |
The thing that scares me the most is the fact that they are | 0:18:37 | 0:18:41 | |
so out there and, well, particularly Sara, she kept mentioning bold | 0:18:41 | 0:18:46 | |
and glamorous and I am so un-bold and glamorous, it's untrue. | 0:18:46 | 0:18:50 | |
I wanted to have a story, | 0:18:52 | 0:18:53 | |
I like having a story, something that I can really get my teeth into. | 0:18:53 | 0:18:57 | |
I suddenly thought about a glamorous Hollywood couple where | 0:18:57 | 0:19:02 | |
their sort of beach getaway home | 0:19:02 | 0:19:05 | |
and what would their bedroom be like? | 0:19:05 | 0:19:08 | |
And it would be something that was still luxurious and fabulous | 0:19:08 | 0:19:11 | |
and glamorous, but it would be slightly rustic. | 0:19:11 | 0:19:14 | |
So that is what I've decided to do. | 0:19:14 | 0:19:17 | |
And lovely colours, lovely colours, lovely colours. | 0:19:17 | 0:19:20 | |
I've aired that I am confident with colours and I like using colours. | 0:19:20 | 0:19:24 | |
She scares you. | 0:19:24 | 0:19:25 | |
She is scaring me and I didn't think I'd feel like this, | 0:19:25 | 0:19:28 | |
if I was to be honest with you. | 0:19:28 | 0:19:29 | |
I really thought that I'd... I'd sort of think, yeah, no, | 0:19:29 | 0:19:32 | |
it's going to be great, all the colours are going to be fine, | 0:19:32 | 0:19:34 | |
but her boldness and the blues and the reds | 0:19:34 | 0:19:37 | |
and everything that was going on in her own room was quite crazy. | 0:19:37 | 0:19:41 | |
But I've got a feeling that Captain Sensible's going to have | 0:19:41 | 0:19:45 | |
to have a couple of doses of courage this week. | 0:19:45 | 0:19:47 | |
Yeah, yeah, I agree. | 0:19:47 | 0:19:49 | |
I think maybe I might be swigging out the bottle as well. | 0:19:49 | 0:19:52 | |
Make mine a large one. | 0:19:52 | 0:19:53 | |
It sounds like both designers are going big. | 0:19:53 | 0:19:56 | |
Now, I mentioned the word "space" yesterday | 0:19:57 | 0:19:59 | |
because there wasn't enough space and then it dawned on me, | 0:19:59 | 0:20:02 | |
"Why not make it a space theme?" so I have done. | 0:20:02 | 0:20:05 | |
So, I'd like to make it into a spaceship for the two kids | 0:20:05 | 0:20:08 | |
and I want to put in some sort of view - | 0:20:08 | 0:20:10 | |
a space window. | 0:20:10 | 0:20:12 | |
And then I'm thinking, if I've got time, to put a control panel in | 0:20:12 | 0:20:15 | |
of some description so they can fly the room. | 0:20:15 | 0:20:17 | |
That's what I'm looking at. | 0:20:17 | 0:20:18 | |
So every time they come in here, it's another adventure. | 0:20:18 | 0:20:21 | |
80 miles away in Harrow and the adventure's begun | 0:20:23 | 0:20:26 | |
on Ceri and Zaheed's two-bedroom flat. | 0:20:26 | 0:20:28 | |
A skip has been delivered so all the unwanted hand-me-downs | 0:20:28 | 0:20:31 | |
can make way for Tracey and Zara's unique designs. | 0:20:31 | 0:20:35 | |
Helping each of them carry out the refit is builder Russell | 0:20:35 | 0:20:38 | |
and he's keen to know Tracey's plans for the kitchen. | 0:20:38 | 0:20:41 | |
It's going to be a social, cosy kind of kitchen, yeah? | 0:20:41 | 0:20:46 | |
You've made it look a lot bigger than it probably actually is. | 0:20:46 | 0:20:51 | |
Cunning move, Tracey, but trust me, it won't work. | 0:20:51 | 0:20:54 | |
But are Zara's posh designs a better fit? | 0:20:57 | 0:21:00 | |
So, I'm bringing sort of the early mid and late Renaissance | 0:21:00 | 0:21:04 | |
period into my room. | 0:21:04 | 0:21:06 | |
Renaissance for a flat in Harrow? | 0:21:06 | 0:21:09 | |
Very sort of muted tones, but then you've got the bold, gold statements | 0:21:09 | 0:21:13 | |
sort of dotted around and it's really impressive, really striking. | 0:21:13 | 0:21:18 | |
I'll be the judge of that. | 0:21:18 | 0:21:19 | |
Up the road, school's out and Zaheed and Ceri are heading to the local. | 0:21:21 | 0:21:25 | |
I think they're in need of some reassurance | 0:21:25 | 0:21:28 | |
from close friends Katie and Tom. | 0:21:28 | 0:21:31 | |
Wish you'd been in that car with us when we saw who the designers are. | 0:21:31 | 0:21:34 | |
-Why? -The first one, she has a car in her living room. | 0:21:34 | 0:21:40 | |
Brilliant. Who was the other one, the other designer? | 0:21:40 | 0:21:43 | |
So, think gold. Think dark reds. | 0:21:43 | 0:21:46 | |
-A boudoir. -Like Hampton Court Palace, yeah. | 0:21:46 | 0:21:49 | |
-Gold everywhere. -Yeah, gold. | 0:21:49 | 0:21:53 | |
Terrific, innit? | 0:21:53 | 0:21:54 | |
I have a fascination with gold which has been quite a longstanding | 0:21:56 | 0:22:00 | |
thing, really. Let's face it, the Queen's got a gold state coach, | 0:22:00 | 0:22:03 | |
so if she can have it, why can't everyone else? | 0:22:03 | 0:22:07 | |
Let's be positive. It will be something special, | 0:22:07 | 0:22:10 | |
something that no-one else will have anything like it in the world. | 0:22:10 | 0:22:14 | |
She's right, you know. | 0:22:15 | 0:22:16 | |
Tracey's applying a technique I've certainly never | 0:22:19 | 0:22:22 | |
seen in kitchen design. | 0:22:22 | 0:22:24 | |
I think a lot of what I do is quite experimental, | 0:22:24 | 0:22:27 | |
so this is one of the experimental pieces, really. | 0:22:27 | 0:22:30 | |
Back on the south coast and Sara has a plan for Jo's room with a view. | 0:22:37 | 0:22:42 | |
It's a Muriel. I mean a mural. | 0:22:42 | 0:22:45 | |
And it is a view of the sky, the sea. | 0:22:45 | 0:22:51 | |
I think Russ is just going to be beside himself with anger. | 0:22:51 | 0:22:55 | |
No, I mean glee. I mean glee. | 0:22:55 | 0:22:57 | |
And theatrical Zyg's not going to be eclipsed. | 0:23:01 | 0:23:04 | |
There you go. As you can see, beautiful, it will be. | 0:23:04 | 0:23:07 | |
So, all I'm doing now, is working out the actual pattern | 0:23:07 | 0:23:09 | |
and getting me nebula sorted out. | 0:23:09 | 0:23:12 | |
Making me nebula in the right place. | 0:23:12 | 0:23:13 | |
I don't want anyone telling me I've got it upside down. | 0:23:13 | 0:23:16 | |
I was hoping there'd be an instruction booklet | 0:23:16 | 0:23:18 | |
but I don't see it. | 0:23:18 | 0:23:20 | |
How are you supposed to work it out? | 0:23:20 | 0:23:22 | |
Thankfully, Nathan's team of builders are on hand to help. | 0:23:24 | 0:23:28 | |
That's a job I'd recommend leaving to the professionals too. | 0:23:28 | 0:23:32 | |
Just like being in space, innit? Look at this panorama vista. | 0:23:32 | 0:23:35 | |
Let's just hope they like space films, eh? | 0:23:35 | 0:23:37 | |
GUN ZAPS | 0:23:39 | 0:23:42 | |
Back in Harrow and the teachers' flat is taking shape. | 0:23:45 | 0:23:51 | |
Reclamation loving Tracey is trying to make them feel at home | 0:23:51 | 0:23:54 | |
in their kitchen with school-like floor tiles and blackboard paint. | 0:23:54 | 0:23:59 | |
And her Royal Highness, Zara, | 0:23:59 | 0:24:01 | |
has plans to make the spare room comfortable for everyone. | 0:24:01 | 0:24:04 | |
I'm just putting together the day bed. | 0:24:04 | 0:24:06 | |
This is going to, obviously, act as somewhere that Ceri | 0:24:06 | 0:24:08 | |
and Zaheed can sit in the day and relax, | 0:24:08 | 0:24:10 | |
but also it's big enough, it's a single size for the mother-in-law. | 0:24:10 | 0:24:14 | |
Very multifunctional. | 0:24:14 | 0:24:15 | |
Day beds are brilliant design solutions for homes with | 0:24:16 | 0:24:19 | |
limited space. | 0:24:19 | 0:24:20 | |
Back on the south coast, it's nearly time to show Jo and Russell | 0:24:26 | 0:24:30 | |
what amateur designers Sara and Zyg have created in their home. | 0:24:30 | 0:24:34 | |
How much better does this look? And the blue's working. | 0:24:35 | 0:24:38 | |
The blue is working, it's working, it's working, it's working. | 0:24:38 | 0:24:41 | |
You can say it as many times as you like, | 0:24:41 | 0:24:43 | |
but it doesn't change the fact, you're not the judge. | 0:24:43 | 0:24:47 | |
How about that, then, guys and girls? Are we loving this? | 0:24:47 | 0:24:50 | |
This time tomorrow, Zyg and Sara will be working together | 0:24:52 | 0:24:55 | |
on a shared room and I don't want it turning into a war of words. | 0:24:55 | 0:25:00 | |
With regard to working together, I think | 0:25:01 | 0:25:03 | |
Zyg's stuck in a bit of a time warp. | 0:25:03 | 0:25:05 | |
His hair, definitely, and the way he dresses | 0:25:05 | 0:25:08 | |
and also he's going for this whole Star Wars thing. | 0:25:08 | 0:25:11 | |
Not ideal, considering I'm at the peak of, you know, fashion, | 0:25:11 | 0:25:14 | |
so, no, not brilliant, really. | 0:25:14 | 0:25:17 | |
If we can work together, we will. | 0:25:17 | 0:25:19 | |
If we can't work together, I won't. | 0:25:19 | 0:25:22 | |
Our tastes are obviously in different directions, | 0:25:22 | 0:25:26 | |
poles apart, I think. | 0:25:26 | 0:25:28 | |
I think we might have a... not a conflict, I don't think, | 0:25:28 | 0:25:31 | |
but we'll have a chat tomorrow. | 0:25:31 | 0:25:33 | |
We'll have a word tomorrow with each other and we'll see what happens. | 0:25:33 | 0:25:37 | |
But there's going to have to be a hell of a lot of compromise, | 0:25:37 | 0:25:39 | |
that is for sure. For sure. | 0:25:39 | 0:25:42 | |
Right, that's it, time's up. | 0:25:45 | 0:25:47 | |
And time for the amateurs to clear off, | 0:25:50 | 0:25:52 | |
so I can run my expert eye over what they've done. | 0:25:52 | 0:25:55 | |
Zyg used his £4,000 budget to turn the boy's room into a spaceship | 0:26:04 | 0:26:09 | |
complete with a full control panel. | 0:26:09 | 0:26:11 | |
The blind has been replaced with a projector screen | 0:26:13 | 0:26:16 | |
that the boys can use for gaming and movies. | 0:26:16 | 0:26:18 | |
He's certainly taken this room to infinity, and beyond. | 0:26:20 | 0:26:25 | |
I'm in space! | 0:26:28 | 0:26:29 | |
It's extremely creative. | 0:26:31 | 0:26:33 | |
I'm relieved that Zyg has actually created this | 0:26:33 | 0:26:40 | |
and pushed the limits, pushed the boundaries, | 0:26:40 | 0:26:43 | |
but in a really good way. | 0:26:43 | 0:26:45 | |
The space is much better, they've both got their own beds, | 0:26:45 | 0:26:50 | |
they've both got storage and it does look like a spaceship. | 0:26:50 | 0:26:55 | |
What child wouldn't love this? | 0:26:55 | 0:26:57 | |
I just hope Sara's been as creative in the grown-ups' room. | 0:26:59 | 0:27:02 | |
She used her £4,000 budget to deliver Jo's room with a view. | 0:27:05 | 0:27:09 | |
Built around the undeniable view is Sara's | 0:27:10 | 0:27:13 | |
interpretation of a glamorous Hollywood beach hut where | 0:27:13 | 0:27:16 | |
faded wood effect wallpaper sits side by side with decadent | 0:27:16 | 0:27:20 | |
light fixtures, plantation blinds and an ornate mirror. | 0:27:20 | 0:27:25 | |
It's very seaside-y. | 0:27:31 | 0:27:33 | |
Jo wanted a room with a view and she certainly got one. | 0:27:33 | 0:27:37 | |
I'm just going to have to sit and look at how this feels | 0:27:37 | 0:27:40 | |
when you're in bed, actually. | 0:27:40 | 0:27:42 | |
It's quite in-your-face. | 0:27:44 | 0:27:45 | |
I mean, it's... It's certainly a view. | 0:27:46 | 0:27:49 | |
So, she has created a really good room for Jo. | 0:27:51 | 0:27:55 | |
Not sure about Russ. | 0:27:56 | 0:27:57 | |
But we're about to find out. | 0:27:58 | 0:28:01 | |
-Hi. -Welcome back. Hello, boys. | 0:28:02 | 0:28:04 | |
-Hi, hello. -Are you excited | 0:28:06 | 0:28:07 | |
-to see your new room? -Yeah. | 0:28:07 | 0:28:09 | |
-Come on, then. -Can't wait. | 0:28:09 | 0:28:11 | |
Finger crossed the boys like spaceships. | 0:28:11 | 0:28:14 | |
Oh, my God. | 0:28:17 | 0:28:19 | |
Oh, my word. | 0:28:20 | 0:28:23 | |
Oh, wow! | 0:28:23 | 0:28:24 | |
Boys, what do you think? | 0:28:24 | 0:28:27 | |
Look at this. This is amazing. | 0:28:27 | 0:28:31 | |
It's like in a spaceship. What do you think? | 0:28:31 | 0:28:35 | |
My old bed used to be there. | 0:28:35 | 0:28:36 | |
Look at that. What's behind? It's like a big... | 0:28:36 | 0:28:39 | |
This is amazing. This is really good. | 0:28:39 | 0:28:41 | |
There's a little control panel on the left there. | 0:28:41 | 0:28:43 | |
-I was going to say, "Can I press it?" -Yes. | 0:28:43 | 0:28:47 | |
Oh, oh-oh. | 0:28:47 | 0:28:49 | |
-Celia, this is unbelievable. -This is amazing. | 0:28:49 | 0:28:53 | |
It's a blind which doubles up as a screen | 0:28:53 | 0:28:55 | |
so that you can play your gaming on it. | 0:28:55 | 0:28:58 | |
Who thinks that all your mates want to stay round here now all the time? | 0:28:58 | 0:29:02 | |
-Yeah? -Yeah. | 0:29:02 | 0:29:03 | |
So, boys, if you had a message for Zyg, what would it be? | 0:29:04 | 0:29:08 | |
Thank you for a cool room. | 0:29:08 | 0:29:11 | |
What a resounding success? | 0:29:14 | 0:29:17 | |
I hope Jo and Russell are as enthusiastic about Sara's | 0:29:17 | 0:29:20 | |
blue-on-blue room with a view. | 0:29:20 | 0:29:23 | |
Oh, my word. | 0:29:30 | 0:29:32 | |
My word. | 0:29:34 | 0:29:35 | |
You can definitely... There's the room with a view, Jo. | 0:29:38 | 0:29:40 | |
-There's my room with a view. -My word. | 0:29:40 | 0:29:43 | |
There's my room with a view. Oh, my gosh. | 0:29:43 | 0:29:45 | |
Yeah, I do love this, this is great, this is really great, really, | 0:29:46 | 0:29:50 | |
really great. | 0:29:50 | 0:29:51 | |
I love the blinds, blinds are awesome. | 0:29:51 | 0:29:54 | |
I suppose it's just the sort of the boldness of the other colours, | 0:29:54 | 0:29:57 | |
I suppose, which are going to take a little bit of getting used to. | 0:29:57 | 0:30:01 | |
But you wanted colour. | 0:30:03 | 0:30:04 | |
I did want colour, yeah, I did say I wanted colour. | 0:30:04 | 0:30:07 | |
I feel like I've got two different sort of styles. | 0:30:07 | 0:30:10 | |
You've got the sort of the driftwood-y walls | 0:30:10 | 0:30:12 | |
and the beach theme and I'm not quite sure how this is | 0:30:12 | 0:30:14 | |
marrying up then with the gold and the sort of brightness, | 0:30:14 | 0:30:18 | |
so it's almost like there's one room and there's another room. | 0:30:18 | 0:30:21 | |
Yeah, there's the room with a view, yeah, yeah. | 0:30:21 | 0:30:24 | |
If you've got a message, then, for Sara, | 0:30:24 | 0:30:27 | |
obviously, she's doing the room with Zyg, so what would be your message? | 0:30:27 | 0:30:33 | |
I love the creativity but, yeah, just definitely not so bold. | 0:30:33 | 0:30:37 | |
She's 100% got the room with a view, but with | 0:30:37 | 0:30:41 | |
the room with a view, in my mind, I had colour but softer colours. | 0:30:41 | 0:30:46 | |
Relaxing, tranquil colours. | 0:30:46 | 0:30:48 | |
But deep, deep, down, it's not quite what I expected and I suppose | 0:30:48 | 0:30:51 | |
if I'm to give an answer, it's... I would say I'm not sure. | 0:30:51 | 0:30:55 | |
-I don't quite like it. -Yeah. -Yep. | 0:30:55 | 0:30:58 | |
That's what I would call a mixed viewing, | 0:30:58 | 0:31:00 | |
but without feedback, how's an interior designer supposed to learn? | 0:31:00 | 0:31:05 | |
-So, Zyg. -Yes. -The children loved it. | 0:31:05 | 0:31:10 | |
-Thank you. -And so did Russ and Jo. -Glad to hear it. | 0:31:10 | 0:31:14 | |
-You did an excellent job, I'm very impressed. -Thank you. | 0:31:14 | 0:31:18 | |
Sara, your bedroom, lots of colour in there, isn't there? | 0:31:18 | 0:31:24 | |
Very bright. | 0:31:24 | 0:31:25 | |
The walls were very neutral, though. | 0:31:25 | 0:31:28 | |
Some of them. | 0:31:28 | 0:31:30 | |
I think they felt the colours were quite strong | 0:31:30 | 0:31:32 | |
and a bit conflicting in places. | 0:31:32 | 0:31:35 | |
I actually think you both did a good job there. | 0:31:35 | 0:31:37 | |
You've got a joint room to do, obviously it's this room. | 0:31:37 | 0:31:42 | |
Sara, just cool the colours down a bit and don't over-theme. | 0:31:43 | 0:31:48 | |
This is not a kid's room now, this is a family room. | 0:31:48 | 0:31:51 | |
Are you going to be able to gel this together | 0:31:51 | 0:31:53 | |
and create something that they want? | 0:31:53 | 0:31:55 | |
Mmm. | 0:31:57 | 0:31:59 | |
OK. I will change my approach, to a limit. | 0:32:00 | 0:32:04 | |
I still feel I can give them | 0:32:04 | 0:32:07 | |
something that they will enjoy without being vanilla. | 0:32:07 | 0:32:12 | |
In Harrow, amateurs Tracey and Zara have nearly finished the individual | 0:32:16 | 0:32:20 | |
rooms they've been designing for homeowners Ceri and Zaheed. | 0:32:20 | 0:32:24 | |
This is the interior designer's first chance to impress me | 0:32:25 | 0:32:28 | |
before they join forces in the living room. | 0:32:28 | 0:32:31 | |
I'm really, really pleased with how it's gone. | 0:32:31 | 0:32:33 | |
I think it's all gone to plan, it's all gone really well. | 0:32:33 | 0:32:35 | |
I'm really, really confident they're going to like it. | 0:32:35 | 0:32:38 | |
To be honest, if they don't, I don't mind. I just love it. | 0:32:38 | 0:32:41 | |
I am feeling chuffed, actually. | 0:32:41 | 0:32:43 | |
I've put everything into this | 0:32:44 | 0:32:46 | |
and I just hope that they... they do like it. | 0:32:46 | 0:32:51 | |
In case there's any doubt about who did what, | 0:32:51 | 0:32:53 | |
Her Royal Highness has one final touch. | 0:32:53 | 0:32:56 | |
Classy. | 0:32:58 | 0:32:59 | |
Time for the ladies to make themselves scarce. | 0:33:02 | 0:33:05 | |
I need to inspect their rooms before the couple arrive back. | 0:33:05 | 0:33:08 | |
In the kitchen, Tracey had a budget of £5,500. | 0:33:12 | 0:33:17 | |
She downsized the massive fridge freezer for small separates | 0:33:17 | 0:33:20 | |
that could be hidden away. | 0:33:20 | 0:33:22 | |
She built a stable door to make the kitchen feel bigger... | 0:33:22 | 0:33:25 | |
..and created cabinets and a worktop from reclaimed wood. | 0:33:26 | 0:33:30 | |
Storage comes in the form of places to hang utensils, | 0:33:30 | 0:33:34 | |
shabby chic cupboards and reclaimed containers. | 0:33:34 | 0:33:37 | |
It feels quite dark in here. | 0:33:45 | 0:33:47 | |
We've lost a cupboard on the wall, but we've gained a shelf. | 0:33:49 | 0:33:53 | |
Got a slight storage issue, I think, still here. | 0:33:54 | 0:33:57 | |
I think I would prefer to see more storage. | 0:33:58 | 0:34:02 | |
All in all, it looks better than it did and much more updated | 0:34:02 | 0:34:07 | |
and much easier to get more than one person in. | 0:34:07 | 0:34:10 | |
So, they'll probably quite like it. | 0:34:10 | 0:34:12 | |
I've been looking forward to seeing this next room. | 0:34:15 | 0:34:18 | |
Zara's guest bedroom cost £4,000. | 0:34:18 | 0:34:21 | |
She transformed the plain mother-in-law's room into an opulent | 0:34:21 | 0:34:25 | |
Renaissance chamber fit for a queen. | 0:34:25 | 0:34:28 | |
By replacing the double for a day bed, | 0:34:28 | 0:34:31 | |
she created space for a dressing-table-cum-desk, | 0:34:31 | 0:34:34 | |
a throne chair and extra storage behind a mirrored wall. | 0:34:34 | 0:34:39 | |
She finished it with her signature gold, glamour and graffiti. | 0:34:39 | 0:34:44 | |
I just want to be taken back by something I hadn't thought of. | 0:34:59 | 0:35:02 | |
I mean, that's what's exciting me, going in there. | 0:35:02 | 0:35:04 | |
I just want to see something that I didn't... | 0:35:04 | 0:35:06 | |
I wouldn't ever have done it that way but it still works. | 0:35:06 | 0:35:08 | |
-That would be amazing. -What is that? | 0:35:08 | 0:35:10 | |
And it's plastic. | 0:35:11 | 0:35:14 | |
Oh, that's so naff. | 0:35:14 | 0:35:16 | |
It's all a bit weird. Erm... So what have we got in here? | 0:35:17 | 0:35:21 | |
OK. | 0:35:25 | 0:35:27 | |
Got a kind of desk for somebody very, very small. | 0:35:27 | 0:35:33 | |
The day bed is a great idea. | 0:35:36 | 0:35:38 | |
That's a great idea, just not very nice to look at. | 0:35:38 | 0:35:42 | |
That's all I can say. | 0:35:44 | 0:35:45 | |
The moment of truth. | 0:35:52 | 0:35:53 | |
Will Ceri and Zaheed give the amateurs top marks? | 0:35:55 | 0:35:58 | |
Oh, my God. | 0:36:00 | 0:36:02 | |
Oh, wow! Now it's different. | 0:36:02 | 0:36:04 | |
OK. | 0:36:07 | 0:36:08 | |
The door is fantastic, I really like the door. | 0:36:14 | 0:36:17 | |
That's pretty cool. | 0:36:17 | 0:36:19 | |
I hate the floor. It looks like school. | 0:36:19 | 0:36:22 | |
I don't like what's right behind you. | 0:36:23 | 0:36:26 | |
Black. I realise it's a chalkboard that's kind of, yeah. | 0:36:27 | 0:36:32 | |
Another thing I can't help but notice is a wooden work surface, | 0:36:32 | 0:36:35 | |
which is what we hated before. | 0:36:35 | 0:36:37 | |
-That's a newer wooden worktop. -Mmm. | 0:36:37 | 0:36:41 | |
The breakfast bar's gone to be replaced with another | 0:36:41 | 0:36:43 | |
pointless table, so it's... | 0:36:43 | 0:36:45 | |
It wasn't functional before and it's even less functional now. | 0:36:45 | 0:36:50 | |
You know what? It's better than it was before. | 0:36:50 | 0:36:53 | |
I'm taking that as a split decision. | 0:36:54 | 0:36:56 | |
But will Zara's attempt to combine class | 0:36:56 | 0:36:58 | |
and functionality to the mother-in-law's room unite them? | 0:36:58 | 0:37:02 | |
Wow! That's... | 0:37:03 | 0:37:05 | |
That's bright and we have a chandelier. | 0:37:06 | 0:37:09 | |
Oh, my God. What the hell? | 0:37:09 | 0:37:10 | |
Weird. It's really weird. Looks like a different world. | 0:37:15 | 0:37:19 | |
It's not something that I would choose to spend | 0:37:19 | 0:37:23 | |
any time in whatsoever. | 0:37:23 | 0:37:24 | |
-There's lots of gold there, as well. -Do you like gold? | 0:37:26 | 0:37:28 | |
I hate gold. | 0:37:28 | 0:37:29 | |
-She's actually signed... -Oh. -..signed the wall for you. | 0:37:30 | 0:37:35 | |
-Lovely. -That's nice. | 0:37:35 | 0:37:37 | |
There's a bit of a hidden secret if you open the doors. | 0:37:37 | 0:37:40 | |
Oh, really? | 0:37:40 | 0:37:42 | |
Oh, there's a... | 0:37:42 | 0:37:44 | |
-It's tiny. -Yeah, it's not a teacher's desk. | 0:37:47 | 0:37:50 | |
I personally am going to use this room even less than | 0:37:50 | 0:37:53 | |
-I did before now. -It's horrible. | 0:37:53 | 0:37:56 | |
I'd say they're pretty united. | 0:37:56 | 0:37:57 | |
Mum will hate this, no doubt. | 0:37:57 | 0:37:59 | |
She's going to walk in here and feel so unwelcome. | 0:37:59 | 0:38:02 | |
-Really? She might love it. -No way. | 0:38:02 | 0:38:05 | |
But what about the day bed? | 0:38:05 | 0:38:07 | |
Yeah. I'm a bit disappointed that it's a single bed | 0:38:07 | 0:38:10 | |
as where are our friends going to stay when they come? | 0:38:10 | 0:38:13 | |
OK, well, you know the two amateur designers are coming back to | 0:38:15 | 0:38:18 | |
do a joint room. Any message you want to give to them? | 0:38:18 | 0:38:22 | |
Maybe don't think so much about trying to make it | 0:38:23 | 0:38:26 | |
all about image and maybe think more about function. | 0:38:26 | 0:38:29 | |
OK. Come on, then, time to leave. | 0:38:29 | 0:38:32 | |
I think my fear is, is that now they're obviously faced, | 0:38:34 | 0:38:37 | |
not only with the challenge of listening to our feedback, | 0:38:37 | 0:38:40 | |
but they're also faced with the challenge of working together | 0:38:40 | 0:38:42 | |
and I think that they are both incredibly different, | 0:38:42 | 0:38:46 | |
that I think, to be honest, they're actually going to forget us. | 0:38:46 | 0:38:51 | |
I think their biggest challenge is going to be working together | 0:38:51 | 0:38:54 | |
and I think, "So we're just going to get lost in the mix." | 0:38:54 | 0:38:56 | |
I feel really flat. | 0:38:56 | 0:38:58 | |
Neither of them loved the rooms and I'm sad. | 0:38:58 | 0:39:02 | |
I hope this one is bloomin' good. It needs to be. | 0:39:02 | 0:39:07 | |
-Hi. -Hi. -Hi. | 0:39:09 | 0:39:12 | |
Just to start with you, Tracey, Ceri felt, | 0:39:15 | 0:39:18 | |
because she's the one that cooks, there's not enough storage for her. | 0:39:18 | 0:39:23 | |
Right, all right, OK interesting. | 0:39:23 | 0:39:25 | |
She felt there was less storage than before. | 0:39:25 | 0:39:27 | |
Zara, the bedroom. | 0:39:27 | 0:39:31 | |
There's a desk, although be it a little bit small | 0:39:31 | 0:39:34 | |
and that mum-in-law might not like such a small bed. | 0:39:34 | 0:39:38 | |
OK, that's interesting. | 0:39:39 | 0:39:41 | |
-Unfortunately, you're both in detentions. -Yeah. | 0:39:41 | 0:39:44 | |
You're going to now work on the joint room together. | 0:39:45 | 0:39:48 | |
We want to see you work together as a team. | 0:39:48 | 0:39:51 | |
I don't know what you've got in mind, so maybe you can just | 0:39:51 | 0:39:54 | |
tell me what your initial thoughts are on this room. | 0:39:54 | 0:39:57 | |
Well, in terms of storage, for me, I've kind of got | 0:39:57 | 0:40:01 | |
an idea for a cupboard that is really quite contemporary, actually. | 0:40:01 | 0:40:04 | |
-Zara? -I've got a lot of ideas for this room. | 0:40:04 | 0:40:06 | |
Practically, I've used a lot of clever storage ideas, | 0:40:06 | 0:40:10 | |
a lot of sort of space-saving furniture as well, so, yeah. | 0:40:10 | 0:40:14 | |
OK. You're now dismissed. | 0:40:14 | 0:40:17 | |
I shall see you in a few days and hopefully see a fantastic room. | 0:40:17 | 0:40:22 | |
-Off you go. -Lovely, thank you. -You certainly will. -Bye. | 0:40:22 | 0:40:25 | |
I think it's going to be very difficult to combine | 0:40:27 | 0:40:30 | |
styles between myself and Tracey. | 0:40:30 | 0:40:32 | |
I made sure that my guest room is very practical, | 0:40:32 | 0:40:34 | |
a lot of storage and I aim to do the same within the lounge diner. | 0:40:34 | 0:40:38 | |
I'm hoping that, you know, like me, she's aware of the fact that | 0:40:38 | 0:40:41 | |
there's now going to be two of us working on this project. | 0:40:41 | 0:40:44 | |
We've both, you know... we've got to compromise, | 0:40:44 | 0:40:46 | |
we've both got to compromise, but we've both got to, hopefully, | 0:40:46 | 0:40:49 | |
bring out the best in each other, so... | 0:40:49 | 0:40:50 | |
and the best in the design that we can both sort of pull together. | 0:40:50 | 0:40:54 | |
Back at Jo and Russell's house on the south coast | 0:40:56 | 0:40:59 | |
and the new day is bringing a new challenge. | 0:40:59 | 0:41:01 | |
The joint room. | 0:41:01 | 0:41:03 | |
Professional designers often need to work as part of a team | 0:41:03 | 0:41:06 | |
and that is exactly what movie man Zyg | 0:41:06 | 0:41:08 | |
and the glamorously colourful Sara will have to do. | 0:41:08 | 0:41:12 | |
These two are poles apart, so this could be an odd coupling. | 0:41:13 | 0:41:18 | |
Yeah. I know, you see, you've gone very Caribbean. | 0:41:18 | 0:41:22 | |
Yeah, that's my theme. | 0:41:22 | 0:41:25 | |
I actually really liked what he did. | 0:41:25 | 0:41:27 | |
He did a beautiful model and he had some fantastic ideas and | 0:41:27 | 0:41:30 | |
he had this whole whitewash thing and actually it was very beautiful. | 0:41:30 | 0:41:33 | |
-Shuttering for the windows. -I love those. | 0:41:33 | 0:41:35 | |
Got the shutters upstairs anyway, | 0:41:35 | 0:41:37 | |
so if we mimic it downstairs, the house will look good from outside. | 0:41:37 | 0:41:40 | |
Yeah. Plants, we've both got. | 0:41:40 | 0:41:41 | |
I've gone more kind of American, early '50s. | 0:41:41 | 0:41:44 | |
Doesn't matter, I think it'll all blend in. | 0:41:44 | 0:41:46 | |
Well, that went better than expected, which is | 0:41:46 | 0:41:48 | |
just as well, because they only have two days to complete the project. | 0:41:48 | 0:41:52 | |
I think we can work together, we've got no choice, really - | 0:41:52 | 0:41:55 | |
we have to work together. | 0:41:55 | 0:41:56 | |
I got 100% on my kids' room and she got knocked back a bit, | 0:41:56 | 0:42:00 | |
so I'll give her a bit of leaning towards her to make her shine | 0:42:00 | 0:42:04 | |
a little bit more and make it sound like it's all her wonderful work. | 0:42:04 | 0:42:07 | |
What a gentleman! | 0:42:07 | 0:42:09 | |
So, what exactly have these new best friends settled on? | 0:42:11 | 0:42:15 | |
The idea of the room is we've agreed on a colonial, Caribbean chic | 0:42:15 | 0:42:20 | |
with a few bright issues here and there | 0:42:20 | 0:42:23 | |
that Zara's dressing the room. | 0:42:23 | 0:42:25 | |
Colonial, Caribbean theme? Colour from Sara? | 0:42:25 | 0:42:29 | |
Exactly the things I warned them against. | 0:42:29 | 0:42:31 | |
-Nice colour. -Very nice colour. | 0:42:31 | 0:42:34 | |
Up in Harrow and after failing miserably with their first | 0:42:36 | 0:42:40 | |
designs for teachers Ceri and Zaheed, | 0:42:40 | 0:42:42 | |
Tracey and Zara have a chance to make amends. | 0:42:42 | 0:42:45 | |
This time, their homework is a joint project - the living room. | 0:42:45 | 0:42:50 | |
I do hate having unhappy clients, so I suggest they try to design | 0:42:50 | 0:42:54 | |
this room around things that Ceri and Zaheed might actually like. | 0:42:54 | 0:42:58 | |
They're a young couple, they want to entertain, | 0:42:58 | 0:43:00 | |
-they're quite modern, they like film as well. -Yeah. | 0:43:00 | 0:43:03 | |
So, my idea for the room is going to be themed within...on a film set. | 0:43:03 | 0:43:10 | |
I don't... I can't do it, I don't like themes. | 0:43:10 | 0:43:12 | |
I'm just not a theme-y person | 0:43:12 | 0:43:14 | |
and I have to say that, you know, to me, it's just so obvious, sort | 0:43:14 | 0:43:18 | |
of black and white, black and white, clapperboards. | 0:43:18 | 0:43:21 | |
I can guarantee you there's a small Oscar somewhere | 0:43:21 | 0:43:25 | |
that's going to come out of the box. | 0:43:25 | 0:43:27 | |
Sounds like the pressure's getting to them. And so it should. | 0:43:27 | 0:43:31 | |
Designing people's homes is a serious business, | 0:43:31 | 0:43:34 | |
with consequences for everyone involved, | 0:43:34 | 0:43:37 | |
like having to confess to your mum that the risk you took with | 0:43:37 | 0:43:41 | |
her room didn't pay off. | 0:43:41 | 0:43:42 | |
Will I like it? That's the first question. | 0:43:44 | 0:43:46 | |
-Do you like gold? -No, I hate it. | 0:43:46 | 0:43:49 | |
Think like a stately home mixed with the '80s. | 0:43:49 | 0:43:53 | |
-Ghastly, then. -Yeah. -Eugh. | 0:43:53 | 0:43:56 | |
So, are you able to give some suggestions for the living room | 0:43:56 | 0:44:00 | |
to maybe make that a little bit... | 0:44:00 | 0:44:02 | |
Well, we passed on our concerns to Celia. | 0:44:02 | 0:44:04 | |
To be honest, I wouldn't be surprised if our DVDs | 0:44:04 | 0:44:07 | |
have been turned into some sort of sculpture to go | 0:44:07 | 0:44:09 | |
pointlessly in the middle of the living room. | 0:44:09 | 0:44:12 | |
I'm worried that they're so different, | 0:44:12 | 0:44:14 | |
that they're going to squabble and they're going to actually spend more | 0:44:14 | 0:44:18 | |
time worrying about getting their own identity | 0:44:18 | 0:44:21 | |
out there over the other designer, that they'll actually completely | 0:44:21 | 0:44:25 | |
forget us in the mix. | 0:44:25 | 0:44:27 | |
I think it's safe to say that we're both dreading going back tomorrow. | 0:44:27 | 0:44:30 | |
-Yeah. -Well, it'll be interesting to see what they have to say | 0:44:30 | 0:44:33 | |
and, you know, why they did what they did and what made them | 0:44:33 | 0:44:37 | |
think that we would like it. | 0:44:37 | 0:44:39 | |
We? At the moment, I'm afraid even Ceri and Zaheed | 0:44:39 | 0:44:42 | |
don't seem to be getting what they like. | 0:44:42 | 0:44:44 | |
I'm, you know, totally opposing the point of putting | 0:44:46 | 0:44:48 | |
something in there that just doesn't work. | 0:44:48 | 0:44:50 | |
-I think it's totally absurd. -Yours is purely aesthetics. | 0:44:50 | 0:44:53 | |
-It is purely aesthetics. -Yes, yes. | 0:44:53 | 0:44:54 | |
I think it's interesting that you're not able to | 0:44:54 | 0:44:56 | |
adapt your style around a fireplace. Because, equally... | 0:44:56 | 0:44:59 | |
I'm a lot older than you, you know, maybe I'm a bit too | 0:44:59 | 0:45:01 | |
-long in the tooth to be... -Exactly, and I'm a younger person, | 0:45:01 | 0:45:04 | |
this is for younger people here. | 0:45:04 | 0:45:05 | |
I think maybe I know what, you know, the younger client will need. | 0:45:05 | 0:45:08 | |
Oh, oh, oh. | 0:45:08 | 0:45:09 | |
I can strike a compromise. | 0:45:11 | 0:45:13 | |
OK, what are you prepared to compromise on? | 0:45:13 | 0:45:16 | |
I'm prepared that we use that one but we paint it black. | 0:45:16 | 0:45:19 | |
At the other house, at least the odd couple are showing their maturity. | 0:45:21 | 0:45:25 | |
It looks very nice, dear. Very nice. | 0:45:25 | 0:45:30 | |
Do you know when I say something's looking very nice, what do you say? | 0:45:30 | 0:45:34 | |
-Thank you very much, miss. -There you go. Thank you. | 0:45:35 | 0:45:37 | |
It's a proper, proper collaboration. | 0:45:37 | 0:45:40 | |
We've got his floorboards that we couldn't use, | 0:45:40 | 0:45:42 | |
they're on the walls, which is brilliant. | 0:45:42 | 0:45:45 | |
His filigree, oh, he's hysterical about his filigree. | 0:45:45 | 0:45:47 | |
I mean, it's so granny, you know, | 0:45:47 | 0:45:49 | |
I couldn't believe this man was going mad for this granny filigree. | 0:45:49 | 0:45:52 | |
That's all up, which is brilliant. | 0:45:52 | 0:45:54 | |
It's my floor, which is great. | 0:45:54 | 0:45:55 | |
It's my furniture, because I know how to do that really well, | 0:45:55 | 0:45:58 | |
cos he is a bit kind of masculine in that front. | 0:45:58 | 0:46:01 | |
A painting by his wife is in over the mantelpiece. | 0:46:01 | 0:46:04 | |
I mean you can't get more Zygy than that. | 0:46:04 | 0:46:07 | |
My lovely wallpaper, my palm wallpaper, but that sets | 0:46:07 | 0:46:10 | |
the whole thing off and we did manage to totally compromise. | 0:46:10 | 0:46:14 | |
Totally compromise and the room is gorgeous. | 0:46:14 | 0:46:17 | |
Once more, Sara. You don't get to judge your own room. | 0:46:17 | 0:46:21 | |
Back in Harrow and work is progressing well, which is | 0:46:23 | 0:46:26 | |
fortunate, as I've got the daunting task of showing the room to | 0:46:26 | 0:46:29 | |
Ceri and Zaheed in just a few hours. | 0:46:29 | 0:46:32 | |
Hand-me-down hell has been eradicated | 0:46:32 | 0:46:35 | |
and is being whitewashed ready for Zara's black and white movie theme. | 0:46:35 | 0:46:39 | |
But Her Royal Highness hasn't managed to stop Tracey getting her | 0:46:40 | 0:46:44 | |
old salvage into the room. | 0:46:44 | 0:46:46 | |
Look what I found in the skip. | 0:46:46 | 0:46:48 | |
See, I think that's beautiful. I think that's so beautiful. | 0:46:50 | 0:46:53 | |
I love the colour of it. | 0:46:53 | 0:46:55 | |
Now you see it, Zara, in situ, do you prefer it or do you still... | 0:46:55 | 0:46:58 | |
I absolutely detest it... | 0:46:58 | 0:47:01 | |
She may not be getting her own way, | 0:47:01 | 0:47:03 | |
but at least she's agreed to compromise. | 0:47:03 | 0:47:06 | |
Neither of them wanted to let up with their design | 0:47:06 | 0:47:10 | |
on the fireplace and I thought it was going to go on all day. | 0:47:10 | 0:47:13 | |
I think this is going to be ideal for Ceri and Zaheed, obviously, | 0:47:13 | 0:47:16 | |
as it's a sofabed. | 0:47:16 | 0:47:17 | |
Since then, they've actually really been working together really well. | 0:47:17 | 0:47:21 | |
And they're bouncing off each other quite a lot now, which is | 0:47:21 | 0:47:24 | |
quite nice to see. | 0:47:24 | 0:47:25 | |
Oh, and Tracey was right, there's that Oscar. | 0:47:26 | 0:47:30 | |
I've really enjoyed working with Tracey. | 0:47:30 | 0:47:32 | |
I think we faced a lot of challenges because we're so different. | 0:47:32 | 0:47:35 | |
I think, you know, we're two ends of the spectrum with our design. | 0:47:35 | 0:47:38 | |
Obviously, I'm very high-end and Tracey, you know, | 0:47:38 | 0:47:40 | |
likes to get it out of a skip. | 0:47:40 | 0:47:41 | |
So, we have come across a few problems. | 0:47:41 | 0:47:44 | |
Normally what I'd throw out, Tracey was bringing back in, so... | 0:47:44 | 0:47:48 | |
The room is nearly done, the skip has gone | 0:47:48 | 0:47:50 | |
and the mother-in-law's old sofa is out on the street | 0:47:50 | 0:47:54 | |
and it looks like it's been bagsied by Tracey. | 0:47:54 | 0:47:57 | |
But lying down on the job isn't going to impress me, which is | 0:47:57 | 0:48:00 | |
what both these designers need to do right now. | 0:48:00 | 0:48:03 | |
I am dreading going into Zaheed and Ceri's house. | 0:48:04 | 0:48:08 | |
They're quite difficult to please, | 0:48:08 | 0:48:10 | |
they didn't like either of the rooms and it's going to be a complete | 0:48:10 | 0:48:14 | |
and utter disaster if this room also gets the thumbs down. | 0:48:14 | 0:48:17 | |
I need to get in there and see it for myself. | 0:48:19 | 0:48:21 | |
Between them, Tracey and Zara have turned | 0:48:23 | 0:48:25 | |
the hand-me-down hell living room | 0:48:25 | 0:48:27 | |
with its cluttered mismatched furniture... | 0:48:27 | 0:48:29 | |
..into a more minimal brighter space. | 0:48:32 | 0:48:36 | |
A Victorian fireplace is the room's new focal point. | 0:48:36 | 0:48:40 | |
A space-saving round table nestles in the bay window | 0:48:40 | 0:48:43 | |
and there's even storage in the form of retro trunks, | 0:48:43 | 0:48:47 | |
an open display cabinet and funky shelves. | 0:48:47 | 0:48:50 | |
A black and white movie theme is an attempt to add a personal | 0:48:50 | 0:48:53 | |
touch for the film-loving teachers. | 0:48:53 | 0:48:56 | |
But will it be enough to appease Ceri and Zaheed? | 0:48:56 | 0:48:59 | |
-Hi. -Hello again. -Hello. | 0:49:06 | 0:49:09 | |
Gosh. | 0:49:11 | 0:49:12 | |
I see, we've got the royal crown here. | 0:49:15 | 0:49:18 | |
Absolutely. Well, the sofa's actually a sofabed, | 0:49:18 | 0:49:22 | |
so we tried to cleverly incorporate some more space-saving features. | 0:49:22 | 0:49:26 | |
Whose idea was that? | 0:49:26 | 0:49:27 | |
It was quite important for me, cos practicality is key. | 0:49:27 | 0:49:30 | |
We've got extra storage and I see we've got the vintage cases. | 0:49:32 | 0:49:36 | |
I quite like that mix between sort of old and new, so... | 0:49:36 | 0:49:39 | |
so that's why they're there. | 0:49:39 | 0:49:40 | |
Tell me about this cupboard here, this display unit. | 0:49:40 | 0:49:44 | |
I think storage is one thing, but I also think being able to | 0:49:44 | 0:49:46 | |
display really nice items is important. | 0:49:46 | 0:49:50 | |
It's quite individual in design and taste. | 0:49:50 | 0:49:52 | |
It doesn't concern me but it may concern them. | 0:49:52 | 0:49:56 | |
Time for the amateur designers to eavesdrop from another room. | 0:49:56 | 0:50:01 | |
Ceri and Zaheed are outside | 0:50:01 | 0:50:03 | |
and they look like they're dressed for a premiere. | 0:50:03 | 0:50:06 | |
I think if they nail this room, there's a good chance that we | 0:50:06 | 0:50:09 | |
will forgive. | 0:50:09 | 0:50:11 | |
You know, as teachers, we kind of believe in the infinite | 0:50:11 | 0:50:13 | |
possibilities of human beings to actually achieve and do good | 0:50:13 | 0:50:16 | |
and I think this is... That's the expectation that I'm going | 0:50:16 | 0:50:19 | |
in there with and let's get... Let's see them get it right. | 0:50:19 | 0:50:23 | |
-Well, hello, Celia. -Hello. | 0:50:30 | 0:50:31 | |
You're quiet, Ceri, for once. | 0:50:35 | 0:50:37 | |
Yeah, erm... | 0:50:37 | 0:50:38 | |
-I kind of like it. I do. -Yeah, it's nice. | 0:50:44 | 0:50:47 | |
It's very nice. Ah, check that out. | 0:50:47 | 0:50:50 | |
-That's pretty cool. -That's cool, yeah. | 0:50:50 | 0:50:52 | |
And we've won an Oscar, two. | 0:50:54 | 0:50:56 | |
Fire's awesome, that's really nice. Look, a new sofa. | 0:50:56 | 0:51:00 | |
-It's a sofabed. -Oh, is it really? | 0:51:02 | 0:51:05 | |
Wow. I can see the different, erm, tastes of the two designers. | 0:51:05 | 0:51:12 | |
They've obviously worked really well together. | 0:51:12 | 0:51:14 | |
I'm very happy with this. Pleasantly surprised. | 0:51:14 | 0:51:18 | |
-We've got a result. -For me, this is an A. It really is. | 0:51:18 | 0:51:21 | |
An A? Ceri? | 0:51:23 | 0:51:24 | |
Um, I think I'm going to have to agree, yeah. | 0:51:24 | 0:51:28 | |
What a great result. Would you like to meet the designers now? | 0:51:28 | 0:51:31 | |
-OK. -Girls, come back in. | 0:51:31 | 0:51:33 | |
Hi. Hi, lovely to meet you. | 0:51:36 | 0:51:41 | |
Yeah, one A-graded room, you know, delighted, | 0:51:41 | 0:51:45 | |
delighted and I'm delighted that they loved the fireplace as well. | 0:51:45 | 0:51:49 | |
I'm pretty chuffed all the way round. | 0:51:49 | 0:51:52 | |
-It's lovely to see you. -You too. | 0:51:53 | 0:51:55 | |
-So what do you think? -This room is brilliant. | 0:51:55 | 0:51:57 | |
-This room is lovely. -It's really pleasing to hear that you like it. | 0:51:57 | 0:52:00 | |
-Yeah. -Working on the front room has certainly, you know, | 0:52:00 | 0:52:03 | |
shown my versatility within interior design. | 0:52:03 | 0:52:06 | |
Obviously, my favourite style is obviously very royal, | 0:52:06 | 0:52:09 | |
very luxurious, opulent. | 0:52:09 | 0:52:11 | |
That's just purely not them. | 0:52:11 | 0:52:13 | |
However, I feel maybe the, you know, | 0:52:13 | 0:52:14 | |
my clientele is that bit, you know, more high-end, I'm afraid. | 0:52:14 | 0:52:19 | |
The designer that's impressed me the most is Tracey. | 0:52:19 | 0:52:22 | |
I really liked her kitchen. | 0:52:22 | 0:52:24 | |
They both did well, but she just went a little bit further for me. | 0:52:24 | 0:52:28 | |
So, well done to her. | 0:52:28 | 0:52:30 | |
-Ceri and Zaheed, you took a risk. -We did indeed. | 0:52:30 | 0:52:33 | |
You put your home in their hands. Was it worth it? | 0:52:33 | 0:52:36 | |
I think in the end, yeah. | 0:52:38 | 0:52:39 | |
Yeah, I would agree. | 0:52:39 | 0:52:40 | |
Good. You're not expelled. | 0:52:40 | 0:52:43 | |
-Thanks. -Thank you. | 0:52:43 | 0:52:47 | |
I think it's really clear in this room that both Tracey | 0:52:47 | 0:52:50 | |
and Zara have, you know, really made a fantastic effort to | 0:52:50 | 0:52:54 | |
incorporate us into the design. | 0:52:54 | 0:52:56 | |
If you knew us well, if you were our friends, and you walked | 0:52:56 | 0:52:59 | |
into this room, you'd definitely say this is Ceri and Zaheed's place. | 0:52:59 | 0:53:03 | |
What a fab result! I'm so pleased. They love the room. | 0:53:03 | 0:53:07 | |
So, fabulous, well done, girls. | 0:53:07 | 0:53:09 | |
And it's not over yet. | 0:53:13 | 0:53:15 | |
Down on the south coast, the other house is | 0:53:15 | 0:53:17 | |
still in the hands of amateurs. | 0:53:17 | 0:53:19 | |
Homeowners Russell and Jo only liked one out of the two individual | 0:53:21 | 0:53:25 | |
rooms, so I'm hoping this joint one nails it. | 0:53:25 | 0:53:28 | |
Zyg and Sara worked well together to transform the plain old lounge | 0:53:31 | 0:53:35 | |
into a glamorous colonial Caribbean living room. | 0:53:35 | 0:53:38 | |
Sara's colourful wallpaper | 0:53:39 | 0:53:41 | |
and furnishings sit side by side with Zyg's plantation blinds, | 0:53:41 | 0:53:45 | |
his filigree work and the painting by his wife. | 0:53:45 | 0:53:49 | |
-Hello. -Hello. | 0:53:53 | 0:53:56 | |
So, was it quite tough working together? | 0:53:59 | 0:54:02 | |
No, it was fun, actually. | 0:54:02 | 0:54:03 | |
We sort of, like, we bantered a lot, you know what I mean? | 0:54:03 | 0:54:06 | |
Sara hasn't got volume control. | 0:54:06 | 0:54:08 | |
I think the whole room works really nicely. | 0:54:09 | 0:54:11 | |
And it feels very homely in here and interesting. | 0:54:11 | 0:54:15 | |
I mean, obviously, I'm not going to live here and it's up to the | 0:54:15 | 0:54:18 | |
homeowners if they like it or not, so we have to hope they do. | 0:54:18 | 0:54:22 | |
I really like it. | 0:54:22 | 0:54:23 | |
I think you've done a really excellent job, both of you. | 0:54:23 | 0:54:26 | |
-Thank you. -Thank you. -Well done. | 0:54:26 | 0:54:28 | |
Here we go. | 0:54:29 | 0:54:31 | |
I just hope Jo and Russell agree. I'd say it's a fairly bold design. | 0:54:31 | 0:54:36 | |
-I'm nervous. -Nervous excited, but very, very nervous | 0:54:36 | 0:54:39 | |
because I know they will have put their heart and souls into it. | 0:54:39 | 0:54:42 | |
I know they will have worked so hard to get it right for us, | 0:54:42 | 0:54:44 | |
but, obviously, they've got their tastes and we've got ours, | 0:54:44 | 0:54:47 | |
so, you know, it might not be right. | 0:54:47 | 0:54:50 | |
I've sent Zyg and Sara to hide in the kitchen to hear honest | 0:54:50 | 0:54:53 | |
feedback first-hand. | 0:54:53 | 0:54:55 | |
-Oh, my word. Hi, Celia. -Hello. -Hi Celia. -Oh, my God. | 0:54:59 | 0:55:05 | |
I love it. I do absolutely love it. | 0:55:05 | 0:55:07 | |
Absolutely amazing, yeah. Stunning. | 0:55:07 | 0:55:09 | |
I feel like I'm going to cry. | 0:55:09 | 0:55:11 | |
Oh, bless you. | 0:55:12 | 0:55:13 | |
With relief, yeah. It's amazing. | 0:55:13 | 0:55:16 | |
Glad you're happy. | 0:55:16 | 0:55:19 | |
-Making me cry now. -Oh, wow! Yeah, it's lovely. | 0:55:19 | 0:55:23 | |
Absolutely. | 0:55:23 | 0:55:25 | |
-Don't mind the colours? -No, the colours are... | 0:55:25 | 0:55:28 | |
No, it all works, it all works, it really does work. | 0:55:28 | 0:55:31 | |
I mean, look, just the wood and, oh, yeah, definitely, definitely. | 0:55:31 | 0:55:34 | |
The detailing, the shelves, the textures. | 0:55:34 | 0:55:37 | |
It's bold. It's definitely got some boldness, but it's beautiful. | 0:55:37 | 0:55:40 | |
-And the paper as well. -It's definitely beach-y, isn't it? | 0:55:40 | 0:55:42 | |
-Yeah, yeah. -You love the paper? -Yeah, I do. -I love the paper. | 0:55:42 | 0:55:45 | |
-I love it. -That paper's amazing. | 0:55:45 | 0:55:47 | |
But, Russ, where's your beige gone, then? | 0:55:47 | 0:55:50 | |
-Apart from the old... -Are you upset? | 0:55:50 | 0:55:53 | |
You'll have to dress in beige now. | 0:55:53 | 0:55:54 | |
Dress in beige, yeah. | 0:55:54 | 0:55:56 | |
I don't miss the beige, you know, looking at this room now, | 0:55:56 | 0:56:00 | |
whereas, you know, Captain Sensible and Mr Safe, | 0:56:00 | 0:56:04 | |
it's kind of... the colours are amazing. | 0:56:04 | 0:56:06 | |
Because you like it so much, I think it's about time | 0:56:07 | 0:56:10 | |
you met the designers. Come on in. | 0:56:10 | 0:56:12 | |
-Hi. Hello. -Thank you so much. | 0:56:15 | 0:56:20 | |
It's so nice to meet you, finally. | 0:56:20 | 0:56:22 | |
I feel like I've been through all your stuff. | 0:56:22 | 0:56:25 | |
The family absolutely loved the living room, which is just amazing. | 0:56:25 | 0:56:31 | |
So happy. What a great feeling. | 0:56:31 | 0:56:34 | |
-Hello, nice to meet you. -Hi, Zyg, nice to meet you. | 0:56:34 | 0:56:37 | |
Thank you. Thank you so much. | 0:56:37 | 0:56:39 | |
I'm pleasantly surprised | 0:56:39 | 0:56:41 | |
and I'm very happy that both the bits I've done have been a result. | 0:56:41 | 0:56:45 | |
They both worked together really well on the joint room, so this | 0:56:45 | 0:56:48 | |
is tough, but it has to be Zyg this week that's impressed me the most, | 0:56:48 | 0:56:53 | |
because his children's room was amazing. | 0:56:53 | 0:56:57 | |
Halfway through the week I was beginning to doubt whether | 0:56:57 | 0:57:00 | |
I did like colour as much but I am fully back on loving colour. | 0:57:00 | 0:57:02 | |
What a result. They loved it and I'm so thrilled. | 0:57:02 | 0:57:06 | |
What a great way to end the day. | 0:57:06 | 0:57:08 | |
Come in. | 0:57:09 | 0:57:10 | |
Because, you know, I love that room, I thought both of them | 0:57:10 | 0:57:13 | |
worked really well as a team. | 0:57:13 | 0:57:14 | |
I could see both influences equally, which is really important. | 0:57:14 | 0:57:18 | |
But the best thing is, Russ and Jo loved it. Fabulous. | 0:57:19 | 0:57:22 |