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Would you hand over your front door keys to complete strangers... | 0:00:02 | 0:00:05 | |
I can't believe what we've done. | 0:00:05 | 0:00:06 | |
Coo-ee! | 0:00:06 | 0:00:08 | |
..in exchange for a massive makeover? | 0:00:08 | 0:00:10 | |
Red sky at night. | 0:00:10 | 0:00:12 | |
I'm not sure I would. | 0:00:12 | 0:00:14 | |
Different people have different tastes. | 0:00:14 | 0:00:17 | |
I'm Celia Sawyer and I've been interior designer for a decade. | 0:00:17 | 0:00:22 | |
In this series, I'll be introducing families | 0:00:22 | 0:00:24 | |
at the end of their decorating tether... | 0:00:24 | 0:00:26 | |
We just can't move forward. Everybody's ideas are so different. | 0:00:26 | 0:00:29 | |
..to interior designers who are desperate to help. | 0:00:29 | 0:00:32 | |
Yes! | 0:00:32 | 0:00:33 | |
The plug for the light. | 0:00:33 | 0:00:35 | |
But these designers are not professionals. | 0:00:35 | 0:00:38 | |
Let's just hope they like space films, eh? | 0:00:38 | 0:00:40 | |
In fact, they're complete amateurs. | 0:00:40 | 0:00:42 | |
They've wrecked that room. | 0:00:42 | 0:00:43 | |
That is different. | 0:00:43 | 0:00:45 | |
What have we done? | 0:00:45 | 0:00:47 | |
They may have passion. | 0:00:47 | 0:00:48 | |
I know about composition, dude. | 0:00:48 | 0:00:49 | |
They might even have vision. | 0:00:49 | 0:00:51 | |
I'd like to create a temple of hope. | 0:00:51 | 0:00:53 | |
Lovely colours, lovely colours, lovely colours. | 0:00:53 | 0:00:56 | |
But I'm giving them just five days to do the job. | 0:00:56 | 0:00:59 | |
You beauty. | 0:00:59 | 0:01:01 | |
My question is, will it be tears of joy... | 0:01:01 | 0:01:03 | |
-Wow. -Wow, look at this. | 0:01:03 | 0:01:05 | |
Couldn't have wished for anything better. | 0:01:05 | 0:01:07 | |
..or just plain tears. | 0:01:07 | 0:01:08 | |
I'm regretting it. | 0:01:08 | 0:01:10 | |
He's going to hate it. | 0:01:10 | 0:01:11 | |
Interior design is a difficult industry to crack. | 0:01:15 | 0:01:19 | |
I launched my career through word of mouth after I restyled my own home. | 0:01:19 | 0:01:24 | |
But the next step is a tricky one. | 0:01:24 | 0:01:26 | |
You need to have the skills and vision people will pay money for. | 0:01:26 | 0:01:30 | |
The biggest mistake interior designers can make | 0:01:30 | 0:01:33 | |
is to actually just design a room that looks like their own home. | 0:01:33 | 0:01:36 | |
You're working for a client and even though you have a style, | 0:01:36 | 0:01:40 | |
you have to adapt it to your client's needs and taste. | 0:01:40 | 0:01:43 | |
In this series, | 0:01:44 | 0:01:45 | |
I'm introducing budding interior designers to my world. | 0:01:45 | 0:01:49 | |
It's time for me to go international. Aim high! | 0:01:49 | 0:01:53 | |
Each amateur has been chosen because their own homes | 0:01:53 | 0:01:55 | |
reveal they have a unique creative vision. | 0:01:55 | 0:01:58 | |
I finished designing my house, | 0:01:58 | 0:02:00 | |
now I can't wait to get my hands on someone else's. | 0:02:00 | 0:02:02 | |
Now I'm giving them the chance to show they can cut it | 0:02:02 | 0:02:05 | |
by match-making them with families so stuck, | 0:02:05 | 0:02:08 | |
they're prepared to take the chance on amateurs. | 0:02:08 | 0:02:11 | |
It's a huge risk for everyone, because the novice designers | 0:02:11 | 0:02:14 | |
won't meet the clients until the work is complete. | 0:02:14 | 0:02:17 | |
This week, I'm heading to Staffordshire to meet two couples | 0:02:20 | 0:02:23 | |
so embarrassed by their homes, they never invite guests round. | 0:02:23 | 0:02:28 | |
My first stop is Tamworth. | 0:02:28 | 0:02:30 | |
# I'm on fire... # | 0:02:30 | 0:02:33 | |
Meet the Daleys. | 0:02:33 | 0:02:35 | |
Fireman Steve, his wife, Zoe, | 0:02:35 | 0:02:37 | |
and their 15-year-old daughter, Jess. | 0:02:37 | 0:02:40 | |
It's fair to say they're not in love with their home. | 0:02:41 | 0:02:44 | |
Living here, I would say, is dire, | 0:02:44 | 0:02:46 | |
just because of the state of the house. | 0:02:46 | 0:02:48 | |
It's just quite depressing, to be honest. | 0:02:48 | 0:02:50 | |
We don't really involve anybody else in our lives. | 0:02:50 | 0:02:52 | |
We kind of isolate ourselves quite a lot, | 0:02:52 | 0:02:54 | |
because it's a horrible environment to live in. | 0:02:54 | 0:02:56 | |
If I am in the house, I'm mostly in my room. | 0:02:56 | 0:02:58 | |
I think I go downstairs to have dinner and that's about it. | 0:02:58 | 0:03:00 | |
Normally, when everybody in a house is depressed by its state, | 0:03:00 | 0:03:04 | |
something is done about it, but not in this one. | 0:03:04 | 0:03:07 | |
It's been going on since they moved in 20 years ago. | 0:03:07 | 0:03:11 | |
Every time we go shopping for things, | 0:03:11 | 0:03:13 | |
I'll see something I like, she'll hate it. | 0:03:13 | 0:03:16 | |
She'll see something she likes, I hate it. | 0:03:16 | 0:03:19 | |
I've never seen such extreme stagnation | 0:03:19 | 0:03:22 | |
caused by a difference in taste. | 0:03:22 | 0:03:24 | |
Just a plain white would do me | 0:03:24 | 0:03:26 | |
or something like that, you know, on the walls. | 0:03:26 | 0:03:28 | |
Just very clean and not busy. | 0:03:28 | 0:03:32 | |
I would choose cosy, warm, functional kind of cottagey style. | 0:03:32 | 0:03:37 | |
Unfortunately it seems daughter Jess is the one caught | 0:03:39 | 0:03:42 | |
in this taste-off crossfire. | 0:03:42 | 0:03:44 | |
It's quite depressing to be in an environment like this. | 0:03:44 | 0:03:48 | |
I feel sorry for Jessica really. | 0:03:48 | 0:03:50 | |
She wants to spend a lot of time with her friends. | 0:03:50 | 0:03:52 | |
They have a lot of sleepovers | 0:03:52 | 0:03:54 | |
and Jess doesn't want people to come here. | 0:03:54 | 0:03:56 | |
She's embarrassed by the house. | 0:03:56 | 0:03:58 | |
I don't like bringing friends round | 0:03:58 | 0:04:00 | |
because I feel like they'll judge us. | 0:04:00 | 0:04:03 | |
I just don't want them to think different of us | 0:04:03 | 0:04:05 | |
because of the house. | 0:04:05 | 0:04:07 | |
Hello, babe. | 0:04:07 | 0:04:08 | |
Jess' distress with the situation has now moved Steve and Zoe | 0:04:08 | 0:04:11 | |
to try something drastic... | 0:04:11 | 0:04:13 | |
putting their home in the hands of amateurs. | 0:04:13 | 0:04:16 | |
It's incredibly risky, but when you're living in something like this, | 0:04:16 | 0:04:20 | |
you've got to take a risk. | 0:04:20 | 0:04:22 | |
The risk involved is that we won't be able to change it afterwards. | 0:04:22 | 0:04:26 | |
So whatever they do, we're going to have to live with. | 0:04:26 | 0:04:29 | |
I mean, if you look at it from the perspective, | 0:04:29 | 0:04:31 | |
if you do really hate it, I'll probably love it. | 0:04:31 | 0:04:34 | |
SHE LAUGHS | 0:04:34 | 0:04:35 | |
That's true. | 0:04:35 | 0:04:37 | |
'Sounds like this family are perfect candidates | 0:04:39 | 0:04:42 | |
'for my extreme form of design intervention. | 0:04:42 | 0:04:45 | |
'And as they won't meet the designers until the end of the process, | 0:04:45 | 0:04:48 | |
'I'd better get in there and find out exactly what's needed.' | 0:04:48 | 0:04:51 | |
-Hello! -Hi, Zoe. -Come on in. -Thank you. | 0:04:55 | 0:04:58 | |
-Hello, Steve. -Hi, Celia. | 0:04:58 | 0:05:00 | |
-Nice to meet you. -You, too. | 0:05:00 | 0:05:02 | |
It's just like you've just moved in. | 0:05:04 | 0:05:07 | |
Do you not use this room very much? | 0:05:07 | 0:05:09 | |
This is where we spend most of our time. | 0:05:09 | 0:05:11 | |
-It's... -Which is quite sad really. | 0:05:11 | 0:05:14 | |
Crikey. OK, talk me through it, then. Come on, Zoe. | 0:05:14 | 0:05:16 | |
If it was up to me, I'd have flagstone paving | 0:05:16 | 0:05:18 | |
and, you know, exposed beams and things like that. But obviously... | 0:05:18 | 0:05:22 | |
Oh, OK. So natural textures brought in. | 0:05:22 | 0:05:24 | |
Absolutely. For me, definitely. | 0:05:24 | 0:05:26 | |
Whereas Steve's quite happy to have a lazy boy-ish...white walls. | 0:05:26 | 0:05:29 | |
Nice, flat, white wall, that would do for me. | 0:05:29 | 0:05:33 | |
I think you'd better show me the rest of the house. | 0:05:33 | 0:05:35 | |
Oh, OK. | 0:05:35 | 0:05:37 | |
This is our bedroom. | 0:05:38 | 0:05:40 | |
-The floor definitely hasn't been finished, has it? -No. | 0:05:43 | 0:05:46 | |
What's the story behind that? | 0:05:46 | 0:05:48 | |
I asked him to put a floor in but he wants sea grass carpet | 0:05:48 | 0:05:51 | |
and I wanted flooring, so we have nothing. | 0:05:51 | 0:05:53 | |
It's going to remain like this until we can agree upon | 0:05:53 | 0:05:56 | |
what we do with it... | 0:05:56 | 0:05:58 | |
which could be a long time. | 0:05:58 | 0:05:59 | |
I am, for once, lost for words. | 0:05:59 | 0:06:03 | |
Tell me about the wallpaper. | 0:06:04 | 0:06:06 | |
I decorated the room about five or six years ago. | 0:06:06 | 0:06:09 | |
I'd been asking Steve for ages to do it and he was like, | 0:06:09 | 0:06:12 | |
"Yeah, yeah, whenever." | 0:06:12 | 0:06:13 | |
And then he went away for a couple of days | 0:06:13 | 0:06:16 | |
so I decided to take matters into my own hands. | 0:06:16 | 0:06:19 | |
I did wonder what the hell had happened when I got back. | 0:06:19 | 0:06:21 | |
Did you think she'd gone through the whole plasterboard | 0:06:21 | 0:06:24 | |
and gone through to bare brick? | 0:06:24 | 0:06:26 | |
So are all the rooms like this in the house? | 0:06:26 | 0:06:29 | |
Cos I'm starting to think they are. | 0:06:29 | 0:06:31 | |
Not quite all. | 0:06:31 | 0:06:33 | |
They are. Well, are they not? | 0:06:33 | 0:06:35 | |
Which ones are nice? | 0:06:35 | 0:06:36 | |
Jess' is not too bad. | 0:06:38 | 0:06:39 | |
Lead the way, come on. | 0:06:39 | 0:06:41 | |
I'm dreading this. | 0:06:43 | 0:06:44 | |
Jess' bedroom is not very feminine, is it? | 0:06:46 | 0:06:50 | |
-No, she can't even get into her own wardrobe. So... -No, I can see that. | 0:06:51 | 0:06:55 | |
She has to move the bed to get into the wardrobe. | 0:06:55 | 0:06:57 | |
-Oh, my goodness. Where does she move the bed to? -Just over there. | 0:06:57 | 0:07:00 | |
-What, to get dressed? -Yeah. -Yeah. | 0:07:00 | 0:07:03 | |
I've definitely seen enough now. Come on, let's get on with it. | 0:07:03 | 0:07:07 | |
'The amateur designers can't start soon enough for me. | 0:07:08 | 0:07:12 | |
'This home needs some attention, and fast.' | 0:07:12 | 0:07:15 | |
Feeling good? | 0:07:15 | 0:07:17 | |
Quite nervous. | 0:07:17 | 0:07:18 | |
You know, it's a big thing, leaving your house to somebody else. | 0:07:18 | 0:07:21 | |
-Hand over your keys. Your car awaits. -Thank you. | 0:07:21 | 0:07:24 | |
-And off you go. -Bye. -Bye-bye. | 0:07:24 | 0:07:27 | |
It's not just about Zoe and Steve, this is about Jessica as well. | 0:07:28 | 0:07:32 | |
The whole family are affected by the fact that they cannot agree | 0:07:32 | 0:07:36 | |
and cannot get this place finished. | 0:07:36 | 0:07:40 | |
The Daleys now have two nail-biting days before they return | 0:07:40 | 0:07:43 | |
to give feedback on the first two rooms. | 0:07:43 | 0:07:46 | |
Well, I wonder what that's going to look like when we get back. | 0:07:46 | 0:07:49 | |
I just hope it's finished. | 0:07:49 | 0:07:51 | |
Can't be any worse, can it? | 0:07:51 | 0:07:53 | |
Oh, I don't know. Can it? | 0:07:53 | 0:07:55 | |
In total, three rooms will be transformed | 0:07:56 | 0:07:59 | |
in the Daley's run down home. | 0:07:59 | 0:08:01 | |
I guess they should probably see who I'm sending in. | 0:08:01 | 0:08:04 | |
OK, let's have a look. | 0:08:04 | 0:08:06 | |
The first to arrive is a bright light from London's theatre world, | 0:08:06 | 0:08:10 | |
32-year-old prop-maker and set designer, Anna. | 0:08:10 | 0:08:14 | |
Hello, my name's Anna Bruder. | 0:08:14 | 0:08:17 | |
My design style is very humorous and funny | 0:08:17 | 0:08:19 | |
and it's like walking into a Paddington Bear illustrative world. | 0:08:19 | 0:08:23 | |
My favourite design tool is my giant black marker | 0:08:23 | 0:08:27 | |
with a three-centimetre nib. | 0:08:27 | 0:08:30 | |
So if you need a window, draw one. | 0:08:30 | 0:08:32 | |
If you haven't got a toaster, draw one with some toast. | 0:08:32 | 0:08:36 | |
Zoe, Steve and Jess, you're definitely not going to get a bland, | 0:08:36 | 0:08:40 | |
boring, unimaginative world from me. | 0:08:40 | 0:08:43 | |
I've designed sets, pop-up shops and lots more, but never an interior, | 0:08:43 | 0:08:48 | |
so you're going to be my first. | 0:08:48 | 0:08:50 | |
Now, that has got me worried. | 0:08:51 | 0:08:55 | |
Joining Anna to create something special is my next amateur. | 0:08:57 | 0:09:00 | |
She's a 43-year-old writer living in East Sussex...Nadene. | 0:09:02 | 0:09:06 | |
I'm half-Afghan, half-British. | 0:09:06 | 0:09:08 | |
My Afghan heritage plays a really massive part in my creative design. | 0:09:08 | 0:09:12 | |
My style is global, kitsch, industrial and sexy. | 0:09:14 | 0:09:18 | |
But above all else, it's personal. | 0:09:18 | 0:09:21 | |
I hate brand-new mass-produced furniture. | 0:09:21 | 0:09:24 | |
Honestly, I would rather stick a red-hot poker in my eye | 0:09:24 | 0:09:26 | |
than fill my house full of that stuff. | 0:09:26 | 0:09:29 | |
I love art. I love texture. I love comfort. | 0:09:30 | 0:09:33 | |
But above all, I love things that have got a history, | 0:09:33 | 0:09:36 | |
things that tell a story. | 0:09:36 | 0:09:38 | |
Your home needs a pretty drastic makeover. | 0:09:38 | 0:09:40 | |
I'm not going to be holding back, what I'm going to be doing | 0:09:40 | 0:09:43 | |
is giving you the confidence that you guys lack. | 0:09:43 | 0:09:46 | |
I'm going to be giving you a home that says, "Wow." | 0:09:46 | 0:09:49 | |
I love that. | 0:09:49 | 0:09:51 | |
No. I don't want animal heads, | 0:09:51 | 0:09:54 | |
even if they do have a miniature top hat. | 0:09:54 | 0:09:56 | |
So we have a taste clash on our hands. | 0:09:58 | 0:10:01 | |
Playfully original, versus gothically exotic. | 0:10:01 | 0:10:05 | |
Should be fun. | 0:10:05 | 0:10:06 | |
Both designers have been given a budget of £3,500 | 0:10:08 | 0:10:12 | |
and have seen floor plans of their room in advance. | 0:10:12 | 0:10:14 | |
For Nadene, the master bedroom. | 0:10:16 | 0:10:18 | |
For Anna, 15-year-old Jess' room. | 0:10:19 | 0:10:22 | |
But this is the first time they've seen the actual spaces. | 0:10:22 | 0:10:26 | |
Needs a bit of love. | 0:10:26 | 0:10:28 | |
I think everything's got to go. | 0:10:29 | 0:10:30 | |
It's kind of staggering that they haven't even got a carpet. | 0:10:30 | 0:10:34 | |
Well, this room's quite masculine, I would say. | 0:10:34 | 0:10:36 | |
I don't imagine her to be tomboy, because at the age of 15 | 0:10:36 | 0:10:39 | |
you're quite girlie. I can see some make-up bits. | 0:10:39 | 0:10:41 | |
The wallpaper's interesting. | 0:10:41 | 0:10:43 | |
-I think I've got my work cut out. -SHE LAUGHS | 0:10:43 | 0:10:45 | |
The amateurs have had some information on the family | 0:10:47 | 0:10:50 | |
and their design dilemmas. | 0:10:50 | 0:10:51 | |
I need to make sure they really understand the brief. | 0:10:51 | 0:10:56 | |
-Hello. -Hello, hi. -Hi, Anna. Meet Nadene. | 0:10:56 | 0:10:58 | |
-Hello, how are you doing? -Good to meet you. | 0:10:58 | 0:11:00 | |
So, Nadene, Zoe and Steve want a relaxing room, | 0:11:00 | 0:11:04 | |
somewhere where they can spend a bit of time | 0:11:04 | 0:11:06 | |
and not feel, sort of like it's not finished. | 0:11:06 | 0:11:08 | |
They can't agree on anything. | 0:11:08 | 0:11:10 | |
Anna, Jessica's bedroom, not really suitable now for a 15-year-old girl. | 0:11:10 | 0:11:15 | |
We want this teenager to walk into this home | 0:11:15 | 0:11:18 | |
and bring her friends and spend time in her room. | 0:11:18 | 0:11:20 | |
OK, you've both got £3,500. Do a good job. | 0:11:20 | 0:11:25 | |
After Nadene and Anna finish their individual rooms, | 0:11:26 | 0:11:29 | |
I want them to collaborate on the living/dining room, | 0:11:29 | 0:11:32 | |
which will be interesting, as they've got such different styles. | 0:11:32 | 0:11:36 | |
But for now I reckon they've got enough to think about, | 0:11:36 | 0:11:39 | |
concentrating on those bedrooms. | 0:11:39 | 0:11:42 | |
What I've got here is a scale model of Jess' room. | 0:11:42 | 0:11:46 | |
It's mainly a solely black and white bedroom, | 0:11:46 | 0:11:49 | |
with dashes of colour, | 0:11:49 | 0:11:50 | |
so it's kind of like walking into a cartoon world. | 0:11:50 | 0:11:54 | |
Sometimes people get scared of small rooms and think you can't be too imaginative. | 0:11:54 | 0:11:57 | |
'I think the opposite is true, | 0:11:57 | 0:11:59 | |
'I think in small spaces you can absolutely let your imagination run riot.' | 0:11:59 | 0:12:02 | |
And that's what I'm going to do. | 0:12:02 | 0:12:04 | |
While Anna and Nadene begin their designs, | 0:12:04 | 0:12:07 | |
I'm going to find out about the next couple in need of help. | 0:12:07 | 0:12:11 | |
In Coventry, | 0:12:11 | 0:12:13 | |
this three-bedroom house is the home of the Gill Machins... | 0:12:13 | 0:12:16 | |
..Harjit and Ian. | 0:12:16 | 0:12:18 | |
And once more, we have a couple whose different tastes | 0:12:19 | 0:12:22 | |
have left them with a home they are embarrassed about. | 0:12:22 | 0:12:26 | |
My culture is full of colour. | 0:12:26 | 0:12:29 | |
My favourite colour is red. | 0:12:29 | 0:12:31 | |
It always reminds me of my mum. She always wore red. | 0:12:31 | 0:12:34 | |
But I love red and it looks good on me. | 0:12:34 | 0:12:36 | |
HARJIT LAUGHS | 0:12:36 | 0:12:38 | |
Anything does. | 0:12:38 | 0:12:39 | |
My ideal colours would be very, very simple, earthy browns and greens. | 0:12:42 | 0:12:46 | |
And being from Coventry, maybe a hint of sky blue. | 0:12:46 | 0:12:50 | |
This design dilemma is a culture clash | 0:12:50 | 0:12:52 | |
as much as it is a taste difference. | 0:12:52 | 0:12:55 | |
Ian moved in with Harjit ten years ago, | 0:12:56 | 0:12:59 | |
and slowly the house began to change. | 0:12:59 | 0:13:01 | |
-Oh, yes. -Now it reflects more of Ian's neutral taste | 0:13:01 | 0:13:04 | |
and less of Harjit's colourful tones. | 0:13:04 | 0:13:07 | |
All my colourful cushions, rugs and things were put in the attic. | 0:13:07 | 0:13:12 | |
To be perfectly honest, I didn't realise it was being toned down. | 0:13:12 | 0:13:16 | |
It just sort of happened. | 0:13:16 | 0:13:19 | |
Maybe Harjit was thinking too much of me. | 0:13:21 | 0:13:24 | |
-Not enough of herself. -Yeah, I was looking after you. -Mm-hm. -Your taste. | 0:13:24 | 0:13:28 | |
-And I forgot about my about me. -Mm-hm. | 0:13:28 | 0:13:31 | |
So, come on, let's colour it up now! | 0:13:31 | 0:13:34 | |
# Got to be, got to be myself... # | 0:13:34 | 0:13:37 | |
I want to get back to... | 0:13:37 | 0:13:39 | |
..me, my personality. | 0:13:39 | 0:13:42 | |
We, we just need... | 0:13:42 | 0:13:44 | |
..someone to help us get over this. | 0:13:44 | 0:13:47 | |
It's starting to affect the relationship. | 0:13:47 | 0:13:50 | |
'In an effort to marry their different tastes | 0:13:53 | 0:13:55 | |
'and create a home they can both be proud of, | 0:13:55 | 0:13:58 | |
'they've agreed to take a huge gamble.' | 0:13:58 | 0:14:00 | |
-Hello. -Yeah, how are you? -Nice to meet you. -Hello, Celia, come on in. -Thank you. | 0:14:05 | 0:14:11 | |
So, this is the kitchen. | 0:14:11 | 0:14:13 | |
Ah-ha. | 0:14:13 | 0:14:15 | |
Tell me how you feel about this room. | 0:14:15 | 0:14:17 | |
I actually quite like the tiles. | 0:14:17 | 0:14:19 | |
The colours represent me, these colours. | 0:14:19 | 0:14:22 | |
What do you think about those, Ian? | 0:14:22 | 0:14:23 | |
I think the whole kitchen's a bit of a disaster, it needs redoing. | 0:14:23 | 0:14:27 | |
-Too much colour for you? -Yeah, yeah. -Oh, dear. | 0:14:27 | 0:14:30 | |
So, Harjit, the kitchen is an important place for you, isn't it? | 0:14:30 | 0:14:34 | |
It's just a cultural thing, | 0:14:34 | 0:14:36 | |
that you're cooking all the time for your families. | 0:14:36 | 0:14:39 | |
In fact, we haven't actually invited people for the last... | 0:14:39 | 0:14:42 | |
-Quite a while. -..quite a few years. | 0:14:42 | 0:14:44 | |
Just the kitchen, or is it the whole house, then? | 0:14:44 | 0:14:46 | |
-Everything, really. -You don't feel like entertaining any more? -No. | 0:14:46 | 0:14:50 | |
-Ah, that's really sad. -It's like hard when people come into your house and you say, | 0:14:50 | 0:14:54 | |
-"I'm ever so sorry, we're just in the middle of decorating." -Oh, dear. | 0:14:54 | 0:14:57 | |
-Show me the rest of the house. -OK. -I'm intrigued. -This way. | 0:14:57 | 0:15:02 | |
So, this is our bedroom. | 0:15:02 | 0:15:04 | |
Oh, OK. | 0:15:06 | 0:15:08 | |
Harjit, what should a bedroom mean to you? | 0:15:09 | 0:15:11 | |
Somewhere I can come and meditate, relax. | 0:15:11 | 0:15:16 | |
-And does it do that for you now? -No. -No? | 0:15:16 | 0:15:19 | |
Ian, you're quite happy, with it like this, I presume, are you? | 0:15:19 | 0:15:22 | |
I don't mind it. I like it, yeah. | 0:15:22 | 0:15:24 | |
So, how much has this room changed since Ian's been here, | 0:15:24 | 0:15:27 | |
-I guess I should ask. -It's completely changed. -Has it? | 0:15:27 | 0:15:30 | |
I've had various shades of colour in this room over the years. | 0:15:30 | 0:15:34 | |
We used to change them every year, basically. | 0:15:34 | 0:15:36 | |
-I used to have red duvet covers. -I hate red. -Ian hates red, so.. | 0:15:36 | 0:15:41 | |
OK. Well, I think I've heard enough. | 0:15:41 | 0:15:44 | |
-So, lead the way, please. -HARJIT LAUGHS | 0:15:44 | 0:15:46 | |
'I think this is going to be very tough week | 0:15:46 | 0:15:49 | |
'for the amateur designers.' | 0:15:49 | 0:15:51 | |
There's Harjit, who loves her soulful, | 0:15:51 | 0:15:54 | |
colourful home, going back to her roots, | 0:15:54 | 0:15:57 | |
and then there's Ian, who likes this very simple, | 0:15:57 | 0:16:00 | |
neutral, earthy colours. | 0:16:00 | 0:16:02 | |
And I think, how are they going to get this balance together? It's going to be quite tricky. | 0:16:02 | 0:16:07 | |
Got to hand over those keys now. | 0:16:07 | 0:16:09 | |
-Are you sure you want to do this? -I don't know. -Off you go. | 0:16:09 | 0:16:12 | |
-See you soon. -Bye-bye. Bye. | 0:16:12 | 0:16:14 | |
'Harjit and Ian now face two anxiety-filled days | 0:16:14 | 0:16:17 | |
'before coming back to pass judgment on the first two rooms.' | 0:16:17 | 0:16:21 | |
But they still have no idea who I'm unleashing on their home. | 0:16:22 | 0:16:26 | |
Bye-bye, house. SHE LAUGHS | 0:16:26 | 0:16:28 | |
And this is where the fun begins. | 0:16:30 | 0:16:31 | |
First in is a punk-inspired amateur designer from Bolton. | 0:16:31 | 0:16:37 | |
35-year-old Graham. | 0:16:37 | 0:16:40 | |
"I'm inspired by punk" | 0:16:40 | 0:16:41 | |
because I've spent a career working in avant-garde fashion. | 0:16:41 | 0:16:44 | |
MUSIC: Peaches by The Stranglers | 0:16:44 | 0:16:47 | |
I used to work for a famous designer called Vivienne Westwood, | 0:16:47 | 0:16:50 | |
and I don't like to do what everybody tells me to do. | 0:16:50 | 0:16:53 | |
Some might say I'm arrogant, but I like to think that I'm confident. | 0:16:53 | 0:16:58 | |
Dark colours are a signature of mine. | 0:16:59 | 0:17:02 | |
I like to go from soft black, right down to light grey. | 0:17:02 | 0:17:06 | |
I've never tried and tested this style in somebody else's home, | 0:17:07 | 0:17:10 | |
so I'm really looking forward to | 0:17:10 | 0:17:12 | |
plonking it down in somebody else's house. | 0:17:12 | 0:17:15 | |
Ian and Harjit, I won't be holding back at all. | 0:17:15 | 0:17:18 | |
So as long as you're open to the extreme change, | 0:17:18 | 0:17:20 | |
I'm sure you're going to love it. | 0:17:20 | 0:17:23 | |
-OK. -He's got a lot of grey, and I hate grey. | 0:17:23 | 0:17:26 | |
I don't know, I like the background colours. That's, that's a given. | 0:17:26 | 0:17:31 | |
-It was the fussiness in front of it... -Yeah. -..that might upset me. | 0:17:31 | 0:17:36 | |
-Yeah. -I don't know. | 0:17:36 | 0:17:37 | |
To hopefully brighten things up a bit, | 0:17:39 | 0:17:41 | |
I'm also sending in a 41-year-old florist from York. | 0:17:41 | 0:17:45 | |
"Hi, I'm Lucy." | 0:17:45 | 0:17:46 | |
My designer style is all about bringing the outdoors indoors. | 0:17:46 | 0:17:50 | |
# Daydream | 0:17:50 | 0:17:51 | |
# I fell asleep amid the flowers... # | 0:17:51 | 0:17:54 | |
I grew up in a concrete jungle. | 0:17:54 | 0:17:56 | |
There were no trees around. | 0:17:56 | 0:17:58 | |
So now I surround myself with plants and greenery. | 0:17:58 | 0:18:02 | |
My favourite colour, as you can probably guess, is green. | 0:18:03 | 0:18:06 | |
It goes with everything, | 0:18:06 | 0:18:07 | |
and if it doesn't, I MAKE it go with everything. | 0:18:07 | 0:18:10 | |
Harjit, I know what it's like to not have colour around you | 0:18:13 | 0:18:16 | |
when you desperately crave it. | 0:18:16 | 0:18:18 | |
By the time I've finished with your house, it will be colourful. | 0:18:18 | 0:18:22 | |
-See, I like the outdoors. -Hm. -So that would be perfect for me. | 0:18:22 | 0:18:27 | |
I think both of them are bringing home to me, | 0:18:27 | 0:18:30 | |
"Oh, God, what have we done?" | 0:18:30 | 0:18:32 | |
An intriguing design taste-off, then. | 0:18:32 | 0:18:34 | |
50 shades of grey versus the green goddess. | 0:18:34 | 0:18:39 | |
For the first two days, the amateur designers | 0:18:39 | 0:18:41 | |
will be working on their individual rooms. | 0:18:41 | 0:18:44 | |
Graham's got £5,500 for the kitchen, | 0:18:44 | 0:18:47 | |
and Lucy 3,000 for the bedroom. | 0:18:47 | 0:18:51 | |
Wow. | 0:18:51 | 0:18:52 | |
The tiles are completely dated and... | 0:18:52 | 0:18:55 | |
..I don't think they're coming back into fashion any time soon. | 0:18:55 | 0:18:58 | |
It's very plain. But there's nothing... | 0:18:58 | 0:19:01 | |
..personal. | 0:19:01 | 0:19:02 | |
The yellow blinds, definitely gone. | 0:19:02 | 0:19:06 | |
I think anything you do with it is going to liven it up. | 0:19:06 | 0:19:09 | |
Now they've seen what they're up against, | 0:19:10 | 0:19:12 | |
I should make sure they understand the brief. | 0:19:12 | 0:19:14 | |
-Hi, Lucy. -Hello, hi. -Meet Graham. -Hi, Graham. -Hi, nice to meet you. -Nice to meet you. | 0:19:14 | 0:19:19 | |
Graham, the kitchen is a very important place for Harjit, | 0:19:19 | 0:19:23 | |
from her cultural background she likes to cook and entertain. | 0:19:23 | 0:19:27 | |
She likes quite strong, bright colours. | 0:19:27 | 0:19:30 | |
Ian is completely the opposite. | 0:19:30 | 0:19:32 | |
He likes quite plain and simple and earthy. | 0:19:32 | 0:19:36 | |
And Lucy, Harjit wants this lovely spiritual, sort of surrounding, | 0:19:36 | 0:19:40 | |
but also Ian would like a room that he can just go to sleep in. | 0:19:40 | 0:19:44 | |
-Oh. -So, somehow or other, you're going to have to put those two elements together | 0:19:44 | 0:19:48 | |
-and make it work for both of them. -Yeah. | 0:19:48 | 0:19:50 | |
-Good luck. -Thank you. -OK. | 0:19:50 | 0:19:52 | |
So what is the green goddess planning in the master bedroom? | 0:19:54 | 0:19:58 | |
I'm going to transform it | 0:20:00 | 0:20:01 | |
by making it a beautiful, peaceful sanctuary. | 0:20:01 | 0:20:05 | |
Beautiful crystal chandeliers. | 0:20:05 | 0:20:08 | |
Somewhere that is just a relaxing, gorgeous space. | 0:20:08 | 0:20:12 | |
She sounds confident. | 0:20:12 | 0:20:15 | |
But what about grey lover Graham? | 0:20:16 | 0:20:18 | |
We're going to be getting rid of nearly everything. | 0:20:21 | 0:20:24 | |
I'll be replacing ALL of the cabinets. | 0:20:24 | 0:20:27 | |
The walls will be a backdrop of greys | 0:20:27 | 0:20:31 | |
and accented with pots of bright, graphic colour. | 0:20:31 | 0:20:35 | |
And the light fittings will become a feature within the room. | 0:20:35 | 0:20:39 | |
As usual, I'm not leaving the designers | 0:20:39 | 0:20:42 | |
completely on their own with the renovations. | 0:20:42 | 0:20:44 | |
# Watch the hammer come down. # | 0:20:44 | 0:20:46 | |
I'm giving Graham and Lucy builder Russell | 0:20:46 | 0:20:49 | |
to help them achieve their grand designs. | 0:20:49 | 0:20:51 | |
While at the other house, | 0:20:53 | 0:20:55 | |
Nadene and Anna have builder Nathan, who's always brutally honest. | 0:20:55 | 0:20:59 | |
His first job is to help Nadene. | 0:20:59 | 0:21:01 | |
We're going to be putting some new wallpaper over it. Um... | 0:21:01 | 0:21:04 | |
She's decided her priority is to remove that nasty grey wallpaper. | 0:21:04 | 0:21:08 | |
And she's replacing it with... | 0:21:11 | 0:21:12 | |
..MORE grey wallpaper. | 0:21:14 | 0:21:17 | |
I think this wallpaper is going to make this room look amazing. | 0:21:17 | 0:21:20 | |
I do hope you're right. | 0:21:20 | 0:21:22 | |
It's hand-silkscreen printed and it's meant to look like, sort of "swagged" curtains, | 0:21:22 | 0:21:26 | |
so it's going to look quite modern but at the same time quite romantic. | 0:21:26 | 0:21:30 | |
And I think Zoe's going to love it. | 0:21:30 | 0:21:32 | |
It's horrendous! | 0:21:32 | 0:21:34 | |
It looks like an X-ray of a baggy bit of skin or something. | 0:21:34 | 0:21:38 | |
Well, I guess there's still time to see the light and paint over it. | 0:21:38 | 0:21:42 | |
In teenager Jess' bedroom, | 0:21:44 | 0:21:46 | |
Anna is drawing on her artistic skills...and the walls. | 0:21:46 | 0:21:50 | |
So, this is the plug. | 0:21:50 | 0:21:52 | |
The plug for the light. | 0:21:52 | 0:21:54 | |
It's got a lead like that. | 0:21:54 | 0:21:56 | |
And then she's going to have her dressing room table. | 0:21:56 | 0:21:59 | |
I'm a firm believer in challenging design, | 0:21:59 | 0:22:02 | |
but this may be a challenge too far. | 0:22:02 | 0:22:06 | |
This is really exciting because... | 0:22:06 | 0:22:08 | |
you know, Jess has got to live in here, so that's a really cool thing. | 0:22:08 | 0:22:13 | |
Yeah, but as 15 is a tricky age, | 0:22:13 | 0:22:15 | |
maybe you shouldn't be using a permanent marker. | 0:22:15 | 0:22:19 | |
20 miles away in Coventry | 0:22:23 | 0:22:25 | |
there are signs that grey Graham is making a "grey-ve" error | 0:22:25 | 0:22:29 | |
with his kitchen design. | 0:22:29 | 0:22:30 | |
I'm just a bit worried about the whole functionality thing. | 0:22:30 | 0:22:34 | |
He seems to have glazed over that a little bit. | 0:22:34 | 0:22:37 | |
We've taken loads of wall units off the wall | 0:22:37 | 0:22:39 | |
and we're replacing them with a couple of shelves. | 0:22:39 | 0:22:42 | |
It already makes the space feel miles bigger. | 0:22:42 | 0:22:46 | |
Well, it would do, wouldn't it? | 0:22:46 | 0:22:48 | |
But good kitchen design is supposed to be functional. | 0:22:48 | 0:22:51 | |
And Graham's not the only one "glossing" over the important things. | 0:22:51 | 0:22:56 | |
I know Harjit loves bright colours. | 0:22:56 | 0:22:58 | |
But I think in a bedroom, | 0:22:58 | 0:23:00 | |
I think it has to be, kind of, more serene. | 0:23:00 | 0:23:02 | |
Down the road at Harjit's daughter Kelly's house, | 0:23:04 | 0:23:07 | |
the topic of which designer is doing what is in full swing. | 0:23:07 | 0:23:11 | |
So what's your thoughts then on having a punk-style kitchen? | 0:23:11 | 0:23:14 | |
I'm not quite sure how functionality and punk fit together. | 0:23:14 | 0:23:19 | |
It could work with a bit of colour in it. | 0:23:19 | 0:23:21 | |
But Graham is a bit dull. | 0:23:21 | 0:23:24 | |
-Hm. -Er, I didn't like the grey at all. | 0:23:24 | 0:23:26 | |
# My house, my house... # | 0:23:28 | 0:23:30 | |
Grey is me on a happy, sun-shining day. | 0:23:30 | 0:23:33 | |
-The bedroom could be interesting, then. -Yeah. | 0:23:36 | 0:23:38 | |
I think my worst nightmare would be having wallpaper. | 0:23:38 | 0:23:42 | |
I can't believe how good it looks. | 0:23:45 | 0:23:47 | |
I think it works really well in here. I'm really pleased with it. | 0:23:49 | 0:23:52 | |
You might be, but you're not the client. | 0:23:52 | 0:23:55 | |
Back in Tamworth and it's nearly time for me to bring the Daleys back | 0:24:01 | 0:24:04 | |
to inspect the first two rooms. | 0:24:04 | 0:24:06 | |
With the walls all finished, | 0:24:09 | 0:24:10 | |
it's time for Anna to brandish her black nib on everything else. | 0:24:10 | 0:24:14 | |
So, the mannequin lamp is fun. | 0:24:15 | 0:24:18 | |
Very unusual, it's quite an alternative | 0:24:18 | 0:24:21 | |
type of lamp to have in your home. | 0:24:21 | 0:24:24 | |
But I know she's going to like it. | 0:24:24 | 0:24:27 | |
That's a brave claim when dealing with teenagers. | 0:24:27 | 0:24:29 | |
To make matters worse, | 0:24:31 | 0:24:33 | |
Nadene's boudoir bedroom is getting weirder and weirder. | 0:24:33 | 0:24:36 | |
Here we go. If I drop this, it would be a disaster. | 0:24:36 | 0:24:40 | |
I'm not convinced. | 0:24:40 | 0:24:41 | |
-Mr Squirrel says no TV in the bedroom. -Does he? | 0:24:41 | 0:24:46 | |
The dead squirrel in the bedroom is horrendous. | 0:24:46 | 0:24:48 | |
It's like a devil squirrel, its eyes are red, it's poised to attack... | 0:24:48 | 0:24:53 | |
..nobody's going to like that, I'm pretty sure. | 0:24:53 | 0:24:56 | |
Nadene's design is so dramatic | 0:24:56 | 0:24:58 | |
it's as if she's trying to steal the spotlight | 0:24:58 | 0:25:01 | |
from set designer, Anna. | 0:25:01 | 0:25:02 | |
Their styles are so far apart, | 0:25:04 | 0:25:05 | |
I'm already worried about them collaborating on the living room. | 0:25:05 | 0:25:09 | |
'Right, that's it. | 0:25:10 | 0:25:11 | |
'Time for the designers to disappear. | 0:25:11 | 0:25:14 | |
'I want to see what's been done before I show the Daleys. | 0:25:14 | 0:25:17 | |
'First to the master bedroom.' | 0:25:17 | 0:25:19 | |
At the beginning of the week this room was an unfinished job, | 0:25:21 | 0:25:24 | |
with badly painted walls and bare floors. | 0:25:24 | 0:25:27 | |
Now, with a budget of £3,500, | 0:25:28 | 0:25:31 | |
Nadene's covered the walls in hand-printed drape wallpaper, | 0:25:31 | 0:25:35 | |
and laid a textured, fitted carpet. | 0:25:35 | 0:25:38 | |
She's installed a leather bed | 0:25:38 | 0:25:40 | |
and finished her look with a fluffy-tailed piece of taxidermy. | 0:25:40 | 0:25:45 | |
Oh, my goodness. It's very theatrical in here. | 0:25:47 | 0:25:51 | |
I think the wallpaper shows up how irregular everything is in here. | 0:25:51 | 0:25:57 | |
It shows the problems in the room. | 0:25:57 | 0:25:59 | |
Well, I don't like any of it. | 0:25:59 | 0:26:02 | |
I feel like it's a theatre set, it just feels very... | 0:26:02 | 0:26:06 | |
..dramatic, but in not a very good way. | 0:26:06 | 0:26:10 | |
Ooh. | 0:26:10 | 0:26:11 | |
I'm not really sure it's right for a man who likes plain white | 0:26:11 | 0:26:15 | |
and a lady who craves cosy cottage. | 0:26:15 | 0:26:17 | |
Oh, dear. | 0:26:17 | 0:26:18 | |
Before, teenager Jess' room was boyish and impractical. | 0:26:20 | 0:26:25 | |
With a budget of £3,500, | 0:26:27 | 0:26:29 | |
Anna has drawn on her artistic flair to create a complete one-off. | 0:26:29 | 0:26:34 | |
She's covered the now-white walls, floor and furniture | 0:26:36 | 0:26:39 | |
with her trademark black marker pen illustrations. | 0:26:39 | 0:26:43 | |
She's installed a new wardrobe, pull out bed, | 0:26:43 | 0:26:46 | |
and she's even given Jess her own telephone. | 0:26:46 | 0:26:50 | |
-Wow, that is different. -SHE LAUGHS | 0:26:56 | 0:26:58 | |
It's mad. | 0:27:00 | 0:27:01 | |
It's completely mad. | 0:27:01 | 0:27:03 | |
SHE INHALES AND EXHALES DEEPLY | 0:27:04 | 0:27:08 | |
I would never do something this dramatic, | 0:27:08 | 0:27:11 | |
and at 15... | 0:27:11 | 0:27:14 | |
..is it really what you want? | 0:27:14 | 0:27:17 | |
Anna, subtlety is not your thing, that's for sure. | 0:27:19 | 0:27:22 | |
But it's the client's opinion that matters most. | 0:27:24 | 0:27:27 | |
Although as Steve and Zoe haven't agreed for 20 years, | 0:27:27 | 0:27:30 | |
if one hates it, the other's bound to love it. | 0:27:30 | 0:27:33 | |
We can't lose. Or win. | 0:27:33 | 0:27:36 | |
Knowing that we're about to see some of the designers' work, | 0:27:36 | 0:27:41 | |
I'm extremely nervous. | 0:27:41 | 0:27:43 | |
I feel a bit sick, actually. | 0:27:43 | 0:27:45 | |
Jess will have to wait. | 0:27:45 | 0:27:47 | |
I want to show Zoe and Steve their bedroom first. | 0:27:47 | 0:27:50 | |
SHE LAUGHS | 0:27:54 | 0:27:55 | |
It looks a lot bigger than it was. | 0:28:00 | 0:28:04 | |
A lot bigger. | 0:28:04 | 0:28:05 | |
-Actually, I think it looks smaller. -No, I don't at all. | 0:28:05 | 0:28:08 | |
You don't look overly-excited. | 0:28:08 | 0:28:11 | |
I don't particularly like the case, | 0:28:11 | 0:28:14 | |
I really don't like the squirrel, I'm not a big fan of the pearls. | 0:28:14 | 0:28:18 | |
I don't like the drawers, I don't like the mannequin, | 0:28:18 | 0:28:22 | |
and I'm really, I'm very undecided about the curtain effect. | 0:28:22 | 0:28:27 | |
But other than that, yeah, I like the bed and the carpet | 0:28:27 | 0:28:31 | |
and the lamp. | 0:28:31 | 0:28:32 | |
Oh, Steve, it's beautiful. I love it. | 0:28:32 | 0:28:35 | |
It's much brighter, it's quite romantic, | 0:28:35 | 0:28:39 | |
-but kitsch at the same time. -Mm. | 0:28:39 | 0:28:41 | |
So, for me, I'm delighted. I really am. | 0:28:41 | 0:28:44 | |
Neither of you could agree on anything anyway, could you? | 0:28:44 | 0:28:47 | |
So I don't think there would ever have been a perfect solution in this room. | 0:28:47 | 0:28:51 | |
So, shall we go and see what Jess' room is like now? | 0:28:51 | 0:28:54 | |
-Shall we grab her and have a look? -Yeah. -Yeah. Really excited. -OK, Yeah. | 0:28:54 | 0:28:58 | |
-After you. -Thank you. -Thank you. | 0:28:58 | 0:29:01 | |
Oh, God. | 0:29:02 | 0:29:04 | |
Oh... STEVE LAUGHS | 0:29:04 | 0:29:07 | |
No. | 0:29:17 | 0:29:18 | |
-I like it. -No, I hate it. -STEVE LAUGHS | 0:29:18 | 0:29:21 | |
-I like it. -No! | 0:29:21 | 0:29:24 | |
I think it's just... | 0:29:25 | 0:29:27 | |
..more childish than I wanted it to be. | 0:29:27 | 0:29:30 | |
A lot more childish than I wanted it to be. | 0:29:30 | 0:29:33 | |
In all fairness. | 0:29:33 | 0:29:35 | |
Nobody, none of your friends are going to have a room like this. | 0:29:35 | 0:29:39 | |
None of them. | 0:29:39 | 0:29:40 | |
-I think that might be why she doesn't like it. -THEY LAUGH | 0:29:40 | 0:29:44 | |
It's not me. | 0:29:44 | 0:29:46 | |
I really don't think this is me at all. | 0:29:46 | 0:29:48 | |
-It's not, is it? -No. | 0:29:48 | 0:29:50 | |
-What? -I don't like that you're you upset. | 0:29:50 | 0:29:52 | |
OK, so not thumbs up on this one. Sadly. | 0:29:54 | 0:29:58 | |
That is a shame. | 0:29:59 | 0:30:01 | |
-SHE LAUGHS -Oh, dear. | 0:30:01 | 0:30:03 | |
It's a real shame because Zoe and Steve had chosen to take the risk | 0:30:03 | 0:30:06 | |
to hand their keys over to the amateur designers. | 0:30:06 | 0:30:09 | |
It's sort of paid off for them, it's certainly paid off for Zoe so far, | 0:30:09 | 0:30:12 | |
but it really hasn't paid off for Jess. | 0:30:12 | 0:30:14 | |
So we need to rectify that. | 0:30:14 | 0:30:17 | |
I really don't like my room. It's... It is too childish. | 0:30:17 | 0:30:23 | |
It's not what I wanted at all. | 0:30:23 | 0:30:26 | |
I feel awful for Jess. | 0:30:26 | 0:30:28 | |
We just wanted her to have something for herself, | 0:30:28 | 0:30:30 | |
and she really deserved to have that. | 0:30:30 | 0:30:32 | |
'Well, that's a disappointing result for Jess, | 0:30:34 | 0:30:37 | |
'but a surprisingly good one in the master bedroom. | 0:30:37 | 0:30:39 | |
'I'd best feed back the feedback | 0:30:41 | 0:30:43 | |
'before the designers start on the joint room.' | 0:30:43 | 0:30:45 | |
Welcome back. | 0:30:48 | 0:30:50 | |
-Nervous. -Are you? | 0:30:51 | 0:30:53 | |
You don't look nervous. | 0:30:55 | 0:30:57 | |
I'm just keeping quiet at the moment. Fingers crossed. | 0:30:57 | 0:31:00 | |
Nadene. | 0:31:00 | 0:31:01 | |
-Zoe loved it. -Yay! | 0:31:05 | 0:31:08 | |
Steve, however, was a little bit 50-50. | 0:31:08 | 0:31:12 | |
-He liked the bed. -Oh, good. -He liked the lamp in the corner. | 0:31:12 | 0:31:16 | |
But he wasn't sure about the rest of it. | 0:31:16 | 0:31:19 | |
Anna. | 0:31:19 | 0:31:20 | |
A lot of drawing in your room. | 0:31:21 | 0:31:24 | |
Well, for me the full effect is when everything is drawn, | 0:31:24 | 0:31:27 | |
not just bits here and there. | 0:31:27 | 0:31:29 | |
I've got some bad news. | 0:31:31 | 0:31:33 | |
ANNA GROANS | 0:31:33 | 0:31:35 | |
-Jess didn't like her room. -What, at all? | 0:31:35 | 0:31:39 | |
She felt that it was very young for her. | 0:31:39 | 0:31:43 | |
She didn't feel it was a room for her. | 0:31:43 | 0:31:45 | |
-Fair enough. -So you're both going to do a joint room. | 0:31:46 | 0:31:51 | |
We don't want to see two rooms. | 0:31:51 | 0:31:53 | |
We want to see one room designed by both of you. | 0:31:53 | 0:31:57 | |
Zoe particularly liked that sort of romantic kind of look | 0:31:57 | 0:32:01 | |
that you gave her in the bedroom. | 0:32:01 | 0:32:03 | |
Really work together on this so that they are really, | 0:32:03 | 0:32:06 | |
-really pleased with the results. -OK, good. | 0:32:06 | 0:32:09 | |
At the other house in Coventry, it's very nearly time for Ian and Harjit | 0:32:13 | 0:32:17 | |
to return to see what amateurs Lucy and Graham have done to their house. | 0:32:17 | 0:32:22 | |
This is a vintage Coventry City programme. | 0:32:22 | 0:32:25 | |
Trying to appease him, | 0:32:25 | 0:32:27 | |
trying to say, "Sorry, your bedroom is quite girlie now." | 0:32:27 | 0:32:30 | |
I've tried to instil a bit of Harjit's cultural heritage, | 0:32:30 | 0:32:34 | |
but I've also tried to maintain enough clean, masculine lines | 0:32:34 | 0:32:38 | |
and colours that Ian won't feel out of place either. | 0:32:38 | 0:32:40 | |
Now, this had better be good. | 0:32:41 | 0:32:43 | |
I'm soon going to have to present these rooms to the clients. | 0:32:43 | 0:32:46 | |
Before, the master bedroom was washed-out and plain. | 0:32:51 | 0:32:54 | |
A world away from Harjit's dream meditation space. | 0:32:54 | 0:32:58 | |
With £3,000, Lucy has transformed this room into a stylish sanctuary, | 0:32:58 | 0:33:04 | |
with Asian-inspired furniture, crystal chandeliers, | 0:33:04 | 0:33:09 | |
pale green wallpaper, | 0:33:09 | 0:33:11 | |
and personal touches for Harjit and Ian. | 0:33:11 | 0:33:14 | |
As far as Ian is concerned, it might be a bit feminine for him. | 0:33:27 | 0:33:30 | |
Perhaps you could have brought in a little bit more... | 0:33:31 | 0:33:36 | |
..of an Indian feel. | 0:33:36 | 0:33:37 | |
Perhaps just even with dressing the bed. | 0:33:37 | 0:33:40 | |
Because it was very important to Harjit to feel | 0:33:40 | 0:33:42 | |
like she had her colour back in the room. | 0:33:42 | 0:33:45 | |
I hope they haven't got it too... too you, not enough me. | 0:33:47 | 0:33:51 | |
Well, it's good if it's all me. You know, it's all about me. | 0:33:51 | 0:33:55 | |
Mm-hm. Always, dear. | 0:33:55 | 0:33:56 | |
The old kitchen was outdated and ill-equipped for keen cook Harjit. | 0:33:58 | 0:34:03 | |
With £5,500, Graham's transformed it into a contemporary space, | 0:34:03 | 0:34:09 | |
with upcycled wooden worktops, patterned vinyl floor tiles, | 0:34:09 | 0:34:13 | |
and very low-hanging pendant lights, all set against his trademark grey. | 0:34:13 | 0:34:18 | |
Oh. | 0:34:25 | 0:34:27 | |
Gosh, what interesting lights. | 0:34:27 | 0:34:29 | |
Bit strange, especially in a kitchen of this size. | 0:34:29 | 0:34:34 | |
Don't actually like them at all. | 0:34:34 | 0:34:35 | |
It feels bigger when you first come in. | 0:34:37 | 0:34:39 | |
But there's actually nowhere to store anything. | 0:34:39 | 0:34:43 | |
I can't see Harjit and Ian in this kitchen at all. | 0:34:45 | 0:34:50 | |
But we'll see. Perhaps they'll love it. | 0:34:50 | 0:34:53 | |
(Please.) | 0:34:54 | 0:34:55 | |
It's a critical moment. | 0:34:57 | 0:34:59 | |
For Harjit and Ian, there's a lot more riding on this than just taste. | 0:34:59 | 0:35:03 | |
Oh, right. | 0:35:09 | 0:35:11 | |
What do you think? | 0:35:17 | 0:35:18 | |
I like it with reservations. | 0:35:20 | 0:35:22 | |
Frankly, not too sure about the bedside table. | 0:35:23 | 0:35:27 | |
But I like the fact they've got Manny and Kelly on there. | 0:35:27 | 0:35:29 | |
Oh, and a sky blue one for me. | 0:35:31 | 0:35:33 | |
Right. | 0:35:35 | 0:35:36 | |
-It's really nice. -You like it? | 0:35:37 | 0:35:40 | |
I really like it, yeah. | 0:35:40 | 0:35:41 | |
What about the colours? | 0:35:41 | 0:35:43 | |
-I like it. I like the colours. -OK. | 0:35:43 | 0:35:45 | |
-And I like these. -Chandeliers. -The lighting, yeah. | 0:35:45 | 0:35:50 | |
Do you feel this is kind of a space that you could relax in? | 0:35:50 | 0:35:53 | |
I can, yeah. | 0:35:53 | 0:35:54 | |
It's kind of got a very relaxing feel. | 0:35:54 | 0:35:59 | |
Ian, you wanted somewhere you could go to sleep. | 0:35:59 | 0:36:01 | |
-Yes. Which we can do... -You think this will work? | 0:36:01 | 0:36:04 | |
..if we lose the cushion. | 0:36:04 | 0:36:06 | |
Oh, there's only one. | 0:36:06 | 0:36:07 | |
Yeah, could have been worse. | 0:36:07 | 0:36:09 | |
It's the perfect combination. | 0:36:09 | 0:36:11 | |
We wouldn't have thought about it really. | 0:36:11 | 0:36:13 | |
Well, I guess we should go | 0:36:13 | 0:36:15 | |
and have a look at the other room now, shouldn't we? | 0:36:15 | 0:36:17 | |
Next up, Graham's grey kitchen. | 0:36:19 | 0:36:21 | |
-Oh! -Oh, my God! | 0:36:26 | 0:36:28 | |
I'm not too sure about that. | 0:36:33 | 0:36:35 | |
I don't know what to say. | 0:36:37 | 0:36:38 | |
I actually like this. Yeah, I like the blocks of colour. | 0:36:41 | 0:36:45 | |
No, actually, I like it. | 0:36:46 | 0:36:47 | |
I didn't think I would like the grey and the white. | 0:36:47 | 0:36:53 | |
-It makes the kitchen look really big. -Mm. | 0:36:53 | 0:36:55 | |
You don't seem 100%, like you were in the bedroom. | 0:36:56 | 0:37:00 | |
Yeah. I haven't got enough storage for all the spices and things. | 0:37:00 | 0:37:03 | |
-I had one cupboard with all the spices in. -Yeah. | 0:37:03 | 0:37:06 | |
And then had a cupboard with all my lovely dinner service, | 0:37:06 | 0:37:09 | |
and I don't know where they'll go, because I've got quite a lot. | 0:37:09 | 0:37:12 | |
You like most things in here, just the storage could be a slight issue. | 0:37:13 | 0:37:17 | |
Yeah, it might be a bit of an issue. | 0:37:17 | 0:37:18 | |
And you wouldn't be embarrassed inviting anyone in here. | 0:37:18 | 0:37:21 | |
No. And I think that's perfect. | 0:37:21 | 0:37:23 | |
You know, when I'm cooking, people can give me company. | 0:37:23 | 0:37:25 | |
-They can sit here and chat to me. -Yeah. Absolutely. | 0:37:25 | 0:37:28 | |
I'm going to have to call that a result. | 0:37:29 | 0:37:32 | |
A bedroom that works for them both, | 0:37:32 | 0:37:33 | |
and a kitchen they're not embarrassed about. | 0:37:33 | 0:37:36 | |
Lucy and Graham need to hear this. | 0:37:37 | 0:37:39 | |
-Welcome back. -Thank you. | 0:37:41 | 0:37:44 | |
-How are you feeling? -Nervous. -Very nervous. | 0:37:45 | 0:37:48 | |
-Are you? -Yes. | 0:37:48 | 0:37:50 | |
-Lucy. -Yes. | 0:37:51 | 0:37:53 | |
They loved the bedroom. | 0:37:55 | 0:37:56 | |
Yes! Good. | 0:37:56 | 0:37:58 | |
-Ian felt there was too many cushions on the bed. -THEY LAUGH | 0:37:58 | 0:38:01 | |
I don't follow him on that one. | 0:38:02 | 0:38:04 | |
But, yes, they did love it. | 0:38:04 | 0:38:06 | |
Oh, thank God. Goodness. | 0:38:06 | 0:38:08 | |
-Graham. -Yes. | 0:38:10 | 0:38:11 | |
-They loved the kitchen as well. -Oh, my God! | 0:38:13 | 0:38:15 | |
Well done! | 0:38:17 | 0:38:18 | |
I think there is a reservation for the storage. | 0:38:18 | 0:38:21 | |
There is a slight worry about that. | 0:38:21 | 0:38:23 | |
But generally, it was a good response. | 0:38:23 | 0:38:26 | |
-Brilliant. -Well done. | 0:38:26 | 0:38:27 | |
So you can breathe a sigh of relief, both of you. | 0:38:27 | 0:38:30 | |
So far, so good. | 0:38:31 | 0:38:33 | |
But now Lucy and Graham need to prove to me | 0:38:33 | 0:38:36 | |
that they can collaborate on a shared space - | 0:38:36 | 0:38:39 | |
the living/dining room. | 0:38:39 | 0:38:41 | |
Graham's quite strong and ambitious with his ideas, | 0:38:41 | 0:38:45 | |
and I'm not sure how it's going to work with Lucy. | 0:38:45 | 0:38:47 | |
Whether she's going to back down a bit, | 0:38:47 | 0:38:49 | |
whether it's going to be equal pegging, | 0:38:49 | 0:38:51 | |
very hard to tell at this stage. | 0:38:51 | 0:38:53 | |
I hope they're going to work together as a team. | 0:38:53 | 0:38:55 | |
That's the whole point, and I won't be very happy if they don't. | 0:38:55 | 0:38:58 | |
I'm quite a big wallpaper fan, and I'm not sure that you are. | 0:38:59 | 0:39:02 | |
-No. -I'm not a big grey fan. | 0:39:02 | 0:39:04 | |
I'm really, really... I'll go as far to say that I detest wallpaper. | 0:39:06 | 0:39:11 | |
I hate peeling wallpaper. I hate wallpaper with bumps underneath it. | 0:39:11 | 0:39:15 | |
I hate old-fashioned wallpaper, I hate... | 0:39:15 | 0:39:17 | |
We've got it, Graham. But has Lucy? | 0:39:17 | 0:39:20 | |
But if it's done properly, I think gives such a good visual, | 0:39:20 | 0:39:24 | |
whereas paint would be quite flat. | 0:39:24 | 0:39:26 | |
It can be quite flat, | 0:39:26 | 0:39:27 | |
but it's flat in the good sense that you can switch it up and change it | 0:39:27 | 0:39:31 | |
from time to time, just with the things that you put on the wall. | 0:39:31 | 0:39:34 | |
Once you get a large print on the wall, | 0:39:34 | 0:39:35 | |
you're kind of married to that large print indefinitely. | 0:39:35 | 0:39:38 | |
But if you love it, then it'll be all right. | 0:39:38 | 0:39:41 | |
This could be more evenly matched than I first thought. | 0:39:44 | 0:39:46 | |
The suggestion of a collaboration | 0:39:49 | 0:39:51 | |
isn't going down well at the house in Tamworth, either. | 0:39:51 | 0:39:54 | |
Jess cried when she saw Anna's room. She didn't like it. | 0:39:55 | 0:39:59 | |
And I do really believe that my design for that room | 0:39:59 | 0:40:02 | |
is much stronger and it's going to have much more punch. | 0:40:02 | 0:40:04 | |
And I think Zoe and Steve are going to prefer it. | 0:40:04 | 0:40:07 | |
OK, Nadene, it's "put your money where your mouth is" time. | 0:40:07 | 0:40:10 | |
My idea for the room was a modern Moroccan fairground ride. | 0:40:10 | 0:40:14 | |
I'm thinking a bit of 1970s Marrakech | 0:40:14 | 0:40:17 | |
-with a little bit of we've run away with the circus. -OK. | 0:40:17 | 0:40:20 | |
So this is a piece of original fairground. | 0:40:20 | 0:40:24 | |
See that, already, just looks fantastic, in my view. | 0:40:24 | 0:40:28 | |
I've got some coloured window film too. | 0:40:28 | 0:40:30 | |
For me, playing around with external windows is a bit of a no-no. | 0:40:30 | 0:40:35 | |
Because actually it can look quite naff. | 0:40:35 | 0:40:37 | |
Says the lady who draws on furniture. | 0:40:37 | 0:40:40 | |
The main look of mine, it's very white, it's very monochrome, | 0:40:40 | 0:40:43 | |
kind of shabby chic. No? | 0:40:43 | 0:40:45 | |
Those words, "shabby chic", I actually get a pain in my heart. | 0:40:45 | 0:40:48 | |
-Right. -Do you want to show me what you've got? | 0:40:48 | 0:40:51 | |
Oh, what is this? | 0:40:51 | 0:40:53 | |
Oh. It's white, it's distressed, it is hideous. | 0:40:53 | 0:40:57 | |
Anna, it's hideous. | 0:40:57 | 0:40:58 | |
No, I think it's quite sweet. I like the lining inside. | 0:40:58 | 0:41:01 | |
-I think... -Sweet? -And I like it. -I don't do sweet. | 0:41:01 | 0:41:04 | |
You don't say? | 0:41:04 | 0:41:06 | |
When I get bossy I turn into an Afghan grandma. | 0:41:06 | 0:41:09 | |
I can feel that happening, I can feel Grandma rising. | 0:41:09 | 0:41:11 | |
I think there might be tears before the end of the day. | 0:41:11 | 0:41:14 | |
She just needs to take a step back, | 0:41:14 | 0:41:16 | |
look at our situation together as a co-room. | 0:41:16 | 0:41:18 | |
She just needs to remember that it's not just her room, | 0:41:18 | 0:41:21 | |
it's my room as well. | 0:41:21 | 0:41:22 | |
Actually it's Steve, Zoe and Jess's. | 0:41:22 | 0:41:25 | |
So both of you had better get it right. | 0:41:25 | 0:41:27 | |
At the other house, it's Lucy who's ahead on points. | 0:41:31 | 0:41:35 | |
I love it. Apart from Russell's mucky finger marks on it. | 0:41:35 | 0:41:38 | |
-Grr! -SHE LAUGHS | 0:41:40 | 0:41:42 | |
You may love it, but the clients may not. | 0:41:42 | 0:41:44 | |
Ian hates red and Harjit detests wallpaper. | 0:41:44 | 0:41:48 | |
I chose red purely | 0:41:48 | 0:41:50 | |
because it's... The brief says that Harjit's favourite colour is red. | 0:41:50 | 0:41:54 | |
It's not my favourite colour. | 0:41:54 | 0:41:56 | |
I don't think there's anything red in my house, | 0:41:56 | 0:41:58 | |
or anywhere in my house. | 0:41:58 | 0:42:01 | |
I can't help noticing she's wearing red. | 0:42:01 | 0:42:04 | |
Graham may be on the ropes in this room design, | 0:42:04 | 0:42:07 | |
but he is still putting up a fight. | 0:42:07 | 0:42:09 | |
I have agreed to some of Lucy's wallpaper. | 0:42:09 | 0:42:13 | |
But I'm not going to give up on the grey on the walls as well, | 0:42:13 | 0:42:17 | |
because I think if we filled this room with too much white space | 0:42:17 | 0:42:21 | |
and large patterns, I really don't think Ian's going to get it | 0:42:21 | 0:42:24 | |
at all when he walks in. | 0:42:24 | 0:42:25 | |
But I think it will be tipping more in my favour | 0:42:26 | 0:42:29 | |
by the time we're finished. | 0:42:29 | 0:42:30 | |
Round two. Time for Graham to pull some punches. | 0:42:31 | 0:42:34 | |
I'd really like to see all of this kind of L-shape painted in the grey. | 0:42:34 | 0:42:40 | |
OK. Well, if we mix it up and make it a lot paler, | 0:42:40 | 0:42:45 | |
like dove grey, then... | 0:42:45 | 0:42:47 | |
How about a pigeon? | 0:42:47 | 0:42:48 | |
-Hate it. -Lighter? | 0:42:53 | 0:42:55 | |
Hate it. It's just not going to go with the red. | 0:42:55 | 0:42:58 | |
-It's getting better. -I'll add a tiny bit more. | 0:42:58 | 0:43:01 | |
See, I'm not sure. | 0:43:06 | 0:43:07 | |
I could live with the last one you did, perhaps. | 0:43:07 | 0:43:09 | |
Do the grey wall, but I just want it known | 0:43:09 | 0:43:12 | |
that I think it's an... ill-informed choice. | 0:43:12 | 0:43:16 | |
-DING-DING -End of round two. | 0:43:17 | 0:43:20 | |
Lucy, go back to your red corner. | 0:43:20 | 0:43:22 | |
Graham, I think yours is the grey one. | 0:43:22 | 0:43:24 | |
We've had a little drama today between the two designers. | 0:43:24 | 0:43:28 | |
If they can't decide on paint colour, | 0:43:28 | 0:43:29 | |
what's it going to be like when they come to dressing the room? | 0:43:29 | 0:43:32 | |
I think there's going to be a bumpy road ahead. | 0:43:32 | 0:43:35 | |
I think I should buy a steam roller, | 0:43:36 | 0:43:38 | |
because there's a lot that needs smoothing out | 0:43:38 | 0:43:40 | |
back in Tamworth as well. | 0:43:40 | 0:43:42 | |
So this is the scaffold board cladding | 0:43:42 | 0:43:44 | |
that we're going to use on the cabinet. And what do you think, | 0:43:44 | 0:43:47 | |
-if we try and get that finish on the floor? -Well, I like this, | 0:43:47 | 0:43:50 | |
but I actually would describe it as a bit like shabby chic. | 0:43:50 | 0:43:53 | |
I think this is nicely distressed, | 0:43:53 | 0:43:55 | |
the way that I like the shabby chic style. | 0:43:55 | 0:43:57 | |
I really glad you agree. But it is not shabby chic. | 0:43:57 | 0:44:01 | |
I concede it's distressed. Different word. | 0:44:01 | 0:44:03 | |
However, it's very nice. And we both like it. So spot on. | 0:44:03 | 0:44:07 | |
-Thumbs up. -And I concede it will work with your shabby chic cabinet. | 0:44:07 | 0:44:11 | |
Very good, thank you very much. | 0:44:11 | 0:44:13 | |
I don't know about chic, but that's about as shabby as it gets. | 0:44:13 | 0:44:16 | |
Up the road at Steve's dad's house, | 0:44:20 | 0:44:22 | |
they're filling him in on the goings on. | 0:44:22 | 0:44:25 | |
Nadene has done the decoration scheme for our bedroom, | 0:44:25 | 0:44:29 | |
which is a bit of turn-of-the-century Parisian brothel | 0:44:29 | 0:44:33 | |
kind of a style. | 0:44:33 | 0:44:34 | |
And Anna did Jess's bedroom... | 0:44:34 | 0:44:38 | |
which is like a... a child's fridge magnet kind of a style. | 0:44:38 | 0:44:43 | |
I'm actually nervous about what's going to happen in the main room. | 0:44:45 | 0:44:49 | |
I just can't comprehend how the two styles will be put together. | 0:44:49 | 0:44:54 | |
Your designers, are they first-timers? | 0:44:54 | 0:44:58 | |
Yeah, they've only ever designed | 0:44:58 | 0:45:00 | |
rooms in their own properties before. | 0:45:00 | 0:45:02 | |
Anna's not an interior designer at all. She designs sets for theatre. | 0:45:02 | 0:45:06 | |
She's never designed somebody's house. | 0:45:06 | 0:45:08 | |
It's like going to a plumber for your toothache, isn't it? | 0:45:08 | 0:45:11 | |
Yeah. | 0:45:11 | 0:45:12 | |
Cheeky devil! | 0:45:12 | 0:45:14 | |
A plumber for your toothache sounds far less painful. | 0:45:14 | 0:45:17 | |
-MUSIC: -Good Vibrations by The Beach Boys | 0:45:17 | 0:45:19 | |
When two designers work together in harmony, | 0:45:22 | 0:45:24 | |
it really is a sight to behold. | 0:45:24 | 0:45:27 | |
I'm pleased I'm getting more of my objects in now. | 0:45:27 | 0:45:29 | |
Nadene's backing down a little bit. | 0:45:29 | 0:45:31 | |
She's being more understanding that it's a joint room | 0:45:31 | 0:45:34 | |
and we're trying to share and balance our props. | 0:45:34 | 0:45:37 | |
That doesn't sound like the Nadene I know. | 0:45:37 | 0:45:40 | |
-I'm getting quite frustrated with Anna at the moment. -That does. | 0:45:40 | 0:45:43 | |
We've got a few hours left and I feel like she's just trying | 0:45:43 | 0:45:46 | |
-to force her things into the room for the sake of it. -Here we go. | 0:45:46 | 0:45:50 | |
And I think that is going to compromise the final design | 0:45:50 | 0:45:53 | |
and I'm really not very happy about it. | 0:45:53 | 0:45:56 | |
I'm a little bit worried because she's got a big smile on her face | 0:45:56 | 0:45:59 | |
and a big pen in her hand, and it's starting to creep into this room. | 0:45:59 | 0:46:02 | |
It didn't go down very well earlier in the week. | 0:46:02 | 0:46:04 | |
Let's just hope she reels it in a little bit and give us | 0:46:04 | 0:46:06 | |
something they're going to like this time. | 0:46:06 | 0:46:09 | |
'Miracles can happen. | 0:46:10 | 0:46:11 | |
'In Coventry, designers Lucy and Graham have both gone the distance, | 0:46:13 | 0:46:16 | |
'and I'm about to judge their finished room | 0:46:16 | 0:46:19 | |
'before the homeowners return.' | 0:46:19 | 0:46:20 | |
There's been battles of wills going on in this house | 0:46:23 | 0:46:25 | |
and I really do hope they've resolved this | 0:46:25 | 0:46:28 | |
and come up with a great design, | 0:46:28 | 0:46:29 | |
because the most important people here are Harjit and Ian, | 0:46:29 | 0:46:32 | |
not their egos. | 0:46:32 | 0:46:35 | |
At the beginning of the week, | 0:46:35 | 0:46:36 | |
the living/dining room was filled with Ian's beiges and browns, | 0:46:36 | 0:46:40 | |
with none of the vibrant colours or ornaments | 0:46:40 | 0:46:43 | |
that mean so much to Harjit. | 0:46:43 | 0:46:44 | |
Now the amateur designers have attempted to fuse | 0:46:47 | 0:46:50 | |
Harjit's love of colour with Ian's preference for more muted tones. | 0:46:50 | 0:46:54 | |
A storage wall provides a showcase | 0:46:55 | 0:46:57 | |
for Harjit's collection of ornaments. | 0:46:57 | 0:47:00 | |
And they've even added a bold patterned rug. | 0:47:01 | 0:47:03 | |
It's quite a transformation. | 0:47:12 | 0:47:14 | |
Is this one of Harjit's rugs? | 0:47:15 | 0:47:17 | |
-Yeah. -Yes. | 0:47:17 | 0:47:19 | |
That was a clever move, wasn't it? | 0:47:19 | 0:47:21 | |
I believe I see the colour grey on the wall. | 0:47:23 | 0:47:27 | |
Quite a watered-down version, though. | 0:47:27 | 0:47:30 | |
It's called "compromise grey." | 0:47:30 | 0:47:32 | |
I think it just got a little bit heated | 0:47:33 | 0:47:35 | |
because we were so passionate about our vision. | 0:47:35 | 0:47:39 | |
Graham basically said, "I'm having it or I'm stopping." | 0:47:39 | 0:47:42 | |
Tools down, on strike. | 0:47:44 | 0:47:46 | |
But I have an 11-year-old, so I know how to deal with it. | 0:47:46 | 0:47:49 | |
HE LAUGHS | 0:47:49 | 0:47:51 | |
Who chose the red? | 0:47:53 | 0:47:54 | |
I did. | 0:47:54 | 0:47:56 | |
Did you choose the stripes as well? | 0:47:56 | 0:47:58 | |
I did, yeah. | 0:47:58 | 0:47:59 | |
It's a gamble, but it's Harjit's favourite colour. | 0:47:59 | 0:48:02 | |
I'm slightly concerned about Ian with the red. So much of it. | 0:48:04 | 0:48:08 | |
Let's just hope Ian doesn't have a fit. Off you go. | 0:48:08 | 0:48:13 | |
Thanks, Celia. | 0:48:13 | 0:48:14 | |
'Hopefully, these designers have done enough | 0:48:14 | 0:48:17 | |
'to fuse Ian and Harjit's cultural style differences.' | 0:48:17 | 0:48:20 | |
My absolute nightmare would be too much colour in the room, | 0:48:21 | 0:48:26 | |
too many ornaments. | 0:48:26 | 0:48:28 | |
Too over-fussy. | 0:48:29 | 0:48:31 | |
Hopefully we haven't got too much grey and there's no paper. | 0:48:31 | 0:48:36 | |
Too late now. | 0:48:38 | 0:48:39 | |
With the amateur designers hiding in the kitchen, | 0:48:39 | 0:48:41 | |
Harjit and Ian have no idea they're listening in. | 0:48:41 | 0:48:44 | |
Oh, wow! | 0:48:50 | 0:48:51 | |
Erm... | 0:48:51 | 0:48:52 | |
How different is this? | 0:48:57 | 0:48:59 | |
Oh, my God, paper. | 0:49:01 | 0:49:02 | |
I really like the African art, you know, the statues all there, | 0:49:06 | 0:49:09 | |
because they were hidden away before, you couldn't see them. | 0:49:09 | 0:49:12 | |
Yes, they were. And I'm not disappointed with that. | 0:49:12 | 0:49:15 | |
That's very nice, yeah. Yeah. | 0:49:15 | 0:49:17 | |
I'm still unsure about all of these cushions. | 0:49:17 | 0:49:19 | |
Ian, you've got to get used to cushions. | 0:49:19 | 0:49:22 | |
It's part of comfortable living. | 0:49:22 | 0:49:24 | |
It looks lovely. If you take them all off, | 0:49:24 | 0:49:26 | |
it's like having a glass of wine with no wine in it. | 0:49:26 | 0:49:29 | |
You can drink straight out the bottle, though. | 0:49:31 | 0:49:34 | |
Oh, that's dreadful. | 0:49:34 | 0:49:35 | |
Ian, what do you think about the red wallpaper? | 0:49:35 | 0:49:38 | |
I'm not over the moon about the wallpaper, to be fair. | 0:49:40 | 0:49:43 | |
But I like the way it's all tied in... | 0:49:43 | 0:49:45 | |
-Yeah. -..throughout the whole downstairs. | 0:49:45 | 0:49:47 | |
It's very cleverly done. | 0:49:47 | 0:49:49 | |
It's... You haven't got the wallpaper all along the wall. | 0:49:49 | 0:49:52 | |
So it's a thumbs up, then, is it? | 0:49:52 | 0:49:54 | |
-It's... For me it's definitely a thumbs up. -Yeah. And me. | 0:49:54 | 0:49:57 | |
Do you want to meet the designers? Because I think it's time you did. | 0:49:57 | 0:50:00 | |
-Yes, please. -Yes, please. | 0:50:00 | 0:50:02 | |
OK. Come on in then, guys. | 0:50:03 | 0:50:05 | |
-Hello. -Hello. | 0:50:05 | 0:50:07 | |
-Hello. -Hello there. | 0:50:09 | 0:50:10 | |
Harjit and Ian have spent years disagreeing | 0:50:12 | 0:50:15 | |
over what they want in their home, and now it's a happy ending. | 0:50:15 | 0:50:19 | |
It's fantastic. | 0:50:19 | 0:50:20 | |
-It's made the kitchen look wider. -I think so. | 0:50:20 | 0:50:22 | |
Well, it's not wide, but it does make it look wider. | 0:50:22 | 0:50:25 | |
Yeah, absolutely. | 0:50:25 | 0:50:27 | |
It's really strengthened my resolve to want to carry this on | 0:50:27 | 0:50:31 | |
and do something in the future. | 0:50:31 | 0:50:33 | |
In fact, Ian and Harjit are going to have my number | 0:50:33 | 0:50:35 | |
because they've got a hall and stairs to finish as well. | 0:50:35 | 0:50:38 | |
And I love the bedroom. | 0:50:38 | 0:50:40 | |
Oh, I'm glad. I'm glad. | 0:50:40 | 0:50:41 | |
It's really very relaxing. | 0:50:41 | 0:50:43 | |
-Good. -Calming. | 0:50:43 | 0:50:44 | |
I can sit and do my yoga, meditation there, that sort of thing. | 0:50:44 | 0:50:47 | |
That's what I wanted. | 0:50:47 | 0:50:49 | |
I would love to do this every day of the week. | 0:50:49 | 0:50:52 | |
I could do it every day of the week. | 0:50:52 | 0:50:54 | |
It would be a dream for me to do it. | 0:50:54 | 0:50:57 | |
And by myself. | 0:50:57 | 0:50:59 | |
With no collaboration. | 0:51:00 | 0:51:03 | |
-Thank you very much for transforming our home. -Yeah. | 0:51:03 | 0:51:05 | |
You're very welcome. | 0:51:05 | 0:51:07 | |
-It looks really fabulous. -You like it? -Yes. -I do, yeah. | 0:51:07 | 0:51:11 | |
Such a relief. You've got no idea! | 0:51:11 | 0:51:15 | |
Both designers worked hard, both compromised, | 0:51:15 | 0:51:18 | |
so I think, because of the lack of storage in the kitchen, | 0:51:18 | 0:51:21 | |
it has to be Lucy that impressed me the most this week. | 0:51:21 | 0:51:25 | |
So I've got to ask you a key question here. | 0:51:25 | 0:51:27 | |
You took a risk, you put your home in their hands. | 0:51:27 | 0:51:30 | |
Was it worth it? | 0:51:30 | 0:51:31 | |
Yes, definitely. | 0:51:31 | 0:51:32 | |
That's a good result. | 0:51:33 | 0:51:35 | |
We like that. | 0:51:35 | 0:51:36 | |
I mean, it's opened my eyes to the fact | 0:51:36 | 0:51:38 | |
that you can have colour in a room. | 0:51:38 | 0:51:41 | |
But it's still nice and clean and liveable. | 0:51:41 | 0:51:45 | |
We'll be having more social gatherings, | 0:51:45 | 0:51:48 | |
all the family coming back in. | 0:51:48 | 0:51:49 | |
Friends coming in. | 0:51:49 | 0:51:51 | |
I won't have to make excuses this time. | 0:51:51 | 0:51:54 | |
And, of course, it's not over yet. | 0:51:59 | 0:52:01 | |
In Tamworth, the Daleys' home is still in the hands of amateurs. | 0:52:01 | 0:52:05 | |
Nadene and Anna need to hurry up and finish, | 0:52:07 | 0:52:10 | |
because I'm on my way and these two have got a lot to prove. | 0:52:10 | 0:52:13 | |
We want this room, the joint room, to be a hub of the home, | 0:52:15 | 0:52:19 | |
to be where everyone wants to hang out, | 0:52:19 | 0:52:21 | |
to be where all three parties of that family are happy. | 0:52:21 | 0:52:24 | |
No more Jess being embarrassed bringing her friends back. | 0:52:24 | 0:52:27 | |
Let's hope this has worked. | 0:52:27 | 0:52:28 | |
At the beginning of the week, the Daleys' living room | 0:52:35 | 0:52:38 | |
was little more than a shell, | 0:52:38 | 0:52:40 | |
with bare plaster walls and tired furniture. | 0:52:40 | 0:52:43 | |
Nadene and Anna have reinvented it as a clean and bright, | 0:52:44 | 0:52:47 | |
shabby chic space with a Moroccan fairground flavour. | 0:52:47 | 0:52:51 | |
The walls have been painted white | 0:52:52 | 0:52:53 | |
and decorated with Anna's framed illustrations. | 0:52:53 | 0:52:57 | |
The dark brown sofas have been ditched in favour of light leather. | 0:52:57 | 0:53:01 | |
And the television's been hidden inside a circus-themed storage unit. | 0:53:01 | 0:53:06 | |
-So we've got a bit of shabby chic in here, haven't we? -No. | 0:53:26 | 0:53:29 | |
I think a little bit's come in. | 0:53:29 | 0:53:31 | |
And Anna, obviously I can see there's a little bit of squiggling | 0:53:33 | 0:53:37 | |
going on around the room. | 0:53:37 | 0:53:40 | |
And these art pieces, I presume are yours. | 0:53:40 | 0:53:42 | |
Yeah, they're mine. | 0:53:42 | 0:53:43 | |
So you feel, both of you girls, that it was 50-50 on the design, do you? | 0:53:43 | 0:53:48 | |
I do. I do think so. | 0:53:48 | 0:53:50 | |
Maybe I would say it's 60-40 now. But I'm happy with that. | 0:53:50 | 0:53:54 | |
-But you've got the 60, I presume. -Yeah. | 0:53:54 | 0:53:57 | |
You would have been happier then, if you'd got more? | 0:53:57 | 0:54:00 | |
I would have been happy with 80-20, yeah. | 0:54:00 | 0:54:02 | |
Well, all in all, I think it looks really much better in here. | 0:54:02 | 0:54:06 | |
This area's well used. | 0:54:06 | 0:54:08 | |
I quite like the art work. | 0:54:08 | 0:54:09 | |
I think it shows a bit of personality from you, which is good. | 0:54:09 | 0:54:12 | |
And generally it looks clean and airy and a nice room. So... | 0:54:13 | 0:54:17 | |
Off you go. | 0:54:19 | 0:54:20 | |
Thank you very much. | 0:54:20 | 0:54:21 | |
Steve, Zoe and Jess were sick of living in an unfinished house. | 0:54:23 | 0:54:28 | |
But so far only Zoe has been completely happy | 0:54:28 | 0:54:31 | |
with the amateurs' work. | 0:54:31 | 0:54:33 | |
It's now crucial that this last room is right for the whole family. | 0:54:33 | 0:54:37 | |
It's us again! | 0:54:37 | 0:54:38 | |
Love it. Absolutely love it. | 0:54:49 | 0:54:52 | |
So do I. | 0:54:52 | 0:54:53 | |
I like the boxy thing. | 0:54:53 | 0:54:55 | |
Yeah. | 0:54:55 | 0:54:56 | |
Oh, wow! I like him. | 0:54:56 | 0:54:59 | |
No, I like what's been done there. | 0:54:59 | 0:55:00 | |
-Yeah. I like that. -Yeah. -All of it. | 0:55:00 | 0:55:02 | |
-I like how there's bits of, like, Anna in it. -Yeah. | 0:55:02 | 0:55:05 | |
Like with the drawn flowers and stuff. | 0:55:05 | 0:55:06 | |
-I love these. They're fantastic. -Yeah. | 0:55:06 | 0:55:10 | |
Spot the family portrait. | 0:55:10 | 0:55:11 | |
THEY LAUGH | 0:55:11 | 0:55:14 | |
Oh, Steve. She got your hair perfect. | 0:55:14 | 0:55:16 | |
There's nothing in here that I don't like. | 0:55:19 | 0:55:21 | |
-Yeah. Same with me. -Absolutely nothing. | 0:55:21 | 0:55:23 | |
So it's been quite a turnaround really, hasn't it? | 0:55:23 | 0:55:25 | |
Because none of you could agree on what you wanted, | 0:55:25 | 0:55:28 | |
-so nothing was ever done. And now you all like it. -Yeah. | 0:55:28 | 0:55:31 | |
Which is quite a... It's a good result, isn't it? | 0:55:31 | 0:55:34 | |
I think it's amazing. | 0:55:34 | 0:55:35 | |
We've never had anything that we've agreed on. | 0:55:35 | 0:55:37 | |
And Jess, you're smiling now. | 0:55:37 | 0:55:39 | |
This is exactly what I wanted. | 0:55:41 | 0:55:43 | |
Like, from a living room. | 0:55:43 | 0:55:46 | |
With some things that I didn't expect, but I really, really like. | 0:55:46 | 0:55:49 | |
-And would you bring your friends round now? -Definitely. | 0:55:49 | 0:55:51 | |
Yeah, so you're not going to be embarrassed | 0:55:51 | 0:55:53 | |
-bringing them in here, are you? -No. Obviously not. | 0:55:53 | 0:55:56 | |
Well, would you like to meet the two designers | 0:55:56 | 0:55:59 | |
that created this space for you? | 0:55:59 | 0:56:00 | |
-Yes, please. -I think we should. | 0:56:00 | 0:56:03 | |
Come on in, girls. | 0:56:03 | 0:56:04 | |
-Hello. -Hello. -Hi. | 0:56:04 | 0:56:07 | |
What a fabulous result. We've now got a happy family. | 0:56:08 | 0:56:11 | |
They're all delighted and now they can enjoy it like a family should. | 0:56:11 | 0:56:15 | |
Thank you so much. Seriously, thank you, it's amazing. | 0:56:15 | 0:56:17 | |
You've made such a difference. | 0:56:17 | 0:56:19 | |
To see the big beaming smile on Zoe's face, it just meant the world. | 0:56:19 | 0:56:24 | |
I really want to be doing a lot more designing in future. | 0:56:24 | 0:56:27 | |
-Jess, now you meet Anna. Anything to say to each other? -I'm so sorry. | 0:56:28 | 0:56:32 | |
I'm really, really sorry that I didn't like it. | 0:56:32 | 0:56:35 | |
It's just it wasn't to my taste. | 0:56:35 | 0:56:37 | |
But saying that, your talent is so incredible. | 0:56:37 | 0:56:41 | |
-Oh, thanks. -It really is fantastic. -Oh, thank you. | 0:56:41 | 0:56:44 | |
'I really want to push my interior design | 0:56:44 | 0:56:45 | |
'and develop possibly fabric design, curtains or wallpaper.' | 0:56:45 | 0:56:49 | |
You know, just explore it a little bit more. So I'm excited. | 0:56:49 | 0:56:52 | |
Nadene has definitely impressed me the most. | 0:56:54 | 0:56:56 | |
She got the brief right to the T. | 0:56:56 | 0:56:58 | |
So well done to her. | 0:56:58 | 0:57:00 | |
You took a risk, you put your home in their hands. | 0:57:00 | 0:57:04 | |
Was it worth it? | 0:57:04 | 0:57:05 | |
-Yes. -100%. -Absolutely. -Definitely. | 0:57:05 | 0:57:08 | |
-Well done. -This room is one of the nicest I have ever, ever seen, | 0:57:10 | 0:57:14 | |
ever in my life. | 0:57:14 | 0:57:15 | |
Now we have somewhere we can be together. | 0:57:16 | 0:57:19 | |
It's a place we can be proud of. | 0:57:19 | 0:57:20 | |
Yeah, absolutely. No more isolation for the Daleys. | 0:57:20 | 0:57:23 |