
Browse content similar to Scotland's Einstein: James Clerk Maxwell - The Man Who Changed the World. Check below for episodes and series from the same categories and more!
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BEEPING, JUMBLED VOICES | 0:00:03 | 0:00:04 | |
BEEPING, RADIO INTERFERENCE | 0:00:13 | 0:00:16 | |
JUMBLED VOICES | 0:00:16 | 0:00:19 | |
Our planet is filled with signals invisible to the naked eye. | 0:00:19 | 0:00:23 | |
'Two, one, zero...' | 0:00:23 | 0:00:26 | |
But space itself can be just as noisy. | 0:00:26 | 0:00:29 | |
JUMBLED VOICES | 0:00:33 | 0:00:36 | |
This is Cambridge University's Radio Telescope Observatory. | 0:00:36 | 0:00:40 | |
It's used to examine the far reaches of space. | 0:00:42 | 0:00:45 | |
To answer questions about the very origin of our universe. | 0:00:47 | 0:00:51 | |
These magnificent dishes | 0:00:54 | 0:00:55 | |
are detecting signals from radiation | 0:00:55 | 0:00:57 | |
left over from the Big Bang. | 0:00:57 | 0:00:59 | |
But they're not optical telescopes, in the sense of looking | 0:00:59 | 0:01:02 | |
through an eyepiece and seeing a planet or a star. | 0:01:02 | 0:01:05 | |
These dishes are detecting radio waves. | 0:01:05 | 0:01:08 | |
These telescopes allow us to see the unseen. | 0:01:11 | 0:01:15 | |
Extraordinary images like these are made possible | 0:01:19 | 0:01:22 | |
thanks to radio waves... | 0:01:22 | 0:01:24 | |
..microwaves... | 0:01:26 | 0:01:27 | |
..and gamma rays. | 0:01:29 | 0:01:30 | |
The thing is, all these waves are connected. | 0:01:32 | 0:01:34 | |
They're all different types of something we call | 0:01:34 | 0:01:37 | |
electromagnetic radiation. | 0:01:37 | 0:01:39 | |
Visible light - the light that you and I can see - | 0:01:39 | 0:01:41 | |
is just a tiny portion of this broader spectrum of waves. | 0:01:41 | 0:01:46 | |
We use waves to probe the outer reaches of our universe. | 0:01:46 | 0:01:50 | |
But we use them for so much more. | 0:01:50 | 0:01:52 | |
In fact, electromagnetic waves are at the heart of modern technology. | 0:01:54 | 0:01:58 | |
We use them every day, in everything from medicine to communications. | 0:01:58 | 0:02:02 | |
'There it is. There it is.' | 0:02:02 | 0:02:06 | |
Our mastery of these waves was made possible | 0:02:07 | 0:02:10 | |
when one man published a set of equations in 1865. | 0:02:10 | 0:02:16 | |
A man called James Clerk Maxwell. | 0:02:16 | 0:02:20 | |
His name is barely known to the public. | 0:02:21 | 0:02:23 | |
And yet, he's probably the finest scientist Scotland has ever produced. | 0:02:23 | 0:02:28 | |
And 150 years after his greatest discovery, | 0:02:28 | 0:02:31 | |
I'm setting out to explore the story of the man and his work. | 0:02:31 | 0:02:34 | |
Excuse me, can I ask you a question? Do you recognise this person? | 0:02:43 | 0:02:46 | |
No? | 0:02:46 | 0:02:48 | |
Do you know who he is? | 0:02:48 | 0:02:49 | |
Alexander Graham Bell? | 0:02:49 | 0:02:51 | |
No idea. | 0:02:51 | 0:02:52 | |
He looks like a banker... An economist, maybe? | 0:02:52 | 0:02:55 | |
James Clerk Maxwell. | 0:02:55 | 0:02:57 | |
-Still no idea? -Still no idea. | 0:02:59 | 0:03:00 | |
-James Clerk Maxwell. -Never heard of him. | 0:03:00 | 0:03:03 | |
-Albert Einstein or something. -You're so close! | 0:03:05 | 0:03:08 | |
James Clerk Maxwell. | 0:03:08 | 0:03:10 | |
-Name ring a bell? -Maxwell's equations. -Maxwell's equations. | 0:03:10 | 0:03:13 | |
I don't know what they're about, but I've heard of them. | 0:03:13 | 0:03:16 | |
-Right, you do physics? -I do physics. | 0:03:16 | 0:03:18 | |
OK. James Clerk Maxwell, then. This is your test. | 0:03:18 | 0:03:21 | |
I just failed at physics! | 0:03:21 | 0:03:23 | |
-That's his statue. -Is it? -That's his statue. | 0:03:23 | 0:03:25 | |
-That's his statue. -Oh! | 0:03:25 | 0:03:27 | |
-You probably pass that quite regularly. -Quite regularly, | 0:03:27 | 0:03:30 | |
-so it is quite an embarrassment to say... -No, but no-one. | 0:03:30 | 0:03:32 | |
I've been asking everyone here. | 0:03:32 | 0:03:33 | |
James Clerk Maxwell. | 0:03:33 | 0:03:35 | |
No-one knows who he is? | 0:03:36 | 0:03:38 | |
Any ideas? | 0:03:40 | 0:03:41 | |
This is a statue of James Clerk Maxwell, | 0:03:44 | 0:03:47 | |
and yet virtually no-one around here knows who he is! | 0:03:47 | 0:03:50 | |
But I don't blame them because Maxwell seems to have slipped through | 0:03:50 | 0:03:53 | |
the cracks of history, at least as far as the public is concerned. | 0:03:53 | 0:03:57 | |
So who was he? | 0:03:57 | 0:03:58 | |
James Clerk Maxwell was a 19th-century Scottish scientist | 0:04:02 | 0:04:06 | |
who used his genius to work across a wide range of subjects. | 0:04:06 | 0:04:10 | |
Astronomy, physiology, colour, | 0:04:11 | 0:04:14 | |
optics, thermodynamics, | 0:04:14 | 0:04:17 | |
electricity and magnetism. | 0:04:17 | 0:04:19 | |
He touched on all of these... | 0:04:20 | 0:04:22 | |
..and changed many of them beyond recognition. | 0:04:23 | 0:04:26 | |
He caused a revolution in physics | 0:04:27 | 0:04:30 | |
and gave us the laws for one of the four fundamental forces | 0:04:30 | 0:04:33 | |
of the universe. | 0:04:33 | 0:04:35 | |
Einstein kept a picture of Maxwell on the wall of his study | 0:04:36 | 0:04:40 | |
and once said, "I stand on the shoulders | 0:04:40 | 0:04:43 | |
"of James Clerk Maxwell." | 0:04:43 | 0:04:44 | |
It's a sentiment shared by many physicists today. | 0:04:46 | 0:04:48 | |
Maxwell did for electricity and magnetism | 0:04:49 | 0:04:52 | |
what Isaac Newton did for gravity. | 0:04:52 | 0:04:53 | |
He's one of my great heroes. | 0:04:53 | 0:04:55 | |
He's one of the greatest scientists we're ever, ever going to encounter. | 0:04:55 | 0:04:58 | |
He's on a par with Einstein, | 0:04:58 | 0:05:00 | |
with Newton, with Archimedes. | 0:05:00 | 0:05:03 | |
He transformed our way in which we understand the world. | 0:05:03 | 0:05:06 | |
He's probably the greatest scientist Scotland has ever produced, | 0:05:06 | 0:05:09 | |
and we're still living in the shadow of his achievements. | 0:05:09 | 0:05:12 | |
And yet, no-one knows who he is! | 0:05:12 | 0:05:14 | |
Even me - a Scot and a scientist - | 0:05:14 | 0:05:16 | |
I've just got this vague notion of what he did. | 0:05:16 | 0:05:20 | |
But I want to change that. | 0:05:20 | 0:05:22 | |
I want to rediscover James Clerk Maxwell. | 0:05:22 | 0:05:24 | |
Born in Edinburgh in 1831, | 0:05:33 | 0:05:35 | |
Maxwell was the only child in a land-owning family from Galloway. | 0:05:35 | 0:05:39 | |
The scientific revolution of the previous centuries was | 0:05:42 | 0:05:45 | |
changing our view of the world. | 0:05:45 | 0:05:47 | |
But modern science was still in its infancy. | 0:05:48 | 0:05:51 | |
The 19th century would see ground-breaking discoveries. | 0:05:55 | 0:05:58 | |
And Maxwell would be at the heart of it, compelled by a probing mind. | 0:06:02 | 0:06:06 | |
His inquisitive nature was obvious, even in childhood. | 0:06:24 | 0:06:29 | |
When he was a boy, the zoetrope was a new invention. | 0:06:29 | 0:06:32 | |
And the young Maxwell loved them. | 0:06:32 | 0:06:34 | |
It's kind of hypnotic. HE CHUCKLES | 0:06:37 | 0:06:40 | |
In a sense, these are the forerunners of movies and television, | 0:06:40 | 0:06:43 | |
and you can imagine kids in the 19th century just | 0:06:43 | 0:06:46 | |
being mesmerised by them. | 0:06:46 | 0:06:48 | |
Most of them would have been happy to just sit back | 0:06:48 | 0:06:51 | |
and enjoy the show, but Maxwell wanted to know how they worked. | 0:06:51 | 0:06:54 | |
The moving figures are a trick of the eye. | 0:07:00 | 0:07:03 | |
Stop the drum spinning, | 0:07:03 | 0:07:05 | |
and you can see the simple sketches that help create the moving image. | 0:07:05 | 0:07:09 | |
This simple illusion captivated Maxwell. | 0:07:11 | 0:07:14 | |
As a child, he would build his own zoetrope strips | 0:07:14 | 0:07:17 | |
to entertain his family and to understand how they worked. | 0:07:17 | 0:07:21 | |
This desire to understand the world around him | 0:07:22 | 0:07:25 | |
continued into adulthood. | 0:07:25 | 0:07:27 | |
Aged just 14, he produced a paper on geometric shapes that showed | 0:07:30 | 0:07:35 | |
such mathematical ingenuity it was published... | 0:07:35 | 0:07:38 | |
..and then read at the Royal Society of Edinburgh | 0:07:40 | 0:07:43 | |
by an established professor, as James was deemed too young. | 0:07:43 | 0:07:46 | |
As a teenager, he conducted home-made experiments | 0:07:48 | 0:07:51 | |
into light and colour. | 0:07:51 | 0:07:52 | |
And by the time he arrived at Cambridge University, | 0:07:55 | 0:07:57 | |
aged 19, he had already published three mathematical papers. | 0:07:57 | 0:08:01 | |
From the age of 14, | 0:08:05 | 0:08:07 | |
Maxwell had been using mathematics to explain how the world worked. | 0:08:07 | 0:08:11 | |
It was a talent he would rely on for many of his discoveries, | 0:08:12 | 0:08:15 | |
and it was key to establishing his scientific reputation. | 0:08:15 | 0:08:20 | |
Because, while still in his 20s, he used maths to solve | 0:08:20 | 0:08:24 | |
a riddle that had puzzled scientists for centuries. | 0:08:24 | 0:08:27 | |
Saturn's rings. | 0:08:34 | 0:08:36 | |
A vivid band surrounding one of our solar system's giant planets. | 0:08:36 | 0:08:40 | |
We've become accustomed to their beauty. | 0:08:40 | 0:08:43 | |
But in previous centuries, they were an enigma. | 0:08:44 | 0:08:47 | |
Galileo first drew them in 1610, | 0:08:48 | 0:08:51 | |
and they immediately fascinated astronomers. | 0:08:51 | 0:08:55 | |
Sometimes the rings were hidden. | 0:08:55 | 0:08:56 | |
At other times, clearly visible in the night sky. | 0:08:57 | 0:09:01 | |
By the mid-19th century, we knew the rings were composed | 0:09:03 | 0:09:07 | |
of at least two vast concentric circles - | 0:09:07 | 0:09:10 | |
over 250,000 kilometres in diameter. | 0:09:10 | 0:09:13 | |
But what were the rings made of? | 0:09:16 | 0:09:18 | |
And why did they stay in place? | 0:09:18 | 0:09:20 | |
In 1855, a Cambridge college published an open competition | 0:09:20 | 0:09:25 | |
to answer those very questions. | 0:09:25 | 0:09:27 | |
But the answer would have to be accompanied by | 0:09:27 | 0:09:30 | |
a full mathematical proof. | 0:09:30 | 0:09:32 | |
Maxwell's response would earn him | 0:09:32 | 0:09:34 | |
his stripes as one of Britain's top physicists. | 0:09:34 | 0:09:37 | |
There were three possible explanations for Saturn's rings. | 0:09:40 | 0:09:44 | |
One possibility was that the rings were solid rock or ice. | 0:09:44 | 0:09:48 | |
Another, that they were entirely fluid. | 0:09:48 | 0:09:52 | |
A third explanation said the rings were made up | 0:09:52 | 0:09:54 | |
of lots of individual particles that circled Saturn. | 0:09:54 | 0:09:58 | |
As the rings were over a billion kilometres away, | 0:09:59 | 0:10:02 | |
proving which explanation was right seemed impossible. | 0:10:02 | 0:10:05 | |
So how did Maxwell go about kind of disentangling those options? | 0:10:08 | 0:10:11 | |
-Well, with great difficulty! -I bet you! | 0:10:11 | 0:10:13 | |
Of course, what's really striking, what's very impressive, | 0:10:13 | 0:10:16 | |
is that he did it using pure maths. | 0:10:16 | 0:10:18 | |
And you wouldn't perhaps instantly think that this was a problem | 0:10:18 | 0:10:21 | |
you could tackle that way. You'd think, well, the way to do it | 0:10:21 | 0:10:23 | |
is to just build a big telescope and have a look. | 0:10:23 | 0:10:25 | |
But the mathematics that Maxwell brought to bear on this | 0:10:25 | 0:10:29 | |
allowed him to look at these three cases | 0:10:29 | 0:10:32 | |
and to basically decide which one of them was the correct answer. | 0:10:32 | 0:10:35 | |
So if we take first of all the case of a completely solid ring, | 0:10:35 | 0:10:40 | |
there's a particular mathematical equation that describes | 0:10:40 | 0:10:44 | |
that case - | 0:10:44 | 0:10:45 | |
the distance from the centre of the planet to the centre of the rings, | 0:10:45 | 0:10:48 | |
that's this big R here. | 0:10:48 | 0:10:51 | |
MUTED SPEECH | 0:10:51 | 0:10:53 | |
The maths IS incredibly complicated. | 0:10:53 | 0:10:56 | |
And as a geologist, I'm a bit out of my depth! | 0:10:56 | 0:10:59 | |
But I understand the basic point. | 0:11:00 | 0:11:03 | |
Maxwell reduced the physical world to mathematical symbols, | 0:11:03 | 0:11:07 | |
and then used maths to predict what was happening around Saturn. | 0:11:07 | 0:11:10 | |
Maxwell said that a solid ring was possible, | 0:11:13 | 0:11:16 | |
but only if most of the material was bunched together | 0:11:16 | 0:11:19 | |
on one side of the planet. | 0:11:19 | 0:11:21 | |
And, of course, if you look through a telescope, it doesn't look like | 0:11:21 | 0:11:24 | |
that, so that model was discarded. | 0:11:24 | 0:11:26 | |
Back to the drawing board. | 0:11:26 | 0:11:28 | |
Maxwell then assumed that the rings were fluid. | 0:11:28 | 0:11:31 | |
He came up with an equation to describe how that might work. | 0:11:31 | 0:11:34 | |
Off he goes with these complicated mathematics. | 0:11:34 | 0:11:37 | |
He found that if the rings were fluid, | 0:11:38 | 0:11:40 | |
physical forces acting on them would eventually break them up into lumps. | 0:11:40 | 0:11:45 | |
So he discounted this possibility. | 0:11:45 | 0:11:48 | |
And that leaves the third possibility, | 0:11:48 | 0:11:51 | |
which is that the rings consist of a very large number | 0:11:51 | 0:11:53 | |
of independently moving particles, | 0:11:53 | 0:11:55 | |
particles that are all orbiting Saturn, | 0:11:55 | 0:11:58 | |
on their own. | 0:11:58 | 0:11:59 | |
And what he boiled all of that down to was an equation to tell you | 0:11:59 | 0:12:04 | |
how many particles you would need in order to have the system stable. | 0:12:04 | 0:12:08 | |
And sure enough, this seemed to work. So it wasn't just | 0:12:08 | 0:12:11 | |
that he'd shown that the other two possibilities were wrong, | 0:12:11 | 0:12:15 | |
but that this third possibility did actually work as well. | 0:12:15 | 0:12:18 | |
What I find staggering is just the notion that you can just use | 0:12:18 | 0:12:21 | |
numbers to predict something. You've got absolutely, | 0:12:21 | 0:12:24 | |
-you know, no knowledge about it directly. -Sure. | 0:12:24 | 0:12:26 | |
I think, | 0:12:26 | 0:12:28 | |
for me, that's almost a watershed moment | 0:12:28 | 0:12:31 | |
in how we do physics because, you know, it laid the foundations | 0:12:31 | 0:12:34 | |
for really how we do physics today. Because there's many examples, | 0:12:34 | 0:12:37 | |
everything from, say, the Higgs Boson | 0:12:37 | 0:12:39 | |
to studying distant galaxies, | 0:12:39 | 0:12:41 | |
where you can make theoretical predictions | 0:12:41 | 0:12:43 | |
and it might be years or decades | 0:12:43 | 0:12:45 | |
or even centuries before you can fully test those predictions. | 0:12:45 | 0:12:48 | |
But, hey, it works. | 0:12:48 | 0:12:49 | |
We're just zooming in on the ring plane. | 0:12:52 | 0:12:54 | |
-That's great, isn't it?! -Yeah, amazing. | 0:12:57 | 0:13:00 | |
-Here we are! -We're in the ring! | 0:13:04 | 0:13:07 | |
Look at that. | 0:13:07 | 0:13:08 | |
What do you think Maxwell would have given to have seen this? | 0:13:08 | 0:13:11 | |
-HE LAUGHS -Oh, I'm sure he would have loved it. | 0:13:11 | 0:13:13 | |
Almost 130 years after Maxwell's prediction, | 0:13:15 | 0:13:19 | |
we captured images that proved his theory beyond doubt. | 0:13:19 | 0:13:22 | |
In 1977, an ambitious NASA launched the Voyager probe. | 0:13:26 | 0:13:31 | |
Three years later, it sent home sensational images of Saturn's rings. | 0:13:32 | 0:13:37 | |
In 2009, the Cassini probe confirmed those findings. | 0:13:39 | 0:13:43 | |
Saturn's rings were made of millions of icy rocks. | 0:13:43 | 0:13:47 | |
In recognition of his work, | 0:13:49 | 0:13:50 | |
a division between the rings is known as the Maxwell Gap. | 0:13:50 | 0:13:54 | |
But his maths has been applied beyond Saturn. | 0:13:56 | 0:13:59 | |
This image from the Taurus Constellation | 0:14:03 | 0:14:06 | |
shows a young sun at the heart of a huge cloud of dust and rocks. | 0:14:06 | 0:14:11 | |
As the cloud circles the star, | 0:14:12 | 0:14:14 | |
dark bands reveal areas where rocks | 0:14:14 | 0:14:16 | |
are clumping together to form planets. | 0:14:16 | 0:14:19 | |
We're witnessing the birth of a solar system. | 0:14:21 | 0:14:24 | |
And the maths we use to understand this process | 0:14:26 | 0:14:30 | |
is the same as Maxwell's work on Saturn's rings. | 0:14:30 | 0:14:33 | |
Maths is a powerful tool that physicists use to understand, | 0:14:36 | 0:14:40 | |
to predict the universe. | 0:14:40 | 0:14:41 | |
And Maxwell was a master of it. | 0:14:41 | 0:14:43 | |
In solving the problem of Saturn's rings, | 0:14:43 | 0:14:45 | |
Maxwell had put a marker down - | 0:14:45 | 0:14:47 | |
he wanted the scientific establishment to take him seriously. | 0:14:47 | 0:14:51 | |
And they did. | 0:14:51 | 0:14:52 | |
When Maxwell delivered his paper, | 0:14:56 | 0:14:57 | |
it was the only one that the Cambridge committee received. | 0:14:57 | 0:15:01 | |
No-one else come up with an explanation. | 0:15:01 | 0:15:03 | |
Overnight, Maxwell became known as one of Britain's great | 0:15:04 | 0:15:07 | |
theoretical physicists. | 0:15:07 | 0:15:09 | |
This wasn't a surprise to those who knew him | 0:15:10 | 0:15:13 | |
because his teenage precociousness | 0:15:13 | 0:15:15 | |
had been followed by ground-breaking experiments as an undergraduate. | 0:15:15 | 0:15:20 | |
So perhaps it's no wonder that Maxwell was made professor | 0:15:20 | 0:15:23 | |
here at Aberdeen's Marischal College at the tender age of 25. | 0:15:23 | 0:15:27 | |
His star was on the rise. | 0:15:27 | 0:15:29 | |
His career may have been taking off, | 0:15:32 | 0:15:34 | |
but this was a difficult time for Maxwell. | 0:15:34 | 0:15:38 | |
An only child, he'd been extremely close to his parents. | 0:15:38 | 0:15:42 | |
But his mother had died when he was eight. | 0:15:42 | 0:15:44 | |
And just a few months before Maxwell arrived in Aberdeen, | 0:15:44 | 0:15:47 | |
he lost his father. | 0:15:47 | 0:15:48 | |
Maxwell expressed his grief in a letter to a friend. | 0:15:50 | 0:15:53 | |
But the passage gives a revealing insight into his humanity | 0:15:53 | 0:15:57 | |
and the deep feelings he had for family and friends. | 0:15:57 | 0:16:00 | |
"Either be a machine | 0:16:01 | 0:16:03 | |
"and see nothing but phenomena, | 0:16:03 | 0:16:05 | |
"or else try to be a man, | 0:16:05 | 0:16:08 | |
"feeling your life interwoven, as it is, | 0:16:08 | 0:16:09 | |
"with many others, | 0:16:09 | 0:16:11 | |
"and strengthened by them, whether in life or death." | 0:16:11 | 0:16:15 | |
Maxwell's move to Aberdeen meant he was far from friends | 0:16:17 | 0:16:20 | |
and amongst colleagues twice his age. | 0:16:20 | 0:16:23 | |
He threw himself into his work. | 0:16:25 | 0:16:26 | |
Whether it was his industry or his solitude, | 0:16:28 | 0:16:31 | |
Maxwell came to the attention of the college principal, | 0:16:31 | 0:16:34 | |
Reverend Daniel Dewar. | 0:16:34 | 0:16:35 | |
Dewar befriended his new professor, | 0:16:37 | 0:16:39 | |
and Maxwell became a regular visitor for dinner, | 0:16:39 | 0:16:42 | |
which is how he met the principal's daughter, Katherine. | 0:16:42 | 0:16:46 | |
Maxwell's relationship with Katherine reveals | 0:16:47 | 0:16:49 | |
the character of the man beyond his scientific genius. | 0:16:49 | 0:16:54 | |
Deeply affectionate, he had a lively sense of humour | 0:16:54 | 0:16:56 | |
and a passion for poetry. | 0:16:56 | 0:16:58 | |
As their relationship blossomed, | 0:16:59 | 0:17:01 | |
Maxwell plucked up the courage to ask Katherine to share | 0:17:01 | 0:17:04 | |
their lives together - and his marriage proposal included a poem. | 0:17:04 | 0:17:08 | |
Will you come along with me | 0:17:09 | 0:17:11 | |
In the fresh spring tide | 0:17:11 | 0:17:13 | |
My comforter to be | 0:17:13 | 0:17:14 | |
Through the world so wide? | 0:17:14 | 0:17:16 | |
And the life that we shall lead | 0:17:16 | 0:17:18 | |
In the fresh spring tide | 0:17:18 | 0:17:20 | |
Will make you mine indeed | 0:17:20 | 0:17:22 | |
Though the world so wide | 0:17:22 | 0:17:24 | |
No stranger's blame or praise | 0:17:24 | 0:17:27 | |
Will turn us from our ways | 0:17:27 | 0:17:28 | |
That brought us happy days | 0:17:28 | 0:17:30 | |
On our ain burnside. | 0:17:30 | 0:17:32 | |
Maxwell married Katherine in 1858. | 0:17:35 | 0:17:38 | |
And throughout their lives, they remained devoted to each other. | 0:17:38 | 0:17:42 | |
She would be a valued assistant in many of his future experiments | 0:17:44 | 0:17:48 | |
and even became a willing guinea pig | 0:17:48 | 0:17:50 | |
for one of his great obsessions. | 0:17:50 | 0:17:52 | |
Strange as it may seem, in Maxwell's time, | 0:18:00 | 0:18:03 | |
we didn't really know what colour was, or why we saw colour at all. | 0:18:03 | 0:18:07 | |
In the 17th century, Isaac Newton had given us food for thought. | 0:18:09 | 0:18:13 | |
By using a prism, he had split sunlight into separate | 0:18:14 | 0:18:18 | |
colours - the familiar colours of the rainbow. | 0:18:18 | 0:18:20 | |
He showed that what we perceive as white light | 0:18:23 | 0:18:25 | |
is actually a mixture of different colours. | 0:18:25 | 0:18:28 | |
Newton said that every colour we see was the result of mixing | 0:18:31 | 0:18:35 | |
the colours we see in the rainbow. | 0:18:35 | 0:18:37 | |
He tried - and failed - to establish the rules of mixing. | 0:18:37 | 0:18:41 | |
150 years later, we weren't much wiser. | 0:18:43 | 0:18:46 | |
Maxwell was interested in colour - | 0:18:46 | 0:18:48 | |
and why we perceive it - | 0:18:48 | 0:18:50 | |
throughout his life. | 0:18:50 | 0:18:51 | |
And his first real breakthrough came as a Cambridge student. | 0:18:55 | 0:18:59 | |
Artists seemed to be ahead of scientists on this. | 0:19:01 | 0:19:04 | |
For centuries, they had been creating a vast | 0:19:07 | 0:19:09 | |
palette of colours, often by just mixing red, blue and yellow. | 0:19:09 | 0:19:14 | |
Artists referred to these three as the primary colours - | 0:19:17 | 0:19:20 | |
and using them, they could create entirely different colours. | 0:19:20 | 0:19:24 | |
So if a painter was mixing red and yellow, | 0:19:24 | 0:19:28 | |
they would get orange. | 0:19:28 | 0:19:29 | |
And if he was mixing blue and red, then he'd get purple. | 0:19:31 | 0:19:34 | |
But if he was mixing blue and yellow, then he would get green. | 0:19:37 | 0:19:41 | |
As a student, Maxwell read about the work of Thomas Young. | 0:19:43 | 0:19:48 | |
Young thought that there was something | 0:19:48 | 0:19:50 | |
significant about the number of primary colours. | 0:19:50 | 0:19:53 | |
But he also thought biology had a role to play. | 0:19:54 | 0:19:57 | |
Young argued that the human eye had three receptors in it, | 0:19:58 | 0:20:01 | |
each one sensitive to a particular colour. | 0:20:01 | 0:20:05 | |
He argued that the brain worked like a painter, combining messages | 0:20:05 | 0:20:08 | |
from each receptor to build up this perception of colour. | 0:20:08 | 0:20:12 | |
It was a stroke of intuitive genius. | 0:20:14 | 0:20:17 | |
He just didn't have any proof. | 0:20:17 | 0:20:18 | |
Young thought that these receptors corresponded to the painter's | 0:20:23 | 0:20:27 | |
primary colours. | 0:20:27 | 0:20:29 | |
Taken by Young's three-colour theory, | 0:20:29 | 0:20:32 | |
Maxwell wanted to test it. | 0:20:32 | 0:20:34 | |
He devised a way to mix the primary colours | 0:20:36 | 0:20:38 | |
with mathematical precision. | 0:20:38 | 0:20:40 | |
He then tested those mixtures on a wide range of people | 0:20:41 | 0:20:45 | |
to see if they all perceived the same colour. | 0:20:45 | 0:20:48 | |
And he did this with a deceptively simple tool. | 0:20:49 | 0:20:52 | |
So this looks old. What is this, then? | 0:20:54 | 0:20:56 | |
This is Maxwell's original colour wheel, | 0:20:56 | 0:20:59 | |
which we are very pleased to have in the laboratory. | 0:20:59 | 0:21:01 | |
So that's the original thing. | 0:21:01 | 0:21:03 | |
It's the original thing. | 0:21:03 | 0:21:04 | |
It's slightly beaten up - it's been used a lot. | 0:21:04 | 0:21:07 | |
And that's because Maxwell used this to test out the mixing | 0:21:07 | 0:21:11 | |
of lights among all his friends when he was here in Trinity College. | 0:21:11 | 0:21:15 | |
It is...pretty antique, as you can see, | 0:21:15 | 0:21:18 | |
but the idea is, you put different amounts of the coloured papers here, | 0:21:18 | 0:21:23 | |
and then when you rotate them, then they mix up. | 0:21:23 | 0:21:26 | |
And this works because of the...because of... The typical time | 0:21:26 | 0:21:31 | |
the eye can respond is a 20th of a second. | 0:21:31 | 0:21:34 | |
And so if it goes faster, the eye will interpret this | 0:21:34 | 0:21:37 | |
as a mixture of the colours. | 0:21:37 | 0:21:38 | |
And this is a motorised version of it. | 0:21:38 | 0:21:40 | |
This is a motorised version of it. | 0:21:40 | 0:21:41 | |
And we can actually demonstrate how the colour mixing works with | 0:21:41 | 0:21:45 | |
this rather pretty demonstration here. | 0:21:45 | 0:21:48 | |
We're going to mix red and blue. | 0:21:48 | 0:21:50 | |
We'll rotate it rapidly and then we'll see which colour we produce. | 0:21:50 | 0:21:54 | |
Just like his childhood zoetrope, | 0:21:56 | 0:21:58 | |
Maxwell's colour wheel would spin so fast it would trick the human eye. | 0:21:58 | 0:22:03 | |
-So if you were going to bring up that light... -This one here? | 0:22:03 | 0:22:06 | |
That's right. | 0:22:06 | 0:22:07 | |
'Instead of moving figures, he'd be mixing colours just as artists did, | 0:22:07 | 0:22:11 | |
'but with mathematical precision.' | 0:22:11 | 0:22:14 | |
When he mixed red and blue, he got the same colour artists did | 0:22:16 | 0:22:20 | |
when they mixed paint. | 0:22:20 | 0:22:21 | |
That's kind of magenta, proper magenta. | 0:22:21 | 0:22:24 | |
Yes, it's a sort of magenta colour. | 0:22:24 | 0:22:26 | |
If Young was right and there were receptors in our eye that | 0:22:26 | 0:22:29 | |
responded to the artist's primary colours, then perhaps mixing | 0:22:29 | 0:22:33 | |
red, yellow and blue in equal measure would produce white. | 0:22:33 | 0:22:36 | |
But it didn't. | 0:22:38 | 0:22:40 | |
So Maxwell tried different combinations. | 0:22:40 | 0:22:43 | |
We can begin now to reveal green, as well as blue here. | 0:22:43 | 0:22:48 | |
And if we just do a little bit of fiddling around with these discs, | 0:22:48 | 0:22:52 | |
we'll be able to get equal amounts of red, green and blue, | 0:22:52 | 0:22:56 | |
and we can then see what colours we observe, OK? | 0:22:56 | 0:23:00 | |
So it's white. I mean, it's white. | 0:23:17 | 0:23:19 | |
It's the only colour you could call that. White. | 0:23:19 | 0:23:22 | |
So this was a beautiful demonstration of the fact | 0:23:24 | 0:23:27 | |
that the primary lights - and notice the word light, not pigment - | 0:23:27 | 0:23:32 | |
the primary lights are red, blue and green. | 0:23:32 | 0:23:36 | |
And you can create any colour of light by suitable mixture | 0:23:36 | 0:23:40 | |
of different proportions of these. | 0:23:40 | 0:23:42 | |
What happens in paintings - pigments absorb light, | 0:23:42 | 0:23:45 | |
whereas this is emitting light. | 0:23:45 | 0:23:47 | |
So the upshot of all of this was that Maxwell was able to produce | 0:23:47 | 0:23:51 | |
a rather beautiful colour triangle diagram | 0:23:51 | 0:23:54 | |
which would indicate how you would create ANY colour | 0:23:54 | 0:23:57 | |
by mixing the three primary colours. | 0:23:57 | 0:23:59 | |
Maxwell's colour triangle allowed him to pick a specific colour | 0:24:02 | 0:24:06 | |
and work out how much of each primary colour would be needed | 0:24:06 | 0:24:10 | |
to reproduce it. | 0:24:10 | 0:24:11 | |
This was made possible by his mathematical precision | 0:24:11 | 0:24:14 | |
and systematic testing. | 0:24:14 | 0:24:16 | |
Maxwell's work swept aside a sea of confusion. | 0:24:16 | 0:24:20 | |
He vindicated Young's theory and demonstrated that we see | 0:24:20 | 0:24:24 | |
colours in paints differently to the way we see colours in light. | 0:24:24 | 0:24:28 | |
He established the primary colours for light as red, blue and green. | 0:24:29 | 0:24:34 | |
He realised the receptors in our eyes were sensitive to those three. | 0:24:36 | 0:24:39 | |
And that by mixing them, we perceived a vast range of colours. | 0:24:42 | 0:24:45 | |
A few years later, | 0:24:48 | 0:24:50 | |
he provided a stunning display that he was right. | 0:24:50 | 0:24:54 | |
In 1861, Maxwell was invited to the Royal Institution in London | 0:24:59 | 0:25:03 | |
to give a lecture on colour vision. | 0:25:03 | 0:25:05 | |
But he didn't want to just talk about the principles, | 0:25:08 | 0:25:11 | |
he wanted to demonstrate them to his audience. | 0:25:11 | 0:25:14 | |
What he did would astonish them. | 0:25:20 | 0:25:23 | |
Maxwell took three photographs of the same object. | 0:25:23 | 0:25:27 | |
Each photo had a different filter on it - | 0:25:27 | 0:25:29 | |
one was red, one was green and one was blue. | 0:25:29 | 0:25:33 | |
That gave Maxwell three photographic plates that he could use | 0:25:33 | 0:25:37 | |
to project an image with. | 0:25:37 | 0:25:38 | |
When Maxwell projected the image from the red photograph | 0:25:39 | 0:25:42 | |
onto the wall, he got a red picture. | 0:25:42 | 0:25:45 | |
In an age when photography was black and white, | 0:25:47 | 0:25:49 | |
this was INTERESTING but hardly revolutionary. | 0:25:49 | 0:25:52 | |
But if you project all three images onto the wall at the exact same spot, | 0:25:52 | 0:25:58 | |
something special happens. | 0:25:58 | 0:26:00 | |
The audience were looking | 0:26:06 | 0:26:08 | |
at the world's first colour photograph. | 0:26:08 | 0:26:10 | |
They were stunned. | 0:26:12 | 0:26:13 | |
Maxwell had chosen the perfect subject for his picture - | 0:26:17 | 0:26:20 | |
a brightly coloured tartan ribbon. | 0:26:20 | 0:26:22 | |
By layering red, green and blue images on top of each other, | 0:26:24 | 0:26:27 | |
Maxwell established the possibility of creating colour photographs. | 0:26:27 | 0:26:31 | |
150 years later, we use this method daily, | 0:26:35 | 0:26:39 | |
because this three-colour principle is used in colour TV, | 0:26:39 | 0:26:42 | |
computer screens, even mobile phones. | 0:26:42 | 0:26:45 | |
The colours we see on our screens, however big or small, | 0:26:47 | 0:26:51 | |
are created by carefully mixing the primary colours. | 0:26:51 | 0:26:54 | |
Maxwell's work on colour provides the basis for our present | 0:26:57 | 0:27:01 | |
understanding of colour vision. | 0:27:01 | 0:27:03 | |
He even proposed an explanation | 0:27:04 | 0:27:05 | |
for why some people were colour-blind. | 0:27:05 | 0:27:08 | |
He said the receptors in their eyes were faulty, | 0:27:08 | 0:27:11 | |
and that this radically altered how they perceived colour. | 0:27:11 | 0:27:14 | |
Three weeks after his colour show, Maxwell was elected to the | 0:27:16 | 0:27:19 | |
Royal Society for his work on Saturn's rings and on colour. | 0:27:19 | 0:27:23 | |
He was now counted amongst the finest physicists in Britain. | 0:27:23 | 0:27:26 | |
And he was 29. | 0:27:27 | 0:27:28 | |
Despite his success, | 0:27:32 | 0:27:34 | |
a year earlier Maxwell had found himself out of a job. | 0:27:34 | 0:27:37 | |
When Marischal College merged with Aberdeen University, | 0:27:39 | 0:27:42 | |
he had lost out to an older professor. | 0:27:42 | 0:27:45 | |
Out of work, Maxwell and Katherine took a trip to the country, | 0:27:45 | 0:27:49 | |
to somewhere very special to James. | 0:27:49 | 0:27:51 | |
A quiet place hidden deep in Galloway, just west of Dumfries. | 0:27:54 | 0:27:59 | |
A place called Glenlair. | 0:27:59 | 0:28:01 | |
His family home. | 0:28:01 | 0:28:03 | |
Maxwell's family had been established in the area | 0:28:05 | 0:28:07 | |
for centuries, and Glenlair was a working estate. | 0:28:07 | 0:28:10 | |
He was born in Edinburgh, but James had spent an idyllic childhood here. | 0:28:13 | 0:28:17 | |
FAINT CHILDREN'S LAUGHTER | 0:28:17 | 0:28:20 | |
Playing in the fields, swimming in the stream, | 0:28:20 | 0:28:23 | |
running through the woods, nature truly was his playground. | 0:28:23 | 0:28:27 | |
And that fostered a curiosity about how the natural world worked. | 0:28:27 | 0:28:32 | |
For the first decade of his life, | 0:28:34 | 0:28:36 | |
Maxwell was home-schooled by his mother. | 0:28:36 | 0:28:38 | |
She encouraged his inquisitiveness. | 0:28:38 | 0:28:42 | |
"Look up through nature," she said, "up to nature's god." | 0:28:42 | 0:28:46 | |
Glenlair remained an important place to Maxwell throughout his life. | 0:28:50 | 0:28:54 | |
It was somewhere that rooted him. | 0:28:54 | 0:28:56 | |
A safe haven. A home. | 0:28:56 | 0:28:59 | |
And the current owner of Glenlair knows just how that feels. | 0:29:01 | 0:29:04 | |
So what was it like growing up at Glenlair? | 0:29:06 | 0:29:08 | |
Well, I was a ten-year-old little boy when I came here, | 0:29:08 | 0:29:13 | |
and I had the run of the place. | 0:29:13 | 0:29:16 | |
My dad was quite an old chap and... | 0:29:16 | 0:29:19 | |
he and my mother - and I was an only child, they were elderly - | 0:29:19 | 0:29:24 | |
so they didn't really keep an eye on me. | 0:29:24 | 0:29:26 | |
My childhood must have almost mirrored his, | 0:29:26 | 0:29:30 | |
although I was slightly older. | 0:29:30 | 0:29:31 | |
But I mean, a lot of his stuff's theoretical. | 0:29:31 | 0:29:34 | |
It's kind of just thinking, difficult thinking. | 0:29:34 | 0:29:37 | |
This seems a good place for theoretical thinkers. | 0:29:37 | 0:29:39 | |
Yes, yes. And we have loads of professors who visit here. | 0:29:39 | 0:29:44 | |
And nearly all of them stand here, | 0:29:44 | 0:29:47 | |
and they look out at that view, and they say, | 0:29:47 | 0:29:50 | |
"I know how he could do it." | 0:29:50 | 0:29:52 | |
Because it just inspires you. | 0:29:52 | 0:29:55 | |
So how do you encapsulate Maxwell? What is he for you? | 0:29:57 | 0:30:00 | |
What do you think of him more than anything else? | 0:30:00 | 0:30:03 | |
What appealed to me about Maxwell | 0:30:04 | 0:30:07 | |
is how normal he was, | 0:30:07 | 0:30:10 | |
as a boy, | 0:30:10 | 0:30:11 | |
that he loved outside. | 0:30:11 | 0:30:14 | |
He loved the open air. | 0:30:14 | 0:30:15 | |
He loved all the creatures. | 0:30:15 | 0:30:18 | |
And the gardens and the trees you see round here, | 0:30:18 | 0:30:20 | |
thanks to Maxwell. | 0:30:20 | 0:30:22 | |
But it's that emotional attachment that you feel to him? | 0:30:22 | 0:30:25 | |
Yes, it's the way he loved it here, like I love it here. | 0:30:25 | 0:30:29 | |
I've been offered lots and lots of money to sell this place, | 0:30:29 | 0:30:33 | |
but there's no way they're going to get me out, | 0:30:33 | 0:30:35 | |
except in a box. | 0:30:35 | 0:30:36 | |
Like Duncan, Maxwell felt a strong connection to Glenlair. | 0:30:40 | 0:30:44 | |
His proposal poem to Katherine had been about sharing their lives | 0:30:45 | 0:30:48 | |
here - they'd even honeymooned in Glenlair. | 0:30:48 | 0:30:51 | |
When they returned here in 1860, it wasn't just a holiday. | 0:30:51 | 0:30:56 | |
On the death of his father, | 0:30:58 | 0:30:59 | |
Maxwell had inherited over 1,000 acres of farmland. | 0:30:59 | 0:31:02 | |
Dozens of working people relied on decisions he made. | 0:31:04 | 0:31:07 | |
There were fields to sow, animals to tend, buildings to construct. | 0:31:08 | 0:31:12 | |
He raised funds to build a church | 0:31:14 | 0:31:17 | |
and was keen to improve local schooling. | 0:31:17 | 0:31:19 | |
It was a responsibility he took seriously. | 0:31:21 | 0:31:24 | |
And every summer, Maxwell and Katherine returned here | 0:31:24 | 0:31:27 | |
to oversee the estate... | 0:31:27 | 0:31:28 | |
..and recapture some of the childhood peace he'd found here. | 0:31:30 | 0:31:33 | |
But Maxwell wouldn't stay at Glenlair. | 0:31:35 | 0:31:37 | |
He wanted to be in the thick of scientific research, | 0:31:37 | 0:31:40 | |
and that meant a university. | 0:31:40 | 0:31:42 | |
After a rejection from Edinburgh, | 0:31:44 | 0:31:46 | |
he accepted a position at King's College, London. | 0:31:46 | 0:31:50 | |
Whilst there, he would produce his finest work | 0:31:50 | 0:31:53 | |
and unravel one of the great mysteries of his age. | 0:31:53 | 0:31:56 | |
Maxwell arrived in London at the end of 1860 | 0:32:05 | 0:32:09 | |
and assumed teaching duties immediately. | 0:32:09 | 0:32:11 | |
While there, he focused on a subject that had | 0:32:12 | 0:32:15 | |
captured his attention many years before. | 0:32:15 | 0:32:18 | |
Ever since his early days at Cambridge, Maxwell had been | 0:32:20 | 0:32:22 | |
interested in electricity, | 0:32:22 | 0:32:24 | |
after it was suggested as an area to look at by a friend. | 0:32:24 | 0:32:27 | |
That friend's advice was simple - | 0:32:29 | 0:32:31 | |
if Maxwell wanted to learn something about electricity, | 0:32:31 | 0:32:34 | |
he needed to know Michael Faraday. | 0:32:34 | 0:32:36 | |
Faraday was a self-taught scientist who was revolutionising | 0:32:39 | 0:32:42 | |
our understanding of electricity and magnetism. | 0:32:42 | 0:32:45 | |
Maxwell's relationship with him | 0:32:49 | 0:32:51 | |
was one of the most fruitful in 19th-century science. | 0:32:51 | 0:32:54 | |
We'd known about electricity and magnetism since ancient times. | 0:32:58 | 0:33:01 | |
Most people had experienced the power of electricity through | 0:33:02 | 0:33:05 | |
terrifying lightning storms. | 0:33:05 | 0:33:07 | |
And we'd used magnetism in ships' compasses for centuries. | 0:33:09 | 0:33:13 | |
They were considered completely separate things | 0:33:17 | 0:33:20 | |
for most of our history. | 0:33:20 | 0:33:22 | |
But in the early 19th century, | 0:33:22 | 0:33:24 | |
scientists like Faraday were beginning to see | 0:33:24 | 0:33:27 | |
a mysterious connection between the two. | 0:33:27 | 0:33:29 | |
Deep in the heart of the Royal Institution, | 0:33:32 | 0:33:35 | |
Faraday conducted experiments to understand how they were linked. | 0:33:35 | 0:33:38 | |
In one experiment, a copper wire carrying electricity | 0:33:43 | 0:33:46 | |
somehow provoked a nearby compass to move. | 0:33:46 | 0:33:50 | |
In another, Faraday tried to do the opposite... | 0:33:52 | 0:33:55 | |
..use a magnet to generate electricity. | 0:33:56 | 0:33:59 | |
Which led him to invent | 0:33:59 | 0:34:01 | |
the electric generator, which this is | 0:34:01 | 0:34:04 | |
an example where you have a permanent magnet and | 0:34:04 | 0:34:07 | |
-a coiled wire. -So the wire's wrapped around this bit. | 0:34:07 | 0:34:10 | |
The wire's wrapped around a cylinder, and you push and pull | 0:34:10 | 0:34:13 | |
the magnet in and out of the cylinder | 0:34:13 | 0:34:16 | |
-to generate an electric current. -I like the lights. | 0:34:16 | 0:34:18 | |
What's the Christmas lights for, then? | 0:34:18 | 0:34:20 | |
-Well, that's to show that electricity's passing. -Oh, OK. | 0:34:20 | 0:34:23 | |
-Faraday did NOT use light-emitting diodes. -I think he should have done. | 0:34:25 | 0:34:28 | |
That was his great mistake! | 0:34:28 | 0:34:29 | |
And all electricity power stations throughout the world | 0:34:29 | 0:34:32 | |
use this principle of generating electricity | 0:34:32 | 0:34:35 | |
that Faraday discovered down here in 1831. | 0:34:35 | 0:34:38 | |
Faraday had generated electricity simply by moving a magnet | 0:34:41 | 0:34:44 | |
through a coiled wire - | 0:34:44 | 0:34:46 | |
a discovery that would forever be associated with his name. | 0:34:46 | 0:34:49 | |
But he was left with perplexing questions. | 0:34:51 | 0:34:53 | |
There was no physical contact between the electric wire | 0:34:54 | 0:34:57 | |
and the magnetic needle that moved | 0:34:57 | 0:34:59 | |
nor between the moving magnet and the copper coil. | 0:34:59 | 0:35:03 | |
They were affecting each other through seemingly thin air. | 0:35:04 | 0:35:07 | |
But how could that be? | 0:35:09 | 0:35:11 | |
Now, what Faraday thought was happening was that there were | 0:35:11 | 0:35:13 | |
lines of force coming out of the end of the magnet, | 0:35:13 | 0:35:19 | |
which were then cutting the wire within the coil | 0:35:19 | 0:35:24 | |
to move electricity around the coil. | 0:35:24 | 0:35:28 | |
The idea of mysterious lines coming out of the magnet to generate | 0:35:28 | 0:35:31 | |
electricity may have seemed outlandish, | 0:35:31 | 0:35:34 | |
but Faraday had a simple experiment that could prove their existence. | 0:35:34 | 0:35:38 | |
So he took a very powerful, permanent magnet. | 0:35:39 | 0:35:42 | |
Placed some paper... | 0:35:43 | 0:35:45 | |
..on it. | 0:35:46 | 0:35:47 | |
Sprinkled iron filings over it. | 0:35:49 | 0:35:53 | |
Just to represent the lines of force... | 0:35:56 | 0:36:00 | |
-It never fails to impress, that, does it? -..of the magnet. | 0:36:00 | 0:36:04 | |
-And you can see the sort of three dimensional structure. -Yeah, yeah. | 0:36:04 | 0:36:07 | |
-So these are coming up here and swinging around... -That's right. | 0:36:07 | 0:36:10 | |
..and then coming down into this bit here. | 0:36:10 | 0:36:12 | |
And Faraday sort of made permanent examples of this and sent them round | 0:36:12 | 0:36:17 | |
to all his mates in Europe, to show that space had structure | 0:36:17 | 0:36:20 | |
as a very strong argument for his field theory. | 0:36:20 | 0:36:23 | |
So Faraday thought there was an invisible force field at work here? | 0:36:23 | 0:36:26 | |
Well, literally a field. Faraday brings the world field | 0:36:26 | 0:36:32 | |
into science. And it's invisible, as you say. | 0:36:32 | 0:36:34 | |
So this is why this is just a representation that shows | 0:36:34 | 0:36:37 | |
-the existence of those invisible lines. -Yes, absolutely. | 0:36:37 | 0:36:42 | |
Faraday's iron filings experiment revealed | 0:36:45 | 0:36:48 | |
the existence of an invisible field stretching out into thin air. | 0:36:48 | 0:36:52 | |
These fields, he thought, | 0:36:54 | 0:36:56 | |
were responsible for the experimental results he'd seen. | 0:36:56 | 0:36:59 | |
Despite having physical proof, | 0:37:02 | 0:37:04 | |
Faraday lacked a mathematical description of how the field | 0:37:04 | 0:37:08 | |
was generated or why it affected things around it. | 0:37:08 | 0:37:11 | |
Without a mathematical proof, | 0:37:14 | 0:37:17 | |
many 19th-century scientists dismissed the theory as speculative. | 0:37:17 | 0:37:22 | |
But Maxwell had followed Faraday's work for years... | 0:37:22 | 0:37:25 | |
and set out to prove him right. | 0:37:25 | 0:37:27 | |
Maxwell had plenty of time to mull over the problem. | 0:37:32 | 0:37:34 | |
The walk from his Kensington home to King's College | 0:37:42 | 0:37:44 | |
was an eight-mile round trip every day. | 0:37:44 | 0:37:47 | |
And during the walk, he allowed his mind to wander. | 0:37:48 | 0:37:51 | |
On those walks - and at work - he had company. | 0:37:52 | 0:37:55 | |
Apparently, Maxwell always had a dog. | 0:37:57 | 0:37:59 | |
And he always called it the same name! | 0:37:59 | 0:38:02 | |
From childhood onwards, every dog was called Toby. | 0:38:02 | 0:38:05 | |
And Toby - whichever one it was - rarely left his side. | 0:38:05 | 0:38:09 | |
Toby was a constant companion at home and in the lab. | 0:38:10 | 0:38:14 | |
It's a sign of Maxwell's eccentricity | 0:38:14 | 0:38:16 | |
that he would talk to Toby. | 0:38:16 | 0:38:18 | |
He said he liked his company. | 0:38:18 | 0:38:19 | |
During his walks to and from work, Maxwell - and perhaps Toby - | 0:38:21 | 0:38:25 | |
brooded over the mysterious relationship between electricity | 0:38:25 | 0:38:28 | |
and magnetism. | 0:38:28 | 0:38:30 | |
His aim was to provide a mathematical explanation | 0:38:35 | 0:38:39 | |
for the link between the two. | 0:38:39 | 0:38:40 | |
After years of thinking - | 0:38:43 | 0:38:45 | |
and who knows how many miles walking - | 0:38:45 | 0:38:47 | |
he came up with a set of equations | 0:38:47 | 0:38:49 | |
that described the relationship between electricity and magnetism. | 0:38:49 | 0:38:53 | |
Equations that would change our lives forever. | 0:38:54 | 0:38:58 | |
Sorry, Frank, but this is just gobbledygook to me. | 0:38:58 | 0:39:01 | |
I'm just looking at it trying to make sense of it. | 0:39:01 | 0:39:03 | |
Well, it's not much easier for me. I mean... | 0:39:03 | 0:39:06 | |
That's what he wrote first of all. And looking at these, | 0:39:06 | 0:39:08 | |
they probably mean little more to me than to you. | 0:39:08 | 0:39:11 | |
But 20 years later, | 0:39:11 | 0:39:12 | |
they were written in a simpler form which is the way that this... | 0:39:12 | 0:39:15 | |
-This form here. -That looks more manageable. | 0:39:15 | 0:39:18 | |
But it still looks a bit confusing. Could you take us through it, then? | 0:39:18 | 0:39:21 | |
Right. Well, the first one says that if you've got an electric charge, | 0:39:21 | 0:39:25 | |
it spreads an electric field out all over space. | 0:39:25 | 0:39:28 | |
Just like his work on Saturn's rings, | 0:39:29 | 0:39:32 | |
each equation is a mathematical description of something | 0:39:32 | 0:39:35 | |
observed in the real world. | 0:39:35 | 0:39:37 | |
So the first equation described how a static electric charge | 0:39:39 | 0:39:42 | |
generates an electric field. | 0:39:42 | 0:39:44 | |
And the second, that magnetic poles always come in pairs. | 0:39:48 | 0:39:53 | |
The third equation describes how a changing magnetic field | 0:39:54 | 0:39:58 | |
generates an electric field. | 0:39:58 | 0:40:00 | |
And the fourth equation, | 0:40:02 | 0:40:04 | |
that an electric current surrounds itself with a magnetic field. | 0:40:04 | 0:40:08 | |
But Maxwell realised there was something missing. | 0:40:08 | 0:40:12 | |
Maxwell's genius was to realise that each of these equations is fine | 0:40:12 | 0:40:17 | |
-until you put them together. -Mm-hm. | 0:40:17 | 0:40:19 | |
And then he realised something was missing, | 0:40:19 | 0:40:21 | |
and it was in this final equation. | 0:40:21 | 0:40:23 | |
He said, "There has to be another term." | 0:40:23 | 0:40:26 | |
And what this extra piece says | 0:40:30 | 0:40:33 | |
is if an electric field is changing, | 0:40:33 | 0:40:37 | |
it will surround itself with a magnetic field. | 0:40:37 | 0:40:39 | |
-Right. -Which is like the sort of mirror of this equation, | 0:40:39 | 0:40:42 | |
which says if a magnetic field is changing, | 0:40:42 | 0:40:45 | |
it will surround itself with an electric field. | 0:40:45 | 0:40:48 | |
So, just take these two together and just think about it for a second. | 0:40:48 | 0:40:51 | |
If I've got a magnetic field changing, | 0:40:51 | 0:40:53 | |
it surrounds itself with an electric. | 0:40:53 | 0:40:55 | |
If the electric is changing, it surrounds itself with | 0:40:55 | 0:40:58 | |
a magnetic. And if that is changing, | 0:40:58 | 0:41:00 | |
it will surround itself again with an electric, and so on. | 0:41:00 | 0:41:02 | |
Faraday to Maxwell, electric to magnetic back and forth, | 0:41:02 | 0:41:05 | |
-back and forth. -So there's a coupling, basically, between the two. | 0:41:05 | 0:41:08 | |
Maxwell's equations were saying that electric and magnetic fields | 0:41:12 | 0:41:16 | |
were inextricably linked. | 0:41:16 | 0:41:17 | |
Changes in one created changes in the other. | 0:41:19 | 0:41:21 | |
It helped explain so much. | 0:41:25 | 0:41:28 | |
When Faraday moved his magnet, | 0:41:28 | 0:41:30 | |
he'd changed the position of the magnetic field, | 0:41:30 | 0:41:33 | |
and this triggered an electric field | 0:41:33 | 0:41:35 | |
which caused electricity to flow through the wire. | 0:41:35 | 0:41:38 | |
And when electricity passed through a wire, | 0:41:39 | 0:41:42 | |
it wrapped a magnetic field around it, | 0:41:42 | 0:41:44 | |
causing the compass needle to move. | 0:41:44 | 0:41:46 | |
Using pure maths, Maxwell had unified electricity | 0:41:50 | 0:41:54 | |
and magnetism | 0:41:54 | 0:41:56 | |
and shown they were two aspects of the same thing - | 0:41:56 | 0:41:59 | |
a single electromagnetic field. | 0:41:59 | 0:42:02 | |
This alone would have guaranteed Maxwell's entry | 0:42:05 | 0:42:08 | |
to the scientists hall of fame. | 0:42:08 | 0:42:10 | |
He could have rested on his laurels. | 0:42:10 | 0:42:13 | |
But whether it was his natural curiosity or the long walks | 0:42:13 | 0:42:16 | |
with Toby, he didn't stop there. | 0:42:16 | 0:42:19 | |
He used his equations to test another of Faraday's ideas. | 0:42:19 | 0:42:23 | |
Faraday had guessed that under certain circumstances, | 0:42:25 | 0:42:27 | |
the electric and magnetic field lines could be disturbed by waves | 0:42:27 | 0:42:31 | |
travelling along them - | 0:42:31 | 0:42:33 | |
almost like ripples on the surface of water. | 0:42:33 | 0:42:36 | |
Maxwell used his equations to show that the fields | 0:42:42 | 0:42:45 | |
could fluctuate in time with each other | 0:42:45 | 0:42:47 | |
and cause what Maxwell called an electromagnetic wave. | 0:42:47 | 0:42:53 | |
He could even measure the speed of the wave. | 0:42:53 | 0:42:55 | |
This says the electromagnetic wave travels through space. | 0:42:55 | 0:43:00 | |
And buried in here, | 0:43:00 | 0:43:02 | |
he was able to extract the speed that the wave travels. | 0:43:02 | 0:43:06 | |
And when he put the numbers in, from things that Faraday and others | 0:43:06 | 0:43:09 | |
had already measured, he worked out the speed and it came out as | 0:43:09 | 0:43:13 | |
a phenomenal 300,000 kilometres every second, roughly. | 0:43:13 | 0:43:16 | |
And that, I think, is the moment of discovery because he knew | 0:43:17 | 0:43:22 | |
that people had measured the speed of light, | 0:43:22 | 0:43:24 | |
which was 300,000 kilometres every second. | 0:43:24 | 0:43:26 | |
Now, at this moment you think, | 0:43:26 | 0:43:28 | |
-is this a coincidence or are these equations telling me something? -Yeah. | 0:43:28 | 0:43:31 | |
And, of course, they're telling you something, | 0:43:31 | 0:43:33 | |
and what the message is - light is an electromagnetic wave. | 0:43:33 | 0:43:37 | |
This was a stunning conclusion. | 0:43:39 | 0:43:42 | |
Maxwell had explained what light itself was. | 0:43:45 | 0:43:48 | |
At the same time, he'd introduced something new to science - | 0:43:49 | 0:43:53 | |
electromagnetic waves - and they were destined to change our planet. | 0:43:53 | 0:43:58 | |
The problem was he hadn't physically demonstrated | 0:44:01 | 0:44:03 | |
the existence of these waves. | 0:44:03 | 0:44:06 | |
It was all in the maths. | 0:44:06 | 0:44:08 | |
Physical proof would have to come later. | 0:44:08 | 0:44:11 | |
His equations were an astonishing piece of work, | 0:44:12 | 0:44:15 | |
packed with radical ideas. | 0:44:15 | 0:44:17 | |
Maxwell gave us a unified theory of electricity and magnetism, | 0:44:18 | 0:44:21 | |
he solved the mystery of what light was and he predicted the existence | 0:44:21 | 0:44:26 | |
of these invisible fields that would directly affect our life. | 0:44:26 | 0:44:30 | |
That's difficult enough to grasp for a 21st-century scientist, | 0:44:30 | 0:44:34 | |
but what on earth did the Victorians think? | 0:44:34 | 0:44:36 | |
The fact is Maxwell was asking a lot from his peers. | 0:44:39 | 0:44:42 | |
Invisible fields, undetected waves, | 0:44:42 | 0:44:45 | |
dense maths - | 0:44:45 | 0:44:47 | |
it was all a bit much for 19th-century scientists. | 0:44:47 | 0:44:51 | |
Ironically, Maxwell found himself in a similar position to Faraday - | 0:44:51 | 0:44:55 | |
surrounded by sceptical colleagues | 0:44:55 | 0:44:57 | |
and lacking the proof to vindicate his theory. | 0:44:57 | 0:45:01 | |
But a jubilant Maxwell was undeterred - | 0:45:01 | 0:45:04 | |
he wrote an excited letter to his cousin. | 0:45:04 | 0:45:06 | |
"I also have a paper afloat, with | 0:45:07 | 0:45:09 | |
"an electromagnetic theory of light, | 0:45:09 | 0:45:12 | |
"which until I'm convinced to the contrary, I hold to be great guns." | 0:45:12 | 0:45:16 | |
The guns may have fired, | 0:45:18 | 0:45:19 | |
but it would be a while before they would be heard. | 0:45:19 | 0:45:22 | |
It took more than 20 years before a German scientist called | 0:45:22 | 0:45:25 | |
Heinrich Hertz found physical proof for electromagnetic waves. | 0:45:25 | 0:45:30 | |
When he was asked what practical use the wave had, | 0:45:30 | 0:45:33 | |
he replied, "It's of no use whatsoever. | 0:45:33 | 0:45:35 | |
"This is just an experiment that proves Maestro Maxwell was right." | 0:45:35 | 0:45:39 | |
How wrong he was, because Hertz had discovered radio waves. | 0:45:44 | 0:45:48 | |
Marconi invented the radio, and since then, we've been | 0:45:49 | 0:45:52 | |
using them to spread radio and television all over the planet. | 0:45:52 | 0:45:56 | |
But this was just the first in a long list of discoveries. | 0:45:56 | 0:45:59 | |
# Happy days are here again... # | 0:45:59 | 0:46:03 | |
Using higher frequency radio waves, we developed radar, | 0:46:03 | 0:46:07 | |
which now gets used in everything from aviation to geology. | 0:46:07 | 0:46:12 | |
Microwaves were discovered, which we use in cooking | 0:46:12 | 0:46:15 | |
and when we use a mobile phone. | 0:46:15 | 0:46:16 | |
Infrared is used in thermal imaging | 0:46:16 | 0:46:19 | |
and in most TV remote controls. | 0:46:19 | 0:46:22 | |
Ultraviolet is used in fluorescent lamps, | 0:46:22 | 0:46:24 | |
security marking and medical research. | 0:46:24 | 0:46:27 | |
X-rays have provided us with a valuable medical tool, | 0:46:27 | 0:46:31 | |
but more recently in security. | 0:46:31 | 0:46:33 | |
And gamma rays have been used to | 0:46:33 | 0:46:35 | |
detect and treat cancer, and even to sterilise the food we eat. | 0:46:35 | 0:46:39 | |
All these things are connected. | 0:46:41 | 0:46:42 | |
Maxwell had shown that light and the colours we see | 0:46:44 | 0:46:46 | |
are electromagnetic waves. | 0:46:46 | 0:46:49 | |
But he predicted there would be more. | 0:46:49 | 0:46:52 | |
Today, we know that visible light is just a tiny sliver | 0:46:52 | 0:46:56 | |
of a broad spectrum of electromagnetic waves. | 0:46:56 | 0:46:58 | |
And by understanding | 0:47:00 | 0:47:01 | |
and exploiting them, | 0:47:01 | 0:47:02 | |
we've revolutionised our world, | 0:47:02 | 0:47:05 | |
all thanks to equations | 0:47:05 | 0:47:06 | |
Maxwell published 150 years ago. | 0:47:06 | 0:47:09 | |
That was all part of a future that Maxwell wouldn't see. | 0:47:14 | 0:47:17 | |
When he first published, people didn't understand him. | 0:47:19 | 0:47:23 | |
You know, back in 1865, there was no sign, no evidence of these mysterious | 0:47:23 | 0:47:28 | |
electromagnetic waves. | 0:47:28 | 0:47:30 | |
Maxwell was asking people to believe that these waves could pass | 0:47:30 | 0:47:33 | |
through empty space and affect things at a distance. | 0:47:33 | 0:47:37 | |
It was just too much to ask. | 0:47:37 | 0:47:39 | |
His equations were initially met with a bewildered silence. | 0:47:39 | 0:47:44 | |
19th-century scientists were used to | 0:47:44 | 0:47:46 | |
thinking of the world in mechanical terms - | 0:47:46 | 0:47:49 | |
physically tangible objects that could be touched, measured and felt. | 0:47:49 | 0:47:53 | |
Flying in the face of that was Maxwell's theory - | 0:47:54 | 0:47:57 | |
based on dense mathematics, | 0:47:57 | 0:47:59 | |
invisible fields and undetected waves. | 0:47:59 | 0:48:02 | |
Many thought Maxwell's theory | 0:48:03 | 0:48:05 | |
was a kind of abstract mathematical speculation. | 0:48:05 | 0:48:08 | |
That he had strayed too far from physical reality. | 0:48:08 | 0:48:12 | |
That he was, in essence, away with the fairies. | 0:48:12 | 0:48:16 | |
Maxwell became convinced that he had to develop his theory | 0:48:16 | 0:48:19 | |
of magnetism and electricity. | 0:48:19 | 0:48:21 | |
Not long after that publication, | 0:48:21 | 0:48:23 | |
he decided to pursue his own interests | 0:48:23 | 0:48:25 | |
and resigned his post at King's. | 0:48:25 | 0:48:28 | |
He was going home. | 0:48:28 | 0:48:29 | |
After the lukewarm reaction to his 1865 publication, | 0:48:37 | 0:48:41 | |
the comfort of Glenlair was welcome. | 0:48:41 | 0:48:44 | |
Ever industrious, Maxwell produced papers on thermodynamics | 0:48:44 | 0:48:48 | |
and even topology. | 0:48:48 | 0:48:50 | |
But always he returned to his electromagnetic theory, | 0:48:50 | 0:48:54 | |
slowly refining it. | 0:48:54 | 0:48:55 | |
After six years in the wilderness, Cambridge University approached him. | 0:48:57 | 0:49:02 | |
They wanted someone to plan and run a lab in Experimental Physics. | 0:49:02 | 0:49:07 | |
Despite all his achievements, Maxwell was third in line, | 0:49:07 | 0:49:10 | |
after two other candidates had rejected the offer. | 0:49:10 | 0:49:13 | |
In 1871, he left Glenlair for Cambridge, | 0:49:19 | 0:49:22 | |
where he designed and built the Cavendish Laboratory, | 0:49:22 | 0:49:26 | |
which would be responsible for discoveries that shaped physics | 0:49:26 | 0:49:29 | |
in the 20th century. | 0:49:29 | 0:49:30 | |
And as its first director, | 0:49:33 | 0:49:34 | |
his open-minded approach set the tone for subsequent generations. | 0:49:34 | 0:49:39 | |
"I never try to dissuade | 0:49:40 | 0:49:41 | |
"a man from trying an experiment. | 0:49:41 | 0:49:43 | |
"If he does not find out | 0:49:43 | 0:49:45 | |
"what he wants, | 0:49:45 | 0:49:46 | |
"he may find out something else." | 0:49:46 | 0:49:48 | |
The Cavendish Lab would become a phenomenal success. | 0:49:52 | 0:49:55 | |
It's within these walls that we discovered the electron | 0:49:58 | 0:50:01 | |
and later on the neutron. | 0:50:01 | 0:50:02 | |
Watson and Crick were working here when, in 1953, | 0:50:04 | 0:50:08 | |
X-rays were used to show the structure of DNA. | 0:50:08 | 0:50:11 | |
The Cavendish is now widely regarded as a centre of excellence, | 0:50:14 | 0:50:18 | |
and it's produced 29 Nobel Prize winners to date. | 0:50:18 | 0:50:21 | |
But every summer, Maxwell returned to Glenlair, | 0:50:25 | 0:50:28 | |
patiently working out the full implications | 0:50:28 | 0:50:30 | |
of his electromagnetic theory of light. | 0:50:30 | 0:50:33 | |
In 1873, Maxwell released | 0:50:42 | 0:50:45 | |
a dynamical theory of electricity and magnetism. | 0:50:45 | 0:50:49 | |
The intervening years had allowed his colleagues time to digest | 0:50:52 | 0:50:55 | |
his theory, and it was starting to gain traction. | 0:50:55 | 0:50:59 | |
But he wouldn't live to see it vindicated. | 0:50:59 | 0:51:02 | |
When guests were visiting Glenlair in 1879, | 0:51:03 | 0:51:06 | |
Maxwell found he could barely walk down to the river, such was the pain. | 0:51:06 | 0:51:10 | |
The pain was in his stomach. | 0:51:11 | 0:51:13 | |
In October of that year, | 0:51:13 | 0:51:14 | |
he was diagnosed with abdominal cancer, | 0:51:14 | 0:51:17 | |
given a month to live. | 0:51:17 | 0:51:18 | |
Maxwell was just 48 when he received the news. | 0:51:28 | 0:51:31 | |
He knew his mother had died at the same age, from the same disease. | 0:51:33 | 0:51:37 | |
Nevertheless, he accepted his fate | 0:51:44 | 0:51:46 | |
with the calm stoicism that had defined his life. | 0:51:46 | 0:51:49 | |
Katherine nursed him as best she could. | 0:51:52 | 0:51:55 | |
It's said that on his deathbed, Maxwell breathed deeply, | 0:51:55 | 0:51:58 | |
and with a long look at his wife, passed away. | 0:51:58 | 0:52:02 | |
James Clerk Maxwell died in November 1879. | 0:52:10 | 0:52:14 | |
He was buried in Parton Kirk, | 0:52:15 | 0:52:17 | |
his childhood church, just a few miles from his beloved Glenlair. | 0:52:17 | 0:52:21 | |
He lies in a modest grave next to his parents. | 0:52:32 | 0:52:35 | |
And seven years later, Katherine would be buried next to him. | 0:52:35 | 0:52:39 | |
Apart from a plaque outside the cemetery, | 0:52:43 | 0:52:45 | |
there's nothing to mark this grave as different | 0:52:45 | 0:52:47 | |
from any of the others. | 0:52:47 | 0:52:49 | |
There's no list of grand achievements. | 0:52:49 | 0:52:52 | |
It's just simple and modest, like the man himself. | 0:52:52 | 0:52:56 | |
A visitor could be forgiven for passing the grave | 0:53:01 | 0:53:04 | |
without a second glance. | 0:53:04 | 0:53:06 | |
But for some, this is a special place. | 0:53:06 | 0:53:09 | |
There is a story that is told around Parton Kirk. | 0:53:14 | 0:53:17 | |
Shortly after the fall of the Berlin Wall, two buses arrived, | 0:53:17 | 0:53:20 | |
and people filed into the graveyard. | 0:53:20 | 0:53:23 | |
A curious local asked who they were. | 0:53:24 | 0:53:26 | |
They were, they said, Russian scientists who had travelled | 0:53:26 | 0:53:30 | |
to visit the grave of Scotland's Einstein. | 0:53:30 | 0:53:33 | |
You know, Maxwell died at a relatively young age, 48, | 0:53:35 | 0:53:39 | |
which even by the standards of his day, was an untimely death. | 0:53:39 | 0:53:44 | |
And you just wonder, | 0:53:44 | 0:53:45 | |
given the achievements that he had in his lifetime, | 0:53:45 | 0:53:48 | |
what he would have conjured up if he'd lived until he was 60 or 70. | 0:53:48 | 0:53:53 | |
Maxwell may not have been fully appreciated in his time, | 0:53:54 | 0:53:57 | |
but in the decades following his death, scientists started | 0:53:57 | 0:54:00 | |
to recognise his genius. | 0:54:00 | 0:54:02 | |
Eight years after Maxwell's death, | 0:54:09 | 0:54:11 | |
Heinrich Hertz discovered radio waves, | 0:54:11 | 0:54:13 | |
proving beyond doubt the existence of electromagnetic waves. | 0:54:13 | 0:54:17 | |
The rest, as they say, is history. | 0:54:22 | 0:54:24 | |
Over a century later, these waves have changed our planet | 0:54:26 | 0:54:29 | |
and are part of our everyday lives. | 0:54:29 | 0:54:32 | |
But focusing on the technological results of his work | 0:54:36 | 0:54:39 | |
diminishes its importance, | 0:54:39 | 0:54:42 | |
because he changed the way we understand reality itself. | 0:54:42 | 0:54:45 | |
Before the work | 0:54:45 | 0:54:47 | |
of Maxwell, and Faraday just before him, | 0:54:47 | 0:54:49 | |
the experiments, we understood the world in terms | 0:54:49 | 0:54:52 | |
of springs and cogs, | 0:54:52 | 0:54:53 | |
a machine-like world. | 0:54:53 | 0:54:55 | |
And that machine-like world was pretty primitive. | 0:54:55 | 0:54:59 | |
What Maxwell's work showed is that the way that we understand | 0:54:59 | 0:55:04 | |
the interaction between material bodies is via | 0:55:04 | 0:55:08 | |
this idea of a field, not the sort of field we're standing in. | 0:55:08 | 0:55:11 | |
-Not a green field? -Not a green field but something that penetrates | 0:55:11 | 0:55:15 | |
space and which really governs the way that the world behaves. | 0:55:15 | 0:55:20 | |
Maxwell helped overthrow the mechanical model of the universe | 0:55:23 | 0:55:26 | |
that physicists had held since Newton | 0:55:26 | 0:55:29 | |
and issued in a new era. | 0:55:29 | 0:55:31 | |
We now think of all the forces in the universe interacting | 0:55:33 | 0:55:36 | |
through fields rather than direct physical contact. | 0:55:36 | 0:55:40 | |
This was a crucial shift in our understanding, | 0:55:42 | 0:55:46 | |
prompting Einstein to say, "One scientific epoch ended | 0:55:46 | 0:55:50 | |
"and another began with James Clerk Maxwell." | 0:55:50 | 0:55:53 | |
Which is, perhaps, why he's still revered by scientists today. | 0:55:57 | 0:56:01 | |
This meeting we're having here in Edinburgh today is very special. | 0:56:08 | 0:56:12 | |
We're celebrating | 0:56:12 | 0:56:13 | |
the 150th anniversary of Maxwell's | 0:56:13 | 0:56:16 | |
publication of his equations of electromagnetism. | 0:56:16 | 0:56:20 | |
Some of Britain's finest scientists gather at an event to remember | 0:56:21 | 0:56:25 | |
the life and work of James Clerk Maxwell. | 0:56:25 | 0:56:28 | |
Maxwell is all around us. | 0:56:29 | 0:56:31 | |
Every single piece of technology | 0:56:32 | 0:56:34 | |
that is around us today - | 0:56:34 | 0:56:36 | |
computing, fibre optics, | 0:56:36 | 0:56:37 | |
cameras, mobile phones, everything depends | 0:56:37 | 0:56:41 | |
on extensions of those Maxwell's equations. | 0:56:41 | 0:56:44 | |
Without those, we wouldn't be where we are today. | 0:56:46 | 0:56:49 | |
Even the internet doesn't exist without them. | 0:56:49 | 0:56:53 | |
Maxwell changed the way we think forever. | 0:56:53 | 0:56:56 | |
'You can't overestimate his contribution, | 0:57:00 | 0:57:03 | |
'his influence on everything, | 0:57:03 | 0:57:06 | |
'both practical and theoretical.' | 0:57:06 | 0:57:08 | |
He is the most remarkable Scot, intellectually, | 0:57:08 | 0:57:12 | |
that has ever arisen. | 0:57:12 | 0:57:14 | |
No question about it. | 0:57:14 | 0:57:15 | |
In terms of the sequence of the great men of physics, | 0:57:17 | 0:57:21 | |
starting with Galileo and Newton, | 0:57:21 | 0:57:24 | |
then comes Maxwell | 0:57:24 | 0:57:26 | |
and then Einstein, | 0:57:26 | 0:57:27 | |
who said that | 0:57:27 | 0:57:30 | |
Maxwell was the greatest physicist after Newton. | 0:57:30 | 0:57:35 | |
It's wonderful to be sitting in the audience of a meeting | 0:57:35 | 0:57:38 | |
surrounded by Nobel Prize winners, the great and the good. | 0:57:38 | 0:57:42 | |
There's a sense of shared excitement that you... | 0:57:42 | 0:57:47 | |
This unapologetic geekiness that however much... | 0:57:47 | 0:57:51 | |
You know, people like Peter Higgs | 0:57:51 | 0:57:53 | |
and Nobel Prize winners, we are still in awe | 0:57:53 | 0:57:57 | |
of this giant of physics. | 0:57:57 | 0:57:58 | |
And having got to know the man, I can understand why. | 0:58:00 | 0:58:04 | |
I can't blame people for not knowing about James Clerk Maxwell - | 0:58:05 | 0:58:09 | |
this is difficult stuff! | 0:58:09 | 0:58:11 | |
I just think that, given the breadth of his discoveries | 0:58:11 | 0:58:14 | |
and the sheer impact they've had, it's a travesty | 0:58:14 | 0:58:16 | |
that Maxwell's name's not up there with Newton and Einstein | 0:58:16 | 0:58:19 | |
as one of the greats. | 0:58:19 | 0:58:21 | |
Maxwell is Scotland's Einstein, and we should remember him as such. | 0:58:21 | 0:58:26 |