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It's a game, innit. And the buzz you get. | 0:00:01 | 0:00:04 | |
It's better than sex, I tell you! | 0:00:04 | 0:00:07 | |
All over Britain, a unique breed of entrepreneur is on the make. | 0:00:07 | 0:00:11 | |
It's just become 100 years old so it has just become an antique. | 0:00:11 | 0:00:14 | |
Flames are beautiful. This will be so easy to sell. | 0:00:16 | 0:00:19 | |
For these real-life Del Boys, everything and anything is for sale. | 0:00:19 | 0:00:24 | |
What do you think of that? You know who it is, don't you? | 0:00:24 | 0:00:27 | |
For fresh stock, they head to a very particular type of auction house... | 0:00:27 | 0:00:32 | |
Mickey Mouse, three, four, four. | 0:00:32 | 0:00:34 | |
Anybody else want a bag of earmuffs for six quid? | 0:00:34 | 0:00:38 | |
..sifting through the junk in search of buried treasure. | 0:00:38 | 0:00:41 | |
That's a genuine Rolex watch. | 0:00:41 | 0:00:45 | |
He's bought a Porsche, hasn't he? | 0:00:45 | 0:00:46 | |
-It's moody, isn't it? I can tell by your face. -Yeah. | 0:00:48 | 0:00:52 | |
But will any of these dealers discover the lot that will | 0:00:52 | 0:00:55 | |
make them millionaires? | 0:00:55 | 0:00:57 | |
-If it was authentic, you know. -£200,000? | 0:00:57 | 0:01:00 | |
I'll find a nice something that is worth millions of pounds | 0:01:02 | 0:01:05 | |
and I can never work again! | 0:01:05 | 0:01:08 | |
Right. We're here. | 0:01:13 | 0:01:14 | |
It's auction day at Fables in Essex. | 0:01:15 | 0:01:18 | |
A chance for punters to view lots before the bidding starts. | 0:01:18 | 0:01:21 | |
Wow. | 0:01:23 | 0:01:24 | |
It's a Buzz Lightyear mug. | 0:01:24 | 0:01:27 | |
So, yeah. | 0:01:27 | 0:01:29 | |
I believe if it's not valuable yet, then it will be. | 0:01:29 | 0:01:33 | |
This is one of Britain's many trash and treasure auctions - | 0:01:35 | 0:01:39 | |
a world away from Christie's and Sotheby's | 0:01:39 | 0:01:42 | |
where almost anything can turn up for sale. | 0:01:42 | 0:01:44 | |
-Brilliant. They'll sell, actually. -Will those sell? | 0:01:48 | 0:01:52 | |
Married traders Sharon and Al have carved out a niche | 0:01:52 | 0:01:55 | |
dealing in low-end items. | 0:01:55 | 0:01:58 | |
It's not a toad. It's a thing, sort of... Peperami. | 0:01:58 | 0:02:01 | |
No, you're calling it Peperami. It says Peperami. | 0:02:01 | 0:02:04 | |
But what's it look like to you? | 0:02:04 | 0:02:07 | |
People like buying rubbish. | 0:02:07 | 0:02:09 | |
The more shit it looks, they're more likely to buy it. | 0:02:09 | 0:02:12 | |
Here you are. | 0:02:18 | 0:02:20 | |
-Yeah. -Five. Six. | 0:02:20 | 0:02:22 | |
-Yeah. -Seven, madam. | 0:02:22 | 0:02:24 | |
Eight. | 0:02:25 | 0:02:28 | |
Brilliant, wasn't it? | 0:02:28 | 0:02:30 | |
-Ten pounds. -Whole lot for eight quid. | 0:02:30 | 0:02:32 | |
They look great. | 0:02:36 | 0:02:38 | |
Good, cos I got three boxes of 'em. | 0:02:38 | 0:02:40 | |
Sharon and Al quit their jobs two years ago | 0:02:42 | 0:02:44 | |
to concentrate on becoming dealers. | 0:02:44 | 0:02:46 | |
They sell at car-boot sales and online, | 0:02:49 | 0:02:51 | |
and their three-bedroom semi is now home to a thriving cottage industry. | 0:02:51 | 0:02:55 | |
My latest moneymaking scheme is cake stands. | 0:02:56 | 0:03:02 | |
So we had a load of plates that I couldn't sell | 0:03:02 | 0:03:06 | |
and decided to let monsieur let loose with the china. | 0:03:06 | 0:03:12 | |
And as it happens, he sort of has a knack for drilling | 0:03:14 | 0:03:17 | |
holes in plates, which does actually make a change from dropping them. | 0:03:17 | 0:03:22 | |
There you go. | 0:03:22 | 0:03:24 | |
Hole straight through. | 0:03:24 | 0:03:25 | |
That's another one done. | 0:03:29 | 0:03:30 | |
What do you think your mark-up on this venture is? | 0:03:30 | 0:03:33 | |
At least 400%. | 0:03:33 | 0:03:35 | |
The trick is to try and keep the pattern all in line. | 0:03:42 | 0:03:47 | |
I'm putting them on the floor because it's a bit windy today. | 0:03:47 | 0:03:51 | |
-That's a fiver. -Is it? -Yeah. | 0:03:51 | 0:03:52 | |
Always keen to find the next big seller, | 0:03:53 | 0:03:55 | |
the couple are taking their hunt for new stock further afield. | 0:03:55 | 0:03:58 | |
Thank you very much. | 0:03:58 | 0:04:00 | |
-Look at this. -Nice big map. | 0:04:08 | 0:04:10 | |
-Where are we? -Calais. -Calais. | 0:04:10 | 0:04:13 | |
They're planning a road trip to an auction house in northern France. | 0:04:14 | 0:04:18 | |
-Will we have time to go and have a little look? -Yes. -Well, find it... | 0:04:20 | 0:04:23 | |
-Find it. -Find it, have a look around, so we'll be there Saturday for the viewing. -Yes. | 0:04:23 | 0:04:28 | |
I personally think that they will have something far more exciting | 0:04:30 | 0:04:33 | |
than we find in our own markets. | 0:04:33 | 0:04:36 | |
What's always the most famous thing that people go for? | 0:04:36 | 0:04:39 | |
Right, if it's not a cook, it's perfume, it's lingerie, | 0:04:39 | 0:04:43 | |
deco-ey stuff. It's always French. | 0:04:43 | 0:04:46 | |
Art, like paintings, it's always French. Yeah. | 0:04:46 | 0:04:49 | |
I haven't got a clue what it's going to be like. | 0:04:49 | 0:04:51 | |
I mean, we don't actually speak a word of French. | 0:04:51 | 0:04:55 | |
What do you think of France, Al? | 0:04:55 | 0:04:57 | |
I'd rather not answer that, thank you. | 0:04:57 | 0:05:00 | |
He's had a bad experience with the French. | 0:05:00 | 0:05:04 | |
It's just experience I've had with them, so... | 0:05:04 | 0:05:07 | |
And actually, I'm not that impressed, either, | 0:05:07 | 0:05:10 | |
because the one and only time I did go, | 0:05:10 | 0:05:11 | |
when I went with my mother, | 0:05:11 | 0:05:13 | |
cos we wanted to have a go on the hovercraft, and we got out | 0:05:13 | 0:05:16 | |
the hoverport, and I kept on flagging these taxis down and nobody stopped. | 0:05:16 | 0:05:20 | |
So we spent the entire time stuck in the hoverport. | 0:05:20 | 0:05:23 | |
Sharon and Al are making the 350-mile trip | 0:05:27 | 0:05:31 | |
in another of their recent purchases. | 0:05:31 | 0:05:33 | |
A lot of space to fill. | 0:05:33 | 0:05:34 | |
A very lot of space to fill! | 0:05:37 | 0:05:38 | |
The couple bought the Gothic-style hearse at auction for £1,000. | 0:05:42 | 0:05:47 | |
Er, what do I expect? | 0:05:49 | 0:05:50 | |
A lot of confusion. A lot of us arguing. | 0:05:52 | 0:05:56 | |
A lot of me, for some unknown reason, closing my eyes | 0:05:56 | 0:05:59 | |
and covering my ears because I think we're going to crash into something. | 0:05:59 | 0:06:02 | |
Other than that, a lot of bargains. | 0:06:02 | 0:06:06 | |
We're on our way to France. Here we come. | 0:06:06 | 0:06:09 | |
Some dealers are happy searching for treasure a little closer to home. | 0:06:13 | 0:06:18 | |
OK, that is jade. Actually weighs 37 pounds. | 0:06:19 | 0:06:23 | |
Probably the biggest piece of jade in south-east London. | 0:06:23 | 0:06:27 | |
South London trader Ernest has been wheeling and dealing for 20 years | 0:06:28 | 0:06:32 | |
and his shop in Tooting Market is stuffed full of unusual artefacts. | 0:06:32 | 0:06:37 | |
OK, this is the Tibetan singing bowl. | 0:06:40 | 0:06:43 | |
Some of these masks you can see up here. | 0:06:43 | 0:06:45 | |
Why do you like the masks so much in the African style? | 0:06:45 | 0:06:48 | |
Because, yeah, I'm African. I like the African things. You know? | 0:06:48 | 0:06:53 | |
I'm keeping to the roots. | 0:06:53 | 0:06:56 | |
Ernest was born in Gambia, but moved to England when he was 12 years old. | 0:06:56 | 0:07:01 | |
One of the most curious items he trades in is home-made. | 0:07:02 | 0:07:05 | |
Ancient Egyptian crystal healing | 0:07:07 | 0:07:10 | |
is what the rods, my art, are all about. | 0:07:10 | 0:07:13 | |
Once you're holding the rods, you feel the energy there | 0:07:13 | 0:07:17 | |
because the rods are balancing you energetically. | 0:07:17 | 0:07:22 | |
So, you know, if you're stressed out | 0:07:22 | 0:07:24 | |
and you hold these rods for 10-15 minutes, you will feel better. | 0:07:24 | 0:07:27 | |
Many of the goods in Ernest's shop | 0:07:32 | 0:07:34 | |
come from his local auction house, Greasby's. | 0:07:34 | 0:07:37 | |
It's a hobby. It's also a passion, you know. | 0:07:37 | 0:07:40 | |
You just like to be there, looking at things, discovering things, | 0:07:40 | 0:07:43 | |
making a profit, having a deal. | 0:07:43 | 0:07:47 | |
Nice bowls. | 0:07:48 | 0:07:50 | |
The auction sells items from house clearances, | 0:07:51 | 0:07:54 | |
as well as police seizures and liquidated stock. | 0:07:54 | 0:07:57 | |
That's very nicely tuned, actually. | 0:08:00 | 0:08:02 | |
Hope nobody else is interested in these ones cos I'd like these. Mmm. | 0:08:04 | 0:08:08 | |
If I can get them for about £40 each, double up on my money. | 0:08:10 | 0:08:16 | |
Should do. | 0:08:16 | 0:08:17 | |
You've got a two-foot hand-carved African drum, | 0:08:20 | 0:08:23 | |
nice little ornaments they make, sitting in the corner. 15 quid? | 0:08:23 | 0:08:28 | |
15, thank you. | 0:08:28 | 0:08:30 | |
16. 18. 20. | 0:08:30 | 0:08:34 | |
Back of the room at 20. | 0:08:34 | 0:08:37 | |
20. 22, 25, 26, 20, 30. | 0:08:37 | 0:08:39 | |
32, 34, pounds. | 0:08:39 | 0:08:43 | |
45. Same buyer. | 0:08:45 | 0:08:48 | |
£50. | 0:08:50 | 0:08:52 | |
With commission, Ernest has paid £160 for all three bongos. | 0:08:57 | 0:09:03 | |
Could've been 20 quid. | 0:09:03 | 0:09:05 | |
One of them I paid 50 quid for, which is quite a bit of money. | 0:09:05 | 0:09:07 | |
Well, at least I got the main thing, the drums. So I'm happy with that. | 0:09:07 | 0:09:11 | |
Not all of Ernest's acquisitions come from the auction. | 0:09:16 | 0:09:19 | |
never seen anything like that. This is really an interesting find, | 0:09:21 | 0:09:26 | |
you know. It's a bronze chess set. | 0:09:26 | 0:09:30 | |
Incredible-looking bronze chess set. | 0:09:30 | 0:09:32 | |
That's a pawn, because there's 16 of these. | 0:09:34 | 0:09:36 | |
I don't play chess, by the way. | 0:09:36 | 0:09:38 | |
That's a knight. | 0:09:38 | 0:09:40 | |
To me, it looks like a wizard, you know, the cloak. Maybe Darth Vader. | 0:09:40 | 0:09:44 | |
Ernest bought the chess set at an antiques fair | 0:09:45 | 0:09:49 | |
but he's unwilling to reveal how much he paid for it. | 0:09:49 | 0:09:52 | |
Ah, this is the dark king. That's me. | 0:09:53 | 0:09:56 | |
He believes it may be an original work of art. | 0:09:58 | 0:10:01 | |
The brief research I've done is the names of the artists... | 0:10:03 | 0:10:08 | |
There's three names of artists coming up regarding this artwork here. | 0:10:08 | 0:10:15 | |
One of them, the most famous, is Henry Moore. | 0:10:15 | 0:10:20 | |
Henry Moore was one of the twentieth century's most famous sculptors | 0:10:21 | 0:10:25 | |
and his works can sell for millions of pounds. | 0:10:25 | 0:10:28 | |
If these are real, then | 0:10:29 | 0:10:33 | |
I'm sure the Tate would want to have them. | 0:10:33 | 0:10:36 | |
You know, because it might be the only one in the world. | 0:10:36 | 0:10:40 | |
On the low estimate, we're looking at a couple of million, | 0:10:41 | 0:10:45 | |
so...yeah, I could be... | 0:10:45 | 0:10:47 | |
And I'm thinking on the realistic estimate for this, | 0:10:47 | 0:10:51 | |
five to ten million. | 0:10:51 | 0:10:52 | |
Not all the traders at Greasby's are hoping to land the big one. | 0:10:56 | 0:11:00 | |
Some of the most popular lots are the unclaimed bags and suitcases | 0:11:02 | 0:11:05 | |
which have been lost at airports. | 0:11:05 | 0:11:07 | |
This one's someone that's been on holiday cos it's... | 0:11:09 | 0:11:12 | |
all the clothing's creased. | 0:11:12 | 0:11:14 | |
Bit oily and everything like someone's had sun cream... | 0:11:16 | 0:11:20 | |
The toiletries, that'll be broken down into another lot. | 0:11:20 | 0:11:24 | |
We'll split the footwear | 0:11:24 | 0:11:26 | |
cos some people like to buy the footwear. | 0:11:26 | 0:11:28 | |
The bric-a-brac crate - they're just the odds and sods we receive here. | 0:11:28 | 0:11:34 | |
All we leave in the case is a bag of dirty clothing. | 0:11:34 | 0:11:38 | |
When it comes to the bags and cases, | 0:11:42 | 0:11:44 | |
Stevie and Denise from Canterbury | 0:11:44 | 0:11:47 | |
are two of the auction's biggest customers. | 0:11:47 | 0:11:50 | |
Well, we've got loads up in the loft, | 0:11:50 | 0:11:54 | |
there's a few at mine as well. | 0:11:54 | 0:11:56 | |
We've just put it up, up, up, so now it's all bowing. | 0:11:56 | 0:12:00 | |
It's bowing in my house, her house... | 0:12:00 | 0:12:02 | |
We've had up to eight suitcases each to bring home once, | 0:12:02 | 0:12:06 | |
we brought about 15 home. | 0:12:06 | 0:12:08 | |
Going a bit crazy. But we had all that to wash. | 0:12:08 | 0:12:12 | |
Are you helping me? Good girl. See, you know what we do. | 0:12:13 | 0:12:17 | |
After meeting on the school run, | 0:12:17 | 0:12:19 | |
Stevie and Denise went into business together | 0:12:19 | 0:12:22 | |
selling the second-hand clothes at car boot sales. | 0:12:22 | 0:12:25 | |
And this all has to go on hangers | 0:12:25 | 0:12:27 | |
when we get there at five o'clock in the morning. | 0:12:27 | 0:12:31 | |
That is an early one, Denise, innit? | 0:12:31 | 0:12:33 | |
Yeah. I'm like a zombie, but we get it done. | 0:12:33 | 0:12:36 | |
The suitcases normally cost around £40 each at the auction. | 0:12:37 | 0:12:41 | |
If we sell every item for £3 and we've paid £1.50 per item, | 0:12:43 | 0:12:49 | |
that is 100% profit. | 0:12:49 | 0:12:51 | |
Which is what I want to make. | 0:12:51 | 0:12:53 | |
Stevie has three kids with her partner Paul, | 0:12:56 | 0:13:00 | |
and Denise has two young children | 0:13:00 | 0:13:01 | |
including a seven-year-old son with Asperger's. | 0:13:01 | 0:13:04 | |
It's hard with the kids on my own anyway, | 0:13:05 | 0:13:08 | |
but I'm willing to try and do something to be able to | 0:13:08 | 0:13:12 | |
say to the kids that I COULD do it with my friend and that, so... | 0:13:12 | 0:13:17 | |
All the clothes have to be washed and ironed, | 0:13:18 | 0:13:20 | |
no matter how personal the item. | 0:13:20 | 0:13:22 | |
Look. Here's me boxers. | 0:13:23 | 0:13:26 | |
Head boxers. | 0:13:26 | 0:13:28 | |
50p. | 0:13:29 | 0:13:31 | |
I've had a whole suitcase of just poo. Just poo. | 0:13:32 | 0:13:36 | |
I mean, people probably just thinking, what's she going on about? | 0:13:36 | 0:13:39 | |
But the whole thing was poo, | 0:13:39 | 0:13:41 | |
and we just literally had to get 'em out, throw 'em in the bin... | 0:13:41 | 0:13:46 | |
We did cut the lining out and we did sell the suitcase. | 0:13:46 | 0:13:49 | |
What I might do, I'll just put this on a 30... | 0:13:51 | 0:13:54 | |
Stevie and Denise plan to open a second-hand clothes shop | 0:13:54 | 0:13:57 | |
and have put in an offer on a local premises. | 0:13:57 | 0:14:00 | |
-INTERVIEWER: -Where's this shop, then? -Right here. | 0:14:01 | 0:14:04 | |
This is the shop we're hoping to get, to open up. | 0:14:04 | 0:14:07 | |
We'll try and get a mannequin for the front window, | 0:14:09 | 0:14:11 | |
and then clothes rails, clothes rails. | 0:14:11 | 0:14:15 | |
Obviously, rails coming off the walls. | 0:14:15 | 0:14:18 | |
We spoke to the lady, she's told us the man has accepted the offer. | 0:14:19 | 0:14:24 | |
But he still hasn't put it in writing. | 0:14:24 | 0:14:28 | |
So she can't call us. | 0:14:28 | 0:14:29 | |
But she was like, "It's looking really good, Stephanie, | 0:14:29 | 0:14:32 | |
"it's really looking good." | 0:14:32 | 0:14:33 | |
So - I'm sure estate agents ain't going to say that to you | 0:14:33 | 0:14:38 | |
if it's, like...50-50, still, you know? | 0:14:38 | 0:14:42 | |
Stevie and Denise are hoping to make some serious money | 0:14:45 | 0:14:48 | |
when the shop opens for business. | 0:14:48 | 0:14:50 | |
If I can be a millionaire, I'll be a millionaire. | 0:14:51 | 0:14:54 | |
But I won't forget my roots. | 0:14:54 | 0:14:57 | |
I won't be one of these, like, in 30 years' time, | 0:14:57 | 0:14:59 | |
if I've got loads of money, like, "Oh, who are you?" | 0:14:59 | 0:15:02 | |
FRENCH ACCORDION MUSIC PLAYS | 0:15:02 | 0:15:04 | |
S'il vous plait. | 0:15:07 | 0:15:10 | |
Quicker. | 0:15:10 | 0:15:12 | |
Nah. | 0:15:12 | 0:15:13 | |
La...la gen...la jen... | 0:15:13 | 0:15:18 | |
..est qui di... | 0:15:19 | 0:15:20 | |
..si louement...s'il vous plait. | 0:15:22 | 0:15:25 | |
How much is that, please? | 0:15:26 | 0:15:29 | |
Nah. | 0:15:29 | 0:15:30 | |
Cash only, please. | 0:15:31 | 0:15:33 | |
Spot on. | 0:15:33 | 0:15:34 | |
Sharon and Al are headed for an auction house | 0:15:35 | 0:15:37 | |
in the town of Abbeville - 70 miles south of Calais. | 0:15:37 | 0:15:42 | |
SHIP'S HORN SOUNDS | 0:15:42 | 0:15:44 | |
See? Looks just like England. | 0:15:51 | 0:15:53 | |
It's a maiden voyage overseas for the hearse. | 0:15:56 | 0:15:58 | |
You start to wonder if the French are going to find this funny. | 0:16:00 | 0:16:04 | |
After all, they've got no sense of humour. | 0:16:04 | 0:16:06 | |
We might have things thrown at us. | 0:16:08 | 0:16:10 | |
CHILDREN CHEER, HORN BEEPS | 0:16:11 | 0:16:13 | |
After three hours, Sharon, Al and the hearse | 0:16:17 | 0:16:21 | |
are almost at the auction. | 0:16:21 | 0:16:23 | |
Oh! The world is our oyster. | 0:16:23 | 0:16:26 | |
Don't know what to look for. | 0:16:26 | 0:16:28 | |
I'll be like a kid in a candy store. | 0:16:28 | 0:16:30 | |
The old hands will be going, I'll be going, "Ahh! La-la-la-la!" | 0:16:31 | 0:16:36 | |
I'll be doing all that crap. | 0:16:36 | 0:16:37 | |
-Al is just positioning. -This looks like the place to me. | 0:16:39 | 0:16:42 | |
Just like in the UK, | 0:16:46 | 0:16:48 | |
there's a chance to view lots before the sale. | 0:16:48 | 0:16:50 | |
Whoa... | 0:16:52 | 0:16:53 | |
Bonjour. | 0:16:53 | 0:16:55 | |
That's the sort of thing I'm after. | 0:17:02 | 0:17:04 | |
Art Deco, innit? | 0:17:06 | 0:17:07 | |
CONVERSATION IN FRENCH | 0:17:09 | 0:17:11 | |
It's broken. | 0:17:13 | 0:17:14 | |
It's Eros, innit? Ain't he supposed to have a...bow in his hand? | 0:17:15 | 0:17:20 | |
This is actually...what we'd classify as a high-class auctioneer's house. | 0:17:20 | 0:17:24 | |
Auction house, rather. | 0:17:24 | 0:17:26 | |
Mega, mega, mega money | 0:17:29 | 0:17:32 | |
Absolutely what we would be after. | 0:17:32 | 0:17:35 | |
Mega bucks. | 0:17:36 | 0:17:38 | |
The couple want to know more | 0:17:38 | 0:17:40 | |
about a pair of antique resin light stands. | 0:17:40 | 0:17:43 | |
Excuse me - um... | 0:17:43 | 0:17:45 | |
No comprehend Francoise. Do you speak Englese? | 0:17:46 | 0:17:50 | |
-No. -Ah. | 0:17:50 | 0:17:52 | |
Excuse me - this? Does it...? | 0:17:52 | 0:17:54 | |
-Ah, non, mais... -Oh... | 0:17:55 | 0:17:57 | |
- This comes off? - Yes, yes. | 0:17:57 | 0:18:00 | |
- In two parts. - Two parts. Lovely, thank you. | 0:18:00 | 0:18:03 | |
These are really exactly the sort of thing that we would go for. | 0:18:03 | 0:18:08 | |
Very sought-after in England. | 0:18:10 | 0:18:12 | |
Madame, you interested as well? | 0:18:15 | 0:18:18 | |
WOMAN SHOUTS IN FRENCH | 0:18:18 | 0:18:20 | |
A little? Ah! | 0:18:20 | 0:18:22 | |
Outside, the hearse is attracting attention. | 0:18:24 | 0:18:27 | |
Excuse me? | 0:18:34 | 0:18:36 | |
-Vehicule... -Verculer... | 0:18:36 | 0:18:38 | |
-What, the engine? Vroom-vroom? -No. | 0:18:43 | 0:18:45 | |
The car is break? | 0:18:47 | 0:18:48 | |
Carries a brick? | 0:18:49 | 0:18:51 | |
AL LAUGHS | 0:18:51 | 0:18:53 | |
If you want to carry bricks, you can. | 0:18:53 | 0:18:56 | |
-You l'amour? -Oui. | 0:18:56 | 0:18:57 | |
Ah! | 0:18:57 | 0:19:00 | |
This? We make offer. | 0:19:00 | 0:19:02 | |
SHE LAUGHS | 0:19:02 | 0:19:04 | |
-Goodbye! -Aw! -Yes - time. -Aw! | 0:19:04 | 0:19:08 | |
-I know. Desole. -No! | 0:19:08 | 0:19:11 | |
Oh, Monsieur... | 0:19:11 | 0:19:14 | |
Monsieur, you break my heart. | 0:19:14 | 0:19:17 | |
What does he mean, he don't like it? | 0:19:17 | 0:19:19 | |
Got no bleeding taste. | 0:19:19 | 0:19:21 | |
-Look at the carving as well - nice bit of carving. -Yeah, yeah. | 0:19:29 | 0:19:32 | |
Normally, a drum like this, you'd be talking about 180, 190. | 0:19:32 | 0:19:37 | |
But I'm doing a deal on them right now, | 0:19:37 | 0:19:39 | |
cos I'm wanting to clear them up. | 0:19:39 | 0:19:41 | |
In south London, Ernest has found a potential buyer | 0:19:42 | 0:19:45 | |
for one of the drums he paid just £60 for. | 0:19:45 | 0:19:49 | |
I'm saying 150 for this one as it is. | 0:19:49 | 0:19:51 | |
Nothing less? | 0:19:51 | 0:19:53 | |
Can't do anything, really, because like I said, on eBay, | 0:19:54 | 0:19:57 | |
when you go online, you're talking about 180. | 0:19:57 | 0:20:00 | |
-Two, four, six, eight, ten... -Yeah? Lovely. Thanks. | 0:20:01 | 0:20:06 | |
-Yeah, man - nice one. -Cheers, man. -Yeah, later. | 0:20:06 | 0:20:09 | |
Ernest almost trebles his money on the drum. | 0:20:11 | 0:20:14 | |
But it's the mysterious chess set that is uppermost in his mind. | 0:20:14 | 0:20:19 | |
He's paying a visit to a specialist reference library | 0:20:20 | 0:20:23 | |
to try to establish who might've made the pieces. | 0:20:23 | 0:20:26 | |
Yes, so, what I'm doing here is I'm researching. | 0:20:28 | 0:20:32 | |
I cannot confirm for my self... | 0:20:32 | 0:20:34 | |
..but I'm familiarising myself | 0:20:35 | 0:20:38 | |
with many of the images of these artists. | 0:20:38 | 0:20:40 | |
Hm... | 0:20:41 | 0:20:43 | |
I'm looking at Henry Moore. | 0:20:43 | 0:20:44 | |
Now...this is, um... | 0:20:44 | 0:20:47 | |
He done a lot of work, Henry Moore - this is the king and queen, here. | 0:20:48 | 0:20:52 | |
When you look at this, | 0:20:52 | 0:20:53 | |
it's actually not far different from the finish on here, you know? | 0:20:53 | 0:21:00 | |
Some of the chess pieces also bear a striking resemblance | 0:21:02 | 0:21:05 | |
to the work of two other modern artists - | 0:21:05 | 0:21:08 | |
Lynn Chadwick and Kenneth Armitage. | 0:21:08 | 0:21:10 | |
You know, it's very similar. | 0:21:10 | 0:21:13 | |
Obviously, feeling this looks like Kenneth Armitage, this chap here. | 0:21:13 | 0:21:20 | |
You know, if you look at the legs, here, | 0:21:20 | 0:21:22 | |
the legs are very... | 0:21:22 | 0:21:24 | |
They're very close. | 0:21:24 | 0:21:25 | |
I don't know if you can get a close shot of the legs on here. | 0:21:25 | 0:21:28 | |
It's, like, these lines are like a...a signature, as such. | 0:21:30 | 0:21:34 | |
You know, these lines. Um... | 0:21:34 | 0:21:37 | |
You wonder if someone would copy that. | 0:21:37 | 0:21:39 | |
Kind of pretty sure this is the real thing. | 0:21:42 | 0:21:44 | |
Next stop for Ernest is his local auction house | 0:21:49 | 0:21:52 | |
to draw on the experience of auctioneer Christine. | 0:21:52 | 0:21:56 | |
This is one of the pawns. | 0:21:58 | 0:22:00 | |
This is, um...you know... So there's eight of those. | 0:22:00 | 0:22:03 | |
It's a full chess set, you know? So there's eight of those. | 0:22:03 | 0:22:06 | |
I've never seen anything like that for a chess set, that's for sure. | 0:22:06 | 0:22:11 | |
Yeah. This is a picture of some of the other pieces, | 0:22:11 | 0:22:15 | |
-looking at...bit more of them. -Hm. | 0:22:15 | 0:22:18 | |
Oh, wow. Madame Butterfly's glass! | 0:22:18 | 0:22:23 | |
What do you think...it feels like... | 0:22:27 | 0:22:29 | |
you know, it's old, a bit of age to it or something? | 0:22:29 | 0:22:33 | |
No, I think it's modern. I don't think there's any age to it at all. | 0:22:33 | 0:22:37 | |
-Oh, OK. -Where d'you get 'em from? | 0:22:37 | 0:22:39 | |
I found them in an antique market in Kent. | 0:22:39 | 0:22:43 | |
I can't think that you would've bought something like that | 0:22:43 | 0:22:47 | |
at an antique market and they didn't know what they were selling. | 0:22:47 | 0:22:49 | |
-My instincts are telling me that it's a copy. -OK. | 0:22:49 | 0:22:53 | |
That's just my gut reaction on it. | 0:22:53 | 0:22:55 | |
Wow, OK, yeah. | 0:22:55 | 0:22:57 | |
But you do really need to find somebody that | 0:22:57 | 0:23:00 | |
specialises in this type of thing. | 0:23:00 | 0:23:02 | |
Yeah. It feels like that. | 0:23:02 | 0:23:03 | |
If it turns out to be nothing, you've lost nothing, | 0:23:03 | 0:23:06 | |
but if it turns out to be something, you've got everything to gain, | 0:23:06 | 0:23:09 | |
-so you're doing the right thing. -That's it. | 0:23:09 | 0:23:12 | |
You know, everyone has aspirations that they're going to find | 0:23:13 | 0:23:16 | |
something one day. Why not? | 0:23:16 | 0:23:18 | |
If... | 0:23:18 | 0:23:20 | |
Pretty boring if you just go through life thinking that there's | 0:23:20 | 0:23:23 | |
not a pot of gold at the end of the rainbow. | 0:23:23 | 0:23:25 | |
-Looking at the catalogue. -Get her out. | 0:23:30 | 0:23:32 | |
Whilst they're still waiting to hear back about the shop lease, | 0:23:34 | 0:23:39 | |
Stevie and Denise are planning a trip to buy extra stock. | 0:23:39 | 0:23:43 | |
-What time? -Probably not even do the school run. | 0:23:43 | 0:23:49 | |
A few men's ones. | 0:23:50 | 0:23:54 | |
Quite a lot of men's suitcases, which is what we will be after this week. | 0:23:54 | 0:24:00 | |
I won't go no more than 40-45, so even if people bid at 60 quid, | 0:24:00 | 0:24:05 | |
they can have 'em. | 0:24:05 | 0:24:06 | |
If it goes over the price, I won't get caught up in all that madness. | 0:24:06 | 0:24:10 | |
Last time, there was two blokes, they was going mad! | 0:24:10 | 0:24:12 | |
As well as sticking to their price limit, | 0:24:19 | 0:24:21 | |
the pair are also hoping to land some designer labels. | 0:24:21 | 0:24:25 | |
I would obviously look for Armani, Lacoste, | 0:24:25 | 0:24:30 | |
that's a bonus cos as soon as you put that on a rail, it's gone. | 0:24:30 | 0:24:35 | |
This is all unclaimed baggage. | 0:24:37 | 0:24:39 | |
There are more than 40 bags and cases up for grabs in the sale. | 0:24:41 | 0:24:46 | |
Lot 49 is a brown case of mixed clothing, 16 I have. | 0:24:46 | 0:24:52 | |
18, 20, 22, | 0:24:52 | 0:24:53 | |
24, 26, 28, 30, | 0:24:53 | 0:24:56 | |
32, 34, 36, 38, | 0:24:56 | 0:24:58 | |
40, 45. Here at 45. | 0:24:58 | 0:25:01 | |
GAVEL BANGS | 0:25:01 | 0:25:02 | |
We've got three out of three so far. | 0:25:03 | 0:25:06 | |
22 at the back. No? | 0:25:08 | 0:25:10 | |
20 in the front, then. | 0:25:10 | 0:25:12 | |
26, 28, 30. | 0:25:13 | 0:25:16 | |
32, 34, 36 in the centre. | 0:25:16 | 0:25:21 | |
GAVEL BANGS | 0:25:22 | 0:25:23 | |
Lot 87 is a large blue holdall of ladies' clothing. | 0:25:23 | 0:25:28 | |
Stevie and Denise have managed to win eight of the suitcases. | 0:25:28 | 0:25:33 | |
How much did you pay? | 0:25:33 | 0:25:35 | |
Er, between about, I'd say 35-45, we paid. | 0:25:35 | 0:25:40 | |
That's without the commission, so probably about 50 quid a suitcase. | 0:25:40 | 0:25:46 | |
How will you know when you've done well? | 0:25:46 | 0:25:49 | |
When we've had a look. Had a little, like, rummage through it. | 0:25:49 | 0:25:53 | |
The girls will have to wait | 0:25:56 | 0:25:58 | |
until the end of the auction before they can collect the cases. | 0:25:58 | 0:26:01 | |
Sometimes you get some good bits, then sometimes you get really bad... | 0:26:01 | 0:26:06 | |
that you can't even wash and you have to throw | 0:26:06 | 0:26:10 | |
cos there's no point in having them. | 0:26:10 | 0:26:12 | |
But in the shop, we're hoping to be able to dye it, to alter it. | 0:26:12 | 0:26:16 | |
Denise is very good with her hands. | 0:26:16 | 0:26:19 | |
-Boys. -Hello, boys! | 0:26:20 | 0:26:23 | |
I swear they're getting smaller. | 0:26:28 | 0:26:31 | |
There, that's a nice jacket. | 0:26:37 | 0:26:40 | |
It's quite a nice suit. Wow. | 0:26:41 | 0:26:45 | |
That looks good. | 0:26:45 | 0:26:48 | |
Some jeans. Jeans always go quite well, anyway. | 0:26:48 | 0:26:51 | |
See, look, and then you've got another Tommy Hilfiger shirt, | 0:26:51 | 0:26:54 | |
but look at it - look at the state of it. | 0:26:54 | 0:26:57 | |
See, it's not like Chanels and all that sort of stuff, | 0:26:57 | 0:27:01 | |
but it's still stuff that people we know will buy, definitely. | 0:27:01 | 0:27:07 | |
Check them bad boys out! | 0:27:07 | 0:27:10 | |
What can you do with them? | 0:27:10 | 0:27:12 | |
Use it as a tent. | 0:27:12 | 0:27:14 | |
Designer labels may be thin on the ground, but there's still plenty | 0:27:18 | 0:27:22 | |
of new stock to fill up the shop, and Stevie and Denise head for home. | 0:27:22 | 0:27:27 | |
Hello? | 0:27:32 | 0:27:35 | |
Well. We're stuck on the A2 or something. | 0:27:36 | 0:27:42 | |
We're stuck. | 0:27:42 | 0:27:43 | |
It's over-heated and it's lost power. | 0:27:43 | 0:27:46 | |
DISTORTED VOICE THROUGH PHONE | 0:27:46 | 0:27:47 | |
Is it going to get us home or what? | 0:27:47 | 0:27:49 | |
Is there water in? Did you put water in? | 0:27:49 | 0:27:52 | |
Those two heads are missing. | 0:28:00 | 0:28:02 | |
There and there. They're missing. | 0:28:04 | 0:28:07 | |
That one's missing. | 0:28:07 | 0:28:10 | |
They're all beheaded! | 0:28:10 | 0:28:11 | |
It's auction day in France, | 0:28:14 | 0:28:16 | |
and Sharon and Al are sampling the local food ahead of the sale. | 0:28:16 | 0:28:22 | |
-I could just have the quiche. -Supposing it's got...squid in it? | 0:28:22 | 0:28:27 | |
If it's got squid, it's got squid, ain't it? | 0:28:27 | 0:28:29 | |
I'm not eating it if it's got squid. | 0:28:29 | 0:28:31 | |
I'll pass. | 0:28:31 | 0:28:33 | |
You don't want anything? | 0:28:33 | 0:28:36 | |
You have never eaten quiche for years. | 0:28:36 | 0:28:41 | |
You always moan about it. "I ain't eating that." | 0:28:41 | 0:28:44 | |
So why are you going to pretend you're eating it now? | 0:28:44 | 0:28:47 | |
I think we'll just settle for the Pot Noodle that I brought with me. | 0:28:47 | 0:28:52 | |
Lunch over, the couple head for the auction. | 0:28:53 | 0:28:57 | |
-Our spirits are high, aren't they, Alan? -They are. | 0:28:58 | 0:29:02 | |
Yeah. We're ready for a bit of trading. | 0:29:02 | 0:29:05 | |
Hopefully, we'll get some more goodies. | 0:29:05 | 0:29:09 | |
The sale attracts dealers from across northern France, | 0:29:13 | 0:29:17 | |
and Sharon and Al are interested in the resin light stands | 0:29:17 | 0:29:21 | |
they spotted at viewing day. | 0:29:21 | 0:29:24 | |
THEY SPEAK IN FRENCH | 0:29:24 | 0:29:27 | |
BIDDING IN FRENCH | 0:29:44 | 0:29:47 | |
I'm not understanding a bloody word! | 0:29:52 | 0:29:54 | |
I don't even know what lot number we're on. | 0:29:55 | 0:29:58 | |
I'm lost. | 0:29:58 | 0:30:00 | |
One lot went for five euros, I thought, "Oh, right, I got that." | 0:30:15 | 0:30:19 | |
Since then... | 0:30:19 | 0:30:21 | |
We've missed it! | 0:30:28 | 0:30:29 | |
Stick it. | 0:30:33 | 0:30:35 | |
What a bleeding waste of time that was. | 0:30:38 | 0:30:40 | |
Didn't understand a word. | 0:30:41 | 0:30:43 | |
I knew it was going to be hard, | 0:30:43 | 0:30:45 | |
I always said that was one of the pitfalls, but blow me. | 0:30:45 | 0:30:48 | |
I couldn't keep up. I didn't understand it. | 0:30:50 | 0:30:53 | |
It's been like a blind man watching a silent movie. | 0:30:53 | 0:30:56 | |
Pointless. | 0:30:56 | 0:30:58 | |
Maybe we should have got a French CD and listened I think. | 0:30:58 | 0:31:03 | |
But then, I've made this mistake before. | 0:31:03 | 0:31:06 | |
I thought I learned how to speak Spanish and then | 0:31:06 | 0:31:09 | |
when I got there nobody could understand a word cos | 0:31:09 | 0:31:11 | |
I learnt a totally new language altogether for the region. | 0:31:11 | 0:31:14 | |
-What language did you learn instead? -I learnt Catalan. | 0:31:14 | 0:31:17 | |
In a last bid to salvage something from the trip, | 0:31:23 | 0:31:25 | |
Sharon and Al head for the local flea markets. | 0:31:25 | 0:31:28 | |
We've got literally 25 minutes to dash around this one. | 0:31:30 | 0:31:34 | |
And we've got to dash off for the ferry. | 0:31:34 | 0:31:38 | |
Right, so we've got to go. | 0:31:38 | 0:31:39 | |
Just what Al needs... | 0:31:45 | 0:31:47 | |
Oh, I'm in my element now. Rubbish. | 0:31:53 | 0:31:55 | |
-Is it a real one? -Yeah. -How much is that? | 0:31:57 | 0:32:01 | |
20. | 0:32:04 | 0:32:06 | |
The scythe. | 0:32:07 | 0:32:08 | |
You can always cut it down. | 0:32:09 | 0:32:11 | |
-How much is it before you pull it out? -Six euros. | 0:32:11 | 0:32:15 | |
Love it. | 0:32:15 | 0:32:17 | |
Look at it! It's magnificent. | 0:32:17 | 0:32:19 | |
Six euros, ten. | 0:32:20 | 0:32:21 | |
A bit crumpled up, but I believe that to be £35 worth. | 0:32:24 | 0:32:29 | |
Any off? 15? | 0:32:36 | 0:32:39 | |
-Yes. -Thank you. | 0:32:42 | 0:32:44 | |
The scythe is fantastic. The wheel... | 0:32:45 | 0:32:48 | |
Dream come true. | 0:32:50 | 0:32:52 | |
Cutting it fine, the couple head for the ferry. | 0:32:53 | 0:32:55 | |
Can you wait a minute and I'll pick it up! | 0:32:58 | 0:33:00 | |
I know the wheel, I'm going to get 700% on that, minimum. | 0:33:05 | 0:33:11 | |
I know that. | 0:33:11 | 0:33:12 | |
There's the whole fun of doing what we do, it really is. | 0:33:12 | 0:33:16 | |
It's not about making a fortune out of it. | 0:33:16 | 0:33:20 | |
It's about getting something totally so damn obscure | 0:33:20 | 0:33:23 | |
that no-one else would even look at and then selling it. | 0:33:23 | 0:33:27 | |
In Canterbury, Stevie and Denise have had news about the shop lease. | 0:33:37 | 0:33:41 | |
They wanted us to take a three year minimum, but we only wanted a year. | 0:33:43 | 0:33:49 | |
And they've accepted someone else's offer for a five year lease. | 0:33:49 | 0:33:52 | |
And there's no way we're going to put our name to five years yet. No way. | 0:33:52 | 0:33:58 | |
That one looks like a second hand shop anyway. | 0:33:58 | 0:34:01 | |
With new premises to find Stevie receives more bad news from Denise. | 0:34:04 | 0:34:09 | |
We were doing really, really well | 0:34:10 | 0:34:13 | |
and it was getting really good, | 0:34:13 | 0:34:16 | |
but I just can't juggle my boy with Asperger, which is | 0:34:16 | 0:34:21 | |
really difficult to be able to give this my time | 0:34:21 | 0:34:25 | |
when I've got to give all my time to my son. | 0:34:25 | 0:34:30 | |
For now, Denise has decided to withdraw from the partnership. | 0:34:30 | 0:34:33 | |
But with a house full of clothes still to sell, | 0:34:35 | 0:34:38 | |
Stevie is going it alone. | 0:34:38 | 0:34:40 | |
Cos the lease has fell through on the shop, | 0:34:42 | 0:34:45 | |
I've decided to do a little pop up shop for now. | 0:34:45 | 0:34:49 | |
Stevie's Second Hand Pop Up Shop. | 0:34:49 | 0:34:53 | |
I've always got ideas. | 0:34:54 | 0:34:56 | |
Ideas just come to me all day, every day, | 0:34:56 | 0:34:59 | |
it's just whether they work | 0:34:59 | 0:35:01 | |
or whether I move on to the next one, really. | 0:35:01 | 0:35:04 | |
Most of the mum's down the school know, | 0:35:04 | 0:35:07 | |
and I have told them to tell their mums and their sisters and whoever. | 0:35:07 | 0:35:12 | |
Today, Stevie's home, next week, Stevie's shop. | 0:35:12 | 0:35:18 | |
-What will you do if nobody turns up? -Cry. | 0:35:18 | 0:35:21 | |
Today really is the start of something big for me. | 0:35:23 | 0:35:28 | |
Right, thanks everyone for coming to Stevie's second hand item event. | 0:35:39 | 0:35:45 | |
It's 11 o'clock and we're officially open. | 0:35:45 | 0:35:48 | |
CHEERING | 0:35:48 | 0:35:50 | |
25p a pair, or five pairs for £1. | 0:35:53 | 0:35:56 | |
You got £1 for now, yeah? | 0:35:59 | 0:36:01 | |
What do you think of this idea of having a shop in your front room? | 0:36:01 | 0:36:06 | |
Yeah, I think it's a good idea. | 0:36:06 | 0:36:07 | |
When the boot fairs have ended, people need somewhere to go to. | 0:36:07 | 0:36:11 | |
So I think, yeah, it's a great idea. | 0:36:11 | 0:36:13 | |
My friend, she's just bought a jumper. | 0:36:13 | 0:36:15 | |
-Are you liking your jumper, Sam? -We shop at Stevie's shop. | 0:36:15 | 0:36:19 | |
She's doing a really good job. | 0:36:21 | 0:36:22 | |
It looks good in there, it looks really, really good. | 0:36:22 | 0:36:26 | |
You've always got to have a plan B. Always. | 0:36:26 | 0:36:30 | |
Nice one. Thank you. I've sold about 30, 40 items. | 0:36:30 | 0:36:35 | |
All at £3 an item, so I've made probably just over £100. | 0:36:35 | 0:36:42 | |
People have said they probably won't go to Primark now | 0:36:42 | 0:36:46 | |
and buy a £5 T-shirt because they can buy a Next T-shirt for £3. | 0:36:46 | 0:36:51 | |
My mate who came around earlier, she was well chuffed. | 0:36:51 | 0:36:54 | |
-They said they'd definitely come back. Let everyone know. -Yeah. | 0:36:54 | 0:36:58 | |
I will definitely open up a shop somewhere down the line. 100%. 100%. | 0:36:58 | 0:37:05 | |
All right. OK. | 0:37:09 | 0:37:11 | |
In Essex, another would-be dealer | 0:37:13 | 0:37:16 | |
is just starting out in the buying and selling game. | 0:37:16 | 0:37:19 | |
I've got to that age now... | 0:37:20 | 0:37:21 | |
..I want to do something where you wear clean clothes everyday. | 0:37:23 | 0:37:27 | |
Fed up with being dirty, but it pays the bills, | 0:37:27 | 0:37:31 | |
that's the main thing. | 0:37:31 | 0:37:33 | |
After 25 years on building sites, | 0:37:33 | 0:37:36 | |
Steve's decided to try and make it as a trader. | 0:37:36 | 0:37:39 | |
Everyone wants a deal, | 0:37:41 | 0:37:42 | |
everyone wants to pay less than what they have to pay. | 0:37:42 | 0:37:46 | |
So if I can supply that service... | 0:37:46 | 0:37:49 | |
..then, yeah, I'm up for that. | 0:37:50 | 0:37:53 | |
Earn more money, have a happy life, comfortable life, | 0:37:54 | 0:37:57 | |
not have to fight for the next paycheck. | 0:37:57 | 0:38:00 | |
I'd like to have a big warehouse stacked to the ceiling with stuff. | 0:38:00 | 0:38:04 | |
A list of clients, a phone that's constantly ringing. | 0:38:04 | 0:38:08 | |
At the minute, doing this, seems like a very long way away. | 0:38:08 | 0:38:11 | |
So far Steve has only been to two small local auctions, | 0:38:14 | 0:38:18 | |
-with mixed results. -Right. | 0:38:18 | 0:38:22 | |
These are about battle UFOs. Just an impulse buy, really. | 0:38:22 | 0:38:29 | |
I didn't plan to get them. | 0:38:29 | 0:38:31 | |
But I do need to buy more things, more bulk. | 0:38:31 | 0:38:34 | |
To be honest, there was another four | 0:38:34 | 0:38:36 | |
and they turned out not to be any good. | 0:38:36 | 0:38:40 | |
They're like a helicopter inside a shell | 0:38:40 | 0:38:43 | |
and you battle it against the other one. | 0:38:43 | 0:38:45 | |
-Who do you think will buy these? -Uh... Well... | 0:38:49 | 0:38:54 | |
I don't know. A few watches. | 0:38:54 | 0:38:57 | |
Another recent purchase is a batch of men's watches. | 0:38:57 | 0:39:00 | |
The only issue I've got... | 0:39:02 | 0:39:05 | |
I don't know how... This is... | 0:39:05 | 0:39:07 | |
It boils down to not taking good enough look at the product. | 0:39:07 | 0:39:13 | |
Which I felt I did at the time. A Briel watch, there. | 0:39:13 | 0:39:17 | |
How I missed that? It's got a cracked screen. I was gutted. | 0:39:17 | 0:39:23 | |
You have got to get things out of the boxes, | 0:39:23 | 0:39:26 | |
have a good feel of them, make sure all the parts work, | 0:39:26 | 0:39:29 | |
fiddle about with it. | 0:39:29 | 0:39:31 | |
After exhausting his local auctions, | 0:39:34 | 0:39:36 | |
Steve's now planning a trip to a much larger sale. | 0:39:36 | 0:39:39 | |
Reading what's on here and actually seeing the item is totally different. | 0:39:40 | 0:39:44 | |
The samurai sword could be worth a look. | 0:39:44 | 0:39:47 | |
Says early samurai sword but there's ways of telling. | 0:39:47 | 0:39:50 | |
But until you get there you're not going to know | 0:39:50 | 0:39:52 | |
until you start handling it and looking at it. | 0:39:52 | 0:39:56 | |
German M42 helmet. | 0:39:56 | 0:39:59 | |
It sounds funny, but I do like the look of that German war helmet. | 0:39:59 | 0:40:03 | |
I did see a thing about it and they're quiet collectible... | 0:40:03 | 0:40:06 | |
at the right price. | 0:40:06 | 0:40:08 | |
A little bit nervous but excited at the same time. | 0:40:10 | 0:40:14 | |
This is totally different to the one I've been to before. | 0:40:14 | 0:40:17 | |
Here we go. | 0:40:20 | 0:40:21 | |
Southgate Auction in North London sells goods | 0:40:23 | 0:40:27 | |
from house clearances and private vendors. | 0:40:27 | 0:40:30 | |
Lovely. Cheers, darling. | 0:40:30 | 0:40:32 | |
Just finding that little bit of treasure that's hidden, you never know. | 0:40:39 | 0:40:43 | |
But that's the thing, antiques aren't my thing. | 0:40:43 | 0:40:45 | |
A bit of Five Star! | 0:40:49 | 0:40:51 | |
You've got some sort of collectible cars here. | 0:40:51 | 0:40:54 | |
There's always people are after them. | 0:40:54 | 0:40:57 | |
Excuse me, sir. The samurai sword. | 0:40:57 | 0:40:59 | |
-The samurai sword? -Yeah. | 0:40:59 | 0:41:02 | |
-It's sort of disappeared. -Oh. That's interesting. OK. | 0:41:02 | 0:41:07 | |
I can't actually tell you why, but it's been withdrawn for the moment. | 0:41:07 | 0:41:13 | |
This is totally different to what I thought. | 0:41:14 | 0:41:17 | |
There's so many people. Everyone's sniffing out for that bargain. | 0:41:17 | 0:41:21 | |
But that's what it's all about. | 0:41:21 | 0:41:24 | |
Can I have a look at number 27, mate? | 0:41:24 | 0:41:26 | |
-You going to wear it? -HE CHUCKLES | 0:41:30 | 0:41:32 | |
Wear it inside. | 0:41:32 | 0:41:33 | |
Nothing like a bit of war memorabilia, eh? | 0:41:35 | 0:41:37 | |
Yeah, we'll see. We'll see. | 0:41:40 | 0:41:42 | |
..Is a German helmet. | 0:41:42 | 0:41:44 | |
World War II. | 0:41:46 | 0:41:48 | |
50 over there. 55. | 0:41:48 | 0:41:50 | |
55, sir. | 0:41:52 | 0:41:54 | |
60. Five. 70. Five. | 0:41:56 | 0:42:00 | |
80. Five. | 0:42:00 | 0:42:03 | |
90. | 0:42:03 | 0:42:05 | |
85 bid. 90 anywhere? | 0:42:05 | 0:42:08 | |
After tax and commission, Steve's won the helmet for £100. | 0:42:10 | 0:42:14 | |
Beautiful. | 0:42:15 | 0:42:17 | |
To be honest, I like anything to do with war. | 0:42:18 | 0:42:21 | |
I'm excited to have that. | 0:42:21 | 0:42:23 | |
I just need to sell it now. I don't want to keep it for myself. | 0:42:23 | 0:42:27 | |
I'd like to think I'll double me money, | 0:42:27 | 0:42:29 | |
but I just have to look into it. I have to look into it. | 0:42:29 | 0:42:32 | |
There should be some profit in there. | 0:42:33 | 0:42:35 | |
To find out more about his chess set, | 0:42:40 | 0:42:42 | |
Ernest's paying a visit to a leading bronze foundry. | 0:42:42 | 0:42:46 | |
Finding out who cast these pieces, you're halfway there because if they | 0:42:46 | 0:42:50 | |
cast it then they will know who commissioned it for it to be made. | 0:42:50 | 0:42:54 | |
They will know whether it's real or not. | 0:42:54 | 0:42:57 | |
The workshop is one of London's oldest and renowned sculptors, | 0:43:00 | 0:43:03 | |
including Henry Moore, cast pieces here. | 0:43:03 | 0:43:07 | |
Wow. Oh! | 0:43:07 | 0:43:09 | |
What's happening here? Wow. | 0:43:09 | 0:43:12 | |
-Nice to meet you. -Yeah. A nice old shed you've got here. | 0:43:14 | 0:43:18 | |
It's lovely, isn't it? | 0:43:18 | 0:43:20 | |
You wouldn't think some of those incredible pieces | 0:43:20 | 0:43:23 | |
get made in places like this. | 0:43:23 | 0:43:25 | |
It looks like something you see in the ET movies, you know, | 0:43:25 | 0:43:28 | |
the aliens coming out of their eggs. | 0:43:28 | 0:43:30 | |
It's amazing. Wow. | 0:43:30 | 0:43:32 | |
The business has been in the family of managing director | 0:43:32 | 0:43:35 | |
Philip Freiensener for three generations. | 0:43:35 | 0:43:39 | |
They're lovely castings. They're beautiful. | 0:43:39 | 0:43:45 | |
Beautiful little things. | 0:43:45 | 0:43:46 | |
What I feel it is, I feel it's all from that period. | 0:43:50 | 0:43:53 | |
That's one thing I'd be certain of is by saying that it shows... | 0:43:53 | 0:43:57 | |
-So what's that, 1950s...? -1950s, 1960s. | 0:43:57 | 0:44:00 | |
Probably mid-'50s, something like that. | 0:44:00 | 0:44:04 | |
There's nothing on here that looks like they were done last week. | 0:44:04 | 0:44:08 | |
I would say looking at the feel, colour and putty, | 0:44:08 | 0:44:11 | |
they're all from that period. | 0:44:11 | 0:44:14 | |
Little bit sort of Henry Moore, Lynn Chadwick | 0:44:15 | 0:44:19 | |
but I would suggest that they were all... | 0:44:19 | 0:44:21 | |
-..Armitage. -I'll show you some pictures here. | 0:44:22 | 0:44:26 | |
-Lots of research. -Yeah. | 0:44:27 | 0:44:31 | |
That's him there. That's Lynn Chadwick, that one. | 0:44:33 | 0:44:36 | |
No, sorry. Now I see this, it does look very similar. | 0:44:38 | 0:44:42 | |
Yeah, because I've seen many versions of this | 0:44:42 | 0:44:44 | |
when I was looking at a reference book. | 0:44:44 | 0:44:47 | |
It does look like a bit of a collaboration. | 0:44:47 | 0:44:51 | |
But the chances of someone fraudulently copying | 0:44:51 | 0:44:55 | |
all their styles so well, it would be impossible to believe almost. | 0:44:55 | 0:45:01 | |
Because they're done so well | 0:45:01 | 0:45:04 | |
that you feel that it's got to have the touch of each artist. | 0:45:04 | 0:45:08 | |
It's great that you're saying what I'm feeling. | 0:45:10 | 0:45:14 | |
The next thing is how would I get to authenticate it? | 0:45:14 | 0:45:18 | |
I do have a contact who's a dealer. Who actually... | 0:45:18 | 0:45:24 | |
deals with all the artists from this particular period. | 0:45:24 | 0:45:29 | |
He would be a very good source to speak to. | 0:45:29 | 0:45:32 | |
-Thank you very much. -That's fine. | 0:45:32 | 0:45:35 | |
-Thanks for bringing it in. -Yeah, nice to meet you too. | 0:45:35 | 0:45:39 | |
I've literally told all the brothers and sisters, | 0:45:43 | 0:45:46 | |
the ones who know me, I've told them all, I've said, | 0:45:46 | 0:45:48 | |
"Look, I finally got something back from the white man." | 0:45:48 | 0:45:52 | |
Yous have been going to Africa taking diamonds and gold, | 0:45:52 | 0:45:55 | |
so now I've got this art work. | 0:45:55 | 0:45:58 | |
It's very interesting, actually, I like that. | 0:45:58 | 0:46:00 | |
What reaction do you get when you say that? | 0:46:00 | 0:46:02 | |
They're like, "Yeah! Make sure he doesn't steal it off you." | 0:46:02 | 0:46:06 | |
Today we're hoping to get quite a lot of money for the wheel in particular. | 0:46:15 | 0:46:20 | |
I think that's a good earner. | 0:46:20 | 0:46:21 | |
I actually would like over £40 for it. | 0:46:22 | 0:46:26 | |
Safely back in Essex, Sharon and Al have put the wagon wheel | 0:46:28 | 0:46:31 | |
which they bought for about £5 into auction. | 0:46:31 | 0:46:34 | |
There's the wheel. | 0:46:37 | 0:46:39 | |
I think it should have been turned around the other way, it looks better the other way. | 0:46:39 | 0:46:44 | |
The couple have also entered some of their other stock into the sale. | 0:46:44 | 0:46:47 | |
That's me flashing bunny ears. | 0:46:50 | 0:46:51 | |
They're Marble Blasters, little toys. I've got about 290 of those. | 0:46:55 | 0:47:00 | |
I thought I'd throw a few in. | 0:47:01 | 0:47:03 | |
It's the wheel, on which Sharon's placed a £40 reserve, | 0:47:04 | 0:47:08 | |
which is attracting attention. | 0:47:08 | 0:47:10 | |
Someone's looking at it. | 0:47:12 | 0:47:13 | |
-Did he make a note of it at all? -I don't know. But he was interested. | 0:47:17 | 0:47:21 | |
Well, we live in a 13th century property | 0:47:23 | 0:47:25 | |
that used to be owned by Henry Ford. | 0:47:25 | 0:47:28 | |
We've got a big baronial lounge and it would look quite nice in there. | 0:47:28 | 0:47:33 | |
And that's if it's at the right price. | 0:47:34 | 0:47:37 | |
So, lot 123, which is the French wagon wheel ceiling light. | 0:47:41 | 0:47:45 | |
Starting at £20 for this lot. | 0:47:45 | 0:47:47 | |
£20 I've got here. 22. | 0:47:47 | 0:47:49 | |
25. 25. 28. 30. And two. | 0:47:50 | 0:47:53 | |
-It's going quite well. -Very high. | 0:47:56 | 0:47:58 | |
32. 34. 36. | 0:48:00 | 0:48:02 | |
38. £36 here. 38 I'll take. | 0:48:05 | 0:48:07 | |
38. 40 I'm looking for. £38 only then. | 0:48:08 | 0:48:11 | |
40 I'm looking for. | 0:48:11 | 0:48:13 | |
£38 on my right-hand side. At 38 then. | 0:48:13 | 0:48:16 | |
Bidding on the wheel falls £2 short of the reserve price. | 0:48:18 | 0:48:22 | |
People just don't know a bloody bargain when they see one. | 0:48:23 | 0:48:26 | |
-What's the matter with them? -Just don't know. | 0:48:26 | 0:48:28 | |
308 is a large quantity of children's new wrapped | 0:48:30 | 0:48:33 | |
Marble Blaster toys. | 0:48:33 | 0:48:35 | |
£5 here. Six I'm looking for. Six anywhere? | 0:48:35 | 0:48:39 | |
Despite the setback, Sharon and Al fare better on their other items. | 0:48:39 | 0:48:43 | |
The Marble Blasters, I mean, there's only 22 in there. | 0:48:44 | 0:48:48 | |
They sell for nine quid. | 0:48:48 | 0:48:50 | |
Really struggled to sell them, so I'm glad they're gone. | 0:48:50 | 0:48:54 | |
They sell bang on reserve. | 0:48:54 | 0:48:56 | |
They manage to sell four lots making £31 profit. | 0:48:57 | 0:49:00 | |
And as the auction moves outside, they decide to reinvest. | 0:49:03 | 0:49:07 | |
That pump there, two bid. Five. Eight. £8 a bid. A tenner. Ten bid. | 0:49:09 | 0:49:15 | |
12. 12 bid. For 15 a bid. 15 the pump. 15. Sold at 15. | 0:49:15 | 0:49:20 | |
Yeah, we got our pump. | 0:49:23 | 0:49:25 | |
Three quid more than I thought. | 0:49:25 | 0:49:26 | |
I thought it went up to 12, suddenly it went to 15. | 0:49:26 | 0:49:28 | |
As well as the water pump, | 0:49:31 | 0:49:32 | |
the couple snap up an antique knife sharpener, | 0:49:32 | 0:49:35 | |
a steel man hole cover and yet another scythe. | 0:49:35 | 0:49:40 | |
What money we did make, we've already reinvested. | 0:49:42 | 0:49:45 | |
We've ended up with a nice lot of stuff | 0:49:47 | 0:49:49 | |
that's going to make us even more money. | 0:49:49 | 0:49:52 | |
All auctions are swings and roundabouts. | 0:49:58 | 0:50:01 | |
Buying and selling's all swings and roundabouts. | 0:50:01 | 0:50:03 | |
It's always a gamble. | 0:50:03 | 0:50:05 | |
It really is always a gamble. But then, I'm always optimistic. | 0:50:05 | 0:50:10 | |
There is a huge possibility like when our working season is over, | 0:50:10 | 0:50:15 | |
the close season of boot sales to then make more trips up to | 0:50:15 | 0:50:19 | |
France and clean up, really. | 0:50:19 | 0:50:23 | |
I have bought a CD so I can actually hear it this time. | 0:50:23 | 0:50:27 | |
There is always money in muck. | 0:50:29 | 0:50:31 | |
You don't have to keep horses to get it. | 0:50:31 | 0:50:33 | |
Sold. Sold. Sold. Sold. | 0:50:42 | 0:50:46 | |
That's 9,500, that's an M35. | 0:50:46 | 0:50:48 | |
That's like 12,500. | 0:50:49 | 0:50:53 | |
Hoping to get a good return on his German war helmet, | 0:50:53 | 0:50:57 | |
Steve's researching prices online. | 0:50:57 | 0:51:00 | |
I'd love to get involved in all the war memorabilia, definitely. | 0:51:00 | 0:51:03 | |
Be honest, my grandad was in the war. | 0:51:03 | 0:51:06 | |
But I do know he was a prisoner of war with the Japs for four years. | 0:51:06 | 0:51:11 | |
The only I did ever ask him, I asked him, "How did you get caught?" | 0:51:11 | 0:51:15 | |
And all he said was he didn't run fast enough. | 0:51:15 | 0:51:18 | |
Make some use out of it. | 0:51:20 | 0:51:23 | |
The more I get for it, the more I can put into the next buy. | 0:51:23 | 0:51:27 | |
Just get me helmet checked out. | 0:51:30 | 0:51:33 | |
That didn't sound right, did it? | 0:51:33 | 0:51:35 | |
Encouraged by his research, Steve's considering putting | 0:51:35 | 0:51:39 | |
the helmet into a specialist military auction in nearby Rayleigh. | 0:51:39 | 0:51:42 | |
Hello. All right there? Good morning. Nice to meet you. | 0:51:47 | 0:51:50 | |
-And you. -Right. Here we go. | 0:51:50 | 0:51:53 | |
M42 as I'm led to believe. | 0:51:54 | 0:51:56 | |
-Indeed it is. How did you come buy it? -I got it at auction. -OK. | 0:51:57 | 0:52:01 | |
I had a little look around, I did find some numbers on it. | 0:52:01 | 0:52:04 | |
-Generally there is. -Q66. -Right, OK. | 0:52:04 | 0:52:08 | |
It's a shame you haven't got the leather insert. | 0:52:08 | 0:52:10 | |
-I know. -That's a shame. | 0:52:10 | 0:52:12 | |
Just for your guidance, we've got a very good military sale. | 0:52:12 | 0:52:14 | |
We've got about 400 lots of militaria and memorabilia. | 0:52:14 | 0:52:18 | |
So I think it would do reasonably well it if was to go into sale. | 0:52:18 | 0:52:21 | |
That's brilliant news. Great stuff. | 0:52:21 | 0:52:25 | |
The sale offers militaria from around the world, | 0:52:25 | 0:52:28 | |
attracting specialist dealers | 0:52:28 | 0:52:30 | |
and Steve decides it's the best place to try and sell his helmet. | 0:52:30 | 0:52:34 | |
180 is bid. 180. 190. | 0:52:34 | 0:52:37 | |
As the auction gets under way, the room is full of potential buyers. | 0:52:37 | 0:52:41 | |
Are we all done? | 0:52:41 | 0:52:43 | |
Fingers crossed I might get more than I was expecting. Who knows? | 0:52:45 | 0:52:50 | |
Lot 1865. | 0:52:50 | 0:52:52 | |
Black German military helmet. straight in at £80. | 0:52:52 | 0:52:57 | |
85 anywhere? Are we all done at £80? | 0:53:00 | 0:53:03 | |
And five. 90. Five. £100. At £100 now. | 0:53:03 | 0:53:07 | |
Any advances? Last chance then. I shall sell at 10... 110, new bidder. | 0:53:07 | 0:53:13 | |
Going on again, 120. | 0:53:13 | 0:53:15 | |
At £120. | 0:53:15 | 0:53:17 | |
Last chance. are you all done? At 120. | 0:53:17 | 0:53:21 | |
Sell at 120. Thank you. | 0:53:21 | 0:53:23 | |
It might not be a big payday, | 0:53:25 | 0:53:27 | |
but the helmet is the first lot Steve's ever sold. | 0:53:27 | 0:53:29 | |
Bought it for 85, with the commission and everything, it was 105. | 0:53:31 | 0:53:36 | |
So I've made £15. | 0:53:36 | 0:53:39 | |
I'm not going to retire on that, but again, it's all about learning. | 0:53:39 | 0:53:43 | |
Convinced his future lies in trading, | 0:53:54 | 0:53:56 | |
Steve's even converted his shed into a lock up. | 0:53:56 | 0:53:59 | |
Want it to be full of stuff. | 0:54:00 | 0:54:03 | |
I don't even want to be able to open the door. | 0:54:03 | 0:54:05 | |
I want to squeeze in, fight my way through. | 0:54:05 | 0:54:08 | |
Keep it all out of the Mrs' way. | 0:54:08 | 0:54:11 | |
Yeah, I think it will be a nice little area. | 0:54:11 | 0:54:13 | |
I'm not too fussed what it is as long as it's going to make me money. | 0:54:13 | 0:54:17 | |
As long as there's a profit in it, that's what it's all about. Profit. | 0:54:17 | 0:54:22 | |
Making money. So, yeah, it's good. | 0:54:22 | 0:54:24 | |
In West London, Ernest has an appointment with | 0:54:30 | 0:54:32 | |
a top 20th century art dealer to value his chess set. | 0:54:32 | 0:54:36 | |
I already feel and understand the outcome. | 0:54:37 | 0:54:40 | |
Therefore there's no space to be really, | 0:54:40 | 0:54:43 | |
really excited because it's already expected something like that. | 0:54:43 | 0:54:47 | |
Maybe when the money's there and looking where to spend it, | 0:54:47 | 0:54:53 | |
I might get excited now and then, but I'm not going to be jumping | 0:54:53 | 0:54:57 | |
and cuddling anyone because the man's told me it's worth five million. | 0:54:57 | 0:55:01 | |
-Ah, good afternoon. Ernest. -Keith Champman. | 0:55:07 | 0:55:10 | |
Nice to meet you. How are you? | 0:55:10 | 0:55:12 | |
Keith Chapman is an expert on the three artists Ernest believes | 0:55:13 | 0:55:18 | |
made his chess set. | 0:55:18 | 0:55:20 | |
-Did you find any markings on anything? -No, I've been looking. | 0:55:20 | 0:55:23 | |
Sometimes the markings are tiny. | 0:55:25 | 0:55:28 | |
I've looked so much that I thought I saw some marks, | 0:55:28 | 0:55:30 | |
but maybe it's just my mind. | 0:55:30 | 0:55:32 | |
I've never seen anything like these. | 0:55:33 | 0:55:35 | |
That's very Henry Moore. | 0:55:37 | 0:55:40 | |
That's very, very Henry Moore. | 0:55:40 | 0:55:43 | |
That's very Kenneth Armitage. | 0:55:44 | 0:55:47 | |
It's sort of... | 0:55:47 | 0:55:49 | |
-It's a bit stiff. -Stiff? | 0:55:50 | 0:55:54 | |
Well. | 0:55:54 | 0:55:57 | |
Yeah, it is stiff, it's bronze. | 0:55:57 | 0:56:00 | |
To me they don't look as though they were cast in the 1950s. | 0:56:00 | 0:56:05 | |
When do they look like they're casted? | 0:56:05 | 0:56:07 | |
To me they don't look desperately old. | 0:56:07 | 0:56:10 | |
They maybe 20 years old. | 0:56:10 | 0:56:12 | |
-30 years old, something like that. -OK. | 0:56:12 | 0:56:16 | |
From what I can see, they're just copies of... | 0:56:16 | 0:56:19 | |
Miniature copies of these artists' work. | 0:56:19 | 0:56:23 | |
Somebody has come along, makes a chess set using those three artists. | 0:56:23 | 0:56:29 | |
-This is what... OK, that is what you feel is happening here? -Yeah. | 0:56:29 | 0:56:35 | |
-It's definitely not that artist? -No. -OK. | 0:56:35 | 0:56:37 | |
These are all patented green. | 0:56:37 | 0:56:40 | |
Armitage at that sort of time he would rarely use that green. | 0:56:40 | 0:56:45 | |
-It would be brown. -There's always something unknown... | 0:56:45 | 0:56:49 | |
-Well, there is. -..about artists or whatever. | 0:56:49 | 0:56:52 | |
For instance, the fine works that were unknown, | 0:56:52 | 0:56:56 | |
-whether it's The Beatles or Bob Marley, whoever. -Yeah. | 0:56:56 | 0:57:01 | |
Henry Moore's work was tremendously well documented, but there is | 0:57:01 | 0:57:07 | |
always the slight chance that something might be missed. | 0:57:07 | 0:57:10 | |
-Thanks very much. -Sorry my news wasn't quite what you wanted it. | 0:57:10 | 0:57:16 | |
-No need to be sorry. Thank you very much. -Thank you. | 0:57:16 | 0:57:20 | |
I know he's wrong. And these experts do sometimes make mistakes. | 0:57:27 | 0:57:31 | |
I'm going to continue the research and I'm going to find that | 0:57:31 | 0:57:34 | |
information that proves that it's real. | 0:57:34 | 0:57:36 | |
-So you're not giving up? -How can you give up? | 0:57:36 | 0:57:40 | |
If you've got something like this, how can you give up? | 0:57:40 | 0:57:42 | |
Every time you look at it you know it's something incredible. | 0:57:42 | 0:57:47 | |
I'm going to prove him wrong. This chess set is history making. | 0:57:47 | 0:57:51 | |
It's Kate Moss! Hello, madam. | 0:57:56 | 0:57:59 | |
Now that I've got your attention, can I interest you in some earmuffs? | 0:57:59 | 0:58:02 | |
£3 a pair. Keep yourself lovely and warm when you're watching the rugby. | 0:58:02 | 0:58:05 | |
One day I will buy something and I will make a bloody fortune. | 0:58:05 | 0:58:09 | |
This is Willie Morgan. | 0:58:09 | 0:58:10 | |
-How much have you paid for it? -A tenner. | 0:58:11 | 0:58:15 | |
You've done very well. | 0:58:15 | 0:58:17 | |
I can feel some money on the end of this. | 0:58:17 | 0:58:20 | |
A top end buyer, at £3,000 I would thought. | 0:58:20 | 0:58:23 | |
HE CHUCKLES | 0:58:24 | 0:58:26 |