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This programme contains some strong language | 0:00:02 | 0:00:06 | |
All over Britain, | 0:00:06 | 0:00:08 | |
a unique breed of entrepreneur is on the make. | 0:00:08 | 0:00:11 | |
It's just become 100 years old, so it has just become an antique. | 0:00:11 | 0:00:14 | |
HORN BLARES | 0:00:14 | 0:00:16 | |
The flames are beautiful. This will be so easy to sell. | 0:00:16 | 0:00:19 | |
For these real-life Del Boys, everything and anything is for sale. | 0:00:19 | 0:00:24 | |
What do you think of that? You know who it is, don't you? | 0:00:24 | 0:00:27 | |
For fresh stock, they head to a very particular type of auction house... | 0:00:27 | 0:00:31 | |
Mickey Mouse. Three, four. Four. | 0:00:31 | 0:00:34 | |
Anybody else want the bag of earmuffs for six quid? | 0:00:34 | 0:00:37 | |
..sifting through the junk in search of buried treasure. | 0:00:38 | 0:00:41 | |
If that's a genuine Rolex watch...! | 0:00:41 | 0:00:45 | |
He's bought a Porsche, hasn't he?! | 0:00:45 | 0:00:48 | |
-It's moody, isn't it? I can tell by your face. -Yeah. | 0:00:48 | 0:00:52 | |
But will any of these dealers discover the lot that will | 0:00:52 | 0:00:55 | |
make the millionaires? | 0:00:55 | 0:00:57 | |
-If it was authentic, you know... -£200,000? | 0:00:57 | 0:01:00 | |
HE LAUGHS | 0:01:00 | 0:01:02 | |
I hope I find a nice something that's worth millions of pounds | 0:01:02 | 0:01:05 | |
and I can never work again. | 0:01:05 | 0:01:07 | |
Lot 76. | 0:01:17 | 0:01:18 | |
Blimey O'Reilly, look at that, eh? | 0:01:18 | 0:01:21 | |
The Bolton Auction Rooms is an Aladdin's cave | 0:01:23 | 0:01:25 | |
of the weird and wonderful. | 0:01:25 | 0:01:28 | |
257, a mobility walker. | 0:01:28 | 0:01:31 | |
This is one of Britain's so-called trash-and-treasure auctions, | 0:01:31 | 0:01:34 | |
where literally everything is up for grabs. | 0:01:34 | 0:01:38 | |
A Buddha, a cash register and a pencil sharpener. | 0:01:38 | 0:01:42 | |
A geisha's pillow, constructed in bamboo. | 0:01:42 | 0:01:44 | |
Where would you like to be? £20 for it? | 0:01:44 | 0:01:46 | |
It's a mecca for wheelers and dealers, | 0:01:46 | 0:01:49 | |
all hoping to strike it rich. | 0:01:49 | 0:01:51 | |
They come and have a browse round. They go through the boxes, | 0:01:54 | 0:01:57 | |
open it to find the treasure. | 0:01:57 | 0:01:58 | |
And it has happened on quite a few occasions. | 0:01:58 | 0:02:01 | |
You know, like I say, this literally came in today. | 0:02:01 | 0:02:04 | |
This is... We don't know where it's going to go. | 0:02:04 | 0:02:06 | |
It could make ten quid, it could make £200. | 0:02:06 | 0:02:09 | |
We've had some really, really good achievements. | 0:02:09 | 0:02:12 | |
You know, not everything goes for 10, 20 quid. | 0:02:12 | 0:02:15 | |
We've had literally thousands of pounds on one item. | 0:02:15 | 0:02:19 | |
-INTERVIEWER: -What have you got there? | 0:02:22 | 0:02:25 | |
I've got a Newfoundland moose from 1892 that my mum inherited. | 0:02:25 | 0:02:29 | |
I'm hoping to sell it, yeah, on behalf of my mother, yeah, | 0:02:29 | 0:02:32 | |
see what I can get for it. | 0:02:32 | 0:02:34 | |
Most of the lots at the auction come from private vendors, | 0:02:35 | 0:02:38 | |
hoping to earn some extra cash. | 0:02:38 | 0:02:40 | |
It is a nice piece, yeah. It's a nice big lump. | 0:02:42 | 0:02:47 | |
My wife wouldn't even go in the spare bedroom while it was there! | 0:02:47 | 0:02:51 | |
She wanted rid of it. | 0:02:52 | 0:02:54 | |
-INTERVIEWER: -Who buys this stuff? -Who knows, who knows? | 0:02:54 | 0:02:57 | |
Each to their own, isn't it? | 0:02:57 | 0:02:59 | |
I mean, it's not my cup of tea, exactly, but, you know... | 0:02:59 | 0:03:02 | |
There are buyers for it. We've sold them before, actually. | 0:03:02 | 0:03:06 | |
Normally, if they are a bit scruffy and a bit scraggy, I won't normally | 0:03:06 | 0:03:09 | |
take them, but that is just a good one, so yes, I think she'll do OK. | 0:03:09 | 0:03:13 | |
VENDOR CALLS TO CUSTOMERS | 0:03:13 | 0:03:16 | |
All you guys looking for a bargain, look no further. | 0:03:18 | 0:03:20 | |
Right, here it is today. | 0:03:20 | 0:03:23 | |
One of Bolton Auction's most experienced customers | 0:03:23 | 0:03:27 | |
is lifelong dealer Danny. | 0:03:27 | 0:03:29 | |
I feel that I'm quite a good trader, you know, in whatever commodity. | 0:03:29 | 0:03:33 | |
Come on! Who's next? Hey, lovely. | 0:03:33 | 0:03:35 | |
'I've got style. Character. Charm. | 0:03:35 | 0:03:40 | |
'Charisma. I've got all them, erm...' | 0:03:40 | 0:03:44 | |
qualities. | 0:03:44 | 0:03:45 | |
That's lovely. Thank you very much. | 0:03:45 | 0:03:48 | |
There's another happy customer. There's another happy customer. | 0:03:48 | 0:03:51 | |
Danny buys stock up north and sells on at car-boot sales | 0:03:51 | 0:03:55 | |
in the wealthier parts of London, like this one in Chiswick. | 0:03:55 | 0:03:59 | |
A bricklayer's tools is a trowel, and my tools is cash. | 0:03:59 | 0:04:03 | |
Whoa, you be careful, now. All breakages must be paid for. | 0:04:03 | 0:04:08 | |
Every week, I'm going to auctions, I'm buying, so just get it, put | 0:04:08 | 0:04:12 | |
a little bit of profit on it, move it on, and get onto the next thing. | 0:04:12 | 0:04:15 | |
Hey, hold on. Left my frying pan on. | 0:04:15 | 0:04:18 | |
Ooh. PAN SIZZLES | 0:04:20 | 0:04:22 | |
Got to make sure you look after yourself, eat a bit of food. | 0:04:22 | 0:04:26 | |
When he was growing up, Danny regularly went to auctions | 0:04:26 | 0:04:29 | |
with his mum. | 0:04:29 | 0:04:30 | |
But things changed when he was aged 14. | 0:04:30 | 0:04:33 | |
My dad died when I was very young. | 0:04:33 | 0:04:35 | |
You know, after my dad died, I went off the rails a little bit, | 0:04:35 | 0:04:39 | |
you know. | 0:04:39 | 0:04:40 | |
A couple of years after that, you know, I'd sort of got myself in trouble with the law as well. | 0:04:40 | 0:04:45 | |
I suppose what was at the forefront of my mind was, you know, the good | 0:04:45 | 0:04:49 | |
old days when I used to be at the auction with my mum and so forth. | 0:04:49 | 0:04:53 | |
You know, I got back into auctions and buying and selling, and I've never looked back since. | 0:04:53 | 0:04:58 | |
Danny's now been crisscrossing the country, buying and selling, | 0:04:59 | 0:05:03 | |
for more than ten years. | 0:05:03 | 0:05:04 | |
-Where's my brew, man? -Coming! | 0:05:06 | 0:05:08 | |
When he's not on the road, home is Clitheroe, Lancashire, | 0:05:08 | 0:05:12 | |
where he lives with Jo, their five-year-old, Kiona, | 0:05:12 | 0:05:15 | |
and Jo's two daughters. | 0:05:15 | 0:05:17 | |
Eat up, Kiona, eat up. | 0:05:17 | 0:05:18 | |
One week I'm up here, the other week I'm not up here - | 0:05:21 | 0:05:23 | |
I'm down south or I'm on the road. | 0:05:23 | 0:05:25 | |
I'm on the road quite a lot and I sort of trade in London. | 0:05:25 | 0:05:28 | |
-INTERVIEWER: -Would you rather he was here all the time? | 0:05:28 | 0:05:31 | |
Um, no - I don't think I'd rather he'd be here all the time. | 0:05:31 | 0:05:34 | |
It would probably be a bit too much, | 0:05:34 | 0:05:35 | |
especially with the kids being teenagers and the clash | 0:05:35 | 0:05:39 | |
of personalities, because he's a bit of a kid at heart, really. | 0:05:39 | 0:05:42 | |
Eat. Eat. | 0:05:42 | 0:05:44 | |
He does my head in, a bit. | 0:05:44 | 0:05:47 | |
It's his high-pitched voice. Like... | 0:05:47 | 0:05:48 | |
SHE IMITATES DANNY | 0:05:48 | 0:05:50 | |
You be a good girl, are you listening? You listening? | 0:05:50 | 0:05:54 | |
-He comes and goes when he pleases. -When he needs to go, he needs to go. | 0:05:54 | 0:05:59 | |
I don't lose on anything, really. I just don't lose. | 0:06:01 | 0:06:06 | |
I think I'm quite good, you know, | 0:06:06 | 0:06:09 | |
in spotting a bargain, knowing a bargain and moving it on. | 0:06:09 | 0:06:13 | |
It's the pre-auction viewing - | 0:06:13 | 0:06:16 | |
a chance for punters to check out the lots before the next sale. | 0:06:16 | 0:06:20 | |
And Danny's on the hunt. | 0:06:21 | 0:06:23 | |
We all want to find something, every one of us, you know. | 0:06:26 | 0:06:29 | |
Bag of gold, or Rolex watch... | 0:06:29 | 0:06:31 | |
We're all know after it, you know, | 0:06:31 | 0:06:33 | |
and I want it as much as the next man. | 0:06:33 | 0:06:35 | |
Impressive, isn't it? It's impressive. It's quite nice. | 0:06:47 | 0:06:52 | |
Quite a big... The ears are a bit... | 0:06:52 | 0:06:55 | |
If the antlers were symmetrical, it'd be nice. | 0:06:55 | 0:06:58 | |
If it was symmetrical... | 0:06:58 | 0:07:00 | |
It looks more pretty if they're symmetrical. | 0:07:00 | 0:07:02 | |
Yeah, it does look nice. | 0:07:05 | 0:07:07 | |
Yeah, probably too nice, you know. Probably too nice, really. | 0:07:07 | 0:07:12 | |
Probably find that, you know... | 0:07:12 | 0:07:14 | |
everybody's really going to be on it. That's what you might find. | 0:07:14 | 0:07:18 | |
In Pontypridd, South Wales, two young wheeler-dealers | 0:07:23 | 0:07:26 | |
are also hoping to get lucky. | 0:07:26 | 0:07:28 | |
INDISTINCT | 0:07:28 | 0:07:31 | |
Always check to see if there's any writing on the bellies and stuff, | 0:07:33 | 0:07:36 | |
because I've bought toys in the past where you look at them, | 0:07:36 | 0:07:39 | |
you think, "Oh, that's really nice, they're all brand-new," | 0:07:39 | 0:07:42 | |
so you kind of just quickly bid on them, move on. Later on, | 0:07:42 | 0:07:45 | |
you buy them and it's got something like "Happy 21st", or "Happy 18th", | 0:07:45 | 0:07:49 | |
so then you're restricted to the sort of one market. | 0:07:49 | 0:07:52 | |
24-year-old Ieuan and 17-year-old sidekick Kern | 0:07:52 | 0:07:57 | |
deal in low-value items from their local auction house. | 0:07:57 | 0:08:00 | |
They'd be quite cool as picture frames or something. | 0:08:01 | 0:08:04 | |
Put a back on the back, there. | 0:08:04 | 0:08:06 | |
"Blue crate including irons, | 0:08:06 | 0:08:07 | |
"kettles, phone and a toaster." | 0:08:07 | 0:08:10 | |
You have a little one by there... | 0:08:10 | 0:08:11 | |
And you could have picture frames, then, all along your wall. | 0:08:11 | 0:08:14 | |
12 iPhone 5, and 12 iPhone 4 cases. | 0:08:14 | 0:08:18 | |
The lads began trading together six months ago to top up their wages | 0:08:18 | 0:08:21 | |
from the local supermarket. | 0:08:21 | 0:08:23 | |
Lot 64, Red Arrows picture. Two to start. | 0:08:23 | 0:08:26 | |
Two, thank you. Three. Four, four. Five, five. | 0:08:26 | 0:08:30 | |
Six? Five by the door. Looking for £6. £5. | 0:08:30 | 0:08:34 | |
Five for eight. | 0:08:34 | 0:08:36 | |
'Some people were born with, you know... Mum and Dad are loaded, | 0:08:36 | 0:08:40 | |
'so they never actually have to earn the money that they get. | 0:08:40 | 0:08:43 | |
'Other people,' | 0:08:43 | 0:08:44 | |
like me and Kern, we've had to start from the bottom, with nothing. | 0:08:44 | 0:08:48 | |
Buying and selling crisps, chocolate and that, | 0:08:48 | 0:08:50 | |
and then building yourself up from there. | 0:08:50 | 0:08:53 | |
There's nothing like the feeling of getting money. | 0:08:54 | 0:08:57 | |
I think working for your money and getting out there | 0:08:57 | 0:09:00 | |
and learning what you do in life is the best way to be. | 0:09:00 | 0:09:03 | |
DOG BARKS | 0:09:03 | 0:09:05 | |
-INTERVIEWER: -Do you think this is how Alan Sugar started out? | 0:09:05 | 0:09:08 | |
I'd like to think so. | 0:09:08 | 0:09:11 | |
Yes, I imagine this is how he started off. | 0:09:11 | 0:09:14 | |
Yeah, I'd love to be a millionaire. | 0:09:14 | 0:09:16 | |
Get a nice house, nice wife, maybe a holiday once or twice a year. | 0:09:16 | 0:09:20 | |
The things that I didn't have when I was a kid. | 0:09:20 | 0:09:22 | |
I never went on holiday when I was a kid. | 0:09:22 | 0:09:24 | |
Do you mind if I take your radiator and have a quick delve in the skip? | 0:09:24 | 0:09:28 | |
Help yourself. | 0:09:28 | 0:09:30 | |
We'll have that away for starters, Kern. | 0:09:30 | 0:09:33 | |
Grab that a sec. | 0:09:33 | 0:09:35 | |
Oh, I can't really... | 0:09:35 | 0:09:36 | |
It's not massive, like, but it all adds up. | 0:09:38 | 0:09:40 | |
With low returns on their current stock, | 0:09:43 | 0:09:45 | |
Ieuan and Kern are now looking to up their profit margin. | 0:09:45 | 0:09:49 | |
They're planning a trip to a London auction house, | 0:09:49 | 0:09:52 | |
which could transform their business. | 0:09:52 | 0:09:54 | |
'Obviously, I'm never going to become a millionaire | 0:09:56 | 0:09:59 | |
'if I just keep selling stuff at the table-top sales,' | 0:09:59 | 0:10:03 | |
you know, selling Christmas cards, birthday cards, shoes... | 0:10:03 | 0:10:08 | |
Greasby's Auctioneers is well known amongst traders for selling | 0:10:10 | 0:10:13 | |
unclaimed suitcases and lost property. | 0:10:13 | 0:10:16 | |
One guy paid £40 for a bag and found £1,000 worth of silver coins. | 0:10:17 | 0:10:23 | |
So you think, "Well, if he can do it, so can I." | 0:10:23 | 0:10:27 | |
Here we go. First lot of 852. | 0:10:27 | 0:10:32 | |
Armed with a catalogue for the next auction, | 0:10:32 | 0:10:35 | |
Ieuan and Kern are targeting brand-name luggage. | 0:10:35 | 0:10:39 | |
'You're more likely to find hidden treasure inside a designer suitcase. | 0:10:39 | 0:10:44 | |
'If it's designer, people tend to have a lot more money.' | 0:10:44 | 0:10:47 | |
Samsonite is an expensive make, see. | 0:10:47 | 0:10:49 | |
There's another good make, John Lewis. | 0:10:49 | 0:10:52 | |
I might find a Ming vase that's worth a couple of million pound. | 0:10:52 | 0:10:55 | |
You just don't know what treasure you're going to find. | 0:10:55 | 0:10:58 | |
It's 6am and the lads are off to catch the early coach. | 0:10:59 | 0:11:03 | |
I've got my luggage scales, I've got my scales for jewellery, I've got... | 0:11:08 | 0:11:12 | |
I've got my list of designer bags to look out for. So I've prepared | 0:11:14 | 0:11:18 | |
as good as I can, and I've brought as much money and as I've got, so... | 0:11:18 | 0:11:23 | |
While Ieuan's been to London once, on a school trip, | 0:11:24 | 0:11:27 | |
Kern's never visited before. | 0:11:27 | 0:11:30 | |
My mum's excited for me to come down to London. | 0:11:30 | 0:11:34 | |
You know what mothers are like. | 0:11:34 | 0:11:36 | |
"Tuck your shirt in, put your shoelaces in." | 0:11:36 | 0:11:38 | |
Pat your hair down. She's been nervous, but she's excited for me. | 0:11:38 | 0:11:42 | |
520 in the room? | 0:11:48 | 0:11:50 | |
-Room has it at 520. 530? -540. -540. | 0:11:50 | 0:11:54 | |
It's the auction in Bolton, and there are 300 lots up for sale. | 0:11:54 | 0:11:58 | |
-530? -540. -540. 560. | 0:11:58 | 0:12:02 | |
Marvellous. | 0:12:02 | 0:12:04 | |
It's a full house, and prices are high. | 0:12:05 | 0:12:08 | |
There we go, it's straight in at £800. And 20? | 0:12:08 | 0:12:12 | |
At £800. | 0:12:12 | 0:12:15 | |
One of the last items on the list is the antique caribou's head. | 0:12:15 | 0:12:20 | |
'It might be just what somebody's looking for.' | 0:12:21 | 0:12:24 | |
You know, to go above their fireplace, you know. | 0:12:24 | 0:12:28 | |
The one they've got has got one ear, you know, and this one's... | 0:12:28 | 0:12:33 | |
pretty much pristine. You've got to take a punt in this game! | 0:12:33 | 0:12:37 | |
If you don't take chances and gambles in this game, you ain't going to | 0:12:37 | 0:12:41 | |
make it! You're just going to be another...bod who... | 0:12:41 | 0:12:44 | |
"Oh, yeah, I bought that for two quid and I sold it for eight." | 0:12:44 | 0:12:47 | |
I think you can trade that and get a healthy profit. | 0:12:50 | 0:12:53 | |
The bigger, the better. The bigger, the better. So... | 0:12:56 | 0:12:59 | |
Just see how it goes. See how it goes. | 0:12:59 | 0:13:01 | |
Here you go. This is one I think you've been waiting for. A caribou. | 0:13:02 | 0:13:07 | |
Mentioned being once in the possession of the British Museum. | 0:13:09 | 0:13:12 | |
It must have been on loan there. | 0:13:12 | 0:13:14 | |
It's very well mounted, and a very rare opportunity to purchase. | 0:13:14 | 0:13:18 | |
Let's say, what, £300 for it? 300? | 0:13:18 | 0:13:23 | |
SILENCE | 0:13:23 | 0:13:26 | |
I don't know where you'd buy another. There's none in B&Q. | 0:13:27 | 0:13:30 | |
At £300? | 0:13:30 | 0:13:32 | |
No? | 0:13:34 | 0:13:35 | |
280, I dare say? Neck on the block now at 280, for the caribou. | 0:13:38 | 0:13:42 | |
At 280. | 0:13:42 | 0:13:44 | |
270. | 0:13:45 | 0:13:46 | |
-270. -Yeah, go on. -Expected a lot of interest in this. | 0:13:48 | 0:13:52 | |
There has been a lot of interest expressed. | 0:13:52 | 0:13:54 | |
280. | 0:13:54 | 0:13:56 | |
No, you can't find room in your home for him? | 0:13:56 | 0:13:59 | |
It's here to be sold. | 0:14:01 | 0:14:02 | |
It's with you. | 0:14:03 | 0:14:06 | |
That's a good day's work, even as a novice. It's got to be. | 0:14:06 | 0:14:09 | |
That's a good day's work. | 0:14:09 | 0:14:10 | |
I thought, to be quite honest with you, that it was going to go... | 0:14:10 | 0:14:13 | |
He even said, didn't he, "There's plenty of interest," eh? | 0:14:13 | 0:14:16 | |
When I'm about... | 0:14:16 | 0:14:19 | |
With the auctioneer's commission, and tax, | 0:14:21 | 0:14:24 | |
Danny's paid £319 for the caribou's head. | 0:14:24 | 0:14:27 | |
Ooh-woargh! I can feel some money on the end of this. I can feel it. | 0:14:29 | 0:14:34 | |
Without a doubt, I've got one over this place. | 0:14:34 | 0:14:37 | |
I've got one over here, you know. They've... I can't believe it. | 0:14:37 | 0:14:41 | |
They have give this... | 0:14:41 | 0:14:42 | |
They've given me this for chicken feed. | 0:14:42 | 0:14:44 | |
Mind your tops. There you go. | 0:14:44 | 0:14:47 | |
In the hunt for hidden treasure, | 0:14:49 | 0:14:51 | |
some of Bolton's traders search in the unlikeliest of places. | 0:14:51 | 0:14:56 | |
Somebody bought a box of bric-a-brac and what it had, | 0:14:56 | 0:15:01 | |
it was valued at over £700, and he only paid about a fiver for the box. | 0:15:01 | 0:15:05 | |
Mum-of-three Val bids on boxes of bric-a-brac in the hope | 0:15:05 | 0:15:10 | |
of finding undiscovered riches. | 0:15:10 | 0:15:13 | |
My daughter goes mad at me. "Why are you going in there again for?" | 0:15:13 | 0:15:16 | |
But she don't mind when, you know, I buy something | 0:15:16 | 0:15:19 | |
and gain a good price and it pays for her holiday. What is it, that? | 0:15:19 | 0:15:23 | |
-Truncheon. -How do you know it's not a rounders bat? | 0:15:23 | 0:15:26 | |
For all we know, there could be a diamond ring | 0:15:26 | 0:15:29 | |
at the bottom of that box. And you won't know till you get home. | 0:15:29 | 0:15:32 | |
All sorts of bits and bobs there... | 0:15:36 | 0:15:38 | |
For the past 12 months, Val's been an auction regular, | 0:15:40 | 0:15:43 | |
and she never misses the weekly sale. | 0:15:43 | 0:15:46 | |
Fiver for it, surely. £5 the box. | 0:15:46 | 0:15:49 | |
£5. It needs to be sold. | 0:15:49 | 0:15:51 | |
Indian tea set. | 0:15:51 | 0:15:54 | |
I don't know anything about it, it's just nice. | 0:15:54 | 0:15:56 | |
It's an addiction. | 0:15:56 | 0:15:58 | |
I'm always on Facebook, eBay, Gumtree, | 0:15:58 | 0:16:02 | |
I go to the auction once a week. | 0:16:02 | 0:16:04 | |
I go car-booting when I can. You know, it's got to be done. | 0:16:04 | 0:16:07 | |
I've spent a fortune and I don't know what I've bought! | 0:16:10 | 0:16:14 | |
Although yet to unearth anything of real value, | 0:16:14 | 0:16:18 | |
Val's amassed a varied collection of stock. | 0:16:18 | 0:16:20 | |
I know it's an American. | 0:16:21 | 0:16:23 | |
And it dances like that. | 0:16:23 | 0:16:25 | |
I paid about 20 quid for it, | 0:16:26 | 0:16:28 | |
and I've been told it's valued about 90 quid now. | 0:16:28 | 0:16:32 | |
I think it's a 1920s, maybe earlier, German doll. | 0:16:32 | 0:16:37 | |
It's got the markings at the back. | 0:16:37 | 0:16:40 | |
There you go. | 0:16:40 | 0:16:42 | |
What do you think of that? You know who it is, don't you? | 0:16:42 | 0:16:46 | |
One day, I will buy something and I'll make a bloody fortune. | 0:16:46 | 0:16:51 | |
Val lives on her own in a flat just outside Bolton. | 0:16:56 | 0:17:00 | |
She sells her stock at local car-boot sales | 0:17:00 | 0:17:04 | |
but dreams of bigger things. | 0:17:04 | 0:17:07 | |
I'd like to have a little shop, sell a few antiques. | 0:17:07 | 0:17:10 | |
They don't have to be that valuable, just nice. I'd like a little shop. | 0:17:10 | 0:17:16 | |
I think I'd love that. | 0:17:16 | 0:17:17 | |
Somebody'll buy this. | 0:17:19 | 0:17:21 | |
With sports memorabilia going for high prices, | 0:17:21 | 0:17:24 | |
Val's hoping a print of a '70s footballer, | 0:17:24 | 0:17:26 | |
bought at a car-boot sale, might be the thing to set her on her way. | 0:17:26 | 0:17:31 | |
This is Willie Morgan. | 0:17:31 | 0:17:32 | |
-SHE CHUCKLES -Don't make me laugh. | 0:17:32 | 0:17:35 | |
-But I remember when he used to play for Bolton, cos I used to fancy him. -SHE LAUGHS | 0:17:37 | 0:17:42 | |
I think it is a collectable thing. | 0:17:42 | 0:17:45 | |
It's signed, and I'm going to see how much I can get for it. | 0:17:45 | 0:17:49 | |
To find out how much the print might be worth, | 0:17:54 | 0:17:57 | |
Val's turning to the auction house. | 0:17:57 | 0:17:59 | |
Val is one of our regular clients. A very colourful character. | 0:18:02 | 0:18:06 | |
Lovely, lovely lady. | 0:18:06 | 0:18:07 | |
Hang on. | 0:18:07 | 0:18:09 | |
She is learning very, very quickly, actually. | 0:18:09 | 0:18:11 | |
I've given her a few reference books just to check things on, and... | 0:18:11 | 0:18:16 | |
I try to help her in any way we can. | 0:18:17 | 0:18:19 | |
I do tell her what to look for, and... Well, basically, | 0:18:21 | 0:18:26 | |
I tell her now, anything she can put in her pocket, | 0:18:26 | 0:18:29 | |
rather than anything big. | 0:18:29 | 0:18:30 | |
Morning. | 0:18:33 | 0:18:34 | |
Oh, my word. | 0:18:34 | 0:18:36 | |
Oh, don't say it's bloody crap. | 0:18:38 | 0:18:39 | |
-What do you think of this? -Oh, my word. -Is it a good 'un? | 0:18:42 | 0:18:47 | |
Yeah, it's OK. It's, erm... | 0:18:49 | 0:18:52 | |
It's obviously a print, obviously. You know that. | 0:18:53 | 0:18:57 | |
-How much have you paid for it? -A tenner. -A tenner? | 0:18:57 | 0:19:01 | |
-You've done very well. You've done very well. -I thought that. | 0:19:01 | 0:19:05 | |
Do you want the good news, or the bad news? | 0:19:07 | 0:19:10 | |
-It's what we call a facsimile, so it's a print. -Yeah. | 0:19:10 | 0:19:14 | |
-It's part of the print. -Yeah. -It's not actually been signed by... | 0:19:14 | 0:19:17 | |
-Right. -If we put that in at auction, you'd probably get 20 quid for it. | 0:19:17 | 0:19:21 | |
-Get lost! No, no. -AUCTIONEER LAUGHS | 0:19:21 | 0:19:24 | |
Here, put it on its side. | 0:19:24 | 0:19:26 | |
-It easier to carry. -I know it is. | 0:19:26 | 0:19:28 | |
Huh? | 0:19:28 | 0:19:29 | |
Oh, he's hard work. | 0:19:31 | 0:19:33 | |
-See you, Alan! See you, Kaylee! -See you, Val. Bye! -Bye! | 0:19:33 | 0:19:37 | |
'I think, to a Bolton fan, I think it'll be worth a bit more.' | 0:19:39 | 0:19:43 | |
You know, a true Bolton fan. It'll mean a lot to somebody, this. | 0:19:43 | 0:19:47 | |
And what I sell it, I'll let you know. | 0:19:47 | 0:19:49 | |
I'll tell you how much profit I've made. | 0:19:49 | 0:19:52 | |
In London, Ieuan and Kern have arrived for the auction viewing day. | 0:19:57 | 0:20:02 | |
Right, we're in Leicester Square now. If we go down to Trafalgar Square, | 0:20:02 | 0:20:06 | |
then, we'll pass Go, collect £200... | 0:20:06 | 0:20:08 | |
-Hopefully we don't land on a hotel! -Yeah! | 0:20:08 | 0:20:11 | |
Just don't end up in prison. | 0:20:11 | 0:20:13 | |
Whoa, it's an M&M's World! | 0:20:14 | 0:20:16 | |
There's an M&M World. We didn't look that up. | 0:20:16 | 0:20:19 | |
Ah, man! | 0:20:21 | 0:20:22 | |
The auction house is six miles away from central London, | 0:20:23 | 0:20:28 | |
on the other side of the River Thames. | 0:20:28 | 0:20:30 | |
I've never been to London before this. It's, um... | 0:20:30 | 0:20:32 | |
It's like stepping into a new world, isn't it? | 0:20:34 | 0:20:37 | |
I haven't got a clue what none of this is. | 0:20:37 | 0:20:39 | |
If we find Victoria Station and work our way from it. | 0:20:41 | 0:20:44 | |
-No, we're not... We're nowhere near Buckingham Palace, Kern. -Ain't we? | 0:20:44 | 0:20:48 | |
No. I think we'd notice if we were next to Buckingham Palace. | 0:20:48 | 0:20:53 | |
Look by there, street down there. Look by there, street down there. | 0:20:53 | 0:20:56 | |
Look there, street, street, street. It's like you're in the middle | 0:20:56 | 0:20:59 | |
of a maze and you've got to try and decipher how to get back out. | 0:20:59 | 0:21:01 | |
-INTERVIEWER: -Are you feeling a bit lost? -Yeah, lost. | 0:21:01 | 0:21:04 | |
Definitely the word to describe it. A small fish in a big pond, yeah. | 0:21:04 | 0:21:08 | |
I don't like it. | 0:21:08 | 0:21:10 | |
I like to feel that I'm in charge of the pond. | 0:21:10 | 0:21:12 | |
The lads are trying to find Greasby's, | 0:21:15 | 0:21:18 | |
a south London auction house run by auctioneer Christine. | 0:21:18 | 0:21:22 | |
I don't think when I was about 14 I envisaged doing this at 62. | 0:21:23 | 0:21:27 | |
SHE CHUCKLES | 0:21:27 | 0:21:29 | |
Greasby's specialise in house clearances, police seizures | 0:21:29 | 0:21:34 | |
and repossessed stock. | 0:21:34 | 0:21:35 | |
Years ago, we had an artificial leg come in. | 0:21:37 | 0:21:40 | |
Marble genitalia. | 0:21:40 | 0:21:41 | |
We sold a dog. A greyhound. | 0:21:41 | 0:21:45 | |
But the lots which attract the most interest, and which have enticed | 0:21:45 | 0:21:49 | |
Ieuan and Kern up from Wales, are the bags and suitcases. | 0:21:49 | 0:21:52 | |
INTERVIEWER: Why is it people come down and buy them, Christine? | 0:21:52 | 0:21:56 | |
What do you make of it? | 0:21:56 | 0:21:57 | |
I don't know. Some of the suitcases are quite nice. | 0:21:57 | 0:22:01 | |
You could get quite a good suitcase cheap if you didn't want | 0:22:01 | 0:22:04 | |
the contents, and it's the gamble for what the contents hold anyway. | 0:22:04 | 0:22:08 | |
Right, there we go. Look, it's Trafalgar Square, Kern. | 0:22:08 | 0:22:13 | |
Right, that's... Something to do with someone's column or something, | 0:22:13 | 0:22:16 | |
I think that's called. | 0:22:16 | 0:22:17 | |
Kern, one day, we might even find a painting, in an auction or something, | 0:22:17 | 0:22:21 | |
that'll end up in that National Gallery. | 0:22:21 | 0:22:23 | |
It could be some long-lost... I don't know, Mona Lisa, or, | 0:22:23 | 0:22:26 | |
it could be Mona Lisa's sister, like, the fit one. | 0:22:26 | 0:22:29 | |
End up in there, look. | 0:22:29 | 0:22:31 | |
Because we're going to find something worth millions and... | 0:22:31 | 0:22:34 | |
Well, it'd have to be trillions, wouldn't it? | 0:22:34 | 0:22:36 | |
The suitcases have been left behind at airports, and are sent | 0:22:38 | 0:22:41 | |
to the auction house after being unclaimed for three months. | 0:22:41 | 0:22:45 | |
We get the same buyers every auction, with the lost luggage. | 0:22:45 | 0:22:48 | |
We get lots of enquiries for it. | 0:22:48 | 0:22:51 | |
You get lots of people that really need to supplement their income. | 0:22:51 | 0:22:56 | |
I think people do think that they're going to open the suitcase | 0:22:56 | 0:22:59 | |
and find a pot of gold in there. | 0:22:59 | 0:23:01 | |
Well, how about we try this way, look, and then if we want, | 0:23:01 | 0:23:05 | |
we'll come back. So... | 0:23:05 | 0:23:06 | |
What are you doing, man? | 0:23:08 | 0:23:10 | |
-It's that way, isn't it? -That way. -That way. | 0:23:10 | 0:23:13 | |
After two hours, Ieuan and Kern | 0:23:16 | 0:23:18 | |
have arrived at the auction house for the viewing. | 0:23:18 | 0:23:21 | |
With a plan to target designer luggage in the following day's | 0:23:26 | 0:23:29 | |
auction, they're keen to check out the lots. | 0:23:29 | 0:23:32 | |
Yeah, I'm getting a feel for the place. | 0:23:36 | 0:23:39 | |
There's definitely plenty here. | 0:23:39 | 0:23:42 | |
You never know what you're going to find - gold, silver, platinum, | 0:23:42 | 0:23:45 | |
you know. | 0:23:45 | 0:23:46 | |
There's a bit of excitement in me, thinking, | 0:23:46 | 0:23:49 | |
"I might find something today that no-one else has spotted." | 0:23:49 | 0:23:52 | |
There's a lot of weight in that. There's a lot of weight. | 0:23:52 | 0:23:54 | |
And the fact that I can't feel no shoes... | 0:23:54 | 0:23:57 | |
I've got an idea of what I'd like to pay for them, | 0:23:59 | 0:24:02 | |
but I don't want to write down a load of numbers and someone's | 0:24:02 | 0:24:04 | |
looking over my shoulder and seeing, "Oh, right, I'll bid him up." | 0:24:04 | 0:24:09 | |
Can I open the luggage and go through it, or there's only... | 0:24:11 | 0:24:16 | |
No, no, you're not allowed to, mate. No, no. | 0:24:16 | 0:24:20 | |
I mean, obviously, all there is in them is just...clothes. | 0:24:20 | 0:24:24 | |
Oh, I don't know now. | 0:24:24 | 0:24:26 | |
They're already gone through three times before we get them, | 0:24:26 | 0:24:30 | |
So... There's no electricals or nothing like that. | 0:24:30 | 0:24:33 | |
It's just basically clothes, mate, yeah. | 0:24:33 | 0:24:35 | |
The new stuff that is pulled out is hanging up in the plastic bags | 0:24:35 | 0:24:39 | |
that we got on the ceilings, | 0:24:39 | 0:24:40 | |
so they're taken out suitcases and they're put into plastic bags, | 0:24:40 | 0:24:43 | |
new stuff with the tags on. | 0:24:43 | 0:24:45 | |
I don't know now, I don't know. | 0:24:46 | 0:24:48 | |
Because I was coming here on the assumption that the luggage | 0:24:48 | 0:24:52 | |
was literally brought in and just marked up straightaway. | 0:24:52 | 0:24:56 | |
I didn't realise that it was gone through by customs | 0:24:56 | 0:24:59 | |
and people like that, so... | 0:24:59 | 0:25:01 | |
In theory, three people have gone through the same bag I want to go through, | 0:25:04 | 0:25:07 | |
so the chance that they've missed something, not likely at all. | 0:25:07 | 0:25:10 | |
If they're to avoid being out of pocket, the lads are going to | 0:25:13 | 0:25:16 | |
have to come up with a new strategy before the next day's sale. | 0:25:16 | 0:25:19 | |
Half-time, if it was London v Wales, at the moment, London are probably... | 0:25:21 | 0:25:26 | |
winning by about ten points, I reckon. | 0:25:26 | 0:25:29 | |
Come on, then, you know what time it is! | 0:25:34 | 0:25:36 | |
Get on with it! | 0:25:36 | 0:25:38 | |
-Chill out. -In Clitheroe, Danny's introducing Jo and the kids to | 0:25:40 | 0:25:44 | |
the latest addition to the family. | 0:25:44 | 0:25:46 | |
Shut that door, I'll tell you when to open it. | 0:25:47 | 0:25:50 | |
THEY LAUGH | 0:25:53 | 0:25:55 | |
-What are you laughing at? -That's disgusting! | 0:25:58 | 0:26:01 | |
Not like that! Get out! Just stroke him nicely! | 0:26:01 | 0:26:04 | |
It cost me about 300 quid, really, about 300 quid. | 0:26:05 | 0:26:09 | |
I like live animals better. | 0:26:09 | 0:26:11 | |
After having paid £319 for the caribou's head, | 0:26:15 | 0:26:19 | |
Danny is taking it for a valuation. | 0:26:19 | 0:26:22 | |
The auctioneer was bigging it up, | 0:26:22 | 0:26:25 | |
"It's this, it's that, it's been in the Royal Museum," | 0:26:25 | 0:26:28 | |
and all the rest of it, | 0:26:28 | 0:26:30 | |
so let's just hope that this specialist in taxidermy | 0:26:30 | 0:26:33 | |
has got the same respect for it as what the auctioneer had. | 0:26:33 | 0:26:37 | |
'Don't really know how I'm going to play it yet, to be honest. Um... | 0:26:41 | 0:26:45 | |
'One thing is for sure. | 0:26:45 | 0:26:47 | |
'I shall be making out I paid more money for it than what I did.' | 0:26:47 | 0:26:53 | |
Sometimes you've got to act dumb to catch the wise, you know? | 0:26:53 | 0:26:57 | |
'Date on it, 1894, I mean, that's over 100 years old, | 0:26:57 | 0:27:00 | |
'so it's definitely an antique, and it's a big piece.' | 0:27:00 | 0:27:04 | |
In all honesty, in taxidermy, I don't know a lot. | 0:27:05 | 0:27:10 | |
I know that's a fox and it's dead. | 0:27:10 | 0:27:13 | |
All right... | 0:27:13 | 0:27:14 | |
Hello. Norman? | 0:27:15 | 0:27:17 | |
The Weird & Wonderful store in Accrington | 0:27:17 | 0:27:20 | |
specialises in rare taxidermy. | 0:27:20 | 0:27:22 | |
-Nice to meet you. -Danny. Pleasure. | 0:27:22 | 0:27:24 | |
Just thought I'd bring it to you, really, | 0:27:24 | 0:27:26 | |
just get a professional, um, you know, view on it, really. | 0:27:26 | 0:27:31 | |
It's certainly got some age to it. | 0:27:31 | 0:27:34 | |
Is that authentic, do you think, the date? | 0:27:34 | 0:27:37 | |
With these, you can certainly tell the age, | 0:27:37 | 0:27:39 | |
by usually the feel of the fur. | 0:27:39 | 0:27:42 | |
It's pretty obvious you know your onions! | 0:27:42 | 0:27:44 | |
It's pretty obvious, you know, so I'm not going to hold it as gospel, | 0:27:44 | 0:27:48 | |
but where am I at? Price-wise? | 0:27:48 | 0:27:52 | |
Top end value, I'd see being at 3,000, I'd have thought. | 0:27:52 | 0:27:58 | |
DANNY CLAPS | 0:27:58 | 0:27:59 | |
HE CACKLES | 0:28:00 | 0:28:02 | |
That's a jackpot, that's a good hit, that. That is a good hit, you know. | 0:28:03 | 0:28:07 | |
Cooking with gas, aren't I? | 0:28:07 | 0:28:09 | |
I'm cooking with gas because it's really gone higher | 0:28:09 | 0:28:14 | |
than the estimation that I thought, a lot higher, really. | 0:28:14 | 0:28:17 | |
I did know that it's a good thing, it's got the provenance. | 0:28:17 | 0:28:20 | |
It's worth about two, I thought, maximum, | 0:28:20 | 0:28:24 | |
but it's obviously worth a bit more than that, | 0:28:24 | 0:28:27 | |
in fact a lot more than that, | 0:28:27 | 0:28:29 | |
so it's great news, you know, it's fantastic, really. | 0:28:29 | 0:28:33 | |
I'm over the moon. | 0:28:33 | 0:28:34 | |
Just to be certain, the owner wants a second opinion. | 0:28:34 | 0:28:37 | |
CAMERA CLICKS | 0:28:40 | 0:28:42 | |
He's a big antler collector. I'm going to e-mail him some pictures. | 0:28:42 | 0:28:45 | |
-Yeah. -And he's going to give me a fair valuation of it. | 0:28:45 | 0:28:48 | |
-I can work with that. -We'll see what he says. | 0:28:49 | 0:28:52 | |
CAMERA CLICKS | 0:28:53 | 0:28:55 | |
In Bolton, Val's still looking for a buyer for her Willie Morgan print. | 0:28:57 | 0:29:02 | |
Bolton Wanderers... | 0:29:03 | 0:29:05 | |
She first started trading after her mum, Betty, passed away. | 0:29:07 | 0:29:10 | |
When she died, and we were clearing her flat out. | 0:29:12 | 0:29:16 | |
I got so much stuff, me, I had to sell some of it. | 0:29:16 | 0:29:21 | |
I did a car-boot sale. I sold some of it at the car-boot sale. | 0:29:21 | 0:29:25 | |
I sent some to the Salvation Army | 0:29:25 | 0:29:28 | |
and, um... | 0:29:28 | 0:29:30 | |
One or two bits I thought were good stuff, I took to auction. | 0:29:30 | 0:29:35 | |
'For two year I was a mess, with the stress of losing my mum,' | 0:29:37 | 0:29:42 | |
you know, I'd hate for to go through that again. | 0:29:42 | 0:29:46 | |
I had a breakdown. | 0:29:46 | 0:29:48 | |
'Buying and selling has helped me get back on my feet, | 0:29:49 | 0:29:53 | |
'it gave me a new focus on life, and I'm a stronger person now.' | 0:29:53 | 0:29:56 | |
I'm happy, I'm doing all this and I love it. I'm happy. | 0:29:56 | 0:30:01 | |
This is me, my mum, my daughter and my granddaughter. | 0:30:02 | 0:30:07 | |
This is one of the last pictures we had done with my mum before she died. | 0:30:07 | 0:30:11 | |
I'll always treasure it | 0:30:11 | 0:30:14 | |
and I know she's always with me. | 0:30:14 | 0:30:17 | |
Needs a good clean this, actually. | 0:30:17 | 0:30:19 | |
But... | 0:30:19 | 0:30:21 | |
She's always with me. She's looking over me now. | 0:30:21 | 0:30:25 | |
-INTERVIEWER: -Watching your trading? | 0:30:25 | 0:30:27 | |
Yeah, she's watching me trading and she's smiling down on me. | 0:30:27 | 0:30:30 | |
In a bid to try and sell her latest purchase, | 0:30:33 | 0:30:35 | |
Val is doing some extra research. | 0:30:35 | 0:30:38 | |
This is the home of William Morgan's new website. | 0:30:41 | 0:30:44 | |
Former Scottish international Willie Morgan | 0:30:50 | 0:30:53 | |
played on the wing for Manchester United and Bolton in the 1970s. | 0:30:53 | 0:30:57 | |
-COMMENTATOR: -Following in the footsteps of Genius George... | 0:30:57 | 0:31:00 | |
He were a good footballer, nice looking, | 0:31:00 | 0:31:03 | |
he had everything a woman wanted, | 0:31:03 | 0:31:05 | |
and a body to die for. | 0:31:05 | 0:31:07 | |
Good bum and all! | 0:31:07 | 0:31:09 | |
Val's found an e-mail address for Willie from his website. | 0:31:12 | 0:31:15 | |
"Hi, Willie, it's Val here. | 0:31:17 | 0:31:19 | |
"I've a nice pic here of you playing for Bolton, I guess around '76-'78. | 0:31:19 | 0:31:24 | |
"Would you like to see the pic? It's over five foot tall | 0:31:24 | 0:31:27 | |
"with your signature on and looking really good." | 0:31:27 | 0:31:29 | |
He might want it on his bedroom wall, in his living room, | 0:31:29 | 0:31:32 | |
even for his grandchildren, if he's got grandchildren, | 0:31:32 | 0:31:35 | |
maybe they'd like it, so he might buy it for one of his grandchildren. | 0:31:35 | 0:31:39 | |
I've put "kiss kiss". I'd better not put a kiss in. He might have a wife. | 0:31:39 | 0:31:43 | |
Bloody hell. | 0:31:49 | 0:31:51 | |
-Got any news? -Not yet. I'm just texting to see | 0:31:51 | 0:31:54 | |
-if he's going to ring me back. -Come on, chase him up, chase him up! | 0:31:54 | 0:31:57 | |
PHONE RINGS | 0:32:00 | 0:32:02 | |
Is that our man? | 0:32:02 | 0:32:04 | |
OK, so have you had a look at the pictures? | 0:32:04 | 0:32:06 | |
'Yes, I have. I've had a chance to have a look at the photographs | 0:32:06 | 0:32:10 | |
'that you sent to me. | 0:32:10 | 0:32:11 | |
'It's a very nice head. | 0:32:11 | 0:32:14 | |
'It's good that it's actually got the taxidermist's labels on it. | 0:32:14 | 0:32:20 | |
'It adds a bit of extra dimension to it.' | 0:32:20 | 0:32:24 | |
OK, so do you have an idea of what it's worth? | 0:32:24 | 0:32:27 | |
'Yeah, I would say that you could be asking around about 750 for it.' | 0:32:28 | 0:32:35 | |
OK, that's a little less than I thought it was worth. | 0:32:35 | 0:32:38 | |
'Right. Yeah, it's simply due to the size and the dimension | 0:32:38 | 0:32:42 | |
'of the antlers as well.' | 0:32:42 | 0:32:43 | |
Thank you for that. | 0:32:43 | 0:32:45 | |
-'No problem at all.' -OK, speak to you soon. -'Take care, Norman.' -Bye. | 0:32:45 | 0:32:50 | |
-So there you go, there's the expert's valuation. -Yeah. | 0:32:50 | 0:32:53 | |
You've took me right up and he's dropped me right down! | 0:32:53 | 0:32:56 | |
'That price of seven and a half | 0:32:58 | 0:33:00 | |
'is down to a collector who knows exactly what he's dealing with, | 0:33:00 | 0:33:03 | |
'but to Joe Public, | 0:33:03 | 0:33:05 | |
'who just wants it as a decorative piece in a shop, in a restaurant, | 0:33:05 | 0:33:08 | |
'and then it's just down to what the person wants to pay.' | 0:33:08 | 0:33:12 | |
I'll definitely get a good profit, that's without a doubt, | 0:33:12 | 0:33:16 | |
I'll definitely get a good profit, | 0:33:16 | 0:33:18 | |
but it would be nice to be up there, a bag of sand, £1,000, | 0:33:18 | 0:33:22 | |
that would be, you know, I'm kind of looking for it now. | 0:33:22 | 0:33:26 | |
It's auction day in south London, | 0:33:34 | 0:33:36 | |
and the Welsh Del Boys are up early. | 0:33:36 | 0:33:38 | |
After discovering all valuables are removed from the suitcases, | 0:33:40 | 0:33:44 | |
Ieuan has come up with a new plan. | 0:33:44 | 0:33:46 | |
'Instead now of thinking, we'll spend £40, £50 on one case,' | 0:33:48 | 0:33:51 | |
we'll try and get four or five lots for the same price. | 0:33:51 | 0:33:54 | |
Once they've snapped up as many cheap bags as possible, | 0:33:54 | 0:33:57 | |
they'll then sell on the second-hand clothes back in Pontypridd. | 0:33:57 | 0:34:02 | |
-INTERVIEWER: -How are you deciding which cases are interesting? | 0:34:02 | 0:34:06 | |
Gut instinct. | 0:34:06 | 0:34:07 | |
Confident he can take on the London dealers in their own back yard, | 0:34:09 | 0:34:13 | |
it's time to register for bidding. | 0:34:13 | 0:34:15 | |
Thank you very much. Ta. | 0:34:21 | 0:34:22 | |
That has just cost me £100. | 0:34:23 | 0:34:26 | |
My bidding card is a £100 deposit. | 0:34:26 | 0:34:29 | |
Back in Ponty, we'd only pay a fiver for a deposit. | 0:34:29 | 0:34:32 | |
And I don't think they'd be too worried about it | 0:34:32 | 0:34:35 | |
if they didn't get it back. I don't think they'd come hunting you down | 0:34:35 | 0:34:38 | |
but here, he'll have the dogs set on him | 0:34:38 | 0:34:40 | |
if he doesn't bring the card back. | 0:34:40 | 0:34:42 | |
The people in London must be loaded. | 0:34:42 | 0:34:44 | |
You know, what sort of prices are they going to go to | 0:34:44 | 0:34:46 | |
'if they charge you £100 just for a deposit?' | 0:34:46 | 0:34:49 | |
Lot 248, two trolley cases of gents' clothing, 20 I have. | 0:34:54 | 0:34:59 | |
22, 24, 26, | 0:35:00 | 0:35:02 | |
28, 30. | 0:35:02 | 0:35:04 | |
Too expensive. | 0:35:06 | 0:35:08 | |
249 is the black Sub-0-G trolley case. | 0:35:08 | 0:35:12 | |
20 I have. | 0:35:12 | 0:35:13 | |
50. | 0:35:13 | 0:35:15 | |
In Wales, the lads rarely bid more than £10 on one item. | 0:35:15 | 0:35:19 | |
60, 65, 70. | 0:35:19 | 0:35:21 | |
Lot 250, two trolley cases of ladies' and children's clothing. | 0:35:23 | 0:35:28 | |
40, 45, 50, 55. | 0:35:28 | 0:35:33 | |
Wasted trip, isn't it? | 0:35:33 | 0:35:36 | |
Wasted trip. | 0:35:36 | 0:35:37 | |
Lot 252 is a Cadiz 4 tent. | 0:35:39 | 0:35:43 | |
£10. | 0:35:43 | 0:35:44 | |
Some of the baggage, you know, I've written down like £10, £12. | 0:35:44 | 0:35:47 | |
"I can start you with 20, 22, 24..." | 0:35:47 | 0:35:50 | |
And it's boom, boom, boom, | 0:35:50 | 0:35:51 | |
and next thing you know it's 36, 38 quid. | 0:35:51 | 0:35:53 | |
It's ridiculous. | 0:35:53 | 0:35:56 | |
People are so used to paying like £5, £6 a pint | 0:35:56 | 0:35:59 | |
that they don't bat their eyelids at paying £20 or £30 for a suitcase. | 0:35:59 | 0:36:03 | |
Where back home you'd go to a local Poundstretcher, | 0:36:03 | 0:36:07 | |
you could pick up a suitcase for £9, £15. | 0:36:07 | 0:36:09 | |
That's brand-new. | 0:36:09 | 0:36:11 | |
We've sort of come here thinking it's easy. But it's not. | 0:36:11 | 0:36:14 | |
It's cost me a fortune to come and find out that it's false. | 0:36:14 | 0:36:17 | |
No takers at ten? | 0:36:24 | 0:36:25 | |
Six? | 0:36:25 | 0:36:27 | |
Things are going a lot cheaper now. | 0:36:27 | 0:36:29 | |
So it's really thin in here, now. So we'll see what happens. | 0:36:29 | 0:36:33 | |
843, ten various coats and jackets. One pair of work trousers. | 0:36:35 | 0:36:40 | |
That last bundle. A tenner? | 0:36:40 | 0:36:42 | |
-Six. -Six is offered. | 0:36:42 | 0:36:45 | |
SHE BANGS THE GAVEL | 0:36:46 | 0:36:48 | |
With the suitcases all sold, | 0:36:48 | 0:36:50 | |
it's time for the bargain lots at the end of the auction. | 0:36:50 | 0:36:53 | |
Anybody else want a bag of earmuffs for six quid? | 0:36:55 | 0:36:58 | |
How many bags do you want? | 0:37:00 | 0:37:02 | |
-The two. -Two? | 0:37:02 | 0:37:04 | |
Oh, man. Not a bad day. | 0:37:07 | 0:37:10 | |
You know, we just seen the price tags on those earmuffs. | 0:37:10 | 0:37:12 | |
£3.95 each. | 0:37:12 | 0:37:14 | |
Maybe I'll ask £2 each. | 0:37:14 | 0:37:16 | |
There's about £30, £40 there - profit. | 0:37:16 | 0:37:19 | |
The suits...I've got a couple of people in mind, actually, | 0:37:19 | 0:37:22 | |
for the suits. So... | 0:37:22 | 0:37:24 | |
Kern(!) | 0:37:24 | 0:37:25 | |
It's been an experience, it's been a laugh. | 0:37:26 | 0:37:28 | |
I've got some earmuffs, you know. | 0:37:28 | 0:37:30 | |
I got some suits. | 0:37:30 | 0:37:33 | |
Once we get to the coach, | 0:37:33 | 0:37:34 | |
I can just dump all this underneath the coach, | 0:37:34 | 0:37:38 | |
where they keep all the luggage and that. | 0:37:38 | 0:37:40 | |
It's been a good 48 hours. | 0:37:41 | 0:37:44 | |
I haven't got much sleep | 0:37:44 | 0:37:45 | |
but there's plenty of time to sleep when you're dead. So... | 0:37:45 | 0:37:49 | |
We're going to see Willie Morgan this morning. | 0:37:56 | 0:37:59 | |
I've been up since four o'clock. | 0:37:59 | 0:38:00 | |
I don't know why, probably nerves. I don't know. | 0:38:00 | 0:38:04 | |
Willie Morgan's been in touch | 0:38:08 | 0:38:09 | |
and he's agreed to take a look at Val's picture. | 0:38:09 | 0:38:12 | |
She's enlisted a friend to drive her round to his house. | 0:38:12 | 0:38:16 | |
It'd be good if Willie, you know, bought the picture. | 0:38:16 | 0:38:21 | |
I know it'd be going to a good home | 0:38:21 | 0:38:24 | |
and it'll bring memories to him. | 0:38:24 | 0:38:27 | |
You know, if he gives me a good price for it, I'll be buzzing. | 0:38:27 | 0:38:30 | |
Say he offered me £200, | 0:38:30 | 0:38:32 | |
I'd give him a bloody kiss and all! | 0:38:32 | 0:38:34 | |
I am looking forward to it. | 0:38:36 | 0:38:37 | |
Back in his playing days, Willie Morgan was so well-known | 0:38:39 | 0:38:44 | |
that a tribute song was recorded. | 0:38:44 | 0:38:47 | |
# Let's go down the football ground | 0:38:47 | 0:38:49 | |
# To see United play | 0:38:49 | 0:38:52 | |
# Once inside we join the crowd... # | 0:38:52 | 0:38:54 | |
I thought it would have been a bit posher than this. | 0:38:54 | 0:38:57 | |
# Who's the one we're going to shout for? # | 0:38:57 | 0:38:59 | |
Me heart's going like that. Can you not hear it? | 0:38:59 | 0:39:02 | |
Bloody hell, look at the size of the house! | 0:39:02 | 0:39:04 | |
# Here comes Willie Morgan | 0:39:04 | 0:39:06 | |
# Willie, Willie Morgan | 0:39:06 | 0:39:09 | |
# Willie Morgan on the wing... # | 0:39:09 | 0:39:12 | |
-Hiya, -Hello. How are you? | 0:39:12 | 0:39:14 | |
-I'm all right, thank you. -Val, isn't it? -I used to fancy you. | 0:39:14 | 0:39:18 | |
You used to fancy me! | 0:39:18 | 0:39:20 | |
-Come on through. -You've got a lovely home. | 0:39:20 | 0:39:23 | |
You know, I've been up since four o'clock this morning. | 0:39:23 | 0:39:26 | |
I were like that, meeting you. I'll be honest with you. | 0:39:26 | 0:39:30 | |
Cos I've never met anybody famous. I mean, to me you're famous. | 0:39:30 | 0:39:33 | |
-I just started going to car-boot sales, doing car-boot sales. -OK. | 0:39:33 | 0:39:37 | |
Going to auctions, doing a bit of selling | 0:39:37 | 0:39:40 | |
-and dealing and whatever. -OK. | 0:39:40 | 0:39:43 | |
-That was made... -You look like George Best in that. | 0:39:43 | 0:39:46 | |
He looked like me! | 0:39:46 | 0:39:48 | |
This was made for my testimonial. | 0:39:48 | 0:39:52 | |
-Oh, right! -And some dinners that they were doing. | 0:39:52 | 0:39:54 | |
It was in my house five years ago | 0:39:54 | 0:39:57 | |
and my wife, she said, | 0:39:57 | 0:40:00 | |
"I don't want that in the house!" | 0:40:00 | 0:40:01 | |
So we put it in the skip! | 0:40:01 | 0:40:03 | |
Well, I bet it's been about then, hasn't it! | 0:40:03 | 0:40:05 | |
I've no idea where it's been! | 0:40:05 | 0:40:07 | |
I'm trying to sell it, if you're interested. | 0:40:07 | 0:40:10 | |
-Well, as I said, it was me that put it away. -Well... | 0:40:10 | 0:40:14 | |
So...the house is not... | 0:40:14 | 0:40:16 | |
-We don't have a house big enough. -I know. | 0:40:16 | 0:40:20 | |
Well, if you're not interested in buying it, can I ask you a favour? | 0:40:20 | 0:40:23 | |
-Yes, of course. -Would you sign it again for me? -Of course. | 0:40:23 | 0:40:26 | |
Oh, you good'un! | 0:40:26 | 0:40:28 | |
Oh, I'll not want to sell it now! | 0:40:29 | 0:40:32 | |
-Thank you very much. -Thank you. -Thanks for having us. | 0:40:34 | 0:40:38 | |
-I hope you make a few bob on it. -I do. See you! -OK. | 0:40:38 | 0:40:41 | |
I realised they weren't going to buy it | 0:40:46 | 0:40:48 | |
when he told me he put it in a skip when they moved house. | 0:40:48 | 0:40:51 | |
But I thought he might have felt a bit sorry for me and bought it. | 0:40:51 | 0:40:55 | |
But I thought he were going to put the kettle on. | 0:40:55 | 0:40:58 | |
But he didn't. | 0:40:58 | 0:41:00 | |
But you've still got to keep going. That's my motto - just keep going. | 0:41:00 | 0:41:03 | |
One day, you watch this space, I will buy something | 0:41:03 | 0:41:07 | |
and then you'll know about it. | 0:41:07 | 0:41:09 | |
See you! | 0:41:11 | 0:41:12 | |
"Very, very, very large and handsome. | 0:41:18 | 0:41:22 | |
"Very large. | 0:41:22 | 0:41:23 | |
"In fantastic...condition." | 0:41:23 | 0:41:28 | |
Danny's preparing to sell the caribou's head. | 0:41:28 | 0:41:31 | |
But it means another trip back down to London. | 0:41:31 | 0:41:34 | |
Which is... Oh, yeah, that's nice. | 0:41:34 | 0:41:37 | |
I'm doing everything else while Dan is doing his selling. | 0:41:37 | 0:41:40 | |
Everything else is up to me to do. | 0:41:40 | 0:41:42 | |
The children, the cleaning, the cooking. | 0:41:42 | 0:41:45 | |
And I don't feel like I'm appreciated. | 0:41:45 | 0:41:48 | |
Jo wants me to live a normal family life, | 0:41:48 | 0:41:54 | |
I suppose, really. | 0:41:54 | 0:41:55 | |
We're all up here as a family, we're all up here as one unit. | 0:41:55 | 0:41:58 | |
I suppose ultimately that is what Jo wants. | 0:41:58 | 0:42:01 | |
I think I am a bit of a free spirit. Yes, I am. Yeah, yeah. | 0:42:01 | 0:42:04 | |
You know, I've got a lot of time, feelings, respect, love for Jo | 0:42:04 | 0:42:10 | |
and her family | 0:42:10 | 0:42:12 | |
but ultimately, I am a bit of a free spirit. | 0:42:12 | 0:42:16 | |
And Jo appreciates that. | 0:42:16 | 0:42:18 | |
You want the truth? | 0:42:19 | 0:42:20 | |
Pretty miffed today. Pretty miffed. | 0:42:22 | 0:42:25 | |
I'm just wondering whether we can stuff Danny | 0:42:27 | 0:42:29 | |
and put him on t'wall | 0:42:29 | 0:42:31 | |
cos he's going that way at the minute. | 0:42:31 | 0:42:35 | |
It's cos they love me, you see. | 0:42:35 | 0:42:36 | |
Once they get a piece of me, they want all of me! | 0:42:36 | 0:42:38 | |
They're not happy with a bit of me. They want the whole bloody lot. | 0:42:38 | 0:42:41 | |
The full shebang! | 0:42:41 | 0:42:42 | |
-DOOR CLOSES AND DANNY SINGS -Here he is, singing. | 0:42:42 | 0:42:46 | |
Ooh. HE LAUGHS | 0:42:49 | 0:42:51 | |
I like...I want you to make money. | 0:42:53 | 0:42:55 | |
Of course you do, you want more champagne! | 0:42:55 | 0:42:59 | |
Piss off about your bloody champagne. | 0:42:59 | 0:43:02 | |
That's the only backup you've got. | 0:43:02 | 0:43:04 | |
"Oh, she likes a glass of champagne." | 0:43:04 | 0:43:05 | |
Who doesn't like a bloody glass of champagne? | 0:43:05 | 0:43:08 | |
-Do you know, I'm not even going there. I'm getting out of here. -HE CACKLES | 0:43:08 | 0:43:13 | |
What do I say to that, eh? | 0:43:13 | 0:43:15 | |
What I say is... | 0:43:15 | 0:43:16 | |
You know how I roll. | 0:43:20 | 0:43:22 | |
MUSIC: "Love Man" by Otis Redding | 0:43:22 | 0:43:25 | |
HE SINGS ALONG | 0:43:31 | 0:43:33 | |
A little bit pissed off. | 0:43:36 | 0:43:39 | |
HE CONTINUES SINGING ALONG | 0:43:42 | 0:43:45 | |
There's always the thrill of going back down south | 0:43:48 | 0:43:52 | |
because going back down south, that's where I'm getting me bread. | 0:43:52 | 0:43:56 | |
That's where I'm earning the money, you know? | 0:43:56 | 0:43:58 | |
I've located a game dealer, | 0:43:58 | 0:44:01 | |
a game auction, really. | 0:44:01 | 0:44:03 | |
It sells country stuff and taxidermy, guns. | 0:44:03 | 0:44:08 | |
He's got to be talking really, realistically... | 0:44:08 | 0:44:12 | |
talking the £1,000 mark. | 0:44:12 | 0:44:15 | |
What more do you want? | 0:44:15 | 0:44:16 | |
It's been exhibited in the... | 0:44:16 | 0:44:19 | |
Royal History of... Royal Museum of History. | 0:44:19 | 0:44:22 | |
Royal History Museum. I mean, flipping hell. | 0:44:22 | 0:44:26 | |
You know, how nice is that to have hanging in your wall, you know, | 0:44:26 | 0:44:29 | |
when your friends come round after a shoot? | 0:44:29 | 0:44:32 | |
I don't really want to be hearing 500, 600. | 0:44:32 | 0:44:35 | |
This is an absolute fantastic place, Nick. | 0:44:40 | 0:44:43 | |
You're going to love it. | 0:44:43 | 0:44:44 | |
You're going to love it, Nick. I know you are. | 0:44:44 | 0:44:48 | |
Nick Holt runs a prestigious hunting auction | 0:44:50 | 0:44:53 | |
and has agreed to sell the caribou's head. | 0:44:53 | 0:44:55 | |
But before Danny commits | 0:44:58 | 0:44:59 | |
he wants to make sure he'll get the best price. | 0:44:59 | 0:45:02 | |
-Quite a good-looking beast, isn't it? -It is, yeah. -Yeah. | 0:45:03 | 0:45:07 | |
-Do you know much about caribou? -Not a great deal. | 0:45:07 | 0:45:10 | |
-I know it looks a bit like a moose. -A bit like a moose, yeah. | 0:45:10 | 0:45:13 | |
Well, caribou, as we can see here, Canadian. | 0:45:13 | 0:45:17 | |
-Sure. -Newfoundland. | 0:45:17 | 0:45:19 | |
Newfoundland, by the way, was our first colony... | 0:45:19 | 0:45:23 | |
-Great Britain. -Right. -OK. | 0:45:23 | 0:45:26 | |
Natural History Depot, right. | 0:45:26 | 0:45:30 | |
James Gardner. | 0:45:30 | 0:45:31 | |
He had the Royal warrant. | 0:45:31 | 0:45:33 | |
-Any good? -Well, go on, he got the... | 0:45:33 | 0:45:36 | |
Got the Royal warrant! | 0:45:36 | 0:45:38 | |
So really, what are we saying? | 0:45:38 | 0:45:40 | |
Are we saying this is the creme de la creme? | 0:45:40 | 0:45:42 | |
Are we talking, here, | 0:45:42 | 0:45:43 | |
something that is a fantastic specimen? | 0:45:43 | 0:45:46 | |
Now, I know you're trying to make a mark-up here | 0:45:46 | 0:45:48 | |
so therefore you're looking for a bit of the old profit, | 0:45:48 | 0:45:51 | |
which there's nothing wrong in that. That's what dealers do. | 0:45:51 | 0:45:54 | |
I'm just, you know, I'm being straight with you. | 0:45:54 | 0:45:58 | |
Taxidermy is not that easy to sell. | 0:45:58 | 0:46:01 | |
I'm finding that taxidermy, at the present, is on fire. | 0:46:01 | 0:46:05 | |
Well, that's great to hear. | 0:46:05 | 0:46:06 | |
The estimate I would recommend for this would be... | 0:46:06 | 0:46:10 | |
600-800. | 0:46:11 | 0:46:13 | |
-That should be worth more money than that! -You can see... | 0:46:13 | 0:46:16 | |
You might sell it to someone in Newfoundland or New Zealand. | 0:46:16 | 0:46:19 | |
-Well, hey! -I wanted you to say, really, "I can see that selling..." | 0:46:19 | 0:46:22 | |
You know, "I wouldn't be surprised whatsoever | 0:46:22 | 0:46:25 | |
"if it made four figures." That's what I wanted to hear. | 0:46:25 | 0:46:27 | |
You know, if I put it on the internet, | 0:46:27 | 0:46:29 | |
am I going to get £1,000? | 0:46:29 | 0:46:31 | |
-I think I will. -Well, look, this is... | 0:46:31 | 0:46:36 | |
At the end of the day, what you must remember | 0:46:36 | 0:46:39 | |
is you do get one chance. | 0:46:39 | 0:46:41 | |
And that is up to you, | 0:46:42 | 0:46:44 | |
whatever chance you take. | 0:46:44 | 0:46:46 | |
With a decision to make, it's back up north for Danny. | 0:46:52 | 0:46:56 | |
But when he gets too tired to drive, | 0:47:01 | 0:47:03 | |
there's always the van. | 0:47:03 | 0:47:04 | |
This is me crib. So I've got me seats, which fold up. | 0:47:08 | 0:47:12 | |
It folds back down and then I've got, luckily enough, | 0:47:12 | 0:47:14 | |
a flight case which is the same height as the chair, | 0:47:14 | 0:47:18 | |
which makes it like a single bed. | 0:47:18 | 0:47:19 | |
Put a bit of wood down and then we're in, we're cooking with gas. | 0:47:19 | 0:47:23 | |
I've got me gas fire and all. | 0:47:23 | 0:47:25 | |
That's it. | 0:47:25 | 0:47:26 | |
-INTERVIEWER: -You did that with your foot! -Oh, you've got to. | 0:47:26 | 0:47:29 | |
The metal's too cold. | 0:47:29 | 0:47:31 | |
It ain't so bad. | 0:47:31 | 0:47:33 | |
Brings me back to my youth when I were camping. | 0:47:33 | 0:47:35 | |
You're quite tall, though, aren't you? | 0:47:37 | 0:47:39 | |
I've got to, sort of, you know, bend. | 0:47:39 | 0:47:42 | |
And it's not very comfortable, to be honest. | 0:47:42 | 0:47:44 | |
I've got my alarm to set on, make sure I wake up. | 0:47:44 | 0:47:48 | |
-'Rodney, Rodney!' -Cor, bloody hell, they've started. | 0:47:48 | 0:47:51 | |
-'Wake up, you dipstick!' -Shut up, you! Shut up! | 0:47:51 | 0:47:55 | |
ALARM BLARES | 0:47:55 | 0:47:57 | |
That's me alarm clock. | 0:47:57 | 0:47:59 | |
It's got old Rodney boy shouting in the back. | 0:47:59 | 0:48:01 | |
Just a little... | 0:48:01 | 0:48:03 | |
It's an alarm clock, really. | 0:48:03 | 0:48:06 | |
Oh, it's worth it. | 0:48:06 | 0:48:08 | |
Better will come. | 0:48:08 | 0:48:10 | |
So, you know, a bit of hopeful and wishful thinking, you know. | 0:48:10 | 0:48:14 | |
A bit of luck will drop in me lap, so to speak. | 0:48:14 | 0:48:16 | |
'Rodney, wake up, you dipstick!' | 0:48:18 | 0:48:20 | |
Obviously I didn't check them, even in London. | 0:48:29 | 0:48:32 | |
The next day I was showing someone, a potential customer. | 0:48:32 | 0:48:36 | |
And they said, "Oh, I'm not buying them." I said, "Why not?" | 0:48:36 | 0:48:38 | |
"The security tag's on them." | 0:48:38 | 0:48:40 | |
I'm lucky that they're not ink ones | 0:48:40 | 0:48:42 | |
so when I break them they're not going to damage. | 0:48:42 | 0:48:45 | |
They're easy enough to break. Sort of just... | 0:48:45 | 0:48:49 | |
Clip, boom, off. | 0:48:49 | 0:48:51 | |
I'm going to go down to Pontypridd Rugby Club | 0:48:51 | 0:48:53 | |
cos there's going to be a lot of people there, | 0:48:53 | 0:48:56 | |
a lot of cold people I'm hoping, that need some earmuffs. | 0:48:56 | 0:49:00 | |
-INTERVIEWER: -What did you do to your ankle? -I fell off a kerb. | 0:49:01 | 0:49:04 | |
Just tore my ligaments in my ankle | 0:49:04 | 0:49:06 | |
so I've got to keep this on for a few weeks. | 0:49:06 | 0:49:09 | |
Obviously I'm not going to let my ankle stop me for today. | 0:49:09 | 0:49:12 | |
I've hired myself a chauffeur for the day. | 0:49:14 | 0:49:17 | |
I know there's a load of women supporters | 0:49:19 | 0:49:21 | |
of the Pontypridd Rugby Club so... | 0:49:21 | 0:49:23 | |
Hopefully get down there | 0:49:23 | 0:49:26 | |
and that's going to be my target market for today. | 0:49:26 | 0:49:29 | |
Kate Moss might turn up today and try a pair of these on. | 0:49:29 | 0:49:33 | |
Sorted! Right then, off we go. | 0:49:37 | 0:49:40 | |
WIND HOWLS Whoa! | 0:49:44 | 0:49:46 | |
That's what I want to see, Kern. Lovely and windy. | 0:49:46 | 0:49:50 | |
What happens when it's windy? People get cold. | 0:49:50 | 0:49:52 | |
And when people get cold, boom, they need earmuffs. | 0:49:52 | 0:49:54 | |
Kern, the windier the better. | 0:49:54 | 0:49:56 | |
As long as this rain holds off, but, we'll be laughing. | 0:49:56 | 0:49:59 | |
Oh, Kern, go to the top, you nut. | 0:49:59 | 0:50:02 | |
Kern! | 0:50:02 | 0:50:03 | |
Is that...? | 0:50:03 | 0:50:05 | |
Oh, oh! | 0:50:05 | 0:50:06 | |
Today's match is a cup game | 0:50:10 | 0:50:11 | |
between home team Pontypridd and local rivals Newport. | 0:50:11 | 0:50:15 | |
Right, look at it, man. It's full. | 0:50:17 | 0:50:19 | |
It's full already. It's about an hour before kickoff. | 0:50:19 | 0:50:22 | |
The 28 pairs of earmuffs cost Ieuan and Kern 50p each. | 0:50:22 | 0:50:27 | |
They're hoping to sell them off, targeting women and children, | 0:50:27 | 0:50:31 | |
at £3 a pair. | 0:50:31 | 0:50:33 | |
-You try them on. -They don't fit on my head really. | 0:50:33 | 0:50:36 | |
-Do you want to hold a few? -Those three? | 0:50:36 | 0:50:39 | |
Our aim is to sort of just sell them all and that's... | 0:50:40 | 0:50:45 | |
Well, just sell them all, isn't it? | 0:50:45 | 0:50:47 | |
That's the whole idea of it. | 0:50:47 | 0:50:48 | |
Anyone want to buy some earmuffs, lads? | 0:50:48 | 0:50:50 | |
Keep you nice and warm while you're watching rugby. | 0:50:50 | 0:50:53 | |
Matching colours, lads! | 0:50:53 | 0:50:54 | |
His and his! | 0:50:54 | 0:50:56 | |
Kate Moss wears them, boys. | 0:50:57 | 0:50:58 | |
If it's good enough for Kate Moss, it's good enough for you lot. | 0:50:58 | 0:51:02 | |
I've just realised, | 0:51:02 | 0:51:03 | |
there's probably going to be a lot more men than women. | 0:51:03 | 0:51:06 | |
Every person that's walking by so far has been a man. | 0:51:06 | 0:51:09 | |
At this rate, we won't even have bus fare to get home. | 0:51:11 | 0:51:14 | |
HE WHISTLES | 0:51:21 | 0:51:23 | |
Back in Clitheroe, Danny's entered the caribou's head | 0:51:23 | 0:51:26 | |
into an online auction. | 0:51:26 | 0:51:28 | |
-What's the matter? -I don't like it! | 0:51:28 | 0:51:31 | |
He's all right. Don't be ridiculous! | 0:51:31 | 0:51:32 | |
We're going to start specialising in this stuff. | 0:51:32 | 0:51:35 | |
-You're going to see a lot more. -He's ugly. | 0:51:35 | 0:51:38 | |
I just hope that somebody finds it, you know, on the internet. | 0:51:38 | 0:51:42 | |
They find it. Cos once they find it and it's what they're looking for, | 0:51:42 | 0:51:45 | |
you're not going to get a better specimen. | 0:51:45 | 0:51:47 | |
Don't worry about that! | 0:51:47 | 0:51:48 | |
You know, it's just getting the right person to say to me, you know, | 0:51:48 | 0:51:52 | |
"Can you end it early? | 0:51:52 | 0:51:54 | |
"We'll give you five grand!" | 0:51:54 | 0:51:56 | |
With a reserve price of £750, | 0:51:57 | 0:52:01 | |
the family have gathered to watch the bidding countdown. | 0:52:01 | 0:52:04 | |
I think with this game, you know, this internet, | 0:52:04 | 0:52:07 | |
you can go mad in the last minute. | 0:52:07 | 0:52:09 | |
You know? You never know, we might be lucky. | 0:52:09 | 0:52:12 | |
There are 30 minutes until the auction closes. | 0:52:14 | 0:52:18 | |
199 watchers, now. Well, lookers. | 0:52:20 | 0:52:23 | |
People that have viewed the page, you know. | 0:52:23 | 0:52:26 | |
So as we're counting down, | 0:52:26 | 0:52:28 | |
there's more people looking at this page. | 0:52:28 | 0:52:31 | |
Don't worry! | 0:52:31 | 0:52:32 | |
18 minutes and counting. | 0:52:36 | 0:52:39 | |
I mean, a minute ago it was about 23. | 0:52:39 | 0:52:41 | |
It just keeps on going down now. | 0:52:41 | 0:52:43 | |
HE MUTTERS | 0:52:43 | 0:52:47 | |
I've got my adrenaline rolling! | 0:52:48 | 0:52:51 | |
-Refresh it. -Refresh it, yeah. | 0:52:53 | 0:52:55 | |
All of a sudden, we're rolling at 6 minutes 21 seconds. | 0:53:00 | 0:53:04 | |
Like, it seems like 5 minutes ago it was at 20 minutes, | 0:53:04 | 0:53:07 | |
which I thought was too long. | 0:53:07 | 0:53:08 | |
But now six minutes sounds too short. | 0:53:08 | 0:53:10 | |
There's only three minutes left. | 0:53:14 | 0:53:16 | |
Oh, I'll have a bit of a drink. | 0:53:16 | 0:53:19 | |
We're going to have to have it here if it doesn't sell! | 0:53:19 | 0:53:21 | |
-I'm not having it here. -It might have to be here for a bit. | 0:53:21 | 0:53:25 | |
-You should put it there. -I'll put it in your room, Mum. | 0:53:25 | 0:53:28 | |
Time check is 1:25. | 0:53:28 | 0:53:31 | |
I'm getting anxious! | 0:53:34 | 0:53:35 | |
-You can see the sweat on your forehead. -I know! | 0:53:35 | 0:53:38 | |
It's still with me. | 0:53:48 | 0:53:50 | |
Well, that's the way it goes. | 0:53:50 | 0:53:52 | |
You know, still got my moose with me. | 0:53:52 | 0:53:54 | |
It could also be seasonal, you know, something like a moose head, | 0:53:54 | 0:53:59 | |
-you know, Christmas... -Yeah. | 0:53:59 | 0:54:01 | |
..might be a bit more favourable than selling that, you know... | 0:54:01 | 0:54:06 | |
HE STAMMERS | 0:54:06 | 0:54:07 | |
..something that looks a bit like a reindeer, | 0:54:07 | 0:54:10 | |
so it might be a bit more favourable selling it around the Christmas time | 0:54:10 | 0:54:13 | |
of year than what it is, you know, in the summer. | 0:54:13 | 0:54:18 | |
-The mirror is going. -Get rid of that. | 0:54:18 | 0:54:21 | |
-Charming. -Eh? -Charming. | 0:54:21 | 0:54:25 | |
It's going to bring in strong money, I know that, | 0:54:26 | 0:54:28 | |
I've got 100% confidence that it's going to sell. | 0:54:28 | 0:54:33 | |
I tell you what, it can stop here for now, | 0:54:33 | 0:54:35 | |
but it's not here for the long term. | 0:54:35 | 0:54:37 | |
You're going to have to find a new hoose for this moose, OK? | 0:54:37 | 0:54:42 | |
And when it does sell, I want strong money for it, you know, | 0:54:42 | 0:54:45 | |
simple as that. | 0:54:45 | 0:54:47 | |
Right, give him a kiss. | 0:54:47 | 0:54:48 | |
You be careful with that now, Gracie, a lot of money's worth here. | 0:54:51 | 0:54:55 | |
Don't go banging it and thumping it. | 0:54:55 | 0:54:57 | |
Don't go patting and thumping it and mucking about with it too much. | 0:54:58 | 0:55:02 | |
Earmuffs keep you nice and warm when you're watching the rugby. | 0:55:07 | 0:55:10 | |
With quarter of an hour until kickoff, | 0:55:10 | 0:55:12 | |
Ieuan and Kern still haven't sold any of the earmuffs. | 0:55:12 | 0:55:16 | |
There's a couple of potential women customers | 0:55:16 | 0:55:18 | |
have walked down on the other side, so I think if we go closer | 0:55:18 | 0:55:22 | |
to the entrance, we'll have a better chance of selling some. | 0:55:22 | 0:55:25 | |
Got it? | 0:55:25 | 0:55:27 | |
Get the van out(!) | 0:55:27 | 0:55:29 | |
You get some knockdowns, but you've got to get back up fighting. | 0:55:31 | 0:55:34 | |
If you're having a really bad day, then that person you're trying | 0:55:34 | 0:55:37 | |
to sell to is going to think, | 0:55:37 | 0:55:38 | |
"I'm not going to go to him, he's miserable." | 0:55:38 | 0:55:40 | |
Ladies, can I interest you in some earmuffs? | 0:55:40 | 0:55:42 | |
Match your colours, £3 a pair. | 0:55:42 | 0:55:44 | |
Here you are, the dog as well. Do you two pairs for a fiver? | 0:55:44 | 0:55:47 | |
-The dog can have a pair as well. -No, thank you. | 0:55:47 | 0:55:49 | |
Excuse me, madam, can I interest you in some earmuffs? | 0:55:49 | 0:55:51 | |
-Keep you nice and warm when you're watching the rugby. -No, thank you. | 0:55:51 | 0:55:54 | |
-£3 a pair. -All right. -Brilliant. Thank you very much, ta. | 0:55:54 | 0:55:58 | |
Bigger ones. There you are. Thank you very much. Cheers, enjoy the game. | 0:55:58 | 0:56:03 | |
It all about sort of coming across being positive, erm, a bit of charm, | 0:56:03 | 0:56:08 | |
throw a few compliments out. | 0:56:08 | 0:56:10 | |
£3 a pair. | 0:56:10 | 0:56:12 | |
Madam at the back, don't think I haven't seen you. | 0:56:12 | 0:56:14 | |
Can I interest you in a pair of earmuffs? | 0:56:14 | 0:56:15 | |
That will draw people into it, you know. People go for the charm. | 0:56:15 | 0:56:19 | |
Kern, Kern, it's Kate Moss. Hello, madam, now I've got your attention, | 0:56:19 | 0:56:22 | |
can I interest you in some earmuffs? £3 a pair. | 0:56:22 | 0:56:25 | |
Keep yourselves lovely and warm | 0:56:25 | 0:56:26 | |
-when you're watching the rugby. -No, thank you. | 0:56:26 | 0:56:28 | |
You sure? Can I have your autograph, then, seeing as Kate Moss is here? | 0:56:28 | 0:56:31 | |
Can I have your autograph? No? | 0:56:31 | 0:56:33 | |
-I tell you what, love, these nice pink ones. -Are you sure? -Brilliant. | 0:56:34 | 0:56:38 | |
That's £3, then, please. | 0:56:38 | 0:56:40 | |
You can have two for a fiver if you want. | 0:56:40 | 0:56:42 | |
Thank you. Cheers. Bye. | 0:56:42 | 0:56:45 | |
Sold about ten pairs. I've taken £30. | 0:56:45 | 0:56:49 | |
Out of that £30, £15 of it is profit | 0:56:49 | 0:56:51 | |
so two hours' work, £7.50 an hour. It's not too bad. | 0:56:51 | 0:56:55 | |
I am an actual optimist, yeah, you know, you have to be. | 0:56:55 | 0:56:58 | |
-INTERVIEWER: -Do you believe one day you're going to be a millionaire? | 0:56:58 | 0:57:02 | |
One day, I reckon I'll be a millionaire, of course I do. | 0:57:02 | 0:57:05 | |
I'll be sat in some meeting somewhere or going to some business | 0:57:05 | 0:57:09 | |
convention, shaking hands with Richard Branson | 0:57:09 | 0:57:12 | |
and Lord Alan Sugar, you know, and maybe even buy him a pint. | 0:57:12 | 0:57:17 | |
So I feel... # Rolling, rolling, rolling... # | 0:57:17 | 0:57:20 | |
No, go past him, he wants. | 0:57:20 | 0:57:22 | |
I may even make enough money that I can give all my family | 0:57:23 | 0:57:26 | |
and friends some as well, so that's what we live for - hope. | 0:57:26 | 0:57:32 | |
-This time next year, we'll be back. -Yeah. | 0:57:34 | 0:57:37 | |
HE CHUCKLES | 0:57:39 | 0:57:41 | |
You actually mentioned it, that it looked like a Rolex. | 0:57:41 | 0:57:44 | |
If this proves to be genuine, a real Rolex watch, | 0:57:44 | 0:57:47 | |
then you're looking at roughly about £5,000. | 0:57:47 | 0:57:50 | |
One pound, one pound, one pound, one pound, one pound, two. | 0:57:50 | 0:57:54 | |
I want to be more of a businesswoman | 0:57:54 | 0:57:55 | |
and not just a... someone who's playing with it. | 0:57:55 | 0:57:59 | |
Over the top! | 0:57:59 | 0:58:01 | |
House auction on Saturday, mate. House auction on Saturday. | 0:58:01 | 0:58:04 | |
I'll be the auctioneer, don't worry about that. | 0:58:04 | 0:58:07 | |
We're going to go with lot number one. | 0:58:07 | 0:58:08 | |
-Where's -lot... | 0:58:08 | 0:58:09 | |
Lot number one, Jo. | 0:58:09 | 0:58:11 |