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It's a game, innit? And the buzz you get. | 0:00:02 | 0:00:05 | |
It's better than sex, I tell you. | 0:00:05 | 0:00:07 | |
All over Britain, a unique breed of entrepreneur is on the make. | 0:00:07 | 0:00:11 | |
It's just become 100 years old, so it has just become an antique. | 0:00:11 | 0:00:14 | |
HORN HONKS | 0:00:14 | 0:00:17 | |
The flames are beautiful. This will be so easy to sell. | 0:00:17 | 0:00:19 | |
For these real life Del Boys, everything and anything is for sale. | 0:00:19 | 0:00:24 | |
Think of that? You know who it is, don't you? | 0:00:24 | 0:00:28 | |
For fresh stock they head to a very particular type of auction house. | 0:00:28 | 0:00:32 | |
Mickey Mouse. | 0:00:32 | 0:00:33 | |
Three, four, four. | 0:00:33 | 0:00:35 | |
Anybody else want a bag of earmuffs for six quid? | 0:00:35 | 0:00:38 | |
Sifting through the junk in search of buried treasure. | 0:00:38 | 0:00:42 | |
If that's a genuine Rolex watch... | 0:00:42 | 0:00:45 | |
He's bought a Porsche, ain't he? | 0:00:45 | 0:00:48 | |
-It's moody, innit? I can tell by your face. -Yeah. | 0:00:48 | 0:00:52 | |
But will any of these dealers discover the lot that will | 0:00:52 | 0:00:56 | |
make them millionaires? | 0:00:56 | 0:00:57 | |
-If it was authentic, you know... -£200,000. | 0:00:57 | 0:01:01 | |
HE LAUGHS | 0:01:01 | 0:01:02 | |
I hope I find a nice something that's worth millions of pounds | 0:01:02 | 0:01:06 | |
and I can never work again. | 0:01:06 | 0:01:08 | |
In South London, | 0:01:16 | 0:01:17 | |
Toni and her mum June are regulars at their local auction house. | 0:01:17 | 0:01:21 | |
Toni started trading in low-value costume jewellery two years ago. | 0:01:26 | 0:01:30 | |
Now she's able to bid on the auction's most expensive lots. | 0:01:32 | 0:01:37 | |
The item I like is a nine-carat white gold chain | 0:01:37 | 0:01:42 | |
with an 18-carat white gold, | 0:01:42 | 0:01:45 | |
16 diamonds cross. | 0:01:45 | 0:01:47 | |
520, 530, 540, 550, 560, 570, | 0:01:47 | 0:01:51 | |
590, 610, 610. | 0:01:51 | 0:01:54 | |
SHE GIGGLES | 0:01:57 | 0:01:59 | |
Toni shares a home with her mum, | 0:02:02 | 0:02:04 | |
which doubles as her business headquarters. | 0:02:04 | 0:02:07 | |
I trade now in gold and silver. | 0:02:07 | 0:02:09 | |
I still have a little bit of costume jewellery but, no, | 0:02:11 | 0:02:14 | |
it's all gold and silver. | 0:02:14 | 0:02:16 | |
I buy and I sell. | 0:02:16 | 0:02:17 | |
These are all silver rings. | 0:02:17 | 0:02:19 | |
There's 170 in there. | 0:02:19 | 0:02:22 | |
These are all gold rings. | 0:02:22 | 0:02:25 | |
This one is designer. | 0:02:25 | 0:02:27 | |
You've got Tiffany, Gucci, Calvin Klein. | 0:02:29 | 0:02:33 | |
I've only been doing this for two years and two months now | 0:02:33 | 0:02:37 | |
and I've gone from, what was it, | 0:02:37 | 0:02:40 | |
£387 my mum lent me in Majorca. | 0:02:40 | 0:02:44 | |
We went on holiday, I bought some jewellery over there, | 0:02:44 | 0:02:47 | |
and that was two years and two months ago. | 0:02:47 | 0:02:50 | |
And now look at me. | 0:02:50 | 0:02:52 | |
Toni took up trading to keep herself busy after an attack of meningitis | 0:02:55 | 0:02:59 | |
six years ago left her with permanent disabilities. | 0:02:59 | 0:03:03 | |
On a daily basis, | 0:03:04 | 0:03:06 | |
I never know from day to day what I'm going to be like. | 0:03:06 | 0:03:09 | |
I'm in continual pain | 0:03:11 | 0:03:13 | |
in my left shoulder part. | 0:03:13 | 0:03:17 | |
I've now got emphysema, which is to do with my breathing, | 0:03:17 | 0:03:22 | |
but, hey ho, life's a bitch, | 0:03:22 | 0:03:25 | |
you've got to carry on, you know. | 0:03:25 | 0:03:27 | |
Toni can only sell her wares within the range of her mobility scooter. | 0:03:33 | 0:03:37 | |
At weekends, she heads to Wimbledon, her local car-boot sale. | 0:03:39 | 0:03:43 | |
Just knackers me. | 0:03:47 | 0:03:49 | |
Everyone gets dealt bad hands at one point in their life, right? | 0:03:53 | 0:03:58 | |
You've got two type of people. | 0:03:58 | 0:04:00 | |
The people that mope, moan and end up dying miserable old sods, right? | 0:04:00 | 0:04:05 | |
Or you've got people that say, | 0:04:05 | 0:04:07 | |
"Right, that's the hand I've been dealt, | 0:04:07 | 0:04:10 | |
"I've got to make the most of it." | 0:04:10 | 0:04:12 | |
-All the details are on there. -Oh, right. | 0:04:15 | 0:04:18 | |
'I want to go a step further, get myself a driver | 0:04:18 | 0:04:22 | |
'and build my business up.' | 0:04:22 | 0:04:26 | |
Right, it cost me 60. | 0:04:26 | 0:04:28 | |
Oh, go on, I'll do it for the price I paid. | 0:04:28 | 0:04:31 | |
-There you go, darling. -Thank you. -Thank you. Yep. | 0:04:31 | 0:04:35 | |
You've got an Amiga there. | 0:04:37 | 0:04:40 | |
I'll have to have a look at that. | 0:04:40 | 0:04:41 | |
Before every auction, | 0:04:43 | 0:04:44 | |
Toni scours the online catalogue looking for bargains. | 0:04:44 | 0:04:48 | |
-Oh, look, they've got Durex. -Pardon? | 0:04:49 | 0:04:53 | |
They've got a bag of Durex! | 0:04:53 | 0:04:55 | |
You get to my age, they're a memory. | 0:04:55 | 0:04:57 | |
Long past as well. | 0:05:01 | 0:05:02 | |
92, that's that one. | 0:05:02 | 0:05:05 | |
This week there's a sale of a huge collection of pocket watches | 0:05:05 | 0:05:09 | |
whose owner has recently died. | 0:05:09 | 0:05:11 | |
-Look, Mum, that's not the light, is it? -No, that's a goldy tone. | 0:05:11 | 0:05:16 | |
Yeah, you got it. | 0:05:16 | 0:05:18 | |
That does LOOK gold. | 0:05:18 | 0:05:20 | |
Well, gold or brass. | 0:05:22 | 0:05:23 | |
I do like that, | 0:05:23 | 0:05:26 | |
but it'll still be a matter of waiting | 0:05:26 | 0:05:30 | |
and seeing who's got the money and who ain't. | 0:05:30 | 0:05:33 | |
In Lancashire, Danny's been wheeling and dealing for the past ten years. | 0:05:39 | 0:05:43 | |
He's a well-known figure at local auctions. | 0:05:45 | 0:05:48 | |
It's all about sort of standing out a little bit. | 0:05:50 | 0:05:53 | |
People say, "Looking for quite a tall black guy, got a big afro, | 0:05:53 | 0:05:57 | |
"gold teeth, cravat on his neck" you know. | 0:05:57 | 0:06:02 | |
"I know just the guy!" | 0:06:02 | 0:06:03 | |
Moving on to lot 171. | 0:06:03 | 0:06:07 | |
Two vintage record players. | 0:06:07 | 0:06:09 | |
20, 22, 24, | 0:06:09 | 0:06:13 | |
26, 28. | 0:06:13 | 0:06:15 | |
I've been going to auctions for years. | 0:06:15 | 0:06:17 | |
There's always a big adrenaline, you know, a big pounding going on. | 0:06:17 | 0:06:22 | |
Quite a nice buzz really. | 0:06:22 | 0:06:24 | |
36, 38, 40. | 0:06:24 | 0:06:28 | |
Guaranteed. Is this one working or have you not tested it? | 0:06:38 | 0:06:42 | |
I've tested it, Pete. It all fires up... | 0:06:42 | 0:06:45 | |
-Yeah. -..but it doesn't go round. | 0:06:45 | 0:06:49 | |
I'll give you £65 for the lot. | 0:06:49 | 0:06:50 | |
Can you give us 70, Pete, and I'll put you at the top of the list | 0:06:50 | 0:06:53 | |
when I get any more audio equipment, and that's a promise? | 0:06:53 | 0:06:57 | |
I'm really struggling to be... | 0:06:58 | 0:07:00 | |
Well, go on, because I know you, all right, buddy. | 0:07:00 | 0:07:02 | |
40. | 0:07:02 | 0:07:04 | |
'I feel that I'm quite a good trader, you know, in whatever commodity.' | 0:07:04 | 0:07:08 | |
I like the whole shebang, to be honest, you know, the buying, | 0:07:08 | 0:07:12 | |
the selling, the bartering. | 0:07:12 | 0:07:14 | |
I probably like the sound of my own voice. | 0:07:14 | 0:07:16 | |
-Done. -Yeah. I have been done again, yeah. | 0:07:16 | 0:07:19 | |
Doubled my money. Easy money. | 0:07:21 | 0:07:24 | |
Get a bit of cash in my pocket and I can roll on. | 0:07:24 | 0:07:26 | |
You know, in this game, my tools is money. That's my tools. | 0:07:26 | 0:07:30 | |
My tools is money. | 0:07:30 | 0:07:32 | |
I can't go to an auction house and say, | 0:07:32 | 0:07:34 | |
"I'll pay you next week when I sell it." | 0:07:34 | 0:07:35 | |
They're not interested. They want cash. They want money. | 0:07:35 | 0:07:38 | |
They want paying. | 0:07:38 | 0:07:39 | |
In the ten years since he's started trading, | 0:07:43 | 0:07:46 | |
Danny's buying has outstripped his selling... | 0:07:46 | 0:07:49 | |
..and his late mother's home in Northamptonshire | 0:07:50 | 0:07:52 | |
has become his warehouse. | 0:07:52 | 0:07:55 | |
The place is chockablock with gear, you know. | 0:08:05 | 0:08:08 | |
This is like my office-cum-store, | 0:08:08 | 0:08:12 | |
cum, you know... | 0:08:12 | 0:08:15 | |
It's to the ceiling, you know what I mean? It's to the bloody ceiling! | 0:08:15 | 0:08:19 | |
Well, I've got a sort of a bit of a weird idea | 0:08:19 | 0:08:22 | |
of having like a house auction, you know? | 0:08:22 | 0:08:26 | |
Pretty much advertise it, lot everything up in here | 0:08:26 | 0:08:30 | |
and sell it. | 0:08:30 | 0:08:31 | |
They do it in America | 0:08:31 | 0:08:33 | |
and I truly believe that people will come from down in London | 0:08:33 | 0:08:36 | |
and, you know, and surrounding areas, to come and buy it. | 0:08:36 | 0:08:40 | |
And who's going to be the auctioneer? | 0:08:40 | 0:08:41 | |
Me. I'll be the auctioneer. Don't worry about that. | 0:08:41 | 0:08:45 | |
I'll be the auctioneer. I'll be a lot better than | 0:08:45 | 0:08:47 | |
a lot of them professional auctioneers out there. | 0:08:47 | 0:08:50 | |
It's not just experienced dealers who can let their buying | 0:08:56 | 0:08:59 | |
outpace their selling. | 0:08:59 | 0:09:01 | |
In Yorkshire, Vicky's only been trading two years, | 0:09:02 | 0:09:05 | |
but her garage is already overflowing with stock. | 0:09:05 | 0:09:09 | |
A Fisher Price house. | 0:09:10 | 0:09:11 | |
A coal model, entirely made of coal. | 0:09:11 | 0:09:15 | |
Laundry...posser. | 0:09:15 | 0:09:18 | |
Do you know, I just don't even know really what that is. | 0:09:18 | 0:09:21 | |
To be honest, I'll be honest, a laundry posser and a posser head. | 0:09:21 | 0:09:25 | |
I mean, people just love bedpans. Why is that? | 0:09:25 | 0:09:29 | |
I did sell one to a chap and he did say he was going to use it. | 0:09:29 | 0:09:32 | |
It's grown. | 0:09:34 | 0:09:35 | |
It's grown too much, really, | 0:09:35 | 0:09:37 | |
so we've had to have a garage built just to accommodate it. | 0:09:37 | 0:09:39 | |
I mean, look at it. | 0:09:39 | 0:09:41 | |
All this stock, it's got to be worth thousands, hasn't it, really? | 0:09:41 | 0:09:44 | |
I mean it's... Yeah, it will be, it will be worth thousands. | 0:09:44 | 0:09:47 | |
We haven't got thousands from it because it's all sitting in a box, | 0:09:47 | 0:09:50 | |
but it's probably worth £5,000, I would think, at least. | 0:09:50 | 0:09:53 | |
-Coffee? -Yeah, please. | 0:09:56 | 0:09:58 | |
Vicky has two sons and lives on a farm with her husband, Rod. | 0:09:58 | 0:10:02 | |
Thanks. | 0:10:05 | 0:10:06 | |
Vicky's quite good at buying, yes, yes, fair bit of buying, yeah. | 0:10:06 | 0:10:09 | |
You never know quite what's going to come through the door | 0:10:09 | 0:10:12 | |
when she gets back from these events. | 0:10:12 | 0:10:14 | |
Hello, little sheepies, baa! | 0:10:18 | 0:10:19 | |
I really like the sheep - they're such a calming influence. | 0:10:19 | 0:10:23 | |
Hello! Oh, no, don't run away. | 0:10:23 | 0:10:26 | |
I'm really just a housewife, to be honest, that's what I am. | 0:10:28 | 0:10:31 | |
That's what I do. | 0:10:31 | 0:10:32 | |
You know, I've had children and so far that's all I've done. | 0:10:32 | 0:10:36 | |
I haven't had a job since I had Thomas 20 years ago, | 0:10:36 | 0:10:40 | |
and I feel terrible saying that. That makes me | 0:10:40 | 0:10:43 | |
look like a real lazy person, but actually you know I have been bored, | 0:10:43 | 0:10:46 | |
I've been incredibly bored trying to find things to do | 0:10:46 | 0:10:49 | |
because I can't stand just being in a house and cleaning it. | 0:10:49 | 0:10:52 | |
I have a massive desire to get a bargain, it's just something | 0:10:54 | 0:10:58 | |
that if I don't, I tend to be a bit difficult to live with, actually, | 0:10:58 | 0:11:01 | |
and it is a bit of a case of a bargain a day that keeps me going. | 0:11:01 | 0:11:06 | |
It is a hobby and it's just turned into a nightmare, really, isn't it? | 0:11:06 | 0:11:10 | |
It's a hobby gone mad. | 0:11:10 | 0:11:13 | |
-Morning. -Hello. | 0:11:14 | 0:11:15 | |
Vicky's a regular at Sude Hill Auctions, | 0:11:15 | 0:11:18 | |
a magnet for local bargain-hunters. | 0:11:18 | 0:11:21 | |
AUCTIONEER INDISTINCT IN BACKGROUND | 0:11:21 | 0:11:26 | |
-AUCTIONEER: -Barbie dolls, handmade, | 0:11:28 | 0:11:30 | |
one, one, one, one, one, one, one, | 0:11:30 | 0:11:33 | |
two bid, two bid, | 0:11:33 | 0:11:35 | |
two bid, three. £1, two bid, two bid, nobody interested? | 0:11:35 | 0:11:40 | |
£1, £1, £1. £1, £1, two. | 0:11:40 | 0:11:47 | |
Two plates, 3.61... | 0:11:47 | 0:11:50 | |
Whilst Vicky's at home buying at auction... | 0:11:50 | 0:11:53 | |
Titanic Boat sank. | 0:11:53 | 0:11:55 | |
Titanic picture. | 0:11:55 | 0:11:56 | |
..she's not yet found a place | 0:11:56 | 0:11:58 | |
where she's as comfortable selling her wares. | 0:11:58 | 0:12:01 | |
'I know people seem to make money at car boots but I never have.' | 0:12:01 | 0:12:04 | |
I get people, "Oh will you take 50p for this, love?" | 0:12:04 | 0:12:08 | |
You know, that's what they say to me. | 0:12:08 | 0:12:10 | |
'You know, like I spend my life wasting my time buying stuff' | 0:12:10 | 0:12:13 | |
just to sell it for 50p. | 0:12:13 | 0:12:14 | |
You know, I'm really not interested in that. | 0:12:14 | 0:12:17 | |
That is one thing I would like to be - more of a businesswoman | 0:12:17 | 0:12:21 | |
and not just somebody that's playing with it. | 0:12:21 | 0:12:25 | |
In South London, Toni is on her way to the auction viewing day. | 0:12:39 | 0:12:44 | |
Here! | 0:12:47 | 0:12:48 | |
In this week's sale, there's a collection of pocket watches... | 0:12:48 | 0:12:52 | |
-I'll come over and have a look at the watches with you. -Yes. | 0:12:52 | 0:12:56 | |
..so Toni's called in Charles, | 0:12:56 | 0:12:57 | |
her watch restorer, to give them the once-over. | 0:12:57 | 0:13:00 | |
You might want to look at this one. | 0:13:03 | 0:13:06 | |
You've got a back which is probably one of the nicest | 0:13:06 | 0:13:10 | |
I've seen for some time. | 0:13:10 | 0:13:11 | |
Oh, my God. | 0:13:11 | 0:13:13 | |
That, that's a nice watch. I would value that at least at £100. | 0:13:13 | 0:13:18 | |
I think it's a lovely watch. | 0:13:18 | 0:13:21 | |
And this is what I was saying about keeping quiet, | 0:13:21 | 0:13:25 | |
because even they haven't noticed. | 0:13:25 | 0:13:29 | |
I'm glad my watch man turned up and he's found some gems in there, | 0:13:31 | 0:13:36 | |
but he should have kept his voice down. | 0:13:36 | 0:13:40 | |
But never mind, he'll learn. | 0:13:44 | 0:13:45 | |
Lot 80, various old gold-plated and other yellow metal pocket watches. | 0:13:48 | 0:13:53 | |
30, 30 I have, 32, 34, 36, 38... | 0:13:53 | 0:13:58 | |
When the lot comes up, Toni's not the only one interested. | 0:13:58 | 0:14:02 | |
115, 120, 125, 130, 135. | 0:14:02 | 0:14:06 | |
She finds herself up against Jamie, | 0:14:06 | 0:14:08 | |
another of the auction's heavyweights. | 0:14:08 | 0:14:10 | |
190, 195, 200, 210, 220, 230, 240, | 0:14:10 | 0:14:16 | |
250, 260, 270, 270. | 0:14:16 | 0:14:21 | |
Still in the front at £270. | 0:14:21 | 0:14:25 | |
Over the course of the sale, Toni wins several lots... | 0:14:29 | 0:14:32 | |
..and comes away with a haul of 25 timepieces. | 0:14:35 | 0:14:38 | |
Thank you. | 0:14:42 | 0:14:44 | |
You can see the engine turning work on the plates, which is | 0:14:48 | 0:14:52 | |
an indication of the quality of the movement itself. | 0:14:52 | 0:14:55 | |
I'd be disappointed if we couldn't get 80 to 100 for it. | 0:14:55 | 0:14:58 | |
We paid just under £550, cost. 25 pocket watches there. | 0:14:58 | 0:15:05 | |
I think we can more than double our outlay, | 0:15:05 | 0:15:08 | |
if not treble it or even more, potentially. | 0:15:08 | 0:15:11 | |
-What? -Potentially. | 0:15:11 | 0:15:13 | |
Polished and serviced, the watches soon start paying for themselves. | 0:15:20 | 0:15:25 | |
Yes, of course, open it up, sir. Help yourself. | 0:15:25 | 0:15:28 | |
All fully working. | 0:15:28 | 0:15:30 | |
How much are you selling them for? | 0:15:33 | 0:15:35 | |
A lot more than we paid for them. | 0:15:35 | 0:15:38 | |
That's 1803, that is. | 0:15:38 | 0:15:40 | |
That one is £250, my love. | 0:15:40 | 0:15:43 | |
Over the next few weeks, the pocket watches are a big earner for Toni, | 0:15:43 | 0:15:47 | |
generating plenty of profit to reinvest at the next auction. | 0:15:47 | 0:15:52 | |
# I'm a love man | 0:15:58 | 0:16:01 | |
# Call me the love man | 0:16:01 | 0:16:03 | |
# That's what they call me I'm a love man... # | 0:16:03 | 0:16:06 | |
Danny's bringing his long-term girlfriend Jo to Wellingborough | 0:16:06 | 0:16:09 | |
to help plan his house auction. | 0:16:09 | 0:16:11 | |
# Six feet one, weight 210... # | 0:16:11 | 0:16:14 | |
Tell you what, this bloody song is made for me. Go on, Otis. | 0:16:15 | 0:16:18 | |
SONG CONTINUES | 0:16:18 | 0:16:21 | |
So, Jo, what I'm thinking is really, downstairs, you know, door | 0:16:22 | 0:16:27 | |
wide open, you know, the door's wide open, they can come straight in. | 0:16:27 | 0:16:34 | |
That one there will be lot number one. You know, | 0:16:34 | 0:16:37 | |
put a bit of a sticker, one, two, these things here will have three, | 0:16:37 | 0:16:40 | |
that will have four, that will have five, that will have six, | 0:16:40 | 0:16:42 | |
that will have number seven, you know, and then they can just... | 0:16:42 | 0:16:45 | |
You know, basically all they'll do | 0:16:45 | 0:16:47 | |
is walk through and just see constant lots. | 0:16:47 | 0:16:49 | |
'He told me about his house auction dream years ago, you know.' | 0:16:49 | 0:16:54 | |
He's always writing things down. | 0:16:54 | 0:16:55 | |
"What do you think of this, Jo? What do you think of that?" | 0:16:55 | 0:16:57 | |
You know, and I'll say, "Yeah, it sounds good, get on with it." | 0:16:57 | 0:17:01 | |
I think I'd want to be around here, somewhere just here. | 0:17:01 | 0:17:03 | |
Right, so you're going to have all the people... | 0:17:03 | 0:17:05 | |
So that the people are in front of me there. | 0:17:05 | 0:17:07 | |
You know, because you've got to take risks. | 0:17:07 | 0:17:09 | |
If you don't take risks, then, you know, you'll never know, | 0:17:09 | 0:17:12 | |
and he doesn't want to be one of them people who just says, | 0:17:12 | 0:17:14 | |
"Oh, I should have done that, I should have done this." | 0:17:14 | 0:17:17 | |
It is in him to do it. | 0:17:17 | 0:17:18 | |
AUCTIONEER ON VIDEO SPEAKS RAPIDLY | 0:17:18 | 0:17:23 | |
Bloody good he is. It's worldwide auctioneer championships. | 0:17:23 | 0:17:29 | |
AUCTIONEER ON VIDEO SPEAKS RAPIDLY | 0:17:29 | 0:17:34 | |
I wouldn't mind doing that, | 0:17:34 | 0:17:36 | |
that whole tongue...tongue roller twister. | 0:17:36 | 0:17:39 | |
I wouldn't mind getting to that, I tell you. | 0:17:39 | 0:17:42 | |
HE MIMICS VIDEO | 0:17:42 | 0:17:44 | |
I tell you what, it's flipping hard. | 0:17:44 | 0:17:47 | |
If people are more happy, sort of quite like the atmosphere, | 0:17:48 | 0:17:54 | |
then they're going to feel a lot more at home. | 0:17:54 | 0:17:56 | |
If they're going to feel more at home | 0:17:56 | 0:17:58 | |
they might put their hand in their pocket more, you know. | 0:17:58 | 0:18:00 | |
AUCTIONEERS ON VIDEO SPEAK RAPIDLY | 0:18:00 | 0:18:04 | |
I think they're flipping brilliant. | 0:18:04 | 0:18:07 | |
Oh, I'll get my gloves out. | 0:18:15 | 0:18:16 | |
In Yorkshire, Vicky is off to auction again. | 0:18:18 | 0:18:20 | |
Not massively clean. Don't look. | 0:18:23 | 0:18:26 | |
We purchased the van because the amount of stuff that | 0:18:30 | 0:18:33 | |
I have acquired is a practical impossibility to get into the car. | 0:18:33 | 0:18:40 | |
We used to get it in the 4x4, | 0:18:40 | 0:18:42 | |
but then we used to have to do two car journeys. | 0:18:42 | 0:18:44 | |
I don't think we'd ever have imagined owning a van | 0:18:44 | 0:18:49 | |
in our entire lives, until now. | 0:18:49 | 0:18:52 | |
As part of her strategy to sell more stock, | 0:18:55 | 0:18:58 | |
Vicky's booked a stall at a prestigious vintage fair. | 0:18:58 | 0:19:01 | |
To mark the event, she's in search of yet more fresh stock. | 0:19:01 | 0:19:06 | |
We've got a suitcase here with a tin hat. | 0:19:08 | 0:19:14 | |
These are very desirable. | 0:19:14 | 0:19:16 | |
And we've also got... I daren't pull the trigger, | 0:19:16 | 0:19:20 | |
but anyway... Perhaps we shouldn't do that. | 0:19:20 | 0:19:24 | |
Lot number seven. | 0:19:24 | 0:19:26 | |
-AUCTIONEER: -There we go, lot seven, | 0:19:26 | 0:19:28 | |
a suitcase and the contents, all sorts of stuff in there. | 0:19:28 | 0:19:31 | |
Blimey, Dad's Army, there we go. Where do you want to be? | 0:19:31 | 0:19:34 | |
There it is. You can play at Dad's Army at the weekend with this one. | 0:19:34 | 0:19:37 | |
£3 for it, three, three bid, four bid, five bid. | 0:19:37 | 0:19:40 | |
Mr Mainwaring, thank you. | 0:19:40 | 0:19:42 | |
Five, six anywhere? Six, thank you. Seven? Seven, thank you. Eight? | 0:19:42 | 0:19:46 | |
£8. Nine, thank you. A tenner...? | 0:19:46 | 0:19:49 | |
The bidding starts low, but it's a popular lot | 0:19:49 | 0:19:52 | |
and the price starts to climb. | 0:19:52 | 0:19:55 | |
22, 24, 26, 28, at lady's bid at 26. | 0:19:55 | 0:20:00 | |
All done at £26 and done. | 0:20:00 | 0:20:02 | |
Thank you very much indeed. Commiserations to the under-bidder. | 0:20:04 | 0:20:07 | |
I paid more than my comfort zone for that, but I'm feeling excited | 0:20:16 | 0:20:22 | |
so it must have something good. I feel it's got something good in it. | 0:20:22 | 0:20:26 | |
There you go. Over the top! | 0:20:28 | 0:20:31 | |
Look at this. | 0:20:36 | 0:20:38 | |
Oh, God, yeah. That's quite impressive, isn't it? | 0:20:38 | 0:20:42 | |
That's got to be authentic, hasn't it, from the point of view of age. | 0:20:42 | 0:20:45 | |
Definitely. And look, it's got straps, it's got the lot. | 0:20:45 | 0:20:48 | |
Yes. It's got a date. 1939. There you are then, yeah. | 0:20:48 | 0:20:53 | |
-That's World War II, isn't it? -It's got to be, yeah. | 0:20:53 | 0:20:56 | |
I'm quite chuffed with that. | 0:20:56 | 0:20:58 | |
Yeah, it's good. | 0:20:58 | 0:20:59 | |
-That's not a real one, you know. -It's not a real one? | 0:20:59 | 0:21:01 | |
No. I think some parent or whatever | 0:21:01 | 0:21:03 | |
has taken a lot of trouble to make that. | 0:21:03 | 0:21:05 | |
Look, we have also, shooting flask. | 0:21:05 | 0:21:08 | |
Yeah, they're nice, aren't they? Yeah. | 0:21:08 | 0:21:11 | |
And then you've got this. | 0:21:11 | 0:21:13 | |
MUSIC BOX PLAYS | 0:21:15 | 0:21:17 | |
Isn't that nice? | 0:21:17 | 0:21:18 | |
Blimey. "Old vintage antique collectable military helmet | 0:21:22 | 0:21:27 | |
"with no liner, 125." | 0:21:27 | 0:21:29 | |
Everything I'm finding that's similar to this is over 100. | 0:21:29 | 0:21:33 | |
This one's 229. That is getting quite exciting, actually. | 0:21:33 | 0:21:37 | |
I might have to price that at a little bit more | 0:21:40 | 0:21:42 | |
just to test it, actually, because it is an antique helmet. I think it is. | 0:21:42 | 0:21:47 | |
A year ago I wouldn't have dared to | 0:21:49 | 0:21:51 | |
take my stuff to an antiques fair. | 0:21:51 | 0:21:53 | |
That was just something you watch on the telly, to be honest, | 0:21:53 | 0:21:56 | |
but now I think, well, I know I can do it. | 0:21:56 | 0:22:01 | |
With so much stock to choose from, | 0:22:07 | 0:22:09 | |
selecting the right items for an event is crucial. | 0:22:09 | 0:22:13 | |
That's definitely going. That's going. That's going. | 0:22:13 | 0:22:19 | |
Yeah, that's got to go. | 0:22:19 | 0:22:21 | |
Right, OK, those are yesses, these are noes, this is my no pile. | 0:22:23 | 0:22:28 | |
-Maybe, maybe no, maybe not, what do you think? -Yeah. | 0:22:28 | 0:22:31 | |
We'd take an enormous amount. | 0:22:31 | 0:22:33 | |
It takes an enormous amount of effort of packing. | 0:22:33 | 0:22:35 | |
Putting it all out, we'd never sell half of it, | 0:22:35 | 0:22:38 | |
if we take the whole lot, so it means even more work | 0:22:38 | 0:22:41 | |
packing it all up and bringing it all back again. | 0:22:41 | 0:22:44 | |
I like it to be really full, actually, I really do. | 0:22:44 | 0:22:47 | |
That is half-full, that's no good at all. | 0:22:47 | 0:22:49 | |
That's for when you're doing three different fairs in one trip, | 0:22:49 | 0:22:52 | |
-but we're not. -We've got loads more. | 0:22:52 | 0:22:53 | |
Let's get it all in. You haven't put any of the tea tables in. | 0:22:53 | 0:22:56 | |
There's just absolutely loads more space in there, isn't there? | 0:22:56 | 0:22:59 | |
-Better get labelling, I think. -You'll find something, I'm sure. | 0:22:59 | 0:23:02 | |
Oh, I will. Oh, I definitely will. | 0:23:02 | 0:23:04 | |
Oh, you've forgotten the tablecloths. | 0:23:04 | 0:23:07 | |
At Wimbledon car boot, | 0:23:14 | 0:23:16 | |
Toni's taken a big step in expanding her business. | 0:23:16 | 0:23:19 | |
This is my new partner. | 0:23:22 | 0:23:24 | |
I advertised for a driver and Debbie decided to come in as a partnership. | 0:23:24 | 0:23:31 | |
Yeah, this is all new to me, so I'm learning from the best. | 0:23:31 | 0:23:34 | |
Hello, how are you? | 0:23:34 | 0:23:36 | |
So she's teaching me as we go along, | 0:23:36 | 0:23:38 | |
because obviously I know some designer watches, | 0:23:38 | 0:23:41 | |
but not all of them. | 0:23:41 | 0:23:42 | |
I most probably can do it cheaper, but I'd have to have a look. | 0:23:42 | 0:23:46 | |
Yeah, it's going well. | 0:23:47 | 0:23:49 | |
I've now got a car, I've got a driver and yeah, I'm enjoying it now. | 0:23:49 | 0:23:56 | |
Now I can relax a bit. | 0:23:56 | 0:23:58 | |
It's better to have a little bit of time, isn't it, than... | 0:23:58 | 0:24:02 | |
Oh, this is luxury. This is luxury, babe. | 0:24:02 | 0:24:05 | |
Toni's brought Debbie to her first auction | 0:24:17 | 0:24:19 | |
to teach her some of the tricks of the trade. | 0:24:19 | 0:24:22 | |
In today's sale there's a sizeable consignment of yet more watches. | 0:24:22 | 0:24:27 | |
They're grouped as single lots in sealed bags. | 0:24:29 | 0:24:33 | |
I'd say it's not real. | 0:24:41 | 0:24:43 | |
That is not worth it. You can just scrap it. | 0:24:43 | 0:24:47 | |
If you can, turn that one over. | 0:24:51 | 0:24:53 | |
Right, if you can... because I think that one is genuine. | 0:24:55 | 0:25:01 | |
There are some good ones, good names. | 0:25:05 | 0:25:08 | |
You've got your copies in there. | 0:25:08 | 0:25:11 | |
There's quite a few Rolex ones there, aren't there, yeah? | 0:25:11 | 0:25:13 | |
Yeah. They're not Rolexes. | 0:25:13 | 0:25:15 | |
But there was one in one of the bags. | 0:25:15 | 0:25:19 | |
You actually mentioned it, that it looked like a Rolex. Yeah? | 0:25:19 | 0:25:24 | |
Well, it had all the names at the bottom | 0:25:26 | 0:25:29 | |
and that's a good 'un, I think. | 0:25:29 | 0:25:32 | |
Now you know why I said to you, right... | 0:25:32 | 0:25:36 | |
You thought I wasn't interested. | 0:25:36 | 0:25:38 | |
Nah, I was just like, "pass it on" because people watch you looking. | 0:25:38 | 0:25:43 | |
They're thinking, "Oh, yeah, what's all this about?" | 0:25:43 | 0:25:47 | |
You don't let on nothing. | 0:25:47 | 0:25:48 | |
Right. | 0:25:56 | 0:25:57 | |
It's two weeks before his house auction | 0:25:57 | 0:25:59 | |
and Danny still hasn't decided what's for sale. | 0:25:59 | 0:26:02 | |
As well as the house, he's got two other buildings | 0:26:11 | 0:26:14 | |
full of potential lots. | 0:26:14 | 0:26:16 | |
It's drawing near now | 0:26:20 | 0:26:21 | |
and there's still quite a bit of work left to do. | 0:26:21 | 0:26:24 | |
So I'm slightly worried, you know. | 0:26:24 | 0:26:26 | |
I want it to be the best that it can be. | 0:26:26 | 0:26:29 | |
I don't want to be putting in a lot of crap in the auction, | 0:26:29 | 0:26:33 | |
you know. It's got to look interesting and desirable, | 0:26:33 | 0:26:36 | |
where people think, "Ooh, every lot's a winner." | 0:26:36 | 0:26:39 | |
Definitely a lot more work than what I... But I think that's | 0:26:39 | 0:26:42 | |
a bit of me all over really - sort of jump in and then | 0:26:42 | 0:26:45 | |
worry about it once the sharks are chasing you type. | 0:26:45 | 0:26:48 | |
Any further on 20 for the nest of tables? | 0:26:51 | 0:26:54 | |
18, 20 at the back there, any further on 20? | 0:26:54 | 0:26:58 | |
To kick off his publicity campaign | 0:26:58 | 0:27:00 | |
Danny's giving out leaflets at a local auction. | 0:27:00 | 0:27:03 | |
House auction on Saturday, mate. House auction Saturday. | 0:27:03 | 0:27:07 | |
Give one to your mate. House auction Saturday. | 0:27:09 | 0:27:12 | |
Bring plenty of money with you. | 0:27:12 | 0:27:14 | |
Saturday, down by the train station. Straight down Midland Road, | 0:27:14 | 0:27:17 | |
before you get to the train station, you bust a right. | 0:27:17 | 0:27:20 | |
I've got to get the word out, so just keep spreading it. | 0:27:20 | 0:27:25 | |
-When's that, today? -Saturday. | 0:27:25 | 0:27:27 | |
Danny's decided his auction needs an eye-catching centrepiece. | 0:27:27 | 0:27:32 | |
Just fancied something a little bit quirky to have in the sale, | 0:27:40 | 0:27:43 | |
bit of a talking piece, really. | 0:27:43 | 0:27:46 | |
Maybe generate some interest or attraction, you know. | 0:27:46 | 0:27:49 | |
Not working 100%, but the bloke seems quite genuine. | 0:27:53 | 0:27:56 | |
You know, he sort of said, well he's had in his barn for years | 0:27:58 | 0:28:02 | |
and when he put it in the barn it were working. | 0:28:02 | 0:28:06 | |
Well, oldest trick in the book, that one. | 0:28:06 | 0:28:09 | |
That'll be all right. Instead of charging 20p for a ride, | 0:28:09 | 0:28:11 | |
just charge them 10p to sit in it. | 0:28:11 | 0:28:13 | |
-How much did you pay for it, Danny? -100 quid. | 0:28:13 | 0:28:16 | |
-Think you can make a profit on that? -I hope so. I believe so. | 0:28:16 | 0:28:22 | |
I better had do. | 0:28:23 | 0:28:25 | |
The main part is getting punters there. | 0:28:28 | 0:28:31 | |
Once you've got punters there, then you're cooking with gas. | 0:28:31 | 0:28:34 | |
I think if I get the right clientele down on the day | 0:28:34 | 0:28:37 | |
I've got no worries in making big bucks. | 0:28:37 | 0:28:40 | |
Get me in dizzy dream world, you know what I mean? | 0:28:40 | 0:28:43 | |
I'll be saying I want five grand. | 0:28:43 | 0:28:44 | |
Yeah, well, today we're doing a Britain Does Vintage event. | 0:28:51 | 0:28:55 | |
It's the first time we've done it, it's a very big vintage event, | 0:28:55 | 0:28:59 | |
very popular I hope. | 0:28:59 | 0:29:01 | |
At 10am, the doors open to the public. | 0:29:09 | 0:29:12 | |
Still haven't unpacked yet. There's about four boxes not touched yet. | 0:29:25 | 0:29:29 | |
Oh, my God. | 0:29:29 | 0:29:30 | |
All this stuff needs to go to good homes. | 0:29:32 | 0:29:35 | |
Not back to mine. | 0:29:35 | 0:29:37 | |
The top-priced items on the stall are Vicky's most recent purchases. | 0:29:39 | 0:29:44 | |
Yeah I'm putting the steel helmet on for £50, | 0:29:45 | 0:29:48 | |
and if I get £50 for it I will be really pleased. | 0:29:48 | 0:29:52 | |
I think eight for that and ten for that. | 0:29:52 | 0:29:55 | |
I think I had seven, but I'd let it go for six, that. Six. | 0:29:55 | 0:29:59 | |
-Thank you very much. -That's lovely, thank you. There you go. | 0:29:59 | 0:30:02 | |
-Enjoy, see you later. -Thank you. | 0:30:03 | 0:30:05 | |
-Bye. -Could do make it cheaper? | 0:30:05 | 0:30:08 | |
I tell you what, I'll do it for 18 for the lot, that is my cheapest. | 0:30:08 | 0:30:11 | |
How about 15? | 0:30:11 | 0:30:13 | |
15? | 0:30:13 | 0:30:14 | |
16, I'll do it 16, that is my absolute last. 16. | 0:30:18 | 0:30:21 | |
-15. -16. | 0:30:21 | 0:30:23 | |
Please. Please. | 0:30:23 | 0:30:25 | |
I really like it, I will take it to China, back home. | 0:30:25 | 0:30:28 | |
-Really? -Really. I like it very much. | 0:30:28 | 0:30:31 | |
I want to give it to my mum as a present. | 0:30:31 | 0:30:34 | |
-Go on, then. -Thank you. | 0:30:34 | 0:30:37 | |
Because you're going to take it to China. | 0:30:37 | 0:30:39 | |
I think I either paid £1 or £2, I can't remember, no more than two, | 0:30:39 | 0:30:43 | |
and I sold it for 15, so that's quite good, isn't it, really? | 0:30:43 | 0:30:46 | |
We do have a box with that, actually. | 0:30:49 | 0:30:51 | |
It's several hours before Vicky's army helmet | 0:30:51 | 0:30:54 | |
finally attracts interest. | 0:30:54 | 0:30:55 | |
So is £50 the bottom line on this? | 0:30:55 | 0:30:58 | |
What were you thinking of? | 0:30:58 | 0:31:01 | |
I was thinking, I was thinking of 30. | 0:31:01 | 0:31:02 | |
I'll do 40, that is the absolute lowest. | 0:31:06 | 0:31:10 | |
Yeah, OK. Yeah, 40, yeah. | 0:31:10 | 0:31:12 | |
-OK. -Okey-dokey. | 0:31:12 | 0:31:14 | |
It's not the price she hoped for, but it's still a clear £14 profit. | 0:31:14 | 0:31:18 | |
Thank you. Bag, please, bag, please. | 0:31:18 | 0:31:21 | |
I'm happy with that. 1939, important date, so that's good. | 0:31:21 | 0:31:24 | |
Yeah, I'm happy, yeah. Most of the paint still on it. | 0:31:24 | 0:31:27 | |
There we go. Are you going to wear it? | 0:31:27 | 0:31:30 | |
I'm not, no. Thanks a lot, cheers. | 0:31:30 | 0:31:33 | |
I'm here to sell, so if I make a sale and I'm making a profit, | 0:31:33 | 0:31:37 | |
that's a good thing, that's what I want to do. | 0:31:37 | 0:31:41 | |
I don't want to just sit on something. | 0:31:41 | 0:31:43 | |
It gives me the money to go and buy another one. | 0:31:43 | 0:31:45 | |
That's how I'm thinking of it. | 0:31:45 | 0:31:47 | |
After seven hours it's almost the end of the fair. | 0:31:47 | 0:31:52 | |
It might not actually look like I've sold a great deal | 0:31:52 | 0:31:56 | |
because my table is completely crammed, | 0:31:56 | 0:31:59 | |
but actually we've sold quite a lot because I'm always replacing. | 0:31:59 | 0:32:03 | |
Every time I sell something I replace it | 0:32:03 | 0:32:06 | |
because I have hundreds of millions of things under the table, | 0:32:06 | 0:32:09 | |
so I reckon we've probably... we're looking at about £300, | 0:32:09 | 0:32:13 | |
maybe a bit more, so it spurs me on to go shopping again, really. | 0:32:13 | 0:32:17 | |
Two hours after closing time, Vicky is still packing up. | 0:32:21 | 0:32:27 | |
Packing all that stuff away is utterly demoralising, | 0:32:27 | 0:32:31 | |
but it is a million times better when you have had a good day | 0:32:31 | 0:32:35 | |
and I have had a great day. | 0:32:35 | 0:32:37 | |
I have sold, I have bought stuff | 0:32:37 | 0:32:39 | |
and I've sold it to people who love it, and that's fantastic. | 0:32:39 | 0:32:43 | |
I'd love to have a pop-up shop, really. | 0:32:44 | 0:32:46 | |
That's where I'd love to be, | 0:32:48 | 0:32:49 | |
and events like this help me to do that, | 0:32:49 | 0:32:51 | |
they help to push me forward that step. | 0:32:51 | 0:32:53 | |
Yeah, look at that. | 0:32:59 | 0:33:01 | |
Yeah, "We have short-term lets available | 0:33:01 | 0:33:04 | |
"for this property, please call." | 0:33:04 | 0:33:06 | |
Who knows? Who knows what the future holds? | 0:33:10 | 0:33:13 | |
Ooh! | 0:33:13 | 0:33:15 | |
In Sheerness, Kent, Alan's been trading for more than 30 years. | 0:33:22 | 0:33:27 | |
But he has an unusual way of buying. | 0:33:29 | 0:33:32 | |
Hello. | 0:33:33 | 0:33:34 | |
Forget research, it's all about gut instinct. | 0:33:34 | 0:33:37 | |
I could be walking around an auction for an hour, | 0:33:41 | 0:33:43 | |
not find anything, and all of a sudden | 0:33:43 | 0:33:45 | |
I see something and there it is. | 0:33:45 | 0:33:46 | |
It's this very strong feeling that I get | 0:33:46 | 0:33:49 | |
and it's almost like an alarm bell going off in my head which is saying | 0:33:49 | 0:33:53 | |
"Buy that item." And, you know, it's got me... | 0:33:53 | 0:33:57 | |
it has got me in trouble a few times. | 0:33:57 | 0:33:59 | |
That's nice, isn't it? Don't you think? | 0:33:59 | 0:34:02 | |
A nice big lump. | 0:34:02 | 0:34:03 | |
82. | 0:34:03 | 0:34:05 | |
Alan doesn't just buy at auctions. If he gets wind of a bit | 0:34:10 | 0:34:14 | |
of treasure, his instincts take over and he'll buy from anywhere. | 0:34:14 | 0:34:18 | |
He's just bought a job lot of movie memorabilia, sight unseen, | 0:34:20 | 0:34:24 | |
from a man in a car park. | 0:34:24 | 0:34:26 | |
Right. | 0:34:26 | 0:34:28 | |
Size of them! | 0:34:28 | 0:34:31 | |
Yeah, I like 'em. | 0:34:41 | 0:34:42 | |
Clean 'em up a bit. | 0:34:42 | 0:34:44 | |
For £400, he's got two life-size models of Laurel and Hardy... | 0:34:45 | 0:34:51 | |
That's a nice one. | 0:34:51 | 0:34:53 | |
..and 80 smaller figures. | 0:34:53 | 0:34:54 | |
Is that 400 quid well spent? | 0:35:06 | 0:35:09 | |
I think I'm going to be all right, yeah. Yeah, I think so. | 0:35:09 | 0:35:12 | |
But it's never over, is it, not until the lady sings. | 0:35:12 | 0:35:15 | |
I can't help getting excited, you know, because I am a chancer, | 0:35:23 | 0:35:26 | |
and I know it's only fibreglass but I think in the right place | 0:35:26 | 0:35:29 | |
I might get 600 quid for them. | 0:35:29 | 0:35:31 | |
So, happy days. | 0:35:31 | 0:35:33 | |
'When the Romney, Hythe and Dymchurch Railway, | 0:35:38 | 0:35:40 | |
'the smallest public railway in the world, recently celebrated | 0:35:40 | 0:35:43 | |
'its 21st birthday, Messrs Laurel and Hardy were invited to the party.' | 0:35:43 | 0:35:47 | |
After some internet research, | 0:35:47 | 0:35:49 | |
Alan thinks he's discovered a potential buyer. | 0:35:49 | 0:35:52 | |
Laurel and Hardy have a historic connection | 0:35:54 | 0:35:56 | |
with a railway station in Kent. | 0:35:56 | 0:35:58 | |
'One of their jobs was to reopen the section from Romney to Dungeness.' | 0:35:58 | 0:36:02 | |
So Alan's ringing the station manager | 0:36:06 | 0:36:09 | |
to see if he wants to buy them. | 0:36:09 | 0:36:11 | |
They're about six foot. They're resin. | 0:36:11 | 0:36:15 | |
I'm not sure exactly how old they are | 0:36:15 | 0:36:18 | |
but they wasn't made yesterday, you know. | 0:36:18 | 0:36:20 | |
They're in good condition, they're in good condition. | 0:36:20 | 0:36:24 | |
I was thinking about 500. | 0:36:24 | 0:36:26 | |
22, 24... | 0:36:32 | 0:36:34 | |
In South London, it's auction day. | 0:36:34 | 0:36:36 | |
Toni and Debbie are waiting for the lot with the Rolex in it. | 0:36:36 | 0:36:40 | |
I wouldn't call it hidden treasure, | 0:36:42 | 0:36:44 | |
but you do have items that slip through | 0:36:44 | 0:36:47 | |
that are worth an awful lot more than what you've paid for it. | 0:36:47 | 0:36:54 | |
Lot 94, six various ladies' wristwatches. | 0:36:54 | 0:36:59 | |
£20? | 0:36:59 | 0:37:00 | |
15? | 0:37:02 | 0:37:03 | |
15, thank you. | 0:37:05 | 0:37:06 | |
16, 18, 20, 22, 24, 26, 28, 30... | 0:37:06 | 0:37:10 | |
Still in the front at £30. | 0:37:11 | 0:37:14 | |
Along with commission, the lot costs Toni £36. | 0:37:18 | 0:37:22 | |
We're very happy. | 0:37:22 | 0:37:25 | |
I'm pleased with my first go, so yeah, first experience. | 0:37:25 | 0:37:28 | |
Well, yeah, it was a good day. | 0:37:28 | 0:37:30 | |
So we're going to go home now, have a cup of tea and have a look. | 0:37:30 | 0:37:35 | |
How's it going? | 0:37:44 | 0:37:46 | |
Well, it's working. Fully working. | 0:37:50 | 0:37:53 | |
Well, that's the first time I've seen that. | 0:37:57 | 0:38:00 | |
On the...round the centre there, | 0:38:02 | 0:38:04 | |
you've actually got writing engraved around the edge. | 0:38:04 | 0:38:07 | |
You don't normally get that on copies. | 0:38:07 | 0:38:11 | |
You've got the serial numbers on the arms of here. | 0:38:11 | 0:38:14 | |
I don't think this is a dud. | 0:38:19 | 0:38:21 | |
Let's feel the weight, because they say it's quite weighty | 0:38:21 | 0:38:23 | |
because they use... | 0:38:23 | 0:38:25 | |
-Yeah, you feel it. -Oh, yeah. -It's heavy. | 0:38:25 | 0:38:28 | |
Is it looking good, Tone? | 0:38:31 | 0:38:33 | |
It is. | 0:38:33 | 0:38:35 | |
The forgeries that you get, right, | 0:38:35 | 0:38:38 | |
they're so good, some of them now, right, | 0:38:38 | 0:38:42 | |
you need to see the movement, | 0:38:42 | 0:38:44 | |
but Rolexes, they have pressurised backs. | 0:38:44 | 0:38:48 | |
I wouldn't touch that. | 0:38:48 | 0:38:50 | |
Toni will have to visit her jeweller to find out | 0:38:50 | 0:38:53 | |
if she's hit the jackpot. | 0:38:53 | 0:38:55 | |
I'd best be gentle with that one, then. | 0:38:55 | 0:38:58 | |
If that is real, that is one and a half grand. | 0:38:58 | 0:39:02 | |
Wow. You can't, you know, sniff at that, can you? Yes! | 0:39:02 | 0:39:08 | |
Ray. I need you, Ray. | 0:39:11 | 0:39:13 | |
In Wellingborough, it's the day before the auction. | 0:39:13 | 0:39:17 | |
Pull it, Ray, pull it, Ray. | 0:39:17 | 0:39:19 | |
Quick as you can, Ray, come on. | 0:39:20 | 0:39:22 | |
I've got a viewing day in about, supposedly at, like, 12 o'clock, | 0:39:23 | 0:39:28 | |
12 o'clock, midday, look at the state of the place. | 0:39:28 | 0:39:33 | |
I'm still in a tizzle, still in a mess. | 0:39:33 | 0:39:36 | |
A crucial job is yet to be done. | 0:39:36 | 0:39:39 | |
Danny still hasn't numbered the lots going into the sale. | 0:39:39 | 0:39:43 | |
Right, lot number one. Lot number one. | 0:39:43 | 0:39:48 | |
One, two, three, four pictures. | 0:39:48 | 0:39:50 | |
One, one, one. | 0:39:50 | 0:39:52 | |
Lot number two is one picture, Paris. | 0:39:54 | 0:39:58 | |
36, taxidermy. | 0:39:58 | 0:40:01 | |
Jo, I need you. | 0:40:01 | 0:40:02 | |
-What number are we on? -65. -65. | 0:40:02 | 0:40:06 | |
Danny and Jo have brought their five-year-old daughter Kyona along | 0:40:06 | 0:40:09 | |
to give her a first taste of an auction. | 0:40:09 | 0:40:12 | |
65. | 0:40:12 | 0:40:14 | |
Figureform, to keep your figure in form! | 0:40:14 | 0:40:17 | |
SHE LAUGHS | 0:40:17 | 0:40:19 | |
It's good! Do you want to have a go? | 0:40:19 | 0:40:21 | |
At 12 o'clock, the lots are available for viewing. | 0:40:23 | 0:40:26 | |
But it's a disappointing turnout. | 0:40:29 | 0:40:31 | |
110, two times African busts. | 0:40:32 | 0:40:36 | |
You should have started this last week. Who's your auctioneer, you? | 0:40:37 | 0:40:40 | |
You could tell! | 0:40:40 | 0:40:41 | |
And down, and down, and down. | 0:40:44 | 0:40:47 | |
As well, as everything else, Danny's still got to prepare his star lot. | 0:40:47 | 0:40:52 | |
Watch the thing... | 0:40:52 | 0:40:54 | |
Quite cool, isn't it? | 0:40:57 | 0:41:00 | |
Does it work? | 0:41:00 | 0:41:01 | |
No, well, there's a bit of... | 0:41:01 | 0:41:02 | |
I don't think there's a lock. | 0:41:02 | 0:41:05 | |
Do you want me to hold it? | 0:41:07 | 0:41:09 | |
Yes, Danny, you plug it in because if you get a shock | 0:41:09 | 0:41:12 | |
no-one will be able to tell. | 0:41:12 | 0:41:13 | |
-Well! -SHE LAUGHS | 0:41:13 | 0:41:17 | |
AAAAGH! | 0:41:17 | 0:41:18 | |
HE GRUNTS | 0:41:20 | 0:41:22 | |
-Not too many wires. -Well, there's one here. | 0:41:22 | 0:41:25 | |
You'll probably struggle to keep kids out of it tomorrow. | 0:41:25 | 0:41:28 | |
Working or not, if they've sat on it it's a pound. | 0:41:28 | 0:41:30 | |
Viewing day is over, but only a handful of people turned up. | 0:41:34 | 0:41:38 | |
Little bit...a tiny little bit disappointed, really. | 0:41:41 | 0:41:44 | |
I thought I'd get more people come here today, to be quite honest. | 0:41:44 | 0:41:48 | |
I thought there might be more people | 0:41:48 | 0:41:50 | |
coming here today to, you know, to view. | 0:41:50 | 0:41:52 | |
In a last-minute attempt to drum up some interest, | 0:41:55 | 0:41:59 | |
Danny's got an interview on local radio. | 0:41:59 | 0:42:01 | |
He's come to the headquarters of Radio Northants. | 0:42:04 | 0:42:07 | |
-All right? -Hi, Peter. Thank you. | 0:42:07 | 0:42:10 | |
-I'm Julie. -Hiya, Julie. | 0:42:10 | 0:42:11 | |
This is Radio Northants and we are with Danny Sebastian. | 0:42:11 | 0:42:17 | |
So, what is the concept of your house auction? | 0:42:17 | 0:42:20 | |
Well, my house is packed with gear and you know, and I thought, | 0:42:20 | 0:42:24 | |
well, it'd be quite nice to sort of have an auction in a house. | 0:42:24 | 0:42:29 | |
Right, should the like of Christie's | 0:42:29 | 0:42:31 | |
-and South...Sotheby's? Sotheby's... -Sotheby's? | 0:42:31 | 0:42:34 | |
..Sotheby's be worried? | 0:42:34 | 0:42:37 | |
They've got to be a little bit worried. They've got to be, | 0:42:37 | 0:42:40 | |
because if this goes well, and I sort of carry it on, | 0:42:40 | 0:42:44 | |
-then... -You hope they will be. | 0:42:44 | 0:42:46 | |
Yeah, I'll be heading for them big boys, you know. | 0:42:46 | 0:42:48 | |
I'll be saying, "Hold on, leave a bit of room up the top | 0:42:48 | 0:42:52 | |
"because I'm coming up!" | 0:42:52 | 0:42:54 | |
Right. Ooh, what if nobody turns up? | 0:42:54 | 0:42:59 | |
I think you probably mean "What if you get very, | 0:42:59 | 0:43:02 | |
"very few customers, not enough?" | 0:43:02 | 0:43:05 | |
Well, they'll be getting cheap lots. | 0:43:05 | 0:43:07 | |
I'll be sulking a little bit | 0:43:07 | 0:43:09 | |
because I'll be going, "Where do we start this? At £1? £1?" | 0:43:09 | 0:43:12 | |
I mean, somebody puts their hand up, | 0:43:12 | 0:43:13 | |
no-one's bidding against them, Jesus Christ. | 0:43:13 | 0:43:16 | |
-Thank you so much. -Thank you, Julie. Thank you, Pete. | 0:43:16 | 0:43:18 | |
-It's been an absolute pleasure. -Thank you. | 0:43:18 | 0:43:21 | |
-Cheers. -Have a good journey back. -I will do, thank you, bye-bye. | 0:43:21 | 0:43:24 | |
Alan is taking Stan and Ollie to see their prospective buyer | 0:43:30 | 0:43:33 | |
at a railway station. | 0:43:33 | 0:43:35 | |
I've got a feeling he's going to see them and then he's going to think, | 0:43:35 | 0:43:38 | |
"Yeah, they're brilliant." Especially at that price. | 0:43:38 | 0:43:41 | |
I think he's going to snap them up. | 0:43:41 | 0:43:44 | |
I'm happy for him to get them cheap | 0:43:44 | 0:43:46 | |
but I'm not going to sell them for less than 500. | 0:43:46 | 0:43:49 | |
I can't come down on the price, I'm afraid. | 0:43:57 | 0:43:59 | |
No. So you're looking for? | 0:43:59 | 0:44:00 | |
500. | 0:44:00 | 0:44:02 | |
Which is...it seems fairly cheap, | 0:44:02 | 0:44:04 | |
you know, I mean a few people said to me maybe £500 each, | 0:44:04 | 0:44:08 | |
but I'm not after a big profit, to be honest with you. | 0:44:08 | 0:44:11 | |
No, no. | 0:44:11 | 0:44:13 | |
I'm really more at the £300 mark, to be honest. | 0:44:13 | 0:44:17 | |
I can authorise that amount myself, and we could do that today | 0:44:17 | 0:44:21 | |
and we could pretty much shake on cash at that amount. | 0:44:21 | 0:44:26 | |
I could do 4, but that's it, that is my best. | 0:44:26 | 0:44:28 | |
-I'm really sorry about that. -No, no, no. -I didn't mean to waste your time. | 0:44:28 | 0:44:32 | |
Deal not done, Alan and the boys are escorted from the premises. | 0:44:34 | 0:44:38 | |
Shot himself in the foot, I think he has. | 0:44:38 | 0:44:40 | |
Just for a measly 100 quid, you know what I mean? | 0:44:40 | 0:44:43 | |
20 anywhere now? Anybody at 20? | 0:44:50 | 0:44:53 | |
There at 22... | 0:44:53 | 0:44:55 | |
15, 18... | 0:44:55 | 0:44:57 | |
Setbacks don't keep Alan away from the auctions for very long. | 0:44:57 | 0:45:00 | |
He's gone on a spending spree | 0:45:00 | 0:45:02 | |
and he's found what he thinks is a money-making gem. | 0:45:02 | 0:45:05 | |
It's an 18th-century violin. | 0:45:08 | 0:45:10 | |
It was in a box with a load of other bits and pieces. | 0:45:10 | 0:45:14 | |
The neck, this piece here, the neck was separate, it snapped off. | 0:45:14 | 0:45:19 | |
I've glued that back on, and I have noticed that inside there is | 0:45:19 | 0:45:23 | |
something in there, it looks like the date in pencil of 1715. | 0:45:23 | 0:45:28 | |
That was £45 and I just don't know what it's worth | 0:45:28 | 0:45:33 | |
but it could be £1,000, it could be £20,000, | 0:45:33 | 0:45:36 | |
you just don't know, you know. | 0:45:36 | 0:45:37 | |
What's that one? | 0:45:46 | 0:45:48 | |
Now look at the price of that one, look, 11,500, yeah. | 0:45:48 | 0:45:52 | |
There is always that chance. | 0:45:52 | 0:45:54 | |
I mean, this, for all I know, this could be, you know, | 0:45:54 | 0:45:58 | |
my boat coming in. | 0:45:58 | 0:46:00 | |
Hoping he's got his hands on a rare 18th-century violin, | 0:46:05 | 0:46:08 | |
Alan's brought it to London to get it valued. | 0:46:08 | 0:46:12 | |
Do you think he's going to spot your bodge job? | 0:46:12 | 0:46:14 | |
No. | 0:46:14 | 0:46:16 | |
I don't think he is. | 0:46:16 | 0:46:17 | |
Because it does look like... It doesn't look like it's been touched. | 0:46:19 | 0:46:24 | |
So...and hopefully I haven't... | 0:46:24 | 0:46:28 | |
I mean, obviously if it's damaged it, if I have ruined it, say, | 0:46:29 | 0:46:32 | |
by doing that, then he's going to know straightaway. | 0:46:32 | 0:46:35 | |
Well, it's unusual to see an instrument not in its case. | 0:46:42 | 0:46:45 | |
Where did you find this? | 0:46:45 | 0:46:47 | |
I picked it up at a local auction. | 0:46:47 | 0:46:49 | |
-OK. -There's actually a date inside. | 0:46:49 | 0:46:52 | |
Oh, I haven't seen that yet. Where is that? | 0:46:52 | 0:46:55 | |
It's written in pencil. | 0:46:55 | 0:46:56 | |
You only get the last three numbers, which is 715. | 0:46:56 | 0:46:59 | |
Oh, yes. | 0:46:59 | 0:47:00 | |
I don't think it has any bearing on the date of the instrument. | 0:47:02 | 0:47:06 | |
The numbers could be almost anything. | 0:47:06 | 0:47:09 | |
It is a reproduction-style instrument | 0:47:09 | 0:47:11 | |
and it probably is about 100 years old, not 200 years old. | 0:47:11 | 0:47:15 | |
Somebody perhaps has really loved this violin in the past. | 0:47:15 | 0:47:18 | |
It's been involved in some kind of an accident and they've repaired it. | 0:47:18 | 0:47:21 | |
That's actually quite a nice quality repair, it works very well. | 0:47:21 | 0:47:27 | |
What would you like to know? Is it worth anything? | 0:47:27 | 0:47:29 | |
-Is it worth anything? -OK. It is worth something. | 0:47:29 | 0:47:33 | |
I think you could probably just put it back | 0:47:33 | 0:47:35 | |
into a slightly more carefully chosen auction, you know, | 0:47:35 | 0:47:38 | |
certainly get a couple of hundred pounds for it. | 0:47:38 | 0:47:41 | |
Yeah, yeah, that's very interesting. | 0:47:41 | 0:47:44 | |
£200, I mean, for a day at the auction, | 0:47:44 | 0:47:47 | |
£150 profit, that's good for me, you know, I'm happy with that, | 0:47:47 | 0:47:51 | |
and I've made a very professional repair there, you see? | 0:47:51 | 0:47:55 | |
So...you know, there's another sort of string to my bow there. | 0:47:55 | 0:48:00 | |
So to speak. | 0:48:00 | 0:48:02 | |
So to speak, yeah. | 0:48:02 | 0:48:03 | |
Toni's got an appointment at a local jeweller to verify the Rolex. | 0:48:08 | 0:48:12 | |
I've never seen one like this | 0:48:17 | 0:48:19 | |
and I've dealt with a lot of copy Rolexes. | 0:48:19 | 0:48:22 | |
You can see them straight away, but this one I can't tell. | 0:48:22 | 0:48:26 | |
If it's real, you're talking about...it's a ladies' one, | 0:48:26 | 0:48:29 | |
the minimum £1,500. | 0:48:29 | 0:48:33 | |
Keep your fingers crossed. | 0:48:33 | 0:48:34 | |
I've never seen one with the marks on the back plate before. | 0:48:36 | 0:48:41 | |
I've seen loads of copies. | 0:48:41 | 0:48:43 | |
Well, I think if this proved to be genuine, a real Rolex watch, | 0:48:43 | 0:48:47 | |
then you're looking at roughly about £5,000. | 0:48:47 | 0:48:51 | |
Five! I thought it would have been about 1,500. | 0:48:51 | 0:48:53 | |
No, these bi-colour ones in Rolex watches are roughly about £5,000 | 0:48:53 | 0:48:57 | |
and so if you think that's a genuine one, if you get it checked | 0:48:57 | 0:49:02 | |
then obviously you've won a little mini-lottery, I would say. | 0:49:02 | 0:49:05 | |
To a layman this looks like a good-quality Rolex watch. | 0:49:20 | 0:49:24 | |
Yeah. | 0:49:24 | 0:49:26 | |
But I can tell by the look of it that it's not real. | 0:49:26 | 0:49:29 | |
As a copy, I would say roughly £20, £25, but I would not pay | 0:49:29 | 0:49:35 | |
any more than that, because you can get similar ones like this for £20. | 0:49:35 | 0:49:39 | |
Well, it cost £5.90, so even if it was £20, I'm not losing. | 0:49:40 | 0:49:45 | |
Yeah, I am disappointed that it's not a real one, | 0:49:47 | 0:49:50 | |
but I'm not going to lose. | 0:49:50 | 0:49:52 | |
He said £20, £25, as a copy. | 0:49:52 | 0:49:56 | |
I know I can get £40 for that watch. | 0:49:56 | 0:49:59 | |
So I've doubled what he said. | 0:50:00 | 0:50:03 | |
Do you have a dream about the future? | 0:50:09 | 0:50:13 | |
Everyone has ambitions. | 0:50:13 | 0:50:15 | |
I know exactly the spot where I'd like to be - | 0:50:15 | 0:50:18 | |
on the beach in Majorca, and that is the truth. | 0:50:18 | 0:50:21 | |
Thing is, though, I don't do the Lottery, | 0:50:22 | 0:50:24 | |
so it's a question of, I've got to find that little gem, haven't I? | 0:50:24 | 0:50:28 | |
In Sheerness, Alan sold his £45 violin online. | 0:50:31 | 0:50:35 | |
To begin with I started it off at £19.99. | 0:50:38 | 0:50:40 | |
Friday morning I looked at it and it'd gone up to 500. | 0:50:40 | 0:50:47 | |
And I was, like... I had to look at it twice | 0:50:48 | 0:50:51 | |
because I thought, you know, "Am I seeing things?" | 0:50:51 | 0:50:53 | |
Well pleased, I am well pleased. | 0:50:55 | 0:50:58 | |
Spurred on by success, Alan thinks selling online | 0:50:59 | 0:51:03 | |
may also be the best way to get rid of Stan and Ollie. | 0:51:03 | 0:51:07 | |
45 watchers, that's quite a lot of watchers. | 0:51:09 | 0:51:12 | |
Yeah, we're at £155 and we've got 30 minutes to go. | 0:51:12 | 0:51:16 | |
There's two people there that definitely want it, | 0:51:16 | 0:51:19 | |
it's just how much they're prepared to pay. | 0:51:19 | 0:51:21 | |
Nine minutes. | 0:51:21 | 0:51:22 | |
155. | 0:51:25 | 0:51:27 | |
Oh, still not moving. | 0:51:28 | 0:51:30 | |
Maybe I was being greedy, maybe I should have took his 300. | 0:51:30 | 0:51:34 | |
It's getting frightening now, it's getting close. | 0:51:36 | 0:51:39 | |
Last minute now. | 0:51:39 | 0:51:42 | |
And it still hasn't moved. | 0:51:42 | 0:51:44 | |
Nope, still not. | 0:51:44 | 0:51:47 | |
Oh, it's gone up a little bit - a fiver, it's gone up a fiver. | 0:51:48 | 0:51:51 | |
Someone's put in a bid. | 0:51:51 | 0:51:53 | |
Oh, there you go, £206. | 0:51:57 | 0:51:59 | |
Oh, well. | 0:51:59 | 0:52:00 | |
It's... In hindsight I should have took his 300 quid. | 0:52:01 | 0:52:04 | |
But you've got to just brush it off. | 0:52:04 | 0:52:07 | |
Today I might have lost some money, I took a chance, | 0:52:07 | 0:52:10 | |
I lost out, but tomorrow I might take a chance and be quids in. | 0:52:10 | 0:52:16 | |
This time next year I could be... | 0:52:16 | 0:52:19 | |
I mean, I don't like to say it but I could be a millionaire. | 0:52:19 | 0:52:22 | |
HE CHUCKLES | 0:52:22 | 0:52:23 | |
Where do we want to be? Somebody bid me now, somebody start me off. | 0:52:27 | 0:52:31 | |
Where shall we start? It's a lovely piece of ivory. | 0:52:31 | 0:52:33 | |
£40? That seems like a reasonable bid. | 0:52:33 | 0:52:35 | |
40, 40 bid. | 0:52:35 | 0:52:37 | |
40 bid, 42. | 0:52:37 | 0:52:39 | |
42 bid. At 42 I've got. 45, 45. | 0:52:39 | 0:52:42 | |
Right, go on, right, come on. | 0:52:42 | 0:52:45 | |
It's 10am, and Danny's auction is due to start in an hour's time. | 0:52:45 | 0:52:49 | |
It's just the last-minute chaos, I suppose. | 0:52:49 | 0:52:51 | |
We still need things photocopying, bidding sheets | 0:52:51 | 0:52:55 | |
and things like... It's just all bonkers. | 0:52:55 | 0:52:57 | |
I'm getting a bit worried now. | 0:52:57 | 0:52:59 | |
If the people come, he's cracked it, | 0:52:59 | 0:53:01 | |
but I'm just a little bit nervous about the numbers. | 0:53:01 | 0:53:05 | |
There are 230 lots in the auction. | 0:53:07 | 0:53:10 | |
It's a new concept, you know. I think it's got ground, really. | 0:53:12 | 0:53:17 | |
If this is successful there'll be another one in three months. | 0:53:17 | 0:53:20 | |
I'll be straight on it. Just hope it works. | 0:53:20 | 0:53:23 | |
Nice, isn't it? | 0:53:23 | 0:53:24 | |
Morning, everybody. Thank you very much for coming today. | 0:53:27 | 0:53:33 | |
So we're going to go with lot number one. | 0:53:33 | 0:53:35 | |
-Where's the lot? -Is that number one? | 0:53:35 | 0:53:38 | |
Jo, I'm waiting. | 0:53:38 | 0:53:40 | |
I don't even know what lot number one is. I can't even find it now. | 0:53:40 | 0:53:43 | |
Lot number one, Jo. | 0:53:43 | 0:53:45 | |
Lot number one, where is it? | 0:53:45 | 0:53:47 | |
Please. | 0:53:47 | 0:53:49 | |
Here we go, here we go, lot number one. | 0:53:50 | 0:53:53 | |
I've got a nice retro picture here. | 0:53:53 | 0:53:55 | |
In fact we've got four. Where shall we start the bidding? | 0:53:55 | 0:53:58 | |
-£20? Come on. -£1. -£1. | 0:53:58 | 0:54:01 | |
£1 we'll go, then. £1, £1. A pound we're starting at. | 0:54:01 | 0:54:05 | |
-somebody bid me £2. -£2. -£2 I've got. Where's three? | 0:54:05 | 0:54:08 | |
-Come on. -Go on, D. | 0:54:08 | 0:54:10 | |
£4 bid I've got now. | 0:54:10 | 0:54:11 | |
-Six, six, six, six. -£6 I've got. £6. Come on. | 0:54:11 | 0:54:15 | |
I know he's a bit of a dreamer, | 0:54:15 | 0:54:17 | |
but this were his dream, and he's doing it now, | 0:54:17 | 0:54:19 | |
so his little dream's come true, so, you know, great. | 0:54:19 | 0:54:22 | |
Any more bids? Come on, I'm going to sell it. | 0:54:22 | 0:54:25 | |
Sold, £6. | 0:54:25 | 0:54:27 | |
-Lot number 36. -We're coming. -In the hallway. | 0:54:27 | 0:54:30 | |
Nice little bit of taxidermy, this. 60 quid. | 0:54:30 | 0:54:33 | |
This taxidermy is mustard at the minute, it's red-hot. | 0:54:33 | 0:54:37 | |
Come on, somebody bid me 20. £10 bid, where are you? | 0:54:37 | 0:54:40 | |
Come on, somebody give me a fiver. Come on, where are you? | 0:54:40 | 0:54:44 | |
£10 bid. Where's 12? | 0:54:44 | 0:54:45 | |
Come on, it's worth that all day. Come on, come on, come on. | 0:54:45 | 0:54:50 | |
She's got that. | 0:54:50 | 0:54:51 | |
Danny's getting through the lots, but at knock-down prices. | 0:54:53 | 0:54:56 | |
Seven. | 0:54:56 | 0:54:58 | |
I'll say, folks, this concept we're trying to put on here, | 0:54:58 | 0:55:01 | |
I mean, it can only work if I get a bit of a profit. | 0:55:01 | 0:55:05 | |
I'm not asking for too much, but I do want something. | 0:55:05 | 0:55:08 | |
People factor is not good. | 0:55:10 | 0:55:12 | |
Considering all the leaflets he put out, | 0:55:12 | 0:55:15 | |
with his... you know, 3,000 leaflets, it is quite slow. | 0:55:15 | 0:55:19 | |
Right, next lot is the aeroplane. This is a lovely lot, come on. | 0:55:19 | 0:55:22 | |
Not many of you left now, is there? | 0:55:22 | 0:55:24 | |
Come on, where do you want to be now? Where do you want to be? | 0:55:24 | 0:55:27 | |
-100? Where do you want to be? -Does it work? | 0:55:27 | 0:55:29 | |
No, it doesn't work, it needs a bit of TLC, | 0:55:29 | 0:55:32 | |
but I'll tell you something, | 0:55:32 | 0:55:34 | |
I bought it off a chap and the chap had it in his shed | 0:55:34 | 0:55:37 | |
for about six years, but when he put it in the shed, it were perfect. | 0:55:37 | 0:55:43 | |
Come on, somebody bid me. Cost me 95 quid. | 0:55:43 | 0:55:46 | |
Anybody want to bid me 50 quid? | 0:55:46 | 0:55:49 | |
I'm willing to take a loss. Shall we leave it? | 0:55:49 | 0:55:52 | |
OK, we'll leave it, we can come back to it. | 0:55:52 | 0:55:54 | |
After 150 lots, Danny takes a short lunch break. | 0:55:56 | 0:56:00 | |
You know, it's a learning curve, it's a learning curve | 0:56:00 | 0:56:04 | |
and I'm definitely doing some of that. | 0:56:04 | 0:56:06 | |
You know, the second half of the sale, the afternoon part, | 0:56:06 | 0:56:09 | |
I'm going to move around the items | 0:56:09 | 0:56:11 | |
rather than sort of stand on the rostrum away from it. | 0:56:11 | 0:56:14 | |
Try and generate a little bit more interest, type thing. | 0:56:14 | 0:56:17 | |
Where's all my buyers at? Where's all my buyers at? | 0:56:17 | 0:56:20 | |
Right, are we ready? | 0:56:20 | 0:56:22 | |
Let's start again. Come on, be quick, be quick. | 0:56:22 | 0:56:25 | |
Right, Figureform, hey. | 0:56:25 | 0:56:27 | |
This does the trick. | 0:56:27 | 0:56:29 | |
£12 bid, £12. At £14, £14, £14. | 0:56:29 | 0:56:31 | |
£14, 16. £16, £16, £16. | 0:56:31 | 0:56:34 | |
Come on, bid me up, now. £18, 20. £20 bid, £20 bid, £20 bid, | 0:56:34 | 0:56:37 | |
£20 bid, £20 bid, £20 bid. | 0:56:37 | 0:56:40 | |
It's a good lot, this, nice impressive lot. | 0:56:40 | 0:56:44 | |
112. Sold. | 0:56:44 | 0:56:46 | |
Come on, don't be shy now. 25, 25, 25, 25. | 0:56:46 | 0:56:50 | |
-26. -26, 26 bid, 26 bid, 26 bid. | 0:56:50 | 0:56:53 | |
Don't be shy. | 0:56:53 | 0:56:55 | |
At five o'clock, Danny finally reaches the end of the catalogue. | 0:56:55 | 0:56:59 | |
Come on, I'm going to sell it. Sold. | 0:56:59 | 0:57:01 | |
I must say thank you very much to everyone for attending. | 0:57:01 | 0:57:06 | |
Appreciate it. Please see you in three months. | 0:57:06 | 0:57:09 | |
Well done, well done. | 0:57:09 | 0:57:12 | |
Let's have a look. | 0:57:22 | 0:57:24 | |
-1,400 quid. -Ooh! | 0:57:24 | 0:57:27 | |
GIRL GIGGLES | 0:57:27 | 0:57:29 | |
Are you happy with that? | 0:57:32 | 0:57:33 | |
-Get out of it! 1,400? -Yeah. | 0:57:33 | 0:57:35 | |
There's a bit more coming in now. | 0:57:35 | 0:57:37 | |
£1,400 will do me. | 0:57:37 | 0:57:39 | |
-Do you, won't it? -Yeah. -I want to count it. -Get out of it! | 0:57:39 | 0:57:42 | |
I want to smell it! | 0:57:42 | 0:57:43 | |
Mm! We like the smell of money, don't we? I want to smell it, eh? | 0:57:43 | 0:57:48 | |
With the final payments in, Danny's done even better than he thought. | 0:57:50 | 0:57:54 | |
Closer to £2,000. | 0:57:54 | 0:57:56 | |
I'll definitely do another one, without a shadow of a doubt. | 0:57:58 | 0:58:01 | |
I'll definitely be doing another one. | 0:58:01 | 0:58:03 | |
It is a lot of time, a lot of effort, it's a lot of hard work, | 0:58:03 | 0:58:06 | |
but I tell you what, I enjoyed it. | 0:58:06 | 0:58:10 | |
I did enjoy it, you know. | 0:58:10 | 0:58:11 | |
And whatever you do, you've got to enjoy it. | 0:58:11 | 0:58:14 | |
Cheers! | 0:58:14 | 0:58:16 | |
CHEERING | 0:58:16 | 0:58:18 |