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Once, except for the birds, our skies were empty. | 0:00:02 | 0:00:05 | |
Now, they're a crowded place. | 0:00:09 | 0:00:11 | |
It's like chaos, but it's controlled chaos. | 0:00:13 | 0:00:16 | |
Every day, 6,000 planes... | 0:00:16 | 0:00:18 | |
My pride and joy. | 0:00:18 | 0:00:20 | |
There's nothing we can't transport. | 0:00:20 | 0:00:22 | |
..and 600,000 people are in the skies above Britain. | 0:00:22 | 0:00:25 | |
Guiding every plane is a hidden army of controllers... | 0:00:31 | 0:00:34 | |
So we've got no option right now but to stop arrivals into Gatwick. | 0:00:34 | 0:00:37 | |
..performing one of the world's greatest juggling acts. | 0:00:37 | 0:00:40 | |
Unlike a computer game, you can't hit pause. | 0:00:40 | 0:00:43 | |
They're coming. | 0:00:43 | 0:00:44 | |
A place of adventure.... | 0:00:45 | 0:00:47 | |
HE LAUGHS | 0:00:47 | 0:00:49 | |
Well, that was fantastic! | 0:00:49 | 0:00:51 | |
..wonder... | 0:00:51 | 0:00:52 | |
When you're up there, nothing else matters. | 0:00:52 | 0:00:55 | |
..and danger. | 0:00:55 | 0:00:56 | |
Unless you know what's in front of you, think better of it. | 0:00:56 | 0:00:59 | |
It gives you a sense of space and freedom | 0:00:59 | 0:01:01 | |
and a feeling that you're part of something bigger. | 0:01:01 | 0:01:04 | |
Every boy's little dream. | 0:01:04 | 0:01:05 | |
'167.' | 0:01:19 | 0:01:20 | |
'2571 Golf to land on a 335.' | 0:01:20 | 0:01:23 | |
There's something about the sky. | 0:01:23 | 0:01:25 | |
Something adventurous and escapist. | 0:01:25 | 0:01:30 | |
The skies over Britain are used by scores of different people | 0:01:33 | 0:01:38 | |
who all want different things out of them. | 0:01:38 | 0:01:40 | |
There are private pilots who fly, there are drones, | 0:01:40 | 0:01:43 | |
there are hot air balloonists, there are gliders, | 0:01:43 | 0:01:45 | |
there's the military. | 0:01:45 | 0:01:46 | |
There's any number of people who all want to use the airspace. | 0:01:46 | 0:01:49 | |
And trying to make all of that work safely and well | 0:01:49 | 0:01:53 | |
is the most important thing for us. | 0:01:53 | 0:01:54 | |
But you never quite know what's going to happen. | 0:01:54 | 0:01:57 | |
At the National Air Traffic Control Centre - NATS - | 0:01:58 | 0:02:02 | |
a team of controllers thread thousands of planes | 0:02:02 | 0:02:04 | |
through our skies each day. | 0:02:04 | 0:02:06 | |
86 Papa, reduce speed to 220 knots. | 0:02:06 | 0:02:09 | |
158, Roger, continue on the heading, flight number 110. | 0:02:09 | 0:02:13 | |
But there are always unexpected challenges. | 0:02:13 | 0:02:17 | |
BLEEPING | 0:02:17 | 0:02:19 | |
He's lost his number one hydraulic system. | 0:02:19 | 0:02:21 | |
He's got no fluid left in it, no noticeable steering. | 0:02:21 | 0:02:25 | |
Shortly after taking off, a passenger jet is reporting a fault. | 0:02:25 | 0:02:29 | |
93 Uniform is a Pam with a hydraulic failure. | 0:02:29 | 0:02:32 | |
One system is completely drained. | 0:02:32 | 0:02:34 | |
So we've got a British Airways aircraft that had left Heathrow | 0:02:35 | 0:02:39 | |
about... probably half an hour ago now. | 0:02:39 | 0:02:42 | |
They got about ten minutes into the flight and discovered it had | 0:02:42 | 0:02:45 | |
a hydraulic leak, and decided the best course of action | 0:02:45 | 0:02:47 | |
was not to continue to Gibraltar but to come back to Heathrow. | 0:02:47 | 0:02:51 | |
Unfortunately, the aircraft's too heavy to land, | 0:02:51 | 0:02:53 | |
and the risk if they land too heavy is they might burst the tyres, | 0:02:53 | 0:02:57 | |
the brakes might fail or lock, | 0:02:57 | 0:02:59 | |
and they might damage the aircraft by doing that. | 0:02:59 | 0:03:01 | |
So in order to get to the correct weight to land, | 0:03:01 | 0:03:04 | |
he needs to burn off fuel. | 0:03:04 | 0:03:05 | |
It's a waiting game, really, for us. | 0:03:06 | 0:03:09 | |
Cheers. | 0:03:09 | 0:03:10 | |
Controllers direct the jet to a clear patch of airspace, | 0:03:11 | 0:03:14 | |
where it can use up fuel by circling overhead. | 0:03:14 | 0:03:17 | |
So there he is. He's over the Channel at 13,000 feet. | 0:03:18 | 0:03:22 | |
After 25 minutes, the plane has burned off enough fuel to land. | 0:03:25 | 0:03:29 | |
But the hydraulic fault means it may not be able to steer | 0:03:31 | 0:03:34 | |
once its wheels hit the tarmac. | 0:03:34 | 0:03:35 | |
The gap behind him would normally be three to four miles. | 0:03:37 | 0:03:40 | |
We're putting a ten-mile gap in just to give us that little bit more room | 0:03:40 | 0:03:43 | |
in case anything does happen, and that allows us to take the aircraft | 0:03:43 | 0:03:46 | |
behind and send it around, if anything does. | 0:03:46 | 0:03:49 | |
BLEEPING | 0:03:50 | 0:03:52 | |
He's on this line here - it's known as the extended centre line. | 0:03:52 | 0:03:55 | |
So he's landing on 27 right. | 0:03:55 | 0:03:57 | |
He's got to be off by now. | 0:04:00 | 0:04:01 | |
OK, so he's disappeared off the radar now, | 0:04:10 | 0:04:12 | |
which means that very shortly, his wheels will be hitting the tarmac. | 0:04:12 | 0:04:15 | |
BLEEPING | 0:04:20 | 0:04:24 | |
Yes, airports? | 0:04:24 | 0:04:25 | |
OK, thank you. | 0:04:27 | 0:04:28 | |
He's vacated the runway, | 0:04:29 | 0:04:31 | |
they're waiting for the runway to be inspected and handed back. | 0:04:31 | 0:04:34 | |
The runway's back, it's all clear. | 0:04:34 | 0:04:36 | |
Problem finished. | 0:04:36 | 0:04:38 | |
The demands placed on NATS go far beyond commercial traffic. | 0:04:44 | 0:04:48 | |
Right next to Heathrow, | 0:04:49 | 0:04:51 | |
the British leg of the International Red Bull Air Race is taking place | 0:04:51 | 0:04:54 | |
at Ascot Racecourse. | 0:04:54 | 0:04:56 | |
PLANE ENGINE ROARS | 0:05:00 | 0:05:01 | |
Enabling people to operate an air race | 0:05:03 | 0:05:07 | |
in one of the busiest air traffic control zones in the world | 0:05:07 | 0:05:12 | |
is bonkers. | 0:05:12 | 0:05:14 | |
If you said, "Oh, look, let's have a massive air race | 0:05:14 | 0:05:17 | |
"next to this incredibly busy international airport", | 0:05:17 | 0:05:20 | |
you probably wouldn't do it. | 0:05:20 | 0:05:22 | |
So we've said to them, not above 1,500 feet. | 0:05:22 | 0:05:25 | |
And that enables us to then jump over the top of them | 0:05:25 | 0:05:28 | |
with our outbound traffic. | 0:05:28 | 0:05:30 | |
Touch wood, | 0:05:30 | 0:05:31 | |
they manage to keep in their own little part of the airspace. | 0:05:31 | 0:05:34 | |
They keep to their bit, we keep to our bit, and everybody's happy. | 0:05:34 | 0:05:38 | |
One of the pilots competing for the top prize is Paul Bonhomme. | 0:05:50 | 0:05:54 | |
Paul first piloted a plane when he was just 12 years old, | 0:06:03 | 0:06:07 | |
and has been flying ever since. | 0:06:07 | 0:06:09 | |
You know, if you're in an aerobatic aeroplane | 0:06:09 | 0:06:12 | |
in a beautiful summer's afternoon, | 0:06:12 | 0:06:14 | |
blue sky, no airspace issues, you've turned the radio off, | 0:06:14 | 0:06:18 | |
fly around and twist and turn and roll and loop. | 0:06:18 | 0:06:21 | |
And it's just... It's great fun. | 0:06:21 | 0:06:23 | |
Paul's day job is flying passenger jets for BA. | 0:06:25 | 0:06:29 | |
But he is also a two-time Red Bull Air Race champion, | 0:06:29 | 0:06:32 | |
and this year is going for a record third win. | 0:06:32 | 0:06:35 | |
I hate losing. | 0:06:36 | 0:06:37 | |
I've never understood the phrase, | 0:06:37 | 0:06:39 | |
"It's not the winning that matters, it's the taking part that counts." | 0:06:39 | 0:06:43 | |
On the other side of the coin, it's the winning that counts. | 0:06:43 | 0:06:46 | |
It's Practice Day at Ascot, | 0:06:48 | 0:06:50 | |
where the 14 competing pilots have a chance | 0:06:50 | 0:06:53 | |
to work out the quickest route around a three-mile course. | 0:06:53 | 0:06:56 | |
The real fun starts when we get to a corner, | 0:06:56 | 0:06:59 | |
cos the aeroplane disappears off round the corner that way. | 0:06:59 | 0:07:02 | |
Your body wants to keep going in the original direction. | 0:07:02 | 0:07:05 | |
So that is effectively squashing you into the seat, | 0:07:05 | 0:07:09 | |
and that feels like a load of weight. | 0:07:09 | 0:07:13 | |
You know, your arms suddenly weigh ten times their normal weight. | 0:07:13 | 0:07:16 | |
You know, your neck muscles are straining to keep your head upright. | 0:07:17 | 0:07:21 | |
Under that pressure, your blood will want to travel this way as well. | 0:07:21 | 0:07:25 | |
The blood pressure to your eyes will reduce, | 0:07:25 | 0:07:27 | |
you will just see this grey shadow coming in, | 0:07:27 | 0:07:30 | |
and ultimately, you can have a complete grey-out, | 0:07:30 | 0:07:32 | |
where you just see everything grey. | 0:07:32 | 0:07:34 | |
Added to the physical challenge of the race is risk. | 0:07:38 | 0:07:42 | |
Pilots must fly extremely close to the ground | 0:07:42 | 0:07:44 | |
at speeds of over 200 mph. | 0:07:44 | 0:07:47 | |
Six years ago, during a race, a Red Bull plane faltered. | 0:07:48 | 0:07:53 | |
The pilot was lucky to crash into water. | 0:08:00 | 0:08:02 | |
Since then, new safety measures have been introduced, | 0:08:08 | 0:08:11 | |
but the course is still designed | 0:08:11 | 0:08:13 | |
to push pilots to their absolute limits. | 0:08:13 | 0:08:15 | |
Jump out. | 0:08:23 | 0:08:24 | |
There's something about humans that make us want to fly. | 0:08:24 | 0:08:30 | |
I think it just represents freedom when you're up there. | 0:08:31 | 0:08:34 | |
Like, you can breathe. It's just... | 0:08:34 | 0:08:37 | |
Everything is just beneath you now, and you're just away from it. | 0:08:37 | 0:08:40 | |
With tens of thousands of people in Britain now owning a drone, | 0:08:42 | 0:08:45 | |
the skies are opening up to more and more of us. | 0:08:45 | 0:08:48 | |
You're not supposed to be there, you know that. | 0:08:48 | 0:08:51 | |
'We are YouTubers, full-time YouTubers.' | 0:08:51 | 0:08:53 | |
So we basically film our lives as parents | 0:08:53 | 0:08:56 | |
for a weekly show that we put out every Sunday. | 0:08:56 | 0:08:59 | |
No! No, no, no! Not that lens, not the lens! | 0:08:59 | 0:09:02 | |
'So we just film everything we do.' | 0:09:02 | 0:09:03 | |
We film ourselves trying to raise a child. | 0:09:03 | 0:09:07 | |
As soon as he bought his drone, online filmmaker Stefan Michalak | 0:09:08 | 0:09:12 | |
started pushing the boundaries of where he could fly it. | 0:09:12 | 0:09:15 | |
One day we decided to go down to the Natural History Museum, | 0:09:15 | 0:09:18 | |
which is this incredibly beautiful building in London. | 0:09:18 | 0:09:21 | |
And it was just dying to have a drone fly all around it and over it. | 0:09:21 | 0:09:26 | |
So I was a bit audacious - | 0:09:27 | 0:09:28 | |
I kind of put my drone down probably about ten metres away | 0:09:28 | 0:09:31 | |
from the building, and then just launched it. | 0:09:31 | 0:09:33 | |
And before I even had it, like, six foot in the sky, | 0:09:33 | 0:09:36 | |
I had lots of hi-vis jacket people around me | 0:09:36 | 0:09:38 | |
telling me to, like, land this thing now. | 0:09:38 | 0:09:40 | |
-I don't think I was allowed to get that shot. -Put that away, please. | 0:09:40 | 0:09:43 | |
I've got to put this away, so I'll speak to you in a minute. | 0:09:43 | 0:09:46 | |
Maybe from prison, I don't know, we'll see. | 0:09:46 | 0:09:48 | |
They let me out. I'm not arrested, so that's good. | 0:09:49 | 0:09:51 | |
Apparently you need a license to fly a drone. | 0:09:51 | 0:09:53 | |
My plan was to get the drone shot outside, | 0:09:53 | 0:09:56 | |
and then take the drone inside, and film the drone around here, | 0:09:56 | 0:10:00 | |
and fly the drone up into this. | 0:10:00 | 0:10:02 | |
And they said they probably would have shot me if I'd done that, | 0:10:02 | 0:10:05 | |
-so I'm glad I didn't. -Did they say that? | 0:10:05 | 0:10:07 | |
The fact that you could just buy these in any shop, | 0:10:07 | 0:10:09 | |
I was thinking, "Well, they can't be that illegal." | 0:10:09 | 0:10:12 | |
In terms of how illegal things are, you've got murder, | 0:10:12 | 0:10:16 | |
you've got, like, I don't know, going 35mph, | 0:10:16 | 0:10:18 | |
I thought it might be towards the bottom of that spectrum. | 0:10:18 | 0:10:20 | |
So I was like, if it IS illegal, | 0:10:20 | 0:10:22 | |
then it's probably not going to be a big deal anyway. | 0:10:22 | 0:10:24 | |
I'll just be told not to do it again. | 0:10:24 | 0:10:26 | |
It's a bit of a reckless attitude, I suppose. | 0:10:27 | 0:10:29 | |
Even larger drones designed for aerial filming | 0:10:32 | 0:10:35 | |
are too small to be detected by radars. | 0:10:35 | 0:10:38 | |
Yesterday we had an aircraft out of Heathrow | 0:10:40 | 0:10:43 | |
report a close encounter with a drone. | 0:10:43 | 0:10:47 | |
He estimated it 20 foot away, | 0:10:47 | 0:10:49 | |
and suggested it was in the region of about six foot. | 0:10:49 | 0:10:53 | |
So we're not talking a little pathetic helicopter | 0:10:53 | 0:10:56 | |
you might get down the gadget shop, we're talking a big, proper drone | 0:10:56 | 0:10:59 | |
up there at 10,000 feet. | 0:10:59 | 0:11:02 | |
Another aircraft reported seeing it a little higher. | 0:11:02 | 0:11:05 | |
If you're going to hit something at 260mph, | 0:11:05 | 0:11:07 | |
it's going to do some damage, isn't it? | 0:11:07 | 0:11:09 | |
I'm no judge, jury and executioner, | 0:11:12 | 0:11:14 | |
but if I ruled the world, they should be... | 0:11:14 | 0:11:16 | |
Well, lock and key job, because, again, | 0:11:16 | 0:11:18 | |
it's endangerment of aircraft. | 0:11:18 | 0:11:20 | |
This is Barry just arriving. | 0:11:24 | 0:11:26 | |
This is the guy who's going to help me try and pass my drone test. | 0:11:26 | 0:11:29 | |
He's already done the test, so he's well-placed to know what I'm supposed to do. | 0:11:29 | 0:11:32 | |
For the misuse of his drone, Stef got off with a warning, | 0:11:32 | 0:11:36 | |
but now he can't use it for filming unless he gets an official licence. | 0:11:36 | 0:11:40 | |
In here is all you need to do a flight assessment safely. | 0:11:42 | 0:11:46 | |
OK, so you need to put one of those on, OK? | 0:11:46 | 0:11:49 | |
This thing here just does a scan of the frequencies locally. | 0:11:51 | 0:11:55 | |
So you need to warn people you're going to be flying in the area. | 0:11:55 | 0:11:58 | |
You need to check the wind to make sure it's not too windy. | 0:11:58 | 0:12:01 | |
You need a fire extinguisher. | 0:12:01 | 0:12:03 | |
First aid kit. | 0:12:03 | 0:12:05 | |
To have traffic cones out, and signs... | 0:12:05 | 0:12:08 | |
and pretty much hard hats... | 0:12:08 | 0:12:10 | |
I mean, there's no other way | 0:12:10 | 0:12:11 | |
that I'm going to get the shots I want to get | 0:12:11 | 0:12:13 | |
unless I can jump through all these hoops. | 0:12:13 | 0:12:15 | |
So...I know it's essential, | 0:12:15 | 0:12:17 | |
but it does strip the romance out of flying the drone completely. | 0:12:17 | 0:12:20 | |
I have to carry traffic cones around with me! | 0:12:20 | 0:12:23 | |
I might just steal them off the A3 or something! | 0:12:23 | 0:12:25 | |
Go to 20 metres. | 0:12:27 | 0:12:29 | |
Go to 20 metres high. | 0:12:29 | 0:12:30 | |
The regulations state Stef must keep his drone below 400 feet. | 0:12:30 | 0:12:35 | |
-Oh, great. -Here we are, 20 metres. | 0:12:35 | 0:12:37 | |
Just bring it down a minute. They do know we're flying, so... | 0:12:37 | 0:12:40 | |
He used to fly close to 1,000. | 0:12:40 | 0:12:42 | |
OK, so if you just go 20 metres forward and then hover, | 0:12:48 | 0:12:51 | |
and then fly back, and as I say, turn the drone round. | 0:12:51 | 0:12:54 | |
If I pass my test, I'll be one of, like, | 0:12:55 | 0:12:58 | |
five legal drone pilots allowed to fly in London | 0:12:58 | 0:13:01 | |
with the CAA, which is crazy. | 0:13:01 | 0:13:02 | |
How does that work? How do you mean, what you just said there? | 0:13:02 | 0:13:05 | |
Because I'm applying to fly in London, central London, | 0:13:05 | 0:13:07 | |
-with the CAA. -It's not going to be that easy. | 0:13:07 | 0:13:10 | |
Sorry. What you've just said isn't going to be very easy, | 0:13:10 | 0:13:13 | |
-to fly in London. -Yeah, I... Yeah. | 0:13:13 | 0:13:14 | |
You need to do all sorts of advanced tests, | 0:13:14 | 0:13:16 | |
and have thousands of hours of flying time. | 0:13:16 | 0:13:18 | |
But if I did go to Regent's Park and fly it and somebody said, | 0:13:18 | 0:13:21 | |
"What are you doing?" I could say I'm a fully qualified pilot. | 0:13:21 | 0:13:24 | |
-You... -HE SIGHS | 0:13:24 | 0:13:26 | |
You... You can't do that. | 0:13:26 | 0:13:27 | |
The only way you'd to be able to fly in Regent's Park | 0:13:27 | 0:13:30 | |
is if you close an area of Regent's Park | 0:13:30 | 0:13:31 | |
that doesn't allow people to go within 50 metres of you. | 0:13:31 | 0:13:34 | |
It's that difficult. | 0:13:34 | 0:13:35 | |
There's one guy in the UK who can fly to within 10 metres of people, | 0:13:35 | 0:13:39 | |
and he's an ex-army guy | 0:13:39 | 0:13:41 | |
who's had many, many years of flying these things. | 0:13:41 | 0:13:44 | |
So, yeah, it's not as simple as you think. | 0:13:44 | 0:13:46 | |
I feel like my heart's broken a little bit. | 0:13:48 | 0:13:50 | |
If I'd known at the very start of buying a drone that all of this was going to come, | 0:13:50 | 0:13:53 | |
there's no way I'd have picked up that drone and bought it. No way. | 0:13:53 | 0:13:56 | |
But now I'm overcommitted. | 0:13:56 | 0:13:57 | |
I may as well see this through, because I'm so far down the road. | 0:13:57 | 0:14:01 | |
56 Charlie. Speed 20 knots. Ascend, flight level 120. | 0:14:05 | 0:14:09 | |
Flight level 220... | 0:14:11 | 0:14:13 | |
Every day, air traffic controllers guide a relentless flow of planes | 0:14:13 | 0:14:17 | |
through their patch of sky. | 0:14:17 | 0:14:18 | |
5060 Zulu. Speed of 180 knots. | 0:14:19 | 0:14:22 | |
Second by second, they must plot safe routes, | 0:14:22 | 0:14:24 | |
keeping all planes perfectly separated. | 0:14:24 | 0:14:27 | |
You could have 10, 12 different aircraft all under your control, | 0:14:28 | 0:14:32 | |
and we have to rely on all the information there. | 0:14:32 | 0:14:34 | |
We're not just looking at our radar picture. | 0:14:34 | 0:14:36 | |
The papers computer-generate strips | 0:14:36 | 0:14:38 | |
that tell us the course of the aircraft, where it's going, | 0:14:38 | 0:14:41 | |
what level it's going to be at. | 0:14:41 | 0:14:42 | |
We use, we formulate this plan, | 0:14:42 | 0:14:43 | |
so it is like a 3D picture in our heads. | 0:14:43 | 0:14:46 | |
RyanAir, 8-0, golf, Charlie, heading two, niner, five. | 0:14:46 | 0:14:49 | |
A controller needs to be calm under pressure. Also a perfectionist. | 0:14:49 | 0:14:52 | |
You want to do everything you can do to the best of your ability, | 0:14:52 | 0:14:55 | |
to the optimum level. | 0:14:55 | 0:14:57 | |
89, 003, turn left onto 115 degrees. | 0:14:57 | 0:15:00 | |
Climb to altitude of 6,000 feet. | 0:15:00 | 0:15:02 | |
Controllers are a nightmare to live with. | 0:15:02 | 0:15:03 | |
I feel so sorry for the other halves. | 0:15:03 | 0:15:05 | |
We are all very similar people. | 0:15:05 | 0:15:07 | |
We are OCD - most controllers have the tidiest, | 0:15:07 | 0:15:10 | |
immaculate houses you'll ever see. | 0:15:10 | 0:15:11 | |
We are control freaks. | 0:15:11 | 0:15:13 | |
0-9-5 degrees. | 0:15:14 | 0:15:17 | |
And much as they strive to impose order, | 0:15:17 | 0:15:19 | |
controllers must always be ready for the unexpected. | 0:15:19 | 0:15:22 | |
You get all kinds of things. | 0:15:23 | 0:15:24 | |
Cracked windscreens, pressurisation problems, bird strikes, | 0:15:24 | 0:15:28 | |
medical emergencies, pilots will report they've had a laser shone at them. | 0:15:28 | 0:15:32 | |
The one thing you don't want is fire. | 0:15:32 | 0:15:34 | |
Smoke in the cockpit or any kind of fire, | 0:15:34 | 0:15:36 | |
that's the one thing you do need to land with straightaway. | 0:15:36 | 0:15:38 | |
1-0-6-0... | 0:15:38 | 0:15:40 | |
Contact now. 1-2-3. Goodbye. | 0:15:40 | 0:15:43 | |
Perfect analogy is a computer game that you can't lose. | 0:15:43 | 0:15:46 | |
I think if you sat there and thought, "That's 200 people, | 0:15:46 | 0:15:48 | |
"that's 300 people," I think you'd probably go crazy. | 0:15:48 | 0:15:50 | |
Climb now. Altitude 5,000 feet. | 0:15:50 | 0:15:54 | |
The only time it ever hits me is if you go to a big airport... | 0:15:54 | 0:15:58 | |
Shamrock 911. Continue present heading. | 0:15:58 | 0:16:00 | |
'Then the reality is you go, "Goodness me." | 0:16:00 | 0:16:02 | |
How many lives you've got on your hands, ultimately, | 0:16:02 | 0:16:04 | |
day-to-day, sitting in front of the radar. It really hits then. | 0:16:04 | 0:16:07 | |
Statistically, travelling by air is the safest form of transport. | 0:16:10 | 0:16:14 | |
But more than one in four of us has a fear of flying. | 0:16:14 | 0:16:17 | |
Lynne hasn't been on board a plane for 17 years. | 0:16:21 | 0:16:25 | |
My main fear is it... | 0:16:25 | 0:16:28 | |
grips you so badly that you just, | 0:16:28 | 0:16:32 | |
I want to scream and I want to just shout, "Get me off! | 0:16:32 | 0:16:36 | |
"Get me off!" I feel so sick, I feel my heart... | 0:16:36 | 0:16:41 | |
It's not just palpitations, it beats so, so strongly. | 0:16:41 | 0:16:47 | |
But now, Lynne needs to take a trip to the other side of the world. | 0:16:49 | 0:16:53 | |
My mum came from Australia, and when she passed away she wanted her ashes | 0:16:55 | 0:16:58 | |
sprinkled on St Kilda beach. | 0:16:58 | 0:17:00 | |
And it's something that I have to do, I've got to do it. | 0:17:00 | 0:17:03 | |
The Malaysia Airlines flight for the two seats | 0:17:06 | 0:17:10 | |
comes out at £1,798.60. | 0:17:10 | 0:17:13 | |
The Malaysia Airline is the one that went missing. | 0:17:13 | 0:17:16 | |
It did, yes. I mean, that was just an unfortunate situation. | 0:17:16 | 0:17:19 | |
-Yes, yes. -If you're not comfortable what that particular airline, we can | 0:17:19 | 0:17:24 | |
probably look at Cathay Pacific or Singapore Airlines. | 0:17:24 | 0:17:27 | |
My mum's driving me forward, saying, "You've got to do it." | 0:17:27 | 0:17:29 | |
She's on your shoulder saying, "You've got to do it." | 0:17:29 | 0:17:31 | |
-Thank you very much. -You're welcome. Thank you. -Thanks for coming in. | 0:17:31 | 0:17:34 | |
Bye-bye. | 0:17:34 | 0:17:36 | |
Oh, I want to go. | 0:17:36 | 0:17:38 | |
I've got to get... I've got to do it. | 0:17:38 | 0:17:40 | |
I want to do it, I want to do it for my mum, | 0:17:40 | 0:17:42 | |
I want to put that to bed and I want to be able to move forward. | 0:17:42 | 0:17:46 | |
I can't move forward... | 0:17:46 | 0:17:47 | |
with the grieving process, I can't move forward until I've done it. | 0:17:47 | 0:17:51 | |
Lynne is planning to take a two-day fear-of-flying course. | 0:17:56 | 0:18:00 | |
The aim is that by the second day | 0:18:00 | 0:18:01 | |
she will be sufficiently confident to be able to take a short flight. | 0:18:01 | 0:18:05 | |
I don't think I can go in. | 0:18:09 | 0:18:11 | |
As a first step to conquering her fears, | 0:18:11 | 0:18:13 | |
her best friend has suggested she attempts a trip | 0:18:13 | 0:18:16 | |
on London's cable car. | 0:18:16 | 0:18:17 | |
They look a bit scary to me. | 0:18:18 | 0:18:20 | |
I'll go have a look. The problem is, if I get in it, | 0:18:20 | 0:18:23 | |
I can't get off again until the other end, | 0:18:23 | 0:18:25 | |
and I don't know if I can do it. | 0:18:25 | 0:18:27 | |
They don't get stuck. | 0:18:27 | 0:18:29 | |
-These things... -Yes, they do. | 0:18:29 | 0:18:30 | |
I've seen them. I've seen them get stuck. | 0:18:30 | 0:18:32 | |
-What, this one? -Look, if that one got stuck in the middle, OK, | 0:18:32 | 0:18:35 | |
then that's it. You're up there | 0:18:35 | 0:18:37 | |
till they can get you back down again. And I couldn't do that. | 0:18:37 | 0:18:39 | |
You could say that about anything, couldn't you? | 0:18:39 | 0:18:42 | |
Anything you go on could get stuck. | 0:18:42 | 0:18:44 | |
I can't... | 0:18:46 | 0:18:48 | |
No, I can't go on it. I don't want to go on that. | 0:18:48 | 0:18:51 | |
I know I will scream to get off. | 0:18:52 | 0:18:54 | |
-You're not going to scream. -I will! | 0:18:54 | 0:18:56 | |
No. | 0:19:03 | 0:19:04 | |
Oh, I don't want to go. | 0:19:04 | 0:19:06 | |
Oh, no. | 0:19:09 | 0:19:11 | |
Look at it. | 0:19:11 | 0:19:12 | |
SHE SNIFFS | 0:19:12 | 0:19:13 | |
I'm scared. Um... But I want to do it. | 0:19:17 | 0:19:21 | |
Do you just go on it? | 0:19:31 | 0:19:32 | |
INAUDIBLE | 0:19:32 | 0:19:34 | |
I don't want to go on it. | 0:19:36 | 0:19:38 | |
There you go. | 0:19:39 | 0:19:41 | |
SHE SOBS | 0:19:41 | 0:19:42 | |
The cable car travels at 6mph at 300 feet. | 0:19:49 | 0:19:53 | |
-It's not that bad. -It isn't, is it? | 0:19:59 | 0:20:02 | |
It's really slow. | 0:20:02 | 0:20:04 | |
Lynne may have conquered her fear of the cable car, | 0:20:10 | 0:20:13 | |
but her next challenge will be 10,000 feet in the air, | 0:20:13 | 0:20:16 | |
in a real plane. | 0:20:16 | 0:20:17 | |
Hello, and welcome to Ascot, Berkshire, | 0:20:28 | 0:20:31 | |
in the heart of the English countryside. | 0:20:31 | 0:20:34 | |
At Ascot, the air race is about to begin. | 0:20:34 | 0:20:37 | |
'You can feel the excitement, the tension is building...' | 0:20:37 | 0:20:41 | |
This is high-risk, high danger. | 0:20:44 | 0:20:46 | |
I mean, that's why we come and see it. | 0:20:46 | 0:20:48 | |
You don't go to see someone throwing paper aeroplanes, do you? | 0:20:48 | 0:20:50 | |
You want to go see someone doing the backflips. They've got | 0:20:50 | 0:20:53 | |
these big hurdles, slaloms. You want to see some action. | 0:20:53 | 0:20:55 | |
Danger is one of the things that makes it | 0:20:57 | 0:20:59 | |
absolutely amazing, you know? It adds that extra factor to it. | 0:20:59 | 0:21:01 | |
For starters, I can tell you for a fact that Paul's going to win! | 0:21:02 | 0:21:05 | |
Go on, Paul! | 0:21:05 | 0:21:06 | |
CHEERING | 0:21:06 | 0:21:07 | |
Well, the quintessential English gentleman, Paul Bonhomme, very calm, | 0:21:09 | 0:21:12 | |
very cool, very calculated, | 0:21:12 | 0:21:15 | |
and that describes his flying style as well as his personality. | 0:21:15 | 0:21:19 | |
Paul is aiming to repeat last year's victory, | 0:21:20 | 0:21:23 | |
before retiring at the end of the season. | 0:21:23 | 0:21:25 | |
'I generally don't like race-day morning. | 0:21:26 | 0:21:29 | |
'I'm a bundle of nerves. | 0:21:29 | 0:21:30 | |
'That's nerves, firstly of not doing very well, | 0:21:33 | 0:21:37 | |
'cos nobody wants to lose in a race but, equally, the danger side. | 0:21:37 | 0:21:41 | |
'You don't want to put yourself in any danger.' | 0:21:41 | 0:21:43 | |
And this one too, please. | 0:21:43 | 0:21:45 | |
'It's a really fine balancing act. | 0:21:47 | 0:21:49 | |
'You want to keep the fans happy, but at the same time I am not here | 0:21:49 | 0:21:53 | |
'to keep them happy by doing selfies and, you know, | 0:21:53 | 0:21:57 | |
'pictures and signings.' | 0:21:57 | 0:21:58 | |
I'm here to keep them happy by winning a race. | 0:21:58 | 0:22:00 | |
Sorry. We've got... We've got to go. | 0:22:00 | 0:22:04 | |
Paul! | 0:22:04 | 0:22:06 | |
Sorry, guys, we've got to dash. | 0:22:06 | 0:22:08 | |
'I'd love to be the Stig of air racing.' | 0:22:08 | 0:22:10 | |
I'd love to just turn up, hide out the back, | 0:22:10 | 0:22:12 | |
go racing, and then just disappear. Sadly, that's never going to happen. | 0:22:12 | 0:22:17 | |
'The media spotlight and the sponsors.' | 0:22:17 | 0:22:19 | |
But it would be so nice just to race. | 0:22:19 | 0:22:22 | |
We kick-start the race action for the weekend with the qualifying. | 0:22:22 | 0:22:25 | |
So important for the pilots to fly well here. | 0:22:25 | 0:22:28 | |
Each pilot must try to set the fastest time. | 0:22:32 | 0:22:35 | |
The quickest can get round the course in just over a minute, | 0:22:40 | 0:22:43 | |
but there's a time penalty for any mistakes. | 0:22:43 | 0:22:45 | |
Behind the scenes, Paul prepares for his turn. | 0:22:51 | 0:22:55 | |
A lot of racing is down to observation. | 0:22:58 | 0:23:01 | |
You know, have you noticed the fact that the wind at gate four is swirling | 0:23:01 | 0:23:05 | |
around a bit? And then if you've noticed it, | 0:23:05 | 0:23:08 | |
do you know what to do about it, | 0:23:08 | 0:23:10 | |
and if you know what to do about it, do you know WHEN to do that? | 0:23:10 | 0:23:13 | |
When you close the canopy, I like the solitude of it. | 0:23:23 | 0:23:27 | |
I love being alone in an aeroplane. | 0:23:27 | 0:23:29 | |
So...it's just heaven. | 0:23:29 | 0:23:30 | |
But after just one flight, Paul's plane has a major fault. | 0:23:39 | 0:23:43 | |
What happened? | 0:23:45 | 0:23:47 | |
If he doesn't get back up in the air within 30 minutes, he'll miss his | 0:23:51 | 0:23:55 | |
second qualifying run, which could stop them getting through to the next round. | 0:23:55 | 0:23:59 | |
It's got that funny feeling that it's going to fail at any moment, so | 0:24:12 | 0:24:16 | |
hence the change. | 0:24:16 | 0:24:18 | |
Two screws and four little ones. | 0:24:18 | 0:24:20 | |
'Any distraction is bad. | 0:24:22 | 0:24:24 | |
'It's a frustration that something is, in my mind, | 0:24:24 | 0:24:28 | |
'conspiring against me winning.' | 0:24:28 | 0:24:31 | |
The screw that goes on the firewall is on the firewall. | 0:24:31 | 0:24:35 | |
'The rehearsal of going through the track, every single movement, | 0:24:35 | 0:24:38 | |
'is absolutely key because it's probably hundreds and hundreds of movements | 0:24:38 | 0:24:42 | |
'in one minute. | 0:24:42 | 0:24:43 | |
'And you have to rehearse that in your head.' | 0:24:43 | 0:24:46 | |
Is everybody happy about...? | 0:24:57 | 0:24:59 | |
Yep, we've had a look. | 0:24:59 | 0:25:00 | |
Do we think that was the problem? | 0:25:00 | 0:25:03 | |
I mean, it's our best bet for now. | 0:25:03 | 0:25:05 | |
I hope it works. | 0:25:05 | 0:25:06 | |
Yeah, I hope it works too. | 0:25:06 | 0:25:08 | |
The rapid repair gets Paul airborne again, just in time. | 0:25:10 | 0:25:14 | |
The light goes from red to green, by over a quarter of a second! | 0:25:14 | 0:25:18 | |
Through Champion's Corner, | 0:25:18 | 0:25:20 | |
the British fans on their feet once again as Paul Bonhomme... | 0:25:20 | 0:25:23 | |
Two from two in qualifying! | 0:25:23 | 0:25:26 | |
Bonhomme sets himself up as the hot favourite. | 0:25:26 | 0:25:30 | |
Oh, the crowd are on their feet. | 0:25:30 | 0:25:33 | |
The fans are loving it. | 0:25:33 | 0:25:35 | |
Paul makes it through to the knockout stage of the race. | 0:25:37 | 0:25:40 | |
I have to say, that's what you call a... | 0:25:41 | 0:25:44 | |
mental challenge. | 0:25:44 | 0:25:46 | |
Forget the flying, that was the mental challenge of all mental challenges. | 0:25:48 | 0:25:52 | |
But, you know, we overcame that and here we are. It's thanks | 0:25:52 | 0:25:54 | |
to the team. If I hadn't got a brilliant team, I wouldn't be here. | 0:25:54 | 0:25:57 | |
Descent altitude of 4,000 feet. | 0:26:03 | 0:26:05 | |
INDISTINCT | 0:26:05 | 0:26:07 | |
'Mayday, mayday, mayday, November 1-1-0...' | 0:26:07 | 0:26:12 | |
When emergencies happen, it is vital that air traffic controllers | 0:26:12 | 0:26:16 | |
-respond quickly. -Tell me anything you need. | 0:26:16 | 0:26:18 | |
'We're just over the French coast at this time. | 0:26:18 | 0:26:22 | |
'We have an explosive decompression on board.' | 0:26:22 | 0:26:25 | |
Each year, there are tested to see if they can handle unpredictable and | 0:26:25 | 0:26:29 | |
time-critical situations. | 0:26:29 | 0:26:32 | |
We just want to get down to 100, over. | 0:26:32 | 0:26:34 | |
From another room, an ex-pilot simulates a range of real-life scenarios. | 0:26:34 | 0:26:40 | |
'We'd like to make a slight turn to the left.' | 0:26:40 | 0:26:42 | |
Then a slight turn to the right, to make sure my aircraft, | 0:26:42 | 0:26:46 | |
the integrity of the aircraft is normal. | 0:26:46 | 0:26:50 | |
There potentially could be two or three emergencies a day, | 0:26:50 | 0:26:54 | |
but they could be anything from a sick passenger to something seriously wrong with an aircraft. | 0:26:54 | 0:26:59 | |
That's good. We'll start again and do something else. | 0:26:59 | 0:27:02 | |
I tried to make it as realistic as possible | 0:27:02 | 0:27:04 | |
by using an American aircraft and using an American accent. | 0:27:04 | 0:27:07 | |
-IN DUTCH ACCENT: -Well, if I was a KLM pilot, I would put on my Dutch accent, | 0:27:07 | 0:27:11 | |
of course. We fly to Newcastle and have a landing. | 0:27:11 | 0:27:12 | |
-IN SOUTH AFRICAN ACCENT: -If I was a South African pilot, | 0:27:12 | 0:27:15 | |
then I'd be going down to Durban | 0:27:15 | 0:27:16 | |
and I would fly from Heathrow down to Durban at about 40,000 feet. | 0:27:16 | 0:27:19 | |
Contact London. 1-2-0... | 0:27:20 | 0:27:22 | |
One of the rarest situations they may have to deal with is a pilot losing | 0:27:22 | 0:27:26 | |
consciousness through lack of oxygen. | 0:27:26 | 0:27:29 | |
Let's say, for example, as happened some years ago in the States, | 0:27:29 | 0:27:32 | |
there was a business jet, | 0:27:32 | 0:27:35 | |
and it developed a very tiny hole or crack in the windscreen | 0:27:35 | 0:27:38 | |
and so air coming in, but so quietly that the pilot didn't hear it. | 0:27:38 | 0:27:43 | |
He started slurring his words, taking wrong turns, | 0:27:43 | 0:27:46 | |
the aircraft went over a large body of water, and unfortunately | 0:27:46 | 0:27:50 | |
there was nothing anybody could do. | 0:27:50 | 0:27:52 | |
2-0-6, turn left. | 0:27:52 | 0:27:54 | |
Heading 0-5-0 degrees. | 0:27:54 | 0:27:56 | |
Should we do a French accent? | 0:27:57 | 0:27:58 | |
-If you wish. -OK, let's do that. | 0:27:58 | 0:28:01 | |
London, Bravo, Romeo, Sierra, 4-6-3-9. | 0:28:01 | 0:28:06 | |
..Bravo, Romeo, Sierra, 4-6-3-9. Pass a message. | 0:28:06 | 0:28:09 | |
The air traffic controllers have no idea what they will be faced with. | 0:28:09 | 0:28:15 | |
I am not feeling very well. | 0:28:15 | 0:28:18 | |
Descend now. Flight level 1-3-0. | 0:28:18 | 0:28:22 | |
3-1-0? | 0:28:22 | 0:28:24 | |
Flight level 1-3-0. | 0:28:26 | 0:28:29 | |
He's just doing his own thing. | 0:28:29 | 0:28:31 | |
He's just dropping in there. | 0:28:31 | 0:28:32 | |
And I'm still going to simulate turning the aircraft to the right. | 0:28:32 | 0:28:38 | |
Because I'm really not in control of this aeroplane. | 0:28:38 | 0:28:41 | |
I think he sounds as if he's got a bit of a lack of oxygen. | 0:28:41 | 0:28:46 | |
He doesn't know where he is or what he's doing. | 0:28:46 | 0:28:48 | |
He sounds very incoherent. | 0:28:48 | 0:28:50 | |
I need to land as soon as possible. | 0:28:51 | 0:28:54 | |
Romeo, Sierra 4-6-3-9, that is understood. | 0:28:54 | 0:28:57 | |
It will be best to land at Gatwick. | 0:28:57 | 0:28:59 | |
The controller guides the pilot down to a safe height. | 0:28:59 | 0:29:03 | |
Because of the fresh air I've introduced into the cockpit then I'm gradually | 0:29:05 | 0:29:09 | |
getting all my faculties back, and there we are. | 0:29:09 | 0:29:13 | |
It should be a happy landing, hopefully. | 0:29:13 | 0:29:15 | |
This training is massively important because it gives them the ability in | 0:29:15 | 0:29:19 | |
the simulator in a safe environment to practise the skills that they've | 0:29:19 | 0:29:23 | |
learned. It helps everybody to refocus on what they could have done, and could have done better. | 0:29:23 | 0:29:28 | |
6-3 X-ray... | 0:29:28 | 0:29:29 | |
Bravo, reduce speed. 165 knots. Maintaining for four miles. | 0:29:29 | 0:29:34 | |
Air traffic controllers never know when their training will be put to the test. | 0:29:34 | 0:29:38 | |
Thank you, number two. Contact tower now... | 0:29:39 | 0:29:42 | |
Goodbye. | 0:29:42 | 0:29:44 | |
Amanda is in charge of flights in and out of Stansted. | 0:29:44 | 0:29:47 | |
BEEPING | 0:29:47 | 0:29:48 | |
An unidentified flying object, an infringer, | 0:29:58 | 0:30:01 | |
has been spotted close to the Stansted flight path. | 0:30:01 | 0:30:04 | |
That's the airport there, that square. | 0:30:04 | 0:30:07 | |
And this is the return there, which is quite faint. | 0:30:08 | 0:30:12 | |
But there's some doubt as to whether that's an aeroplane or not. | 0:30:12 | 0:30:16 | |
I can hear the controller speaking to the tower controller to see whether | 0:30:16 | 0:30:19 | |
or not that is, you know, an actual return of an aeroplane or not. | 0:30:19 | 0:30:23 | |
If the object is real, there is a risk of collision. | 0:30:25 | 0:30:29 | |
The mystery infringer remains unresponsive. | 0:30:49 | 0:30:53 | |
As she's not sure she's taken the safest option, | 0:31:04 | 0:31:06 | |
there will be no more departures from Stansted until this contact | 0:31:06 | 0:31:09 | |
either disappears off radar or we establish that it is an aircraft | 0:31:09 | 0:31:12 | |
and get it out the way. | 0:31:12 | 0:31:14 | |
It vanished. It vanished about a mile west of the airfield | 0:31:20 | 0:31:24 | |
and never reappeared. | 0:31:24 | 0:31:25 | |
It's a judgment call. If there's any part of you that thinks it could be | 0:31:25 | 0:31:30 | |
real, stop your traffic. | 0:31:30 | 0:31:32 | |
Because you don't want to be the one person responsible the day it is real. | 0:31:32 | 0:31:36 | |
Whether a light aircraft or just a flock of birds, | 0:31:36 | 0:31:39 | |
air traffic control will never know. | 0:31:39 | 0:31:41 | |
Today, Stef aims to become an officially licensed drone pilot. | 0:31:49 | 0:31:54 | |
Oh, God. | 0:31:54 | 0:31:55 | |
I'm feeling - oh, my God - | 0:31:58 | 0:32:00 | |
like a disaster, basically! | 0:32:00 | 0:32:03 | |
If I pass, it's going to be a miracle. | 0:32:03 | 0:32:05 | |
-Right. -OK, Stef. Welcome to the showground, where you're going to do your flight assessment. | 0:32:07 | 0:32:11 | |
Obviously this is the flying area, the field we can see. | 0:32:11 | 0:32:15 | |
Let me get my sexy hi-vis on. | 0:32:15 | 0:32:17 | |
Ooh! | 0:32:19 | 0:32:21 | |
Stef must show he can identify every safety risk. | 0:32:23 | 0:32:27 | |
Considering we're in a big field and there's nothing around us, | 0:32:27 | 0:32:30 | |
I think an emergency landing is going to be fairly safe around here. | 0:32:30 | 0:32:34 | |
I can see some sheep over there too. | 0:32:35 | 0:32:37 | |
I've warned the farmer. | 0:32:37 | 0:32:39 | |
Once he's assessed the area, he can attempt to take off. | 0:32:40 | 0:32:43 | |
No. No, no, no! | 0:32:47 | 0:32:51 | |
Why? | 0:32:51 | 0:32:53 | |
Why? | 0:32:54 | 0:32:55 | |
-OK, I'm just going to... -Forget about | 0:33:11 | 0:33:13 | |
this as a flight assessment and it is important to you - | 0:33:13 | 0:33:16 | |
is it safe to fly this aircraft, given the things you're experiencing at the moment? | 0:33:16 | 0:33:21 | |
The call is yours, Stefan, ultimately. | 0:33:26 | 0:33:28 | |
Because you, as the pilot, have got to make the safe call. | 0:33:28 | 0:33:31 | |
OK. In a more complicated flying environment, with more elements against me, | 0:33:31 | 0:33:37 | |
then I would not take the fight. | 0:33:37 | 0:33:39 | |
-OK. -On the basis of it being in a field, I feel I can do it. | 0:33:39 | 0:33:42 | |
OK, then, we'll carry on. | 0:33:42 | 0:33:43 | |
I'd like you to fly to the centre location, which is the small cone. | 0:33:45 | 0:33:48 | |
God, Stef. Man up! | 0:33:50 | 0:33:51 | |
Come on. I've never been this scared in my life. | 0:33:51 | 0:33:53 | |
Either clockwise or anticlockwise. | 0:33:53 | 0:33:55 | |
Lower the aircraft through 180 degrees. | 0:33:55 | 0:33:59 | |
Initiate your fail-safe. | 0:33:59 | 0:34:00 | |
Bring it back to the centre for me, please. | 0:34:01 | 0:34:04 | |
What I'd like you to do now is land your aircraft for me, please. | 0:34:04 | 0:34:07 | |
OK. And as the sun's come out... | 0:34:11 | 0:34:13 | |
-Congratulations, Stef. -No way! -You've passed your flight assessment. -Oh, my God! | 0:34:13 | 0:34:17 | |
No way! Are you serious? | 0:34:17 | 0:34:18 | |
-Yep. -Can I cuddle you, please? I know you're a military man but... | 0:34:18 | 0:34:21 | |
-Couple of... -Yes! | 0:34:21 | 0:34:24 | |
I can't even explain | 0:34:26 | 0:34:29 | |
how good this feels right now. | 0:34:29 | 0:34:31 | |
To hear him say I passed now is just... | 0:34:31 | 0:34:34 | |
It's opened up this to me. | 0:34:34 | 0:34:36 | |
It's finally opened up the skies. | 0:34:36 | 0:34:38 | |
It sounds cheesy, but the sky is no longer going to be the limit. | 0:34:38 | 0:34:41 | |
It's an 18,000 strong crowd here in Ascot. | 0:34:48 | 0:34:52 | |
It's the first knockout round at Ascot. | 0:34:53 | 0:34:56 | |
Paul is ranked favourite, | 0:34:59 | 0:35:01 | |
but due to the race format, he's now up against his biggest rival, | 0:35:01 | 0:35:06 | |
who he didn't expect to meet until the final. | 0:35:06 | 0:35:08 | |
-I'm furious. -Oh, really? Why? -Well, this stupid format. | 0:35:09 | 0:35:13 | |
-Because you're up against...? -Yeah, I'm up against Hannes. So well done, Paul(!) | 0:35:13 | 0:35:16 | |
-Love the format(!) -OK, then. | 0:35:16 | 0:35:19 | |
-But in terms of your performance? -Great. Loved it. Absolutely loved it. | 0:35:19 | 0:35:22 | |
A great day's flying. | 0:35:22 | 0:35:24 | |
The format sucks. | 0:35:24 | 0:35:25 | |
Thank you. | 0:35:25 | 0:35:27 | |
'Any distraction is bad, | 0:35:27 | 0:35:29 | |
'let alone one that raises your blood pressure | 0:35:29 | 0:35:32 | |
'and gets your temper going.' | 0:35:32 | 0:35:34 | |
It's part and parcel of the competition. You know, I'm there to win and | 0:35:34 | 0:35:37 | |
it's a frustration that something is, in my mind, conspiring against | 0:35:37 | 0:35:43 | |
me winning. | 0:35:43 | 0:35:45 | |
Paul's rival, Austrian pilot Hannes Arch, is first to fly. | 0:35:45 | 0:35:50 | |
Up he goes! This is the fastest, | 0:36:00 | 0:36:03 | |
cleanest run we've seen from the former world champion all week long | 0:36:03 | 0:36:08 | |
as he heads for home and stops the clock with a scintillating time. | 0:36:08 | 0:36:13 | |
Paul needs to be faster than 1 minute 6.2 seconds. | 0:36:15 | 0:36:19 | |
He said it himself, Mike. The pressure is on. | 0:36:22 | 0:36:25 | |
And out of Champion's Corner. | 0:36:31 | 0:36:33 | |
It's not looking that good. | 0:36:33 | 0:36:34 | |
Red light, no green. | 0:36:34 | 0:36:36 | |
Four-tenths off the pace. | 0:36:36 | 0:36:37 | |
230mph. | 0:36:37 | 0:36:40 | |
Has Bonhomme been beaten by Arch? Watch the clock! | 0:36:40 | 0:36:43 | |
Oh, he's missed it! | 0:36:43 | 0:36:44 | |
Arch has beaten Paul Bonhomme. | 0:36:46 | 0:36:48 | |
Paul is nearly a whole second slower than his rival. | 0:36:50 | 0:36:54 | |
Paul Bonhomme is beaten out on the Ascot racetrack. | 0:36:55 | 0:36:59 | |
I absolutely detest it when I don't do well. | 0:36:59 | 0:37:03 | |
Maybe it's just in my, you know, in my make-up. | 0:37:03 | 0:37:07 | |
I did horrendously in the first batch of school exams I did when I was 16, | 0:37:07 | 0:37:12 | |
and that dreadful feeling of opening your exam sheet | 0:37:12 | 0:37:17 | |
to see that you'd failed eight out of nine exams. | 0:37:17 | 0:37:21 | |
For me, that was heartbreaking. | 0:37:21 | 0:37:23 | |
Bonhomme will go through as the fastest loser! | 0:37:23 | 0:37:27 | |
Bonhomme is still in the competition. | 0:37:27 | 0:37:30 | |
It will all come down to who can fly fastest in the final round. | 0:37:32 | 0:37:36 | |
Every year, thousands of people in Britain begin the journey towards | 0:37:43 | 0:37:47 | |
becoming a pilot. | 0:37:47 | 0:37:49 | |
INDISTINCT | 0:37:52 | 0:37:55 | |
That's pretty cool, isn't it? | 0:38:01 | 0:38:03 | |
Just kind of eager to get up there now. | 0:38:03 | 0:38:05 | |
When he was a boy, Ross Proctor was told that because he had restricted | 0:38:07 | 0:38:11 | |
growth in his legs, | 0:38:11 | 0:38:12 | |
he would never achieve his dream of becoming a pilot. | 0:38:12 | 0:38:16 | |
These seats are a nice height. | 0:38:16 | 0:38:18 | |
The pedals are still miles away but, you know... I bet that's fun, | 0:38:18 | 0:38:21 | |
pushing them all forward. | 0:38:21 | 0:38:23 | |
I bet it's nice being right up, like, 32,000 feet in one of these. | 0:38:27 | 0:38:31 | |
Like, above the clouds and everything. | 0:38:31 | 0:38:34 | |
I bet it's nice. | 0:38:34 | 0:38:37 | |
Do you want me to lift this thing up? | 0:38:37 | 0:38:39 | |
Now, age 31, | 0:38:39 | 0:38:41 | |
Ross finally has a chance to learn to fly a specially adapted plane. | 0:38:41 | 0:38:45 | |
It's like the World's Strongest Man, isn't it? | 0:38:45 | 0:38:48 | |
It's not actually difficult. | 0:38:48 | 0:38:50 | |
The aeroplane is only going to do what he makes it do. | 0:38:51 | 0:38:53 | |
The same as it will do for you or for me. | 0:38:53 | 0:38:55 | |
He's got to be able to do it. | 0:38:55 | 0:38:58 | |
Bloody hell. Right, OK. | 0:38:58 | 0:38:59 | |
The usual foot pedals are replaced by an extra hand control. | 0:38:59 | 0:39:03 | |
'He's got to operate the brakes, the rudder,' | 0:39:03 | 0:39:07 | |
the throttle and the flaps with one hand. | 0:39:07 | 0:39:10 | |
Want to add anything onto that? | 0:39:11 | 0:39:13 | |
I think that's an achievement if he can do that. | 0:39:15 | 0:39:17 | |
So you now need to be able to work that one, that one and that one. | 0:39:17 | 0:39:20 | |
If you're an octopus, it's easy. | 0:39:20 | 0:39:22 | |
It's a sort of a strange feeling. | 0:39:22 | 0:39:24 | |
It's... Yeah, it's a little bit nerve-racking, isn't it? | 0:39:24 | 0:39:27 | |
But, no, it's great. It's cool. | 0:39:27 | 0:39:29 | |
'You're in this machine that, really, you think, how does this thing fly? | 0:39:33 | 0:39:37 | |
'The excitement and the adrenaline of pushing the throttle forward and | 0:39:37 | 0:39:40 | |
'revving it up. | 0:39:40 | 0:39:42 | |
'I think if most of us could pick a superpower, we'd pick to fly.' | 0:39:43 | 0:39:47 | |
Before he can take flight, | 0:39:51 | 0:39:53 | |
Ross must master manoeuvring the aircraft on the ground. | 0:39:53 | 0:39:56 | |
Whoa, whoa, whoa... | 0:40:25 | 0:40:27 | |
Right, yeah. | 0:40:29 | 0:40:30 | |
Once he's familiar with the controls, Ross can attempt takeoff. | 0:40:39 | 0:40:43 | |
Whoa-a-a! | 0:41:22 | 0:41:24 | |
'I think the world looks different from up in the air. | 0:41:51 | 0:41:55 | |
'You know, it gives you a sense of space and freedom and a feeling that you're | 0:41:55 | 0:41:59 | |
'part of something bigger. | 0:41:59 | 0:42:00 | |
'Maybe it gives you a little bit of faith back in yourself when you do it. | 0:42:02 | 0:42:05 | |
'Maybe you think, "You know what? | 0:42:05 | 0:42:06 | |
' "I believe in myself and I know my talents, I know my abilities. | 0:42:06 | 0:42:09 | |
' "Can I fly an aeroplane? Can I do it? Yes, I can!" ' | 0:42:09 | 0:42:13 | |
..Three Foxtrot, on 3-3-0 degrees. | 0:42:18 | 0:42:22 | |
So... # Thunderstorm and lightning, very, very frightening... | 0:42:22 | 0:42:26 | |
# Galileo! # | 0:42:26 | 0:42:27 | |
Today, severe thunderstorms are forecast to hit the crowded airspace | 0:42:28 | 0:42:33 | |
around the south of England. | 0:42:33 | 0:42:34 | |
The weather is the real killer today for us. | 0:42:37 | 0:42:39 | |
We're going to see bad weather hitting Gatwick probably in the next hour, | 0:42:39 | 0:42:43 | |
and then moving its way up to Heathrow, and then... | 0:42:43 | 0:42:45 | |
Stansted and Luton, of course. Because we deal with all those airports here. | 0:42:45 | 0:42:48 | |
Thunderstorms make life very difficult for NATS, | 0:42:50 | 0:42:53 | |
as pilots can swerve suddenly off their flight paths to avoid flying | 0:42:53 | 0:42:57 | |
-though storm clouds. -So, the calm before the storm... | 0:42:57 | 0:43:00 | |
-Yeah. -Pretty much. | 0:43:00 | 0:43:03 | |
To make matters worse, during bad weather, fewer planes can land, | 0:43:03 | 0:43:07 | |
which means a traffic jam can build up in the sky. | 0:43:07 | 0:43:10 | |
My concern is, it's going to get worse, we're going to get multiple weather avoidance, | 0:43:11 | 0:43:15 | |
so I think the rate needs to come down, otherwise we're going to end up with carnage everywhere. | 0:43:15 | 0:43:19 | |
To limit potential disruption, | 0:43:19 | 0:43:20 | |
Steve decides to reduce the number of flights allowed into London's | 0:43:20 | 0:43:24 | |
airspace. But this will lead to delays and cancellations all over Europe. | 0:43:24 | 0:43:29 | |
I'm the one who holds the accountability for the safety of the operation | 0:43:29 | 0:43:32 | |
in this ops room. So I'm the only person that can make the decision on the traffic numbers in. | 0:43:32 | 0:43:37 | |
I've got lots of sources of information, | 0:43:37 | 0:43:38 | |
but ultimately, if it's wrong, it's my fault. | 0:43:38 | 0:43:42 | |
I've just decreased the Heathrow rate. | 0:43:42 | 0:43:45 | |
When the weather hits in the next hour-and-a-half, | 0:43:45 | 0:43:47 | |
we don't end up with planes all over the place. | 0:43:47 | 0:43:49 | |
No-one knows exactly when the storm will hit, or how long it will last. | 0:43:50 | 0:43:55 | |
So, Steve has to constantly re-evaluate his decision as updates come in. | 0:43:55 | 0:43:59 | |
Is there any way you could shorten the timeframe, do you think? | 0:43:59 | 0:44:02 | |
But this is battening down the hatches before it all hits. | 0:44:02 | 0:44:05 | |
If you think it's the right decision, then fine. | 0:44:05 | 0:44:07 | |
I think it feels the right decision for now. | 0:44:07 | 0:44:09 | |
-That's no worries, but I'm just warning you that... -Yeah, OK. | 0:44:09 | 0:44:12 | |
That band that's coming through, it's due to hit in the next half-hour. | 0:44:15 | 0:44:20 | |
There's Heathrow, there's a nice big cell. | 0:44:20 | 0:44:22 | |
There's the bad weather, as it has drifted up to the north, to Luton, Stansted. | 0:44:22 | 0:44:26 | |
He won't know if he's made the right call until the storm arrives. | 0:44:29 | 0:44:32 | |
Thunderstorm and hail warnings for all around the TMA. | 0:44:34 | 0:44:37 | |
I've got Biggin Hill, London City, Farnborough, Luton and Stansted. | 0:44:37 | 0:44:41 | |
Yeah - what time? | 0:44:41 | 0:44:42 | |
We've all been on planes where... "I'm sorry for the late departure, this flight is air traffic..." | 0:44:44 | 0:44:48 | |
It's never air traffic just cos we're being miserable. | 0:44:48 | 0:44:50 | |
There's only so much concrete in the south-east of the country, | 0:44:50 | 0:44:52 | |
and an awful lot of aeroplanes that want to land on those bits of | 0:44:52 | 0:44:55 | |
concrete. And physically, you can only get so many down. | 0:44:55 | 0:44:58 | |
So, sometimes, when the demand is really high, | 0:44:58 | 0:45:00 | |
or like we have when there's bad weather, | 0:45:00 | 0:45:02 | |
you have to reduce the amount coming in. | 0:45:02 | 0:45:04 | |
The weather front has reached London's airspace. | 0:45:09 | 0:45:12 | |
So, it looks like it's dissipating, doesn't it? | 0:45:12 | 0:45:14 | |
But the storms have eased. | 0:45:19 | 0:45:21 | |
It's not been as bad as it was forecast. | 0:45:24 | 0:45:26 | |
So, what we've done is obviously lifted the regulations as soon as we can, | 0:45:26 | 0:45:33 | |
we've made sure that as few delays as possible have been incurred by | 0:45:33 | 0:45:36 | |
everyone along the way. Weather is so unpredictable. | 0:45:36 | 0:45:38 | |
We even had the Met Office forecaster here with us today, | 0:45:38 | 0:45:41 | |
but even THEY can't be 100% accurate with the ferocity, if you like, | 0:45:41 | 0:45:46 | |
of the thunderstorm-type activity. | 0:45:46 | 0:45:48 | |
If we'd hit bad weather, we've got all those planes - | 0:45:48 | 0:45:51 | |
potentially 25 planes in the sky - that we'd need to divert. | 0:45:51 | 0:45:54 | |
And it's just not a pretty place to be at all. | 0:45:54 | 0:45:57 | |
I still stand by all the decisions that we've made so far. | 0:45:58 | 0:46:02 | |
Sainsbury's, here I come. Cheerio. Ta-da. | 0:46:02 | 0:46:04 | |
When I came away from the cable cars, I was very encouraged, | 0:46:10 | 0:46:15 | |
and I thought, "Yep, that's good." | 0:46:15 | 0:46:17 | |
But I woke up this morning, and | 0:46:17 | 0:46:20 | |
my heart keeps going up and down, up and down, | 0:46:20 | 0:46:23 | |
because I know this is it now. It's real. | 0:46:23 | 0:46:25 | |
Tens of thousands of British people have taken | 0:46:25 | 0:46:28 | |
one of the fear-of-flying courses run by the major airlines. | 0:46:28 | 0:46:32 | |
Now, Lynne is joining them. | 0:46:33 | 0:46:35 | |
-Goodbye. -Goodbye! | 0:46:36 | 0:46:37 | |
Good luck! | 0:46:37 | 0:46:39 | |
The two-day course aims to get aviophobes ready to fly. | 0:46:39 | 0:46:43 | |
If Lynne makes it through, it will be her first flight for 17 years. | 0:46:43 | 0:46:47 | |
What I'm about to teach you will make the impossible possible... | 0:46:47 | 0:46:52 | |
..and totally within your grasp. | 0:46:54 | 0:46:58 | |
It begins by putting the risks of flying in perspective... | 0:46:59 | 0:47:03 | |
All right, which one of these is the odd one out? | 0:47:03 | 0:47:06 | |
You're absolutely correct! | 0:47:06 | 0:47:09 | |
You're more likely to get killed by being kicked by a donkey than any of | 0:47:09 | 0:47:15 | |
the other disasters put together. | 0:47:15 | 0:47:18 | |
..then uses a range of psychological techniques aimed at removing fear. | 0:47:18 | 0:47:23 | |
Whatever your fear is, | 0:47:23 | 0:47:24 | |
you're going to play that negative mind movie in your head, | 0:47:24 | 0:47:28 | |
freeze the frame in your mind. | 0:47:28 | 0:47:30 | |
Three, two, one... | 0:47:30 | 0:47:33 | |
And scratch! | 0:47:33 | 0:47:36 | |
Bad movie just rips and splits into two, | 0:47:36 | 0:47:39 | |
and now what's really important is that you create | 0:47:39 | 0:47:43 | |
the GOOD movie. Now, this is so important. | 0:47:43 | 0:47:46 | |
This is the movie telling the brain, "This is what I want." | 0:47:46 | 0:47:50 | |
Whatever that is for you, make that bright, colourful, three-dimensional, | 0:47:50 | 0:47:58 | |
powerful. | 0:47:58 | 0:47:59 | |
That's good. | 0:47:59 | 0:48:02 | |
I have this fear! | 0:48:02 | 0:48:04 | |
I know... | 0:48:04 | 0:48:06 | |
Bigger - here we go! | 0:48:06 | 0:48:07 | |
Even though I have this... | 0:48:07 | 0:48:09 | |
I know... | 0:48:10 | 0:48:12 | |
Top of the head, top of the head, top of the head! | 0:48:12 | 0:48:15 | |
Eyebrow point - eyebrow, eyebrow, side of the eye. | 0:48:15 | 0:48:18 | |
Underneath the eye. Remember, | 0:48:18 | 0:48:20 | |
these are just mind games that you were playing inside of your head. | 0:48:20 | 0:48:23 | |
But you know what? The game is over. | 0:48:23 | 0:48:26 | |
What worked for me was that picture. | 0:48:28 | 0:48:30 | |
I have a picture in my head. | 0:48:30 | 0:48:32 | |
And I've broken it and I've got a picture of what I want to do. | 0:48:33 | 0:48:36 | |
And that's what's going to work for me. | 0:48:36 | 0:48:38 | |
After dark, a skeleton staff are still at NATS... | 0:48:45 | 0:48:49 | |
..keeping watch over the remaining planes and passengers in the skies. | 0:48:50 | 0:48:54 | |
Hello, good morning, it's the TC ops supervisor here. | 0:48:57 | 0:48:59 | |
7-9-2 inbound to yourself... | 0:48:59 | 0:49:01 | |
Er, he would like some policemen to meet him on arrival. He's got | 0:49:03 | 0:49:06 | |
a disruptive passenger on board. I know no more details yet. I'll get back to you when I do. | 0:49:06 | 0:49:10 | |
He's out of Spain, so it looks like a bucket-and-spade flight coming back, | 0:49:10 | 0:49:14 | |
erm, with holiday-makers on board. | 0:49:14 | 0:49:16 | |
So, entirely possible that someone's been drinking all day long, | 0:49:16 | 0:49:20 | |
and just getting a bit lairy. | 0:49:20 | 0:49:21 | |
Or it could be something entirely different. | 0:49:21 | 0:49:23 | |
..heavily intoxicated. | 0:49:24 | 0:49:26 | |
At the moment, he's calm and relaxed, and situation under control. | 0:49:26 | 0:49:29 | |
Heavily intoxicated - air-traffic speak for "pissed as a fart". | 0:49:29 | 0:49:32 | |
At night, one danger to pilots and passengers is at its greatest. | 0:49:35 | 0:49:39 | |
Laser pointers are tech toys that can be bought for a few pounds | 0:49:41 | 0:49:45 | |
on any high street. | 0:49:45 | 0:49:46 | |
Two hours into the shift, it's a lovely, clear evening, | 0:49:47 | 0:49:50 | |
and we've had four reports of laser attacks on aircraft. | 0:49:50 | 0:49:55 | |
Obviously, the pilots deal with that, make sure they're flying the aeroplane safely, | 0:49:55 | 0:49:59 | |
and they'll let us know that they've been targeted by a laser, | 0:49:59 | 0:50:02 | |
and we'll contact the local police. | 0:50:02 | 0:50:04 | |
The danger is fairly significant. | 0:50:04 | 0:50:07 | |
Clearly, the immediate danger to the pilots' eyes. | 0:50:07 | 0:50:11 | |
You know, you sense something flashing here, | 0:50:11 | 0:50:14 | |
the natural human instinct must be to look at it. | 0:50:14 | 0:50:16 | |
Police have tracked down some of the culprits. | 0:50:18 | 0:50:20 | |
Over 150 people in the UK have been prosecuted for directing lasers at aircraft. | 0:50:21 | 0:50:27 | |
Yesterday, we had a Virgin Atlantic aircraft leave Heathrow, | 0:50:30 | 0:50:33 | |
and it was attacked - I think is probably the right word - | 0:50:33 | 0:50:37 | |
by a laser, which got one of the pilots in the eye. | 0:50:37 | 0:50:41 | |
The crew decided that they weren't prepared to continue | 0:50:41 | 0:50:43 | |
with one of them having potential damage to their eyes, | 0:50:43 | 0:50:46 | |
and so the aircraft turned back and came back into Heathrow. | 0:50:46 | 0:50:49 | |
It's a very serious thing. | 0:50:49 | 0:50:51 | |
Laser strikes at aircraft are pretty much idiots on the ground firing | 0:50:51 | 0:50:54 | |
these things about. I guess they may think it's a jokey, fun thing to do. | 0:50:54 | 0:50:57 | |
Well, it certainly isn't - it's very, very dangerous. | 0:50:57 | 0:51:00 | |
And it's illegal as well, and you can be charged, prosecuted and thrown into jail. | 0:51:00 | 0:51:03 | |
At Stansted, it's the morning of Lynne's flight. | 0:51:21 | 0:51:24 | |
Along with the 96 other passengers, she's due to board a plane... | 0:51:25 | 0:51:30 | |
-Thank you so much. -..and find out if she's cured of her fear. | 0:51:30 | 0:51:33 | |
-I can't lie, I'm very nervous right now. -What are you nervous of? | 0:51:40 | 0:51:45 | |
That. | 0:51:45 | 0:51:47 | |
-Tell me how you're feeling. -Really anxious, and my heart... I can't stop beating. | 0:51:49 | 0:51:53 | |
It's going, bang, bang, bang, bang, bang. | 0:51:53 | 0:51:55 | |
Oh... | 0:51:55 | 0:51:57 | |
-Hello. -There's crew in the middle as well to help you get settled. | 0:51:59 | 0:52:04 | |
In a few moments we'll be taking you through the safety features | 0:52:04 | 0:52:08 | |
of our Airbus 390, and we would kindly ask for your full attention. | 0:52:08 | 0:52:12 | |
'Ladies and gentlemen - a safety card is in your seat pocket, | 0:52:12 | 0:52:16 | |
'showing the exit routes, oxygen masks, life jackets, | 0:52:16 | 0:52:20 | |
'and brace position that you must adopt if you hear "brace, brace". | 0:52:20 | 0:52:24 | |
'We wish you a pleasant flight on easyJet.' | 0:52:26 | 0:52:29 | |
I just... I go... I've got to see... | 0:52:29 | 0:52:30 | |
I've got to get the... the image in my head. | 0:52:30 | 0:52:34 | |
And I'm just sticking on to that. | 0:52:35 | 0:52:37 | |
That's it. That's very powerful - | 0:52:37 | 0:52:39 | |
the photograph I've got is a really powerful one. | 0:52:39 | 0:52:42 | |
It's the beach where my mum grew up, and... | 0:52:46 | 0:52:50 | |
She has... She wants her ashes sprinkled there. | 0:52:51 | 0:52:56 | |
And that's the reason I'm doing this, so that I can do that. | 0:52:56 | 0:52:59 | |
Erm, and yesterday, when we, er, were doing that image, erm, | 0:52:59 | 0:53:05 | |
two or three times, I was... | 0:53:05 | 0:53:08 | |
I found myself standing on the beach. | 0:53:08 | 0:53:10 | |
And right at the end of it, I could see a picture of my mum. | 0:53:10 | 0:53:13 | |
That's what I'm going with - I'm going with that. | 0:53:13 | 0:53:16 | |
That's going to get me there - up there - and ultimately to Australia. | 0:53:16 | 0:53:21 | |
'..But they've also got that visual indicator as well, so, a slight crosswind. | 0:53:31 | 0:53:35 | |
'The wind is out of the south. | 0:53:35 | 0:53:37 | |
'And now, of course, the engines' thrust is increasing, | 0:53:37 | 0:53:41 | |
-'the volume is increasing...' -Oh, no! | 0:53:41 | 0:53:45 | |
Oh, no! | 0:53:45 | 0:53:47 | |
LAUGHTER AND APPLAUSE | 0:54:05 | 0:54:09 | |
At Ascot, it's the final of the air race. | 0:54:31 | 0:54:35 | |
Are you ticklish? | 0:54:35 | 0:54:37 | |
With retirement looming, | 0:54:37 | 0:54:39 | |
this year is Paul's last chance to win an unprecedented third | 0:54:39 | 0:54:43 | |
Red Bull championship. | 0:54:43 | 0:54:45 | |
He was born just a few miles up the road, here in Berkshire. | 0:54:45 | 0:54:48 | |
There is a lot of Paul Bonhomme fans here, | 0:54:48 | 0:54:50 | |
people he's drunk many pints in Berkshire with. | 0:54:50 | 0:54:53 | |
Well, today, I'm looking for Paul to win, of course. | 0:54:53 | 0:54:57 | |
I mean, you can't ask for any more than that. | 0:54:57 | 0:55:00 | |
Ah, he's just the best. | 0:55:00 | 0:55:01 | |
-He's just the best. -He's a British Airways captain... | 0:55:01 | 0:55:05 | |
He didn't do these sort of manoeuvres in a jumbo. | 0:55:05 | 0:55:07 | |
-No! -But he should have done. | 0:55:07 | 0:55:09 | |
Paul is up against three other pilots. | 0:55:11 | 0:55:14 | |
And here comes Matt Hall. | 0:55:15 | 0:55:16 | |
A two-second penalty for Matt Hall through gate ten! | 0:55:16 | 0:55:21 | |
Oh! | 0:55:21 | 0:55:22 | |
The time to beat is one minute and nine seconds. | 0:55:24 | 0:55:28 | |
There is one pilot left to fly - the current world championship leader, | 0:55:28 | 0:55:34 | |
17 wins, 42 podiums, but most importantly to the British fans | 0:55:34 | 0:55:40 | |
here today, | 0:55:40 | 0:55:41 | |
it must be penalty-free, it must be faster than 1:09.024. | 0:55:41 | 0:55:48 | |
CHEERING AND APPLAUSE | 0:55:51 | 0:55:53 | |
Over 20,000 people applauding, on their feet. | 0:55:55 | 0:56:00 | |
Here comes Bonhomme, here comes Bonhomme, looking to bring | 0:56:03 | 0:56:07 | |
a British success at Royal Ascot. | 0:56:07 | 0:56:10 | |
'The great thing about an experience of flying an aeroplane on the limit | 0:56:17 | 0:56:21 | |
'is doing it knowing you're in control of that.' | 0:56:21 | 0:56:24 | |
And I think what is great is the ability to... | 0:56:24 | 0:56:27 | |
to plan well enough so that you can go right up to the limit, | 0:56:27 | 0:56:31 | |
and then stop there. | 0:56:31 | 0:56:33 | |
You know, I think for me, that's a great challenge. | 0:56:35 | 0:56:39 | |
Hall ground-affected... Needs a good line-up here. | 0:56:40 | 0:56:44 | |
146 is a good speed for gate number one. | 0:56:44 | 0:56:47 | |
Nice and straight. | 0:56:47 | 0:56:48 | |
Psychologists would probably tell you what it's all about, | 0:56:51 | 0:56:54 | |
but I quite like the idea of being on the top of the hill, and I quite like the view. | 0:56:54 | 0:56:58 | |
And I quite like the view from an aeroplane. | 0:56:58 | 0:57:01 | |
Yeah, it is just the ultimate. | 0:57:01 | 0:57:02 | |
Here he comes, Mike. This is the tricky | 0:57:17 | 0:57:18 | |
gate, this is where Matt Hall had problems. | 0:57:18 | 0:57:21 | |
He's into gate ten. No worries for Bonhomme - | 0:57:21 | 0:57:23 | |
just bobs over the oak tree! | 0:57:23 | 0:57:25 | |
Now he's in Champion's Corner, and he's looking like the champion! | 0:57:25 | 0:57:28 | |
In Champion's Corner, into the penultimate gate, gets those wings level. | 0:57:28 | 0:57:33 | |
Here comes Bonhomme! Come on, Bonhomme! | 0:57:33 | 0:57:37 | |
And it is there. | 0:57:40 | 0:57:42 | |
1:06.416! | 0:57:42 | 0:57:46 | |
Whoo! | 0:58:02 | 0:58:03 | |
-Next time... -Look at me in my beautiful big balloon. | 0:58:13 | 0:58:16 | |
..the skies beneath the clouds. | 0:58:16 | 0:58:19 | |
Ah, ha-ha! | 0:58:19 | 0:58:20 | |
Hello, sick bag! | 0:58:22 | 0:58:23 | |
When you're up there, you don't think about anything else. | 0:58:25 | 0:58:28 | |
Nothing else matters. | 0:58:28 | 0:58:30 | |
If I make one slight mistake, the chances are Willie will bang into me, and we'll both be dead. | 0:58:33 | 0:58:38 |