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'Family businesses make up a quarter of the British economy, | 0:00:02 | 0:00:05 | |
'and employ nearly ten million people, | 0:00:05 | 0:00:07 | |
'but a thousand small firms are going bust every single month.' | 0:00:07 | 0:00:12 | |
Sorry. | 0:00:12 | 0:00:13 | |
For God's sake, do something. | 0:00:13 | 0:00:15 | |
'For family firms, it's not just profits | 0:00:15 | 0:00:18 | |
'but relationships on the line.' | 0:00:18 | 0:00:20 | |
We have no life. I used to have one, apparently, but I can't remember it. | 0:00:20 | 0:00:24 | |
This isn't your life. | 0:00:24 | 0:00:26 | |
This is isn't your family. | 0:00:26 | 0:00:27 | |
This isn't your home. | 0:00:27 | 0:00:29 | |
I don't know if it's ever going to get better. | 0:00:29 | 0:00:31 | |
You must see some hope, otherwise let's not bother with this. | 0:00:31 | 0:00:36 | |
'I'm Alex Polizzi. | 0:00:36 | 0:00:38 | |
'I grew up in a family business that expanded from one small cafe | 0:00:38 | 0:00:42 | |
'to become an empire worth billions. | 0:00:42 | 0:00:45 | |
'Now I'm trying to bring six family firms...' | 0:00:45 | 0:00:49 | |
ALL: Hello. | 0:00:49 | 0:00:50 | |
'..back from the brink.' | 0:00:50 | 0:00:52 | |
He's just used to getting his own way. And I'm used to getting mine. | 0:00:52 | 0:00:55 | |
'This week, a dressing-up shop in Essex gets a dressing down...' | 0:00:58 | 0:01:02 | |
That's your fault. You lead by example. | 0:01:02 | 0:01:04 | |
'..as an obsessive mother...' | 0:01:04 | 0:01:06 | |
If you've got more affection for a costume than for your own family... | 0:01:06 | 0:01:10 | |
Got serious issues. | 0:01:10 | 0:01:11 | |
'..who refuses to let go, is forced to face the music...' | 0:01:11 | 0:01:15 | |
How many staff will I have at the end of next week? | 0:01:15 | 0:01:18 | |
I don't expect everyone to like it. You either get on with it or not. | 0:01:18 | 0:01:21 | |
If they don't like it, then there's not really much I can do about that. | 0:01:21 | 0:01:25 | |
'..before her costume dream turns into a costume drama.' | 0:01:25 | 0:01:29 | |
This really has been a disastrous day. | 0:01:29 | 0:01:31 | |
Oh, my God! | 0:01:31 | 0:01:33 | |
'I've been called to the rescue of Props 'n' Frocks...' | 0:01:49 | 0:01:53 | |
THEY GIGGLE | 0:01:53 | 0:01:55 | |
'..a family-run fancy-dress shop in Essex.' | 0:01:55 | 0:01:58 | |
My own experience of fancy-dress shops is Angels in London, | 0:01:58 | 0:02:01 | |
which is very smart, very well thought out, very well put together, | 0:02:01 | 0:02:05 | |
very well themed. Clothes are put together thematically very, um, succinctly. | 0:02:05 | 0:02:10 | |
I'm not quite expecting that. | 0:02:10 | 0:02:12 | |
I would expect something along those lines. | 0:02:12 | 0:02:14 | |
Well, we've got three monkeys in stock, and two gorillas. | 0:02:14 | 0:02:17 | |
'Props 'n' Frocks has become Adele Wiseman's life.' | 0:02:17 | 0:02:20 | |
Are you looking for Bo Peep, are you, or are you...? | 0:02:20 | 0:02:23 | |
I remember the first week we had four costumes out | 0:02:23 | 0:02:26 | |
on a Saturday night, and I was over the moon. I couldn't believe it. | 0:02:26 | 0:02:30 | |
And now, 13 years later, we've got over 6,500 hire costumes. | 0:02:30 | 0:02:35 | |
-Becca said I look like a gnome! -We can probably find you something. | 0:02:35 | 0:02:38 | |
THEY CHUCKLE | 0:02:38 | 0:02:39 | |
'There are now three generations of Wisemans working for the business.' | 0:02:42 | 0:02:45 | |
So the family that works at Props 'n' Frocks is my mum... | 0:02:45 | 0:02:49 | |
Good evening, Joy speaking. How can I help? | 0:02:49 | 0:02:52 | |
I'm the noisy one. | 0:02:52 | 0:02:54 | |
-You? Oh, you're filthy! -SHE CHUCKLES | 0:02:54 | 0:02:58 | |
I do like putting my view across. | 0:02:58 | 0:03:00 | |
-Then I've got my daughter Reese... -Did you want a tutu to try with it? | 0:03:00 | 0:03:04 | |
..and my son Ellis. | 0:03:04 | 0:03:06 | |
He picked up. "Good morning, how can I help?" | 0:03:06 | 0:03:09 | |
It may be a family concern but, for Adele, it's become all-consuming. | 0:03:09 | 0:03:14 | |
This business means the world to me. I really love it. | 0:03:14 | 0:03:17 | |
In many respects it comes first, | 0:03:17 | 0:03:20 | |
and so I stress about trying to make sure it all goes properly. | 0:03:20 | 0:03:23 | |
She loves it, she loves it. It's her baby. | 0:03:23 | 0:03:27 | |
She lives and dies it. | 0:03:27 | 0:03:28 | |
But it's a business that's in trouble. | 0:03:30 | 0:03:33 | |
-Have you not got the invoices yet? -No. | 0:03:33 | 0:03:35 | |
Oh, no! | 0:03:35 | 0:03:37 | |
Oh, dear. | 0:03:38 | 0:03:40 | |
The accounting side of the business is not my strong point. | 0:03:40 | 0:03:43 | |
Last year, I did over-order. | 0:03:43 | 0:03:44 | |
I was completely unaware of the overheads | 0:03:44 | 0:03:47 | |
that we were encountering every day. | 0:03:47 | 0:03:49 | |
It's a huge worry because you've got people depending on you to pay their mortgages. | 0:03:49 | 0:03:54 | |
I would hate to see it close, after 14 years of hard work. | 0:03:54 | 0:04:00 | |
'In truth, Adele came within four months of having to close for good. | 0:04:01 | 0:04:06 | |
'Forced to borrow £40,000, | 0:04:06 | 0:04:08 | |
'she now works seven days a week to keep the shop afloat.' | 0:04:08 | 0:04:12 | |
Sometimes, the hours that I work, | 0:04:12 | 0:04:14 | |
I do think, "Oh, my lord. Is it worth it?" | 0:04:14 | 0:04:17 | |
My mum works every hour under the sun for not much gain out of it, | 0:04:17 | 0:04:22 | |
but I get paid more than my mum. | 0:04:22 | 0:04:24 | |
My mum works very hard. She finds it very difficult to take a back seat. | 0:04:24 | 0:04:30 | |
-I can't always do it instantly. -Why? It takes 30 seconds. | 0:04:30 | 0:04:33 | |
-If I'm in the middle of doing something, I can't just stop. -But it's 30 seconds. | 0:04:33 | 0:04:37 | |
'I do worry about Adele's health.' | 0:04:37 | 0:04:39 | |
She's on tablets and she... | 0:04:39 | 0:04:42 | |
She shouldn't work so hard. | 0:04:42 | 0:04:43 | |
'Adele's work-life balance is terrible. | 0:04:46 | 0:04:50 | |
'She clearly can't let go. | 0:04:50 | 0:04:52 | |
'It's crucial I change this in the two months that I have here. | 0:04:52 | 0:04:55 | |
'I just hope fixing the business isn't going to be as hard as finding it.' | 0:04:55 | 0:05:00 | |
We're driving in what I would call... | 0:05:00 | 0:05:03 | |
I mean, it's countryside. | 0:05:03 | 0:05:05 | |
It's not exactly what I would expect when going to a fancy-dress shop. | 0:05:05 | 0:05:10 | |
Not at all. | 0:05:11 | 0:05:12 | |
"Props 'n' Frocks. Quality fancy-dress hire." | 0:05:18 | 0:05:22 | |
Well, the state of the sign belies the words somewhat, doesn't it? | 0:05:22 | 0:05:27 | |
It's very tired and wobbly, not even straight, | 0:05:27 | 0:05:32 | |
so, all in all, I have to say this is not a great first impression. | 0:05:32 | 0:05:37 | |
'And, sadly, the sign is a sign of things to come.' | 0:05:37 | 0:05:41 | |
I mean, it's very underwhelming. | 0:05:42 | 0:05:44 | |
The effect when you arrive | 0:05:44 | 0:05:47 | |
is not one to make you spring out of your car in excitement, | 0:05:47 | 0:05:50 | |
and looking through the windows, what you see is the very basic, | 0:05:50 | 0:05:54 | |
er, props for fancy dress. | 0:05:54 | 0:05:57 | |
There doesn't seem to be any real shop front and, er, | 0:05:57 | 0:06:00 | |
you'd really have to seek this place out to find it. | 0:06:00 | 0:06:03 | |
-Hello. -Hello. | 0:06:08 | 0:06:10 | |
Adele? I'm Alex. | 0:06:10 | 0:06:12 | |
-Hi, Alex, how are you? -Really nice to meet you. -And nice to meet you, too. | 0:06:12 | 0:06:16 | |
-I'm dying to have a look round. -Brilliant. | 0:06:16 | 0:06:18 | |
'Recently, fancy-dress shops have started to face stiff competition from supermarket chains, | 0:06:19 | 0:06:24 | |
'who cash in on selling cheap costumes at Halloween and Christmas, | 0:06:24 | 0:06:28 | |
'key seasons in this market.' | 0:06:28 | 0:06:31 | |
Hire costumes are all down here. | 0:06:31 | 0:06:32 | |
Yeah. Gosh! | 0:06:32 | 0:06:34 | |
'So, independent businesses like this one | 0:06:34 | 0:06:36 | |
'need to be at the top of their game.' | 0:06:36 | 0:06:39 | |
Tudor, medieval-type room. It's also got religion in here. | 0:06:39 | 0:06:43 | |
Western. Superheroes here, pirates. | 0:06:43 | 0:06:47 | |
And this is the Halloween room. | 0:06:47 | 0:06:49 | |
This is a part of it. | 0:06:49 | 0:06:51 | |
-Fangs. -THEY CHUCKLE | 0:06:51 | 0:06:52 | |
-Yeah. You name it, we have it. -Fake blood. | 0:06:52 | 0:06:56 | |
This is what we call our decades room, | 0:06:56 | 0:06:58 | |
and we go round '20s, round to the '50s, | 0:06:58 | 0:07:02 | |
and all the way round '60s, and '70s and '80s. | 0:07:02 | 0:07:05 | |
'There's an awful lot of stock. There's no getting round it.' | 0:07:06 | 0:07:09 | |
Just in this section here, I have Frenchie The Maid, | 0:07:09 | 0:07:14 | |
French Maid, and... | 0:07:14 | 0:07:17 | |
ah, French Maid Set. | 0:07:17 | 0:07:19 | |
We've got a nun. Three different nun costumes, | 0:07:19 | 0:07:22 | |
and the possibility to be a pregnant nun. | 0:07:22 | 0:07:25 | |
If you came here without any idea about what you wanted to be, | 0:07:25 | 0:07:28 | |
I think you would leave none the wiser. There's just too much choice. | 0:07:28 | 0:07:33 | |
'And the problem isn't confined to the shop.' | 0:07:36 | 0:07:39 | |
My goodness! So this is wigs. | 0:07:39 | 0:07:41 | |
This is just all specs. | 0:07:41 | 0:07:43 | |
'There are warehouses. FIVE warehouses.' | 0:07:43 | 0:07:47 | |
OK. | 0:07:48 | 0:07:49 | |
'All in all, there are 13,500 items of stock. | 0:07:49 | 0:07:54 | |
'Even Argos only has 20,000 stock lines, | 0:07:54 | 0:07:56 | |
and they turn over £4 billion a year.' | 0:07:56 | 0:07:59 | |
ALEX SIGHS | 0:07:59 | 0:08:00 | |
'No wonder Adele has money problems. This lot must have cost a bomb. | 0:08:00 | 0:08:05 | |
'With this much stock to shift, | 0:08:08 | 0:08:10 | |
'the Wiseman family really need to be natural born sellers.' | 0:08:10 | 0:08:14 | |
-I've got that. -Yeah, I like it. | 0:08:14 | 0:08:17 | |
We're not salespeople - we'd rather people ask us for things. | 0:08:17 | 0:08:21 | |
I'm slightly shocked about that because, obviously, you know... | 0:08:21 | 0:08:24 | |
-The thing is... -A large part of this business is sale. | 0:08:24 | 0:08:27 | |
It is, but we feel with the customers we like to try and make them really welcome, | 0:08:27 | 0:08:31 | |
and, you know, really give them a good service. | 0:08:31 | 0:08:34 | |
I'd hate anyone to think, "Don't go in there. They're too pushy." | 0:08:34 | 0:08:37 | |
'Adele may think she's welcoming, but the signs tell a different story.' | 0:08:37 | 0:08:42 | |
My goodness! Do you think you make the point often enough? | 0:08:44 | 0:08:47 | |
I know, I know. | 0:08:47 | 0:08:48 | |
We are aware of this. I know. | 0:08:48 | 0:08:52 | |
-This is really off-putting. -I know. | 0:08:52 | 0:08:54 | |
Because, you know, how do you know that you want to buy it until you try it on? | 0:08:54 | 0:08:58 | |
'Fancy dress is supposed to be all about fun. | 0:08:58 | 0:09:03 | |
'But the only joy in this place is Adele's mother...' | 0:09:03 | 0:09:06 | |
-I'm Joy. -I'm Alex. | 0:09:06 | 0:09:08 | |
'..who seems to be spearheading the campaign to put customers off.' | 0:09:08 | 0:09:11 | |
I get cross when people don't respect it. Do you know what I mean? | 0:09:11 | 0:09:17 | |
You know, people come in and disrespect the place | 0:09:17 | 0:09:20 | |
and I don't like that. | 0:09:20 | 0:09:21 | |
I know, darling, but unfortunately that is what the customers are like. | 0:09:21 | 0:09:25 | |
They want to come in and touch it and feel it | 0:09:25 | 0:09:27 | |
and crumple it and shove it on their heads | 0:09:27 | 0:09:29 | |
and try it on their faces and... That's what a shop's about. | 0:09:29 | 0:09:32 | |
It is hard. It is hard when money's hard to come by. | 0:09:32 | 0:09:37 | |
-Yeah. -And you work, you know, all the hours that God gives you, | 0:09:37 | 0:09:40 | |
-and we do. -Yeah, yeah. | 0:09:40 | 0:09:41 | |
And then you see someone destroying it, but then listening to what you say... | 0:09:41 | 0:09:46 | |
JOY MUTTERS MENACINGLY | 0:09:46 | 0:09:49 | |
'But Joy's not alone. Adele's son...' | 0:09:52 | 0:09:55 | |
-Ellis. Nice to meet you. -Nice to meet you. | 0:09:55 | 0:09:57 | |
'..who's in charge of controlling stock, is also allergic to the public.' | 0:09:57 | 0:10:02 | |
I can't stand talking to customers. | 0:10:02 | 0:10:03 | |
I have a thing about talking to customers, | 0:10:03 | 0:10:06 | |
so I love being in my own office in a corner. | 0:10:06 | 0:10:10 | |
My perfect day is just sitting here. | 0:10:10 | 0:10:12 | |
I'd love to be able to lock the door so nobody else could come in and disturb me. | 0:10:12 | 0:10:15 | |
'Not everyone needs to be front of house, | 0:10:15 | 0:10:19 | |
'but the anti-customer feeling has to go, and ditto the off-putting signs. | 0:10:19 | 0:10:25 | |
'And we have to reduce the stock mountain that's suffocating the shop floor.' | 0:10:25 | 0:10:29 | |
I wonder if they say, every four weeks, | 0:10:32 | 0:10:36 | |
"Well, we haven't sold any of these. Let's get rid of them." | 0:10:36 | 0:10:40 | |
Do they actually analyse what sells and what doesn't? | 0:10:40 | 0:10:43 | |
'I'm going to put that to the test.' | 0:10:43 | 0:10:46 | |
I'd like to see how well you know your shop - | 0:10:46 | 0:10:49 | |
what sells, what doesn't, what your customers like - | 0:10:49 | 0:10:53 | |
so I'm challenging you. | 0:10:53 | 0:10:54 | |
There's a couple of rails over there and a few tables, and I would like each of you | 0:10:54 | 0:10:58 | |
to pick out what you think your ten best sellers were in August. | 0:10:58 | 0:11:02 | |
THEY GROAN | 0:11:02 | 0:11:03 | |
-Ellis has an advantage here. -Yeah, he has. | 0:11:03 | 0:11:05 | |
Well, he might do but does he ever look at it? | 0:11:05 | 0:11:07 | |
THEY CHUCKLE | 0:11:07 | 0:11:09 | |
-Off you go. -OK, I'm going this way. -I'm going this way. | 0:11:09 | 0:11:13 | |
'As well as needing to keep some perennial favourites, | 0:11:13 | 0:11:17 | |
'demand for fancy dress is driven by the latest trends and movies. | 0:11:17 | 0:11:20 | |
'Costume stock needs to be constantly updated to move with the times.' | 0:11:20 | 0:11:25 | |
Er... | 0:11:25 | 0:11:26 | |
'Keeping on top of what people want is crucial to the success of this firm.' | 0:11:26 | 0:11:31 | |
Oh there's so much to choose from - this is the trouble. | 0:11:31 | 0:11:35 | |
-Looking a bit nervous. -No, not at all. | 0:11:35 | 0:11:37 | |
I'm lost. | 0:11:37 | 0:11:39 | |
-Confident? -Yeah, yeah. | 0:11:39 | 0:11:42 | |
No. | 0:11:42 | 0:11:43 | |
So you do not, at the end of every month, see what has sold incredibly well, | 0:11:43 | 0:11:48 | |
and what has not sold one sausage? | 0:11:48 | 0:11:50 | |
No, that's why we've got so much stock. | 0:11:50 | 0:11:52 | |
Bingo. | 0:11:52 | 0:11:54 | |
Pirates - they're always popular. | 0:11:54 | 0:11:57 | |
I'm ruined. | 0:11:57 | 0:11:58 | |
I don't even know where I work or who I am any more. | 0:11:59 | 0:12:02 | |
I can't see any correlation in what anyone's choosing. | 0:12:02 | 0:12:06 | |
I'm going to be right on one of them! Ha. | 0:12:06 | 0:12:08 | |
But they do seem quite definite about their choices. | 0:12:08 | 0:12:11 | |
All right, so let's see what each of you has picked | 0:12:13 | 0:12:17 | |
as their number one. What have you got as yours, darling? | 0:12:17 | 0:12:20 | |
-My number one is these. -Yeah, all right. What's your number one? | 0:12:20 | 0:12:23 | |
-ELLIS: -It's a cigarette holder. | 0:12:23 | 0:12:25 | |
Right, yours? | 0:12:25 | 0:12:26 | |
-Yeah. -Deluxe garlands. | 0:12:28 | 0:12:29 | |
And number one. And your number twos? | 0:12:29 | 0:12:33 | |
Number two? Oh, that's... Mine's a wig. | 0:12:33 | 0:12:35 | |
Well, interestingly enough, you're all way, way out. | 0:12:35 | 0:12:40 | |
THEY CHUCKLE | 0:12:40 | 0:12:41 | |
Honestly, shocking! | 0:12:43 | 0:12:45 | |
Because the top three were the satin star bowler hat... | 0:12:45 | 0:12:49 | |
-OK. -Oh, that's cos we had... | 0:12:49 | 0:12:51 | |
..the silver ball head boppers, | 0:12:51 | 0:12:53 | |
and the cigarette holder, so at least you got one of them. | 0:12:53 | 0:12:57 | |
'I'm astounded. Not only do all their choices differ, | 0:12:57 | 0:13:00 | |
'but Reese and Joy didn't get a single best seller right. | 0:13:00 | 0:13:04 | |
'Adele scored a paltry one out of ten, | 0:13:04 | 0:13:07 | |
'and even Ellis, who is supposedly in charge of ordering stock, only got two. | 0:13:07 | 0:13:12 | |
'In fact, the only thing they are any good at | 0:13:12 | 0:13:15 | |
'is not having a clue what's selling in their own shop.' | 0:13:15 | 0:13:18 | |
You're buying too much and you're not clear about what's working | 0:13:18 | 0:13:21 | |
and what's not, and you need to start. | 0:13:21 | 0:13:24 | |
There's so much stock in here. | 0:13:24 | 0:13:26 | |
To start shedding, you need to start knowing what sells. | 0:13:26 | 0:13:30 | |
And, actually just as much, what doesn't. | 0:13:30 | 0:13:33 | |
So I think what you have to get into the habit of doing - | 0:13:33 | 0:13:35 | |
every single month, you must sit down and analyse the figures! | 0:13:35 | 0:13:40 | |
We should have known. It was embarrassing. | 0:13:40 | 0:13:43 | |
We didn't even know what the best bloomin' ten sellers was. | 0:13:43 | 0:13:46 | |
God! You know, that's knocked me for six. | 0:13:46 | 0:13:50 | |
'From having my own business, | 0:13:53 | 0:13:54 | |
'I know how easy it is to become all consumed by work, and Adele is no different.' | 0:13:54 | 0:14:00 | |
So, have you done seven days a week for the last 13 years? | 0:14:00 | 0:14:04 | |
More or less, yeah. I have the odd week holiday here and there, | 0:14:04 | 0:14:09 | |
but before that, I was a riding instructor and I also worked seven days a week then. | 0:14:09 | 0:14:13 | |
So I've worked seven days a week since I've left school. | 0:14:13 | 0:14:16 | |
Do you think that the whole thing would collapse if you weren't here to keep it going? | 0:14:16 | 0:14:20 | |
I am quite a perfectionist. I do like things done, everything followed through, | 0:14:20 | 0:14:24 | |
-and I can't help but being busy. I have to check that everyone's doing it properly. -Yeah. | 0:14:24 | 0:14:28 | |
Sometimes I feel like I'm the conductor trying to keep them all going, | 0:14:28 | 0:14:32 | |
but I also play all the instruments, as well. | 0:14:32 | 0:14:35 | |
Do you think that's healthy for the furtherance of the business, though? | 0:14:35 | 0:14:38 | |
No, not at all. | 0:14:38 | 0:14:40 | |
Because I think, you know, admirable as it is that you work so hard in the business, | 0:14:40 | 0:14:44 | |
you must separate out your professional life and your personal life. | 0:14:44 | 0:14:48 | |
Do you know what? That is the... | 0:14:48 | 0:14:51 | |
The worst thing I think - that this family business has actually, | 0:14:51 | 0:14:55 | |
in many respects, ruined our family feeling, as such, | 0:14:55 | 0:14:59 | |
because we're always in each other's pockets all the time. | 0:14:59 | 0:15:02 | |
Ellis, the other day, said to me, "I don't come over the weekends unless I'm working, | 0:15:02 | 0:15:07 | |
"cos I know that as soon as I do turn up, I am expected to work." | 0:15:07 | 0:15:10 | |
-Yeah. -And he says, "I don't want to become like you." | 0:15:10 | 0:15:13 | |
OK. | 0:15:13 | 0:15:14 | |
'Having worked with my family all my life, | 0:15:17 | 0:15:20 | |
'I know how emotional it can be. | 0:15:20 | 0:15:22 | |
'Relationships can become strained to breaking point. | 0:15:22 | 0:15:26 | |
'I want to help Adele get her business and her family life back. | 0:15:26 | 0:15:30 | |
'To save this shop, the Wisemans really need to take back control | 0:15:31 | 0:15:35 | |
'and impose some kind of order. | 0:15:35 | 0:15:37 | |
'I need to give it to them straight.' | 0:15:37 | 0:15:40 | |
I think something you often lose, when you've been working so long and so hard at a business, | 0:15:40 | 0:15:44 | |
is the initial impression customers have when they arrive. | 0:15:44 | 0:15:48 | |
Yours is a destination fancy-dress shop. | 0:15:48 | 0:15:51 | |
People drive to find you, yeah? | 0:15:51 | 0:15:54 | |
That means they need to be knocked off their feet | 0:15:54 | 0:15:58 | |
as they walk in that door. | 0:15:58 | 0:16:00 | |
You've got some lovely, lovely things in there. | 0:16:00 | 0:16:02 | |
I don't you're doing them justice. | 0:16:02 | 0:16:05 | |
Because you've got such a volcanic eruption of stuff | 0:16:05 | 0:16:09 | |
that you don't really know where to look. | 0:16:09 | 0:16:11 | |
I think it's a big problem that you all spend so much time at work together. | 0:16:11 | 0:16:16 | |
It's an enormous shame you don't spend any time out of work together, | 0:16:16 | 0:16:19 | |
and I think that's your fault, because you lead by example. | 0:16:19 | 0:16:22 | |
All of you have too little time as a family | 0:16:22 | 0:16:26 | |
and too much time as business colleagues. | 0:16:26 | 0:16:28 | |
So, something that I'd like to ask the two of you about is... | 0:16:28 | 0:16:33 | |
I think you both need to step up - be made to step up and be professional. | 0:16:33 | 0:16:38 | |
You being around all the time is kind of exacerbating the situation, | 0:16:38 | 0:16:41 | |
because they never need to really... | 0:16:41 | 0:16:45 | |
-No. -..be sure about anything, cos you're always bloody there. | 0:16:45 | 0:16:48 | |
Yeah, yeah. | 0:16:48 | 0:16:49 | |
-I think the staffing is another issue entirely. -Saturday...people. | 0:16:49 | 0:16:53 | |
Saturdays and Sundays is a nightmare. | 0:16:53 | 0:16:59 | |
Is it? Why? | 0:16:59 | 0:17:00 | |
We get young girls coming in for Saturday and Sunday jobs. | 0:17:00 | 0:17:03 | |
-Why don't you have your regular staff working at the busiest times of the week? -A lot of them won't. | 0:17:03 | 0:17:08 | |
None of us bloody like working a Sunday. It's shift work, | 0:17:08 | 0:17:12 | |
it's rotaed, so you can plan your life around it. | 0:17:12 | 0:17:16 | |
Could we not do that? Do it on a rota? | 0:17:16 | 0:17:18 | |
Do you not do that?! | 0:17:18 | 0:17:20 | |
They have set hours, yeah. | 0:17:20 | 0:17:23 | |
OK, well, this is DEFINITELY something we're going to tackle, | 0:17:23 | 0:17:26 | |
because I'm all for never asking your staff to do something you wouldn't do yourself, | 0:17:26 | 0:17:30 | |
but you're going the completely opposite extreme. | 0:17:30 | 0:17:33 | |
You know, so you're prepared to work it but you can't ask your staff to? For goodness' sake. | 0:17:34 | 0:17:38 | |
Well, we have asked but they won't change. | 0:17:40 | 0:17:43 | |
They won't change? Well, all right. Unfortunately, there may be some natural wastage | 0:17:43 | 0:17:47 | |
but I tell you what - you'll have one person leave and it'll stop. | 0:17:47 | 0:17:50 | |
'It's a harsh message, | 0:17:52 | 0:17:54 | |
'but one that really needs to sink in with the family. | 0:17:54 | 0:17:58 | |
'Next day, and I want to move on to more pressing matters. | 0:18:03 | 0:18:07 | |
'The shop is in the middle of nowhere. | 0:18:07 | 0:18:10 | |
'With no passing trade, the people of Essex need to know they exist | 0:18:10 | 0:18:13 | |
'if their sales figures are going to improve.' | 0:18:13 | 0:18:17 | |
Today, we're going to do some market research. | 0:18:17 | 0:18:20 | |
I want to ask them - have they heard of Props 'n' Frocks? | 0:18:20 | 0:18:23 | |
Have they been to a fancy-dress party in the last year and if they have, what did they dress up as? | 0:18:23 | 0:18:28 | |
Are they planning on going to a fancy-dress party, and what would they like to dress up as? | 0:18:28 | 0:18:32 | |
'This is also a great marketing opportunity, | 0:18:34 | 0:18:38 | |
'and there's no better way to draw attention to the business than going out in their own fancy dress. | 0:18:38 | 0:18:43 | |
'But choosing an outfit from the thousands on offer will not be easy.' | 0:18:44 | 0:18:48 | |
Or... | 0:18:48 | 0:18:50 | |
I'm finding it very difficult. So much choice. | 0:18:51 | 0:18:53 | |
Which I'm sure the customers get, as well. | 0:18:53 | 0:18:56 | |
# Round and round | 0:18:56 | 0:18:57 | |
# And round it goes | 0:18:57 | 0:19:00 | |
# Where it stops, nobody knows... # | 0:19:00 | 0:19:02 | |
Looking good. | 0:19:04 | 0:19:05 | |
-No. -No, not that either. -I'd used to be a stripper. | 0:19:05 | 0:19:09 | |
-Does this look good or does it...? -No. | 0:19:17 | 0:19:19 | |
I think it is too tight round there. | 0:19:19 | 0:19:21 | |
Best six-pack I've ever had. | 0:19:23 | 0:19:27 | |
Happy. | 0:19:27 | 0:19:28 | |
-Let's go, come on. -Let's go. | 0:19:28 | 0:19:30 | |
With Batman and his merry band, we are making a beeline for Basildon. | 0:19:36 | 0:19:41 | |
It's the closest town to the shop and should be their biggest market, | 0:19:41 | 0:19:44 | |
but is it? | 0:19:44 | 0:19:46 | |
-Have you heard of Props 'n' Frocks fancy dress shop? -No. | 0:19:46 | 0:19:49 | |
-No. -No. -Do you know who Props 'n' Frocks are? No. | 0:19:49 | 0:19:52 | |
-Sorry, what? -Props 'n' Frocks fancy-dress shop. | 0:19:52 | 0:19:55 | |
-No, never heard of it. -OK. | 0:19:55 | 0:19:56 | |
-Is that around here? -No. -No, where's that one? | 0:19:56 | 0:20:00 | |
I'm sure they're slightly stunned, shocked by the results. | 0:20:00 | 0:20:04 | |
I mean, this is right on their doorstep. | 0:20:04 | 0:20:06 | |
-No. -No. -The one on Southend? -No. | 0:20:06 | 0:20:10 | |
I'm having a bad afternoon. | 0:20:10 | 0:20:13 | |
-Yes... -Not that one. -Oh, sorry. -No. | 0:20:13 | 0:20:17 | |
There hasn't been one person that's actually known about the shop, | 0:20:17 | 0:20:21 | |
which is pretty dire, I have to say, | 0:20:21 | 0:20:23 | |
considering that Basildon is really a main town very near to us, | 0:20:23 | 0:20:28 | |
so I am not impressed at the moment. | 0:20:28 | 0:20:30 | |
What did you go as last time? | 0:20:30 | 0:20:32 | |
-Er...gimp, weren't it? Gimp. -Oh, suit you down to the ground. | 0:20:32 | 0:20:38 | |
-There's a fancy-dress shop down there. -It's not that one. | 0:20:38 | 0:20:41 | |
No one knows us. | 0:20:42 | 0:20:44 | |
Do you know, I always thought that a lot of people come from Basildon | 0:20:44 | 0:20:48 | |
to my shop, but obviously they aren't | 0:20:48 | 0:20:51 | |
and I'm really shocked. Really shocked. | 0:20:51 | 0:20:54 | |
How many yeses? How many did you get? | 0:20:54 | 0:20:57 | |
-Two. -You? -11. -God! | 0:20:57 | 0:21:02 | |
One man asked me what bust size I was. | 0:21:02 | 0:21:05 | |
THEY LAUGH | 0:21:05 | 0:21:07 | |
Isn't that just the pleasure of the talking to the general public? | 0:21:07 | 0:21:11 | |
-I've got five. -And I've got four. -..Plus 11, plus 4, yes, plus... | 0:21:11 | 0:21:16 | |
I've got four. | 0:21:16 | 0:21:17 | |
22, 26. Out of 163 people, only 26 had heard of Props 'n' Frocks. | 0:21:17 | 0:21:25 | |
-It's horrendous. -Does that shock you? | 0:21:25 | 0:21:27 | |
That's terrible. | 0:21:27 | 0:21:29 | |
Just five minutes down the road, I thought there'd be more yeses. | 0:21:29 | 0:21:32 | |
-It's unbelievable. -Unbelievable. | 0:21:32 | 0:21:34 | |
What was more worrying was the amount of people that hadn't heard of us | 0:21:34 | 0:21:38 | |
that had been to a fancy dress party in the last year | 0:21:38 | 0:21:40 | |
and were going to go again in the next six months, | 0:21:40 | 0:21:43 | |
so that's even more worrying because that's all lost business. | 0:21:43 | 0:21:46 | |
It also shows that a simple way to make sure your business increases | 0:21:46 | 0:21:50 | |
is to make sure that more people bloody know you're there, isn't it? | 0:21:50 | 0:21:54 | |
It's been a rather sobering morning, hasn't it? | 0:21:56 | 0:21:59 | |
It really has, yes. Another one. | 0:21:59 | 0:22:03 | |
A week later and I'm back to start addressing the sizeable stock issue. | 0:22:05 | 0:22:11 | |
Last year, Props 'n' Frocks came within months of going under | 0:22:11 | 0:22:15 | |
because Adele spent £80,000 on stock just as the recession hit. | 0:22:15 | 0:22:21 | |
Instead of the upturn in business she'd gambled on, | 0:22:21 | 0:22:23 | |
demand dropped off a cliff | 0:22:23 | 0:22:26 | |
but it appears that didn't teach her a lesson. | 0:22:26 | 0:22:29 | |
Tell me what all this is on the table. | 0:22:29 | 0:22:32 | |
This is what we have in daily. | 0:22:32 | 0:22:36 | |
This is a large order today. It's not usually as big as this. | 0:22:36 | 0:22:42 | |
It just seems to me that after | 0:22:42 | 0:22:44 | |
our conversations over the last couple of days, | 0:22:44 | 0:22:46 | |
everyone's in agreement that we have to somehow cut the stock down | 0:22:46 | 0:22:51 | |
to be able to display things differently, one, | 0:22:51 | 0:22:54 | |
to be able to make sure you sell every item that you stock, two, | 0:22:54 | 0:22:59 | |
and to finally make sure that you're more profitable, | 0:22:59 | 0:23:04 | |
-which means making more than you spend. -Yeah. | 0:23:04 | 0:23:08 | |
Who decides that you need three of these pirate beards, | 0:23:08 | 0:23:11 | |
rather than two, or that you need five of these old English king's crowns? | 0:23:11 | 0:23:19 | |
-That's down to Ellis. -That's down to Ellis, OK. | 0:23:19 | 0:23:23 | |
'I'm not convinced Ellis is the problem. | 0:23:24 | 0:23:27 | |
'He might have set up the reordering system, | 0:23:27 | 0:23:29 | |
'but I don't believe he's the stockaholic in this business.' | 0:23:29 | 0:23:34 | |
-Hello. -Hello. | 0:23:34 | 0:23:36 | |
So, I have just seen a whole table full of stuff that has just come in, | 0:23:36 | 0:23:41 | |
new stock for the shop. | 0:23:41 | 0:23:45 | |
One of the things we have to do is try and condense your stock lines. | 0:23:45 | 0:23:49 | |
You've got to decide that if something has only sold | 0:23:49 | 0:23:51 | |
so many pieces in the last six months, | 0:23:51 | 0:23:54 | |
then that's a line that you're going to drop. | 0:23:54 | 0:23:57 | |
The other day we wanted to increase all the stock levels. | 0:23:57 | 0:24:00 | |
But the one I was talking about turns out to be our top-selling costume | 0:24:00 | 0:24:04 | |
that I did say we need to have a higher reorder level. | 0:24:04 | 0:24:08 | |
In the last eight months...it's only gone out of stock once. | 0:24:08 | 0:24:13 | |
THEY LAUGH | 0:24:13 | 0:24:16 | |
That's a good thing to know. | 0:24:16 | 0:24:18 | |
I think that somehow, I don't know how you can do this, | 0:24:18 | 0:24:21 | |
but we're going to have to hog tie your mum and stop her ordering staff. | 0:24:21 | 0:24:26 | |
So how are we going to get the stock down? | 0:24:26 | 0:24:29 | |
-Let's decide what we need to offload and then work out how we do it. -Yes. | 0:24:29 | 0:24:33 | |
I love these! | 0:24:37 | 0:24:38 | |
With Halloween just weeks away, | 0:24:38 | 0:24:41 | |
I need this shop on top form ready for their busiest time of the year. | 0:24:41 | 0:24:44 | |
Adele has been hoarding stock for ages, | 0:24:44 | 0:24:47 | |
but her obsession with the costumes is just cluttering the place up. | 0:24:47 | 0:24:51 | |
If she can't see the problem inside the shop, | 0:24:51 | 0:24:54 | |
then maybe taking it outside will shed some light on it. | 0:24:54 | 0:24:57 | |
It is making me feel a bit sick, yes, I have to say. | 0:24:57 | 0:25:00 | |
I've discovered from Ellis that 500 of their lines | 0:25:00 | 0:25:04 | |
are so out of date they've been discontinued | 0:25:04 | 0:25:07 | |
and another thousand sold less than ten units last year. | 0:25:07 | 0:25:10 | |
Give or take, £8,500 worth... | 0:25:12 | 0:25:14 | |
in this list alone. | 0:25:14 | 0:25:17 | |
What does that tell you about ordering? | 0:25:17 | 0:25:20 | |
That I need to be put in one of my own straitjackets, I think. | 0:25:20 | 0:25:25 | |
-It's time for a cull. -That has got to go. | 0:25:25 | 0:25:28 | |
-What have we got in there? -I've got some gorilla costumes. | 0:25:28 | 0:25:31 | |
-Gorilla costumes Ellis said is one of our best sellers. -I know, | 0:25:31 | 0:25:35 | |
-but as I've just been pointed out, do we need 156 of them? -No. | 0:25:35 | 0:25:39 | |
LAUGHTER | 0:25:39 | 0:25:41 | |
Look at it. It is quite sad seeing it all sat there, | 0:25:44 | 0:25:48 | |
-all homeless and unloved. -Can you admit now that you have a problem? | 0:25:48 | 0:25:52 | |
When I bought them, yes, there was obviously a problem because I'd say... | 0:25:52 | 0:25:57 | |
honestly, the majority of this stock is absolutely fine. | 0:25:57 | 0:26:01 | |
-There is nothing wrong with it. -There's just a lot of it. | 0:26:01 | 0:26:04 | |
There's just a lot of it and it has not sold. | 0:26:04 | 0:26:06 | |
I am sad when I see some really good costumes here, | 0:26:08 | 0:26:13 | |
but I have to recognise that I do have a problem, | 0:26:13 | 0:26:16 | |
a bit like an alcoholic, I have a problem. | 0:26:16 | 0:26:19 | |
I knew it was going to be incredibly difficult for Adele, | 0:26:19 | 0:26:22 | |
but it really did work because actually confronted with the enormity | 0:26:22 | 0:26:26 | |
of the stockpile she's created, | 0:26:26 | 0:26:28 | |
she had to realise that her ways have to be mended | 0:26:28 | 0:26:32 | |
and also that stockpile has got to be tackled. | 0:26:32 | 0:26:34 | |
To be honest, what shocks me is that my over-ordering | 0:26:38 | 0:26:42 | |
could have closed this business and that would've been really sad. | 0:26:42 | 0:26:46 | |
It has to go. Oh! | 0:26:46 | 0:26:51 | |
It's like, I feel like... | 0:26:51 | 0:26:53 | |
Well, I've never had a kid that goes off to university | 0:26:53 | 0:26:57 | |
but I actually feel that this is what it would be like. | 0:26:57 | 0:27:01 | |
Yeah. | 0:27:01 | 0:27:04 | |
Adele might not have seen her kids go to university, | 0:27:07 | 0:27:10 | |
but that's precisely where her stock is going. | 0:27:10 | 0:27:13 | |
-What's...? -We're going to give them away. | 0:27:16 | 0:27:20 | |
£1 a jacket, or £2 a jacket. | 0:27:20 | 0:27:23 | |
Chuck them on, chuck them on, we'll get rid of them. | 0:27:23 | 0:27:26 | |
Van's loaded, we're going to sell loads today. I hope. | 0:27:28 | 0:27:31 | |
We are off to the University of Essex, Colchester campus for a sale. | 0:27:33 | 0:27:38 | |
the biggest growth area in fancy dress hire in the UK | 0:27:39 | 0:27:43 | |
is in university towns. | 0:27:43 | 0:27:45 | |
We've got to sell up, get the prices on and sell, sell, sell! | 0:27:45 | 0:27:48 | |
There is nothing students love more than slapping on something silly | 0:27:48 | 0:27:52 | |
and stepping out for a night on the town, | 0:27:52 | 0:27:55 | |
and with over 11,000 students, | 0:27:55 | 0:27:57 | |
Essex uni should be packed with potential punters. | 0:27:57 | 0:28:00 | |
Hiya. We've got special prices today for fancy dress. | 0:28:00 | 0:28:03 | |
We're pricing up really cheaply, | 0:28:03 | 0:28:06 | |
literally more or less cast a couple of quid on each item, | 0:28:06 | 0:28:10 | |
so we're getting rid of stuff which is awesome. | 0:28:10 | 0:28:13 | |
Well, we've got rid of one thing so far. | 0:28:13 | 0:28:16 | |
But the costumes are not leaping off the racks. | 0:28:16 | 0:28:19 | |
Drastic action is required. | 0:28:19 | 0:28:21 | |
Great, huh? You too could look like this. | 0:28:28 | 0:28:31 | |
LAUGHTER | 0:28:31 | 0:28:34 | |
What do you mean, "What is it?" | 0:28:34 | 0:28:36 | |
Hi, we're doing fancy dress today, 50% off for students. | 0:28:39 | 0:28:42 | |
-Fancy dress? -Halloween stock! For Halloween! | 0:28:42 | 0:28:47 | |
-Fancy dress! -Loads of different reactions from different people, | 0:28:47 | 0:28:51 | |
-they just don't seem to be coming to the stall very much. -Fancy dress? | 0:28:51 | 0:28:56 | |
No one is buying anything. | 0:28:56 | 0:28:57 | |
Shall we just try and sell them off even cheaper, | 0:28:57 | 0:29:01 | |
just to get rid of the bloody things? | 0:29:01 | 0:29:03 | |
-It's for free. It's for free! -I know, but... -OK. | 0:29:03 | 0:29:08 | |
He didn't want it, not even for free. | 0:29:08 | 0:29:13 | |
-People aren't interested. -They really aren't, it is amazing. | 0:29:13 | 0:29:17 | |
That would look good on you. | 0:29:17 | 0:29:20 | |
You don't need a wig, do you? | 0:29:20 | 0:29:23 | |
-Alex couldn't work her charms? -Not even Alex could win this crowd over. | 0:29:23 | 0:29:28 | |
What are we going to do? | 0:29:28 | 0:29:30 | |
And I'm just pricing things down and down and down. | 0:29:30 | 0:29:33 | |
-Shall we cut our losses and go home? -Shall we? | 0:29:40 | 0:29:44 | |
I'm trying to be positive but this really has been a disastrous day. | 0:29:44 | 0:29:47 | |
I suppose the only positive we can draw from this | 0:29:47 | 0:29:50 | |
is that you handed out a lot of leaflets. | 0:29:50 | 0:29:53 | |
We tried. That is all we can do, isn't it? | 0:29:53 | 0:29:56 | |
Clearly students are more frugal than they were in my day. | 0:29:56 | 0:30:00 | |
With barely any stock shifted, it has been a real blow to us all. | 0:30:00 | 0:30:04 | |
I'm going to have to cajole my brain still further | 0:30:04 | 0:30:08 | |
and I think clearly it is essential that I open them to new markets. | 0:30:08 | 0:30:12 | |
They have to keep on trying alternative routes, | 0:30:12 | 0:30:15 | |
they have to keep on bringing new clients into this shop. | 0:30:15 | 0:30:20 | |
They can't just depend on their old pool of regular customers. | 0:30:20 | 0:30:25 | |
But with a new day comes a new idea. | 0:30:27 | 0:30:30 | |
I think a designated clearance area in the shop | 0:30:30 | 0:30:33 | |
is needed to tackle the stock mountain. | 0:30:33 | 0:30:36 | |
-Hello, hello. -Hi. -Nice to see you again. -And you. | 0:30:36 | 0:30:39 | |
'I've asked retail designer Karl McKeever, | 0:30:39 | 0:30:41 | |
'who's worked with brands like M & S and Disney, | 0:30:41 | 0:30:43 | |
'to help me make this happen.' | 0:30:43 | 0:30:46 | |
-Come in and meet the family. -Hiya. | 0:30:46 | 0:30:49 | |
-Joy, Adele, this is Karl. -Hi. Great to see you. | 0:30:49 | 0:30:53 | |
-Hi, I'm Adele. -Hi, Adele. -How are you? -Very well. | 0:30:53 | 0:30:56 | |
-Found us OK? -Yes, eventually. | 0:30:56 | 0:30:59 | |
So, Karl, do you want to tell them what your first impressions were? | 0:30:59 | 0:31:03 | |
I think for me this is such an interesting shop | 0:31:03 | 0:31:06 | |
because from the outside you have no idea at all what's really inside. | 0:31:06 | 0:31:11 | |
If you weren't sure, you'd think you've driven up to a sex shop | 0:31:11 | 0:31:14 | |
because there's boobs and bums in the window! | 0:31:14 | 0:31:17 | |
-You know that private shops thing? -The black-fronted... | 0:31:17 | 0:31:20 | |
-With the red lettering and things. Crikey! -Oh my goodness! | 0:31:20 | 0:31:25 | |
I hadn't thought of that! | 0:31:25 | 0:31:29 | |
-Oh, my goodness! -It might get more people in. | 0:31:29 | 0:31:32 | |
-That's another room you're not showing us, isn't it? -Yes. | 0:31:32 | 0:31:35 | |
I'm going to get you guys to take us around so that Karl gets | 0:31:35 | 0:31:39 | |
the full glory of the plethora of stock that you have. | 0:31:39 | 0:31:45 | |
-One row of changing rooms there. -OK, sure. | 0:31:47 | 0:31:50 | |
-How many costumes have you got here? -Hire costumes we've probably got about 4,000. | 0:31:50 | 0:31:55 | |
-Wow! That is a vast choice, massive. -Again, more costumes everywhere. | 0:31:55 | 0:32:02 | |
This one has already been dropped. | 0:32:02 | 0:32:04 | |
I was going to say, as we've been going around, | 0:32:04 | 0:32:08 | |
I noticed you hiding that. I can see another one here. | 0:32:08 | 0:32:12 | |
Oh, no! Do you know, I've been everywhere! | 0:32:12 | 0:32:15 | |
This whole environment says, "Touch me, play with me." | 0:32:15 | 0:32:19 | |
-I know. -"Interact with me," | 0:32:19 | 0:32:21 | |
but there's a lot of, "Don't touch, don't do this, don't do this." | 0:32:21 | 0:32:25 | |
Because we are in here so much, it is a bit like our home | 0:32:25 | 0:32:28 | |
and so it is like somebody coming in, picking up your ornament, | 0:32:28 | 0:32:32 | |
breaking it and it is that feeling of thinking, "Bloody cheek! | 0:32:32 | 0:32:35 | |
"What are they doing that for?" And to take that step back | 0:32:35 | 0:32:39 | |
-is very difficult, isn't it? -Oh, hard. | 0:32:39 | 0:32:41 | |
It is a problem. It's that fine line between giving people service | 0:32:41 | 0:32:44 | |
and looking over their shoulder. There's nothing worse | 0:32:44 | 0:32:47 | |
than having someone hovering, | 0:32:47 | 0:32:49 | |
which is not what we want to do at all, is it? | 0:32:49 | 0:32:52 | |
The shop will need a huge overhaul | 0:32:52 | 0:32:55 | |
but so will Adele and Joy's attitude to customers. | 0:32:55 | 0:32:58 | |
By stopping them from handling the goods, | 0:32:58 | 0:33:01 | |
they are definitely hurting sales. | 0:33:01 | 0:33:03 | |
I need to show them what good customer service looks like. | 0:33:03 | 0:33:06 | |
-Hello! -Hi, Alex! | 0:33:11 | 0:33:13 | |
Well, we have been allowed access into this store | 0:33:13 | 0:33:17 | |
because I would like you to see how brilliantly they achieve | 0:33:17 | 0:33:20 | |
their levels of customer service | 0:33:20 | 0:33:22 | |
and I think there is a lot of lessons from this place that we can | 0:33:22 | 0:33:26 | |
take back and apply to your shop. | 0:33:26 | 0:33:27 | |
Uniqlo is part of the third-largest fashion retailer on the planet. | 0:33:27 | 0:33:33 | |
It has done this by building the business around a simple idea that the customer is king. | 0:33:33 | 0:33:39 | |
Hello, good morning, good afternoon. This is Uniqlo Regent Street. How can I help? | 0:33:39 | 0:33:44 | |
-ALL: -Hello, good morning, good afternoon. This is Uniqlo Regent Street. How can I help? | 0:33:44 | 0:33:47 | |
Please let me know if you need any help. | 0:33:47 | 0:33:50 | |
Like many big retail businesses, the shopping experience here | 0:33:50 | 0:33:53 | |
is deliberately designed to get the customer to touch and try on clothes. | 0:33:53 | 0:33:58 | |
All the evidence shows that touching leads to buying. | 0:33:58 | 0:34:02 | |
In fact, 65% of men buy what they try. | 0:34:02 | 0:34:05 | |
You are all going to follow someone, | 0:34:05 | 0:34:07 | |
so you're not going to be chucked into this, but you can see that | 0:34:07 | 0:34:11 | |
they've got this enormous emphasis | 0:34:11 | 0:34:13 | |
on how they communicate with the customer, | 0:34:13 | 0:34:16 | |
which I think is very important, a huge emphasis on smiling | 0:34:16 | 0:34:20 | |
on not having... Yes, no cross arms! | 0:34:20 | 0:34:23 | |
The important thing is we have got to break this idea of yours that | 0:34:23 | 0:34:28 | |
the goods in your shop are somehow | 0:34:28 | 0:34:30 | |
an extension of your own personal stuff. It's not, it's merchandise. | 0:34:30 | 0:34:34 | |
Merchandise that customers need to interact with to be tempted to buy | 0:34:34 | 0:34:38 | |
and what I want to do is break that idea that you have | 0:34:38 | 0:34:42 | |
of your shop is an extension of your home. | 0:34:42 | 0:34:45 | |
-What you do, put your hand under it... -You see a messed up jumper... | 0:34:49 | 0:34:52 | |
..now you need to hold that with the palm of your hand. | 0:34:52 | 0:34:57 | |
-You don't mind when they make a mess? -No. it's our job. | 0:34:57 | 0:35:02 | |
She has got a shop and she doesn't like people touching her stuff and making a mess of it. | 0:35:04 | 0:35:10 | |
-How is that aspect of things going? -Some of these are just thrown. | 0:35:10 | 0:35:16 | |
It is good that you are just getting used to the fact that this is just what it is. | 0:35:16 | 0:35:20 | |
-This is what you've got to do. -You've got to do it, that's it. | 0:35:20 | 0:35:24 | |
It really matters to me what my shop looks like | 0:35:24 | 0:35:27 | |
and I hate it being untidy. | 0:35:27 | 0:35:30 | |
It is so nice and refreshing to see people taking this pride | 0:35:30 | 0:35:33 | |
in keeping it all looking absolutely immaculate. You know, | 0:35:33 | 0:35:37 | |
we've always done the best for our customers but not always with a smile on our face. | 0:35:37 | 0:35:41 | |
As well as encouraging Adele and her mother to let customers try clothes on, | 0:35:41 | 0:35:45 | |
this visit has also forced Ellis, who spends all his time hiding away, | 0:35:45 | 0:35:50 | |
onto the shop floor. | 0:35:50 | 0:35:51 | |
Next customer, please. Really loud and clear. | 0:35:51 | 0:35:55 | |
Focus a lot on eye contact while greeting customers and doing the transaction. | 0:35:55 | 0:35:58 | |
However much he thinks he's going to be a back office boy, | 0:35:58 | 0:36:02 | |
in a business their size, everyone needs to get mixed into the customer service. | 0:36:02 | 0:36:07 | |
Next customer, please! I'm shaking. | 0:36:07 | 0:36:11 | |
I'm not good dealing with customers. | 0:36:11 | 0:36:13 | |
-Hello, madam. -In common with all the family, | 0:36:13 | 0:36:16 | |
Ellis takes things too personally. | 0:36:16 | 0:36:18 | |
Next customer, please. | 0:36:18 | 0:36:20 | |
They take people fiddling with the product very personally, | 0:36:20 | 0:36:23 | |
he takes how customers react to him very personally and actually it is just a job. | 0:36:23 | 0:36:27 | |
We're going to find you a customer, approach them and say, | 0:36:27 | 0:36:30 | |
"Hi there, is there anything I can help you with?" You're going to smile. | 0:36:30 | 0:36:34 | |
-The lady in the purple jacket. -Can I help you at all? | 0:36:34 | 0:36:38 | |
-I'm just looking, thank you. -OK. Can I help you at all? | 0:36:38 | 0:36:41 | |
Still struggling a little bit with the contacting customers, | 0:36:41 | 0:36:45 | |
I freeze up a little bit, but I'm getting better, I think. | 0:36:45 | 0:36:49 | |
-Cashmere is actually on offer at the moment. -OK. | 0:36:51 | 0:36:54 | |
The men's is 69.90 and the women's are over there at 49.90. | 0:36:54 | 0:36:58 | |
-If you need any help, come and give us a shout. -Thank you. | 0:36:58 | 0:37:01 | |
I think the whole family are going to go away from here having learnt so much. | 0:37:01 | 0:37:06 | |
It is full on! This is full on! | 0:37:06 | 0:37:08 | |
And my girls think they work hard sometimes. | 0:37:08 | 0:37:12 | |
They are very insular, they don't get out of their own environment enough | 0:37:12 | 0:37:15 | |
and they've forgotten what the real world is like. | 0:37:15 | 0:37:18 | |
I mean, there are so many people coming through this store | 0:37:18 | 0:37:21 | |
and yet they still keep a happy, smiling face on the whole time. | 0:37:21 | 0:37:24 | |
I just think it has been brilliant. | 0:37:24 | 0:37:26 | |
Seeing how successful retail works | 0:37:27 | 0:37:30 | |
has shown Adele that when the shop is at its busiest, | 0:37:30 | 0:37:33 | |
she needs all her key staff to be working | 0:37:33 | 0:37:36 | |
even at the weekends. | 0:37:36 | 0:37:38 | |
I think Adele, in a completely bonkers way, | 0:37:40 | 0:37:43 | |
has been running the whole business | 0:37:43 | 0:37:44 | |
in a way that is comfortable for the staff rather than in a way that is good for the business. | 0:37:44 | 0:37:49 | |
-Have you got Bo Peep? -We do have Bo Peep. | 0:37:49 | 0:37:52 | |
Right. So if I have a look at Bo people and the Penguin. | 0:37:52 | 0:37:55 | |
Of course you should have your best staff working when it is busiest. | 0:37:55 | 0:37:59 | |
The fact that she hasn't imposed that on them is obviously something I need to tackle. | 0:37:59 | 0:38:04 | |
Her family have got to somehow regain some personal time and that | 0:38:04 | 0:38:09 | |
will be much aided by the fact that they don't all have to be there all the time | 0:38:09 | 0:38:15 | |
covering all the shifts and all of them always | 0:38:15 | 0:38:18 | |
having to work the weekend. It is just silly. | 0:38:18 | 0:38:20 | |
Joy, are you there? | 0:38:20 | 0:38:22 | |
Are you able to come over? | 0:38:22 | 0:38:24 | |
I need Adele to confront her staff | 0:38:24 | 0:38:28 | |
and put in place a whole new way of working. | 0:38:28 | 0:38:31 | |
Without this, the business and, more importantly, Adele herself will suffer. | 0:38:31 | 0:38:35 | |
Now, if you want this to be a lean, mean fighting machine | 0:38:35 | 0:38:39 | |
you are going to have to change a few of your working practices. | 0:38:39 | 0:38:44 | |
I personally do not think I should be involved in that at all | 0:38:44 | 0:38:49 | |
because it will cause much more resentment. | 0:38:49 | 0:38:51 | |
Everyone loves and trusts you, which is why they work for you. | 0:38:51 | 0:38:54 | |
So it has to come from you, | 0:38:54 | 0:38:56 | |
but you understand that there is good business reasons | 0:38:56 | 0:39:00 | |
that I've given you for why you need to make changes. Yes? | 0:39:00 | 0:39:05 | |
That this isn't a knee-jerk reaction, | 0:39:05 | 0:39:07 | |
it's not from looking at a list of people | 0:39:07 | 0:39:09 | |
and saying, "There's too many people for that number of hours," none of that. | 0:39:09 | 0:39:13 | |
-I'm just saying to you that you've, you know, come on. Yeah? -Hmm. | 0:39:13 | 0:39:18 | |
'I know it's not going to be popular, | 0:39:21 | 0:39:24 | |
'and I'm not feeling particularly good at the moment.' | 0:39:24 | 0:39:28 | |
And I know this is going to be a bitter pill from this afternoon so, | 0:39:28 | 0:39:33 | |
yeah, not looking forward to it. | 0:39:33 | 0:39:36 | |
As you are all aware, there have been loads and loads of challenges | 0:39:39 | 0:39:44 | |
for Props 'n' Frocks. | 0:39:44 | 0:39:46 | |
If you look at our business UK-wide, we already know that there are | 0:39:46 | 0:39:50 | |
many shops that are closing down or have downsized all over the country. | 0:39:50 | 0:39:54 | |
I need to push the company forward and in a really good direction. | 0:39:54 | 0:40:00 | |
Changes are never easy, and sometimes they can be painful. | 0:40:00 | 0:40:06 | |
The shop is open seven days a week, | 0:40:06 | 0:40:07 | |
and we need professional, experienced staff | 0:40:07 | 0:40:14 | |
to help us cover those seven days a week. | 0:40:14 | 0:40:16 | |
Now, I am expecting people to work one weekend in four... | 0:40:16 | 0:40:22 | |
..with two days off in the week, in lieu. | 0:40:23 | 0:40:27 | |
I know it's not going to be popular, | 0:40:27 | 0:40:29 | |
but by looking after a few of you | 0:40:29 | 0:40:31 | |
it's put an additional workload on to others. | 0:40:31 | 0:40:34 | |
Has anyone got any questions? | 0:40:34 | 0:40:37 | |
No? | 0:40:39 | 0:40:42 | |
OK, I'm going to put you on the spot, guys. Do you need to think about it? | 0:40:50 | 0:40:56 | |
I'll do it. | 0:40:56 | 0:40:57 | |
Thank you, Chris, thank you. | 0:41:00 | 0:41:01 | |
Aye, if it means keeping our job I suppose we'll have to. | 0:41:01 | 0:41:05 | |
This really is a massive step forwards. | 0:41:05 | 0:41:08 | |
I know the staff will find it difficult at first, but it IS for the greater good. | 0:41:08 | 0:41:13 | |
It's going to be really hard for me, | 0:41:13 | 0:41:16 | |
but to give up my weekends it'll be really hard. | 0:41:16 | 0:41:19 | |
I don't know how I'm going to sort it out really, but...we'll just see. | 0:41:19 | 0:41:25 | |
Think she needs us to support her as much as we can, which... | 0:41:25 | 0:41:29 | |
I've only worked here a few years but I love my job, so... | 0:41:31 | 0:41:36 | |
How painful is all the change that's afoot here? | 0:41:38 | 0:41:41 | |
I think it was a big thing was the Sunday, | 0:41:41 | 0:41:43 | |
it's just if there's a rota and you really need that Sunday off | 0:41:43 | 0:41:46 | |
and you just can't swap it with anybody and then you just think, | 0:41:46 | 0:41:50 | |
and I know I will think, "Is this worth it?" | 0:41:50 | 0:41:52 | |
Everyone has shift patterns, whether you're working in a supermarket | 0:41:52 | 0:41:56 | |
or whether you're working you know, Harrods. I don't expect everyone to like it, | 0:41:56 | 0:42:00 | |
I just expect you either to get on with it or not. | 0:42:00 | 0:42:03 | |
She's not doing this as a personal attack, she's doing this to make sure the business survives. | 0:42:03 | 0:42:08 | |
'I think the girls took it reasonably well. | 0:42:08 | 0:42:10 | |
'I was looking at their faces and it was...' | 0:42:10 | 0:42:13 | |
They all looked quite sad and very serious. | 0:42:13 | 0:42:17 | |
And I wasn't expecting to get a yes. | 0:42:17 | 0:42:19 | |
-Thanks a lot. -Thanks, bye. | 0:42:19 | 0:42:22 | |
I'm not going to be sitting there thinking, "How many staff will I have at the end of next week?" | 0:42:22 | 0:42:26 | |
Because I don't think that is the case. | 0:42:26 | 0:42:29 | |
Asking the staff to work shifts is only the first stage in getting Adele to step back. | 0:42:39 | 0:42:44 | |
Now she needs to make time for herself, | 0:42:44 | 0:42:48 | |
so I've insisted that she doesn't come into work for a few days. | 0:42:48 | 0:42:52 | |
I know she'll struggle with it, but it's time for Reese and Ellis to show they can manage. | 0:42:52 | 0:42:57 | |
-I've just broke my nail. -Oh, no. -Yeah. | 0:42:57 | 0:42:59 | |
Well, that's next week's day off sorted. | 0:42:59 | 0:43:02 | |
With Adele out of the way, Reese and Ellis are heading to London | 0:43:05 | 0:43:08 | |
for a business opportunity they think could be too good to miss. | 0:43:08 | 0:43:12 | |
-We must be nearly there now, mustn't we? -Well, no. | 0:43:12 | 0:43:16 | |
The Great Gorilla Run is an annual event frequented by thousands of people who love dressing up. | 0:43:19 | 0:43:24 | |
So it's a brilliant chance to do some targeted marketing. | 0:43:24 | 0:43:28 | |
I'm the fairy gorilla. | 0:43:28 | 0:43:30 | |
-Mr Gorilla! -It's great, isn't it? | 0:43:30 | 0:43:33 | |
Do you want to take a cape to wear? | 0:43:34 | 0:43:37 | |
You wear it, for you to wear. OK? | 0:43:37 | 0:43:41 | |
Excuse me, want a cape? | 0:43:41 | 0:43:42 | |
The capes are going down really well. | 0:43:47 | 0:43:50 | |
As well as potential customers, | 0:43:50 | 0:43:52 | |
Reese and Ellis are following up on a tip-off they've had | 0:43:52 | 0:43:55 | |
which could lead to a big order. | 0:43:55 | 0:43:57 | |
-Hiya. -Hi. -Hello, are you Gillian? -Yes, I am. | 0:43:57 | 0:44:00 | |
Hello, I'm Reese, this is Ellis. We're from Props 'n' Frocks - it's a fancy-dress shop in Essex. | 0:44:00 | 0:44:05 | |
Yeah, I've seen these red capes around. People are wearing them. | 0:44:05 | 0:44:08 | |
That's us. We've been handing them out. We've heard that you're looking | 0:44:08 | 0:44:11 | |
-for a new supplier of the gorilla costumes. -Right. | 0:44:11 | 0:44:16 | |
Could arrange to come and see you and tell you | 0:44:16 | 0:44:18 | |
-what we could do for you? -Well, I'm in Primrose Hill in north London. | 0:44:18 | 0:44:22 | |
-OK, so not too far away. -Speak to you soon. | 0:44:22 | 0:44:25 | |
Having been allowed to step out from their mother's shadow, | 0:44:25 | 0:44:28 | |
the siblings have really performed. | 0:44:28 | 0:44:31 | |
I think it shows they have the ambition the business needs. | 0:44:31 | 0:44:35 | |
The capes were amazing. We could not have imagined the impact that they had. | 0:44:35 | 0:44:39 | |
People were saying, "Oh, can I have one, can I have one?" | 0:44:39 | 0:44:42 | |
Eventually I think we had about 50, 60 out there. | 0:44:42 | 0:44:46 | |
There's about 50, 60 people now that know about us that didn't know about us before | 0:44:49 | 0:44:53 | |
so, potentially, that's 50 new customers. | 0:44:53 | 0:44:57 | |
Are you really struggling? | 0:45:01 | 0:45:04 | |
You are, aren't you? | 0:45:04 | 0:45:06 | |
I normally would have some communication. | 0:45:06 | 0:45:09 | |
I think time off is incredibly important | 0:45:11 | 0:45:14 | |
because when you have a little bit of distance, | 0:45:14 | 0:45:17 | |
you get clarity, and if you're always right up here to the problem, | 0:45:17 | 0:45:22 | |
then it's very hard to make sense of it. | 0:45:22 | 0:45:25 | |
I mean, it sounds like she's worked seven days a week since she was about 16. | 0:45:25 | 0:45:31 | |
It's been great spending a bit of time with Mike, my partner. | 0:45:31 | 0:45:35 | |
We never ever see each other. I mean, we might say hello in the morning. | 0:45:35 | 0:45:39 | |
By the time I get home it's dark, have a shower, go to bed, | 0:45:39 | 0:45:43 | |
so this has been lovely. | 0:45:43 | 0:45:45 | |
I think that I have looked upon the business as another child, | 0:45:45 | 0:45:51 | |
and other parts of my life | 0:45:51 | 0:45:53 | |
have definitely taken a bit of a knock because of that. | 0:45:53 | 0:45:57 | |
'The temptation to pick the phone up has been rather strong. | 0:45:57 | 0:46:01 | |
'I appreciate I need to take a step back. | 0:46:01 | 0:46:03 | |
'I've got to give the kids a chance to be their own boss, to make decisions.' | 0:46:03 | 0:46:09 | |
-So, the same time next week, then? -SHE LAUGHS | 0:46:09 | 0:46:13 | |
And after some time away, has the place fallen to pieces? | 0:46:15 | 0:46:19 | |
Well, I'm back! | 0:46:22 | 0:46:24 | |
What's happened? | 0:46:27 | 0:46:28 | |
'My first impressions, everything looks tidy, having a wander, | 0:46:29 | 0:46:33 | |
'nothing that is out of place.' | 0:46:33 | 0:46:36 | |
First of all, I'm actually going to see if everyone read the notes that I left. | 0:46:38 | 0:46:43 | |
And, actually, they have. | 0:46:44 | 0:46:46 | |
Looking at the book, the world did not collapse without Adele. Which is brilliant. | 0:46:46 | 0:46:53 | |
Not only have they followed instructions, | 0:46:53 | 0:46:55 | |
but in Adele's absence, the kids have also made a bit of a dent in the stock problem. | 0:46:55 | 0:47:01 | |
So, Reese, what happened at the front? | 0:47:01 | 0:47:03 | |
Cos it looked to me like it was quite a busy day in the shop yesterday. | 0:47:03 | 0:47:07 | |
It was, it was busy in the shop. | 0:47:07 | 0:47:08 | |
We had a customer come in for ex-hire, | 0:47:08 | 0:47:10 | |
and she bought 11 ex-hire costumes, | 0:47:10 | 0:47:13 | |
which were a lot of the Victorian costumes that are quite bulky | 0:47:13 | 0:47:17 | |
and take up a lot of space, and we had checked, and they've not been out for two years. | 0:47:17 | 0:47:21 | |
-So... -And it was double of what it was to hire, and it's not been out, so it's gone. | 0:47:21 | 0:47:27 | |
Taking a deep breath, and trying to think for the greater good. | 0:47:29 | 0:47:34 | |
It's all good. | 0:47:34 | 0:47:35 | |
As hard as that is, because I love all my costumes and I've got a story | 0:47:35 | 0:47:39 | |
about every single one of them, | 0:47:39 | 0:47:41 | |
-so not even to be able to say goodbye to them. -Oh, my God! | 0:47:41 | 0:47:45 | |
-That is ridiculous! -I know. | 0:47:45 | 0:47:50 | |
If you've got more affection towards a costume | 0:47:50 | 0:47:53 | |
than you've got for your own family, then you've got serious issues. | 0:47:53 | 0:47:57 | |
-I have got serious issues. -Your friends are your costumes. | 0:47:57 | 0:48:00 | |
Yeah, but she's got 5,000 members of family! | 0:48:00 | 0:48:03 | |
With Halloween fast approaching, Karl and his team are back to overhaul this scatterbrain space. | 0:48:05 | 0:48:13 | |
New signage, new layout, | 0:48:16 | 0:48:18 | |
and, of course, a better way to display the stock. | 0:48:18 | 0:48:21 | |
It's a great way to present clearance products in a way | 0:48:21 | 0:48:24 | |
which is easy for the customer to shop. | 0:48:24 | 0:48:26 | |
And there's no reason why the displays shouldn't be the same high quality as in a boutique. | 0:48:26 | 0:48:32 | |
Just cos it's fancy dress doesn't mean the customer wants to look | 0:48:32 | 0:48:35 | |
less convincing when they're wearing the outfit for themselves. | 0:48:35 | 0:48:38 | |
'But bringing the shop up to scratch won't be enough on its own. | 0:48:38 | 0:48:43 | |
'I need the family to put all their efforts into how we fill it with new customers, too.' | 0:48:43 | 0:48:49 | |
We're going to put on a big event, with people who may be able to use you, | 0:48:49 | 0:48:54 | |
so I'm thinking nightclub owners, party... | 0:48:54 | 0:48:57 | |
People who hold parties, anyone who you could market to. | 0:48:57 | 0:49:02 | |
I'd like to get them into the shop | 0:49:02 | 0:49:04 | |
and then have you guys show your expertise at what you do so well, | 0:49:04 | 0:49:08 | |
which is dress them up. | 0:49:08 | 0:49:10 | |
Could we do a catwalk? | 0:49:10 | 0:49:12 | |
I love that idea, I really do. So all up for this one final push? | 0:49:12 | 0:49:17 | |
-One final push, yeah! -It's going to be the biggest push. -Good. -Yeah. | 0:49:17 | 0:49:21 | |
But as the big day gets closer, so the stress levels go up. | 0:49:26 | 0:49:30 | |
There's a lot of stress going on, I feel sick | 0:49:34 | 0:49:38 | |
that it's all going to go tits up and it'll all backfire and no one will turn up. | 0:49:38 | 0:49:42 | |
Right, OK, we've been trying to do this meeting for about two hours. | 0:49:42 | 0:49:45 | |
Because really I've got to get... I am losing the will to live here. | 0:49:45 | 0:49:49 | |
Oh, my God. | 0:49:52 | 0:49:53 | |
Need to think about the leaflets handing out, the games that we could do and music - | 0:49:53 | 0:49:57 | |
they're the key things. | 0:49:57 | 0:49:59 | |
We've put 110% into it, so if it does fail | 0:50:01 | 0:50:04 | |
it's going to be a bit of a kick in the teeth. | 0:50:04 | 0:50:07 | |
My poor brain can't take any more. | 0:50:07 | 0:50:09 | |
This is not a woman in control of anything at the moment. | 0:50:09 | 0:50:12 | |
This all has to be done today. | 0:50:16 | 0:50:18 | |
-ALL: -Oh, no! | 0:50:18 | 0:50:20 | |
'After a monumental week for the Wisemans, | 0:50:23 | 0:50:26 | |
'I'm back to see just how much they've managed to dress this business up.' | 0:50:26 | 0:50:31 | |
A-ha! The first sign of the changes | 0:50:31 | 0:50:33 | |
that I'm expecting to find inside. | 0:50:33 | 0:50:35 | |
It looks great - really bright, really appealing. | 0:50:35 | 0:50:40 | |
A fancy-dress shop. | 0:50:40 | 0:50:42 | |
I think Alex is going to be amazed by the transformation, | 0:50:45 | 0:50:48 | |
and I can imagine what she's going to say in my head. | 0:50:48 | 0:50:52 | |
So much better. It's immediately obvious where you have to go. | 0:50:52 | 0:50:56 | |
I think she's going to be wowed over by it. I hope she is, anyway. | 0:50:56 | 0:51:01 | |
Oh, look at this! Gosh, that's fab, mannequins. | 0:51:01 | 0:51:06 | |
'The vibrant signage leads the customer to the shop front, | 0:51:06 | 0:51:10 | |
'which now has an exciting and enticing window display.' | 0:51:10 | 0:51:14 | |
I love being able to see into the store, | 0:51:14 | 0:51:17 | |
I think it makes a huge difference. | 0:51:17 | 0:51:19 | |
It makes you very excited about walking in, and, um, | 0:51:19 | 0:51:23 | |
already looking forward to spending some money. | 0:51:23 | 0:51:27 | |
'Thankfully, it no longer looks like a sex shop in Amsterdam. | 0:51:27 | 0:51:31 | |
'A bright new logo has brought the front to life.' | 0:51:31 | 0:51:34 | |
Hello! | 0:51:34 | 0:51:35 | |
Oh, my goodness! | 0:51:35 | 0:51:37 | |
MUSIC: "Thriller" by Michael Jackson | 0:51:37 | 0:51:40 | |
'The whole shop has been transformed - | 0:51:44 | 0:51:47 | |
'where once there was clutter, now colour-coded themed rooms make things clear for the customers.' | 0:51:47 | 0:51:52 | |
-It does feel less overwhelming. -Definitely. | 0:51:52 | 0:51:56 | |
'Instead of over-stocked shelves, stock has been pared back | 0:51:56 | 0:51:59 | |
'and displays have been used to really sell the costumes.' | 0:51:59 | 0:52:03 | |
It does make a huge difference seeing them out of a packet, doesn't it, actually? | 0:52:03 | 0:52:07 | |
-We sold, didn't we, one costume that we hadn't sold for two years and we sold three in one day. -No! | 0:52:07 | 0:52:14 | |
'New changing rooms have been fitted | 0:52:14 | 0:52:16 | |
'to encourage customers to try things on. This is, after all, a dressing-up business.' | 0:52:16 | 0:52:22 | |
Oh, my goodness, it looks fantastic! | 0:52:22 | 0:52:26 | |
-It's so inviting, carpet. -Don't I love it! | 0:52:26 | 0:52:29 | |
'And there's a large clearance area to allow the family to sell the unwanted stock off cheaply.' | 0:52:30 | 0:52:36 | |
It's surprising how people can go straight in and focus on that area. | 0:52:36 | 0:52:40 | |
-Yeah. -And it's made, I think, people's choices so much easier, hasn't it? -Yeah. | 0:52:40 | 0:52:45 | |
'On the whole, it feels fun and full of character.' | 0:52:45 | 0:52:49 | |
Chief merchandiser now is Ellis, who... | 0:52:50 | 0:52:54 | |
-If you'd ever believe it. -Darling! | 0:52:54 | 0:52:56 | |
I done all this, if you can believe it. | 0:52:56 | 0:53:00 | |
-I know. I can't believe it, actually. -LAUGHTER | 0:53:00 | 0:53:02 | |
-He's changed, hasn't he? He actually approaches customers now. -Yeah. | 0:53:02 | 0:53:06 | |
We actually think he's been taken away by aliens and replaced. | 0:53:06 | 0:53:10 | |
Tonight, the shop will be full of guests invited to mark the relaunch of the business, | 0:53:13 | 0:53:19 | |
which gives all of us a chance to road-test the new changing rooms. | 0:53:19 | 0:53:23 | |
The best changing rooms in Essex. Yeah! | 0:53:23 | 0:53:26 | |
Oh, God. Makes my eyes water! | 0:53:29 | 0:53:32 | |
Ta-da! | 0:53:32 | 0:53:34 | |
Joining the family for the relaunch is a guest list | 0:53:35 | 0:53:38 | |
of Essex party people - | 0:53:38 | 0:53:39 | |
everyone from venue managers, party planners, event coordinators and theatre groups, | 0:53:39 | 0:53:45 | |
the great and the good who might want to bring their business here. | 0:53:45 | 0:53:49 | |
I would like to say, first of all, thank you to every single person | 0:53:49 | 0:53:54 | |
that has bent over backwards through this last couple of weeks of complete chaos. | 0:53:54 | 0:53:59 | |
We couldn't have done it without you, | 0:53:59 | 0:54:02 | |
and I cannot thank you all enough for that so thank you very, very much. | 0:54:02 | 0:54:07 | |
Thank you ever so much for coming, everybody. I declare the new Props 'n' Frocks open. | 0:54:09 | 0:54:15 | |
CHEERING AND APPLAUSE | 0:54:15 | 0:54:17 | |
With press and photographers here too, I'm in no doubt it'll hugely up the shop's profile. | 0:54:19 | 0:54:25 | |
Now the family need to get their business heads on. | 0:54:26 | 0:54:29 | |
Big smiles, really loads of fun. We're going to get some music playing. | 0:54:29 | 0:54:33 | |
They've organised a catwalk show to really bring their stock to life. | 0:54:33 | 0:54:37 | |
The invited party professionals seem to be impressed. | 0:54:41 | 0:54:45 | |
-Do you like our changing rooms? -Yeah, really good. -They look good, eh? | 0:54:45 | 0:54:48 | |
It's modern and really nice. | 0:54:48 | 0:54:51 | |
And I think it looks really great. | 0:54:56 | 0:54:58 | |
There aren't many fancy-dress shops in the area that have such a fantastic selection of stock, | 0:54:58 | 0:55:03 | |
so I'll definitely be using the shop in the future. | 0:55:03 | 0:55:05 | |
The atmosphere's quite warm and the decor, as well, | 0:55:05 | 0:55:08 | |
with the way the costumes have been presented, it's quite lovely. | 0:55:08 | 0:55:12 | |
Do you like the shop reorganisation? | 0:55:12 | 0:55:14 | |
It's beautiful, yeah. It's lovely, nice. | 0:55:14 | 0:55:17 | |
It's more spacious. Yeah, there's... It looks like there's more in it. | 0:55:17 | 0:55:21 | |
Obviously a great opportunity to see what's available, | 0:55:21 | 0:55:25 | |
but I think from a promotional point of view, I think they've done really well. | 0:55:25 | 0:55:30 | |
The event has given the business a strong local presence. | 0:55:34 | 0:55:38 | |
I feel like I'm leaving them in a much better state than I found them. | 0:55:38 | 0:55:42 | |
They just need to stick to the lessons they've learnt along the way. | 0:55:42 | 0:55:46 | |
-The important things are, you've got to keep your stock buying under control. -Yes. | 0:55:46 | 0:55:51 | |
Make sure you have some time off, allow your kids some room to breath and develop. | 0:55:51 | 0:55:56 | |
-Yes. -Because they are so bloody good already - | 0:55:56 | 0:55:58 | |
imagine what they will be when they're forced to take on more responsibility. | 0:55:58 | 0:56:02 | |
Yeah, definitely. | 0:56:02 | 0:56:04 | |
We can't thank you enough, can we? No. | 0:56:04 | 0:56:07 | |
There's been a couple of things that have been difficult to take, | 0:56:12 | 0:56:16 | |
but we have taken them on board and we've dealt with them and I think | 0:56:16 | 0:56:19 | |
we're still learning. Not everything's fixed just like that. | 0:56:19 | 0:56:22 | |
We are definitely going along the right road | 0:56:22 | 0:56:25 | |
and I'm so pleased that the whole family are going along the same road together | 0:56:25 | 0:56:29 | |
which is, for once, you know, it's just fantastic. | 0:56:29 | 0:56:33 | |
Two-and-a-half months later, how IS Props 'n' Frocks faring? | 0:56:39 | 0:56:43 | |
I think I'm three-quarters of the way to being cured. | 0:56:43 | 0:56:47 | |
She'll never be cured thoroughly. | 0:56:47 | 0:56:49 | |
I might not be completely cured, I'm 100% better than I was. | 0:56:49 | 0:56:53 | |
The family now keep £30,000 less stock than they did, | 0:56:53 | 0:56:58 | |
which is a huge step forwards. | 0:56:58 | 0:57:00 | |
As I could see how things have more space, they're displayed better, | 0:57:00 | 0:57:04 | |
we actually sell more stuff - that's the lesson, isn't it? | 0:57:04 | 0:57:08 | |
And Adele has managed to find time for herself away from the business. | 0:57:12 | 0:57:17 | |
When I'm not working in the shop, I actually do feel that you two can get on and cope with most problems. | 0:57:17 | 0:57:22 | |
I don't... I don't feel now that I need to be here. | 0:57:22 | 0:57:26 | |
Adele's a lot more chilled now at work, | 0:57:26 | 0:57:28 | |
so we can spend more time with her as my mum, not just a boss. | 0:57:28 | 0:57:32 | |
I think having some time for me | 0:57:32 | 0:57:36 | |
has made me a better person, a better mum, a better daughter, | 0:57:36 | 0:57:40 | |
a better grandparent, because now I actually have some time and I've got some time to be... | 0:57:40 | 0:57:45 | |
You know, I can play with my grandkids, I can go out shopping with my daughter, | 0:57:45 | 0:57:50 | |
and I don't feel that I can't do that cos I'm working. | 0:57:50 | 0:57:53 | |
It is having, like, a second chance of doing all the bonding again, | 0:57:53 | 0:57:59 | |
and it's special. | 0:57:59 | 0:58:01 | |
Got her back. | 0:58:01 | 0:58:02 | |
It's giving me my life back, which has been fantastic, | 0:58:02 | 0:58:06 | |
I really have to say. And hopefully it's given me... | 0:58:06 | 0:58:09 | |
It's given my family ME back, | 0:58:09 | 0:58:11 | |
rather than me being so engrossed in this shop the whole time. | 0:58:11 | 0:58:15 | |
Subtitles by Red Bee Media Ltd | 0:58:38 | 0:58:42 |