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I'm Alex Polizzi. | 0:00:02 | 0:00:04 | |
I cut my teeth inside my family's international hotel empire | 0:00:04 | 0:00:07 | |
and now run a multi-million pound food business with my husband. | 0:00:07 | 0:00:12 | |
Last year, I battled to save six failing family firms. | 0:00:12 | 0:00:16 | |
-I don't know if it's ever going to get better! -You must see some hope! | 0:00:16 | 0:00:20 | |
Otherwise, let's not bother with this, no. | 0:00:20 | 0:00:23 | |
In the midst of the recession, every month, | 0:00:24 | 0:00:26 | |
1,000 businesses were going bust. | 0:00:26 | 0:00:30 | |
This business is on a knife edge. | 0:00:30 | 0:00:32 | |
At some point, we're going to have to call it a day. | 0:00:32 | 0:00:35 | |
But for families, it was more than finance. | 0:00:35 | 0:00:38 | |
£50,000 now, you'll never see me again. | 0:00:38 | 0:00:42 | |
Now, I'm heading back to see how it's all turned out. | 0:00:42 | 0:00:45 | |
This is a business! You're ruining your health! You're ruining your family life! | 0:00:47 | 0:00:51 | |
He's just used to getting his own way. | 0:00:51 | 0:00:53 | |
And I'm used to getting mine. | 0:00:53 | 0:00:55 | |
This week, I'm revisiting two companies whose business dreams had turned into nightmares. | 0:00:55 | 0:01:01 | |
If we fail to make a living here, this will go. | 0:01:01 | 0:01:05 | |
And when it's gone, that's the end of it. | 0:01:05 | 0:01:07 | |
A heritage mill that had never turned a profit... | 0:01:07 | 0:01:10 | |
If the site turns into a tearoom, I don't want to work here. | 0:01:10 | 0:01:13 | |
..grinding the family who ran it into the ground. | 0:01:13 | 0:01:16 | |
This isn't your life, this isn't your family, this isn't your home! | 0:01:16 | 0:01:21 | |
Just stop behaving as if it is! | 0:01:21 | 0:01:25 | |
And a bridal wear shop run by squabbling sisters... | 0:01:25 | 0:01:28 | |
You're making a mountain out of a mole hill. | 0:01:28 | 0:01:30 | |
I'm making a mountain out of a mole hill? | 0:01:30 | 0:01:32 | |
..with a mother who had no head for business. | 0:01:32 | 0:01:34 | |
What proportion will end up on the remainder rail? | 0:01:34 | 0:01:38 | |
-90%. -Oh, my God! | 0:01:38 | 0:01:40 | |
The first of our floundering firms this week is | 0:01:49 | 0:01:51 | |
Denver Mill, Norfolk's last working windmill. | 0:01:51 | 0:01:54 | |
Three years ago, Mark and Lindsey Able became tenants of this wonderful historic building | 0:01:56 | 0:02:01 | |
on the first step to realising a dream. | 0:02:01 | 0:02:04 | |
This is the biggest machine you'll ever go in. | 0:02:04 | 0:02:07 | |
And it is a machine, we are inside a machine. | 0:02:07 | 0:02:10 | |
Their ambition was to mill flour | 0:02:10 | 0:02:12 | |
and turn it into bread they could sell on site. | 0:02:12 | 0:02:14 | |
It sounds a bit, you know, hippy, | 0:02:14 | 0:02:18 | |
but I think this windmill found us, not that we found the windmill. | 0:02:18 | 0:02:21 | |
But their utopian dream has turned into a nightmare. | 0:02:23 | 0:02:28 | |
There's something going dreadfully wrong. | 0:02:28 | 0:02:31 | |
Everything we have in the world is here. | 0:02:32 | 0:02:36 | |
We have nothing. Nothing in the bank. Everything's here. | 0:02:36 | 0:02:39 | |
Rather than concentrating on profit, their passion is focused on keeping this mill up and running | 0:02:39 | 0:02:45 | |
and any money they do make is swallowed up | 0:02:45 | 0:02:47 | |
maintaining a listed building they don't even own. | 0:02:47 | 0:02:51 | |
If we fail to make a living here, this will go. | 0:02:51 | 0:02:54 | |
And when it's gone, that's the end of it. | 0:02:54 | 0:02:57 | |
And just when it seemed it couldn't get any worse, | 0:02:57 | 0:03:01 | |
disaster struck. | 0:03:01 | 0:03:03 | |
There was just bits of sail and things falling. We just looked up | 0:03:03 | 0:03:07 | |
and shook our heads and said "Well, that's it. | 0:03:07 | 0:03:09 | |
"That's the end. The end of the business, the end of everything." | 0:03:09 | 0:03:13 | |
Nothing would be here if the mill wasn't here. | 0:03:14 | 0:03:16 | |
The tea shop, the shop couldn't survive. It's all the same thing. | 0:03:16 | 0:03:20 | |
It is like a loss of something. | 0:03:20 | 0:03:23 | |
The unique selling point of Denver Mill has always been | 0:03:26 | 0:03:29 | |
that it was Norfolk's last working windmill. | 0:03:29 | 0:03:32 | |
Three weeks ago, that was true. | 0:03:32 | 0:03:34 | |
However, it's going to cost a lot of money to replace them | 0:03:34 | 0:03:37 | |
and at the moment, the family don't know if it's possible. | 0:03:37 | 0:03:40 | |
The windmill might be in pieces, | 0:03:40 | 0:03:41 | |
but the business was broken before the sails came off. | 0:03:41 | 0:03:46 | |
Despite three years of hard graft, they've never turned a profit. | 0:03:46 | 0:03:51 | |
If that doesn't change, this place could close in a matter of months. | 0:03:51 | 0:03:55 | |
I need to get under the skin of this family, and find out | 0:03:55 | 0:03:58 | |
where it all went wrong. | 0:03:58 | 0:04:01 | |
First stop, the on-site cafe to meet mum and company boss Lindsey. | 0:04:02 | 0:04:07 | |
-Hello, hello. -Lovely to meet you. | 0:04:10 | 0:04:11 | |
And you. We're very pleased you're here. | 0:04:11 | 0:04:14 | |
-Thank you. I'm very pleased I'm here. -I'll just come round. | 0:04:14 | 0:04:16 | |
So how many people can you serve at a time here? | 0:04:16 | 0:04:20 | |
At busy times, probably about 25 to 30 at the most. | 0:04:20 | 0:04:23 | |
You also sell your own bread here, you make sandwiches | 0:04:23 | 0:04:26 | |
from your own bakery bread, I see. | 0:04:26 | 0:04:29 | |
Well, the idea is that we mill the flour here. | 0:04:29 | 0:04:31 | |
-Yeah. -We make our bread. | 0:04:31 | 0:04:33 | |
-Yeah. -And then people can take a loaf home | 0:04:33 | 0:04:35 | |
or they can use it to cut up for the sandwiches, | 0:04:35 | 0:04:38 | |
so people can actually get to taste the mill, so to speak. | 0:04:38 | 0:04:41 | |
-OK. -Let me take you to see Mark. | 0:04:41 | 0:04:44 | |
# What goes up, must come down... # | 0:04:44 | 0:04:49 | |
Lindsey's husband Mark has a background | 0:04:49 | 0:04:52 | |
in mechanical engineering, | 0:04:52 | 0:04:53 | |
but now spends all his time milling flour. | 0:04:53 | 0:04:56 | |
-Hello. -Mark, this is Alex. -Hello. -What are you up to in here? | 0:04:56 | 0:05:00 | |
This is referred to as my other woman. I spend too much time here. | 0:05:00 | 0:05:04 | |
I thought she was the engine round the back. | 0:05:04 | 0:05:06 | |
-You've got two other women? -I have. | 0:05:06 | 0:05:08 | |
OK, so this is your arena and obviously your passion. | 0:05:08 | 0:05:11 | |
You have that slightly crazed look of a man who's in his element. | 0:05:11 | 0:05:17 | |
Charming as they are, Mark and Lindsey | 0:05:17 | 0:05:19 | |
don't strike me as natural entrepreneurs. | 0:05:19 | 0:05:21 | |
Let's go. So I'm allowed to go and have a look about, am I? | 0:05:21 | 0:05:25 | |
-Yes, yes. Help yourself. -And then I'll come back. | 0:05:25 | 0:05:27 | |
I want to ask you lots of questions about money. | 0:05:27 | 0:05:30 | |
OK. Oh, dear! | 0:05:30 | 0:05:31 | |
You ARE the person to ask about that, are you not? | 0:05:31 | 0:05:34 | |
-Well... -I believe you're the managing director? -Oh, absolutely. | 0:05:34 | 0:05:37 | |
Good, good. Fantastic. | 0:05:37 | 0:05:40 | |
Besides the cafe, this sprawling business boasts a gift shop. | 0:05:40 | 0:05:45 | |
But it's far from well-stocked. | 0:05:45 | 0:05:48 | |
I find it very confusing in here. | 0:05:51 | 0:05:53 | |
The family's home-milled flour | 0:05:53 | 0:05:55 | |
sits side by side with tourist tat and curios. | 0:05:55 | 0:05:58 | |
Really unattractive and generic, notelets and name stuff, | 0:05:59 | 0:06:03 | |
which I honestly I don't think has any place here. | 0:06:03 | 0:06:06 | |
This shop should be a celebration of quality local produce. | 0:06:06 | 0:06:12 | |
All this plastic is just bad business. | 0:06:12 | 0:06:15 | |
One person who should know how things are run is daughter Sally. | 0:06:17 | 0:06:20 | |
She's been brought in to develop the business | 0:06:20 | 0:06:23 | |
but has been sidetracked by the flour mill. | 0:06:23 | 0:06:26 | |
What's your gut feeling about what's wrong with it here? | 0:06:26 | 0:06:31 | |
What needs to be improved more than anything else? | 0:06:31 | 0:06:33 | |
Finance-wise, I feel like we're not looking | 0:06:33 | 0:06:37 | |
to make large amounts of profit here. | 0:06:37 | 0:06:39 | |
I don't think it's easy to make... | 0:06:39 | 0:06:41 | |
-Why do you think that? -That's what Mum and Dad told me. | 0:06:41 | 0:06:44 | |
When they came in, their business plan didn't involve | 0:06:44 | 0:06:47 | |
making a large amount of money... | 0:06:47 | 0:06:49 | |
It probably didn't involve spending all their money either. | 0:06:49 | 0:06:52 | |
-No, it certainly didn't. -Do you have any handle at all on | 0:06:52 | 0:06:55 | |
where you're making money in this business and where you're losing it? | 0:06:55 | 0:06:58 | |
SHE SIGHS | 0:06:58 | 0:07:01 | |
Not effectively, no. | 0:07:01 | 0:07:03 | |
Passion is admirable, but not at the expense of profit. | 0:07:03 | 0:07:08 | |
Spoons and cutlery, just help yourself there. | 0:07:08 | 0:07:12 | |
On paper, the only bit of the business showing any potential | 0:07:12 | 0:07:15 | |
is the tea room, run by Sally's boyfriend Duncan. | 0:07:15 | 0:07:18 | |
What do you think you're doing right here? | 0:07:18 | 0:07:21 | |
I don't know. We're doing a bit right, but there's a lot to work on. | 0:07:21 | 0:07:24 | |
So tell me your strengths, what you think the strengths are? | 0:07:24 | 0:07:28 | |
The strengths are the quality of the ingredients we actually use. | 0:07:28 | 0:07:31 | |
We try to go for quality not quantity | 0:07:31 | 0:07:33 | |
-to get people to come back again. -Do you know how much you spend? | 0:07:33 | 0:07:36 | |
How much a cake takes to make and what you cost it for? | 0:07:36 | 0:07:39 | |
-We have our costings, yeah. -Yeah. | 0:07:39 | 0:07:41 | |
-Costings are all done upstairs. -So you're pretty confident | 0:07:41 | 0:07:45 | |
about your costings? That's what I'm asking. | 0:07:45 | 0:07:47 | |
I wouldn't say I'm confident. They could probably be done better. | 0:07:47 | 0:07:50 | |
The elephant in the room | 0:07:50 | 0:07:52 | |
that everyone knows is there and no-one is discussing, | 0:07:52 | 0:07:55 | |
is the fact that no-one seems to know what's making the money, | 0:07:55 | 0:07:59 | |
where the money's being spent on. | 0:07:59 | 0:08:01 | |
There has to be an answer buried deep in those figures somewhere | 0:08:01 | 0:08:05 | |
and I just need someone to lead me to the answer. | 0:08:05 | 0:08:08 | |
And that's a trail that leads directly to Lindsey. | 0:08:08 | 0:08:13 | |
I've got tea room sales, tea room purchases there, | 0:08:13 | 0:08:16 | |
which would seem to suggest that you've made 40, | 0:08:16 | 0:08:21 | |
-more or less, 40 grand. -Yes. | 0:08:21 | 0:08:24 | |
But then here, I've got a different price on tea room purchases. | 0:08:24 | 0:08:28 | |
Well, that is peculiar. | 0:08:30 | 0:08:32 | |
And then, if you include the wages that shows the tea room, | 0:08:33 | 0:08:37 | |
over the course of a whole year, didn't make you a penny. | 0:08:37 | 0:08:40 | |
Yeah, but that doesn't actually surprise me. | 0:08:40 | 0:08:43 | |
-Doesn't it? -No, it doesn't. | 0:08:43 | 0:08:46 | |
How is the pricing worked out in the tea shop? | 0:08:46 | 0:08:49 | |
The pricing, I... | 0:08:50 | 0:08:53 | |
So let me see, purchases. | 0:08:53 | 0:08:56 | |
Yeah, again... | 0:08:58 | 0:09:00 | |
Er, I'm afraid I don't understand those...at all. | 0:09:00 | 0:09:04 | |
I don't know whether they take it all as a game. | 0:09:08 | 0:09:10 | |
I think they won't find it a game | 0:09:10 | 0:09:12 | |
when they are walking away from there | 0:09:12 | 0:09:15 | |
with £100,000 less of their own money | 0:09:15 | 0:09:17 | |
and nothing to show for it. | 0:09:17 | 0:09:19 | |
I think it'll all be pretty depressing, actually. | 0:09:19 | 0:09:22 | |
-Hello, love. -Hello. | 0:09:24 | 0:09:26 | |
-You got out. -I did, yeah. -In one bit? -I did, yeah. | 0:09:26 | 0:09:29 | |
-And? -It was... | 0:09:29 | 0:09:32 | |
It was quite tough. It was quite tough. | 0:09:32 | 0:09:35 | |
I do feel a bit "Urgh!" now. I just want to burst into tears | 0:09:35 | 0:09:38 | |
-and have a little cry. -I can see. | 0:09:38 | 0:09:40 | |
All right. | 0:09:41 | 0:09:43 | |
I stick my head in the sand about the figures, | 0:09:45 | 0:09:49 | |
because I think if I know them and realise what a mess we're in, | 0:09:49 | 0:09:52 | |
then we'll have to get out. | 0:09:52 | 0:09:53 | |
We may have to say, "Well, that's it. We'll have to call it a day." | 0:09:53 | 0:09:57 | |
The books paint a bleak picture. | 0:10:02 | 0:10:04 | |
The cafe is busy, | 0:10:04 | 0:10:05 | |
but the rest of the business squanders any profit they might be making. | 0:10:05 | 0:10:09 | |
As the owner of a wholesale bakery myself, | 0:10:09 | 0:10:11 | |
I can see that milling flour is Denver's unique selling point, | 0:10:11 | 0:10:15 | |
but Mark and Sally's obsession with the mill is to the | 0:10:15 | 0:10:18 | |
detriment of everything else. | 0:10:18 | 0:10:20 | |
I've GOT to get them to see the rest of the business | 0:10:20 | 0:10:24 | |
and what it means to them for it all to be a success. | 0:10:24 | 0:10:26 | |
So what I want you to think about is the unthinkable. | 0:10:28 | 0:10:31 | |
I'm afraid your sense of self-worth is | 0:10:31 | 0:10:34 | |
so wrapped up in the flour milling thing that I think you are really | 0:10:34 | 0:10:38 | |
ignoring at your peril, | 0:10:38 | 0:10:39 | |
what is the bit of the business that makes money - the cafe. | 0:10:39 | 0:10:43 | |
But if we didn't have our flour which we use in our products, | 0:10:43 | 0:10:45 | |
our breads and our cakes, which is what makes them so nice, | 0:10:45 | 0:10:49 | |
cos the flavour of our... | 0:10:49 | 0:10:51 | |
of stone-ground flour is very different from the flavour | 0:10:51 | 0:10:53 | |
of roller-milled flour. | 0:10:53 | 0:10:54 | |
-Sweetheart, I have a bakery, I know this. -I know you do. | 0:10:54 | 0:10:57 | |
You have to start thinking commercially! | 0:10:57 | 0:11:00 | |
You have a very tough decision here. | 0:11:00 | 0:11:02 | |
-You have no money in the bank. -Mm-hm. | 0:11:02 | 0:11:04 | |
You have a bit of the business that's working. You're managing to... | 0:11:04 | 0:11:08 | |
you know, to do a little bit of milling in the set-up that you've got now, | 0:11:08 | 0:11:11 | |
but is it enough to be the raison d'etre of this business? | 0:11:11 | 0:11:15 | |
This isn't your life. This isn't your family. This isn't your home. | 0:11:17 | 0:11:22 | |
Just stop behaving as if it is. This is a business, guys. | 0:11:23 | 0:11:28 | |
You've got to make it work so that you have money to feed and clothe | 0:11:28 | 0:11:32 | |
and shelter yourselves. | 0:11:32 | 0:11:35 | |
Running a family business should be a pleasure. It has become a chore. | 0:11:36 | 0:11:40 | |
At the end of the day, if Denver Mill is going to survive, | 0:11:47 | 0:11:50 | |
they just have to be more commercially minded. | 0:11:50 | 0:11:53 | |
They have to be more focused, they have to concentrate. | 0:11:53 | 0:11:57 | |
They all have to be pulling in the same direction and they have to start now. | 0:11:57 | 0:12:01 | |
The second company I'm visiting this week is a family-run bridal | 0:12:07 | 0:12:10 | |
boutique in the Midlands. | 0:12:10 | 0:12:12 | |
With over a quarter of a million weddings every year in the UK, | 0:12:12 | 0:12:15 | |
it's an industry that's worth nearly £130 million annually. | 0:12:15 | 0:12:20 | |
Even though the economy is in trouble, | 0:12:21 | 0:12:23 | |
people still spend money on weddings. | 0:12:23 | 0:12:25 | |
This is a business that should be more or less recession proof. | 0:12:25 | 0:12:29 | |
But Courtyard Bridal Wear in Kettering is in trouble. | 0:12:29 | 0:12:33 | |
Ready? In this sort of shop, we always have the tissues! | 0:12:33 | 0:12:37 | |
It was set up by Anne Preece who runs the shop with her two daughters. | 0:12:37 | 0:12:42 | |
I love doing it, my life is wrapped round it, my life is wound up in it. | 0:12:42 | 0:12:48 | |
But as customers, sales and profits have taken a nose dive, | 0:12:48 | 0:12:50 | |
the family have fallen out of love with one another. | 0:12:50 | 0:12:55 | |
I said, "What are you looking for?" | 0:12:55 | 0:12:57 | |
I was looking for a 38 trouser, but I had to leave what I was doing and go and look for it. | 0:12:57 | 0:13:01 | |
But as the business crumbles around them, | 0:13:01 | 0:13:03 | |
sisters Bethan and Rihannon can't stop blaming each other. | 0:13:03 | 0:13:09 | |
If you don't deal with them, how am I supposed to know? | 0:13:09 | 0:13:12 | |
Bethan and I have fallen out since we've been working together. | 0:13:12 | 0:13:17 | |
I don't think she trusts me any more. | 0:13:17 | 0:13:20 | |
-Are you annoyed with me? -No. | 0:13:20 | 0:13:23 | |
The rift between them is, I feel, the fact that one has children | 0:13:23 | 0:13:27 | |
and one doesn't. | 0:13:27 | 0:13:29 | |
Um, sometimes I don't think Bethan quite understands how tiring it is. | 0:13:29 | 0:13:35 | |
I do resent my sister. In my head, she thinks of herself first, | 0:13:35 | 0:13:41 | |
and doesn't think of the business or Mum or me. | 0:13:41 | 0:13:46 | |
But it's because I can't get babysitters. I can't necessarily rely on some family to babysit. | 0:13:46 | 0:13:52 | |
It was the same before you had children. | 0:13:52 | 0:13:55 | |
-No, it wasn't. -Yeah, it was. -No, it wasn't! | 0:13:55 | 0:13:57 | |
I feel like I've kind of let everybody down... | 0:13:57 | 0:14:03 | |
Sorry. | 0:14:03 | 0:14:05 | |
The rift between siblings is pulling this business even further apart. | 0:14:05 | 0:14:09 | |
The stress is compounded by the fact that Anne can't afford to pay herself a wage. | 0:14:09 | 0:14:12 | |
and has had to remortgage her home to keep the shop alive. | 0:14:12 | 0:14:17 | |
It IS quite scary at the moment. | 0:14:17 | 0:14:19 | |
The real worst-case scenario would be | 0:14:19 | 0:14:21 | |
to end up in a bankruptcy court - | 0:14:21 | 0:14:23 | |
that would be the very, very, very worst thing that I could imagine. | 0:14:23 | 0:14:27 | |
My first impression of Courtyard Bridal Wear | 0:14:29 | 0:14:32 | |
is the shop itself looks rather tired. | 0:14:32 | 0:14:35 | |
Certainly for a wedding dress shop | 0:14:35 | 0:14:37 | |
that window display is all-important. | 0:14:37 | 0:14:41 | |
That is how the world sees them | 0:14:41 | 0:14:43 | |
and that is what's going to convince people to come through that door. | 0:14:43 | 0:14:47 | |
ALL: Hello. | 0:14:48 | 0:14:50 | |
How are you? Anne, it must be. | 0:14:50 | 0:14:51 | |
-That's right. Welcome to Courtyard Bridal Wear. -Thank you very much. | 0:14:51 | 0:14:56 | |
I've had a little walk past the shop, gone over my first impressions. | 0:14:56 | 0:15:01 | |
How many styles do you stock here? | 0:15:01 | 0:15:02 | |
Do you keep close track of that kind of thing? | 0:15:02 | 0:15:05 | |
Um... | 0:15:05 | 0:15:06 | |
No. | 0:15:06 | 0:15:07 | |
Well, we do, but we don't have sort of a written down record, | 0:15:07 | 0:15:12 | |
if that makes sense. | 0:15:12 | 0:15:14 | |
-OK, so that's an immediate flaw that we can identify. -We know that. | 0:15:14 | 0:15:18 | |
-There's no point knowing it and not doing anything about it. -No. | 0:15:18 | 0:15:22 | |
-It's worse to know that's a flaw and not to do anything about it. -OK. | 0:15:22 | 0:15:26 | |
As Anne takes me on a tour of her back room, | 0:15:26 | 0:15:30 | |
it's soon clear that she has amassed an overwhelming | 0:15:30 | 0:15:33 | |
amount of dresses, crammed into every corner of the shop. | 0:15:33 | 0:15:37 | |
-Ball gowns. -Wow! Look at this! -Yes. | 0:15:37 | 0:15:40 | |
We call her Cupcake. They all have names, all nicknames, | 0:15:40 | 0:15:43 | |
and we always call them shes or hers. | 0:15:43 | 0:15:45 | |
I don't know why, it's a bit like a boat. | 0:15:45 | 0:15:47 | |
Courtyard Bridalwear stocks 150 dress styles, | 0:15:47 | 0:15:52 | |
whereas similar stores will only stock half that. | 0:15:52 | 0:15:56 | |
-Right, are you ready? -Yes. I'm coming in! | 0:15:56 | 0:15:59 | |
-What's your average spend here? -People would come in and say, oh, I've budgeted for £1,000, | 0:15:59 | 0:16:05 | |
but we have found that lately, that has gone down quite considerably. | 0:16:05 | 0:16:08 | |
I actually think it's immoral to show a girl a £1,500 dress | 0:16:08 | 0:16:12 | |
when she can only afford a £500 one. | 0:16:12 | 0:16:14 | |
Oh, my goodness, darling, wakey wakey! | 0:16:14 | 0:16:17 | |
A girl has a way of getting what she wants for her wedding day. | 0:16:17 | 0:16:21 | |
If you can persuade them to spend a little bit more money, you should. | 0:16:21 | 0:16:24 | |
-How strict is your budget? -I'd say it's not very strict! | 0:16:24 | 0:16:28 | |
I would tend to agree with you, darling! | 0:16:28 | 0:16:30 | |
I'm sure my partner thinks differently! | 0:16:30 | 0:16:32 | |
Anne's reluctance to push sales is a concern... | 0:16:32 | 0:16:36 | |
-Beautiful! -Are you ready for me? -I am! -Let's have a look! | 0:16:36 | 0:16:39 | |
..but so too is the sheer amount of stock. And it gets worse! | 0:16:39 | 0:16:43 | |
In the store room, there's a wedding dress graveyard! | 0:16:43 | 0:16:46 | |
-All this is what we'd call dead stock? -Yes. | 0:16:49 | 0:16:53 | |
So, things that have either been discontinued, | 0:16:53 | 0:16:56 | |
-have been on sale and haven't sold? -Mm-hm. | 0:16:56 | 0:16:59 | |
What proportion of the dresses that are actually in your shop | 0:16:59 | 0:17:03 | |
at the moment will end up on the remainder rail... | 0:17:03 | 0:17:06 | |
-would you say? -90%. -Oh, my God! | 0:17:06 | 0:17:10 | |
Let's say the dresses average, to be generous, £500 a dress. | 0:17:11 | 0:17:16 | |
That's £75,000-worth of stock you have there! | 0:17:16 | 0:17:19 | |
With so much of their money tied up in dead stock, | 0:17:21 | 0:17:24 | |
Anne not paying herself a wage and with her home now on the line, it's a bleak picture. | 0:17:24 | 0:17:30 | |
If I said to you off the top of your head, what was your turnover last year? | 0:17:32 | 0:17:35 | |
Do you know your profit margin? | 0:17:41 | 0:17:44 | |
No. | 0:17:47 | 0:17:48 | |
I'll be honest, | 0:17:48 | 0:17:50 | |
I don't know half of what things mean on the balance sheet. | 0:17:50 | 0:17:54 | |
Well, you know... | 0:17:54 | 0:17:56 | |
I know when it says 5,000 at the bottom, that's what I pay my tax on. | 0:17:56 | 0:18:00 | |
-Yeah. That's your profit, darling. -OK. | 0:18:00 | 0:18:03 | |
That's pretty poor, | 0:18:03 | 0:18:05 | |
especially as you've committed yourself... | 0:18:05 | 0:18:08 | |
You've remortgaged your house. | 0:18:08 | 0:18:10 | |
You're not paying yourself. | 0:18:10 | 0:18:12 | |
The picture would be much worse if we put in even a nominal sum for your work. | 0:18:12 | 0:18:18 | |
-Yeah? -Yeah. I don't know if it's ever going to get better. | 0:18:19 | 0:18:23 | |
Of course it will! | 0:18:23 | 0:18:25 | |
If you really thought that, you wouldn't have asked me in! | 0:18:25 | 0:18:29 | |
You must see some hope. Otherwise, let's not bother with this, then! You know! | 0:18:29 | 0:18:35 | |
Who are you doing this for? | 0:18:35 | 0:18:37 | |
If you're doing it for your daughters then they have to bloody pick up the slack! | 0:18:37 | 0:18:40 | |
If I AM going to get this shop back on its feet, | 0:18:44 | 0:18:46 | |
The family are going to have to stop bickering and start pulling | 0:18:46 | 0:18:49 | |
in the same direction. | 0:18:49 | 0:18:52 | |
Ultimately, Courtyard Bridalwear's figures show that they would be | 0:18:52 | 0:18:57 | |
better off just closing the business, | 0:18:57 | 0:18:59 | |
which is a very hard fact to face | 0:18:59 | 0:19:01 | |
after all the hard work that Anne's put into the business. | 0:19:01 | 0:19:04 | |
This is something that I now have to convey to her children | 0:19:04 | 0:19:08 | |
and, you know, it's time that they WERE made aware of these facts. | 0:19:08 | 0:19:12 | |
So, let's cut to the chase straight away. | 0:19:14 | 0:19:18 | |
Last year, on 190,000, | 0:19:18 | 0:19:22 | |
you made a three percent profit, | 0:19:22 | 0:19:26 | |
which is just over five grand. | 0:19:26 | 0:19:28 | |
You would be better off if the business closed. | 0:19:28 | 0:19:32 | |
I suppose it's never been put so bluntly. | 0:19:32 | 0:19:35 | |
What's the point of this for you? | 0:19:35 | 0:19:36 | |
Why do you want to be involved in this business? | 0:19:36 | 0:19:38 | |
It would be sad to say, it's all just gone. You know. | 0:19:38 | 0:19:42 | |
Nine years of our lives. Just wasted. | 0:19:42 | 0:19:45 | |
I don't know if I love the business or I love Mum, | 0:19:45 | 0:19:48 | |
and I want to help her. | 0:19:48 | 0:19:50 | |
We've got to start boxing a bit cleverer. | 0:19:52 | 0:19:55 | |
I'm hoping this reality check will force the sisters to buck up their ideas. | 0:19:57 | 0:20:01 | |
If the family can't move forward, then they'll all be out of a job. | 0:20:01 | 0:20:04 | |
# It's a new dawn, it's a new day | 0:20:07 | 0:20:11 | |
# It's a new life for me, yeah | 0:20:11 | 0:20:14 | |
# And I'm feeling good... # | 0:20:14 | 0:20:16 | |
At Denver Mill, emotions are also getting in the way of business. | 0:20:16 | 0:20:19 | |
The Able family have an idealistic love of milling, but have no idea | 0:20:19 | 0:20:24 | |
or interest in how to turn a profit. | 0:20:24 | 0:20:27 | |
We know that we've got to get this business working. | 0:20:27 | 0:20:30 | |
If the site turns into a tearoom and a gift shop, | 0:20:30 | 0:20:32 | |
I don't want to work here! | 0:20:32 | 0:20:34 | |
Their onsite cafe DOES pull in the punters, with quality produce | 0:20:34 | 0:20:37 | |
made from their home-ground flour. | 0:20:37 | 0:20:39 | |
I think there's a wider market for their products, | 0:20:41 | 0:20:45 | |
if only they'd think outside of the box. | 0:20:45 | 0:20:47 | |
Forman & Son, a century-old family smokehouse, | 0:20:52 | 0:20:55 | |
developed a luxury hamper range ten years ago | 0:20:55 | 0:20:59 | |
and haven't looked back since. | 0:20:59 | 0:21:01 | |
It's a market that's worth a staggering £75 million a year | 0:21:01 | 0:21:04 | |
in the UK alone. | 0:21:04 | 0:21:06 | |
I want the family to realise they CAN keep their heritage | 0:21:06 | 0:21:09 | |
AND turn a healthy profit too. | 0:21:09 | 0:21:11 | |
First of all, why are hampers a good idea? | 0:21:11 | 0:21:14 | |
We're very much a fresh food company, | 0:21:14 | 0:21:16 | |
but they wouldn't necessarily come to us for gifts. | 0:21:16 | 0:21:19 | |
So hampers gives you an extra element that you can... | 0:21:19 | 0:21:22 | |
you can supply to people, | 0:21:22 | 0:21:25 | |
they can just buy it off the shelf or out of a catalogue | 0:21:25 | 0:21:27 | |
and, you know, it's all there complete. | 0:21:27 | 0:21:30 | |
The key to all this, I would suggest, | 0:21:30 | 0:21:32 | |
is sourcing stuff that people cannot find so easily independently. | 0:21:32 | 0:21:36 | |
The hamper challenge. | 0:21:39 | 0:21:41 | |
We've got a whole load of your products on that table over there, | 0:21:41 | 0:21:44 | |
so I just want to see what you think makes a good hamper. | 0:21:44 | 0:21:48 | |
I'm interested in seeing what they think goes together, | 0:21:49 | 0:21:52 | |
whether they have a theme, whether they can explain that theme to me, | 0:21:52 | 0:21:56 | |
whether they've thought about the cost of the goods | 0:21:56 | 0:22:00 | |
and what kind of mark-up they can put on it. | 0:22:00 | 0:22:03 | |
I need them to prove they can think commercially. | 0:22:03 | 0:22:06 | |
Contents, £25. Box, don't know the price of. | 0:22:08 | 0:22:11 | |
Have to roll me sleeves up, it's no good. | 0:22:12 | 0:22:15 | |
Disappointingly, they're being very random. | 0:22:15 | 0:22:17 | |
Toast and honey, beer and clotted cream - there you go. | 0:22:17 | 0:22:22 | |
Apart from Sally who, unusually, is very focused on | 0:22:22 | 0:22:24 | |
what customers might be willing to pay for. | 0:22:24 | 0:22:27 | |
I was trying to do something different | 0:22:27 | 0:22:29 | |
and do more of a hamper just with our baking products. | 0:22:29 | 0:22:31 | |
Let's have a look, then. | 0:22:31 | 0:22:33 | |
So, your thinking was here? | 0:22:33 | 0:22:36 | |
It's a showcase of our products and if somebody wants a sort of, like, | 0:22:36 | 0:22:40 | |
you know, start-up kit to try and start | 0:22:40 | 0:22:42 | |
making their own bread with our products, this would be it. | 0:22:42 | 0:22:45 | |
I love it. I mean, to me, this really, you know, this... | 0:22:45 | 0:22:49 | |
this sells your brand, you know. | 0:22:49 | 0:22:51 | |
You know these products are excellent products | 0:22:51 | 0:22:53 | |
cos you're producing them yourself, and part of the reason for doing hampers is to promote what you do. | 0:22:53 | 0:22:59 | |
I was worried that Sally would let her values get in the way | 0:22:59 | 0:23:03 | |
of creating a hamper you could make a healthy profit on, | 0:23:03 | 0:23:06 | |
but her bread-making kit captures the essence of the mill | 0:23:06 | 0:23:09 | |
and passes muster with the experts. | 0:23:09 | 0:23:11 | |
That looks like something you'd spend money on. | 0:23:11 | 0:23:13 | |
-That looks worth plenty, yeah. -It does. | 0:23:13 | 0:23:16 | |
It's very natural looking and it says something about you, | 0:23:16 | 0:23:18 | |
and I think that that's... you know, that is great. | 0:23:18 | 0:23:21 | |
It was a real eye-opener for me. | 0:23:23 | 0:23:26 | |
Made me realise that you can progress and you can make money, | 0:23:26 | 0:23:29 | |
but still hold these values. | 0:23:29 | 0:23:32 | |
With the new day comes a new direction for Denver Mill. | 0:23:37 | 0:23:42 | |
To help the family I'm introducing them to David Revell, | 0:23:43 | 0:23:46 | |
who has created brand identities for heritage sites | 0:23:46 | 0:23:49 | |
like the Roman Walls at Chester. | 0:23:49 | 0:23:52 | |
He's been working on a selection of logos for the mill. | 0:23:52 | 0:23:55 | |
The first one is our classic and we were thinking the National Trust, | 0:23:56 | 0:24:00 | |
English Heritage, those sort of things and there's a middle ground, | 0:24:00 | 0:24:04 | |
which is a little bit more contemporary. | 0:24:04 | 0:24:06 | |
And then there's another look and feel, | 0:24:06 | 0:24:10 | |
which is about being a bit more artisan. | 0:24:10 | 0:24:12 | |
I must say this is really exciting. These are like the dark arts | 0:24:12 | 0:24:15 | |
that we mere mortals are not really sure of | 0:24:15 | 0:24:19 | |
but it's suddenly becoming very obvious. | 0:24:19 | 0:24:23 | |
I think this looks too classy for us. | 0:24:24 | 0:24:26 | |
I don't think we're quite... As much as I like them. | 0:24:26 | 0:24:28 | |
And I think this is a sort of image that you could use on a sack, | 0:24:28 | 0:24:33 | |
-you could block print it. -You imagine it being a stamp. -You could. | 0:24:33 | 0:24:36 | |
-Which I love. -Yeah. -And how it can be manifested | 0:24:36 | 0:24:38 | |
is so much part of the brand, and it can be stickers. | 0:24:38 | 0:24:41 | |
You can be folding your flour bags down and putting the sticker on it. | 0:24:41 | 0:24:46 | |
-Yes. -They work really well in packaging. | 0:24:46 | 0:24:48 | |
I think the main thing, which is very appealing, | 0:24:49 | 0:24:52 | |
is that it has so many uses. | 0:24:52 | 0:24:54 | |
I mean, that shape, that format, is so easy to transfer onto. | 0:24:54 | 0:24:59 | |
So, do we have a winner? | 0:24:59 | 0:25:01 | |
-I think it's got to be this one. -Yeah, that one. | 0:25:01 | 0:25:05 | |
Yeah. | 0:25:05 | 0:25:06 | |
-Duncan. -THEY LAUGH | 0:25:08 | 0:25:10 | |
Ready to derail the process. | 0:25:10 | 0:25:12 | |
-Good choice. -Hooray. | 0:25:12 | 0:25:15 | |
Honestly, I'm relieved that they came | 0:25:15 | 0:25:18 | |
so quickly to a decision about a logo that they all agreed on. | 0:25:18 | 0:25:21 | |
I wasn't going to let them leave the room until it was hammered out. | 0:25:21 | 0:25:25 | |
What I really wanted them to be aware of was once they'd left this room the bridges are burnt, | 0:25:25 | 0:25:30 | |
there is no turning back and so they had to commit to it wholeheartedly. | 0:25:30 | 0:25:34 | |
And actually, I think, overall they did. | 0:25:34 | 0:25:36 | |
With the new heritage logo chosen, it is essential that the shop | 0:25:44 | 0:25:47 | |
starts to match the smart image they will be presenting. | 0:25:47 | 0:25:50 | |
I want them to promote their own products | 0:25:50 | 0:25:53 | |
and other local produce, not the tat they have been touting. | 0:25:53 | 0:25:57 | |
We need to get all those units out of the way. I'm not sure where. | 0:25:57 | 0:26:01 | |
Just move it into the middle for now. | 0:26:04 | 0:26:06 | |
We'll be moving something over there to bring something in there | 0:26:06 | 0:26:09 | |
to move it back over there. | 0:26:09 | 0:26:10 | |
But this is the only way we can do it, | 0:26:10 | 0:26:12 | |
short of taking everything out of the shop. | 0:26:12 | 0:26:15 | |
Put it in the back garden and bring it all back in again, | 0:26:15 | 0:26:17 | |
which might be an idea. | 0:26:17 | 0:26:18 | |
In just a few weeks' time, | 0:26:22 | 0:26:23 | |
I want to help the Ables relaunch Denver Mill as a destination, | 0:26:23 | 0:26:27 | |
not just for fans of flour, but for foodies far and wide. | 0:26:27 | 0:26:31 | |
I'm hoping the rejigged shop is a step in the right direction. | 0:26:31 | 0:26:35 | |
Aha! | 0:26:35 | 0:26:37 | |
Oooh! | 0:26:39 | 0:26:40 | |
Very different. Oh, I like it. I love this. | 0:26:40 | 0:26:44 | |
I mean, that looks amazing. All your produce. | 0:26:44 | 0:26:49 | |
Instead of hiding behind cheap toys, the mill products take | 0:26:49 | 0:26:52 | |
pride of place alongside the best of Norfolk food. | 0:26:52 | 0:26:55 | |
It is an impressive turnaround | 0:26:55 | 0:26:57 | |
and a big step in the right direction for the Ables. | 0:26:57 | 0:27:00 | |
Back at Courtyard Bridal in Northamptonshire, I am still | 0:27:06 | 0:27:09 | |
battling to push them in the right direction, too. | 0:27:09 | 0:27:12 | |
Owner Ann is deep in debt | 0:27:12 | 0:27:14 | |
and her daughters are too busy bickering to help. | 0:27:14 | 0:27:17 | |
What's more, the shop is swamped in dead stock | 0:27:17 | 0:27:19 | |
and in desperate need of a facelift. | 0:27:19 | 0:27:22 | |
I think visually this shop is cram packed. | 0:27:22 | 0:27:25 | |
I don't think things are displayed particularly brilliantly. | 0:27:25 | 0:27:29 | |
I would agree on that. Definitely. | 0:27:29 | 0:27:31 | |
I think you walk in and you think, bloody hell, where do I begin?! | 0:27:31 | 0:27:35 | |
Somehow, this isn't aspirational enough. | 0:27:35 | 0:27:38 | |
So we need to make this kind of just a bit more special | 0:27:38 | 0:27:41 | |
as a shopping experience. | 0:27:41 | 0:27:44 | |
-We've got too many... -OK, pick out the ones that have definitely never sold. | 0:27:46 | 0:27:50 | |
Not only will holding a discount sale help de-clutter the shop, | 0:27:51 | 0:27:55 | |
the family should also generate some cash to rejuvenate their tired sales floor. | 0:27:55 | 0:28:02 | |
That one can go. That one can go. | 0:28:02 | 0:28:04 | |
That one can go, never sold that one. | 0:28:04 | 0:28:06 | |
One, two, three, four, five, six, seven, eight, nine, ten, | 0:28:12 | 0:28:15 | |
11, 12, 13, 14, 15, 16... | 0:28:15 | 0:28:17 | |
-They need to go, would you agree? -Yes, yes. | 0:28:18 | 0:28:21 | |
I'm not quite sure who to blame for this ridiculous mess. | 0:28:22 | 0:28:26 | |
What they seem to have forgotten is that sample dresses are only | 0:28:26 | 0:28:29 | |
useful for them if they generate future income, | 0:28:29 | 0:28:32 | |
which some of these dresses are signally failing to do. | 0:28:32 | 0:28:36 | |
She's been on the shelf for about a year and a half. | 0:28:36 | 0:28:39 | |
-And we've never sold one. -Never had one person in it. -No. -So it can go. | 0:28:39 | 0:28:43 | |
The girls have managed to clear out over 150 dresses | 0:28:43 | 0:28:47 | |
and hired a hall for the sale. | 0:28:47 | 0:28:49 | |
Now, all they have to do is flog them. | 0:28:49 | 0:28:51 | |
To cover our costs, I worked out we need to sell seven. | 0:28:51 | 0:28:55 | |
Best case scenario, we don't have to pack anything up and go home, yes! | 0:28:55 | 0:28:59 | |
There's really expensive dresses here that are worth £2,000 | 0:28:59 | 0:29:03 | |
and we are selling them for £149.99. | 0:29:03 | 0:29:06 | |
So people are getting a great bargain. | 0:29:06 | 0:29:08 | |
Just got to hope that people come, now. | 0:29:10 | 0:29:13 | |
As soon as the doors open, the brides flood in. | 0:29:13 | 0:29:16 | |
Take up this bit, from here. | 0:29:20 | 0:29:22 | |
Oh, I like that. I think that's lovely. | 0:29:22 | 0:29:24 | |
Try those two on first, and then come back for this one. | 0:29:24 | 0:29:26 | |
-I think it's beautiful. -As the morning wears on, business is brisk. | 0:29:26 | 0:29:30 | |
One more, and we've paid for the sale. | 0:29:33 | 0:29:36 | |
So anything after that will be ours. So that will be good. | 0:29:36 | 0:29:41 | |
See, it's nice to be busy, rather than standing around twiddling our thumbs. | 0:29:41 | 0:29:45 | |
160. Perfect. | 0:29:45 | 0:29:48 | |
I love this taking money thing! | 0:29:50 | 0:29:52 | |
Bye. Thank you. | 0:29:52 | 0:29:53 | |
But after a rapid start, sales slow right down. | 0:29:55 | 0:29:59 | |
Here we are standing around at three o'clock | 0:30:03 | 0:30:04 | |
and we have got another two hours to go and we haven't seen any customer since one. | 0:30:04 | 0:30:08 | |
That, to me, is a failure. | 0:30:10 | 0:30:12 | |
The sale might not have been a huge success, | 0:30:14 | 0:30:16 | |
but at least we are moving in the right direction. | 0:30:16 | 0:30:19 | |
-I felt it was a bit disastrous. -Why? You made money. -We did make money. | 0:30:21 | 0:30:25 | |
-Yeah. -But it was an awful lot of work to make that small amount of money. | 0:30:26 | 0:30:30 | |
I think that you are approaching this in the wrong light. Seriously. | 0:30:30 | 0:30:35 | |
I mean, every single person who came in and booked, bought a dress! | 0:30:35 | 0:30:40 | |
That is an amazing hit rate. | 0:30:40 | 0:30:43 | |
And I think what you need to always do is step back | 0:30:43 | 0:30:46 | |
from every situation and think about it in purely business terms. | 0:30:46 | 0:30:51 | |
Yes, you bust a gut to do it. That's the negative. | 0:30:51 | 0:30:55 | |
The plus side is that you are 600 quid up. | 0:30:55 | 0:30:58 | |
You know, at the end of the day, you cannot stop fighting, | 0:30:58 | 0:31:01 | |
you have to keep pushing the envelope, you have to keep thinking of something new, fresh. | 0:31:01 | 0:31:06 | |
You have to push your own boundaries. | 0:31:06 | 0:31:09 | |
At the moment, I'm doing the pushing. | 0:31:09 | 0:31:11 | |
-Once I'm gone, you are going to have to do that for each other. -Definitely. | 0:31:11 | 0:31:16 | |
When they get back to Kettering, there's some really good news. | 0:31:16 | 0:31:19 | |
After some serious phone-bashing, | 0:31:19 | 0:31:21 | |
Ann has managed to secure a buyer for that unsold dead stock. | 0:31:21 | 0:31:25 | |
A discount bridal outlet have bought the lot for a few thousand pounds. | 0:31:25 | 0:31:30 | |
We're photographing the dresses | 0:31:30 | 0:31:31 | |
so we remember why they didn't necessarily sell. | 0:31:31 | 0:31:36 | |
Now they'll be able to make the changes the shop is crying out for. | 0:31:36 | 0:31:41 | |
Just tell Mum to bring the dress over here | 0:31:42 | 0:31:44 | |
-if you don't want to deal with it. -Mum's... | 0:31:44 | 0:31:47 | |
You're making a mountain out of a little molehill. | 0:31:47 | 0:31:49 | |
-I'm making a mountain out of a molehill? -A little bit. | 0:31:49 | 0:31:52 | |
If, that is, they can stop arguing for long enough! | 0:31:52 | 0:31:56 | |
-Fine, I'll deal with her, then. -Fine. | 0:31:57 | 0:31:59 | |
I think this constant sniping | 0:32:02 | 0:32:04 | |
is because the girls don't have clearly defined roles. | 0:32:04 | 0:32:07 | |
I want to hear what they think they bring to this business, | 0:32:07 | 0:32:12 | |
and how serious they are about its future. | 0:32:12 | 0:32:14 | |
I thought it might be a good idea | 0:32:14 | 0:32:16 | |
to get the girls to interview for the positions they already have. | 0:32:16 | 0:32:20 | |
I don't expect to walk away from here thinking that everything is resolved for ever. | 0:32:20 | 0:32:25 | |
What I would like to teach them | 0:32:25 | 0:32:27 | |
is a way to deal with each other that is professional | 0:32:27 | 0:32:30 | |
and that doesn't revert back again and again to that family bickering. | 0:32:30 | 0:32:35 | |
So, shall I start asking questions or do you have something to show me? | 0:32:38 | 0:32:42 | |
Um, I'm obviously Bethan McCall, 28, | 0:32:42 | 0:32:44 | |
and I believe that I have an eclectic skill set | 0:32:44 | 0:32:47 | |
that will be able to fulfil this role in a good way. | 0:32:47 | 0:32:53 | |
I feel I can communicate very effectively, | 0:32:53 | 0:32:55 | |
I communicate on a daily basis with the brides, | 0:32:55 | 0:32:59 | |
I feel I have good selling skills | 0:32:59 | 0:33:01 | |
and I think that's very much part of communication. | 0:33:01 | 0:33:04 | |
I've got a B in GCSE Mathematics, | 0:33:04 | 0:33:06 | |
which I know is very basic but that's where it all starts, | 0:33:06 | 0:33:09 | |
we all have to count. | 0:33:09 | 0:33:11 | |
So, do you think you could work with the other members of the team? | 0:33:12 | 0:33:15 | |
Yes, of course I can work with Rhiannon. | 0:33:15 | 0:33:18 | |
Sometimes we don't always get on but that's the sisters in us, | 0:33:19 | 0:33:22 | |
not the colleagues in us. | 0:33:22 | 0:33:24 | |
Where are those sisters going to live from now on? | 0:33:24 | 0:33:27 | |
At the door, before we come in. | 0:33:27 | 0:33:28 | |
-But so is the mother. -Yes. | 0:33:30 | 0:33:33 | |
I have not been focused in the past, um... | 0:33:33 | 0:33:36 | |
But I believe now I can see clearly the path before me. | 0:33:36 | 0:33:41 | |
I want to work alongside my family in harmony. | 0:33:41 | 0:33:43 | |
Courtyard Bridalwear, I feel, is my chosen career path. | 0:33:43 | 0:33:47 | |
Even though other people could probably do the job much better than me, | 0:33:49 | 0:33:53 | |
I can bring love to the business. | 0:33:54 | 0:33:56 | |
It is a family business, I can give that, | 0:33:56 | 0:33:59 | |
no other person can. | 0:33:59 | 0:34:00 | |
The only thing that concerns me slightly | 0:34:02 | 0:34:05 | |
is that everything that you said you wanted to do was all to help me. | 0:34:05 | 0:34:08 | |
Not much of it was about you. | 0:34:10 | 0:34:12 | |
I want you to get something out of it as well. | 0:34:15 | 0:34:18 | |
It hasn't just got to be about saving Mum. | 0:34:18 | 0:34:21 | |
You have to be part of the team, | 0:34:21 | 0:34:23 | |
not just somebody holding up the rest of us. | 0:34:23 | 0:34:26 | |
I suppose at the end of the day | 0:34:29 | 0:34:31 | |
this was never my dream, it's yours, it was never my dream. | 0:34:31 | 0:34:36 | |
I don't know, | 0:34:37 | 0:34:38 | |
it was never in my career choice, | 0:34:38 | 0:34:41 | |
so everything's to help you. | 0:34:41 | 0:34:43 | |
But then, should it be? | 0:34:43 | 0:34:46 | |
I want you to want the job, I want you to... | 0:34:46 | 0:34:48 | |
I do want the job, just maybe for different reasons. | 0:34:48 | 0:34:51 | |
I want you to really want the job for you, | 0:34:51 | 0:34:53 | |
and to make you better, and to enjoy your life. | 0:34:53 | 0:34:57 | |
I told Mum that I do... | 0:35:01 | 0:35:06 | |
I don't do the job for me, I do it for Mum. | 0:35:06 | 0:35:10 | |
Do you think, though, through this process, though, | 0:35:10 | 0:35:12 | |
you will start doing it for all of us and yourself, or not? | 0:35:12 | 0:35:18 | |
I don't know. | 0:35:20 | 0:35:22 | |
I want to make it successful so that I still have a job. | 0:35:22 | 0:35:26 | |
So, as long as you know my heart's in it. | 0:35:26 | 0:35:29 | |
Yeah, and so is mine, just for different reasons to you. | 0:35:29 | 0:35:32 | |
That's fine, we can have different reasons. | 0:35:32 | 0:35:34 | |
-Yeah, as long as we have the same goal. -Mm. -So, good. -OK. | 0:35:34 | 0:35:38 | |
-BOTH: -Do love you. | 0:35:38 | 0:35:39 | |
Ah, you freak! | 0:35:39 | 0:35:41 | |
At Denver Mill, it's not just the family showing a united front. | 0:35:47 | 0:35:52 | |
I think they're really, really nice. | 0:35:52 | 0:35:54 | |
This fragmented business is being pulled together with clear | 0:35:54 | 0:35:57 | |
rebranding throughout the site. | 0:35:57 | 0:35:59 | |
-That was good. -Yes. That's good. | 0:36:01 | 0:36:03 | |
Well, these are our new leaflets. | 0:36:04 | 0:36:07 | |
And don't they look nice? | 0:36:07 | 0:36:09 | |
I don't want to put them out in case the public take them. | 0:36:09 | 0:36:13 | |
These are mine! | 0:36:13 | 0:36:14 | |
Look at this! It's fab. | 0:36:17 | 0:36:19 | |
The first sign that there has been really significant | 0:36:19 | 0:36:22 | |
change at Denver Mills. | 0:36:22 | 0:36:24 | |
It is important to show that they are becoming a more | 0:36:24 | 0:36:26 | |
professional outfit, that they're thinking about their branding, | 0:36:26 | 0:36:30 | |
their face to the world. | 0:36:30 | 0:36:32 | |
In just a few hours, the family will host their first ever farmers' market | 0:36:32 | 0:36:36 | |
and launch the new Denver Mill brand. | 0:36:36 | 0:36:39 | |
Sally has been working overtime on the hampers. | 0:36:39 | 0:36:42 | |
The perfect showcase for their revitalised image. | 0:36:42 | 0:36:46 | |
-You all right, Sal? -Mm-hm. | 0:36:46 | 0:36:48 | |
Don't forget to put loads of that stuff in. | 0:36:49 | 0:36:51 | |
The hampers are unique to the mill | 0:36:51 | 0:36:52 | |
and are a great way to promote their own brand flour. | 0:36:52 | 0:36:56 | |
By grouping this with other products, they are tapping | 0:36:56 | 0:36:59 | |
into the home baking market that has currently never been bigger. | 0:36:59 | 0:37:02 | |
-That's it. -It's like doing mill tours. I'll be Dad's glamorous assistant. | 0:37:02 | 0:37:07 | |
This is the beginning | 0:37:08 | 0:37:09 | |
of what is going to be a huge warehouse-style factory | 0:37:09 | 0:37:12 | |
-making hampers. This is the miniature version. -Looks great! | 0:37:12 | 0:37:17 | |
I mean, fantastic! | 0:37:17 | 0:37:18 | |
As well as selling in their own shop, | 0:37:18 | 0:37:21 | |
I think these hampers are ideal for bulk sales that could take the Denver Mill brand countrywide, | 0:37:21 | 0:37:26 | |
making the business much less reliant on passing trade. | 0:37:26 | 0:37:30 | |
For now, though, they are a great way to show off the new look Denver Mill at the farmers' market. | 0:37:31 | 0:37:37 | |
With food producers coming from all over the county | 0:37:37 | 0:37:40 | |
the pressure is on to make sure the event goes without a hitch. | 0:37:40 | 0:37:43 | |
I've got to do labels for the spelt biscuits. | 0:37:44 | 0:37:47 | |
Lindsey seems to be running around trying to do everything. | 0:37:47 | 0:37:50 | |
See if he knows where the side of the gazebo is. | 0:37:50 | 0:37:52 | |
Duncan's trying to do that. | 0:37:52 | 0:37:56 | |
Lunacy, lunacy. | 0:37:56 | 0:37:57 | |
Have you any idea what's going on? | 0:37:57 | 0:38:00 | |
Right. | 0:38:01 | 0:38:02 | |
Which way round we are now? | 0:38:02 | 0:38:04 | |
Um... | 0:38:04 | 0:38:06 | |
The family are hoping to take £1,500 today, | 0:38:07 | 0:38:11 | |
which is a lot given they only made £7,000 profit last year. | 0:38:11 | 0:38:16 | |
So, we need people to spend. | 0:38:16 | 0:38:19 | |
Smoke after bonfire night. That sort of taste. | 0:38:19 | 0:38:23 | |
The variety of products is a real draw for Norfolk's foodies. | 0:38:26 | 0:38:30 | |
From fudge to chillies and coffee to cider. | 0:38:30 | 0:38:33 | |
The site really feels like a hub for good food, | 0:38:36 | 0:38:39 | |
but to make this a regular event at the mill | 0:38:39 | 0:38:41 | |
it needs to be profitable for the stall holders. | 0:38:41 | 0:38:44 | |
-How have you done? -Very good. | 0:38:45 | 0:38:47 | |
-Yes? -I think we have sold quite a lot. | 0:38:47 | 0:38:49 | |
Really nice. Nice setting here as well. | 0:38:49 | 0:38:51 | |
It's quite magical, so definitely worthwhile, we'd do it again. | 0:38:51 | 0:38:55 | |
-I wanted to come and support Denver and... -I'm really pleased. | 0:38:55 | 0:38:58 | |
..when they're trying to do something new and exciting | 0:38:58 | 0:39:01 | |
so we've all got to stick together, all us food producers. | 0:39:01 | 0:39:04 | |
What they offer their customers | 0:39:04 | 0:39:06 | |
is actually sensationally good. | 0:39:06 | 0:39:09 | |
As long as they keep that up I think they'll succeed in the long term. | 0:39:09 | 0:39:13 | |
This event is only the start, | 0:39:13 | 0:39:15 | |
but the family did manage to beat their £1,500 target tonight. | 0:39:15 | 0:39:18 | |
And better still, they've realised passion and profit can go hand in hand. | 0:39:18 | 0:39:23 | |
It is about profit, although it sounds like an awful thing. | 0:39:23 | 0:39:25 | |
I don't believe that any more, I don't believe it is an awful thing to say. | 0:39:25 | 0:39:30 | |
Of course it's about making profit, we won't survive if you don't make profit. | 0:39:30 | 0:39:34 | |
We've come a very long way in these last two months. | 0:39:34 | 0:39:40 | |
We acknowledge now that | 0:39:40 | 0:39:42 | |
we probably would have given up. | 0:39:42 | 0:39:45 | |
None of us want that to happen. | 0:39:46 | 0:39:48 | |
You've achieved a lot, I think. | 0:39:48 | 0:39:51 | |
You've understood how important it is | 0:39:51 | 0:39:54 | |
to combine every aspect of the business. | 0:39:54 | 0:39:57 | |
I'm very happy with how there's such consistency of branding. | 0:39:57 | 0:40:00 | |
I do think that makes you look much more professional | 0:40:00 | 0:40:04 | |
and I think that's what you needed. | 0:40:04 | 0:40:06 | |
I think you mustn't bury your head in the sand | 0:40:06 | 0:40:09 | |
about the financial parts of the business | 0:40:09 | 0:40:11 | |
and if there's nothing else that I've reminded you | 0:40:11 | 0:40:14 | |
it's about the fact that successful businesses are built on the bricks and mortar | 0:40:14 | 0:40:19 | |
of making sure you make a profit on every item you sell. | 0:40:19 | 0:40:23 | |
I mean, it's, you know, it's not rocket science, is it? | 0:40:23 | 0:40:26 | |
I think we've got a much better chance now | 0:40:26 | 0:40:28 | |
than we certainly had before Alex came | 0:40:28 | 0:40:31 | |
and I'm looking, you know, I'm looking forward | 0:40:31 | 0:40:34 | |
to putting some of the things into practice that she's taught us. | 0:40:34 | 0:40:38 | |
The Ables' new-found focus on what makes their business work is a triumph. | 0:40:38 | 0:40:43 | |
So, how have they coped since I last saw them? | 0:40:50 | 0:40:53 | |
Have they managed to keep their focus on the business | 0:40:53 | 0:40:55 | |
without getting bogged down by the broken windmill? | 0:40:55 | 0:40:58 | |
What we have been doing in the last year, | 0:41:01 | 0:41:03 | |
is we have been trying to develop our outside sales. | 0:41:03 | 0:41:07 | |
Which is really what Alex pointed us in the direction of. | 0:41:07 | 0:41:11 | |
With Mark's electric mill now firing on all cylinders, | 0:41:11 | 0:41:14 | |
flour production has gone into overdrive. | 0:41:14 | 0:41:17 | |
-I am Duncan from Denver, this is Lindsey and this is Sally. -Hello. | 0:41:17 | 0:41:20 | |
Hi, there. | 0:41:20 | 0:41:22 | |
We have been selling our flour externally | 0:41:22 | 0:41:25 | |
and we have five new outlets. | 0:41:25 | 0:41:26 | |
You can buy our flour from five other places around Norfolk, | 0:41:26 | 0:41:29 | |
rather than just having to come to this site. | 0:41:29 | 0:41:31 | |
One of the best things that Alex did for us was giving us this new logo | 0:41:31 | 0:41:34 | |
and brand recognition and so obviously, | 0:41:34 | 0:41:37 | |
the more places we have our logo out and about, the more | 0:41:37 | 0:41:39 | |
people are going to know about us and the better recognised we will be. | 0:41:39 | 0:41:42 | |
And I'm pleased to see that Sally has big plans for future hamper sales. | 0:41:42 | 0:41:46 | |
Obviously, we have been concentrating on the hampers since Alex left. They have been really good. | 0:41:46 | 0:41:51 | |
And now I'm getting myself set up and ready for Christmas. | 0:41:51 | 0:41:54 | |
The on-site cafe continues to be a hit with the locals | 0:41:54 | 0:41:57 | |
and the streamlined shop has taken off, too. | 0:41:57 | 0:42:00 | |
Attitude has changed since Alex came, in that we no longer | 0:42:01 | 0:42:05 | |
do things that we don't think are profitable. | 0:42:05 | 0:42:08 | |
If something isn't making money, there's no point in doing it. | 0:42:08 | 0:42:11 | |
But despite the positives, | 0:42:11 | 0:42:13 | |
the family have recently received some catastrophic news. | 0:42:13 | 0:42:16 | |
At the end of last year, we had notification from the landlord | 0:42:16 | 0:42:20 | |
saying they weren't going to renew our tenancy. | 0:42:20 | 0:42:23 | |
And obviously that was a big blow to us. | 0:42:23 | 0:42:26 | |
We then had to start thinking what to do next. | 0:42:26 | 0:42:28 | |
With the landlords ready to sell the site, and a potential price tag | 0:42:28 | 0:42:31 | |
of over half a million pounds, the outlook seems bleak. | 0:42:31 | 0:42:36 | |
But the Ables are determined not to be beaten without a fight. | 0:42:36 | 0:42:40 | |
-Hello. -I'm Pat. -Oh, hi! | 0:42:40 | 0:42:42 | |
So they have called in community action expert | 0:42:42 | 0:42:45 | |
Pat Murch for some much-needed advice. | 0:42:45 | 0:42:48 | |
Pat heads up a group of locals who bought their village pub | 0:42:48 | 0:42:51 | |
when it faced extinction. | 0:42:51 | 0:42:53 | |
And the family are hoping she can help them work out a similar model for the mill. | 0:42:53 | 0:42:57 | |
Anything like this, it's so important that you get people who are enthusiastic involved. | 0:42:57 | 0:43:02 | |
There was already a lot of interest in the village, | 0:43:02 | 0:43:05 | |
because everybody wanted the pub to be saved. | 0:43:05 | 0:43:07 | |
We circulated to everybody in the village | 0:43:07 | 0:43:11 | |
some details of what it was we were planning to do to buy it. | 0:43:11 | 0:43:16 | |
We gave them a form so that if they were interested, | 0:43:16 | 0:43:20 | |
they could buy shares. | 0:43:20 | 0:43:21 | |
The shares are £1 each, but you have to have a minimum of 250. | 0:43:21 | 0:43:25 | |
And the maximum was 20,000. We haven't had any 20,000s as yet. | 0:43:25 | 0:43:29 | |
-We're still hopeful. -Can I have that? -Absolutely. | 0:43:29 | 0:43:33 | |
-I brought a copy so that you could have something to consider. -That's helpful. | 0:43:33 | 0:43:37 | |
They would need to raise around £600,000 from the community | 0:43:37 | 0:43:42 | |
in order to buy the mill and have only a few months | 0:43:42 | 0:43:44 | |
in the middle of a recession in which to do it. It's a huge task. | 0:43:44 | 0:43:50 | |
But Lindsey and Mark want to give it at least a shot. | 0:43:50 | 0:43:54 | |
The goal that we have had all along for the heritage side | 0:43:54 | 0:43:57 | |
is that the mill is here at the end of the century. | 0:43:57 | 0:43:59 | |
So by selling shares, the site will be protected | 0:43:59 | 0:44:02 | |
and people can actually own a little bit of this mill. | 0:44:02 | 0:44:05 | |
To have any hope of selling enough shares to buy the site, | 0:44:06 | 0:44:09 | |
the family set about spreading the word far and wide. | 0:44:09 | 0:44:13 | |
The guys from Denver Windmill are here. | 0:44:13 | 0:44:15 | |
They're going to tell us a little about how you can own | 0:44:15 | 0:44:18 | |
part of history. | 0:44:18 | 0:44:19 | |
It's a huge day in the history of Denver Mill. | 0:44:19 | 0:44:23 | |
They are opening their doors to potential investors and will today discover | 0:44:23 | 0:44:27 | |
whether there is enough interest to make community ownership viable. | 0:44:27 | 0:44:31 | |
To encourage people to come, we're putting on a ploughman's buffet, | 0:44:31 | 0:44:34 | |
which we've been doing recently with outside catering we have started doing. | 0:44:34 | 0:44:37 | |
It's basically a ploughman's but in a buffet. | 0:44:37 | 0:44:40 | |
It's our bread, local cheese, local pickles, | 0:44:40 | 0:44:43 | |
local beer and local apple juice as well. | 0:44:43 | 0:44:45 | |
So hopefully, that will be enough to entice people to come along | 0:44:45 | 0:44:48 | |
and listen to what we say to them. | 0:44:48 | 0:44:50 | |
We have got to get moving to get this function up and running. | 0:44:50 | 0:44:53 | |
We got to get a shift on. Simple as that. | 0:44:53 | 0:44:55 | |
200 people would be absolutely brilliant. | 0:44:58 | 0:45:00 | |
Any less than that will be OK, more than that, I shall panic! | 0:45:00 | 0:45:05 | |
With ploughman's lunches aplenty, | 0:45:05 | 0:45:07 | |
the Ables have managed to draw in a crowd. | 0:45:07 | 0:45:09 | |
And after an emotional plea from Mark... | 0:45:12 | 0:45:14 | |
It's not a building, it's a machine. | 0:45:14 | 0:45:17 | |
And like any machine, it can come alive again. | 0:45:17 | 0:45:20 | |
..it's time to find out how many locals might be willing to invest. | 0:45:20 | 0:45:24 | |
Yes, I'd certainly be interested in buying shares. | 0:45:24 | 0:45:27 | |
Hubby and I, and perhaps some of our relatives we could talk into it. | 0:45:27 | 0:45:30 | |
Neighbours, friends, yes. | 0:45:30 | 0:45:32 | |
We're looking to buy 200 shares, £2,000. | 0:45:32 | 0:45:36 | |
That sort of region, really. | 0:45:36 | 0:45:38 | |
The show of support is strong, but what the family need is cash | 0:45:38 | 0:45:42 | |
and plenty of it. | 0:45:42 | 0:45:43 | |
OK, so these were... | 0:45:43 | 0:45:46 | |
ten... 250. 50. | 0:45:46 | 0:45:50 | |
250. 500. | 0:45:50 | 0:45:52 | |
2,000. | 0:45:54 | 0:45:56 | |
Just over £4,000. | 0:45:56 | 0:45:58 | |
£4,000 in pledges is an admirable effort, | 0:45:58 | 0:46:02 | |
but nowhere near the 600,000 the family need to buy the mill. | 0:46:02 | 0:46:06 | |
I think we've done everything we can here | 0:46:06 | 0:46:08 | |
to do what we have to do here and to try to stay here. | 0:46:08 | 0:46:11 | |
I think it's now the end of the road as far as that's concerned. | 0:46:11 | 0:46:15 | |
With only two months left to raise such a huge sum, the family | 0:46:15 | 0:46:19 | |
have had to face the reality of leaving Denver Mill behind. | 0:46:19 | 0:46:23 | |
But there is hope. | 0:46:23 | 0:46:24 | |
In the last few weeks, the Ables have managed to sign the lease | 0:46:24 | 0:46:27 | |
on new premises inside the historic Hanse House in nearby Kings Lynn. | 0:46:27 | 0:46:31 | |
Last year, before Alex came, | 0:46:33 | 0:46:35 | |
we felt afraid that because the mill had broken, and the mill | 0:46:35 | 0:46:38 | |
is the centre of our business, that we couldn't carry on without it. | 0:46:38 | 0:46:42 | |
And she came in and explained to us that there is more | 0:46:42 | 0:46:45 | |
to our business, there is more to us, than just the windmill. | 0:46:45 | 0:46:48 | |
So, although we would love to be here, it doesn't really... | 0:46:48 | 0:46:51 | |
We don't feel afraid any more about whether we're going to be here or not. | 0:46:51 | 0:46:54 | |
We know we can survive without it. | 0:46:54 | 0:46:56 | |
Their plan is to take their electric mill with them | 0:46:56 | 0:46:59 | |
so they can still make their flour, open up a new tearoom and shop, | 0:46:59 | 0:47:03 | |
and relaunch the whole business model on a new site. | 0:47:03 | 0:47:06 | |
And now that they have a much better understanding of how to run | 0:47:06 | 0:47:09 | |
a business, they will be starting this venture from a much | 0:47:09 | 0:47:12 | |
stronger position. | 0:47:12 | 0:47:14 | |
At Courtyard Bridalwear in Kettering, | 0:47:20 | 0:47:22 | |
it's nearing the end of my time with the Priest family, | 0:47:22 | 0:47:25 | |
and their much-needed makeover is already under way. | 0:47:25 | 0:47:27 | |
What's more, the squabbling sisters seem to have buried the hatchet. | 0:47:29 | 0:47:33 | |
I think the refit is going to change | 0:47:33 | 0:47:36 | |
the perception of the shop as a whole. | 0:47:36 | 0:47:39 | |
It's going to be more upmarket and a bit more modern. | 0:47:39 | 0:47:42 | |
Anne and Bethan are taking lessons in business finance. | 0:47:42 | 0:47:46 | |
When they say to you, you need to make 10% more profit, | 0:47:46 | 0:47:50 | |
it's not magic. | 0:47:50 | 0:47:52 | |
I now know the difference between gross profit and net profit. | 0:47:52 | 0:47:55 | |
Oh, my God, is that the sign? | 0:47:56 | 0:47:58 | |
It's the rebirth of our business, I suppose - | 0:47:59 | 0:48:02 | |
out with the old and in with the new. | 0:48:02 | 0:48:04 | |
The three of them have come together as a team, | 0:48:11 | 0:48:14 | |
and they've transformed the shop into a wonderful bridal boutique. | 0:48:14 | 0:48:18 | |
Wow. | 0:48:20 | 0:48:21 | |
That is a really fun window display. | 0:48:23 | 0:48:26 | |
If people don't stop and look at that, I'll be very surprised. | 0:48:26 | 0:48:29 | |
It's kind of provocative and witty and charming. | 0:48:29 | 0:48:32 | |
It shows that there's been a brain at work here. | 0:48:32 | 0:48:37 | |
The window display is the best form of advertising that any shopkeeper has, | 0:48:37 | 0:48:41 | |
and they're certainly winning with this one. | 0:48:41 | 0:48:44 | |
What a difference! | 0:48:47 | 0:48:48 | |
I'm thrilled and amazed. | 0:48:51 | 0:48:53 | |
Somehow, everything feels more precious. | 0:48:59 | 0:49:03 | |
This is just somewhere you'd want to buy a dress. | 0:49:03 | 0:49:05 | |
This is definitely a destination shop now. | 0:49:05 | 0:49:08 | |
I think that this really shows that we have changed | 0:49:10 | 0:49:15 | |
and that we have to change to keep up with the shop. | 0:49:15 | 0:49:18 | |
With the new-found focus on the business, | 0:49:18 | 0:49:21 | |
they relaunch as Courtyard Bridal Boutique. | 0:49:21 | 0:49:24 | |
To promote the relaunch, nine brides are invited back | 0:49:26 | 0:49:29 | |
to renew their vows in front of a captivated audience, | 0:49:29 | 0:49:31 | |
including press and the movers and shakers of the bridal world. | 0:49:31 | 0:49:35 | |
God is love, and those who live in love live with God. | 0:49:43 | 0:49:49 | |
That each marriage promise renewed here today | 0:49:49 | 0:49:53 | |
will be a faithful sign of your love in the world, | 0:49:53 | 0:49:57 | |
and as the years go by | 0:49:57 | 0:50:00 | |
bring them ever closer to each other and to you, | 0:50:00 | 0:50:04 | |
for Jesus Christ's sake, Amen. | 0:50:04 | 0:50:07 | |
APPLAUSE | 0:50:07 | 0:50:09 | |
It seems strange giving them permission, but you may kiss your wives! | 0:50:09 | 0:50:13 | |
Tell me what's in your future. | 0:50:22 | 0:50:24 | |
I, in the future, I'm going to look upon my daughters as young women, | 0:50:24 | 0:50:28 | |
independent, but both very competent, | 0:50:28 | 0:50:32 | |
and they've shown me that, that they can both actually do the job. | 0:50:32 | 0:50:37 | |
I feel slightly tearful. | 0:50:37 | 0:50:39 | |
We couldn't have done it without you. | 0:50:39 | 0:50:41 | |
It's been an absolute pleasure, pleasure, pleasure, pleasure | 0:50:41 | 0:50:44 | |
to work with you all. I've enjoyed every single minute. | 0:50:44 | 0:50:47 | |
-Bye, darling. -Bye. | 0:50:50 | 0:50:51 | |
When I first came here, the thing that I was most nervous about | 0:50:51 | 0:50:54 | |
was that Anne, Bethan and Rhiannon really struggled as a family in business together. | 0:50:54 | 0:51:00 | |
What I'm most proud of now is that they've resolved their differences as a family, | 0:51:00 | 0:51:04 | |
and that has transferred into their business life, | 0:51:04 | 0:51:07 | |
and ultimately, that gives me great confidence in the future of this business. | 0:51:07 | 0:51:12 | |
Now, though, the Priest family have to make things work on their own. | 0:51:19 | 0:51:23 | |
In the 12 months since I left, have Anne, Rhiannon and Bethan | 0:51:23 | 0:51:26 | |
managed to build on their success or fallen back into their old ways? | 0:51:26 | 0:51:31 | |
You can start arranging that side. I've dusted there. | 0:51:31 | 0:51:34 | |
-It's been a huge improvement to us, hasn't it? -Yeah. | 0:51:34 | 0:51:38 | |
Business-wise, we're very much more focused on finances. | 0:51:38 | 0:51:41 | |
Gross turnover is up 28% in the first quarter, | 0:51:41 | 0:51:46 | |
so it's going really well. We're really enjoying it now. | 0:51:46 | 0:51:49 | |
Anne has begun to take a back seat in the business, | 0:51:49 | 0:51:52 | |
and couldn't be happier with her daughters' progress. | 0:51:52 | 0:51:56 | |
They've been running the shop by themselves | 0:51:56 | 0:52:00 | |
and they've been doing that now since February. | 0:52:00 | 0:52:03 | |
Rhiannon has really excelled at buying. | 0:52:03 | 0:52:07 | |
Bethan has proved to be an excellent financial manager. | 0:52:07 | 0:52:12 | |
They are now definitely equal partners. | 0:52:12 | 0:52:15 | |
The girls are now running the shop, | 0:52:15 | 0:52:17 | |
but they're about to embark on something even more ambitious - | 0:52:17 | 0:52:20 | |
making the bold move to push the business upmarket. | 0:52:20 | 0:52:23 | |
We're going to see Ritva Westenius, | 0:52:29 | 0:52:31 | |
who is the bridal designer of the year. | 0:52:31 | 0:52:34 | |
We're coming to meet her in person today, | 0:52:34 | 0:52:37 | |
and to see if we could possibly stock her brand. | 0:52:37 | 0:52:41 | |
An exclusive deal with a designer dressmaker | 0:52:41 | 0:52:44 | |
would massive expand the company's money-making potential. | 0:52:44 | 0:52:47 | |
These dresses will retail at upwards of £3,000, | 0:52:47 | 0:52:51 | |
around twice as much as the most expensive they currently stock. | 0:52:51 | 0:52:55 | |
The responsibility is ours now. | 0:52:55 | 0:52:56 | |
If anything should happen to the business, it falls upon our heads. | 0:52:56 | 0:52:59 | |
Yeah. It's kind of pushing out of our comfort zone for them, | 0:52:59 | 0:53:02 | |
that's the way we probably need to go to make the business work. | 0:53:02 | 0:53:06 | |
-Sustainable, really. -Yeah. | 0:53:06 | 0:53:07 | |
-We haven't really got a major designer. -No. | 0:53:07 | 0:53:12 | |
So this hopefully will secure more people coming into the store. | 0:53:12 | 0:53:18 | |
I'm more... | 0:53:18 | 0:53:21 | |
nervous, I suppose, a little bit, | 0:53:21 | 0:53:23 | |
cos at the end of the day, she has the power | 0:53:23 | 0:53:25 | |
to say that she doesn't want us and that we're not good enough for her. | 0:53:25 | 0:53:29 | |
That's very true. | 0:53:29 | 0:53:30 | |
This is a make-or-break meeting for the girls' bold new business plan. | 0:53:30 | 0:53:35 | |
Securing a contract with this award-winning designer | 0:53:35 | 0:53:38 | |
will make Courtyard Bridal one of only 25 companies in the UK | 0:53:38 | 0:53:41 | |
to stock the range. | 0:53:41 | 0:53:43 | |
-Hello. -Good morning. | 0:53:43 | 0:53:44 | |
And they'll need to work overtime to impress company boss Chenka. | 0:53:44 | 0:53:47 | |
Nice to meet you. I'm Bethan. | 0:53:47 | 0:53:49 | |
When I look for a new stockist, it's most importantly for the public. | 0:53:49 | 0:53:52 | |
It's good service. It's the most important thing in the world | 0:53:52 | 0:53:55 | |
to choose your wedding dress. And also about their personalities, | 0:53:55 | 0:53:58 | |
so I don't know them yet, so I'd be interested to find out. | 0:53:58 | 0:54:01 | |
You know, you can feel if people have passion or not. | 0:54:01 | 0:54:05 | |
So, Rhiannon and Bethan, this is all our dresses. | 0:54:05 | 0:54:09 | |
-It's lovely. -It's gorgeous. | 0:54:09 | 0:54:10 | |
We've got loads of them, but what we've done here to help you | 0:54:10 | 0:54:13 | |
is put things into shape. So behind you, my darling, | 0:54:13 | 0:54:15 | |
they're more column shape or they're a gentle mermaid, | 0:54:15 | 0:54:18 | |
so they slightly kick out at the bottom. | 0:54:18 | 0:54:20 | |
And then you have A-lines for days, | 0:54:20 | 0:54:22 | |
right the way through here and into the other room. | 0:54:22 | 0:54:24 | |
-OK. -Beautiful. -So I'll let you loose | 0:54:24 | 0:54:26 | |
-and then we'll put some on a dummy and show you. -Fabulous. | 0:54:26 | 0:54:28 | |
-OK? -Thank you so much. -I'll leave you for a moment to look. | 0:54:28 | 0:54:31 | |
-That's lovely. -I like the high neck. | 0:54:33 | 0:54:36 | |
To have a collection like this | 0:54:36 | 0:54:38 | |
in our shop would be absolutely amazing. | 0:54:38 | 0:54:40 | |
-Oh, I love that one. That's the Gatsbys. -Yeah. | 0:54:40 | 0:54:42 | |
And to have someone so highly renowned within the industry | 0:54:42 | 0:54:46 | |
would just be fabulous for us, | 0:54:46 | 0:54:48 | |
so really this is, you know, this is a big deal to us. | 0:54:48 | 0:54:52 | |
-Look. -Awww, that's gorgeous. -Can I stroke it? -Yes! | 0:54:52 | 0:54:56 | |
-You may stroke it. -Is it fabric? | 0:54:56 | 0:54:58 | |
-Feathers, not endangered. -No, that's fine. | 0:54:58 | 0:55:00 | |
I really love the dress, but I have a feeling it might be a little bit | 0:55:01 | 0:55:05 | |
over the top price that we're looking at. | 0:55:05 | 0:55:08 | |
It's a beautiful dress, but it's just whether or not | 0:55:08 | 0:55:12 | |
it's in the parameters we've set. | 0:55:12 | 0:55:15 | |
If it's slightly over, it'll be fine, but if it's way over, | 0:55:15 | 0:55:17 | |
I think we'd have to say no, | 0:55:17 | 0:55:18 | |
even though it is the most beautiful gown ever. | 0:55:18 | 0:55:21 | |
THEY LAUGH | 0:55:21 | 0:55:23 | |
It's reassuring to see Bethan not let her sister get carried away, | 0:55:23 | 0:55:27 | |
and that they are sticking to the budget. | 0:55:27 | 0:55:29 | |
-That's gorgeous. -That is lovely. | 0:55:30 | 0:55:33 | |
-So these are the ones that would be definite... -Yeah. | 0:55:33 | 0:55:36 | |
-If it's viable. -Yeah. | 0:55:36 | 0:55:38 | |
The girls may have picked their dresses, | 0:55:38 | 0:55:40 | |
but will Chenka feel confident | 0:55:40 | 0:55:42 | |
that her collection and reputation are in safe hands? | 0:55:42 | 0:55:45 | |
I really hope that Chenka has got the right impression of us. | 0:55:47 | 0:55:50 | |
I really hope that we come across as serious businesswomen. | 0:55:50 | 0:55:54 | |
The main question is, we love your designs, they're amazing, | 0:55:54 | 0:55:59 | |
but it's whether or not we would actually | 0:55:59 | 0:56:01 | |
be allowed to stock you at all. | 0:56:01 | 0:56:03 | |
Oh, darlings. Erm... | 0:56:03 | 0:56:05 | |
I looked at the catchment area, | 0:56:10 | 0:56:12 | |
and I think the distance for exclusivity for you | 0:56:12 | 0:56:15 | |
and for any other of my stockists is perfectly fine, | 0:56:15 | 0:56:19 | |
so therefore I'd like to say yes. | 0:56:19 | 0:56:20 | |
-Oh, that's amazing! -Thank you! | 0:56:20 | 0:56:22 | |
No, seriously, if you'd really like to go, of course. | 0:56:22 | 0:56:25 | |
-I will back you up as much as I can, OK? -That's amazing. | 0:56:25 | 0:56:29 | |
-Can I have a...? -Oh, bless you. | 0:56:29 | 0:56:30 | |
-Oh, you're sweet. -Thank you so much. | 0:56:30 | 0:56:32 | |
-And you. -No, you're more than welcome, seriously. | 0:56:32 | 0:56:35 | |
But thank you for choosing us, more than anything. | 0:56:35 | 0:56:37 | |
It's really great. | 0:56:37 | 0:56:39 | |
-Hi, Mum. It's Bethan. -And Rhiannon! | 0:56:40 | 0:56:43 | |
We've just been to see Ritva Westenius | 0:56:43 | 0:56:45 | |
and her dresses are amazing, and they're beautiful. | 0:56:45 | 0:56:49 | |
-And she said yes! -So we have taken on the label. We're very excited, | 0:56:49 | 0:56:53 | |
and we hope you're proud of us that we've done that. | 0:56:53 | 0:56:56 | |
-Love you lots. -BOTH: See you soon. Bye! | 0:56:56 | 0:56:58 | |
OK. | 0:56:58 | 0:56:59 | |
Success! And that's not all | 0:57:01 | 0:57:03 | |
the ladies of Courtyard Bridal Boutique have to celebrate. | 0:57:03 | 0:57:07 | |
10 years ago, I opened the shop. So we always promised ourselves | 0:57:07 | 0:57:10 | |
that when it was 10 years, we were going to have a party. | 0:57:10 | 0:57:13 | |
Today, we are here to celebrate 10 years | 0:57:13 | 0:57:16 | |
in a dream business, so thank you to all our brides for trusting us | 0:57:16 | 0:57:21 | |
to be part of a very special time of your lives. | 0:57:21 | 0:57:24 | |
Rhiannon and Bethan have taken the step to become partners, | 0:57:24 | 0:57:28 | |
but not with me. | 0:57:28 | 0:57:30 | |
So hence this evening, I'm officially passing the business | 0:57:30 | 0:57:34 | |
of Courtyard Bridal Boutique | 0:57:34 | 0:57:36 | |
over to the capable, but still caring, hands of my daughters. | 0:57:36 | 0:57:41 | |
APPLAUSE | 0:57:41 | 0:57:44 | |
'This is our business. Mum is not retaining any part of it.' | 0:57:45 | 0:57:50 | |
It kind of feels surreal that it's our shop now. | 0:57:50 | 0:57:53 | |
-It feels like it really hasn't happened. -No. | 0:57:53 | 0:57:56 | |
It feels kind of like your wedding day. | 0:57:56 | 0:57:58 | |
It's kind of a big change, but really it doesn't feel... | 0:57:58 | 0:58:01 | |
-Any different. -Yeah. | 0:58:01 | 0:58:02 | |
So here's to a lovely retirement. | 0:58:02 | 0:58:05 | |
-Thank you. -Have a lovely time. | 0:58:05 | 0:58:06 | |
I will, if you two don't ask me to do too much. | 0:58:06 | 0:58:11 | |
No! | 0:58:11 | 0:58:12 | |
What an amazing turnaround. | 0:58:12 | 0:58:13 | |
And it doesn't stop there. | 0:58:13 | 0:58:15 | |
The shop has been named the best wedding dress retailer | 0:58:15 | 0:58:18 | |
of the East Midlands in the 2013 Wedding Industry Awards, | 0:58:18 | 0:58:22 | |
and they were shortlisted for the national award. | 0:58:22 | 0:58:25 | |
The future looks bright for these girls. | 0:58:25 | 0:58:27 | |
Subtitles by Red Bee Media Ltd | 0:58:50 | 0:58:53 |