Browse content similar to Cantata Memoria - cyflwyniad/perfformiad. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-Subtitles | 0:00:00 | 0:00:00 | |
-Subtitles - -Subtitles | 0:00:00 | 0:00:02 | |
-Tonight, an unique event takes place -at the Wales Millennium Centre. | 0:00:04 | 0:00:08 | |
-A brand new composition, -Cantata Memoria... | 0:00:08 | 0:00:13 | |
-..by Sir Karl Jenkins -and Mererid Hopwood. | 0:00:13 | 0:00:17 | |
-It's a commission by S4C -to remember the Aberfan disaster. | 0:00:17 | 0:00:21 | |
-On the stage tonight, there are -international and Welsh talents... | 0:00:21 | 0:00:26 | |
-..world-famous singers, superb -choirs and able instrumentalists. | 0:00:26 | 0:00:32 | |
-Everyone's here to commemorate -the 50th anniversary of an event... | 0:00:32 | 0:00:36 | |
-..which is seared -in the nation's memory. | 0:00:36 | 0:00:40 | |
-There's a very special audience -here tonight. | 0:00:41 | 0:00:44 | |
-Amongst them, there are members -of the children's families... | 0:00:44 | 0:00:48 | |
-..and the adults who lost -their lives half a century ago. | 0:00:48 | 0:00:52 | |
-Tonight is a tribute to them and -to the close community of Aberfan. | 0:00:52 | 0:00:57 | |
-We'll start with a male voice choir -that was established... | 0:00:57 | 0:01:01 | |
-..soon after the disaster, -the Ynysowen Male Voice Choir. | 0:01:01 | 0:01:04 | |
-Joining them are the choirs -of two local junior schools... | 0:01:05 | 0:01:09 | |
-..the young voices -of Ynysowen a Rhyd y Grug. | 0:01:09 | 0:01:13 | |
-# Look at the world | 0:01:18 | 0:01:21 | |
-# Everything all around us | 0:01:21 | 0:01:23 | |
-# Look at the world | 0:01:24 | 0:01:26 | |
-# And marvel every day | 0:01:26 | 0:01:29 | |
-# Look at the world | 0:01:30 | 0:01:33 | |
-# So many joys and wonders | 0:01:33 | 0:01:36 | |
-# So many miracles along our way | 0:01:36 | 0:01:41 | |
-# Praise to thee O Lord -for all creation | 0:01:42 | 0:01:48 | |
-# Give us thankful hearts -that we may see | 0:01:48 | 0:01:54 | |
-# All the gifts we share -and every blessing | 0:01:54 | 0:02:00 | |
-# All things come of thee | 0:02:01 | 0:02:05 | |
-# Look at the earth | 0:02:11 | 0:02:14 | |
-# Bringing forth fruit and flower | 0:02:14 | 0:02:17 | |
-# Look at the sky, -the sunshine and the rain | 0:02:17 | 0:02:22 | |
-# Look at the hills | 0:02:24 | 0:02:26 | |
-# Look at the trees and mountains | 0:02:27 | 0:02:30 | |
-# Valley and flowing river, -field and plain | 0:02:30 | 0:02:35 | |
-# Praise to thee O Lord -for all creation | 0:02:35 | 0:02:41 | |
-# Give us thankful hearts -that we may see | 0:02:41 | 0:02:48 | |
-# All the gifts we share -and every blessing | 0:02:48 | 0:02:54 | |
-# All things come of thee | 0:02:54 | 0:02:58 | |
-# Think of the spring | 0:03:05 | 0:03:07 | |
-# Think of the warmth of summer | 0:03:08 | 0:03:10 | |
-# Bringing the harvest -before the winter's cold | 0:03:11 | 0:03:17 | |
-# Everything grows | 0:03:17 | 0:03:20 | |
-# Everything has a season | 0:03:20 | 0:03:23 | |
-# 'Til it is gathered -to the Father's fold | 0:03:23 | 0:03:28 | |
-# Praise to thee O Lord -for all creation | 0:03:29 | 0:03:35 | |
-# Give us thankful hearts -that we may see | 0:03:35 | 0:03:41 | |
-# All the gifts we share -and every blessing | 0:03:41 | 0:03:47 | |
-# All things come of thee | 0:03:47 | 0:03:51 | |
-# Every good gift | 0:03:58 | 0:04:00 | |
-# All that we need and cherish | 0:04:01 | 0:04:03 | |
-# Comes from the Lord -in token of his love | 0:04:03 | 0:04:09 | |
-# We are his hands | 0:04:10 | 0:04:12 | |
-# Stewards of all his bounty | 0:04:13 | 0:04:16 | |
-# His is the earth -and his the heavens above | 0:04:16 | 0:04:21 | |
-# Praise to thee O Lord -for all creation | 0:04:22 | 0:04:27 | |
-# Give us thankful hearts -that we may see | 0:04:27 | 0:04:33 | |
-# All the gifts we share -and every blessing | 0:04:34 | 0:04:39 | |
-# All things come of thee | 0:04:40 | 0:04:44 | |
-# All things come of thee # | 0:04:46 | 0:04:54 | |
-A number of authors -have composed pieces... | 0:05:08 | 0:05:11 | |
-..especially for this event tonight. | 0:05:11 | 0:05:14 | |
-Amongst them, the bard Ifor ap Glyn. | 0:05:14 | 0:05:16 | |
-Here in the Wales Millennium Centre, -reading Llythyr Mam-gu... | 0:05:16 | 0:05:20 | |
-..is one of our foremost actresses, -Dame Sian Phillips. | 0:05:20 | 0:05:25 | |
-"My dearest granddaughter | 0:05:25 | 0:05:28 | |
-"No, "Annwyl Wyres" | 0:05:28 | 0:05:32 | |
-"You've asked me to write what I -remember for your school project | 0:05:34 | 0:05:38 | |
-"So I suppose you'll want me -to do it in Welsh | 0:05:38 | 0:05:42 | |
-"My love, -I don't know what to tell you | 0:05:43 | 0:05:47 | |
-"Silence is a hard habit to break | 0:05:49 | 0:05:53 | |
-"Right from day one, this wasn't -something we talked about | 0:05:53 | 0:05:57 | |
-"It was a non-subject | 0:05:57 | 0:05:59 | |
-"It's strange -when you think about it | 0:05:59 | 0:06:02 | |
-"While the whole world and his wife -were talking about us | 0:06:02 | 0:06:06 | |
-"With their editorials -and their news items and so on | 0:06:06 | 0:06:10 | |
-"And while the poets -were writing poems about us | 0:06:10 | 0:06:13 | |
-"And all those words -were washing over us | 0:06:13 | 0:06:17 | |
-"We said nothing | 0:06:18 | 0:06:20 | |
-"We said nothing | 0:06:20 | 0:06:22 | |
-"So how much should you know? | 0:06:24 | 0:06:29 | |
-"It's part of your history | 0:06:30 | 0:06:32 | |
-"Our family's history | 0:06:32 | 0:06:34 | |
-"But I can't share my guilt with you | 0:06:36 | 0:06:39 | |
-"For making the child I lost -go to school that morning | 0:06:40 | 0:06:44 | |
-"I wish I'd never shared that -with your Bampy even | 0:06:45 | 0:06:48 | |
-"And that I felt guilty -for having a child that lived | 0:06:48 | 0:06:53 | |
-"But I wouldn't have had you -otherwise, would I? | 0:06:54 | 0:06:58 | |
-"None of this makes sense | 0:06:58 | 0:07:00 | |
-"There are pictures that -you ought to see from afterwards | 0:07:02 | 0:07:05 | |
-"The photographer came over -from America | 0:07:06 | 0:07:08 | |
-"And he was here for weeks after -the disaster - Rapoport his name was | 0:07:08 | 0:07:13 | |
-"Look at his pictures | 0:07:13 | 0:07:15 | |
-"He took one -of the first baby born afterwards | 0:07:16 | 0:07:21 | |
-"The first wedding | 0:07:21 | 0:07:23 | |
-"The first smiles | 0:07:23 | 0:07:25 | |
-"And how many hundreds have -there been since then, thank God? | 0:07:25 | 0:07:29 | |
-"Those pictures show us carrying on | 0:07:30 | 0:07:33 | |
-"Because we had to | 0:07:34 | 0:07:36 | |
-"But there are things -that those photos can't show | 0:07:38 | 0:07:41 | |
-"Like candles in pockets | 0:07:41 | 0:07:44 | |
-"Your aunty was afraid of the dark | 0:07:45 | 0:07:48 | |
-"I would light a candle for her -in the cemetery - lots did | 0:07:48 | 0:07:52 | |
-"It was like a second home to us -for a long time afterwards | 0:07:52 | 0:07:56 | |
-"I would take extra candles -in my coat pocket | 0:07:56 | 0:07:59 | |
-"In case somebody else's -had burnt down to nothing | 0:07:59 | 0:08:03 | |
-"These are things -I will carry with me 'til I die | 0:08:04 | 0:08:09 | |
-"But do you have a right to them? | 0:08:11 | 0:08:14 | |
-"Because it was so terrible | 0:08:15 | 0:08:18 | |
-"Should you feel like so many before -you that it's your duty to comment | 0:08:19 | 0:08:23 | |
-"To sympathise, to identify? | 0:08:24 | 0:08:27 | |
-"You can't, my love | 0:08:30 | 0:08:33 | |
-"But I don't want you to forget, -either | 0:08:33 | 0:08:37 | |
-"I can only give your aunty flowers | 0:08:38 | 0:08:41 | |
-"But I'll share what I can with you | 0:08:42 | 0:08:45 | |
-"I'll give you all the memories -that I can" | 0:08:47 | 0:08:51 | |
-Sian Phillips -reading Llythyr Mam-gu. | 0:08:55 | 0:08:58 | |
-Next is some folk singing. | 0:08:59 | 0:09:00 | |
-Here's Elin Manahan Thomas -and Catrin Finch's interpretation... | 0:09:01 | 0:09:05 | |
-..of the Welsh melody, -Beth Yw'r Haf I Mi? | 0:09:05 | 0:09:08 | |
-# Beth yw'r haf i mi? | 0:09:46 | 0:09:50 | |
-# Dim ond gaeaf llwm -a dagrau'n lli' | 0:09:50 | 0:09:55 | |
-# Er pan gollais di | 0:09:56 | 0:09:59 | |
-# Nid yw'r hirddydd haf yn ddim i mi | 0:09:59 | 0:10:05 | |
-# Gariad bach, er cilio'n ffol | 0:10:05 | 0:10:10 | |
-# Dwed y doi di'n eto'n ol | 0:10:10 | 0:10:15 | |
-# Nid yw'r haf i mi'n -ddim ond hirlwm er pan gollais di | 0:10:16 | 0:10:27 | |
-# Trist yw'r galon fach -pan fo swn y gwynt ym mrigau'r coed | 0:10:38 | 0:10:46 | |
-# Wedi'r canu'n iach, -rwyf yn disgwyl clywed swn dy droed | 0:10:47 | 0:10:55 | |
-# Gariad bach, er crwydro 'mhell | 0:10:56 | 0:11:00 | |
-# Tyrd yn ol i gyfarch gwell | 0:11:01 | 0:11:06 | |
-# Trist yw'r galon fach | 0:11:07 | 0:11:10 | |
-# Ni bu hiraeth mwy ar neb erioed | 0:11:10 | 0:11:17 | |
-# Beth yw'r haf i mi -os yw'r fron yn glaf o dan ei chlwy | 0:11:55 | 0:12:04 | |
-# Beth yw'r haf i mi -os yw'r galon fach ar dorri'n ddwy | 0:12:04 | 0:12:13 | |
-# Gariad bach, er cilio'n ffol | 0:12:14 | 0:12:18 | |
-# Dwed y doi di eto'n ol | 0:12:18 | 0:12:24 | |
-# Yna bydd i ni hyfryd haf | 0:12:25 | 0:12:31 | |
-# A dyddiau dedwydd mwy # | 0:12:31 | 0:12:41 | |
-. | 0:12:56 | 0:12:57 | |
-Subtitles | 0:13:01 | 0:13:01 | |
-Subtitles - -Subtitles | 0:13:01 | 0:13:03 | |
-Young singer Mabli Tudur -feels very much at home... | 0:13:04 | 0:13:07 | |
-..onstage in the theatre -and in the world of musical theatre. | 0:13:07 | 0:13:10 | |
-She was part of the Les Miserables -cast here in 2015. | 0:13:11 | 0:13:15 | |
-Tonight, she performs -Hywel Gwynfryn's translation... | 0:13:15 | 0:13:18 | |
-..of a work by Beth Nielsen Chapman, -I Find Your Love. | 0:13:18 | 0:13:21 | |
-# Rwy'n gweld dy wen -ble bynnag 'r af | 0:13:27 | 0:13:34 | |
-# A swn dy lais -yng ngwynt yr haf | 0:13:36 | 0:13:41 | |
-# Yng ngolau'r lloer a swn y lli | 0:13:44 | 0:13:51 | |
-# Mae'th gariad o fy amgylch i | 0:13:52 | 0:13:58 | |
-# The sun, the sky, the rolling sea | 0:14:00 | 0:14:07 | |
-# All conspire to comfort me | 0:14:07 | 0:14:13 | |
-# From sorrow's edge -life's beauty seems | 0:14:16 | 0:14:23 | |
-# To find your love in everything | 0:14:24 | 0:14:30 | |
-# Er maint y boen, -rwy'n credu'n gryf | 0:14:51 | 0:14:58 | |
-# Bydd cariad yn fy nghynnal i | 0:14:59 | 0:15:05 | |
-# Even as I fall apart | 0:15:06 | 0:15:12 | |
-# Even through -my shattered heart | 0:15:12 | 0:15:19 | |
-# I'll catch your smile -on someone's face | 0:15:22 | 0:15:30 | |
-# Amazing grace # | 0:15:31 | 0:15:40 | |
-Mabli Tudur closing -the first part of the concert... | 0:15:50 | 0:15:53 | |
-..to commemorate the 50th -anniversary of the Aberfan disaster. | 0:15:53 | 0:15:56 | |
-The audience eagerly awaits... | 0:15:57 | 0:15:59 | |
-..the first public performance -of Cantata Memoria. | 0:15:59 | 0:16:03 | |
-You can certainly sense -the anticipation here backstage. | 0:16:03 | 0:16:06 | |
-There are three choirs here - -Cor Ysgol Gerdd Ceredigion... | 0:16:07 | 0:16:10 | |
-..Cor Heol y March and Cor y Cwm, -who are all part of the performance. | 0:16:10 | 0:16:14 | |
-You must be amongst -the youngest here. | 0:16:15 | 0:16:17 | |
-How do you feel before -performing this important work? | 0:16:17 | 0:16:21 | |
-We feel lucky. | 0:16:21 | 0:16:23 | |
-Lucky. OK. -Is it a difficult piece to perform? | 0:16:24 | 0:16:26 | |
-It was hard to learn the words. | 0:16:27 | 0:16:29 | |
-But we're used to it now. | 0:16:29 | 0:16:31 | |
-What about the older girls? | 0:16:31 | 0:16:33 | |
-When you think about the story -behind this composition... | 0:16:34 | 0:16:38 | |
-..what goes through your minds -when you perform? | 0:16:38 | 0:16:41 | |
-You feel the tension... | 0:16:41 | 0:16:43 | |
-..and the experience -those people went through. | 0:16:43 | 0:16:46 | |
-You can also see clips from the time -on the screen behind. | 0:16:46 | 0:16:52 | |
-You can really feel it. | 0:16:52 | 0:16:54 | |
-Is it a difficult work? | 0:16:54 | 0:16:57 | |
-Yes, because of the subject matter. -But it's amazing to perform. | 0:16:57 | 0:17:00 | |
-How do you feel -about being a part of this? | 0:17:00 | 0:17:03 | |
-It's fantastic. | 0:17:03 | 0:17:04 | |
-It's an amazing experience for -all of us to sing in such a venue. | 0:17:04 | 0:17:09 | |
-We wish you all the best -with your performance. | 0:17:10 | 0:17:14 | |
-Before the performance... | 0:17:15 | 0:17:16 | |
-..let's hear from the two people -who created this amazing work. | 0:17:16 | 0:17:21 | |
-I don't think I would have been able -to start writing... | 0:17:21 | 0:17:25 | |
-..without having been to Aberfan -to meet a group of villagers. | 0:17:25 | 0:17:29 | |
-That was an important step. | 0:17:29 | 0:17:32 | |
-I then felt a little bit -more confident... | 0:17:32 | 0:17:34 | |
-..that we were on the right track. | 0:17:35 | 0:17:37 | |
-We were both determined -to produce a dignified work. | 0:17:37 | 0:17:43 | |
-Mererid and I discussed it -and we thought we'd have a male... | 0:17:44 | 0:17:48 | |
-..one man, one woman who would kind -of - not literally... | 0:17:48 | 0:17:51 | |
-..but who kind of spoke for a man -and a woman, a father and a mother. | 0:17:52 | 0:17:57 | |
-Bryn was the obvious choice. | 0:17:57 | 0:17:59 | |
-The other one I wanted to use -was Elin Manahan Thomas. | 0:17:59 | 0:18:03 | |
-She has this purity of voice, -an innocence if you like. | 0:18:03 | 0:18:07 | |
-It will undoubtedly be emotional - -we'll be singing to families... | 0:18:07 | 0:18:11 | |
-..who have lost children -and members of the family. | 0:18:11 | 0:18:15 | |
-I hope everyone will appreciate -the intensity, the power... | 0:18:16 | 0:18:19 | |
-..the hope and the light -of the Cantata. | 0:18:19 | 0:18:21 | |
-I hope it raises spirits. | 0:18:22 | 0:18:23 | |
-The first public performance -of Cantata Memoria... | 0:18:24 | 0:18:27 | |
-..will start in a few minutes. | 0:18:27 | 0:18:29 | |
-It's nice to be able to speak to -Mererid Hopwood. How's your heart? | 0:18:29 | 0:18:33 | |
-It's beating rather strongly! | 0:18:33 | 0:18:36 | |
-I have nothing else to do tonight... | 0:18:36 | 0:18:39 | |
-..except sit back -and watch the singers... | 0:18:39 | 0:18:41 | |
-..the young children -and the musicians. | 0:18:41 | 0:18:44 | |
-I'm sure they're very nervous. -I heard them performing yesterday. | 0:18:44 | 0:18:48 | |
-Karl Jenkins is an absolute genius. | 0:18:48 | 0:18:51 | |
-What kind of experience -has it been to work with him? | 0:18:51 | 0:18:54 | |
-It has been a wonderful experience. -He's a very down-to-earth man. | 0:18:54 | 0:19:00 | |
-We've worked together very closely -and we've got on very well. | 0:19:00 | 0:19:05 | |
-We were both extremely determined -to do our very best. | 0:19:06 | 0:19:11 | |
-We've seen photographs -of you both in Aberfan... | 0:19:12 | 0:19:14 | |
-..visiting the cemetery -and the memorial garden. | 0:19:15 | 0:19:17 | |
-That visit must have had -an effect on you. | 0:19:18 | 0:19:20 | |
-You feel like a different person -when you leave. | 0:19:20 | 0:19:25 | |
-There is something very special -about it. | 0:19:25 | 0:19:28 | |
-It's such an important part -of our history as a nation. | 0:19:28 | 0:19:31 | |
-We must remember it... | 0:19:31 | 0:19:34 | |
-..even though we would prefer for it -not to be a part of our history. | 0:19:34 | 0:19:39 | |
-We are here to remember. | 0:19:39 | 0:19:41 | |
-The bell is ringing -to tell you to take your seats. | 0:19:41 | 0:19:45 | |
-Best wishes to everyone involved. | 0:19:46 | 0:19:49 | |
-When you join us after the break, we -will hear the first performance... | 0:19:49 | 0:19:53 | |
-..of Cantata Memoria: -For the children of Aberfan. | 0:19:54 | 0:20:00 | |
-. | 0:20:00 | 0:20:00 |