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-Hello and welcome. | 0:00:33 | 0:00:35 | |
-We've travelled Europe -in this series... | 0:00:35 | 0:00:38 | |
-..but now -I'm down under in Australia. | 0:00:38 | 0:00:41 | |
-We've arrived in Melbourne... | 0:00:56 | 0:00:58 | |
-..to learn more about -the remarkable life... | 0:00:58 | 0:01:02 | |
-..of Australia's most famous -composer, Percy Grainger. | 0:01:02 | 0:01:06 | |
-Though Australia is home -to many talented composers... | 0:01:06 | 0:01:10 | |
-..there is none more famous in -classical terms than Percy Grainger. | 0:01:10 | 0:01:14 | |
-Melbourne, the capital of Victoria, -was his birthplace. | 0:01:17 | 0:01:21 | |
-It is Australia's -second largest city. | 0:01:21 | 0:01:23 | |
-Melbourne was founded in 1835... | 0:01:30 | 0:01:34 | |
-..and became a city in 1847. | 0:01:34 | 0:01:36 | |
-Four years later, it became -the state's capital city... | 0:01:36 | 0:01:40 | |
-..and saw a population increase -propelled by the gold industry. | 0:01:41 | 0:01:45 | |
-Many of its grand buildings -are products of generated wealth. | 0:01:45 | 0:01:50 | |
-The Yarra River -is integral to city life... | 0:01:54 | 0:01:58 | |
-..as is the Thames in London -and the Seine in Paris. | 0:01:58 | 0:02:02 | |
-Southbank has become -a centre for arts and leisure... | 0:02:06 | 0:02:09 | |
-..with shops and restaurants -capitalizing on the prime location. | 0:02:10 | 0:02:15 | |
-The Victorian Arts Centre -is also situated in Southbank... | 0:02:20 | 0:02:24 | |
-..housing Hamer Hall, Melbourne's -concert hall and Theatres Building. | 0:02:24 | 0:02:29 | |
-It is home to Melbourne's Symphony -Orchestra, theatre company... | 0:02:30 | 0:02:35 | |
-..Australian ballet -and Opera Australia. | 0:02:35 | 0:02:38 | |
-I've also sung here myself. | 0:02:38 | 0:02:41 | |
-They are spending more than 80m -on renovations to Hamer Hall... | 0:02:41 | 0:02:45 | |
-..from top to bottom. | 0:02:46 | 0:02:48 | |
-It's played an important role in -Australia's classical music history. | 0:02:52 | 0:02:57 | |
-Speaking from personal experience, -it's a special place to perform. | 0:02:58 | 0:03:03 | |
-Melbourne is proud to be -a cultural focal point. | 0:03:12 | 0:03:15 | |
-They take great pride in the fact -this is Percy Grainger's birthplace. | 0:03:16 | 0:03:20 | |
-He would have been -well accustomed to Brighton Beach... | 0:03:24 | 0:03:28 | |
-..situated conveniently close -to the city and his home. | 0:03:28 | 0:03:32 | |
-The beach is renowned -for its colourful beach huts... | 0:03:33 | 0:03:37 | |
-..which have stood here -for 150 years. | 0:03:38 | 0:03:40 | |
-They come with a high price tag... | 0:03:40 | 0:03:43 | |
-..and cost as much -as the city dwellings nearby. | 0:03:44 | 0:03:47 | |
-George Percy Grainger was born -in this Brighton residence... | 0:03:50 | 0:03:54 | |
-..on 8 July, 1882. | 0:03:55 | 0:03:57 | |
-Though the interior -has altered considerably... | 0:03:58 | 0:04:02 | |
-..the exterior facade -has remained... | 0:04:02 | 0:04:05 | |
-..since the days when -the pianist and composer lived here. | 0:04:05 | 0:04:09 | |
-He was one of classical music's -more colourful characters. | 0:04:11 | 0:04:15 | |
-To begin with, he was Australian... | 0:04:15 | 0:04:18 | |
-..which would have been a talking -point in England and America... | 0:04:18 | 0:04:23 | |
-..where he spent most of his time. | 0:04:23 | 0:04:25 | |
-He has been described -as an anarchist and revolutionary. | 0:04:26 | 0:04:30 | |
-His talent was unquestionable. | 0:04:30 | 0:04:32 | |
-He was passionate -and believed anything was possible. | 0:04:33 | 0:04:36 | |
-Failure was never an option. | 0:04:37 | 0:04:39 | |
-At the end of the 19th century... | 0:04:42 | 0:04:44 | |
-..the family moved around a lot, -sometimes staying in hotels. | 0:04:44 | 0:04:49 | |
-This was one of them - -Hotel Esplanade in St Kilda... | 0:04:49 | 0:04:53 | |
-..overlooking Port Phillip Bay. | 0:04:54 | 0:04:56 | |
-These days, -modern music is all the rage. | 0:04:56 | 0:04:59 | |
-With its extensive pier... | 0:05:00 | 0:05:02 | |
-..St Kilda resembles a Welsh -seaside resort from years ago. | 0:05:03 | 0:05:07 | |
-The historical Luna Park -completes the picture. | 0:05:12 | 0:05:16 | |
-Opened in 1912, this was -a centre for live entertainment. | 0:05:16 | 0:05:20 | |
-The Palais Theatre -opened 15 years later. | 0:05:23 | 0:05:27 | |
-It was one of the largest cinemas -in the southern hemisphere. | 0:05:27 | 0:05:31 | |
-In 1962, operas and ballets -were being staged here. | 0:05:31 | 0:05:35 | |
-Music and plays -took over from there. | 0:05:35 | 0:05:38 | |
-Margot Fonteyn and -The Royal Ballet performed here... | 0:05:38 | 0:05:42 | |
-..along with Dame Joan Sutherland. | 0:05:42 | 0:05:45 | |
-ITALIAN OPERA | 0:05:45 | 0:05:47 | |
-The Graingers settled in this house -in Hawthorn, east Melbourne... | 0:06:01 | 0:06:06 | |
-..where his mother, Rose, -was a piano teacher. | 0:06:06 | 0:06:09 | |
-His father, John, -was a gifted architect and artist. | 0:06:09 | 0:06:13 | |
-He was also -a renowned civil engineer. | 0:06:13 | 0:06:16 | |
-He designed the Princess Bridge. | 0:06:16 | 0:06:18 | |
-He was a heavy drinker -and a womaniser. | 0:06:18 | 0:06:21 | |
-The young Percy -witnessed many arguments. | 0:06:21 | 0:06:25 | |
-His parents separated -when he was eight years old. | 0:06:25 | 0:06:28 | |
-Rose focused entirely on her son... | 0:06:29 | 0:06:31 | |
-..creating a close relationship -until her death in 1922. | 0:06:32 | 0:06:36 | |
-Ten years prior to her death... | 0:06:36 | 0:06:38 | |
-..he acknowledged -his closeness to his mother... | 0:06:38 | 0:06:42 | |
-..by adopting -her maiden name, Aldridge. | 0:06:42 | 0:06:45 | |
-She had taught him to play the piano -from the age of five. | 0:06:46 | 0:06:50 | |
-Since his parents' separation... | 0:06:50 | 0:06:53 | |
-..she was solely responsible -for his education. | 0:06:53 | 0:06:56 | |
-He would take cultural trips -to Chinatown... | 0:06:56 | 0:06:59 | |
-..and the colours and sounds -made an impact on him. | 0:07:00 | 0:07:03 | |
-As a single mother, -she had very little money... | 0:07:15 | 0:07:19 | |
-..so they moved to a cheaper place -in South Yarra. | 0:07:19 | 0:07:22 | |
-While the other children played -on the river bank... | 0:07:22 | 0:07:26 | |
-..Percy would practise the piano -for hours at a time. | 0:07:26 | 0:07:29 | |
-His diligence paid off -and he became a gifted pianist. | 0:07:48 | 0:07:52 | |
-He was accomplished enough to hold -his first public performance... | 0:07:52 | 0:07:57 | |
-..the day after his 12th birthday. | 0:07:57 | 0:08:00 | |
-He was praised for his technique... | 0:08:00 | 0:08:03 | |
-..with critics lauding -his "almost perfect" performance. | 0:08:03 | 0:08:06 | |
-He went on to hold further concerts. | 0:08:06 | 0:08:09 | |
-The Royal Exhibition Building, -built in 1880... | 0:08:09 | 0:08:12 | |
-..had a 20,000 seating capacity. | 0:08:13 | 0:08:16 | |
-It has been restored -to its former glory. | 0:08:16 | 0:08:19 | |
-This is the only 19th-century -pavilion of its kind in the world... | 0:08:19 | 0:08:23 | |
-..that still functions. | 0:08:23 | 0:08:25 | |
-Even with poor acoustics, -Grainger was outstanding. | 0:08:29 | 0:08:33 | |
-In 1895, Percy and his mother... | 0:08:33 | 0:08:36 | |
-..sailed to Germany -in search of a formal education. | 0:08:36 | 0:08:40 | |
-For the next six years he studied -at the Hoch Conservatory of Music. | 0:08:41 | 0:08:46 | |
-It was here in Frankfurt -that he met Karl Klimsch... | 0:08:46 | 0:08:50 | |
-..who had turned to music -later in life. | 0:08:50 | 0:08:54 | |
-His kind nature -and energetic disposition... | 0:08:54 | 0:08:57 | |
-..influenced -the young composer's musical ideas. | 0:08:58 | 0:09:01 | |
-Percy claimed that Klimsch -allowed him freedom of thought. | 0:09:02 | 0:09:06 | |
-By the end of 1901... | 0:09:08 | 0:09:10 | |
-..Percy and his mother -arrived in London... | 0:09:10 | 0:09:13 | |
-..where they stayed for 13 years. | 0:09:14 | 0:09:16 | |
-# The poor soul sat sighing | 0:09:16 | 0:09:21 | |
-# By a sycamore tree # | 0:09:21 | 0:09:26 | |
-It was during this time that he took -an interest in English folk music. | 0:09:27 | 0:09:32 | |
-He used an Edison Bell -cylinder phonograph... | 0:09:32 | 0:09:35 | |
-..to record the folk singers. | 0:09:35 | 0:09:37 | |
-He was one of the first -in England to do this. | 0:09:37 | 0:09:41 | |
-He and his contemporaries... | 0:09:41 | 0:09:43 | |
-..enjoyed reproducing -this kind of music. | 0:09:43 | 0:09:46 | |
-# Willow, willow, willow, willow | 0:09:47 | 0:09:51 | |
-# Oh, willow, willow, -willow, willow | 0:09:51 | 0:09:58 | |
-# Shall be | 0:09:58 | 0:10:00 | |
-# My garland # | 0:10:01 | 0:10:04 | |
-His love of folk music continued... | 0:10:04 | 0:10:06 | |
-..inspiring many -of his famous compositions... | 0:10:07 | 0:10:10 | |
-..among which are Handel In -The Stand and Lincolnshire Posy. | 0:10:10 | 0:10:14 | |
-Listening to his music... | 0:10:15 | 0:10:17 | |
-..you would assume -he was an English composer. | 0:10:18 | 0:10:21 | |
-He was also brazen enough -to rearrange the work of others. | 0:10:21 | 0:10:25 | |
-Often they sounded better! | 0:10:25 | 0:10:28 | |
-Willow Willow is one -of his famous rearrangements... | 0:10:32 | 0:10:36 | |
-..performed by Vivien Hamilton -and Glenn Riddle... | 0:10:36 | 0:10:40 | |
-..who's playing -Percy Grainger's own piano. | 0:10:40 | 0:10:43 | |
-# He sighed in his singing | 0:10:43 | 0:10:48 | |
-# And made a great moan | 0:10:49 | 0:10:53 | |
-# Sing willow, willow, willow | 0:10:54 | 0:10:59 | |
-# I am dead to all pleasure | 0:10:59 | 0:11:04 | |
-# My true love, she is gone | 0:11:05 | 0:11:10 | |
-# Oh, willow, willow, willow, willow | 0:11:11 | 0:11:17 | |
-# Oh, willow, willow, -willow, willow # | 0:11:18 | 0:11:25 | |
-In 1905 he came across the song, -Brigg Fair... | 0:11:25 | 0:11:28 | |
-..in a small village -in Lincolnshire. | 0:11:29 | 0:11:31 | |
-Delius was given the task -of adapting it for an orchestra. | 0:11:31 | 0:11:35 | |
-The English composer and he -were birds of a feather. | 0:11:36 | 0:11:39 | |
-They hated the work -of Mozart, Haydn and Beethoven. | 0:11:39 | 0:11:43 | |
-The became close friends because -they both shared the same vision. | 0:11:43 | 0:11:48 | |
-# Willow must be my garland # | 0:11:48 | 0:11:55 | |
-. | 0:11:56 | 0:11:57 | |
-Subtitles | 0:11:58 | 0:11:58 | |
-Subtitles - -Subtitles | 0:11:58 | 0:12:00 | |
-We're in Melbourne, Australia, -birthplace of Percy Grainger. | 0:12:05 | 0:12:10 | |
-Though he detested the work -of some of the great masters... | 0:12:11 | 0:12:14 | |
-..Grainger had his favourites too. | 0:12:15 | 0:12:17 | |
-Edvard Grieg had been -one of his heroes since childhood. | 0:12:17 | 0:12:21 | |
-When the Norwegian composer toured -London on his last visit in 1906... | 0:12:21 | 0:12:26 | |
-..he said he wanted -to meet the young Australian. | 0:12:27 | 0:12:30 | |
-When they met, Grainger -gave a flawless performance... | 0:12:30 | 0:12:34 | |
-..of Grieg's challenging -Norwegian folk music. | 0:12:34 | 0:12:37 | |
-Grieg later wrote -that Percy Grainger was a genius. | 0:12:38 | 0:12:41 | |
-The following year, Grainger -visited Grieg and wife, Nina... | 0:12:42 | 0:12:46 | |
-..at Troldhaugen, their home -on the outskirts of Bergen. | 0:12:47 | 0:12:50 | |
-The couple were astounded... | 0:12:51 | 0:12:53 | |
-..by his regular swimming sessions -in the freezing lake. | 0:12:53 | 0:12:57 | |
-Every day at four he would -run to the railway station... | 0:12:57 | 0:13:01 | |
-..to collect the mail. | 0:13:01 | 0:13:03 | |
-"What a performer. What a man," -wrote Grieg in his journal. | 0:13:03 | 0:13:07 | |
-Following Edvard Grieg's death, Nina -presented his watch to Percy... | 0:13:07 | 0:13:12 | |
-..to remember him by. | 0:13:13 | 0:13:15 | |
-They had planned to tour Europe -together, along with Delius... | 0:13:16 | 0:13:21 | |
-..but Grieg died in the meantime. | 0:13:21 | 0:13:24 | |
-Percy Grainger was the last visitor -to stay at Troldhaugen. | 0:13:24 | 0:13:29 | |
-# Must be my garland # | 0:13:29 | 0:13:35 | |
-Following the outbreak of WWI, -Percy emigrated to America. | 0:13:38 | 0:13:42 | |
-He and his mother, Rose, -settled in New York. | 0:13:42 | 0:13:45 | |
-He had a recording contract -with Columbia since 1908. | 0:13:46 | 0:13:51 | |
-He continued recording and embarked -on his first American tour in 1915. | 0:13:51 | 0:13:56 | |
-Within a year, he and -Australian singer, Nellie Melba... | 0:13:57 | 0:14:02 | |
-..performed concerts for the troops. | 0:14:02 | 0:14:05 | |
-Their parents had been -lifelong friends in Australia. | 0:14:05 | 0:14:09 | |
-It's possible they met as children, -though there is no certainty. | 0:14:09 | 0:14:14 | |
-In 1917, America -entered the war with Germany. | 0:14:22 | 0:14:25 | |
-Percy joined the military band, -playing the saxophone and oboe. | 0:14:26 | 0:14:31 | |
-A year later -he became an American citizen. | 0:14:31 | 0:14:34 | |
-His mother's health was in decline. -She was physically and mentally ill. | 0:14:48 | 0:14:53 | |
-The syphilis she had contracted -from her husband worsened. | 0:14:54 | 0:14:57 | |
-There were also -vicious rumours circulating... | 0:14:58 | 0:15:01 | |
-..that she had forged an incestuous -relationship with her son. | 0:15:01 | 0:15:06 | |
-The rumours affected her sanity. | 0:15:14 | 0:15:16 | |
-Five years later, -while Percy was on tour... | 0:15:16 | 0:15:20 | |
-..Rose went to see his manager, -Antonia Sawyer... | 0:15:20 | 0:15:23 | |
-..on the 18th floor -of the Aeolian Building. | 0:15:24 | 0:15:27 | |
-She was all alone in the room... | 0:15:27 | 0:15:29 | |
-..and either she fell -or she leapt from the window. | 0:15:30 | 0:15:33 | |
-We'll never know -if it was an accident or not. | 0:15:33 | 0:15:37 | |
-Percy salvaged some of the contents -of her handbag the day she died. | 0:15:39 | 0:15:44 | |
-They were personal items. | 0:15:44 | 0:15:46 | |
-A plait of hair and a ripped-up note -she had written the day before. | 0:15:46 | 0:15:51 | |
-Percy pieced together the note -and later published a book... | 0:15:51 | 0:15:55 | |
-..in memory of Rose -for family and friends. | 0:15:55 | 0:15:58 | |
-Percy eventually came to terms -with the shock and married. | 0:16:00 | 0:16:05 | |
-He continued performing -and won more praise as a composer. | 0:16:05 | 0:16:08 | |
-His wife, Ella Strom, -was a Swedish poet and artist... | 0:16:09 | 0:16:12 | |
-..whom he'd met on a voyage -across the Pacific Ocean. | 0:16:13 | 0:16:17 | |
-The wedding was held at -the Hollywood Bowl, Los Angeles... | 0:16:17 | 0:16:21 | |
-..in front of -an audience of 25,000... | 0:16:22 | 0:16:24 | |
-..who listened to the first -performance of To A Nordic Princess. | 0:16:25 | 0:16:29 | |
-The score -was his wedding gift to Ella. | 0:16:29 | 0:16:31 | |
-Since he had spent so much -of his life outside of Australia... | 0:16:34 | 0:16:38 | |
-..it took a while for him to be -taken seriously in his own country. | 0:16:38 | 0:16:43 | |
-That is no longer the case. | 0:16:43 | 0:16:45 | |
-It was Percy's own idea -to establish the Grainger Museum. | 0:16:54 | 0:16:58 | |
-He hoped -that by opening the museum... | 0:16:58 | 0:17:01 | |
-..he could use his expertise... | 0:17:01 | 0:17:04 | |
-..to help others -understand the creative process. | 0:17:04 | 0:17:07 | |
-He adhered to the notion... | 0:17:13 | 0:17:15 | |
-..that no art exists -in a social or cultural vacuum. | 0:17:15 | 0:17:18 | |
-He set about collecting -and exhibiting everyday items... | 0:17:19 | 0:17:23 | |
-..to accompany his music. | 0:17:23 | 0:17:25 | |
-He asked friends -from around the world... | 0:17:25 | 0:17:27 | |
-..to return -the letters he had written. | 0:17:28 | 0:17:30 | |
-They were copied -and stored for safekeeping. | 0:17:31 | 0:17:34 | |
-The University of Melbourne... | 0:17:36 | 0:17:38 | |
-..provided the land for the museum -while he funded the construction. | 0:17:39 | 0:17:44 | |
-He contributed to the design, -alongside architect, John Gawler. | 0:17:50 | 0:17:55 | |
-Today it contains more than 50,000 -contributions from correspondents. | 0:18:09 | 0:18:13 | |
-Letters from Grieg, Delius -and Ralph Vaughan Williams. | 0:18:14 | 0:18:17 | |
-Others are from before his time... | 0:18:18 | 0:18:20 | |
-..such as the letter from -Tchaikovsky, another of his heroes. | 0:18:20 | 0:18:24 | |
-Grainger was -a self-proclaimed genius. | 0:18:36 | 0:18:39 | |
-The museum manages -to encapsulate his life and work... | 0:18:39 | 0:18:43 | |
-..from his own perspective rather -than how others interpreted him. | 0:18:44 | 0:18:49 | |
-In order to fund the museum... | 0:19:08 | 0:19:10 | |
-..he embarked on a two-year tour -of Australasia in the mid-1930s. | 0:19:10 | 0:19:15 | |
-He gave 56 concerts and -three times that amount for radio. | 0:19:15 | 0:19:19 | |
-He also helped -with the museum's construction. | 0:19:21 | 0:19:24 | |
-Sometimes he would arrive on site -at 6.00am to lay bricks. | 0:19:24 | 0:19:28 | |
-The Grainger Museum was officially -opened in December 1938... | 0:19:31 | 0:19:35 | |
-..though it wasn't open -to the public during his lifetime. | 0:19:35 | 0:19:39 | |
-He returned to America -a year later... | 0:19:39 | 0:19:42 | |
-..and managed the museum remotely. | 0:19:42 | 0:19:45 | |
-Following Grainger's death -in 1961... | 0:19:45 | 0:19:48 | |
-..the University of Melbourne -took over ownership. | 0:19:48 | 0:19:52 | |
-There is nothing like it -in Australia. | 0:19:53 | 0:19:56 | |
-It is an excellent collection -of artefacts... | 0:19:56 | 0:20:00 | |
-..giving an insight into the life of -a complex yet talented individual. | 0:20:00 | 0:20:06 | |
-Grainger was greatly interested -in technological advances. | 0:20:08 | 0:20:12 | |
-In the 1950s, he worked alongside -scientist, Bernard Cross... | 0:20:13 | 0:20:17 | |
-..on Free Music experiments. | 0:20:17 | 0:20:19 | |
-He wanted to liberate music -from the performer's oppression. | 0:20:20 | 0:20:24 | |
-These are his designs -for the Kangaroo-Pouch Machine... | 0:20:24 | 0:20:29 | |
-..the forerunner of the synthesizer -to tackle hard-to-play variations. | 0:20:30 | 0:20:34 | |
-One of the earliest examples -can be found in the museum... | 0:20:34 | 0:20:38 | |
-..which works on -the same principle as the pianola. | 0:20:39 | 0:20:42 | |
-Like his father, he was -a gifted artist and painter. | 0:20:48 | 0:20:51 | |
-He was also slightly alternative -and a bit of an eccentric. | 0:20:52 | 0:20:56 | |
-He made his own clothes -from colourful terry towelling. | 0:20:56 | 0:21:00 | |
-They were intended for wear in -summer and winter and were washable. | 0:21:00 | 0:21:05 | |
-He might have been -on to something there! | 0:21:06 | 0:21:08 | |
-Percy Grainger -held his final concert in 1960. | 0:21:09 | 0:21:12 | |
-He died a year later -in the United States on 20 February. | 0:21:13 | 0:21:16 | |
-His body -was repatriated to Australia... | 0:21:17 | 0:21:19 | |
-..and buried in the Aldridge -family grave in Adelaide. | 0:21:20 | 0:21:23 | |
-He left -a myriad original works behind. | 0:21:24 | 0:21:26 | |
-Over the years, -he has been acknowledged... | 0:21:27 | 0:21:30 | |
-..as one of the prolific composers -of the 20th century. | 0:21:30 | 0:21:34 | |
-Percy Grainger -was an exceptional man. | 0:21:34 | 0:21:37 | |
-I doubt people these days would -find him as eccentric as all that. | 0:21:37 | 0:21:42 | |
-Australia has every right -to be proud of him. | 0:21:42 | 0:21:46 | |
-It's been great exploring Melbourne -and learning about Percy Grainger. | 0:21:57 | 0:22:02 | |
-I've enjoyed my time in Australia, -especially Sydney. | 0:22:03 | 0:22:07 | |
-I've wanted to head out -onto the water since I arrived. | 0:22:14 | 0:22:18 | |
-Apparently, the best time -for a harbour cruise is at night. | 0:22:18 | 0:22:23 | |
-Even for residents, a harbour cruise -is considered a bit of a treat. | 0:22:27 | 0:22:32 | |
-It's easy to see why. | 0:22:32 | 0:22:35 | |
-The best views are to be found -under Harbour Bridge. | 0:22:35 | 0:22:40 | |
-A night-time cruise with all -the illuminations is thrilling. | 0:22:41 | 0:22:44 | |
-Unfortunately, -my time in Australia is over. | 0:22:52 | 0:22:56 | |
-Until next time, goodbye. | 0:22:56 | 0:22:58 | |
-Grieg and Sibelius are the focus -of our next episode in Scandinavia. | 0:23:02 | 0:23:07 | |
-We then head to England... | 0:23:07 | 0:23:09 | |
-..to explore the life of another of -Grainger's musical friends, Delius. | 0:23:09 | 0:23:15 | |
-S4C Subtitles by Adnod Cyf. | 0:23:46 | 0:23:48 | |
-. | 0:23:48 | 0:23:49 |