Pennod 5 Aled Jones: Fy Nhaith Glasurol


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-Welcome to Bayreuth, the town

-which lauds the music of Wagner.

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-Thank you for joining me

-on my classical journey.

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-My travels begin in Nuremberg,

-an hour's journey from Bayreuth.

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-It was here that Adolf Hitler

-and the Nazi Party...

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-..asserted their power

-in their evil rallies of the 1930s.

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-I can almost hear the sound

-of the marching boots.

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-The other sound people

-would have heard at the rallies...

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-..was the music of Hitler's

-favourite composer, Richard Wagner.

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-The connection did

-Wagner's reputation no favours...

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-..but the man himself

-expressed extreme views.

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-He was one of classical music's

-complicated characters.

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-Wagner's major opera,

-Die Meistersinger von Nurnberg...

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-..was set in the 16th century...

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-..when the city

-was a prominent centre for the arts.

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-The meistersingers

-were craftsmen and choristers.

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-Die Meistersinger

-lasts four and a half hours...

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-..and is a majestic uplifting opera.

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-It's a travesty that the Nazis laid

-claim to such magnificent music.

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-Wagner's weaknesses are renowned.

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-He was an egotist and a womanizer

-who caused his two wives misery.

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-He also had delusions of grandeur.

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-Undoubtedly, Wagner was one of

-the greatest composers of all time.

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-He wrote 13 operas,

-most of which were long...

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-..and some

-which explored the meaning of life.

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-He also incorporated German folklore

-and mythology into his operas.

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-The fact they were notably German

-greatly appealed to Hitler...

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-..as he endeavoured

-to establish the Third Reich.

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-Hitler's career began in Bavaria.

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-When he first came to Germany

-in 1913 he lived in Munich.

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-He attracted attention

-following the First World War...

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-..for his rousing

-nationalistic rhetoric.

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-The Nuremberg Rallies

-began in 1927...

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-..and continued for 10 years.

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-They were blatant

-Nazi Party propaganda.

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-Wagner wasn't responsible

-for the events which ensued...

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-..but his beliefs

-and his music appealed to the Nazis.

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-These days, it is the beauty...

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-..history and culture of Wagner's

-world that is so appealing.

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-At its centre

-is the town of Bayreuth.

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-It was there that Wagner

-built his world-class opera house.

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-It's a short journey from Nuremberg

-to our next destination, Bayreuth.

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-Bayreuth possesses

-its own history and charm.

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-It is the capital of Upper Franconia

-and dates back to the 12th century.

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-It welcomes

-opera lovers the world over...

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-..to its two supreme opera houses.

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-Richard Wagner carved a niche

-for Bayreuth in the world of opera.

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-This town also has a long history.

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-It was founded by the Bavarians

-in the 12th century.

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-It evolved from a small town when

-the German aristocrats settled here.

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-Like many other towns in Bavaria,

-it was first established as a fort.

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-The river was an important feature,

-encompassing the Roter Main.

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-In the 18th century...

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-..a Prussian princess

-succeeded in turning Bayreuth...

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-..into a noble town

-worthy of a monarchy.

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-You'll notice that Bayreuth differs

-from the other Bavarian towns...

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-..we have already visited.

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-A lady called Wilhelmine

-was responsible...

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-..for introducing

-the Baroque and Rococo styles.

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-The Baroque architecture of the town

-square has miraculously survived.

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-Wilhelmine

-commissioned this opera house...

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-..although it was designed by the

-Italian, Giuseppe Galli Bibiena...

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-..and constructed by a Frenchman.

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-This was once

-the largest opera house in Germany.

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-The plain facade

-doesn't prepare you...

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-..for its elaborate interior.

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-Who would argue with those...

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-..who claim this is one of the most

-magnificent Baroque opera houses?

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-It has been inspired

-by an Italian theatre design...

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-..with the loges

-facing the royal box.

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-Wagner had heard about

-Wilhelmine's grand opera house...

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-..and came to Bayreuth

-to see if it befitted his operas.

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-The stage was ideal

-but lacked space for the orchestra.

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-Wagner was so fond of the town that

-he built his own opera house here.

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-We must first explore Wagner's

-history before his opera house...

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-..in order to understand

-his musical journey.

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-Wagner was rather self-important.

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-In the 19th century, when staging

-an opera was a huge struggle...

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-..he had debts

-spiralling out of control...

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-..and could never have dreamed

-of becoming so successful.

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-His first wife, Wilhelmine, known

-as Minna, was a beautiful actress...

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-..but the two

-had very little in common.

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-His music

-was far too morose for her.

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-She once claimed

-in a letter to a friend...

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-..that he would never be able

-to compose pleasant music.

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-Minna was fed up

-of their financial woes...

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-..and of his mistresses giving him

-money as well as their affection.

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-In spite of this,

-he was still penniless.

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-During the mid 19th century, he lost

-one of the few jobs he had...

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-..for taking part

-in a republican riot.

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-A foolish act, considering

-he was employed by the king.

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-Since he faced

-being arrested or executed...

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-..he fled initially to Paris

-and then to Switzerland.

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-He spent 12 years in exile

-before he could re-enter Germany.

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-His womanizing

-continued in Switzerland.

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-He became involved

-with a generous patron...

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-..who provided

-a roof above his head.

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-It was during this time that

-he started composing his epic...

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-..the Ring cycle.

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-Creditors and jealous husbands

-forced him back to Paris.

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-In the end,

-Minna finally had enough.

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-She left Wagner and returned

-to Dresden where she died in 1866.

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-He began a relationship

-with Cosima von Bulow...

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-..the daughter of Franz Liszt, who

-was younger than him and married.

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-Her husband, Hans,

-was a well-known conductor...

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-..who had presented

-many of his own works.

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-But this didn't prevent him

-from losing his wife.

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-Wagner's lovers

-had inspired much of his work.

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-We should thank Cosima

-for the beautiful Siegfried Idyll...

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-..which he presented to her

-on her birthday in 1870...

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-..when they lived in a luxury villa

-on the banks of Lake Lucerne.

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-A villa on Lake Lucerne?

-How had his luck changed so much?

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-He had found someone

-who appreciated him...

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-..more than any of his mistresses

-and his two wives.

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-A melancholy young man...

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-..called Ludwig Otto

-Friedrich Wilhelm...

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-..who was crowned King of Bavaria.

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-Wagner's operas excited him and he

-was determined to help his hero...

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-..fulfil his potential.

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-Wagner returned to Germany

-and all his debts were paid.

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-He was given money

-to stage his operas...

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-..and build

-the opera house in Bayreuth.

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-Over the following 20 years...

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-..it's claimed that Ludwig gave the

-composer more than 500,000 marks...

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-..which is a hefty sum,

-even in today's terms.

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-One of the most notable examples

-of Ludwig's wealth is this castle...

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-..above the village of Schwangau

-in south-west Bavaria.

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-Schloss Neuschwanstein...

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-..was inspired by

-the mythology in Wagner's operas...

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-..and by medieval romanticism.

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-It provided the basis for

-every fairy-tale castle since then.

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-Ludwig erected three large castles

-during his reign...

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-..but he was deposed

-on the grounds of insanity...

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-..and his uncle came to the throne.

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-There were angry skirmishes

-in Neuschwanstein...

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-..before Ludwig was imprisoned

-in Berg Castle on Lake Starnberg.

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-A few days later, the bodies

-of Ludwig and his psychiatrist...

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-..were discovered

-floating in the lake.

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-Their deaths

-have never been explained.

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-It was here in Wartburg, Eisenach,

-that Ludwig, King of Bavaria...

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-..came up with the idea

-for Neuschwanstein castle.

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-Wagner's opera, Tannhauser,

-is set in Wartburg.

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-A little over a century ago, a

-museum dedicated to the composer...

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-..was opened

-at the foot of the castle.

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-There are some 20,000 objects

-in the Reuter Wagner Museum...

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-..which belonged

-to a private collection...

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-..acquired by the town of Eisenach.

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-The villa was once the home

-of author Fritz Reuter.

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-The collection contains paintings,

-statues, letters, posters...

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-..and a library of 5,000 books...

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-..which is the second

-largest collection after Bayreuth.

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-Let us enjoy

-an excerpt of Die Walkure...

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-..the second opera

-in the Ring cycle by Wagner.

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-As we return to Bayreuth, let us

-explore this grand opera house...

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-..inspired and designed by Wagner.

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-At times Wagner was penniless.

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-He was imprisoned several times

-for unpaid debts.

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-So how was he able to build

-an opera house such as this?

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-It was the people of Bayreuth

-who donated the land.

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-Wagner had a keen admirer

-and generous patron.

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-Ludwig II of Bavaria provided

-the funding for Festspielhaus.

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-It was enough to convince his

-subjects that their king was insane.

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-In 1876...

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-..Richard Wagner finally had

-the opera house he had coveted.

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-It opened with the premiere...

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-..of the complete Ring cycle.

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-In the audience were doyennes

-of 19th-century classical music.

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-Tchaikovsky, Grieg, Gounod...

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-..Bruckner, Liszt

-and Saint Saens - what a line-up!

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-It leaves a lasting impression

-on audiences and performers alike.

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-Apart from its size, Festspielhaus

-is famed for its acoustics.

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-The interior is mainly wood.

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-Wagner wanted to create

-what he called a mystic gulf...

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-..between the audience and the stage

-so that the orchestra was hidden...

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-..giving the illusion

-the stage was further away.

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-As the orchestra was hidden...

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-..the audience could focus

-on the stage performance.

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-It corrected the balance of volume

-between singers and orchestra.

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-When I think about Wagner...

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-..powerful operas spring to mind...

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-..with plenty of singers and actors

-requiring a large stage.

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-This is what you call

-an exceptionally large stage.

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-Hitler attended Wagner's festivals

-regularly in the 1920s and 1930s.

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-He was so fond of Wagner's music...

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-..that the composer's

-blatant anti-Semitism...

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-..made him popular among the Nazis.

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-At the same time as

-the opera house was being built...

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-..a new house was built

-for the couple in the town.

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-Villa Wahnfried

-was Wagner's family home until 1966.

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-Ten years later

-the museum was opened.

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-Half the house was destroyed

-during WWII and had to be rebuilt.

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-A substantial extension was added.

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-Wagner managed to keep

-the builders of Bayreuth busy.

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-When Hitler

-became Chancellor in 1933...

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-..he was a regular visitor

-to the festival.

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-He also contributed financially.

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-In exchange, Hitler received

-the support of Winifred Wagner...

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-..the widow of Siegfried,

-the composer's son.

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-She was born in England.

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-Hitler was also fond of Wahnfried,

-Wagner's home in Bayreuth...

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-..and was a guest there.

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-By the end of WWII,

-Bayreuth paid the price...

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-..for having affiliations

-with the Nazis.

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-Two-thirds of the city was bombed.

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-It took 10 years or more for

-the festival to lose the stigma...

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-..and the music

-to be the focus once again.

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-The German word Wahnfried

-means peace from delusion...

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-..which perhaps is a reflection

-of how its owner looked at life.

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-He initially wanted to call it

-Ergersheim, house of troubles.

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-This is King Ludwig keeping vigil.

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-Or rather he is

-watching over his investment.

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-The graves of Richard and Cosima

-can be found in the back garden...

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-..though Cosima lived on for

-another 47 years after his death.

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-It was Wagner's wish for the grave

-to be unadorned and unmarked.

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-Next to him is the small grave

-of his beloved dog, Russ.

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-It reads, "Here is where

-Russ Wagner lies and keeps watch."

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-Next door

-is the museum of Franz Liszt.

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-The numerous rooms take us through

-the composer's illustrious career.

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-Liszt was a supporter

-of Wagner's music...

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-..although he was angered

-when his daughter, Cosima...

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-..left Franz von Bulow for Wagner.

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-He refused to speak to her

-for many years.

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-Three years after Wagner's death

-in 1883, they made up...

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-..inspiring Liszt

-to move to Bayreuth that year...

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-..for the Wagner festival.

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-Although in poor health

-when he arrived...

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-..he insisted on

-hearing the performances.

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-His health deteriorated and he died

-in this house on 31 July.

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-The place

-connects this remarkable town...

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-..with another

-of classical music's great talents.

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-Liszt was a star

-and an incredibly handsome man.

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-He retained his looks in old age.

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-Painters

-were keen to paint his portrait.

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-They call this the Virtuoso Room.

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-In here is an Ibach concert piano

-which belonged to Wagner...

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-..when he wrote the Parsifal opera.

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-The museum gives us an idea....

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-..of the composers

-with whom Liszt was acquainted.

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-Chopin, Hector Berlioz,

-Franz Schubert...

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-..the Schumanns,

-Johannes Brahms, Edvard Grieg...

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-..Camille Saint Saens

-and Bedrich Smetana.

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-It's a comprehensive journey through

-classical music's golden era.

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-Richard Wagner's life ends in a way

-befitting one of his operas.

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-He was staying in Venice where it's

-claimed he continued his womanizing.

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-His mistress was a woman

-from the Parsifal chorus.

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-Cosima came to Venice

-to confront her.

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-As Wagner sat at his desk...

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-..writing a letter of apology

-to his long-suffering wife...

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-..he had a fatal heart attack.

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-The quill fell from his hand...

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-..and written on the paper

-was "love and tragedy".

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-Wagner's opera house was erected

-at the summit of the Green Hill...

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-..so that it overlooked the town

-which had embraced his designs.

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-The theatre can be seen from afar

-with a driveway leading up to it.

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-The tranquil park

-surrounding the buildings...

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-..was opened in the 1920s.

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-In a sheltered garden lies the busts

-of Wagner, Cosima and Franz Liszt.

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-They are strangely haunting.

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-This palace

-was built two centuries ago.

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-Nowadays it is

-a very remarkable piano factory.

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-Steingraeber & Sohne is a respected

-name since it was founded in 1852.

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-Both Wagner and Liszt

-were customers.

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-Wagner

-was full of praise for the pianos.

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-He said they were better

-than any other he had ever seen.

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-Praise indeed.

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-The 205 Steingraeber model...

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-..is a direct descendent

-of the piano made for Liszt in 1873.

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-All the best musicians and composers

-came to the Steingraeber factory.

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-The place is renowned

-in classical music circles.

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-Every five years, a new production

-of the epic Ring cycle...

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-..Der Ring des Nibelungen is staged.

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-The tickets

-are very difficult to acquire.

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-To be successful, you have

-to apply for them every year...

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-..or you'll end up

-at the back of the queue.

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-Wagner's great-great-granddaughters,

-Eva and Katharina now run the place.

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-Bayreuth is integral

-to the history of classical music...

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-..in particular opera.

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-Wagner had his flaws

-but his determination...

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-..to establish opera

-as an unforgettable experience...

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-..continues to attract audiences

-130 years on.

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-As a location,

-Bayreuth is hard to beat.

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-It is a truly classical town.

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-The history of Wagner's life

-is as amazing as his major works.

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-There is no denying the importance

-of the music he left behind.

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-S4C Subtitles by Adnod Cyf.

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