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-Welcome to Bayreuth, the town -which lauds the music of Wagner. | 0:00:33 | 0:00:37 | |
-Thank you for joining me -on my classical journey. | 0:00:38 | 0:00:41 | |
-My travels begin in Nuremberg, -an hour's journey from Bayreuth. | 0:00:52 | 0:00:56 | |
-It was here that Adolf Hitler -and the Nazi Party... | 0:00:58 | 0:01:02 | |
-..asserted their power -in their evil rallies of the 1930s. | 0:01:02 | 0:01:05 | |
-I can almost hear the sound -of the marching boots. | 0:01:10 | 0:01:13 | |
-The other sound people -would have heard at the rallies... | 0:01:13 | 0:01:17 | |
-..was the music of Hitler's -favourite composer, Richard Wagner. | 0:01:17 | 0:01:22 | |
-The connection did -Wagner's reputation no favours... | 0:01:23 | 0:01:27 | |
-..but the man himself -expressed extreme views. | 0:01:27 | 0:01:30 | |
-He was one of classical music's -complicated characters. | 0:01:30 | 0:01:34 | |
-Wagner's major opera, -Die Meistersinger von Nurnberg... | 0:01:36 | 0:01:41 | |
-..was set in the 16th century... | 0:01:41 | 0:01:43 | |
-..when the city -was a prominent centre for the arts. | 0:01:44 | 0:01:47 | |
-The meistersingers -were craftsmen and choristers. | 0:01:47 | 0:01:51 | |
-Die Meistersinger -lasts four and a half hours... | 0:01:54 | 0:01:57 | |
-..and is a majestic uplifting opera. | 0:01:57 | 0:02:00 | |
-It's a travesty that the Nazis laid -claim to such magnificent music. | 0:02:00 | 0:02:05 | |
-Wagner's weaknesses are renowned. | 0:02:06 | 0:02:08 | |
-He was an egotist and a womanizer -who caused his two wives misery. | 0:02:08 | 0:02:13 | |
-He also had delusions of grandeur. | 0:02:13 | 0:02:15 | |
-Undoubtedly, Wagner was one of -the greatest composers of all time. | 0:02:17 | 0:02:22 | |
-He wrote 13 operas, -most of which were long... | 0:02:25 | 0:02:28 | |
-..and some -which explored the meaning of life. | 0:02:28 | 0:02:31 | |
-He also incorporated German folklore -and mythology into his operas. | 0:02:31 | 0:02:36 | |
-The fact they were notably German -greatly appealed to Hitler... | 0:02:36 | 0:02:40 | |
-..as he endeavoured -to establish the Third Reich. | 0:02:40 | 0:02:44 | |
-Hitler's career began in Bavaria. | 0:02:45 | 0:02:47 | |
-When he first came to Germany -in 1913 he lived in Munich. | 0:02:48 | 0:02:51 | |
-He attracted attention -following the First World War... | 0:02:52 | 0:02:55 | |
-..for his rousing -nationalistic rhetoric. | 0:02:56 | 0:02:59 | |
-The Nuremberg Rallies -began in 1927... | 0:03:01 | 0:03:04 | |
-..and continued for 10 years. | 0:03:04 | 0:03:06 | |
-They were blatant -Nazi Party propaganda. | 0:03:06 | 0:03:09 | |
-Wagner wasn't responsible -for the events which ensued... | 0:03:13 | 0:03:17 | |
-..but his beliefs -and his music appealed to the Nazis. | 0:03:18 | 0:03:21 | |
-These days, it is the beauty... | 0:03:22 | 0:03:24 | |
-..history and culture of Wagner's -world that is so appealing. | 0:03:24 | 0:03:29 | |
-At its centre -is the town of Bayreuth. | 0:03:29 | 0:03:32 | |
-It was there that Wagner -built his world-class opera house. | 0:03:32 | 0:03:36 | |
-It's a short journey from Nuremberg -to our next destination, Bayreuth. | 0:03:38 | 0:03:43 | |
-Bayreuth possesses -its own history and charm. | 0:03:46 | 0:03:49 | |
-It is the capital of Upper Franconia -and dates back to the 12th century. | 0:03:50 | 0:03:55 | |
-It welcomes -opera lovers the world over... | 0:03:55 | 0:03:58 | |
-..to its two supreme opera houses. | 0:03:59 | 0:04:01 | |
-Richard Wagner carved a niche -for Bayreuth in the world of opera. | 0:04:06 | 0:04:10 | |
-This town also has a long history. | 0:04:10 | 0:04:12 | |
-It was founded by the Bavarians -in the 12th century. | 0:04:13 | 0:04:17 | |
-It evolved from a small town when -the German aristocrats settled here. | 0:04:17 | 0:04:22 | |
-Like many other towns in Bavaria, -it was first established as a fort. | 0:04:22 | 0:04:26 | |
-The river was an important feature, -encompassing the Roter Main. | 0:04:27 | 0:04:31 | |
-In the 18th century... | 0:04:41 | 0:04:43 | |
-..a Prussian princess -succeeded in turning Bayreuth... | 0:04:44 | 0:04:48 | |
-..into a noble town -worthy of a monarchy. | 0:04:48 | 0:04:51 | |
-You'll notice that Bayreuth differs -from the other Bavarian towns... | 0:04:55 | 0:05:00 | |
-..we have already visited. | 0:05:00 | 0:05:02 | |
-A lady called Wilhelmine -was responsible... | 0:05:02 | 0:05:06 | |
-..for introducing -the Baroque and Rococo styles. | 0:05:06 | 0:05:09 | |
-The Baroque architecture of the town -square has miraculously survived. | 0:05:12 | 0:05:17 | |
-Wilhelmine -commissioned this opera house... | 0:05:30 | 0:05:33 | |
-..although it was designed by the -Italian, Giuseppe Galli Bibiena... | 0:05:33 | 0:05:37 | |
-..and constructed by a Frenchman. | 0:05:37 | 0:05:40 | |
-This was once -the largest opera house in Germany. | 0:05:41 | 0:05:44 | |
-The plain facade -doesn't prepare you... | 0:05:44 | 0:05:47 | |
-..for its elaborate interior. | 0:05:47 | 0:05:50 | |
-Who would argue with those... | 0:05:50 | 0:05:52 | |
-..who claim this is one of the most -magnificent Baroque opera houses? | 0:05:52 | 0:05:57 | |
-It has been inspired -by an Italian theatre design... | 0:05:59 | 0:06:03 | |
-..with the loges -facing the royal box. | 0:06:03 | 0:06:06 | |
-Wagner had heard about -Wilhelmine's grand opera house... | 0:06:07 | 0:06:11 | |
-..and came to Bayreuth -to see if it befitted his operas. | 0:06:12 | 0:06:16 | |
-The stage was ideal -but lacked space for the orchestra. | 0:06:16 | 0:06:19 | |
-Wagner was so fond of the town that -he built his own opera house here. | 0:06:20 | 0:06:25 | |
-We must first explore Wagner's -history before his opera house... | 0:06:32 | 0:06:37 | |
-..in order to understand -his musical journey. | 0:06:38 | 0:06:41 | |
-Wagner was rather self-important. | 0:06:43 | 0:06:45 | |
-In the 19th century, when staging -an opera was a huge struggle... | 0:06:45 | 0:06:50 | |
-..he had debts -spiralling out of control... | 0:06:50 | 0:06:54 | |
-..and could never have dreamed -of becoming so successful. | 0:06:54 | 0:06:58 | |
-His first wife, Wilhelmine, known -as Minna, was a beautiful actress... | 0:06:58 | 0:07:03 | |
-..but the two -had very little in common. | 0:07:03 | 0:07:06 | |
-His music -was far too morose for her. | 0:07:06 | 0:07:09 | |
-She once claimed -in a letter to a friend... | 0:07:11 | 0:07:14 | |
-..that he would never be able -to compose pleasant music. | 0:07:14 | 0:07:18 | |
-Minna was fed up -of their financial woes... | 0:07:26 | 0:07:30 | |
-..and of his mistresses giving him -money as well as their affection. | 0:07:30 | 0:07:35 | |
-In spite of this, -he was still penniless. | 0:07:35 | 0:07:38 | |
-During the mid 19th century, he lost -one of the few jobs he had... | 0:07:38 | 0:07:43 | |
-..for taking part -in a republican riot. | 0:07:43 | 0:07:46 | |
-A foolish act, considering -he was employed by the king. | 0:07:46 | 0:07:51 | |
-Since he faced -being arrested or executed... | 0:07:51 | 0:07:55 | |
-..he fled initially to Paris -and then to Switzerland. | 0:07:55 | 0:07:59 | |
-He spent 12 years in exile -before he could re-enter Germany. | 0:07:59 | 0:08:03 | |
-His womanizing -continued in Switzerland. | 0:08:05 | 0:08:08 | |
-He became involved -with a generous patron... | 0:08:08 | 0:08:12 | |
-..who provided -a roof above his head. | 0:08:12 | 0:08:15 | |
-It was during this time that -he started composing his epic... | 0:08:15 | 0:08:19 | |
-..the Ring cycle. | 0:08:20 | 0:08:22 | |
-Creditors and jealous husbands -forced him back to Paris. | 0:08:34 | 0:08:39 | |
-In the end, -Minna finally had enough. | 0:08:42 | 0:08:44 | |
-She left Wagner and returned -to Dresden where she died in 1866. | 0:08:45 | 0:08:48 | |
-He began a relationship -with Cosima von Bulow... | 0:08:54 | 0:08:57 | |
-..the daughter of Franz Liszt, who -was younger than him and married. | 0:08:57 | 0:09:02 | |
-Her husband, Hans, -was a well-known conductor... | 0:09:03 | 0:09:06 | |
-..who had presented -many of his own works. | 0:09:06 | 0:09:09 | |
-But this didn't prevent him -from losing his wife. | 0:09:09 | 0:09:13 | |
-Wagner's lovers -had inspired much of his work. | 0:09:14 | 0:09:17 | |
-We should thank Cosima -for the beautiful Siegfried Idyll... | 0:09:17 | 0:09:21 | |
-..which he presented to her -on her birthday in 1870... | 0:09:21 | 0:09:24 | |
-..when they lived in a luxury villa -on the banks of Lake Lucerne. | 0:09:25 | 0:09:29 | |
-A villa on Lake Lucerne? -How had his luck changed so much? | 0:09:33 | 0:09:37 | |
-He had found someone -who appreciated him... | 0:09:37 | 0:09:40 | |
-..more than any of his mistresses -and his two wives. | 0:09:40 | 0:09:44 | |
-A melancholy young man... | 0:09:48 | 0:09:50 | |
-..called Ludwig Otto -Friedrich Wilhelm... | 0:09:50 | 0:09:54 | |
-..who was crowned King of Bavaria. | 0:09:54 | 0:09:56 | |
-Wagner's operas excited him and he -was determined to help his hero... | 0:09:57 | 0:10:01 | |
-..fulfil his potential. | 0:10:02 | 0:10:04 | |
-Wagner returned to Germany -and all his debts were paid. | 0:10:07 | 0:10:12 | |
-He was given money -to stage his operas... | 0:10:12 | 0:10:14 | |
-..and build -the opera house in Bayreuth. | 0:10:15 | 0:10:18 | |
-Over the following 20 years... | 0:10:18 | 0:10:20 | |
-..it's claimed that Ludwig gave the -composer more than 500,000 marks... | 0:10:20 | 0:10:25 | |
-..which is a hefty sum, -even in today's terms. | 0:10:25 | 0:10:29 | |
-One of the most notable examples -of Ludwig's wealth is this castle... | 0:10:34 | 0:10:39 | |
-..above the village of Schwangau -in south-west Bavaria. | 0:10:39 | 0:10:43 | |
-Schloss Neuschwanstein... | 0:10:44 | 0:10:46 | |
-..was inspired by -the mythology in Wagner's operas... | 0:10:46 | 0:10:49 | |
-..and by medieval romanticism. | 0:10:50 | 0:10:52 | |
-It provided the basis for -every fairy-tale castle since then. | 0:10:52 | 0:10:56 | |
-Ludwig erected three large castles -during his reign... | 0:10:58 | 0:11:02 | |
-..but he was deposed -on the grounds of insanity... | 0:11:03 | 0:11:06 | |
-..and his uncle came to the throne. | 0:11:06 | 0:11:09 | |
-There were angry skirmishes -in Neuschwanstein... | 0:11:11 | 0:11:14 | |
-..before Ludwig was imprisoned -in Berg Castle on Lake Starnberg. | 0:11:15 | 0:11:19 | |
-A few days later, the bodies -of Ludwig and his psychiatrist... | 0:11:19 | 0:11:24 | |
-..were discovered -floating in the lake. | 0:11:24 | 0:11:27 | |
-Their deaths -have never been explained. | 0:11:27 | 0:11:30 | |
-. | 0:11:34 | 0:11:35 | |
-Subtitles | 0:11:36 | 0:11:36 | |
-Subtitles - -Subtitles | 0:11:36 | 0:11:38 | |
-It was here in Wartburg, Eisenach, -that Ludwig, King of Bavaria... | 0:11:41 | 0:11:46 | |
-..came up with the idea -for Neuschwanstein castle. | 0:11:46 | 0:11:49 | |
-Wagner's opera, Tannhauser, -is set in Wartburg. | 0:11:53 | 0:11:57 | |
-A little over a century ago, a -museum dedicated to the composer... | 0:12:03 | 0:12:07 | |
-..was opened -at the foot of the castle. | 0:12:08 | 0:12:10 | |
-There are some 20,000 objects -in the Reuter Wagner Museum... | 0:12:12 | 0:12:16 | |
-..which belonged -to a private collection... | 0:12:16 | 0:12:19 | |
-..acquired by the town of Eisenach. | 0:12:20 | 0:12:22 | |
-The villa was once the home -of author Fritz Reuter. | 0:12:23 | 0:12:27 | |
-The collection contains paintings, -statues, letters, posters... | 0:12:27 | 0:12:32 | |
-..and a library of 5,000 books... | 0:12:32 | 0:12:34 | |
-..which is the second -largest collection after Bayreuth. | 0:12:35 | 0:12:39 | |
-Let us enjoy -an excerpt of Die Walkure... | 0:12:39 | 0:12:42 | |
-..the second opera -in the Ring cycle by Wagner. | 0:12:42 | 0:12:45 | |
-As we return to Bayreuth, let us -explore this grand opera house... | 0:13:23 | 0:13:27 | |
-..inspired and designed by Wagner. | 0:13:28 | 0:13:30 | |
-At times Wagner was penniless. | 0:13:35 | 0:13:37 | |
-He was imprisoned several times -for unpaid debts. | 0:13:37 | 0:13:41 | |
-So how was he able to build -an opera house such as this? | 0:13:41 | 0:13:45 | |
-It was the people of Bayreuth -who donated the land. | 0:13:55 | 0:13:58 | |
-Wagner had a keen admirer -and generous patron. | 0:13:58 | 0:14:02 | |
-Ludwig II of Bavaria provided -the funding for Festspielhaus. | 0:14:02 | 0:14:07 | |
-It was enough to convince his -subjects that their king was insane. | 0:14:07 | 0:14:11 | |
-In 1876... | 0:14:12 | 0:14:14 | |
-..Richard Wagner finally had -the opera house he had coveted. | 0:14:15 | 0:14:18 | |
-It opened with the premiere... | 0:14:19 | 0:14:21 | |
-..of the complete Ring cycle. | 0:14:22 | 0:14:24 | |
-In the audience were doyennes -of 19th-century classical music. | 0:14:25 | 0:14:29 | |
-Tchaikovsky, Grieg, Gounod... | 0:14:32 | 0:14:34 | |
-..Bruckner, Liszt -and Saint Saens - what a line-up! | 0:14:34 | 0:14:37 | |
-It leaves a lasting impression -on audiences and performers alike. | 0:14:38 | 0:14:43 | |
-Apart from its size, Festspielhaus -is famed for its acoustics. | 0:14:49 | 0:14:53 | |
-The interior is mainly wood. | 0:14:53 | 0:14:56 | |
-Wagner wanted to create -what he called a mystic gulf... | 0:14:58 | 0:15:02 | |
-..between the audience and the stage -so that the orchestra was hidden... | 0:15:02 | 0:15:07 | |
-..giving the illusion -the stage was further away. | 0:15:08 | 0:15:11 | |
-As the orchestra was hidden... | 0:15:12 | 0:15:14 | |
-..the audience could focus -on the stage performance. | 0:15:14 | 0:15:18 | |
-It corrected the balance of volume -between singers and orchestra. | 0:15:18 | 0:15:23 | |
-When I think about Wagner... | 0:15:25 | 0:15:27 | |
-..powerful operas spring to mind... | 0:15:28 | 0:15:30 | |
-..with plenty of singers and actors -requiring a large stage. | 0:15:30 | 0:15:35 | |
-This is what you call -an exceptionally large stage. | 0:15:35 | 0:15:39 | |
-Hitler attended Wagner's festivals -regularly in the 1920s and 1930s. | 0:15:41 | 0:15:46 | |
-He was so fond of Wagner's music... | 0:15:46 | 0:15:48 | |
-..that the composer's -blatant anti-Semitism... | 0:15:49 | 0:15:52 | |
-..made him popular among the Nazis. | 0:15:52 | 0:15:55 | |
-At the same time as -the opera house was being built... | 0:15:56 | 0:16:00 | |
-..a new house was built -for the couple in the town. | 0:16:00 | 0:16:04 | |
-Villa Wahnfried -was Wagner's family home until 1966. | 0:16:05 | 0:16:10 | |
-Ten years later -the museum was opened. | 0:16:10 | 0:16:13 | |
-Half the house was destroyed -during WWII and had to be rebuilt. | 0:16:13 | 0:16:18 | |
-A substantial extension was added. | 0:16:18 | 0:16:21 | |
-Wagner managed to keep -the builders of Bayreuth busy. | 0:16:21 | 0:16:25 | |
-When Hitler -became Chancellor in 1933... | 0:16:27 | 0:16:30 | |
-..he was a regular visitor -to the festival. | 0:16:30 | 0:16:33 | |
-He also contributed financially. | 0:16:33 | 0:16:36 | |
-In exchange, Hitler received -the support of Winifred Wagner... | 0:16:36 | 0:16:40 | |
-..the widow of Siegfried, -the composer's son. | 0:16:41 | 0:16:44 | |
-She was born in England. | 0:16:44 | 0:16:46 | |
-Hitler was also fond of Wahnfried, -Wagner's home in Bayreuth... | 0:16:46 | 0:16:51 | |
-..and was a guest there. | 0:16:51 | 0:16:53 | |
-By the end of WWII, -Bayreuth paid the price... | 0:16:54 | 0:16:57 | |
-..for having affiliations -with the Nazis. | 0:16:57 | 0:17:00 | |
-Two-thirds of the city was bombed. | 0:17:00 | 0:17:03 | |
-It took 10 years or more for -the festival to lose the stigma... | 0:17:03 | 0:17:07 | |
-..and the music -to be the focus once again. | 0:17:08 | 0:17:10 | |
-The German word Wahnfried -means peace from delusion... | 0:17:12 | 0:17:15 | |
-..which perhaps is a reflection -of how its owner looked at life. | 0:17:15 | 0:17:20 | |
-He initially wanted to call it -Ergersheim, house of troubles. | 0:17:23 | 0:17:28 | |
-This is King Ludwig keeping vigil. | 0:17:34 | 0:17:37 | |
-Or rather he is -watching over his investment. | 0:17:37 | 0:17:40 | |
-The graves of Richard and Cosima -can be found in the back garden... | 0:17:45 | 0:17:49 | |
-..though Cosima lived on for -another 47 years after his death. | 0:17:49 | 0:17:54 | |
-It was Wagner's wish for the grave -to be unadorned and unmarked. | 0:17:54 | 0:17:58 | |
-Next to him is the small grave -of his beloved dog, Russ. | 0:17:58 | 0:18:02 | |
-It reads, "Here is where -Russ Wagner lies and keeps watch." | 0:18:02 | 0:18:07 | |
-Next door -is the museum of Franz Liszt. | 0:18:10 | 0:18:13 | |
-The numerous rooms take us through -the composer's illustrious career. | 0:18:13 | 0:18:18 | |
-Liszt was a supporter -of Wagner's music... | 0:18:23 | 0:18:26 | |
-..although he was angered -when his daughter, Cosima... | 0:18:26 | 0:18:30 | |
-..left Franz von Bulow for Wagner. | 0:18:30 | 0:18:33 | |
-He refused to speak to her -for many years. | 0:18:33 | 0:18:36 | |
-Three years after Wagner's death -in 1883, they made up... | 0:18:38 | 0:18:41 | |
-..inspiring Liszt -to move to Bayreuth that year... | 0:18:42 | 0:18:45 | |
-..for the Wagner festival. | 0:18:46 | 0:18:48 | |
-Although in poor health -when he arrived... | 0:18:48 | 0:18:51 | |
-..he insisted on -hearing the performances. | 0:18:51 | 0:18:54 | |
-His health deteriorated and he died -in this house on 31 July. | 0:18:54 | 0:18:58 | |
-The place -connects this remarkable town... | 0:18:59 | 0:19:02 | |
-..with another -of classical music's great talents. | 0:19:02 | 0:19:06 | |
-Liszt was a star -and an incredibly handsome man. | 0:19:14 | 0:19:17 | |
-He retained his looks in old age. | 0:19:17 | 0:19:20 | |
-Painters -were keen to paint his portrait. | 0:19:21 | 0:19:24 | |
-They call this the Virtuoso Room. | 0:19:27 | 0:19:30 | |
-In here is an Ibach concert piano -which belonged to Wagner... | 0:19:30 | 0:19:34 | |
-..when he wrote the Parsifal opera. | 0:19:35 | 0:19:37 | |
-The museum gives us an idea.... | 0:19:37 | 0:19:39 | |
-..of the composers -with whom Liszt was acquainted. | 0:19:40 | 0:19:43 | |
-Chopin, Hector Berlioz, -Franz Schubert... | 0:19:43 | 0:19:46 | |
-..the Schumanns, -Johannes Brahms, Edvard Grieg... | 0:19:47 | 0:19:50 | |
-..Camille Saint Saens -and Bedrich Smetana. | 0:19:50 | 0:19:53 | |
-It's a comprehensive journey through -classical music's golden era. | 0:19:54 | 0:19:59 | |
-Richard Wagner's life ends in a way -befitting one of his operas. | 0:20:00 | 0:20:05 | |
-He was staying in Venice where it's -claimed he continued his womanizing. | 0:20:05 | 0:20:10 | |
-His mistress was a woman -from the Parsifal chorus. | 0:20:11 | 0:20:13 | |
-Cosima came to Venice -to confront her. | 0:20:14 | 0:20:16 | |
-As Wagner sat at his desk... | 0:20:16 | 0:20:20 | |
-..writing a letter of apology -to his long-suffering wife... | 0:20:20 | 0:20:24 | |
-..he had a fatal heart attack. | 0:20:25 | 0:20:27 | |
-The quill fell from his hand... | 0:20:27 | 0:20:30 | |
-..and written on the paper -was "love and tragedy". | 0:20:30 | 0:20:34 | |
-Wagner's opera house was erected -at the summit of the Green Hill... | 0:20:34 | 0:20:39 | |
-..so that it overlooked the town -which had embraced his designs. | 0:20:39 | 0:20:44 | |
-The theatre can be seen from afar -with a driveway leading up to it. | 0:20:46 | 0:20:51 | |
-The tranquil park -surrounding the buildings... | 0:20:55 | 0:20:58 | |
-..was opened in the 1920s. | 0:20:59 | 0:21:01 | |
-In a sheltered garden lies the busts -of Wagner, Cosima and Franz Liszt. | 0:21:01 | 0:21:05 | |
-They are strangely haunting. | 0:21:06 | 0:21:08 | |
-This palace -was built two centuries ago. | 0:21:12 | 0:21:15 | |
-Nowadays it is -a very remarkable piano factory. | 0:21:15 | 0:21:19 | |
-Steingraeber & Sohne is a respected -name since it was founded in 1852. | 0:21:19 | 0:21:24 | |
-Both Wagner and Liszt -were customers. | 0:21:25 | 0:21:27 | |
-Wagner -was full of praise for the pianos. | 0:21:29 | 0:21:32 | |
-He said they were better -than any other he had ever seen. | 0:21:33 | 0:21:36 | |
-Praise indeed. | 0:21:36 | 0:21:38 | |
-The 205 Steingraeber model... | 0:21:40 | 0:21:43 | |
-..is a direct descendent -of the piano made for Liszt in 1873. | 0:21:43 | 0:21:47 | |
-All the best musicians and composers -came to the Steingraeber factory. | 0:21:50 | 0:21:55 | |
-The place is renowned -in classical music circles. | 0:21:55 | 0:21:59 | |
-Every five years, a new production -of the epic Ring cycle... | 0:22:00 | 0:22:04 | |
-..Der Ring des Nibelungen is staged. | 0:22:05 | 0:22:08 | |
-The tickets -are very difficult to acquire. | 0:22:08 | 0:22:11 | |
-To be successful, you have -to apply for them every year... | 0:22:11 | 0:22:15 | |
-..or you'll end up -at the back of the queue. | 0:22:16 | 0:22:19 | |
-Wagner's great-great-granddaughters, -Eva and Katharina now run the place. | 0:22:19 | 0:22:24 | |
-Bayreuth is integral -to the history of classical music... | 0:22:35 | 0:22:39 | |
-..in particular opera. | 0:22:39 | 0:22:41 | |
-Wagner had his flaws -but his determination... | 0:22:42 | 0:22:45 | |
-..to establish opera -as an unforgettable experience... | 0:22:45 | 0:22:49 | |
-..continues to attract audiences -130 years on. | 0:22:49 | 0:22:52 | |
-As a location, -Bayreuth is hard to beat. | 0:22:58 | 0:23:01 | |
-It is a truly classical town. | 0:23:01 | 0:23:04 | |
-The history of Wagner's life -is as amazing as his major works. | 0:23:04 | 0:23:08 | |
-There is no denying the importance -of the music he left behind. | 0:23:08 | 0:23:13 | |
-S4C Subtitles by Adnod Cyf. | 0:23:48 | 0:23:50 | |
-. | 0:23:50 | 0:23:51 |