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warming up back stage here at St David's Hall. There's special | :00:08. | :00:11. | |
excitement tonight as a singer from Wales gets his chance to shine on | :00:12. | :00:15. | |
the main stage. Two rounds down two, to go. There's still everything to | :00:15. | :00:24. | |
play for in the race to reach Sunday's final. | :00:24. | :00:28. | |
20 young opera singers from across the globe hoping time press the | :00:28. | :00:34. | |
judges with the performance of their lives. I'm looking forward to some | :00:34. | :00:38. | |
really amazing singers. I'd like to hear a stunner. Victory can propel | :00:39. | :00:45. | |
the winner to international fame. The BBC Cardiff Singer of the World | :00:45. | :00:49. | |
really launched my career. preparation is over, the stage | :00:49. | :00:59. | |
:00:59. | :01:34. | ||
Hungary. Tonight another five singers take to the stage. We're | :01:34. | :01:38. | |
back here at St David's Hall for round three and there's every sign | :01:38. | :01:42. | |
that tonight could be a very strong round indeed. Through there on the | :01:42. | :01:45. | |
main stage, the concert is just finishing. Soon, the judges will be | :01:46. | :01:49. | |
making their choice and we hope to bring you tonight's winner before | :01:49. | :01:54. | |
the end of the programme. Now, we're not biassed at all, but Gary | :01:54. | :01:58. | |
Griffiths, the Welsh competitor is taking part. He's up against singers | :01:58. | :02:03. | |
from Lithuania, Portugal, Ukraine and Belarus. Come on, Gary!Like I | :02:03. | :02:10. | |
said, not biassed at all (! ) We're joined by two special guests, Welsh | :02:10. | :02:20. | |
:02:20. | :02:21. | ||
bare ton Jason Howard who swapped his first jop for a singer. And TV | :02:21. | :02:24. | |
and actress Shan Cothi joins us too. Are you a fan of competitions like | :02:24. | :02:29. | |
this? Not for myself, no.What can they do for a young singer? They're | :02:29. | :02:33. | |
incredibly important for launching a career. I only did one. I did the | :02:33. | :02:38. | |
Pavarotti and that was enough for me. It's a real really stress | :02:38. | :02:43. | |
situation. It's like a big audition. It was never really for me. But I | :02:43. | :02:48. | |
admire the people who go out there and give a great performance. | :02:48. | :02:51. | |
big night for Gary Griffiths tonight, our Welsh singer. Do you | :02:51. | :02:55. | |
think he'll be feeling the pressure with the home crowd in? If you're | :02:55. | :02:58. | |
not going to feel any pressure at all, there would be something wrong | :02:58. | :03:02. | |
with you, I think. I know Gary. He's a lovely, charming, cool chap. Cool | :03:02. | :03:05. | |
on the outside, but of course, he's going to have nerves churning | :03:06. | :03:10. | |
inside. That would be a natural -- unnatural not to. He wants to pull | :03:10. | :03:15. | |
it out of the bag and show everybody he can be casted in roles all over | :03:15. | :03:25. | |
the world. There's lots more from them in the show. First tonight with | :03:25. | :03:30. | |
a mezzo-soprano from ladies and gentleman Wayne why. Snv -- | :03:30. | :03:38. | |
Lithuania. Hello, my name is Egle Sidlauskaite. I'm represent | :03:38. | :03:40. | |
representing Lithuania. I'm so representing Lithuania. I'm so | :03:40. | :03:50. | |
:03:50. | :03:50. | ||
Apology for the loss of subtitles for 104 seconds | :03:50. | :05:35. | |
she perform? When you open a competition like that, she's going | :05:35. | :05:39. | |
to be nervous. I heard her in the results this afternoon. She was | :05:39. | :05:45. | |
marking quite a lot. I don't know if the voice is totally right. Where | :05:45. | :05:51. | |
she should have been totally comfortable, in the Delilah's aria, | :05:51. | :05:55. | |
that middle range, it didn't seem secure enough. It was kind of | :05:55. | :05:59. | |
muffled. It sounded covered as if she was squeezing the voice out. It | :05:59. | :06:03. | |
was a relief when she got up to the brighter top notes. She seemed | :06:03. | :06:07. | |
better. I don't know, she's not really, to me, a comfortable | :06:07. | :06:11. | |
mezzo-soprano. I don't know if it's tiredness, because there's a lot of | :06:11. | :06:18. | |
pressure there. You mention she marked in rehearsal. That means she | :06:18. | :06:22. | |
lightly sang it. That's fine because they have a lot of singing all week. | :06:22. | :06:26. | |
To me, there was some intonation, pitch problems this afternoon. And | :06:26. | :06:31. | |
at the end, one particular cadenza in her programme tonight. It sounded | :06:31. | :06:36. | |
tired, as if the voice is not technically secure, for me. But a | :06:36. | :06:40. | |
lovely quality to the voice. seemed pretty intense with her | :06:40. | :06:45. | |
performance. What due make of her? Well, intense and a bit tense, I | :06:45. | :06:51. | |
felt. I agree with everything you said. The bottom of the voice didn't | :06:51. | :06:56. | |
have a looseness and a power that a natural moatso has. The top of the | :06:56. | :07:01. | |
voice was sometimes fluttery. That is often tension in the body. | :07:01. | :07:05. | |
you both for the moment. Time now to hear the second singer on stage | :07:05. | :07:07. | |
tonight, she's a soprano from tonight, she's a soprano from | :07:07. | :07:17. | |
:07:17. | :07:19. | ||
Hello I'm Susana Gaspar and I'm representing Portugal. I'm really | :07:19. | :07:21. | |
representing Portugal. I'm really representing Portugal. I'm really | :07:21. | :07:31. | |
:07:31. | :07:31. | ||
Apology for the loss of subtitles for 104 seconds | :07:31. | :09:27. | |
Susana Gaspar, the first of two Sopranos appearing tonight. Jason, | :09:27. | :09:31. | |
did she impress you with that performance? She did. Parts of it | :09:31. | :09:37. | |
more than others. The middle piece she sang the Debussy was flawless. I | :09:37. | :09:40. | |
have the music out there when I was listening and in that piece I | :09:40. | :09:45. | |
totally put the music down. She drew me into the performance. Vokally it | :09:45. | :09:50. | |
was perfect. It's a meaty voice. To sing Debussy I think of somebody | :09:50. | :09:54. | |
with a lighter, higher, floatier voice, but she pulled it off. | :09:54. | :09:59. | |
wonderful. It was the best performance for me. As a fellow | :09:59. | :10:03. | |
soprano, was she light and fluffy enough tonight? She's very composed | :10:03. | :10:08. | |
and still. When she came on to open with the Belini, you have to be | :10:08. | :10:12. | |
careful, that can go on and on. Unless you connect with the people, | :10:12. | :10:18. | |
I think maybe that was the weakest piece. But the Debussy, she hit some | :10:18. | :10:21. | |
of the high notes and entered from the top and it was stunning, | :10:21. | :10:25. | |
absolutely stunning. She did show more animation in the final piece. | :10:25. | :10:31. | |
Maybe the programme was a little bit samy, but she's playing to her | :10:31. | :10:36. | |
strengths. If casting agents are looking for operatic houses over the | :10:36. | :10:46. | |
:10:46. | :10:46. | ||
world, she knows what she can be cast in. I know you've been in and | :10:46. | :10:51. | |
know that aria, it requires a meaty voice. Bird song is the lightest | :10:51. | :10:55. | |
part. Other parts of the role require juice in the voice. She's | :10:55. | :10:58. | |
got. It a very good singer. Possible contender there. Now it's time to | :10:58. | :11:02. | |
fly the flag for Wales. Yes, come on! We've never had a Welsh winner | :11:02. | :11:07. | |
on the main prize in 30 years of this competition. This year, | :11:07. | :11:10. | |
baritone Gary Griffiths is hoping to change that. Connie went to his home | :11:10. | :11:16. | |
patch to find out more about what makes him tick. | :11:16. | :11:21. | |
Gary Griffiths is no stranger to excitement. For years, he was a | :11:21. | :11:28. | |
volunteer on the lifeboat. Do you have fond memories with the crew? | :11:28. | :11:32. | |
Absolutely. As a child I spent loads of time down here because dad was on | :11:32. | :11:36. | |
the crew. Then when I reached 17 I joined the crew properly. Do you | :11:36. | :11:40. | |
think there's a parallel between quelling your nerves, not going what | :11:40. | :11:45. | |
to expect on a rescue and going out on stage and the adrenaline rush | :11:45. | :11:49. | |
from performing? Absolutely. When you're on an emergency call, you | :11:49. | :11:53. | |
need a level head and keep control of how you feel about the situation | :11:53. | :11:58. | |
and so, I suppose, you could draw direct parallel to how you would | :11:58. | :12:03. | |
cope going onto the stage in a pressurised situation. Helps that | :12:03. | :12:08. | |
Gary's wife understands the demands of live performance too. She's | :12:08. | :12:18. | |
:12:18. | :12:18. | ||
Hannah Stone, royal harpist to the His personality shines through so | :12:18. | :12:22. | |
much when he's singing. His skills as an actor as well, I think he just | :12:22. | :12:30. | |
makes every song very memorable and just his butyism voice as well. -- | :12:30. | :12:33. | |
just his butyism voice as well. -- just his butyism voice as well. -- | :12:33. | :12:37. | |
beautiful. Gary booked his place in BBC Cardiff singer by winning the | :12:37. | :12:42. | |
Welsh singers competition. Since then, he's been preparing for | :12:42. | :12:48. | |
the big event and what better way than a personal audience with opera | :12:48. | :12:56. | |
stars Rebecca Evans and Bryn n Tervyl. He liked my choices and | :12:57. | :13:00. | |
thought I had chosen well. It was great to have that feed back from | :13:00. | :13:06. | |
someone like Bryn. Just relax and enjoy it was his general thought. I | :13:06. | :13:10. | |
feel ready now. I'm very excited and really can't wait to just get up on | :13:10. | :13:14. | |
the stage and really go for it. Yes, everyone wants to win it. I want to | :13:14. | :13:18. | |
win it, of course I do. This is a moment that you kind of have to try | :13:18. | :13:23. | |
and grab, so I fully intend to do that. His home crowd is right behind | :13:23. | :13:30. | |
him. Good luck, Gary!We're all on the edge of our seats. We'll have a | :13:30. | :13:35. | |
taste now of two pieces from Gary's programme. I manage to sneak off | :13:35. | :13:38. | |
back stage earlier to speak to him back stage earlier to speak to him | :13:38. | :13:47. | |
back stage earlier to speak to him I'm Gary Griffiths. I'm representing | :13:47. | :13:51. | |
Wales. I'm absolutely thrilled to be Wales. I'm absolutely thrilled to be | :13:51. | :13:52. | |
Wales. I'm absolutely thrilled to be Wales. I'm absolutely thrilled to be | :13:52. | :14:02. | |
:14:02. | :14:02. | ||
Apology for the loss of subtitles for 104 seconds | :14:02. | :15:56. | |
How was it for you? I'm on the whole pretty happy. I feel I connected | :15:56. | :16:00. | |
with the audience. I felt surprisingly relaxed. Zblt audience | :16:00. | :16:04. | |
went wild for you at the end. Was it more nervewracking performing for a | :16:04. | :16:09. | |
home crowd? No, it was a comfort. Overall happy? | :16:09. | :16:16. | |
Yes, yes. It was a pleasure to do it and very proud to represent Wales. | :16:16. | :16:18. | |
We've got everything crossed for you, good luck. | :16:18. | :16:23. | |
Thank you. Indeed we've got everything crossed | :16:23. | :16:27. | |
for you Gary. We put loads of pressure on the Welsh competitor, is | :16:27. | :16:31. | |
he a contender, do you think? course he is, like everybody else. | :16:31. | :16:35. | |
He had a fabulous reception from the audience. We were shouting from the | :16:35. | :16:39. | |
beginning to the end. It was a brave programme, opening with a Mozart, | :16:39. | :16:44. | |
which is a great tongue twister. It's a difficult one. Jason probably | :16:44. | :16:48. | |
would say it was probably a very brave choice to open with. In the | :16:48. | :16:53. | |
opera, it's within the excitement of the scene. But to do it, it's only | :16:53. | :16:55. | |
like one-and-a-half minutes, if that, to do it to begin your | :16:55. | :17:03. | |
programme was very brave. Then he did a piece which was again, it is | :17:03. | :17:07. | |
enough. He didn't do it in English, I wonder if he has done enough. I | :17:07. | :17:11. | |
could listen to his voice all day. He's got such a beautiful | :17:11. | :17:15. | |
personality. It's a tough round tonight, but I think he'll be | :17:15. | :17:23. | |
pleased with his performance. sung Don Giovani. Was that a wise | :17:23. | :17:26. | |
choice at the start? If I was advising him, I would advise him not | :17:26. | :17:31. | |
to start with that, yeah, because there's nowhere to breathe in that | :17:31. | :17:35. | |
aria. It's like two bars off for three pages. I hated singing it. It | :17:35. | :17:39. | |
tends to get the voice high in the chests and a bit of tension rising | :17:39. | :17:42. | |
up, as you progressively run out of air. It's always, you try to get the | :17:42. | :17:48. | |
end without running out. It's a tough aria. To follow it with the | :17:48. | :17:52. | |
big, arch arching legato aria, that's a tough call. Well, remember, | :17:52. | :17:57. | |
if you want to see more of Gary Griffiths' performance tune in to | :17:57. | :18:01. | |
BBC Four tomorrow at 7. 30pm for a longer version of the whole of | :18:01. | :18:06. | |
tonight's concert. Follow the competition on Radio 3, Radio Wales, | :18:06. | :18:11. | |
Radio Cymru and on our website, bbc.co.uk/Cardiffsinger. Two singers | :18:11. | :18:15. | |
to go, both of them have already reached the song prize final, which | :18:15. | :18:19. | |
runs alongside the main competition. We are expecting a high standard. | :18:19. | :18:29. | |
:18:29. | :18:36. | ||
I am Olenait Tokar. I come from Ukraine. I am Wales for the first | :18:36. | :18:37. | |
Ukraine. I am Wales for the first Ukraine. I am Wales for the first | :18:37. | :18:47. | |
:18:47. | :18:47. | ||
Apology for the loss of subtitles for 104 seconds | :18:47. | :20:55. | |
Ukraine. Did she hit the right notes for you? Absolutely. A wonderful | :20:55. | :20:59. | |
performer, great voice, great technique, clarity from top to | :20:59. | :21:04. | |
bottom. Flawless in all styles. due make of her programme this | :21:04. | :21:08. | |
evening, was it varied? It was wonderful. It's lovely to hear a | :21:08. | :21:12. | |
young singer, because she's only 25 or 26, I believe, singing the | :21:12. | :21:18. | |
Handel, Mozart, the composers that are so healthy for the voice. It's | :21:18. | :21:22. | |
important to go back to those composers. She nailed it. The Handel | :21:22. | :21:32. | |
:21:32. | :21:32. | ||
was beautiful. The runny bits there. Yes, the runny bits we talk about. | :21:32. | :21:35. | |
She connected with the whole audience. You felt secure listening | :21:35. | :21:40. | |
to her. You could tell, she means business. She knows her talent. | :21:40. | :21:44. | |
a great musician. To hear that sensitivity and to hear a really | :21:44. | :21:51. | |
meaty voice. You were calling her Kylie. She's an operatic Kylie. Has | :21:51. | :21:55. | |
she got the star quality? Definitely. She's technically | :21:55. | :22:00. | |
perfect. She uses that technique in the service the music. It's such an | :22:00. | :22:03. | |
involving performance for the audience. It's eelsy to criticise, | :22:03. | :22:08. | |
but it takes everything to work and be right on the night. She nailed it | :22:08. | :22:14. | |
on the night . Let's hear the last singer tonight. He's a tenor and | :22:14. | :22:24. | |
:22:24. | :22:27. | ||
Hello everyone. My name is Yuri Gorodetski and I represented Belarus | :22:27. | :22:31. | |
Gorodetski and I represented Belarus Gorodetski and I represented Belarus | :22:31. | :22:41. | |
:22:41. | :22:41. | ||
Apology for the loss of subtitles for 104 seconds | :22:41. | :25:08. | |
Gorodetski and I represented Belarus during rehergs@-- rehearsal and got | :25:08. | :25:12. | |
better. He has a lovely, stunning quality voice. I loved him and a | :25:12. | :25:17. | |
great mouth too to watch. He's a perfect Romeo, isn't he? Somebody | :25:17. | :25:25. | |
described him earlier, if she said Chopin, he looks like that. Is that | :25:25. | :25:32. | |
right? He is striking. It's unusual to find a tall tenor. Yes and good | :25:32. | :25:37. | |
looking. He has a natural French tenor voice. His voice lives up | :25:37. | :25:43. | |
there naturally. You can hear that. Very good singer. Very interesting. | :25:43. | :25:48. | |
The Gorno was lovely with the high, float floating, gorgeous. Beautiful. | :25:48. | :25:55. | |
How did you feel he did in the Russian? For me, I prefer a meat | :25:55. | :26:01. | |
meatier more baritonal tenor to sing that. He's very good linguistically | :26:01. | :26:08. | |
because it's his neck of the woods! I prefer a slightly lower voice. | :26:08. | :26:11. | |
quick reminder of the rules now. The winner of each round isn't | :26:11. | :26:15. | |
guaranteed a place in the final. The jury will choose the five best | :26:15. | :26:19. | |
performers across the week, so on a strong night like tonight there | :26:19. | :26:24. | |
might be more than one. Jason, who impressed the most this evening? | :26:24. | :26:30. | |
have to pick the winner of tonight, in my opinion, Olenait Tokar. She | :26:30. | :26:36. | |
was very polished. I loved all the voices tonight. So did I.Gary has | :26:36. | :26:43. | |
done us really proud. Yes, indeed. Asking me now, yes it would be the | :26:43. | :26:47. | |
Ukrainian soprano. That's our favourites here. Who impressed the | :26:47. | :26:52. | |
judges? Let's hear now from the chair of the jury, Nicholas Payne. | :26:52. | :27:02. | |
:27:02. | :27:06. | ||
And that winner is... Olenait Tokar. There's a very happy and gorgeous | :27:06. | :27:11. | |
Olenait Tokar walking on stage to a delighted St David's Hall audience. | :27:11. | :27:18. | |
She lifts the trophy aloft, a doll-like, beautiful soprano from | :27:18. | :27:27. | |
Ukraine here who has captured the heart of Cardiff tonight. That was a | :27:27. | :27:32. | |
few minutes ago. We are delighted now to welcome Olenait Tokar from | :27:32. | :27:37. | |
Ukraine into the studio, the winner of round three of BBC Cardiff Singer | :27:37. | :27:43. | |
of the World 2013. Congratulations. APPLAUSE | :27:43. | :27:53. | |
:27:53. | :28:23. | ||
OF COURSE All the competitors were very strong. She's very grateful to | :28:23. | :28:28. | |
the jury and the audience for choosing her. We loved it. Bravo. | :28:28. | :28:33. | |
That's it tonight. Congratulations to our winner, Olenait Tokar. Many | :28:33. | :28:39. | |
special thanks to our guests, Jason Howard and Shan Cothi. There's more | :28:39. | :28:43. | |
information on the website bbc.co.uk/Cardiffsinger. And | :28:43. | :28:48. | |
remember, there's a longer version of tonight's concert on BBC 4 | :28:48. | :28:52. | |
tomorrow night. Make sure you're back with us at 10pm tomorrow night | :28:52. | :28:57. |