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down and 15 performers have already had their moment on the big stage. | :00:10. | :00:13. | |
Tonight, the last five singers have their chance to show us what they | :00:13. | :00:19. | |
can do on BBC Cardiff singer of the World and the judges decide on their | :00:19. | :00:25. | |
line-up for Sunday's Grand Final. young opera singers from across the | :00:25. | :00:32. | |
globe. Hoping to impress the judges with the performance of their lives. | :00:32. | :00:36. | |
I'm looking for -- forward to some really amazing singers. I would like | :00:37. | :00:41. | |
to hear a stunner. Victory can propel the winner to international | :00:41. | :00:48. | |
fame. The Cardiff Singer of the World really launched my career. | :00:48. | :00:58. | |
:00:58. | :01:32. | ||
preparation is over. The stage again we're here in the foyer, while | :01:32. | :01:36. | |
the last round is reaching its climax. It's through there in the | :01:36. | :01:40. | |
main hall and singers from Poland, England, Argentina, South Korea and | :01:40. | :01:45. | |
Italy are all hoping to impress the judges tonight. The competition has | :01:45. | :01:53. | |
already given us three fantastic winners. Jamie Barton from the | :01:53. | :02:03. | |
:02:03. | :02:09. | ||
United States on Monday. On Tuesday Maria Celeng from Hungary. And last | :02:09. | :02:19. | |
night's Olena Tokar from Ukraine. Remember, the round winners aren't | :02:19. | :02:22. | |
guaranteed a place in the final. It's who the judges think are the | :02:22. | :02:25. | |
best five from across the week, so there's everything to play for. We | :02:25. | :02:30. | |
hope to get that decision before the end of the programme. We have got | :02:30. | :02:34. | |
highlights of all of tonight's singers and we are joined by special | :02:35. | :02:40. | |
guests. Tonight it's a pleasure to welcome Rebecca Evans, who has built | :02:40. | :02:45. | |
a glowing reputation at all the major Opera Houses worldwide. | :02:45. | :02:55. | |
:02:55. | :02:56. | ||
International conduct conductor Grant, who conducted in 2005. | :02:56. | :02:59. | |
Rebecca you have been listening in rehearsal. Are we in for a strong | :02:59. | :03:03. | |
night? It will be a difficult decision this evening. It will be | :03:03. | :03:10. | |
really tough. I think you will be very lucky if you get a result. | :03:10. | :03:14. | |
know what it's like standing in front. How nerve racking is it for | :03:14. | :03:18. | |
them? I think it raises the bar when you get the audience in front of you | :03:18. | :03:22. | |
and the light on and it's show time. We listened to the rehearsal this | :03:22. | :03:26. | |
afternoon, where the singers are understandably marking a certain | :03:26. | :03:32. | |
amount, but come the show, that's when it just goes up, the octane | :03:32. | :03:37. | |
level. All that excitement to come and there's lots more through the | :03:37. | :03:41. | |
show. We'll get on with the competition. First on stage tonight | :03:41. | :03:51. | |
:03:51. | :03:56. | ||
is a baritone from Poland. Michael Partyka. I'm from Poland and | :03:56. | :04:06. | |
:04:06. | :04:06. | ||
Apology for the loss of subtitles for 122 seconds | :04:06. | :06:09. | |
make me terribly excited. It was a very safe performance. Beautiful | :06:09. | :06:16. | |
choice. How could you not fall in love with that aria? It's divine. | :06:16. | :06:20. | |
His father wanted him to become a tennis player. Do you think he upped | :06:20. | :06:24. | |
his game tonight? Well, gosh, tennis player with Wimbledon around the | :06:24. | :06:31. | |
corner. Yeah, I think actual actually the voice is liR kele and | :06:31. | :06:38. | |
the personality is essentially liR kele and intimate. -- lyrical and | :06:38. | :06:46. | |
the personality is essential liR kele and intimate. I could have done | :06:46. | :06:50. | |
with the fore-hand smash, but the killer blow, I didn't feel it was | :06:50. | :06:55. | |
quite there. I'm loving the analogy. Some countries have more than one | :06:55. | :07:01. | |
singer here this week. South Korea, Italy and England, but don't be | :07:01. | :07:05. | |
confused, next up tonight is our second singer from England and he's | :07:05. | :07:15. | |
:07:15. | :07:16. | ||
a tenor. I'm Ben Johnson and I'm representing England and I'm very | :07:16. | :07:26. | |
:07:26. | :07:26. | ||
Apology for the loss of subtitles for 122 seconds | :07:26. | :09:36. | |
excited to be taking part in Cardiff the final of this year's Song Prize. | :09:36. | :09:40. | |
Is he a main contender for the competition? I think there are | :09:40. | :09:46. | |
several contenders this evening and he so intelligently chose an | :09:46. | :09:49. | |
incredibly interesting programme and this aria though is one of the most | :09:49. | :09:56. | |
difficult in the repertoire. Really, really requires the beautiful | :09:56. | :09:59. | |
Italian voice, which I think was sometimes a little lacking in the | :09:59. | :10:05. | |
top part of his voice. You know him very well: Yes. I ignore the | :10:06. | :10:10. | |
singing. His Mozart is glorious. heard him this afternoon and I was | :10:10. | :10:14. | |
blown way by him. Grant, that's often the case, isn't it, that you | :10:14. | :10:19. | |
can have a fantastic rehearsal but when the chips are down it's | :10:19. | :10:23. | |
sometimes difficult? He, in my opinion, seemed to be doing | :10:23. | :10:29. | |
everything right. As Rebecca said, its with a carefully chosen | :10:29. | :10:33. | |
programme and wonderful thread and rhythm to this. I just think that | :10:33. | :10:38. | |
nerves got to him tonight. He's obviously such a great technical | :10:38. | :10:45. | |
singer and he thinks about what he's doing and he's very musical. The | :10:45. | :10:51. | |
nerves took the edge off it. It's so high-profile and I love the Bridge, | :10:51. | :10:56. | |
but it's just it - do you think it was tiredness? I think it was. | :10:56. | :11:01. | |
You've got such a terribly busy week, with all the interviews, and | :11:01. | :11:06. | |
we have a rehearsal here and they have several others. He has the | :11:06. | :11:09. | |
Leader Prize tomorrow so the pressure on him is great. You've got | :11:10. | :11:14. | |
your 15 minutes on that stage and it's your showcase and you have to | :11:14. | :11:18. | |
make the most of it. You have to absolutely grab it. Of course, it | :11:18. | :11:22. | |
takes years of training to become a professional opera singer. Most of | :11:22. | :11:26. | |
my experience is in musical theatre. We normally use microphones to | :11:26. | :11:31. | |
amplify the sound, so how do opera singers project their voices over a | :11:31. | :11:39. | |
full orchestra? I caught up with Catrin win Davies to find out more. | :11:39. | :11:43. | |
This is where the competitors perform. A massive auditorium and | :11:43. | :11:49. | |
without amplification, what is the secret? The secret is having a good | :11:49. | :11:53. | |
singing technique and it's all about the breathing. When you are nervous | :11:53. | :11:57. | |
your breath gets high and that can affect the quality of the sound. You | :11:57. | :12:01. | |
will still get the notes out, but they won't have the round or all the | :12:01. | :12:04. | |
harmony that you want from that voice and sound. Let it all hang | :12:04. | :12:09. | |
out? Let everything hand out and feel like you have a big tyre around | :12:09. | :12:13. | |
you. People have this image that it's all up and breathing and | :12:13. | :12:21. | |
projecting out and actually it's not. If you watch Jamie Barton, she | :12:21. | :12:28. | |
absolutely sings with her body. sings in this way, the way she | :12:28. | :12:32. | |
breathes in her lines and she never sends them out. She is very poised. | :12:32. | :12:37. | |
All the work is happening down, much lower than we imagine. She is | :12:37. | :12:42. | |
pulling that voice in on the breath. And it's effortless. How do they | :12:42. | :12:48. | |
choose the right repertoire? Programming is essential. The first | :12:48. | :12:53. | |
piece must be something that you feel really comfortable with, so | :12:53. | :12:56. | |
when you're nervous, you can sing it whatever and then your second and | :12:56. | :13:02. | |
third. By the time you get to the last piece it's really your real | :13:02. | :13:08. | |
show-stopper. How do they ensure their voice is in the best possible | :13:08. | :13:15. | |
shape? It's pacing and you can only get that from experience. Don't sing | :13:15. | :13:18. | |
too much in the rehearsal and warm up the body and find the voice. | :13:18. | :13:22. | |
Enough just to make sure they have the bottom, middle and top and then | :13:22. | :13:30. | |
u on. -- you're on. The singer we heard there is Daniela Mack from | :13:30. | :13:37. | |
Argentina and she is the next performer on stage tonight. She is a | :13:37. | :13:45. | |
mezzo-soprano. Hello. I'm den yell la mac and I'm from Buenos Aires and | :13:45. | :13:53. | |
I am so -- Daniela Mack and I'm from Ben airs and I'm so -- Buenos Aires | :13:53. | :14:03. | |
:14:03. | :14:03. | ||
Apology for the loss of subtitles for 122 seconds | :14:03. | :16:21. | |
Argentina. Grant, she has already sung a lead leading role with the | :16:21. | :16:24. | |
English National Opera. Some have tipped her. Did you agree? She's got | :16:24. | :16:27. | |
it all. She's right up there. You were just talking about having to | :16:27. | :16:31. | |
have the bottom, middle and top. She's got everything in between as | :16:31. | :16:36. | |
well. Glorious instrument and she uses it so well. Not only is she a | :16:36. | :16:42. | |
fabulous singer, but she has the whole package. Great actress and | :16:42. | :16:46. | |
looks There aren't enough words to describe her. When she walked on in | :16:46. | :16:50. | |
that glorious gown, with the appoints and she faced the audience | :16:50. | :16:55. | |
like a lion tamer and said, "Right, here a am and this is what you're | :16:55. | :16:59. | |
getting." It's so exciting when you get that. It was lovely to hear | :16:59. | :17:08. | |
interesting and different songs. You might expect the Barber of Seville. | :17:09. | :17:15. | |
The musicality is rare in a singer? To have the courage and the sheer | :17:15. | :17:20. | |
nerve to single it as delicately and understated as she managed in | :17:20. | :17:23. | |
between the fireworks either side was truly impressive. That shows | :17:24. | :17:30. | |
real nerve. You could have heard a pin drop during the singing. There | :17:30. | :17:35. | |
have been criticisms that many people have been using a repertoire | :17:35. | :17:39. | |
beyond them, but to have someone that accomplished to choose the | :17:39. | :17:43. | |
simplicity of the second aria. can become overambitious in this | :17:43. | :17:48. | |
situation. It's what it's all about. She chose so cleverly. She is a | :17:48. | :17:54. | |
salsa dancer so she has great vocal moves. No wonder she is so slim.We | :17:54. | :17:57. | |
have already heard highlights from three of tonight's singers and | :17:57. | :18:02. | |
remember, if you want to see a longer version of tonight's concert, | :18:02. | :18:06. | |
to tune in 7. 30pm and you can follow the competition on Radio 3 | :18:07. | :18:14. | |
and radio Wales and on our website. We'll hear tonight's fourth singer | :18:15. | :18:24. | |
:18:25. | :18:28. | ||
and he's a base baritone from South Korea. I'm Jeongcheol Cha. Call me | :18:28. | :18:34. | |
JC. I'm representing South Korea and it's really an honour to be invited | :18:34. | :18:44. | |
:18:44. | :18:44. | ||
Apology for the loss of subtitles for 122 seconds | :18:44. | :20:51. | |
have never had a South Korean winner, so do you think Jeongcheol | :20:51. | :20:57. | |
Cha could be the first? I'm going to call him JC because he said we | :20:57. | :21:02. | |
could. Absolutely. What an all-rounder and playing a really, | :21:02. | :21:05. | |
really convincing drunk to the appoints and elegance of the Handel | :21:05. | :21:12. | |
and the bule of romantic of the Russian piece. To hear Rachmaninoff, | :21:13. | :21:16. | |
that is quite rare in this competition, because they didn't | :21:16. | :21:21. | |
write that many operas? He made it sound like he's to the manor born. I | :21:21. | :21:24. | |
only had to listen to the first two or three notes of that yaR to think | :21:24. | :21:30. | |
this is worth the admission fee. That is such a lovely voice. | :21:30. | :21:33. | |
Glorious depth and to choose Handel with that, you would think that | :21:33. | :21:37. | |
maybe a singer of that weight might not choose to include Handel, but | :21:37. | :21:43. | |
great that he did. He had the agility and he proved that he can | :21:43. | :21:47. | |
sing anything really. You were talking about how many great South | :21:48. | :21:51. | |
Korean singers are coming out. are popping out of the woodwork all | :21:51. | :21:55. | |
the time and that's very exciting. There are schools of music and they | :21:55. | :21:59. | |
are doing the right thing and sending them out to us. The finished | :21:59. | :22:03. | |
article. There are two in the competition this year. Double the | :22:03. | :22:09. | |
chances. Indeed. We already have their violinists taking over the | :22:09. | :22:14. | |
orchestras, so it's about time the singers came out. I'm a fan of | :22:14. | :22:19. | |
Jeongcheol Cha because he like gang naple, so hopefully he'll be | :22:19. | :22:22. | |
celebrating with that. You never know. On to the last performer in | :22:22. | :22:26. | |
the whole competition. I can't believe we are at the final singer | :22:26. | :22:30. | |
already. She has had a long wait. The last of 20 to take the stage | :22:30. | :22:40. | |
:22:40. | :22:44. | ||
this week. She is a soprano from Italy. I'm Teresa Romano and I'm | :22:44. | :22:54. | |
:22:54. | :22:54. | ||
Apology for the loss of subtitles for 122 seconds | :22:54. | :24:53. | |
from Italy. I'm proud to be here in round to a close. Grant, did they | :24:53. | :24:59. | |
save the best until last? It was certainly The Italian Job! I think | :24:59. | :25:04. | |
they've had a bit of smash and grab about it as well actually. It was - | :25:04. | :25:09. | |
it's high octane and heart on sleeve. It was histrionics from | :25:09. | :25:13. | |
beginning to end and if you like that sort of thing, that she is your | :25:13. | :25:17. | |
woman. I could have done with a little more light and shade and | :25:17. | :25:22. | |
contrast, but she certainly didn't pull back. Rebecca, did you like | :25:22. | :25:29. | |
that sort of thing? Three Italian aRias, bang, bang -- arias, bang, | :25:29. | :25:35. | |
bang, bang. It wasn't my favourite programme of the evening, I have to | :25:35. | :25:39. | |
be honest and not my favourite performance either. Nevertheless, | :25:39. | :25:43. | |
she was very elegant on the stage. She had beautiful presence. And | :25:43. | :25:49. | |
projected well into the hall. I don't like all this personally and | :25:49. | :25:55. | |
butterfly, she is 15, we must forget she is 15 and the characterisisation | :25:55. | :25:59. | |
was of a much older and mature woman. Do you think she has less end | :25:59. | :26:06. | |
her chances by doing it all in Italian? Yes. I I think you have to | :26:06. | :26:13. | |
perform in different languages and styles and - After all it's Cardiff | :26:13. | :26:17. | |
Singer of the World. We are hoping to have the decision soon, but it's | :26:17. | :26:20. | |
complicated tonight. They're not just choosing the winner of this | :26:20. | :26:25. | |
round, but also picking the best five from across the whole week. A | :26:25. | :26:30. | |
big job to do that. Have you got any favourites that you would like to | :26:30. | :26:35. | |
see? For me, I loved ark Tina. I would definitely put her in the | :26:35. | :26:40. | |
final and America. I would also put her in the final. Tonight's South | :26:40. | :26:46. | |
Korea. I would put him in. Last tight's winner, Ukraine. And the | :26:46. | :26:52. | |
fifth is, well, shall we call it a wild card. Yes. This is the wonder | :26:52. | :26:57. | |
of this competition, because there could be a whole night when someone | :26:57. | :27:01. | |
was victorious and they're not in the final. That's tough. You know, | :27:01. | :27:07. | |
it might just be Argentina's year. We have a new Pope and something | :27:07. | :27:10. | |
even more important like Cardiff Singer of the World, that would be a | :27:10. | :27:15. | |
real act. Well, we have had a chance to watch and for us to pick our | :27:16. | :27:21. | |
winner. I think I'm going for Olena Tokar. What about you? Definitely | :27:21. | :27:26. | |
Olena Tokar. The winner for me tonight I think has to be Daniela | :27:26. | :27:32. | |
Mack. We have an announcement. That's who we would have gone for, | :27:32. | :27:42. | |
but it's the judges' votes. Nicola pain has tonight's winner. | :27:42. | :27:52. | |
:27:52. | :27:56. | ||
winner we have chosen from tonight's concert is Daniela Mack. | :27:56. | :28:00. | |
APPLAUSE Our choice here in the studio and I | :28:00. | :28:06. | |
think St David's Hall audience as well. Such a accomplished singing. | :28:06. | :28:10. | |
Looking absolutely delighted there in that gorgeous frock. Meeting the | :28:10. | :28:16. | |
panel. I'm sure she is going to be one of the finalists. We think she | :28:16. | :28:25. | |
will be. She is greeting all of the jury there. She is looking delighted | :28:25. | :28:35. | |
obviously. Live shots from St David's Hall there as she holds | :28:35. | :28:45. | |
:28:45. | :28:46. | ||
aloft the winner of round four of Cardiff Singer of the World 2013. | :28:46. | :28:54. | |
What do we think about that? It was the right decision? Definitely. Her | :28:54. | :28:57. | |
career has - this is the first day of the rest of her life. How | :28:57. | :29:05. | |
exciting. World-class talent I won't be able to afford her. That is | :29:05. | :29:09. | |
sadness. Get in quick, because that's an enormous career. If you | :29:09. | :29:19. | |
think of the great mezzos. She is up there with Katirina and Suzie | :29:19. | :29:25. | |
Graham. We have an announcement for you. Straight to that now. Those of | :29:26. | :29:31. | |
you who have been following this throughout. Jamie Barton, | :29:31. | :29:41. | |
:29:41. | :29:47. | ||
mezzo-soprano from the United States. Marco from Croatia. Olena | :29:47. | :29:57. | |
Tokar sopra narks o from Ukraine. -- soprano from Ukraine. Daniela Mack | :29:57. | :30:05. | |
from Argentina and Teresa Romano soprano from Italy. That's our final | :30:05. | :30:11. | |
soloists. Some surprises there. And Teresa Romano. What do we think | :30:11. | :30:15. | |
about that? It just proves the point that we saw perceive voices in a | :30:15. | :30:19. | |
different way. Thank goodness otherwise some of us would be | :30:19. | :30:23. | |
constantly in work and others not. Sadly, our time has run out, but we | :30:23. | :30:26. |