Part 4 BBC Cardiff Singer of the World


Part 4

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down and 15 performers have already had their moment on the big stage.

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Tonight, the last five singers have their chance to show us what they

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can do on BBC Cardiff singer of the World and the judges decide on their

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line-up for Sunday's Grand Final. young opera singers from across the

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globe. Hoping to impress the judges with the performance of their lives.

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I'm looking for -- forward to some really amazing singers. I would like

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to hear a stunner. Victory can propel the winner to international

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fame. The Cardiff Singer of the World really launched my career.

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preparation is over. The stage again we're here in the foyer, while

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the last round is reaching its climax. It's through there in the

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main hall and singers from Poland, England, Argentina, South Korea and

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Italy are all hoping to impress the judges tonight. The competition has

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already given us three fantastic winners. Jamie Barton from the

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United States on Monday. On Tuesday Maria Celeng from Hungary. And last

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night's Olena Tokar from Ukraine. Remember, the round winners aren't

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guaranteed a place in the final. It's who the judges think are the

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best five from across the week, so there's everything to play for. We

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hope to get that decision before the end of the programme. We have got

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highlights of all of tonight's singers and we are joined by special

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guests. Tonight it's a pleasure to welcome Rebecca Evans, who has built

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a glowing reputation at all the major Opera Houses worldwide.

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International conduct conductor Grant, who conducted in 2005.

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Rebecca you have been listening in rehearsal. Are we in for a strong

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night? It will be a difficult decision this evening. It will be

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really tough. I think you will be very lucky if you get a result.

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know what it's like standing in front. How nerve racking is it for

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them? I think it raises the bar when you get the audience in front of you

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and the light on and it's show time. We listened to the rehearsal this

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afternoon, where the singers are understandably marking a certain

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amount, but come the show, that's when it just goes up, the octane

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level. All that excitement to come and there's lots more through the

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show. We'll get on with the competition. First on stage tonight

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is a baritone from Poland. Michael Partyka. I'm from Poland and

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Apology for the loss of subtitles for 122 seconds

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make me terribly excited. It was a very safe performance. Beautiful

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choice. How could you not fall in love with that aria? It's divine.

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His father wanted him to become a tennis player. Do you think he upped

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his game tonight? Well, gosh, tennis player with Wimbledon around the

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corner. Yeah, I think actual actually the voice is liR kele and

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the personality is essentially liR kele and intimate. -- lyrical and

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the personality is essential liR kele and intimate. I could have done

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with the fore-hand smash, but the killer blow, I didn't feel it was

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quite there. I'm loving the analogy. Some countries have more than one

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singer here this week. South Korea, Italy and England, but don't be

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confused, next up tonight is our second singer from England and he's

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a tenor. I'm Ben Johnson and I'm representing England and I'm very

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Apology for the loss of subtitles for 122 seconds

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excited to be taking part in Cardiff the final of this year's Song Prize.

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Is he a main contender for the competition? I think there are

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several contenders this evening and he so intelligently chose an

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incredibly interesting programme and this aria though is one of the most

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difficult in the repertoire. Really, really requires the beautiful

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Italian voice, which I think was sometimes a little lacking in the

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top part of his voice. You know him very well: Yes. I ignore the

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singing. His Mozart is glorious. heard him this afternoon and I was

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blown way by him. Grant, that's often the case, isn't it, that you

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can have a fantastic rehearsal but when the chips are down it's

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sometimes difficult? He, in my opinion, seemed to be doing

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everything right. As Rebecca said, its with a carefully chosen

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programme and wonderful thread and rhythm to this. I just think that

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nerves got to him tonight. He's obviously such a great technical

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singer and he thinks about what he's doing and he's very musical. The

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nerves took the edge off it. It's so high-profile and I love the Bridge,

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but it's just it - do you think it was tiredness? I think it was.

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You've got such a terribly busy week, with all the interviews, and

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we have a rehearsal here and they have several others. He has the

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Leader Prize tomorrow so the pressure on him is great. You've got

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your 15 minutes on that stage and it's your showcase and you have to

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make the most of it. You have to absolutely grab it. Of course, it

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takes years of training to become a professional opera singer. Most of

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my experience is in musical theatre. We normally use microphones to

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amplify the sound, so how do opera singers project their voices over a

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full orchestra? I caught up with Catrin win Davies to find out more.

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This is where the competitors perform. A massive auditorium and

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without amplification, what is the secret? The secret is having a good

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singing technique and it's all about the breathing. When you are nervous

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your breath gets high and that can affect the quality of the sound. You

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will still get the notes out, but they won't have the round or all the

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harmony that you want from that voice and sound. Let it all hang

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out? Let everything hand out and feel like you have a big tyre around

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you. People have this image that it's all up and breathing and

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projecting out and actually it's not. If you watch Jamie Barton, she

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absolutely sings with her body. sings in this way, the way she

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breathes in her lines and she never sends them out. She is very poised.

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All the work is happening down, much lower than we imagine. She is

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pulling that voice in on the breath. And it's effortless. How do they

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choose the right repertoire? Programming is essential. The first

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piece must be something that you feel really comfortable with, so

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when you're nervous, you can sing it whatever and then your second and

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third. By the time you get to the last piece it's really your real

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show-stopper. How do they ensure their voice is in the best possible

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shape? It's pacing and you can only get that from experience. Don't sing

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too much in the rehearsal and warm up the body and find the voice.

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Enough just to make sure they have the bottom, middle and top and then

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u on. -- you're on. The singer we heard there is Daniela Mack from

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Argentina and she is the next performer on stage tonight. She is a

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mezzo-soprano. Hello. I'm den yell la mac and I'm from Buenos Aires and

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I am so -- Daniela Mack and I'm from Ben airs and I'm so -- Buenos Aires

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Apology for the loss of subtitles for 122 seconds

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Argentina. Grant, she has already sung a lead leading role with the

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English National Opera. Some have tipped her. Did you agree? She's got

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it all. She's right up there. You were just talking about having to

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have the bottom, middle and top. She's got everything in between as

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well. Glorious instrument and she uses it so well. Not only is she a

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fabulous singer, but she has the whole package. Great actress and

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looks There aren't enough words to describe her. When she walked on in

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that glorious gown, with the appoints and she faced the audience

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like a lion tamer and said, "Right, here a am and this is what you're

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getting." It's so exciting when you get that. It was lovely to hear

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interesting and different songs. You might expect the Barber of Seville.

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The musicality is rare in a singer? To have the courage and the sheer

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nerve to single it as delicately and understated as she managed in

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between the fireworks either side was truly impressive. That shows

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real nerve. You could have heard a pin drop during the singing. There

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have been criticisms that many people have been using a repertoire

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beyond them, but to have someone that accomplished to choose the

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simplicity of the second aria. can become overambitious in this

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situation. It's what it's all about. She chose so cleverly. She is a

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salsa dancer so she has great vocal moves. No wonder she is so slim.We

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have already heard highlights from three of tonight's singers and

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remember, if you want to see a longer version of tonight's concert,

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to tune in 7. 30pm and you can follow the competition on Radio 3

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and radio Wales and on our website. We'll hear tonight's fourth singer

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and he's a base baritone from South Korea. I'm Jeongcheol Cha. Call me

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JC. I'm representing South Korea and it's really an honour to be invited

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Apology for the loss of subtitles for 122 seconds

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have never had a South Korean winner, so do you think Jeongcheol

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Cha could be the first? I'm going to call him JC because he said we

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could. Absolutely. What an all-rounder and playing a really,

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really convincing drunk to the appoints and elegance of the Handel

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and the bule of romantic of the Russian piece. To hear Rachmaninoff,

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that is quite rare in this competition, because they didn't

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write that many operas? He made it sound like he's to the manor born. I

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only had to listen to the first two or three notes of that yaR to think

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this is worth the admission fee. That is such a lovely voice.

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Glorious depth and to choose Handel with that, you would think that

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maybe a singer of that weight might not choose to include Handel, but

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great that he did. He had the agility and he proved that he can

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sing anything really. You were talking about how many great South

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Korean singers are coming out. are popping out of the woodwork all

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the time and that's very exciting. There are schools of music and they

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are doing the right thing and sending them out to us. The finished

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article. There are two in the competition this year. Double the

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chances. Indeed. We already have their violinists taking over the

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orchestras, so it's about time the singers came out. I'm a fan of

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Jeongcheol Cha because he like gang naple, so hopefully he'll be

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celebrating with that. You never know. On to the last performer in

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the whole competition. I can't believe we are at the final singer

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already. She has had a long wait. The last of 20 to take the stage

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this week. She is a soprano from Italy. I'm Teresa Romano and I'm

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Apology for the loss of subtitles for 122 seconds

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from Italy. I'm proud to be here in round to a close. Grant, did they

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save the best until last? It was certainly The Italian Job! I think

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they've had a bit of smash and grab about it as well actually. It was -

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it's high octane and heart on sleeve. It was histrionics from

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beginning to end and if you like that sort of thing, that she is your

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woman. I could have done with a little more light and shade and

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contrast, but she certainly didn't pull back. Rebecca, did you like

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that sort of thing? Three Italian aRias, bang, bang -- arias, bang,

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bang, bang. It wasn't my favourite programme of the evening, I have to

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be honest and not my favourite performance either. Nevertheless,

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she was very elegant on the stage. She had beautiful presence. And

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projected well into the hall. I don't like all this personally and

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butterfly, she is 15, we must forget she is 15 and the characterisisation

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was of a much older and mature woman. Do you think she has less end

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her chances by doing it all in Italian? Yes. I I think you have to

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perform in different languages and styles and - After all it's Cardiff

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Singer of the World. We are hoping to have the decision soon, but it's

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complicated tonight. They're not just choosing the winner of this

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round, but also picking the best five from across the whole week. A

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big job to do that. Have you got any favourites that you would like to

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see? For me, I loved ark Tina. I would definitely put her in the

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final and America. I would also put her in the final. Tonight's South

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Korea. I would put him in. Last tight's winner, Ukraine. And the

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fifth is, well, shall we call it a wild card. Yes. This is the wonder

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of this competition, because there could be a whole night when someone

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was victorious and they're not in the final. That's tough. You know,

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it might just be Argentina's year. We have a new Pope and something

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even more important like Cardiff Singer of the World, that would be a

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real act. Well, we have had a chance to watch and for us to pick our

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winner. I think I'm going for Olena Tokar. What about you? Definitely

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Olena Tokar. The winner for me tonight I think has to be Daniela

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Mack. We have an announcement. That's who we would have gone for,

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but it's the judges' votes. Nicola pain has tonight's winner.

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winner we have chosen from tonight's concert is Daniela Mack.

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APPLAUSE Our choice here in the studio and I

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think St David's Hall audience as well. Such a accomplished singing.

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Looking absolutely delighted there in that gorgeous frock. Meeting the

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panel. I'm sure she is going to be one of the finalists. We think she

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will be. She is greeting all of the jury there. She is looking delighted

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obviously. Live shots from St David's Hall there as she holds

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aloft the winner of round four of Cardiff Singer of the World 2013.

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What do we think about that? It was the right decision? Definitely. Her

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career has - this is the first day of the rest of her life. How

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exciting. World-class talent I won't be able to afford her. That is

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sadness. Get in quick, because that's an enormous career. If you

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think of the great mezzos. She is up there with Katirina and Suzie

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Graham. We have an announcement for you. Straight to that now. Those of

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you who have been following this throughout. Jamie Barton,

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mezzo-soprano from the United States. Marco from Croatia. Olena

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Tokar sopra narks o from Ukraine. -- soprano from Ukraine. Daniela Mack

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from Argentina and Teresa Romano soprano from Italy. That's our final

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soloists. Some surprises there. And Teresa Romano. What do we think

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about that? It just proves the point that we saw perceive voices in a

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different way. Thank goodness otherwise some of us would be

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constantly in work and others not. Sadly, our time has run out, but we

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