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History in the making tonight at the Royal Albert Hall as the first-ever | :00:33. | :00:39. | |
female conductor, Marin Alsop, takes on the most famous classical music | :00:40. | :00:45. | |
concert in the world. Welcome to the Last Night of the Proms 2013. It has | :00:45. | :00:47. | |
been the most amazing season. Weeks Last Night of the Proms 2013. It has | :00:47. | :00:51. | |
of glorious sunshine outside and two months of scorching music-making | :00:51. | :00:55. | |
inside the Royal Albert Hall. Tonight, we are celebrating with the | :00:55. | :00:59. | |
grandest of grand finales. Lots on the programme. We have Nigel Kennedy | :00:59. | :01:05. | |
playing The Lark Ascending, we have music by Wagner, Verdi and Bernstein | :01:05. | :01:13. | |
and a clutch of favourites sung by mezzo-soprano Joyce DiDonato. We | :01:13. | :01:20. | |
have Rule Britannia and Land of Hope and Glory. The celebrations are | :01:20. | :01:25. | |
spilling out to Proms in the Park events throughout the UK. Press your | :01:25. | :01:29. | |
red button to watch highlights of those at any time tonight. | :01:29. | :01:33. | |
There are Proms in the Park events in Belfast, Caerphilly, Glasgow and | :01:33. | :01:38. | |
in Hyde Park. Later, everyone will come together for one of the newest | :01:38. | :01:44. | |
Proms traditions singing You'll Never Walk Alone. We have over 200 | :01:44. | :01:50. | |
musicians here on stage, the magnificent BBC Symphony Orchestra | :01:50. | :01:52. | |
and the BBC Symphony Chorus. They are raring to go. Well, that | :01:52. | :02:07. | |
applause there for the leader of the BBC Symphony Orchestra, Stephen | :02:07. | :02:09. | |
Bryant. Before the music gets under way, we | :02:09. | :02:19. | |
have a vital Last Night tradition of honouring the Founder of the Proms | :02:19. | :02:24. | |
Sir Henry Wood by placing laurels on the bust of the man himself. Doing | :02:24. | :02:31. | |
the honours are two dedicated Promenaders, Paul Davies, and Roger | :02:31. | :02:38. | |
Greenwood, who says he's attended over 1,500 Proms in his lifetime. | :02:38. | :02:46. | |
That bust of Sir Henry Wood lent to the BBC Proms each summer by the | :02:46. | :02:55. | |
Royal Academy of Music. But on with the music. First up, we have a | :02:55. | :03:01. | |
brand-new fanfare especially written for tonight by Anna Clyne. It is | :03:01. | :03:05. | |
called Masquerade. Coming on stage now to a huge cheer to conduct the | :03:05. | :03:10. | |
BBC Symphony Orchestra, the American conductor, Marin Alsop. | :03:10. | :03:17. | |
MUSIC: "Masquerade" by Anna Clyne | :03:18. | :04:09. | |
MUSIC: "Masquerade" by Anna Clyne | :04:09. | :08:27. | |
Masquerade by Anna Clyne, our curtain-raiser to Last Night of the | :08:27. | :08:43. | |
Proms. The BBC Symphony Orchestra conducted by Marin Alsop. I think we | :08:43. | :08:51. | |
got a glimpse of Anna Clyne, just 33, born in Britain but now living | :08:51. | :08:56. | |
in America. There she is, dedicating Masquerade to the Prommers, that | :08:56. | :09:00. | |
committed bunch of music lovers who stand down in the arena at the Royal | :09:00. | :09:05. | |
Albert Hall and are cheering her to the rafters. Next up, we have music | :09:05. | :09:14. | |
from Richard Wagner whose 200th anniversary we have been celebrating | :09:14. | :09:21. | |
all season. This is Wagner's Overture to the Mastersingers of | :09:21. | :09:22. | |
Nuremberg. Wagner's Overture to the | :09:22. | :19:12. | |
Mastersingers of Nuremberg, performed by the BBC Symphony | :19:12. | :19:23. | |
Orchestra, conducted by Marin Alsop. A major Wagner anniversary this | :19:24. | :19:31. | |
year. We have been celebrating it at the Proms. Next, we will be hearing | :19:31. | :19:44. | |
music close to Marin Alsop's heart, Leonard Bernstein's Chichester | :19:44. | :19:47. | |
Psalms. Marin studied conducting with Bernstein. She really | :19:47. | :19:51. | |
understands his music. Someone else who knows a thing or two about | :19:51. | :19:55. | |
Leonard Bernstein, is Julian Joseph, who is my guest tonight. Welcome to | :19:55. | :19:59. | |
the Last Night of the Proms. who is my guest tonight. Welcome to | :19:59. | :20:02. | |
Pleasure to be here. My goodness! I know. Quite the event. Bernstein, we | :20:02. | :20:08. | |
know him as a conductor and composer of West Side Story. How do you | :20:08. | :20:13. | |
define his music? His music encapsulates so much of the | :20:13. | :20:19. | |
classical tradition, whether it is the German tradition of writing, or | :20:19. | :20:30. | |
the full classical gambit. He uses the blues and we will hear this in | :20:30. | :20:35. | |
the next piece. There is something quintessentially American about his | :20:35. | :20:39. | |
music? Absolutely. He has that signature sound. I think, possibly, | :20:39. | :20:51. | |
after George Gershwin, he is one of the signatory composers that really | :20:51. | :20:54. | |
brings that American sound forward. The fact that Marin learnt with him, | :20:54. | :21:00. | |
does that mean she will be interpreting his music in a special | :21:00. | :21:05. | |
way? Absolutely. If you know the composer, if you have a closeness | :21:05. | :21:07. | |
way? Absolutely. If you know the with him and you have spoken to him | :21:07. | :21:12. | |
about music, you will get an insight into how things really work. This is | :21:12. | :21:19. | |
a curious woman. She's an incredible musician. I'm sure that studying | :21:19. | :21:25. | |
with him, the questions were flying thick and fast. Not only that, he | :21:25. | :21:29. | |
offered her some sense of process in terms of developing as that great | :21:29. | :21:33. | |
musician we know her to be. She said she saw him conduct when she was | :21:33. | :21:37. | |
seven or eight and that is what made her want to be a conductor. At a | :21:37. | :21:41. | |
time when her teacher said, "Girls don't do that." Absolutely. She also | :21:41. | :21:47. | |
went on to say he was somebody who bucked the trend and encouraged her | :21:47. | :21:57. | |
to Leonard Bernstein's Chichester Psalms was commissioned by the Dean | :21:57. | :22:05. | |
of Chichester Cathedral. It sets the words of the Psalms in the original | :22:05. | :22:13. | |
Hebrew. Here comes countertenor Iestyn Davies, along with Marin | :22:13. | :22:19. | |
Alsop who will be conducting the BBC Symphony Orchestra and Chorus now in | :22:19. | :22:22. | |
Leonard Bernstein's Chichester Psalms. | :22:22. | :22:38. | |
MUSIC: "The Chichester Psalms" by Leonard Bernstein | :22:38. | :22:46. | |
Leonard Bernstein's Chichester Psalms performed at the Last Night | :22:46. | :40:35. | |
Leonard Bernstein's Chichester of the Proms by BBC Symphony | :40:35. | :40:37. | |
Orchestra and Chorus, conducted by a former pupil of Bernstein, Marin | :40:37. | :40:44. | |
Alsop, and the soloist was countertenor, Iestyn Davies. He is | :40:44. | :40:50. | |
getting his Last Night gift from dedicated Prommer, Joan Sheppard. | :40:50. | :40:54. | |
Joan has been to no fewer than 70 Proms this year - that's all but | :40:54. | :41:00. | |
four! Iestyn Davies has been described as one of the most | :41:00. | :41:04. | |
glorious countertenor voices in the world today. | :41:04. | :41:15. | |
Next, we move from the unmistakeably American to the quintessentially | :41:15. | :41:26. | |
English. Vaughan Williams' beautiful piece of The Lark Ascending. We are | :41:26. | :41:35. | |
going to hear it performed by one of piece of The Lark Ascending. We are | :41:35. | :41:39. | |
this country's greatest violin superstars, Nigel Kennedy. I asked | :41:39. | :41:43. | |
him about the work when I caught up with him earlier. | :41:43. | :41:54. | |
Nigel, you're playing The Lark Ascending by Vaughan Williams | :41:54. | :41:56. | |
tonight which is a wonderful British piece of music | :41:56. | :41:58. | |
for the Last Night of the Proms. Tell us about it. | :41:58. | :42:00. | |
Well, it's very evocative of an old time in the past in England | :42:00. | :42:03. | |
when the lark actually did exist in the countryside | :42:03. | :42:06. | |
and it's very descriptive of the lark flying and gliding on thermals | :42:06. | :42:11. | |
So it's a beautiful reminiscent image | :42:11. | :42:17. | |
of how the rural agriculture used to be. | :42:17. | :42:20. | |
This work in particular, it's not a virtuosic work | :42:20. | :42:25. | |
so it's a pleasure to play it because you are not having to think | :42:25. | :42:28. | |
really about virtuosity and practising all the notes. | :42:28. | :42:33. | |
You're getting into the mood. And the thematic material, | :42:33. | :42:36. | |
it's shared equally between all the instruments. | :42:36. | :42:40. | |
So you have clarinet with a fragment then you've got horn with a fragment | :42:40. | :42:44. | |
and the violin is just part of it but it kind of holds it together. | :42:44. | :42:46. | |
about performing here at the Last Night of the Proms. | :42:46. | :42:52. | |
Even in the rehearsal, there's a lot of people in there | :42:52. | :42:53. | |
who haven't managed to get tickets to the gig. | :42:53. | :42:55. | |
You know, seeing the people, the enthusiasm for it. | :42:55. | :42:57. | |
And even in Poland, where I live half the time, | :42:57. | :42:58. | |
it's being relayed there and all over the world. | :42:58. | :43:01. | |
So it's something for the whole world, | :43:01. | :43:03. | |
celebrating beautiful classical music. | :43:03. | :43:11. | |
Nigel Kennedy does cross musical boundaries, performing classical, | :43:11. | :43:15. | |
folk and jazz. Another great boundaries, performing classical, | :43:15. | :43:19. | |
experimenter is still with me, Julian Joseph. The way he mixes it | :43:19. | :43:22. | |
up with the way he plays classical work is quite inspirational? It is | :43:22. | :43:28. | |
very inspirational. He is a musician who sees no boundaries, who wants to | :43:28. | :43:37. | |
dip into all of the ways of expressing that furious technique | :43:37. | :43:40. | |
that he has. It is great that he has an interest in folk because it lends | :43:40. | :43:45. | |
itself to the violin, his interest in jazz and the experimenting, and | :43:45. | :43:50. | |
it enables him to work hard. Vaughan Williams started writing The Lark | :43:50. | :43:56. | |
Ascending in 1914 on the eve of the First World War. He is now coming on | :43:56. | :44:05. | |
to the stage to perform The Lark Ascending by Ralph Vaughan Williams. | :44:05. | :44:10. | |
I am expecting to see that familiar figure come on to the stage any | :44:11. | :44:14. | |
minute now. Here he is. A face we know and love at the BBC Proms, with | :44:14. | :44:26. | |
Marin Alsop. Shaking the hand of leader Stephen Bryant. The BBC | :44:26. | :44:33. | |
Symphony Orchestra standing by to perform Ralph Vaughan Williams' The | :44:33. | :44:34. | |
Lark Ascending. MUSIC: "The Lark Ascending" | :44:34. | :44:46. | |
by Vaughan Williams So, the bird flies away at the end | :44:46. | :00:43. | |
of The Lark Ascending by Ralph Vaughan Williams, performed | :00:43. | :00:48. | |
beautifully by Nigel Kennedy, with the BBC Symphony Orchestra conducted | :00:48. | :01:04. | |
by Marin Alsop. Vaughan Williams once wrote that music preserves the | :01:04. | :01:08. | |
identity of the soul of the nation. Nigel Kennedy has got a very busy | :01:08. | :01:41. | |
night. He is about to race over to Hyde Park before returning to the | :01:41. | :01:45. | |
Royal Albert Hall for the second half of tonight's concert. The BBC | :01:45. | :01:49. | |
Symphony Orchestra needs a moment for the stage to be reset. The | :01:49. | :01:52. | |
orchestra is known as the backbone of the Proms. This is their 11th | :01:52. | :01:57. | |
concert since opening the Proms in mid-July. It is the BBC Symphony | :01:57. | :02:01. | |
Chorus who are going to be thrust into the limelight next. They too | :02:01. | :02:05. | |
are keen members of the Proms family. They are all volunteers. We | :02:05. | :02:10. | |
met some of them in rehearsals to find out more about them and about | :02:10. | :02:18. | |
the music they are singing tonight. It is a bit mind-blowing to begin | :02:18. | :02:23. | |
with to think I used to be watching this and now I'm in it. It is a | :02:23. | :02:27. | |
great privilege to take part in musical events in this country at | :02:27. | :02:33. | |
the highest standard. We are from all walks of life. People come from | :02:33. | :02:37. | |
far and wide because it's such a good chorus to be part of. The end | :02:37. | :02:44. | |
of a busy Monday is a rehearsal here and a wonderful opportunity to | :02:44. | :02:48. | |
release some of that energy that you have had to build-up during the | :02:48. | :02:52. | |
working day. You have to be fully committed and fully involved in that | :02:52. | :02:56. | |
time and that means that you gain space from however mad the rest of | :02:57. | :03:02. | |
your life is. Preparing for the Last Night, you have up to four | :03:02. | :03:06. | |
rehearsals a week. You start to feel like a family. It is great. It | :03:06. | :03:10. | |
helped me a lot when I moved here and knew nobody. We get to work with | :03:10. | :03:15. | |
these great conductors who I watched on the TV. Marin Alsop and also | :03:15. | :03:20. | |
Joyce DiDonato, who I heard so many on the TV. Marin Alsop and also | :03:20. | :03:22. | |
years ago. Now I can be on the stage on the TV. Marin Alsop and also | :03:22. | :03:33. | |
with her. It is great. The Britten was written for the opening of | :03:33. | :03:37. | |
Snape. The singing we are doing was first sung by local amateur choirs. | :03:37. | :03:46. | |
Singing together is one of the greatest things you can do. It is | :03:46. | :03:51. | |
just sheer elation when you know you have sung every dynamic, every | :03:51. | :03:56. | |
expression, every note and you stand up at the end and you hear the | :03:56. | :04:00. | |
audience, there is no better feeling in the world. Very good. We are | :04:00. | :04:11. | |
going to witness that joy and enthusiasm in a minute. The BBC | :04:11. | :04:16. | |
Symphony Chorus and Orchestra are poised on stage. We are ready to | :04:16. | :04:20. | |
hear that piece by one of this year's birthday boys, Benjamin | :04:20. | :04:25. | |
Britten, who was born 100 years ago. I'm sure you remember that | :04:25. | :04:34. | |
performance on the First Night. Here is Marin Alsop to conduct the BBC | :04:34. | :04:39. | |
Symphony Orchestra and Chorus in Benjamin Britten's overture to The | :04:39. | :04:42. | |
Building of the House. MUSIC: "The Building Of The House" | :04:42. | :04:54. | |
by Benjamin Britten could all agree with that tonight. | :04:54. | :28:23. | |
The aria that we just heard, as you may have gathered, is a celebratory | :28:23. | :28:28. | |
kind of tune, a huge celebration indeed, the opera's heroine has won | :28:28. | :28:33. | |
the man she loves and it's a happy ending for the opera. It's a happy | :28:33. | :28:39. | |
ending with this half of tonight's concert too. | :28:39. | :28:49. | |
Coming back on stage with such obvious delight at the response | :28:49. | :28:54. | |
she's got here in the hall. What a star. It's the first time she | :28:54. | :29:01. | |
and Marin have worked together. Indeed it's Marin's first time | :29:01. | :29:05. | |
working with Joyce and Nigel this evening. She describes them as two | :29:05. | :29:10. | |
exceptional, unique, high-volume Taj artists, the word she used was | :29:10. | :29:13. | |
"dynamite". Joyce last appeared at the Proms in | :29:13. | :29:29. | |
2009 singing other arias by Handel. She made her debut in 2007 singing | :29:29. | :29:38. | |
Rossini. She's loved here, clearly. They want her back, don't they? | :29:38. | :29:51. | |
CHEERING AND APPLAUSE She couldn't resist it. | :29:51. | :29:59. | |
Thanking the orchestra. The audience, all of them on their feet. | :29:59. | :30:06. | |
You know Joyce is one of seven children. She grew up in a very | :30:06. | :30:10. | |
musical household in Kansas. She showed an early talent for singing. | :30:10. | :30:15. | |
Her father, who was a church choir director, first introduced her to op | :30:15. | :30:20. | |
ra. She is, of course, going to be back | :30:20. | :30:23. | |
in the second half of tonight's concert. We wouldn't let her get | :30:23. | :30:27. | |
away so easily, singing all sorts of different kind of repertoire, | :30:27. | :30:30. | |
including Somewhere Over The Rainbow. | :30:30. | :30:35. | |
Well, what a way to end the first half of tonight's concert. This prom | :30:36. | :30:40. | |
is the last of a season of many, many concerts stretching back to | :30:40. | :30:43. | |
mid-July and the first night. Remember that? Here are some of our | :30:43. | :30:45. | |
favourite highlights. An unforgettable summer of music at | :30:45. | :32:03. | |
the BBC Proms. That is all for now An unforgettable summer of music at | :32:03. | :33:26. | |
here on BBC Two. But join me in a few minutes on BBC One, after the | :33:26. | :33:30. | |
news at 9. 20pm, when the festivities continue. Have your | :33:30. | :33:32. | |
flags at the ready. I'll see you there. | :33:32. | :33:34. |