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of the globe and audiences packing the Royal Albert Hall, it?s been | :00:00. | :00:07. | |
And now with the world?s biggest music festival | :00:08. | :00:14. | |
over for another year, what better way to end the summer than with the | :00:15. | :00:17. | |
Welcome to the best of BBC Proms in the Park 2014! | :00:18. | :01:00. | |
I am here in Swansea. Isn't it brilliant. I just want to look good! | :01:01. | :01:12. | |
Waving their flags. It is such a fantastic thing. ? Pork | :01:13. | :01:37. | |
pie? Proms in the Park. This crowd are crazy! 60,000 people | :01:38. | :01:44. | |
wanted tick kepts just because we were here! | :01:45. | :01:48. | |
-- tickets. For the next 90 minutes, | :01:49. | :01:50. | |
we?ll be bringing you some fantastic performances | :01:51. | :01:53. | |
from the Proms in the Park celebrations all around the UK ? and | :01:54. | :01:54. | |
it?s certainly an all-star line up! I?m here at in Singleton Park | :01:55. | :01:58. | |
in Swansea, and the crowds have arrived in their | :01:59. | :02:00. | |
thousands to see the incomparable bass-baritone Bryn Terfel | :02:01. | :02:02. | |
and violin virtuoso, Jennifer Pike. Prv | :02:03. | :02:13. | |
# Prepare with unbearable sorrow # To run with the brave dare not go. | :02:14. | :02:17. | |
# Set against the spectacular backdrop | :02:18. | :02:32. | |
of the Titanic Visitor?s Centre in Belfast, the audience will be | :02:33. | :02:34. | |
entertained by the ever popular BBC Young Musician 2014 | :02:35. | :02:48. | |
winner Martin James Bartlett, while Strictly Come Dancing?s Anton | :02:49. | :02:51. | |
and Erin bring a bit Leading the festivities on | :02:52. | :02:53. | |
Glasgow Green are Katherine Jenkins They?re joined by the Winner | :02:54. | :03:09. | |
of the 2014 BBC Scotland?s Young Traditional Musician of the Year, | :03:10. | :03:20. | |
Robyn Stapleton. The party certainly wouldn?t be | :03:21. | :03:31. | |
complete without joining Not to be outdone, they have a | :03:32. | :03:33. | |
star-studded evening in store too! Soweto Kinch has found himself | :03:34. | :03:37. | |
a great spot in the crowd! Yes there's a great atmosphere | :03:38. | :03:41. | |
here in Hyde Park. There are literally Prommers for | :03:42. | :03:48. | |
as far as the eye can see and I've They're all here for one reason - | :03:49. | :03:51. | |
to see some world class artists. South African sensation | :03:52. | :04:06. | |
Pumeza Matshikiza. Vittorio Grigolo. Internationally | :04:07. | :04:07. | |
renowned singer-songwriter And | :04:08. | :04:29. | |
of course don?t forget your dancing shoes as funk masters Earth, Wind | :04:30. | :04:38. | |
and Fire round up the proceedings. So, | :04:39. | :04:57. | |
it?s time to get the music started! Just yesterday he was | :04:58. | :04:59. | |
on the stage at the Vienna State Opera performing in | :05:00. | :05:01. | |
The Flying Dutchman, but he caught the early flight back this morning | :05:02. | :05:03. | |
especially to be here in Swansea. A Proms regular and one of the | :05:04. | :05:06. | |
world?s great singers, it?s a real # Oh give me a home | :05:07. | :05:10. | |
where the buffalo roam # Where the deer | :05:11. | :05:44. | |
and the antelope play # Where seldom is heard | :05:45. | :05:52. | |
a discouraging word # And the skies are not | :05:53. | :05:59. | |
coudy all day # Where the deer | :06:00. | :06:08. | |
and the antelope play # Where seldom is heard | :06:09. | :06:21. | |
a discouraging word # And the skies are not | :06:22. | :06:28. | |
cloudy all day # How often at night | :06:29. | :06:50. | |
when the heavens are bright # With the light | :06:51. | :06:56. | |
from the glittering stars # Have I stood there amazed | :06:57. | :07:04. | |
and asked as I gazed # If their glory exceeds | :07:05. | :07:11. | |
that of ours # Where the deer | :07:12. | :07:20. | |
and the antelope play # Where seldom is heard | :07:21. | :07:33. | |
a discouraging word # And the skies are not | :07:34. | :07:40. | |
cloudy all day # Oh give me a land where | :07:41. | :07:48. | |
the bright diamond sand # Flows leisurely down | :07:49. | :07:54. | |
in the stream # Where the graceful white swan | :07:55. | :08:00. | |
goes gliding along # Then I would not exchange | :08:01. | :08:06. | |
my home on the range # Where the deer | :08:07. | :08:23. | |
and the antelope play # Where seldom is heard | :08:24. | :08:30. | |
a discouraging word # And the skies are not | :08:31. | :08:37. | |
cloudy all day # Where the deer | :08:38. | :08:45. | |
and the antelope play # Where seldom is heard | :08:46. | :08:57. | |
a discouraging word # And the skies are not | :08:58. | :09:12. | |
cloudy all day. # # Where the deer | :09:13. | :09:37. | |
and the antelope play # Where seldom is heard | :09:38. | :09:59. | |
a discouraging word # And the skies are not | :10:00. | :10:09. | |
cloudy all day. # What a reaction | :10:10. | :10:25. | |
from the crowd here in Swansea to Glasgow Green was at the heart | :10:26. | :10:31. | |
of the Commonwealth Games this summer, and tonight it plays host | :10:32. | :10:40. | |
to Scotland's Proms in the Park. There, celebrating her 10th year | :10:41. | :10:45. | |
as a recording artist, # Sanctus, | :10:46. | :10:51. | |
Sanctus # Pleni sunt coeli | :10:52. | :11:21. | |
et terra gloria tua # Sanctus, | :11:22. | :11:33. | |
Sanctus # Pleni sunt coeli | :11:34. | :11:42. | |
et terra gloria tua # Hosanna | :11:43. | :12:18. | |
Hosanna in excelsis! # Benedictus qui venit in nomine | :12:19. | :12:37. | |
Nomine Domini # Sanctus | :12:38. | :13:05. | |
Sanctus # Pleni sunt coeli | :13:06. | :13:09. | |
et terra gloria tua # Hosanna | :13:10. | :13:50. | |
# Sanctus Sanctus, a new interpretation | :13:51. | :14:10. | |
of Elgar's Nimrod arranged It's Proms in the Park favourite, | :14:11. | :14:34. | |
Alfie Boe. this next song is from an opera | :14:35. | :14:58. | |
called Rigoletto. It is about a woman who has lost her mobile phone! | :14:59. | :16:09. | |
E' sempre misero Chi a lei s'affida, | :16:10. | :16:10. | |
Chi a le confida, Mal cauto il core! | :16:11. | :16:23. | |
Pur mai non sentesi Felice appieno | :16:24. | :16:24. | |
Chi su quel seno, Non liba amore! | :16:25. | :16:38. | |
La donna mobile Qual piuma al vento, | :16:39. | :16:39. | |
Muta d'accento E di pensier, | :16:40. | :16:41. | |
E di pensier! Alfie Bowe bringing a cheeky | :16:42. | :17:16. | |
flourish there. He was accompanied by the Ulster Orchestra. | :17:17. | :17:25. | |
Know earlier this afternoon, as the crowds flocked to Hyde Park, Soweto | :17:26. | :17:31. | |
met up with Rufus Wainwright who made his Proms debut a few days | :17:32. | :17:37. | |
earlier. Great to meet you. Welcome to the Proms in the park. After your | :17:38. | :17:43. | |
performance, how do you think tonight is going to compare It has | :17:44. | :17:47. | |
different challenge, the size of the crowd. And also that you don't have | :17:48. | :17:52. | |
the acoustics of the Albert Hall to play with, as much, but other than | :17:53. | :17:56. | |
that it is going to be, I think it will be brave. I love playing Hyde | :17:57. | :18:01. | |
Park, and they have told me some people are coming. So, I am excited. | :18:02. | :18:09. | |
What a beautiful evening in the park. | :18:10. | :18:20. | |
# No matter how strong I'm gonna take you down | :18:21. | :18:23. | |
# With one little stone I'm gonna break you down | :18:24. | :18:27. | |
# And see what you're worth What you're really worth to me | :18:28. | :18:41. | |
# Dinner at eight was okay Before the toast full of gleams | :18:42. | :18:54. | |
# It was great until those old magazines | :18:55. | :19:02. | |
# Got us started up again Actually it was probably me again | :19:03. | :19:26. | |
# That I've always been the one who must go | :19:27. | :19:40. | |
# That I've always been the one told to flee | :19:41. | :19:48. | |
# When it fact you were the one long ago | :19:49. | :20:00. | |
# Actually in the drifting white snow | :20:01. | :20:15. | |
# So put up your fists and I'll put up mine | :20:16. | :20:44. | |
# No running away from the scene of the crime | :20:45. | :20:58. | |
# Somewhere near the end of the world | :20:59. | :21:13. | |
# Somewhere near the end of our lives | :21:14. | :21:24. | |
# But 'til then no, Daddy, don't be surprised | :21:25. | :21:32. | |
# If I wanna see the tears in your eyes | :21:33. | :21:39. | |
# Then I know it had to be long ago Actually in the drifting white snow | :21:40. | :22:08. | |
# You loved me No matter how strong | :22:09. | :22:28. | |
# I'm gonna take you down With one little stone | :22:29. | :22:37. | |
# I'm gonna break you down And see what you're worth | :22:38. | :22:45. | |
APPLAUSE Thank you so much. | :22:46. | :23:17. | |
Singer-songwriter, Rufus Wainright ? a rare and unique talent. | :23:18. | :23:19. | |
Still to come in the programme, we join vocal forces with the Royal | :23:20. | :23:22. | |
Albert Hall for the traditional sing-a-long, Anton and Erin weave | :23:23. | :23:32. | |
their magic in Belfast and in Hyde Park Earth, Wind and Fire take us | :23:33. | :23:41. | |
BBC Proms in the Park is the perfect place to shine the spotlight | :23:42. | :23:57. | |
on new and emerging talent, and we're about to hear a rising star. | :23:58. | :24:01. | |
21-year-old Bangor born singer-songwriter Casi is one | :24:02. | :24:04. | |
of 12 Welsh artists who are part of the Horizons project ? | :24:05. | :24:08. | |
a joint initiative between BBC Cymru Wales and the Welsh Arts Council. | :24:09. | :24:13. | |
The idea is to showcase Welsh talent for as wide an audience | :24:14. | :24:16. | |
as possible and you don't get a better platform than this. | :24:17. | :24:23. | |
# Does dim gwahaniaeth, rhwng nos a dydd | :24:24. | :24:30. | |
# Dydy pethau ddim yn gorfod bod fel hyn | :24:31. | :24:56. | |
# Pam ein bod ni?n cael ein hela, Ein hela | :24:57. | :25:03. | |
# Dal i redeg nerth ein traed ond dydy pethau byth yn gwella, | :25:04. | :25:07. | |
# A camu'n dawel, rhag gwneud gormod o swn, | :25:08. | :25:18. | |
# Camu'n dawel, tra'n teithio drwy mwg, | :25:19. | :25:35. | |
# Ceisio cysgu ond methu cysgu chwaith | :25:36. | :25:51. | |
# Gafael yn fy llaw, dydy pethau ddim yn gorfod bod fel hyn | :25:52. | :26:08. | |
# Nid anifeiliiliad ydym ni, pam ein bod ni'n cael ein hela, | :26:09. | :26:15. | |
# Yn dal i redeg nerth ein traed, Ond dydy pethau byth yn gwella, | :26:16. | :26:23. | |
# Yn nyfnder y glesni y mae gobaith i bob un, | :26:24. | :26:36. | |
# Y a phan bydd drysau'r wawr yn agor | :26:37. | :26:40. | |
# Mi gei di fod yn chdi dy hun ohh mi gei di fod yn chdi dy hun | :26:41. | :26:49. | |
# Gafael yn fy llaw, dydy pethau ddim yn gorfod bod fel hyn. # | :26:50. | :27:11. | |
Casi, with her unique blend of folk pop performing | :27:12. | :27:21. | |
for the first time with the BBC National Orchestra of Wales. | :27:22. | :27:26. | |
Earlier this year I was fortunate enough to present the Final of | :27:27. | :27:28. | |
BBC Young Musician and witness the spectacular winning performance | :27:29. | :27:33. | |
With a diary chock full of concert engagements already, tonight Martin | :27:34. | :27:41. | |
performs in front of a huge audience at Belfast's Titanic Slipway. | :27:42. | :27:52. | |
MUSIC: Rhapsody In Blue By George Gershwin | :27:53. | :31:08. | |
The astonishing talent that is Martin James Bartlett and | :31:09. | :31:16. | |
2014 saw Robyn Stapelton named as BBC Scotland's Young Traditional | :31:17. | :31:26. | |
Here she is with the folk song Bonny Woodhall. | :31:27. | :31:37. | |
# Down by yon green bushes, near Calder's clear stream | :31:38. | :31:44. | |
# Where me and my Annie so often have been | :31:45. | :31:52. | |
# Oh the hours that flew past us, right happy were we | :31:53. | :31:59. | |
# It was little she thought that a soldier I'd be | :32:00. | :32:08. | |
# And its farewell to Annie, for I must away | :32:09. | :32:15. | |
# The king he needs soldiers, and I must obey | :32:16. | :32:22. | |
# But if providence proves kind, love, then when I return | :32:23. | :32:29. | |
# I will wed with my Annie near Calder's clear burn | :32:30. | :32:43. | |
# On the 14th of August, Our regiment was lost | :32:44. | :32:50. | |
# And a ball from the enemy, Our lines came across | :32:51. | :32:58. | |
# Oh it struck me in the temple and the blood trickled down | :32:59. | :33:04. | |
# I reeled and I staggered, And I fell to the ground | :33:05. | :33:12. | |
# Come here, said our Captain, Come here with good speed | :33:13. | :33:19. | |
# For I fear by this bullet, Young Dinsmore lies dead | :33:20. | :33:25. | |
# Two men with a stretcher, Did quickly prepare | :33:26. | :33:32. | |
# And they carried me away to a hospital bed | :33:33. | :34:12. | |
# Cold water and brandy, They poured out so free | :34:13. | :34:18. | |
# They turned me all over, My wounds for to see | :34:19. | :34:26. | |
# But if I had my Annie, To bind up my wounds | :34:27. | :34:33. | |
# One kiss from her sweet lips, Would soon deaden the stoon | :34:34. | :34:48. | |
# And it's when I am weary, And think on Langsine | :34:49. | :34:55. | |
# When I was a miner, And wrought in the mine | :34:56. | :35:02. | |
# Oh the tears they do trickle, And down they do fall | :35:03. | :35:08. | |
# Like the roses that bloom, around Bonny Woodhall. # | :35:09. | :35:24. | |
Robyn Stapleton with a mesmerising rendition of | :35:25. | :35:36. | |
Bonny Woodhall performed with the BBC Scottish Symphony Orchestra, | :35:37. | :35:39. | |
It's been an exceptional year for South African soprano | :35:40. | :35:48. | |
Raised in the townships in Cape Town, Pumeza first heard opera | :35:49. | :35:51. | |
From that moment she had a hunger to discover more. | :35:52. | :35:56. | |
2014 saw her release her debut album which boasts a mix of operatic arias | :35:57. | :35:59. | |
# O mio babbino caro Mi piace, e bello bello | :36:00. | :36:39. | |
# Vo'andare in Porta Rossa A comperar l'anello! | :36:40. | :36:49. | |
# Si, si, ci voglio andare! E se l'amassi indarno | :36:50. | :37:04. | |
# Andrei sul Ponte Vecchio Ma per buttarmi in Arno! | :37:05. | :37:16. | |
# Mi struggo e mi tormento O Dio! Vorrei morir! | :37:17. | :37:46. | |
# Babbo, pieta, pieta! Babbo, pieta, pieta! | :37:47. | :38:15. | |
A breath-taking performance by Pumeza Matshikiza of the aria O Mio | :38:16. | :38:18. | |
charismatic American tenor, Noah Stewart, takes on the role of the | :38:19. | :38:28. | |
love-stuck Freddie from the musical My Fair Lady. | :38:29. | :38:37. | |
# I have often walked down this street before | :38:38. | :38:39. | |
# But the pavement always stayed beneath my feet before. | :38:40. | :38:48. | |
# All at once am I Several stories high. | :38:49. | :38:52. | |
# Knowing I'm on the street where you live. | :38:53. | :39:00. | |
# Are there lilac trees in the heart of town? | :39:01. | :39:02. | |
# Can you hear a lark in any other part of town? | :39:03. | :39:13. | |
# Does enchantment pour Out of ev'ry door? | :39:14. | :39:16. | |
# No, it's just on the street where you live! | :39:17. | :39:27. | |
# That any second you may suddenly appear! | :39:28. | :39:55. | |
# People stop and stare They don't bother me | :39:56. | :39:57. | |
# For there's no where else on earth that I would rather be | :39:58. | :40:01. | |
# Let the time go by I won't care if I | :40:02. | :40:05. | |
# Can be here on the street where you live | :40:06. | :40:31. | |
# That any second you may suddenly appear! | :40:32. | :40:41. | |
# People stop and stare They don't bother me | :40:42. | :40:44. | |
# For there's no where else on earth that I would rather be | :40:45. | :41:04. | |
# Let the time go by I won't care if I | :41:05. | :41:06. | |
# Can be here on the street where you live. # | :41:07. | :41:24. | |
APPLAUSE. A real crowd pleaser that one, tenor | :41:25. | :41:34. | |
Noah Stewart with On the Street Where You Live. | :41:35. | :41:37. | |
Earlier in the programme, we heard the win over this year's BBC young | :41:38. | :41:42. | |
musician. Martin James Bartlett. Our next performer took that title back | :41:43. | :41:48. | |
in 2002, when she was just 12 in a performance that still dazzles. | :41:49. | :41:52. | |
Jennifer Pike is still only 24, but she is regarded as one of the most | :41:53. | :41:56. | |
outstanding violinists of her generation. | :41:57. | :42:02. | |
MUSIC: Banjo Fiddle by William Kroll. | :42:03. | :45:12. | |
APPLAUSE. A real treat there from Jennifer | :45:13. | :45:21. | |
Pike. Banjo and Fiddle by William Kroll with the BBC National | :45:22. | :45:28. | |
Orchestra of Wales. Here at Hyde Park we are about to | :45:29. | :45:43. | |
listen to the most famous song from Leonard Bernstein's famous musical | :45:44. | :45:47. | |
West Side Story. I can't wait to hear this. It promises to be a bit | :45:48. | :45:51. | |
special. # Only you, you're the only thing | :45:52. | :45:58. | |
I'll see forever. # In my eyes in my words and in | :45:59. | :46:03. | |
everything I do. # Nothing else but you. | :46:04. | :46:12. | |
Ever. # And there's nothing for me but | :46:13. | :46:27. | |
# Always you, every thought I'll ever know. | :46:28. | :46:35. | |
# Everywhere I go you'll be. All the world is only you and me. | :46:36. | :46:46. | |
# Tonight, tonight. It all began tonight. | :46:47. | :46:57. | |
# I saw you and the world went away Tonight, tonight | :46:58. | :47:01. | |
# What you are, what you do, what you say | :47:02. | :47:13. | |
# A miracle would happen I know now I was right | :47:14. | :47:25. | |
# For here you are And what was just a world is a star. | :47:26. | :47:31. | |
# For here you are And what was just a world is a star | :47:32. | :47:42. | |
# With suns and moons all over the place | :47:43. | :48:09. | |
# The world is wild and bright Going mad | :48:10. | :48:16. | |
# Today, the world was just an address | :48:17. | :48:26. | |
# No better than all right But here you are | :48:27. | :48:43. | |
# And what was just a world is a star | :48:44. | :48:45. | |
# Good night, good night Sleep well and when you dream | :48:46. | :49:27. | |
CHEERING AND APPLAUSE Soweto promised that that duet would | :49:28. | :50:05. | |
be special and it certainly was. Next ania that goes down a storm | :50:06. | :50:13. | |
with the Proms in the park crowd. Nessun Dorma means nobody sleeps | :50:14. | :50:14. | |
tonight. # Nessun dorma! | :50:15. | :50:20. | |
Tu pure, o Principessa, # Nella tua fredda stanza, | :50:21. | :50:40. | |
Guardi le stelle # E di speranza! | :50:41. | :50:48. | |
Ma il mio mistero chiuso in me # Il nome mio nessun sapra! | :50:49. | :51:08. | |
No, No! # Sulla tua bocca lo dir quando la | :51:09. | :51:16. | |
luce splende! # Ed il mio bacio sciogliera il | :51:17. | :51:41. | |
silenzio # Il nome suo nessun sapr, | :51:42. | :52:22. | |
E noi dovrem, ahim, morir, morir! # Dilegua, o notte! | :52:23. | :52:45. | |
# All'alba vincero! Vincero! Vincero! # | :52:46. | :53:11. | |
Necessary sun dorma. The BBC Concert Orchestra there. | :53:12. | :53:17. | |
Nessun Dorma. To Belfast now for a number that | :53:18. | :53:25. | |
promises to get your toes tapping. # If they could see me now, | :53:26. | :53:33. | |
That little gang of mine, # I'm eating fancy chow | :53:34. | :53:36. | |
And drinking fancy wine. # I'd like those stumble bums to see | :53:37. | :53:41. | |
for a fact # The kind of top drawer, first rate | :53:42. | :53:45. | |
chums I attract. # All I can say is "Wow-ee! | :53:46. | :53:51. | |
Looka where I am. # Tonight I landed, pow! | :53:52. | :53:55. | |
Right in a pot of jam. # What a set up! Holy cow! | :53:56. | :54:00. | |
They'd never believe it, # Traipsin' 'round this million | :54:01. | :54:05. | |
dollar chicken coop. # I'd hear those thrift shop cats | :54:06. | :54:18. | |
say: # Draped on a bed spread made from | :54:19. | :54:21. | |
three kinds of fur." # Wait till the riff an' raff | :54:22. | :54:28. | |
See just exactly how # He sign this autograph." | :54:29. | :54:34. | |
What a build up! Holy cow! # They'd never believe it, | :54:35. | :54:39. | |
If my friends could see me now! # If they could see me now | :54:40. | :54:46. | |
Alone with Mister V, # Who's waiting on me like he was a | :54:47. | :54:50. | |
matre d' # I'd hear my buddies saying: | :54:51. | :54:54. | |
"Wow, what gives? # Tonight she's living like | :54:55. | :54:59. | |
The other half lives!" # To think the highest brow, | :55:00. | :55:04. | |
Which I must say is he, # Should pick the lowest brow, | :55:05. | :55:08. | |
Which there's no doubt is me! # What a step up! Holy cow! | :55:09. | :55:13. | |
They'd never believe it, # If my friends could see me now! | :55:14. | :55:23. | |
# If my friends could see me now Take a look at me now | :55:24. | :55:30. | |
The glittering Anton du Beke and Erin Boag with jazz singer | :55:31. | :55:48. | |
Still to come - more from Alfie Boe, Katherine Jenkins and Noah Stewart | :55:49. | :56:06. | |
and the legendary Earth Wind and Fire. | :56:07. | :56:20. | |
Bryn Terfel is no stranger to BBC Proms having performed on 12 | :56:21. | :56:25. | |
occasions in total - including two First Nights and two Last Nights! | :56:26. | :56:34. | |
But tonight he's making his Proms in the Park debut, | :56:35. | :56:36. | |
You have made the most effort to be here tonight. You have come from | :56:37. | :56:45. | |
Vienna. Why did you want to be at the Proms in the Park? I was in | :56:46. | :56:54. | |
Vienna Last Night. When the invitation cam to be part of the | :56:55. | :56:59. | |
Proms I said yes, even though I had to get up at 4.00am, went to the | :57:00. | :57:06. | |
airport, had breakfast, on the plane, went to the hotel, chose my | :57:07. | :57:10. | |
suit, came here to rehearse. It was meant to be. We are very grateful | :57:11. | :57:15. | |
for your dedication. You are no stranger to the Proms. You have | :57:16. | :57:18. | |
never done a Proms in the Park before. How will the atmosphere be | :57:19. | :57:22. | |
different? It will be fantastic. It is open-air. Yes, to be a part of | :57:23. | :57:29. | |
this, especially in Swansea, I feel really relaxed and ready to sing a | :57:30. | :57:33. | |
couple of songs. Looking forward to the atmosphere when everyone joins | :57:34. | :57:41. | |
in? Definitely. Without a doubt. I think that's the eclectic mix of | :57:42. | :57:44. | |
such a night. There is something there for everybody. | :57:45. | :57:58. | |
# To try when your arms are too weary | :57:59. | :58:30. | |
# This is my quest, to follow that star | :58:31. | :58:39. | |
# No matter how hopeless, no matter how far | :58:40. | :58:43. | |
# To be willing to give when there's no more to give | :58:44. | :58:48. | |
# To be willing to die so that honor and justice may live | :58:49. | :58:54. | |
# And I know if I'll only be true to this glorious quest | :58:55. | :59:00. | |
# That my heart will lie peaceful and calm when I'm laid to my rest | :59:01. | :59:13. | |
# And the world will be better for this | :59:14. | :59:20. | |
# That one man scorned and covered with scars | :59:21. | :59:25. | |
# Still strove with his last ounce of courage | :59:26. | :59:33. | |
# And the world will be better for this | :59:34. | :00:01. | |
# That one man scorned and covered with scars | :00:02. | :00:05. | |
# Still strove with his last ounce of courage | :00:06. | :00:11. | |
The musical powerhouse that is Bryn Terfel. | :00:12. | :00:49. | |
Time for some Italian seasoning courtesy of Alfie Boe. | :00:50. | :00:55. | |
# Penso che sogno cos non ritorni mai pi, | :00:56. | :01:04. | |
# Mi dipingevo le mani e la faccia di blu, | :01:05. | :01:11. | |
# Poi d'improvviso venivo dal vento rapito, | :01:12. | :01:19. | |
# E incominciavo a volare nel cielo infinito. | :01:20. | :01:27. | |
# Volare ho ho Cantare ho ho hoho, | :01:28. | :01:39. | |
# Nel blu dipinto di blu, felice di stare lass, | :01:40. | :01:45. | |
# E volavo volavo felice pi in alto del sole | :01:46. | :01:51. | |
# Ed ancora pi s, mentre il mondo | :01:52. | :01:57. | |
# Pian piano spariva laggi, una musica dolce suonava | :01:58. | :02:02. | |
# Nell'alba svaniscon perch, quando tramonta la luna | :02:03. | :02:28. | |
# Li porta con se, ma io continuo a sognare | :02:29. | :02:34. | |
# Negl'occhi tuoi belli, che sono blu come il un cielo | :02:35. | :02:41. | |
# Felice di stare qua gi, e continuo a volare felice | :02:42. | :03:07. | |
# Pi in alto del sole ed ancora pi su, | :03:08. | :03:11. | |
# Mentre il mondo pian piano scompare | :03:12. | :03:21. | |
# Negl'occhi tuoi blu, la tua voce una musica | :03:22. | :03:23. | |
Alfie Boe and his band bringing the sounds of the Italian Riviera | :03:24. | :03:57. | |
Over to Glasgow now and something of a world premiere! | :03:58. | :04:09. | |
We are going to sing for the first time together, which I am so excited | :04:10. | :04:15. | |
about. He has such a fantastic voice. I have loved listening to him | :04:16. | :04:19. | |
in rehearsals - and he is lovely. It will be a really, for me, I am going | :04:20. | :04:24. | |
to enjoy the performance, getting to sing with him and I think that the | :04:25. | :04:29. | |
audience also really connect with that particular song, so, for me, it | :04:30. | :04:33. | |
will be a great duet. I'm going to enjoy it. Thank you. I'm going to | :04:34. | :04:38. | |
sing you a song that is dear to my heart. This is called Time To Say | :04:39. | :04:41. | |
Goodbye. # Quando sono solo e sogno | :04:42. | :05:01. | |
all'orizzonte # E mancan le parole | :05:02. | :05:06. | |
si lo so che non c'e luce # In una stanza quando manca il | :05:07. | :05:13. | |
sole se non ci sei tu con me, con me # Su le finestre | :05:14. | :05:20. | |
mostra a tutti il mio cuore # La luce che hai incontrato per | :05:21. | :05:26. | |
strada # Paesi che non ho mai | :05:27. | :05:41. | |
veduto e vissuto con te # Adesso si li vivro | :05:42. | :05:58. | |
Con te partir? su navi per mari # Che io lo so no, no, non | :05:59. | :06:12. | |
esistono piu # All'orizzonte | :06:13. | :06:32. | |
e mancan le parole # E io si lo so che sei con me, con | :06:33. | :06:41. | |
me tu mia luna tu sei qui con me # Mio sole tu sei qui con me, con | :06:42. | :06:48. | |
me, con me, con me # Time to say goodbye | :06:49. | :06:52. | |
Paesi che non ho mai # Veduto e vissuto con te | :06:53. | :07:04. | |
adesso si li vivro # Con te partiro | :07:05. | :07:18. | |
su navi per mari che, io lo so # No, no, non esistono piu | :07:19. | :07:24. | |
con te io li rivivr? # Con te partiro | :07:25. | :07:30. | |
su navi per mari che, io lo so # No, no, non esistono piu | :07:31. | :07:36. | |
con te io li rivivr? Katherine Jenkins and Noah Stewart | :07:37. | :07:46. | |
wowing the crowds in Glasgow Green. In Swansea, | :07:47. | :08:28. | |
as the night draws to a close, # Ar hyd y nos "Dyma'r ffordd | :08:29. | :08:32. | |
i fro gogoniant," # Ar hyd y nos I oleuo'i | :08:33. | :09:04. | |
chwaer ddaearen Bryn Terfel casting a spell over | :09:05. | :10:29. | |
the audience. Over to Hyde Park now where | :10:30. | :12:05. | |
the atmosphere's been building A crowd of 40,000 are ready | :12:06. | :12:07. | |
and waiting to boogie on down to Soweto met up with | :12:08. | :12:13. | |
his musical heroes earlier today. What do you think is going to be | :12:14. | :12:26. | |
special about tonight at Proms in the park? First off it is a | :12:27. | :12:31. | |
tradition, here in Great Britain, and this is our first time | :12:32. | :12:35. | |
performing here, for this and we are very excited. We are going to give | :12:36. | :12:38. | |
the great songs to the people so they can have a wonderful time and | :12:39. | :12:44. | |
in our case, we have, what, four five generations. We like to say | :12:45. | :12:50. | |
from eight tracks to I pods. What do you think about this material that | :12:51. | :12:56. | |
still has audiences rapt? It is feel food music, the tracks themselves, | :12:57. | :13:01. | |
without the vocals feel good. When you add on the messages on top it | :13:02. | :13:08. | |
makes for a great song. It is a challenge to create music that has | :13:09. | :13:11. | |
that longevity. Did you think at the time of creating the songs they will | :13:12. | :13:16. | |
here in another 20, 30 songs. When you are a group coming up hope to | :13:17. | :13:20. | |
have one song you hear on one station, in one city, one time. As | :13:21. | :13:26. | |
it turns out Earth, Wind and Fire music is played every one minute and | :13:27. | :13:32. | |
38 seconds on planet earth. What it is like to have that, to be up on | :13:33. | :13:37. | |
stage, and hear the audience sing back the words you played all those | :13:38. | :13:42. | |
years. It is gratifying. Fist first to have the people know they are | :13:43. | :13:48. | |
supporting you, and there is a great exchange, it is a great feeling. It | :13:49. | :13:49. | |
is. # Midnight creeps so slowly | :13:50. | :13:57. | |
into hearts # Of men who need | :13:58. | :14:14. | |
more than they get # To | :14:15. | :14:18. | |
a woman that has laid to many bets # The mirror stares you | :14:19. | :14:25. | |
in the face and says # You say your prayers | :14:26. | :14:31. | |
through you don't care # I chase my vinyl dreams | :14:32. | :14:37. | |
to boogie wonderland # I find romance when I start to | :14:38. | :15:03. | |
dance in boogie wonderland # All the love | :15:04. | :15:17. | |
in the world can't be gone # All the need to be | :15:18. | :15:24. | |
loved can't be wrong MUSIC: September by Earth, Wind and | :15:25. | :15:30. | |
Fire. # Ba de ya - dancing in September | :15:31. | :17:02. | |
Ba de ya - never was a cloudy day # Holding hands with your heart to | :17:03. | :17:12. | |
see you # Remember how we knew love was here | :17:13. | :17:17. | |
to stay # Now December found the love that | :17:18. | :17:27. | |
we shared in September. # Remember the true love we share | :17:28. | :17:32. | |
today # Ba de ya - golden dreams were | :17:33. | :17:42. | |
shiny days # Let this groove, get you to move, | :17:43. | :18:33. | |
it's alright, alright # Let this groove, set in your | :18:34. | :19:23. | |
shoes, stand up, alright # Gonna tell you what you can do, | :19:24. | :19:32. | |
with my love, alright # Let you know girl you're looking | :19:33. | :19:35. | |
good # You're out of sight and alright | :19:36. | :19:41. | |
Move yourself and glide like a 747 # Lose yourself in the sky among | :19:42. | :19:55. | |
the clouds in the heavens # Let this groove, light up your | :19:56. | :20:03. | |
fuse, alright # Let this groove, set in your shoes | :20:04. | :20:11. | |
stand up, alright # Let me tell you what you can do | :20:12. | :20:19. | |
with my love, alright # We can boogie on down, down, down, | :20:20. | :20:33. | |
down # Let's groove tonight | :20:34. | :20:49. | |
Share the spice of life # Baby slice it right | :20:50. | :21:21. | |
CHEERING AND APPLAUSE The crowd in Hyde Park | :21:22. | :22:58. | |
going wild after that phenomenal set from Earth, Wind and Fire. | :22:59. | :23:01. | |
Well, if that wasn't enough to get you in the dancing mood, I defy do | :23:02. | :23:04. | |
you stay still 50 years ago, Walt Disney released a | :23:05. | :23:07. | |
film about a certain nanny with magical qualities. Since then the | :23:08. | :23:12. | |
film Mary Poppins, and the music, composed by the Sherman brothers, | :23:13. | :23:16. | |
have become popular around the world. I certainly grew up singing | :23:17. | :23:19. | |
the songs! I?ve been warming up my vocal chords in preparation for this | :23:20. | :23:22. | |
sing-a-long! # Even though the sound of it is | :23:23. | :23:33. | |
something quite atrocious # If you say it loud enough, you?ll | :23:34. | :23:37. | |
always sound precocious. # Um diddle-diddle-diddle um | :23:38. | :23:41. | |
diddle-ay! What a Macical end the a terrific | :23:42. | :25:21. | |
night of music making across the UK, a night to remind us of the power of | :25:22. | :25:26. | |
music, the joy of music and that the BBC Proms throws a musical party | :25:27. | :25:31. | |
like no other. Until next year. Good night. | :25:32. | :25:50. | |
# Land of hope and glory, mother of the free | :25:51. | :27:20. | |
# How shall we extol thee, who are born of thee | :27:21. | :27:26. | |
# Wider still and wider shall thy bounds be set | :27:27. | :27:30. | |
# God, who made thee mighty, make thee mightier yet. # | :27:31. | :27:51. |