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It is a great party celebrating the end of the world's biggest music | :00:36. | :00:41. | |
festival. Welcome to the Last Night of the Proms 2014. | :00:42. | :00:47. | |
We are in for a real treat tonight as we watch a Sabre Dance, take a | :00:48. | :00:53. | |
visit to Plymouth Hoe and celebrate a special anniversary for everyone's | :00:54. | :01:00. | |
favourite nanny, Mary Poppins. There are spectacular soloists in the form | :01:01. | :01:06. | |
of Dutch violinist, Janine Jansen, Roderick Williams, and hotfoot from | :01:07. | :01:16. | |
the West End, Ruthie Henshall. As ever, the festivities are | :01:17. | :01:21. | |
spilling out well beyond the hall. There are 60,000 people celebrating | :01:22. | :01:27. | |
with us tonight, from London's Hyde Park, in Northern Ireland at the | :01:28. | :01:32. | |
Titanic Slipways in Belfast, they are enjoying the fun there, in Wales | :01:33. | :01:38. | |
at Singleton Park in Swansea they have all been singing along, and in | :01:39. | :01:43. | |
Scotland, the party is well under way on Glasgow Green. | :01:44. | :01:49. | |
You can press your Red Button at any time to see highlights from the BBC | :01:50. | :02:01. | |
Proms in the Park events. Or you can go to the BBC Proms website. | :02:02. | :02:06. | |
Sakari Oramo, all the way from Finland, will be coming on stage any | :02:07. | :02:13. | |
moment now to perform the famous Sabre Dance from Khachaturian's | :02:14. | :02:16. | |
ballet, Gayane. And there he is. Coming on to the stage now, Sakari | :02:17. | :02:25. | |
Oramo. He is going to be conducting the BBC Symphony Orchestra in | :02:26. | :02:29. | |
Khachaturian's fiendishly fast Sabre Dance. Let's go. | :02:30. | :02:34. | |
MUSIC: Sabre Dance By Aram Khachaturian | :02:35. | :04:58. | |
Loving it here in the Royal Albert Hall! That was Khachaturian's Sabre | :04:59. | :05:08. | |
Dance performed by the BBC Symphony Orchestra, conducted by Sakari | :05:09. | :05:12. | |
Oramo. What a way to get the party started! A special mention there to | :05:13. | :05:27. | |
the leader, Natalie Chee, and also to the timpanist John Chimes. An | :05:28. | :05:32. | |
amazing way to start the second half of Last Night of the Proms. Everyone | :05:33. | :05:38. | |
is hugely excited. It is Sakari Oramo's first Last Night of the | :05:39. | :05:40. | |
Proms. He calls it a remarkable institution and he did say to me he | :05:41. | :05:44. | |
was looking forward to the second half when things can get a bit out | :05:45. | :05:49. | |
of hand! That Sabre Dance by Khachaturian was his most famous | :05:50. | :05:56. | |
work. Written in 1942, it was a ballet about a girl in rural | :05:57. | :06:04. | |
Armenia. The piece went viral and the piece sold over a million copies | :06:05. | :06:08. | |
in the USA alone. I can't tell you how many times you must have heard | :06:09. | :06:14. | |
that piece covered, film scores, TV series. One thing struck me - how | :06:15. | :06:18. | |
many times have you heard it as the soundtrack to figure skating? That | :06:19. | :06:24. | |
is what I associate it with! Next, we will hear Janine Jansen. She will | :06:25. | :06:31. | |
be coming on stage to perform Ravel's Tzigane. There she is, | :06:32. | :06:35. | |
looking gorgeous. She's appeared twice this year already. She | :06:36. | :06:41. | |
performed The Lark Ascending, she had her own Chamber Prom and she is | :06:42. | :06:49. | |
loving being here tonight. MUSIC: Tzigane | :06:50. | :06:58. | |
By Maurice Ravel Wow! Just listen to that cheering in | :06:59. | :16:50. | |
the hall at the virtuosity displayed by Janine Jansen in Ravel's Tzigane, | :16:51. | :16:58. | |
the gypsy rhapsody. Performing here at the Last Night of the Proms with | :16:59. | :17:01. | |
the BBC Symphony Orchestra, conducted by Sakari Oramo. She told | :17:02. | :17:06. | |
me earlier how much she loves playing that piece. | :17:07. | :17:16. | |
Well, there is no doubting Janine Jansen's virtuosity. She started | :17:17. | :17:22. | |
playing the violin when she was six. She comes from a musical family. Her | :17:23. | :17:27. | |
mother, her father, her brothers are all musicians. You know, it was the | :17:28. | :17:31. | |
violin that Sakari Oramo played before he picked up his conductor's | :17:32. | :17:43. | |
baton. Here she comes again. Everyone loves Janine. Look at the | :17:44. | :17:50. | |
Orchestra clapping her as well. It was Sakari Oramo, who was the leader | :17:51. | :17:54. | |
of the Finnish Radio Symphony Orchestra. He still plays. You might | :17:55. | :17:58. | |
well have seen him and Janine playing a duet in Proms Extra | :17:59. | :18:04. | |
earlier in the season. And she's obviously getting ready to play | :18:05. | :18:10. | |
again now. I'm not sure where the conductor has got to, though. There | :18:11. | :18:17. | |
he is! We might see another little flourish from him, too. | :18:18. | :18:33. | |
A little bit of Proms history there. That was La Cucaracha, especially | :18:34. | :21:38. | |
arranged for tonight's concert. The fabulous Janine Jansen joined by | :21:39. | :21:43. | |
tonight's conductor, Sakari Oramo. Great friends, clearly. Huge fun | :21:44. | :21:47. | |
they were having out there. They are now getting their special gifts, | :21:48. | :21:56. | |
given to them by dedicated Prommers Simon and Jill Sylvester. They have | :21:57. | :21:59. | |
been promming since 1971, apparently. | :22:00. | :22:06. | |
What a great encore! I don't think anybody in the hall would mind if | :22:07. | :22:12. | |
they did that all over again. Well, as we say farewell to Janine | :22:13. | :22:36. | |
Jansen, we say hello to our other star soloist of the evening, the | :22:37. | :22:40. | |
British baritone, Roderick Williams. He is not only one of the country's | :22:41. | :22:45. | |
best-loved operastars, he's also an extremely good composer and we will | :22:46. | :22:50. | |
be hearing him perform two of his arrangements of well-known American | :22:51. | :22:57. | |
songs, starting with a classic African-American Spiritual, Joshua | :22:58. | :23:02. | |
Fit the Battle of Jericho. If you were watching the first half, you | :23:03. | :23:09. | |
heard Roderick performing in that Strauss cantata, Taillefer, a | :23:10. | :23:14. | |
wonderful performance by him and his fellow soloists Elizabeth Watts and | :23:15. | :23:18. | |
John Daszak. We also heard him talk about the big question for any | :23:19. | :23:22. | |
soloist at the Last Night of the Proms, which is what do you wear | :23:23. | :23:27. | |
when you are the soloist who is going to sing some of those party | :23:28. | :23:31. | |
favourites at the end of the Prom? We don't know what he is going to | :23:32. | :23:36. | |
appear in. As he said, he's spent more time worrying about that than | :23:37. | :23:39. | |
he did worrying about what he was going to be singing. Well, here he | :23:40. | :23:46. | |
is. Roderick Williams, with the multi-talented, Sakari Oramo. | :23:47. | :23:54. | |
This time, we will be hearing him sing his arrangements of some | :23:55. | :24:00. | |
classic American songs. # Joshua fit the battle of Jericho, | :24:01. | :24:20. | |
Jericho, Jericho # Joshua fit the battle of | :24:21. | :24:24. | |
Jericho # Joshua fit the battle of Jericho, | :24:25. | :24:27. | |
Jericho, Jericho # Joshua fit the battle of Jericho | :24:28. | :24:36. | |
And the walls come tumblin' down # You may talk about the men | :24:37. | :24:41. | |
of Gideon # You may talk about the men | :24:42. | :24:45. | |
of Saul # But there're none | :24:46. | :24:47. | |
like good old Joshua # You may talk about the kings | :24:48. | :24:49. | |
of Gideon # You may talk about the men | :24:50. | :25:03. | |
of Saul # But there're none | :25:04. | :25:05. | |
like good old Joshua # Joshua fit the battle of Jericho, | :25:06. | :25:07. | |
Jericho, Jericho # Up to the walls of Jericho | :25:08. | :25:10. | |
With sword drawn in his hand # Go blow them horns, cried Joshua | :25:11. | :25:20. | |
The battle is in my hands # And the walls come tumblin' down, | :25:21. | :25:35. | |
that mornin' # Joshua fit the battle of Jericho, | :25:36. | :25:37. | |
Jericho, Jericho # Joshua fit the battle of | :25:38. | :25:41. | |
Jericho # And the walls come tumblin' | :25:42. | :25:54. | |
down, Roderick Williams, what a beautiful | :25:55. | :26:18. | |
voice. How much is he enjoying himself, performing his own | :26:19. | :26:23. | |
arrangement of the African-American Spiritual, Joshua Fit the Battle of | :26:24. | :26:32. | |
Jericho? Next, we are going to hear him sing Jerome Kern's Ol' Man River | :26:33. | :26:34. | |
from the musical Showboat. # There's an old man called the | :26:35. | :27:13. | |
Mississippi. # That the old man that I'd like to | :27:14. | :27:19. | |
be. # What does he care if the land | :27:20. | :27:24. | |
ain't free? # Ol' Man River, | :27:25. | :27:28. | |
that Ol' Man River # He must know somethin' | :27:29. | :27:35. | |
but he don't say nothin' # He just keeps rollin', | :27:36. | :27:42. | |
keeps on rollin' along. # He don't plant tatters, | :27:43. | :28:04. | |
and he don't plant cotton # And them that plants 'em, | :28:05. | :28:11. | |
are soon forgotten. # But Ol' Man River, | :28:12. | :28:20. | |
just keeps rollin' along # Bodies all achin' | :28:21. | :28:42. | |
and racked with pain # Tote that barge | :28:43. | :28:56. | |
and lift that bail. # You get a little drunk | :28:57. | :29:06. | |
and you lands in jail. # I'm tired of livin', | :29:07. | :29:21. | |
feared of dyin' # And Ol' Man River, | :29:22. | :29:38. | |
he just keeps rollin' # Just keeps rollin', | :29:39. | :29:49. | |
just keeps rollin' along. Ol' Man River, Jerome Kern's song to | :29:50. | :30:19. | |
the Mississippi from his musical Showboat, in a brand-new arrangement | :30:20. | :30:23. | |
by tonight's soloist, Roderick Williams. | :30:24. | :30:30. | |
Roddy is no stranger to the Proms, and he is hugely popular, as you can | :30:31. | :30:37. | |
see. He was here last month, singing in the commemoration of the 100th | :30:38. | :30:42. | |
anniversary of the outbreak of World War One. Five-star reviews from his | :30:43. | :30:47. | |
performance then. That song we just heard, Ol' Man River, made famous by | :30:48. | :30:54. | |
the great singer Paul Robeson in the 1936 film version of Showboat. A | :30:55. | :30:56. | |
real American classic. Now, it has been 50 years since the | :30:57. | :31:09. | |
classic Disney film Mary Poppins was released back in 1964. Who can | :31:10. | :31:15. | |
forget Julie Andrews' star turn as the practically perfect nanny and | :31:16. | :31:20. | |
the adventures she gets up with Jane and Michael Banks, alongside Dick | :31:21. | :31:25. | |
van Dyke, the chimney sweep. The real stars of the show were the | :31:26. | :31:29. | |
musical numbers by Robert and Richard Sherman. No childhood is | :31:30. | :31:34. | |
complete without Let's Go Fly A Kite and | :31:35. | :31:36. | |
Supercalifragilisticexpialidocious! And speaking of | :31:37. | :31:40. | |
Supercalifragilisticexpialidocious, yes, that's | :31:41. | :31:41. | |
Supercalifragilisticexpialidocious, thank you very much, the BBC asked | :31:42. | :31:44. | |
the young and the young at heart to send in their own footage to form a | :31:45. | :31:48. | |
virtual choir. So, let us take a look at this very special | :31:49. | :31:50. | |
performance. # Supercalifragilistic- | :31:51. | :32:11. | |
expialidocious! # Even though the sound | :32:12. | :32:14. | |
of it is something quite atrocious # If you say it loud enough, | :32:15. | :32:17. | |
you'll always sound precocious # Supercalifragilistic- | :32:18. | :32:20. | |
expialidocious! After that, I do hope you will join | :32:21. | :32:47. | |
in at home as we celebrate the world's best-loved nanny, Mary | :32:48. | :32:52. | |
Poppins. West End superstar, Ruthie Henshall, will be taking the role | :32:53. | :32:57. | |
immortalised by Julie Andrews and leading the audiences here and | :32:58. | :33:03. | |
around the country at the Proms in the Park events. Now, it is time for | :33:04. | :33:08. | |
me to hand over the proceedings to tonight's conductor, he is also | :33:09. | :33:12. | |
practically perfect in every way, Sakari Oramo. | :33:13. | :33:36. | |
Good evening, ladies and gentlemen. AUDIENCE: Good evening. It is truly | :33:37. | :33:47. | |
a great pleasure and honour for me to welcome you all to the Last Night | :33:48. | :33:54. | |
of the Proms celebrations. All of those of you who are here in the | :33:55. | :33:56. | |
Royal Albert Hall, welcome. And all of you watching and | :33:57. | :34:22. | |
listening to us around the world on radio, TV and online, welcome as | :34:23. | :34:23. | |
well. And a very special greeting to the | :34:24. | :34:41. | |
audiences in the four Proms in the Park venues around the UK - Glasgow. | :34:42. | :34:45. | |
And, of course, in Hyde Park, just across the road from here. | :34:46. | :35:42. | |
So, will you in the hall please at my sign join me in saying one big | :35:43. | :36:08. | |
"Hello, Parks" to them all? AUDIENCE: Hello, Parks! | :36:09. | :36:17. | |
It's singalong time now, wherever you are. And tonight we have a world | :36:18. | :36:39. | |
premiere, a new arrangement by Ann Dudley of hits from Mary Poppins by | :36:40. | :36:48. | |
the Sherman brothers. The words will be up on the screen or in your | :36:49. | :36:54. | |
programme. Please look out for the key changes in | :36:55. | :36:55. | |
Supercalifragilisticexpialidocious! I will help you. I WILL help you! | :36:56. | :37:13. | |
And to lead us through the medley, please welcome Ruthie Henshall! | :37:14. | :37:16. | |
Wasn't that fantastic? Ruthie Henshall, with the BBC Symphony | :37:17. | :46:28. | |
Orchestra and Chorus and Sakari Oramo in that fantastic medley from | :46:29. | :46:37. | |
Mary Poppins, music and lyrics by Robert and Richard Sherman, arranged | :46:38. | :46:42. | |
tonight by Ann Dudley. Ruthie Henshall getting flowers from a | :46:43. | :46:52. | |
Prommer. She won Best Actress in a Musical Role for She Loves Me. | :46:53. | :46:56. | |
Swansea and Glasgow are continuing with their own celebrations and you | :46:57. | :46:59. | |
can watch them online. Belfast and Hyde Park will be re-joining us | :47:00. | :47:04. | |
later. Here in the hall, we will be heading to the West Country next for | :47:05. | :47:12. | |
a jaunty nautical overture by John Ansell called Plymouth Hoe | :47:13. | :47:16. | |
incorporating some favourite old sea shanties - you will hear a familiar | :47:17. | :47:22. | |
tune! It won't be the last time you will be hearing it tonight. Standing | :47:23. | :47:27. | |
by for our conductor, Sakari Oramo, who had to go and calm down a little | :47:28. | :47:30. | |
after that Mary Poppins medley. Here he is. He is having the time of his | :47:31. | :47:33. | |
life! MUSIC: Plymouth Hoe | :47:34. | :47:36. | |
By John Ansell Plymouth Hoe by John Ansell, the BBC | :47:37. | :55:26. | |
Symphony Orchestra conducted by Sakari Oramo ending with that | :55:27. | :55:30. | |
triumphant version of Rule Britannia! I did tell you that | :55:31. | :55:36. | |
wasn't the last time you were going to hear Rule Britannia! Any minute | :55:37. | :55:42. | |
now, Roddy William also be back on stage to -- Williams will be back on | :55:43. | :55:46. | |
stage to perform it in full. And here he comes. Resplendent in red | :55:47. | :55:58. | |
and blue sequins! Here is Roderick Williams to perform Thomas Arne's | :55:59. | :56:03. | |
Rule Britannia! # When Britain first | :56:04. | :56:27. | |
at Heaven's command # This was the charter, | :56:28. | :56:34. | |
the charter of the land # And guardian angels | :56:35. | :56:50. | |
sang this strain # Rule, Britannia! | :56:51. | :56:56. | |
Britannia, rule the waves # Rule, Britannia! | :56:57. | :57:01. | |
Britannia, rule the waves # Still more majestic | :57:02. | :57:11. | |
shalt thou rise # More dreadful | :57:12. | :57:28. | |
from each foreign stroke # As the loud blast | :57:29. | :57:41. | |
that tears the skies # Rule, Britannia! | :57:42. | :57:45. | |
Britannia, rule the waves # Rule, Britannia! | :57:46. | :57:55. | |
Britannia, rule the waves # The muses still | :57:56. | :58:06. | |
with freedom found # Blest isle | :58:07. | :58:26. | |
with matchless beauty crown'd # And manly hearts | :58:27. | :58:40. | |
to guard the fair # Rule, Britannia! | :58:41. | :58:46. | |
Britannia, rule the waves # Rule, Britannia! | :58:47. | :58:51. | |
Britannia, rule the waves # The muses still | :58:52. | :59:04. | |
with freedom found # Blest isle | :59:05. | :00:18. | |
with matchless beauty crown'd # And manly hearts | :00:19. | :00:26. | |
to guard the fair # Rule, Britannia! | :00:27. | :00:32. | |
Britannia, rule the waves # Rule, Britannia! | :00:33. | :00:38. | |
Britannia, rule the waves Roderick Williams, who has the best | :00:39. | :01:39. | |
smile in opera, singing Thomas Arne's Rule Britannia. They loved it | :01:40. | :01:45. | |
so much, we had to have an encore. Now, another Last Night tradition, | :01:46. | :01:50. | |
we are going to hand over to Sakari Oramo for his first-ever Last Night | :01:51. | :01:56. | |
conductor's speech. You are all in very good voice. Congratulations. | :01:57. | :02:03. | |
You have just proved that Sir Henry Wood's vision to bring classical | :02:04. | :02:06. | |
music to everyone is alive and kicking! Sir Henry's bust has sat | :02:07. | :02:19. | |
looking at us all throughout this Proms season, as it always does. So, | :02:20. | :02:25. | |
while we take this moment to crown him with his traditional chaplet, | :02:26. | :02:29. | |
let's have three cheers for Sir Henry. Hip, hip... | :02:30. | :02:37. | |
AUDIENCE: Hooray. Hip, hip... Hooray. Hip, hip... Hooray! The | :02:38. | :02:47. | |
Prommers doing the honours there - Peter Burke and David Holden. | :02:48. | :02:55. | |
The Proms is the greatest music festival in the world. Let's salute | :02:56. | :03:18. | |
those many superb soloists, orchestras, choirs, conductors, | :03:19. | :03:24. | |
composers, who have appeared in this 2014 season. | :03:25. | :03:26. | |
And let's give a special round of applause to tonight's performance, | :03:27. | :03:48. | |
our soloists, Janine Jansen, Roderick Williams, Ruthie Henshall, | :03:49. | :03:52. | |
Elizabeth Watts and John Daszak. Our composers, Gavin Higgins and Ann | :03:53. | :03:56. | |
Dudley. The BBC Singers. | :03:57. | :04:13. | |
APPLAUSE The BBC Symphony Chorus. | :04:14. | :04:44. | |
APPLAUSE And the BBC Symphony Orchestra! | :04:45. | :05:06. | |
APPLAUSE Once again, there have been huge | :05:07. | :05:47. | |
audiences at the Proms. And as so many of the artists have said, you | :05:48. | :05:50. | |
really are the greatest audience in the world! | :05:51. | :05:55. | |
And a particular thanks to the Prommers down here. | :05:56. | :06:13. | |
Because not only do they come to all the concerts, but they also collect | :06:14. | :06:31. | |
large amounts of money to support musical charities and this year, you | :06:32. | :06:37. | |
have raised an amazing ?89,700! So, I have been... | :06:38. | :06:47. | |
AUDIENCE: More! I have been asked to also do a | :06:48. | :07:38. | |
personal part of the speech tonight. It's kind of difficult for me | :07:39. | :07:44. | |
because I'm Finnish and we don't talk very much! So, I... | :07:45. | :07:59. | |
AUDIENCE: Ahh! Do you know how an introvert Finn | :08:00. | :08:07. | |
addresses a Prom's audience in a speech? By looking at his shoes - do | :08:08. | :08:19. | |
you know how an extrovert Finn addresses a Prom's audience? By | :08:20. | :08:22. | |
looking at Prommers' shoes! But I feel really fantastic being | :08:23. | :08:41. | |
here right now and that's because I'm here because of you, everybody's | :08:42. | :08:44. | |
love for music. I - and I am sure many here and many | :08:45. | :08:59. | |
in the Parks, and many watching or listening to us all around the world | :09:00. | :09:05. | |
have got from their childhood homes as a constant heritage, a love for | :09:06. | :09:13. | |
music. And that's very important because music is so many things. | :09:14. | :09:21. | |
That is why I'm making a plea for children and young people's | :09:22. | :09:25. | |
continued possibilities to be exposed to good and great classical | :09:26. | :09:26. | |
music. There is fantastic work being done | :09:27. | :09:50. | |
in many schools in this country and around the world on this subject. | :09:51. | :10:00. | |
But, sadly, too many are left out. And the tendency nowadays, | :10:01. | :10:03. | |
everywhere, the resources tend to go elsewhere than in music and arts, | :10:04. | :10:11. | |
education. I just find that is losing some very important | :10:12. | :10:12. | |
priorities. Music is not only, of course, about | :10:13. | :10:32. | |
knowledge, theoretical aspects, but it's love and appreciation for the | :10:33. | :10:34. | |
art and that is what we should all pass on to coming generations in | :10:35. | :10:40. | |
whatever form. Music is so many things, as I said. It is | :10:41. | :10:45. | |
mathematics. It is science. It's a universal language to those who are | :10:46. | :10:53. | |
open for it. Music is history, it's culture, it's Physical Education, | :10:54. | :10:58. | |
it's geography. Music develops inside. Music is therapy for those | :10:59. | :11:08. | |
who need it. Music is a wonderful, high-speed, dual carriageway to a | :11:09. | :11:13. | |
human mind and innermost emotions. That's, I think, we are all here | :11:14. | :11:17. | |
for. We are all here to appreciate music and, yes, I will show my | :11:18. | :11:20. | |
Finnish flag now at the back. It's a bit chilly here! Excuse me. | :11:21. | :11:24. | |
I'm fine, thanks! So, let's now look forward to next | :11:25. | :12:06. | |
year and to the 2015 Proms, the BBC Symphony Orchestra and Chorus will | :12:07. | :12:13. | |
be back here on Friday 17th July to open the 121st Proms season. I hope | :12:14. | :12:15. | |
you all can join us then. Thank you. We are going to hear Elgar's Land of | :12:16. | :12:35. | |
Hope and Glory, this is Pomp And Circumstance March No 1. | :12:36. | :12:38. | |
MUSIC:Pomp Circumstance March No.1 By Sir Edward Elgar | :12:39. | :15:26. | |
# Land of hope and glory, mother of the free | :15:27. | :15:38. | |
# How shall we extol thee, who are born of thee | :15:39. | :15:47. | |
# Wider still and wider shall thy bounds be set | :15:48. | :15:58. | |
# God, who made thee mighty, make thee mightier yet. # | :15:59. | :17:34. | |
# Land of hope and glory, mother of the free | :17:35. | :17:42. | |
# How shall we extol thee, who are born of thee | :17:43. | :17:55. | |
# Wider still and wider shall thy bounds be set | :17:56. | :18:06. | |
# God, who made thee mighty, make thee mightier yet. # | :18:07. | :18:46. | |
You do want another go on that, don't you? | :18:47. | :19:57. | |
# Land of hope and glory, mother of the free | :19:58. | :20:00. | |
# How shall we extol thee, who are born of thee | :20:01. | :20:03. | |
# Wider still and wider shall thy bounds be set | :20:04. | :20:21. | |
# God, who made thee mighty, make thee mightier yet. # | :20:22. | :21:01. | |
Land of Hope and Glory, Elgar's Pomp And Circumstance March No 1. The BBC | :21:02. | :21:20. | |
Symphony Orchestra, conducted by Sakari Oramo. And a welcome return | :21:21. | :21:27. | |
to audiences in Hyde Park and Belfast, while Swansea and Glasgow | :21:28. | :21:30. | |
continue their own celebrations, which you can watch online. | :21:31. | :21:42. | |
# Walk upon England's mountains green | :21:43. | :21:54. | |
# On England's pleasant pastures seen? | :21:55. | :22:07. | |
# Bring me my spear, O clouds, unfold | :22:08. | :23:05. | |
# Nor shall my sword sleep in my hand | :23:06. | :23:25. | |
# In England's green and pleasant land! # | :23:26. | :23:51. | |
The stirring words of William Blake, set by Hubert Parry. Jerusalem | :23:52. | :24:13. | |
performed by the BBC Symphony Orchestra and Chorus, along with | :24:14. | :24:18. | |
Natalie Chee and the BBC Singers, conducted by Sakari Oramo here at | :24:19. | :24:20. | |
the Last Night of the Proms. AUDIENCE CHEER | :24:21. | :24:32. | |
Appreciation from the crowd here. Before we say goodbye, it is time | :24:33. | :24:37. | |
for Benjamin Britten's National Anthem. | :24:38. | :24:49. | |
The National Anthem, arranged by Benjamin Britten and performed by | :24:50. | :27:34. | |
the BBC Symphony Orchestra and Chorus, with the BBC Singers, | :27:35. | :27:37. | |
conducted by Sakari Oramo. The wonderful story of course of | :27:38. | :27:57. | |
that version being performed for the Queen in 1967 and, apparently, she | :27:58. | :28:02. | |
said to one of the singers that she had never before been so affected by | :28:03. | :28:06. | |
the anthem and she added, "I have heard it once or twice before." | :28:07. | :28:18. | |
As ever, wonderful, warm atmosphere in the Royal Albert Hall. And from | :28:19. | :28:28. | |
what I can see, quite some parties at the Proms in the Park events, | :28:29. | :28:30. | |
too. Fantastic shots. Sakari Oramo, who was so looking | :28:31. | :28:48. | |
forward to tonight, and who has just relished every minute, hasn't he? | :28:49. | :28:55. | |
Special thanks to so many different members of the BBC Symphony | :28:56. | :29:25. | |
Orchestra, his first Proms season as their Chief Conductor. What a season | :29:26. | :29:30. | |
it has been, honestly, 75 concerts have been top notch, as ever. We | :29:31. | :29:35. | |
have had so many firsts, we have had the Proms teaming up with the | :29:36. | :29:40. | |
National Theatre to bring audiences the War Horse Prom. We had our first | :29:41. | :29:47. | |
dog ever take part in a BBC Proms, Salty the Dog, who appeared in the | :29:48. | :29:54. | |
CBeebies Prom - that was fun(!) Now, as Sakari Oramo leaves the stage, | :29:55. | :30:08. | |
there is one last tradition - the Prommers lead us in a chorus of Auld | :30:09. | :30:11. | |
Lang Syne. Well, that really is it for another | :30:12. | :31:22. | |
year, the 2014 BBC Proms finishing in true style here at the Royal | :31:23. | :31:27. | |
Albert Hall. It has been a remarkable year of concerts. We will | :31:28. | :31:31. | |
be back next year with the 121st season of the BBC Proms. There is | :31:32. | :31:37. | |
more to come. They start on Friday 17th July 2015, put it in your | :31:38. | :31:41. | |
diary. I hope you will join me then. For now, from me, Katie Derham, and | :31:42. | :31:45. | |
from all the BBC Music team at the Royal Albert Hall, thank you for | :31:46. | :31:47. | |
watching, good night. | :31:48. | :31:49. |