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Hello and welcome to BBC Proms In The Park 2016! | 0:00:13 | 0:00:18 | |
Please give a huge round of applause | 0:00:18 | 0:00:20 | |
for the BBC Scottish Symphony Orchestra | 0:00:20 | 0:00:23 | |
and their conductor for this evening, Mr Stephen Bell! | 0:00:23 | 0:00:27 | |
APPLAUSE | 0:00:27 | 0:00:29 | |
APPLAUSE | 0:06:49 | 0:06:51 | |
Well, I hope that's managed to whet your appetite for some | 0:06:55 | 0:06:58 | |
fantastic music this evening. | 0:06:58 | 0:07:00 | |
Shostakovich's Festive Overture, a suitably celebratory welcome | 0:07:00 | 0:07:04 | |
to Proms In The Park 2016 here on Glasgow Green! | 0:07:04 | 0:07:09 | |
CHEERING | 0:07:09 | 0:07:11 | |
We've got a really great line-up for you this evening. | 0:07:11 | 0:07:14 | |
An incredible array of talent here onstage. | 0:07:14 | 0:07:17 | |
We've got the internationally renowned Scottish | 0:07:17 | 0:07:20 | |
mezzo soprano Karen Cargill. | 0:07:20 | 0:07:22 | |
Appearing at her first proms, we have the multi-million | 0:07:24 | 0:07:26 | |
selling, Brit Award-winning musician, KT Tunstall. | 0:07:26 | 0:07:30 | |
Performing some hit songs from the West End, | 0:07:32 | 0:07:35 | |
the 2014 winners of Britain's Got Talent, Collabro! | 0:07:35 | 0:07:39 | |
And we have a special treat for you this evening. | 0:07:41 | 0:07:44 | |
Corporal Gary McLintoch and his gal pal Julie Jackson, known to | 0:07:44 | 0:07:48 | |
millions from the comedy hit series, Gary Tank Commander, | 0:07:48 | 0:07:51 | |
will be on musical manoeuvres with a beautiful duet. | 0:07:51 | 0:07:55 | |
But none of this could happen, ladies and gentlemen, without our | 0:07:55 | 0:07:57 | |
very own house band, the incredible BBC Scottish Symphony Orchestra | 0:07:57 | 0:08:02 | |
led by Laura Samuel and conducted by Stephen Bell! | 0:08:02 | 0:08:05 | |
APPLAUSE | 0:08:05 | 0:08:07 | |
Without any further ado, it's time to welcome our first guest | 0:08:12 | 0:08:15 | |
of the evening. She's a Scottish and international star. | 0:08:15 | 0:08:20 | |
She began playing as a teenager in her home town of St Andrews, | 0:08:20 | 0:08:24 | |
and then got the big break with Later... With Jools Holland. | 0:08:24 | 0:08:27 | |
Come on, Glasgow! Give it up big time for KT Tunstall! | 0:08:27 | 0:08:31 | |
# Oh-oh, oh-oh, oh, oh, oh | 0:08:37 | 0:08:42 | |
# Oh, oh, oh, oh, oh | 0:08:42 | 0:08:45 | |
# Oh-oh, oh-oh, oh, oh-oh | 0:08:45 | 0:08:47 | |
# Oh-oh, oh-oh, oh, oh, oh, oh | 0:08:49 | 0:08:53 | |
# All this choosing-wrongs losing ground | 0:08:55 | 0:09:00 | |
# Often feeling lost has brought it out | 0:09:03 | 0:09:09 | |
# And I'm looking for a love, not a heartache | 0:09:11 | 0:09:15 | |
# Yes, I'm going to take my time | 0:09:15 | 0:09:18 | |
# Even though I know from the handshake | 0:09:20 | 0:09:23 | |
# If I want to make you mine | 0:09:23 | 0:09:27 | |
# Oh, oh, I am walking blind | 0:09:29 | 0:09:32 | |
# Maybe that's a good thing | 0:09:32 | 0:09:35 | |
# Maybe that's a good thing | 0:09:37 | 0:09:39 | |
-# That I can't see what's coming -Oh-oh | 0:09:39 | 0:09:43 | |
-# And I don't much care -Oh-oh | 0:09:43 | 0:09:47 | |
# Life will become one big stupid truth or dare | 0:09:47 | 0:09:53 | |
# Maybe it's a good thing | 0:09:54 | 0:09:57 | |
# Oh-oh | 0:09:57 | 0:09:58 | |
# Oh-oh, oh, oh, oh | 0:09:58 | 0:10:01 | |
# Oh, oh, oh, oh, oh | 0:10:01 | 0:10:04 | |
# Oh, oh, oh-oh | 0:10:04 | 0:10:06 | |
# Oh-oh, oh, oh, oh | 0:10:08 | 0:10:10 | |
# Oh, oh, oh, oh, oh | 0:10:10 | 0:10:12 | |
# Temper me with dignity today | 0:10:14 | 0:10:19 | |
# Ever shoot your silver through my veins | 0:10:22 | 0:10:28 | |
# I'm looking for a change in my make-up | 0:10:30 | 0:10:34 | |
# Break apart and start again | 0:10:34 | 0:10:37 | |
# I will ask a question | 0:10:40 | 0:10:42 | |
# You will win my heart and then | 0:10:42 | 0:10:45 | |
# Oh, I will send you a sign | 0:10:48 | 0:10:51 | |
# Maybe it's a rare thing | 0:10:51 | 0:10:53 | |
# Maybe it's a rare thing | 0:10:55 | 0:10:58 | |
-# When a light comes blinding -Oh-oh | 0:10:58 | 0:11:02 | |
-# And it stops me dead -Oh-oh | 0:11:02 | 0:11:06 | |
# I'll always remember the time you sat next to me and you said | 0:11:06 | 0:11:11 | |
# Maybe it's a good thing | 0:11:13 | 0:11:16 | |
# Oh-oh, oh-oh, oh, oh, oh | 0:11:20 | 0:11:25 | |
# Oh-oh, oh-oh, oh, oh, oh | 0:11:29 | 0:11:34 | |
-# When a light comes blinding -Oh-oh | 0:11:41 | 0:11:46 | |
-# And it stops me dead -Oh-oh | 0:11:46 | 0:11:50 | |
# I'll always remember the time you sat next to me and you said | 0:11:50 | 0:11:55 | |
# Maybe it's a good thing | 0:11:56 | 0:11:59 | |
# Oh-oh, oh-oh, oh, oh, oh | 0:11:59 | 0:12:04 | |
# Oh, oh, oh, oh, oh | 0:12:04 | 0:12:06 | |
# Maybe it's a good thing | 0:12:06 | 0:12:11 | |
# Oh-oh, oh, oh, oh | 0:12:11 | 0:12:12 | |
# Oh, oh, oh, la-la-la | 0:12:12 | 0:12:15 | |
# La-la-la, la-la-la, la-la, la | 0:12:15 | 0:12:18 | |
# Oh-oh, oh, oh, oh | 0:12:19 | 0:12:22 | |
# Oh, oh, oh, oh, oh | 0:12:22 | 0:12:24 | |
# Oh, oh, oh-oh | 0:12:24 | 0:12:27 | |
# Maybe it's a good thing. # | 0:12:27 | 0:12:31 | |
Well, in the world of theatre, uttering the name | 0:12:41 | 0:12:44 | |
of The Scottish Play, Macbeth, can give the thespians a bit of | 0:12:44 | 0:12:48 | |
the heebie-jeebies. Well, there's an opera by Verdi that does the same | 0:12:48 | 0:12:52 | |
thing for opera singers. But we here at Proms In The Park, | 0:12:52 | 0:12:55 | |
we laugh in the face of such superstition because we have | 0:12:55 | 0:12:58 | |
our own lucky rabbit's foot in the shape of Mr Stephen Bell. | 0:12:58 | 0:13:02 | |
As he conducts the BBC Scottish Symphony Orchestra now in this | 0:13:02 | 0:13:06 | |
overture by Verdi to The Force Of Destiny. | 0:13:06 | 0:13:10 | |
APPLAUSE | 0:20:24 | 0:20:26 | |
Absolutely wonderful, dramatic stuff there from | 0:20:30 | 0:20:33 | |
the BBC Scottish Symphony Orchestra. | 0:20:33 | 0:20:35 | |
Well, our next performance this evening comes from Collabro. | 0:20:37 | 0:20:41 | |
Since winning Britain's Got Talent in 2014, they have risen | 0:20:43 | 0:20:47 | |
to global fame, gaining fans from around the world, | 0:20:47 | 0:20:50 | |
bringing musical theatre to millions with a distinctive style and bagging | 0:20:50 | 0:20:55 | |
a number one debut album. Singing for the first times in Proms, | 0:20:55 | 0:20:58 | |
it's an audience favourite. From The Lion King, | 0:20:58 | 0:21:01 | |
with The Circle of Life, it is Collabro! | 0:21:01 | 0:21:04 | |
APPLAUSE | 0:21:04 | 0:21:06 | |
# From the day we arrive on the planet | 0:21:26 | 0:21:32 | |
# And blinking, step into the sun | 0:21:32 | 0:21:37 | |
# There's more to see than can ever be seen | 0:21:37 | 0:21:44 | |
# More to do than can ever be done | 0:21:44 | 0:21:50 | |
# There's far too much to take in here | 0:21:50 | 0:21:56 | |
# More to find than can ever be found | 0:21:56 | 0:22:02 | |
# But the sun rolling high | 0:22:02 | 0:22:05 | |
# Through the sapphire sky | 0:22:05 | 0:22:08 | |
# Keeps great and small on the endless round | 0:22:08 | 0:22:13 | |
# It's the circle of life | 0:22:13 | 0:22:18 | |
# And it moves us all | 0:22:18 | 0:22:24 | |
# Through despair and hope | 0:22:24 | 0:22:30 | |
# Through faith and love | 0:22:30 | 0:22:35 | |
# Till we find our place | 0:22:35 | 0:22:40 | |
# On the path unwinding | 0:22:40 | 0:22:47 | |
# In the circle | 0:22:47 | 0:22:52 | |
# The circle of life | 0:22:52 | 0:22:58 | |
# Some of us fall by the wayside | 0:22:58 | 0:23:04 | |
-# And some of us soar to the stars -Some soar, some sail | 0:23:04 | 0:23:10 | |
# Some of us sail through our troubles | 0:23:10 | 0:23:15 | |
# And some have to live with the scars | 0:23:15 | 0:23:21 | |
# There's far too much to take in here | 0:23:21 | 0:23:26 | |
# More to find than can ever be found | 0:23:26 | 0:23:32 | |
# But the sun rolling high | 0:23:32 | 0:23:34 | |
# Through the sapphire sky | 0:23:34 | 0:23:37 | |
# Keeps great and small on the endless round | 0:23:37 | 0:23:41 | |
# It's the circle of life | 0:23:41 | 0:23:46 | |
# And it moves us all | 0:23:46 | 0:23:51 | |
# Through despair and hope | 0:23:51 | 0:23:57 | |
# Through faith and love | 0:23:57 | 0:24:02 | |
# Till we find our place | 0:24:02 | 0:24:08 | |
# On the path unwinding | 0:24:08 | 0:24:14 | |
# In the circle | 0:24:14 | 0:24:19 | |
# The circle of life | 0:24:19 | 0:24:25 | |
# Circle of life! # | 0:24:25 | 0:24:33 | |
APPLAUSE | 0:24:33 | 0:24:35 | |
We're heading to warmer climes now, to Provence and a popular | 0:24:42 | 0:24:46 | |
community dance. Now, in fact, if you want to form your chains | 0:24:46 | 0:24:49 | |
and dance around Glasgow Green, this is your chance | 0:24:49 | 0:24:52 | |
to the accompaniment of the BBC Scottish Symphony Orchestra | 0:24:52 | 0:24:55 | |
as they play Bizet's fun and frolicsome Farandole. | 0:24:55 | 0:24:59 | |
Now, ladies and gentlemen, it's my great pleasure to introduce to you | 0:28:31 | 0:28:35 | |
a man whose military might is matched only by his | 0:28:35 | 0:28:38 | |
intellectual firepower. A man who recently grilled some of our most | 0:28:38 | 0:28:42 | |
formidable political figures and most definitely had them on | 0:28:42 | 0:28:45 | |
the back foot, or on their knees in the case of William Rennie | 0:28:45 | 0:28:48 | |
and his healing hands. Yes, that's right, he's a tank commander and | 0:28:48 | 0:28:52 | |
he's called Gary. Please welcome to the stage Corporal Gary McLintoch | 0:28:52 | 0:28:56 | |
and his friend, Julie Jackson! | 0:28:56 | 0:28:58 | |
M-M-M-M-Maestro! | 0:28:58 | 0:29:00 | |
BAND STARTS PLAYING | 0:29:00 | 0:29:02 | |
Wait! Oh, my very actual God, sorry. | 0:29:02 | 0:29:04 | |
Can I just say something pure totally crazy? | 0:29:04 | 0:29:06 | |
I love crazy! | 0:29:06 | 0:29:08 | |
# All my life has been a series of doors in my face, ow | 0:29:08 | 0:29:13 | |
# And then suddenly I bump into you... # | 0:29:13 | 0:29:15 | |
I was thinking the same thing, because, like... | 0:29:15 | 0:29:18 | |
# I've been searching ma whole life | 0:29:18 | 0:29:20 | |
# Tae find ma own place | 0:29:20 | 0:29:22 | |
# And maybe it's the party talkin' | 0:29:22 | 0:29:24 | |
# Or the chocolate fondue | 0:29:24 | 0:29:26 | |
# But with you | 0:29:26 | 0:29:27 | |
# But with you I found my place | 0:29:27 | 0:29:30 | |
# I see your face | 0:29:30 | 0:29:31 | |
-BOTH: -# And it's nothing like I've ever known before | 0:29:31 | 0:29:35 | |
# Love is an open door! | 0:29:35 | 0:29:40 | |
# Love is an open... | 0:29:40 | 0:29:41 | |
-# Door -Door | 0:29:41 | 0:29:44 | |
# Love is an open door | 0:29:44 | 0:29:46 | |
-# With you -With you | 0:29:46 | 0:29:47 | |
-# With you -With you | 0:29:47 | 0:29:49 | |
# Love is an open door... # | 0:29:49 | 0:29:52 | |
This is goin' really well. | 0:29:54 | 0:29:55 | |
-Gary, you just pure totally actually stole my part! -No, I never! | 0:29:55 | 0:29:58 | |
-# I mean, it's crazy -What? | 0:29:58 | 0:30:00 | |
-# We finish each other's -Sandwiches... # | 0:30:00 | 0:30:02 | |
That's what I was gonna say! | 0:30:02 | 0:30:03 | |
# I've never met someone | 0:30:03 | 0:30:04 | |
# Who thinks so much like me... # | 0:30:04 | 0:30:06 | |
Jinx! Jinx again! | 0:30:06 | 0:30:08 | |
# Our mental synchronisation can have but one explanation | 0:30:08 | 0:30:12 | |
-# You -And I | 0:30:12 | 0:30:13 | |
-# Were just meant to be... # -Right! | 0:30:13 | 0:30:16 | |
-# Say goodbye -Say goodbye | 0:30:16 | 0:30:18 | |
# To the pain of the past | 0:30:18 | 0:30:21 | |
# We don't have to feel it any more | 0:30:21 | 0:30:24 | |
# Love is an open door | 0:30:24 | 0:30:29 | |
# Love is an open | 0:30:29 | 0:30:31 | |
-# Door -Door | 0:30:31 | 0:30:34 | |
# Life can be so much more | 0:30:34 | 0:30:36 | |
-# With you -With you | 0:30:36 | 0:30:37 | |
-# With you -With you | 0:30:37 | 0:30:39 | |
# Love is an open... | 0:30:39 | 0:30:40 | |
-# Door -Door. # | 0:30:40 | 0:30:44 | |
SHE GIGGLES | 0:30:44 | 0:30:45 | |
Oh, wait! Wait. Conductor, please, wait. Sorry. | 0:30:45 | 0:30:48 | |
Sorry, Gary. I'm really sorry. | 0:30:48 | 0:30:49 | |
Right, can I just say one pure totally actual pure crazy thing? | 0:30:49 | 0:30:52 | |
Aye. | 0:30:52 | 0:30:54 | |
Will you be ma best friend forever and ever? | 0:30:54 | 0:30:57 | |
Maybe. | 0:30:57 | 0:30:59 | |
LAUGHTER AND CHEERING | 0:30:59 | 0:31:01 | |
Seriously, I'm no' joking. I absolutely nailed that. | 0:31:10 | 0:31:12 | |
Now time to introduce you to a very special performer. | 0:31:12 | 0:31:17 | |
She's a world-renowned mezzo soprano, originally from Arbroath. | 0:31:17 | 0:31:21 | |
She's travelled the world and thrilled audiences, | 0:31:21 | 0:31:23 | |
and we are privileged to have us here with us this evening. | 0:31:23 | 0:31:26 | |
Singing Eriskay Love Lilt, | 0:31:26 | 0:31:27 | |
ladies and gentlemen, the wonderful Karen Cargill. | 0:31:27 | 0:31:30 | |
CHEERING | 0:31:30 | 0:31:33 | |
# Bheir me o, horo van o | 0:31:51 | 0:31:57 | |
# Bheir me o, horo van ee | 0:31:57 | 0:32:03 | |
# Bheir me o, o horo ho | 0:32:03 | 0:32:09 | |
# Sad am I without thee | 0:32:09 | 0:32:16 | |
# When I'm lonely, dear white heart | 0:32:23 | 0:32:29 | |
# Black the night and wild the sea | 0:32:29 | 0:32:35 | |
# By love's light, my foot finds | 0:32:35 | 0:32:41 | |
# The old pathway to me | 0:32:41 | 0:32:47 | |
# Bheir me o, horo van o | 0:32:47 | 0:32:54 | |
# Bheir me o, horo van ee | 0:32:54 | 0:33:00 | |
# Bheir me o, o horo ho | 0:33:00 | 0:33:06 | |
# Sad am I without thee | 0:33:06 | 0:33:14 | |
# Thou'rt the music of my heart | 0:33:21 | 0:33:28 | |
# Harp of joy, o cruit mo chruidh | 0:33:28 | 0:33:33 | |
# Moon of guidance by night | 0:33:33 | 0:33:39 | |
# Strength and light thou'rt to me | 0:33:39 | 0:33:46 | |
# Bheir me o, horo van o | 0:33:46 | 0:33:53 | |
# Bheir me o, horo van ee | 0:33:53 | 0:33:59 | |
# Bheir me o, o horo ho | 0:33:59 | 0:34:06 | |
# Sad am I without thee. # | 0:34:06 | 0:34:20 | |
CHEERING | 0:34:29 | 0:34:31 | |
Karen Cargill, ladies and gentlemen. Absolutely divine. | 0:34:37 | 0:34:40 | |
Eriskay Love Lilt. Beautiful. | 0:34:40 | 0:34:42 | |
Earlier this year, | 0:34:44 | 0:34:45 | |
at the age of 81, the composer Sir Peter Maxwell Davies | 0:34:45 | 0:34:48 | |
died at his home on Sanday in Orkney. | 0:34:48 | 0:34:51 | |
He loved those islands and much of his music was inspired by | 0:34:51 | 0:34:54 | |
his walks along the coastline or the views of the distant hills. | 0:34:54 | 0:34:58 | |
Well, on Orkney, he was known simply as Max, and we'd like to | 0:34:58 | 0:35:01 | |
pay tribute to him now with this, perhaps his most best-know tune. | 0:35:01 | 0:35:05 | |
This is Farewell To Stromness. | 0:35:05 | 0:35:07 | |
CHEERING | 0:38:34 | 0:38:37 | |
Well, this next performance will take us out of this world. | 0:38:40 | 0:38:44 | |
And I can't believe it - it's 34 years since ET phoned home. | 0:38:44 | 0:38:48 | |
Now, no-one writes flying music like John Williams, | 0:38:48 | 0:38:51 | |
but we're going to pick up the story | 0:38:51 | 0:38:53 | |
when ET is bidding a fond farewell to his good friend, Elliott. | 0:38:53 | 0:38:57 | |
CHEERING | 0:44:53 | 0:44:55 | |
Well, it's my turn to join this incredible band, | 0:45:04 | 0:45:07 | |
ladies and gentlemen, and sing one of my favourite songs to you. | 0:45:07 | 0:45:11 | |
It's by Agustin Lara, | 0:45:11 | 0:45:13 | |
and it's his tribute to that beautiful town in Andalusia. | 0:45:13 | 0:45:18 | |
We're going to... Get your castanets out, | 0:45:18 | 0:45:20 | |
shout "Ole!", ladies and gentlemen, | 0:45:20 | 0:45:22 | |
as we transform the Glasgow Green into Granada! | 0:45:22 | 0:45:25 | |
CHEERING | 0:45:25 | 0:45:28 | |
# Granada, tierra sonada por mi | 0:45:52 | 0:45:59 | |
# Mi cantar, se vuelve gitano cuando es para ti | 0:46:00 | 0:46:06 | |
# Mi cantar, hecho de fantasia | 0:46:09 | 0:46:17 | |
# Mi cantar, flor de melancolia | 0:46:17 | 0:46:23 | |
# Que yo te vengo a dar | 0:46:23 | 0:46:38 | |
# Granada, tierra ensangrentada en tarde de toros | 0:46:42 | 0:46:50 | |
# Mujer que conserva el embrujo de los ojos moros | 0:46:52 | 0:47:00 | |
# De sueno rebelde gitana cubierta de flores | 0:47:01 | 0:47:08 | |
# Y beso tu boca de grana | 0:47:10 | 0:47:14 | |
# Jugosa manzana que me habla de amores | 0:47:14 | 0:47:23 | |
# Granada, manola cantada en coplas preciosas | 0:47:23 | 0:47:30 | |
# No tengo otra cosa que darte que un ramo de rosas | 0:47:32 | 0:47:39 | |
# De rosas de suave fragancia | 0:47:42 | 0:47:45 | |
# Que le dieran marco a la Virgen morena | 0:47:45 | 0:47:52 | |
# Granada tu tierra esta llena | 0:47:52 | 0:47:58 | |
# De lindas mujeres de sangre y de sol | 0:47:58 | 0:48:06 | |
# De rosas de suave fragancia | 0:48:25 | 0:48:28 | |
# Que le dieran marco a la Virgen morena | 0:48:28 | 0:48:36 | |
# Granada tu tierra esta llena | 0:48:36 | 0:48:42 | |
# De lindas mujeres de sangre y de sol. # | 0:48:42 | 0:48:51 | |
CHEERING | 0:48:53 | 0:48:55 | |
Thank you very much. | 0:48:58 | 0:49:01 | |
Thank you. Thank you, ladies and gentlemen. | 0:49:01 | 0:49:04 | |
Now, with La Habanera from Carmen, it's Karen Cargill. | 0:49:04 | 0:49:07 | |
# L'amour est un oiseau rebelle | 0:49:17 | 0:49:21 | |
# Que nul ne peut apprivoiser | 0:49:21 | 0:49:25 | |
# Et c'est bien en vain qu'on l'appelle | 0:49:25 | 0:49:29 | |
# S'il lui convient de refuser | 0:49:29 | 0:49:33 | |
# Rien n'y fait, menace ou priere | 0:49:33 | 0:49:38 | |
# L'un parle bien, l'autre se tait | 0:49:38 | 0:49:42 | |
# Et c'est l'autre que je prefere | 0:49:42 | 0:49:46 | |
# Il n'a rien dit mais il me plait | 0:49:46 | 0:49:54 | |
# L'amour! L'amour! | 0:49:54 | 0:50:02 | |
# L'amour! L'amour! | 0:50:02 | 0:50:08 | |
# L'amour est enfant de Boheme | 0:50:08 | 0:50:12 | |
# Il n'a jamais, jamais connu de loi | 0:50:12 | 0:50:16 | |
# Si tu ne m'aimes pas, je t'aime | 0:50:16 | 0:50:21 | |
# Si je t'aime, prends garde a toi! | 0:50:21 | 0:50:25 | |
# Si tu ne m'aimes pas | 0:50:27 | 0:50:30 | |
# Si tu ne m'aimes pas, je t'aime | 0:50:30 | 0:50:34 | |
# Mais si je t'aime, si je t'aime | 0:50:36 | 0:50:44 | |
# Prends garde a toi! | 0:50:44 | 0:50:49 | |
# Si tu ne m'aimes pas | 0:51:05 | 0:51:08 | |
# Si tu ne m'aimes pas, je t'aime | 0:51:08 | 0:51:13 | |
# Mais si je t'aime, si je t'aime | 0:51:14 | 0:51:20 | |
# Prends garde a toi! | 0:51:20 | 0:51:24 | |
# L'oiseau que tu croyais surprendere | 0:51:31 | 0:51:35 | |
# Battit d'aile et s'envola | 0:51:35 | 0:51:39 | |
# L'amour est loin, tu peux l'attendre | 0:51:39 | 0:51:44 | |
# Tu ne l'attends pas, il est la | 0:51:44 | 0:51:48 | |
# Tout atour de toi, vite vite | 0:51:48 | 0:51:53 | |
# Il vient, s'en va, puis il revient | 0:51:53 | 0:51:57 | |
# Tu crois le tenir, il t'evite | 0:51:57 | 0:52:01 | |
# Tu crois l'eviter, il te tient | 0:52:01 | 0:52:08 | |
# L'amour! L'amour! | 0:52:08 | 0:52:17 | |
# L'amour! L'amour! | 0:52:17 | 0:52:22 | |
# L'amour est enfant de Boheme | 0:52:22 | 0:52:27 | |
# Il n'a jamais, jamais connu de loi | 0:52:27 | 0:52:31 | |
# Si tu ne m'aimes pas, je t'aime | 0:52:31 | 0:52:36 | |
# Si je t'aime, prends garde a toi! | 0:52:36 | 0:52:40 | |
# Si tu ne m'aimes pas | 0:52:42 | 0:52:45 | |
# Si tu ne m'aimes pas, je t'aime | 0:52:45 | 0:52:49 | |
# Mais si je t'aime, si je t'aime | 0:52:51 | 0:52:58 | |
# Prends garde a toi! | 0:52:58 | 0:53:04 | |
# Si tu ne m'aimes pas | 0:53:19 | 0:53:22 | |
# Si tu ne m'aimes pas, je t'aime | 0:53:22 | 0:53:27 | |
# Mais si je t'aime, si je t'aime | 0:53:29 | 0:53:35 | |
# Prends garde a toi! # | 0:53:35 | 0:53:40 | |
CHEERING | 0:53:41 | 0:53:43 | |
Thank you to all of our guests, and it's time to have the finale, | 0:53:52 | 0:53:56 | |
Highland Cathedral. | 0:53:56 | 0:53:57 | |
# Land of my fathers, we will always be | 0:54:09 | 0:54:14 | |
# Faithful and loyal to our own country | 0:54:14 | 0:54:20 | |
# In times of danger, we will set you free | 0:54:20 | 0:54:26 | |
# Bring you to glory and to victory | 0:54:26 | 0:54:32 | |
# Hail, Caledonia, to our ancient prayer | 0:54:32 | 0:54:38 | |
# In this Highland Cathedral let our standards bear | 0:54:38 | 0:54:44 | |
# Joining together with one dream to share | 0:54:44 | 0:54:50 | |
# God bless the people of this land so fair | 0:54:50 | 0:54:56 | |
# Gone is the past Let us start anew | 0:54:56 | 0:55:01 | |
# Let this hope of peace always remain | 0:55:01 | 0:55:07 | |
# Spirit of Scotia Be strong and true | 0:55:07 | 0:55:12 | |
# And your children will smile again | 0:55:12 | 0:55:17 | |
# Rise, Caledonia Let your voices ring | 0:55:18 | 0:55:24 | |
# In this Highland Cathedral of our God and King | 0:55:24 | 0:55:30 | |
# Whom joy and liberty to all will bring | 0:55:30 | 0:55:36 | |
# Come, let your heart with love and courage, sing | 0:55:36 | 0:55:43 | |
CHEERING | 0:56:13 | 0:56:16 | |
BOTH: # Rise, Caledonia Let your voices ring | 0:58:00 | 0:58:06 | |
# In this Highland Cathedral of our God and King | 0:58:06 | 0:58:13 | |
# Whom joy and liberty to all will bring | 0:58:13 | 0:58:19 | |
# Come, let your heart with love and courage, sing | 0:58:19 | 0:58:26 | |
# Come, let your heart with love and courage | 0:58:26 | 0:58:34 | |
# Sing. # | 0:58:34 | 0:58:38 | |
INAUDIBLE | 0:58:44 | 0:58:45 | |
CHEERING AND APPLAUSE | 0:58:49 | 0:58:52 |