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Good evening and thanks for joining us for highlights | 1:07:59 | 1:08:01 | |
of Proms In The Park 2016. | 1:08:01 | 1:08:04 | |
Over the next hour, we have performances from a superb line-up | 1:08:04 | 1:08:07 | |
of international talent, including one of the UK's | 1:08:07 | 1:08:10 | |
best-loved sopranos, Lesley Garrett. | 1:08:10 | 1:08:14 | |
Direct from Les Miserables on Broadway, | 1:08:14 | 1:08:16 | |
musical theatre legend John Owen-Jones. | 1:08:16 | 1:08:20 | |
Dazzling Slovakian violinists Vladimir and Anton. | 1:08:20 | 1:08:23 | |
From Sweden, virtuoso clarinettist Martin Frost, | 1:08:23 | 1:08:27 | |
and from Derry, Londonderry, acclaimed chamber choir Codetta | 1:08:27 | 1:08:31 | |
and pianist Ruth McGinley, | 1:08:31 | 1:08:33 | |
all accompanied by the Ulster Orchestra, | 1:08:33 | 1:08:35 | |
currently celebrating their 50th anniversary under the baton | 1:08:35 | 1:08:39 | |
of conductor David Brophy. | 1:08:39 | 1:08:41 | |
Ladies and gentlemen, please welcome your hosts, | 1:08:43 | 1:08:46 | |
Noel Thompson and Claire McCollum. | 1:08:46 | 1:08:48 | |
APPLAUSE Hello, everybody. | 1:08:48 | 1:08:50 | |
A very warm welcome indeed to all of you here this evening. | 1:08:50 | 1:08:55 | |
We are delighted to welcome you to the event of the year - | 1:08:55 | 1:08:58 | |
it's Proms In The Park 2016. | 1:08:58 | 1:09:01 | |
Yes, it is. | 1:09:01 | 1:09:05 | |
You can can the Coliseum, you can eradicate the Eiffel Tower. | 1:09:05 | 1:09:09 | |
This is officially Europe's best tourist destination. | 1:09:09 | 1:09:12 | |
How lucky are we to be here tonight? | 1:09:12 | 1:09:16 | |
And a big thank you of course to Belfast City Council for helping | 1:09:16 | 1:09:19 | |
to make it all once again possible. | 1:09:19 | 1:09:21 | |
You're in for a superb night of classical entertainment. | 1:09:21 | 1:09:24 | |
This year, the stage and screen is the theme, | 1:09:24 | 1:09:27 | |
and you will be hearing performances from some of the best-loved | 1:09:27 | 1:09:30 | |
shows and movies from around the world, | 1:09:30 | 1:09:32 | |
like Carmen, Phantom of the Opera, Les Mis, Moulin Rouge. | 1:09:32 | 1:09:35 | |
The list goes on and on. | 1:09:35 | 1:09:38 | |
Let's get right into it. | 1:09:38 | 1:09:40 | |
A real treat for you, ladies and gentlemen. | 1:09:40 | 1:09:42 | |
Forget about Dueling Banjos, | 1:09:42 | 1:09:44 | |
this is virtuoso violins. | 1:09:44 | 1:09:46 | |
Please welcome Anton and Vladimir. | 1:09:46 | 1:09:49 | |
CHEERING AND APPLAUSE | 1:09:49 | 1:09:50 | |
CHEERING | 1:11:11 | 1:11:13 | |
Right, ladies and gentlemen, our next artist is simply | 1:13:20 | 1:13:22 | |
one of the most exciting in the classical music arena. | 1:13:22 | 1:13:25 | |
He's an award-winning clarinettist from Sweden, | 1:13:25 | 1:13:28 | |
but he's won an international reputation for dynamic | 1:13:28 | 1:13:30 | |
collaborations with orchestras right around the world, | 1:13:30 | 1:13:33 | |
from Stockholm to Sydney. | 1:13:33 | 1:13:35 | |
This year, he released his latest album, called Roots, | 1:13:35 | 1:13:38 | |
in which he explores the origins of classical | 1:13:38 | 1:13:40 | |
in religious and folk music. | 1:13:40 | 1:13:42 | |
We are delighted he is here to perform some of it | 1:13:42 | 1:13:44 | |
for us this evening. | 1:13:44 | 1:13:45 | |
Would you please give a very warm welcome, all the way from Sweden, | 1:13:45 | 1:13:48 | |
it's Martin Frost. | 1:13:48 | 1:13:50 | |
CHEERING AND APPLAUSE | 1:13:50 | 1:13:52 | |
APPLAUSE | 1:18:07 | 1:18:09 | |
He's a bit of a showman, isn't he? | 1:18:21 | 1:18:23 | |
Now then, ladies and gentlemen, we are delighted our next artist | 1:18:23 | 1:18:27 | |
is with us this evening. | 1:18:27 | 1:18:28 | |
He's an award-winning actor and singer. | 1:18:28 | 1:18:31 | |
Originally from Wales, he's a true veteran | 1:18:31 | 1:18:33 | |
of the musical theatre in the UK and, of course, on Broadway. | 1:18:33 | 1:18:37 | |
He has just completed a lengthy run on Broadway | 1:18:37 | 1:18:40 | |
as Jean Valjean in Les Miserables. | 1:18:40 | 1:18:43 | |
This is a role he really has made his own. | 1:18:43 | 1:18:44 | |
He played it for the first time when he was just 26 - | 1:18:44 | 1:18:47 | |
he was the youngest ever to take the role in the West End. | 1:18:47 | 1:18:50 | |
Here to perform for you this evening, direct from Broadway, | 1:18:50 | 1:18:54 | |
please give the warmest welcome ever to the wonderful | 1:18:54 | 1:18:57 | |
John Owen-Jones. | 1:18:57 | 1:18:59 | |
CHEERING AND APPLAUSE | 1:18:59 | 1:19:01 | |
# God on high | 1:19:28 | 1:19:38 | |
# Hear my prayer | 1:19:38 | 1:19:45 | |
# In my need | 1:19:45 | 1:19:51 | |
# You have always been there | 1:19:51 | 1:19:58 | |
# He is young | 1:19:58 | 1:20:04 | |
# He's afraid | 1:20:04 | 1:20:11 | |
# Let him rest | 1:20:11 | 1:20:17 | |
# Heaven blessed | 1:20:17 | 1:20:22 | |
# Bring him home | 1:20:22 | 1:20:29 | |
# Bring him home | 1:20:29 | 1:20:35 | |
# Bring him home | 1:20:35 | 1:20:40 | |
# He's like the son I might have known | 1:20:41 | 1:20:46 | |
# If God had granted me a son | 1:20:46 | 1:20:50 | |
# The summers die | 1:20:50 | 1:20:53 | |
# One by one | 1:20:53 | 1:20:55 | |
# How soon they fly | 1:20:55 | 1:20:59 | |
# On and on | 1:20:59 | 1:21:02 | |
# And I am old | 1:21:02 | 1:21:05 | |
# And will be gone | 1:21:05 | 1:21:09 | |
# Bring him peace | 1:21:13 | 1:21:21 | |
# Bring him joy | 1:21:21 | 1:21:28 | |
# He is young | 1:21:28 | 1:21:33 | |
# He is only a boy | 1:21:33 | 1:21:39 | |
# You can take | 1:21:39 | 1:21:45 | |
# You can give | 1:21:45 | 1:21:51 | |
# Let him be | 1:21:51 | 1:21:56 | |
# Let him live | 1:21:56 | 1:22:02 | |
# If I die | 1:22:02 | 1:22:08 | |
# Let me die | 1:22:08 | 1:22:15 | |
# Let him live | 1:22:15 | 1:22:20 | |
# Bring him home | 1:22:22 | 1:22:27 | |
# Bring him home | 1:22:29 | 1:22:35 | |
# Bring him home. # | 1:22:37 | 1:22:59 | |
APPLAUSE | 1:23:00 | 1:23:02 | |
Thanks. | 1:23:09 | 1:23:10 | |
Thank you very much. | 1:23:14 | 1:23:15 | |
I'll see you again later, thanks. | 1:23:15 | 1:23:17 | |
Our next act most definitely qualifies for that rare accolade | 1:23:22 | 1:23:27 | |
of "national treasure". | 1:23:27 | 1:23:29 | |
She's had a long and hugely successful career in opera | 1:23:29 | 1:23:32 | |
and musical theatre, a career which brought her, | 1:23:32 | 1:23:35 | |
probably not before time, the CBE for services to music. | 1:23:35 | 1:23:39 | |
She's released 14 albums, she's hosted her own TV series, | 1:23:39 | 1:23:43 | |
she's appeared on everything from Loose Women | 1:23:43 | 1:23:46 | |
to Strictly Come Dancing. | 1:23:46 | 1:23:48 | |
And we are thrilled she is with us tonight on the Titanic slipways. | 1:23:48 | 1:23:51 | |
Please give a titanic welcome to the one and only Lesley Garrett. | 1:23:51 | 1:23:56 | |
# Bed, bed, I couldn't go to bed | 1:24:23 | 1:24:27 | |
# My head's too light to try to set it down | 1:24:27 | 1:24:31 | |
# Sleep, sleep, I couldn't sleep tonight | 1:24:33 | 1:24:37 | |
# Not for all the jewels in the crown | 1:24:37 | 1:24:43 | |
# I could have danced all night | 1:24:43 | 1:24:46 | |
# I could have danced all night | 1:24:46 | 1:24:50 | |
# And still have begged for more | 1:24:50 | 1:24:57 | |
# I could have spread my wings | 1:24:57 | 1:25:00 | |
# And done a thousand things | 1:25:00 | 1:25:04 | |
# I've never done before | 1:25:04 | 1:25:10 | |
# I'll never know what made it so exciting | 1:25:10 | 1:25:17 | |
# Why all at once my heart took flight | 1:25:17 | 1:25:24 | |
# I only know when he began to dance with me | 1:25:24 | 1:25:33 | |
# I could have danced, danced, danced all night | 1:25:33 | 1:25:41 | |
# I could have danced all night | 1:25:47 | 1:25:51 | |
# I could have danced all night | 1:25:51 | 1:25:53 | |
# And still have begged for more | 1:25:56 | 1:25:59 | |
# I could have spread my wings | 1:26:01 | 1:26:04 | |
# And done a thousand things, I've never done before | 1:26:04 | 1:26:12 | |
# I'll never know what made it so exciting | 1:26:13 | 1:26:20 | |
# Why all at once my heart took flight | 1:26:20 | 1:26:27 | |
# I only know when he began to dance with me | 1:26:27 | 1:26:37 | |
# I could have danced, danced, danced all night. # | 1:26:37 | 1:26:52 | |
Our next guest stared playing the piano at the age of five | 1:27:13 | 1:27:16 | |
and by the age of 16 was a winner of the BBC's Young Musician Of The Year award. | 1:27:16 | 1:27:21 | |
But after that whirlwind start to her career she ended up | 1:27:21 | 1:27:24 | |
taking quite a long break from public performance. | 1:27:24 | 1:27:26 | |
But we are delighted that 2016 sees the return to the | 1:27:26 | 1:27:29 | |
stage for our next performer. | 1:27:29 | 1:27:31 | |
She is absolutely fabulous, Derry's finest. | 1:27:31 | 1:27:34 | |
Please would you put your hands together for Ruth McGinley. | 1:27:34 | 1:27:38 | |
APPLAUSE | 1:33:17 | 1:33:20 | |
Right, ladies and gentlemen, time to welcome back two of the artists | 1:33:36 | 1:33:39 | |
we've already heard this evening. | 1:33:39 | 1:33:40 | |
Yes, they gave us some real classical fireworks earlier on | 1:33:40 | 1:33:43 | |
and they're about to do the very same again. | 1:33:43 | 1:33:46 | |
Ladies and gentlemen, please welcome back Vladimir and... | 1:33:46 | 1:33:49 | |
Anton. | 1:33:49 | 1:33:50 | |
CHEERING AND APPLAUSE | 1:36:01 | 1:36:03 | |
This has been a year of significant commemorations, | 1:36:18 | 1:36:21 | |
not least the anniversary of the Great War Battle of the Somme. | 1:36:21 | 1:36:25 | |
Yes, on 1 July 1916, almost 20,000 men died in possibly | 1:36:25 | 1:36:31 | |
the worst day in British military history. | 1:36:31 | 1:36:34 | |
The battle would eventually go on to claim 1.5 million lives. | 1:36:34 | 1:36:38 | |
The 36th Ulster Division was one of the first over the top on that | 1:36:38 | 1:36:41 | |
July day and at the end of that first day, | 1:36:41 | 1:36:44 | |
more than 5,000 men were dead, missing or wounded. | 1:36:44 | 1:36:48 | |
Communities right across the island were plunged into mourning. | 1:36:48 | 1:36:51 | |
Tonight, we pay tribute to the fallen, some just mere boys, | 1:36:51 | 1:36:55 | |
who still lie in those fields in northern France. | 1:36:55 | 1:36:58 | |
This is Codetta with Eric Whitacre's | 1:36:58 | 1:37:01 | |
hauntingly beautiful Sleep. | 1:37:01 | 1:37:03 | |
# The evening hangs beneath the moon | 1:37:09 | 1:37:20 | |
# A silver thread on darkened dune | 1:37:24 | 1:37:38 | |
# With closing eyes and resting head | 1:37:40 | 1:37:53 | |
# I know that sleep is coming soon | 1:37:53 | 1:38:08 | |
# Upon my pillow, safe in bed | 1:38:10 | 1:38:23 | |
# A thousand pictures fill my head | 1:38:25 | 1:38:33 | |
# I cannot sleep, my mind's a flight | 1:38:38 | 1:38:48 | |
# And yet my limbs seem made of lead | 1:38:48 | 1:39:04 | |
# If there are noises in the night | 1:39:06 | 1:39:22 | |
# A frighting shadow, flickering light | 1:39:24 | 1:39:37 | |
# Then I surrender unto sleep | 1:39:40 | 1:39:53 | |
# Where clouds of dreams give second sight | 1:39:54 | 1:40:13 | |
# What dreams may come, both dark and deep | 1:40:15 | 1:40:27 | |
# Of flying wings and soaring leap | 1:40:29 | 1:40:40 | |
# As I surrender unto sleep | 1:40:42 | 1:40:52 | |
# As I surrender unto sleep | 1:40:54 | 1:41:02 | |
# As I surrender unto sleep | 1:41:04 | 1:41:12 | |
# Sleep | 1:41:20 | 1:41:28 | |
# Sleep | 1:41:35 | 1:41:40 | |
# Sleep | 1:41:41 | 1:41:45 | |
# Sleep | 1:41:46 | 1:41:50 | |
# Sleep | 1:41:50 | 1:41:55 | |
# Sleep | 1:41:55 | 1:41:59 | |
# Sleep | 1:42:01 | 1:42:07 | |
# Sleep | 1:42:08 | 1:42:13 | |
# Sleep | 1:42:15 | 1:42:19 | |
# Sleep | 1:42:21 | 1:42:24 | |
# Sleep | 1:42:26 | 1:42:30 | |
# Sleep | 1:42:33 | 1:42:38 | |
# Sleep | 1:42:39 | 1:42:43 | |
# Sleep | 1:42:45 | 1:42:49 | |
# Sleep | 1:42:51 | 1:42:55 | |
# Sleep. # | 1:42:57 | 1:43:10 | |
APPLAUSE | 1:43:10 | 1:43:12 | |
APPLAUSE | 1:47:24 | 1:47:26 | |
OK. Our next artist holds the record playing the lead | 1:47:37 | 1:47:42 | |
in Andrew Lloyd Webber's the Phantom of the Opera in the West End. | 1:47:42 | 1:47:45 | |
He has played the Phantom something like 2,000 times | 1:47:45 | 1:47:49 | |
and he's here to sing some of that great music for us tonight. | 1:47:49 | 1:47:52 | |
Ladies and gentlemen, put your hands together for John Owen-Jones. | 1:47:52 | 1:47:56 | |
Having a good time? | 1:48:03 | 1:48:04 | |
That's great, cos there's another 11 hours left. | 1:48:06 | 1:48:09 | |
Are you ready to dance? | 1:48:10 | 1:48:12 | |
Unfortunately, this song, you can't dance to. | 1:48:14 | 1:48:17 | |
This is Music Of The Night. | 1:48:17 | 1:48:19 | |
# Night-time sharpens, heightens each sensation | 1:48:31 | 1:48:40 | |
# Darkness stirs and wakes imagination | 1:48:41 | 1:48:50 | |
# Silently, the senses abandon their defences | 1:48:50 | 1:49:02 | |
# Slowly, gently, night unfurls its splendour | 1:49:16 | 1:49:25 | |
# Grasp it, sense it, tremulous and tender | 1:49:27 | 1:49:35 | |
# Turn your face away from the garish light of day | 1:49:36 | 1:49:44 | |
# Turn your thoughts away from cold unfeeling light | 1:49:44 | 1:49:53 | |
# And listen to the music of the night | 1:49:53 | 1:50:00 | |
# Close your eyes and surrender to your darkest dreams | 1:50:01 | 1:50:09 | |
# Purge your thoughts of the life you knew before | 1:50:09 | 1:50:18 | |
# Close your eyes, let your spirit start to soar | 1:50:18 | 1:50:34 | |
# And you'll live as you've never lived before | 1:50:35 | 1:50:45 | |
# Softly, deftly, music shall caress you | 1:50:47 | 1:50:55 | |
# Hear it, feel it secretly possess you | 1:50:56 | 1:51:05 | |
# Open up your mind, let your fantasies unwind | 1:51:05 | 1:51:12 | |
# In this darkness that you know you cannot fight | 1:51:12 | 1:51:20 | |
# The darkness of the music of the night | 1:51:20 | 1:51:27 | |
# Let your mind start to journey to a strange new world | 1:51:29 | 1:51:36 | |
# Leave all thoughts of the world you knew before | 1:51:36 | 1:51:42 | |
# Let your soul take you where you long to be | 1:51:43 | 1:51:55 | |
# Only then can you belong to me | 1:51:59 | 1:52:13 | |
# Floating, falling, sweet intoxication | 1:52:15 | 1:52:24 | |
# Touch me, trust me savour each sensation | 1:52:26 | 1:52:34 | |
# Let the dream begin, let your darker side give in | 1:52:35 | 1:52:43 | |
# To the power of the music that I write | 1:52:43 | 1:52:51 | |
# The power of the music of the night | 1:52:51 | 1:53:02 | |
# You alone can make my song take flight | 1:53:25 | 1:53:33 | |
# Help me make the music of the night. # | 1:53:36 | 1:53:55 | |
APPLAUSE | 1:54:06 | 1:54:08 | |
Thank you. | 1:54:13 | 1:54:14 | |
Ladies and gentlemen, please welcome back the divine Ms Lesley Garrett. | 1:54:25 | 1:54:29 | |
# No more talk of darkness | 1:54:56 | 1:55:00 | |
# Forget these wide-eyed fears | 1:55:00 | 1:55:03 | |
# I'm here, nothing can harm you | 1:55:03 | 1:55:07 | |
# My words will warm and calm you | 1:55:07 | 1:55:12 | |
# Let me be your freedom | 1:55:12 | 1:55:15 | |
# Let daylight dry your tears | 1:55:15 | 1:55:19 | |
# I'm here, with you, beside you | 1:55:19 | 1:55:23 | |
# To guard you and to guide you | 1:55:23 | 1:55:27 | |
# Say you'll love me every waking moment | 1:55:27 | 1:55:36 | |
# Turn my head with talk of summer time | 1:55:36 | 1:55:44 | |
# Say you need me with you now and always | 1:55:44 | 1:55:52 | |
# Promise me that all you say is true | 1:55:52 | 1:56:00 | |
# That's all I ask of you | 1:56:00 | 1:56:07 | |
# Let me be your shelter | 1:56:07 | 1:56:10 | |
# Let me be your light | 1:56:10 | 1:56:13 | |
# You're safe, no-one will find you | 1:56:13 | 1:56:17 | |
# Your fears are far behind you | 1:56:17 | 1:56:21 | |
# All I want is freedom | 1:56:21 | 1:56:24 | |
# A world with no more night | 1:56:24 | 1:56:28 | |
# And you, always beside me | 1:56:28 | 1:56:32 | |
# To hold me and to hide me | 1:56:32 | 1:56:36 | |
# Then say you'll share with me one love, one lifetime | 1:56:36 | 1:56:44 | |
# Let me lead you from your solitude | 1:56:44 | 1:56:52 | |
# Share each day with me, each night, each morning | 1:56:52 | 1:57:01 | |
# Anywhere you go, let me go, too | 1:57:01 | 1:57:08 | |
# Lesley, that's all I ask of you | 1:57:08 | 1:57:13 | |
# Say you'll share with me one love, one lifetime | 1:57:13 | 1:57:21 | |
# Say the word and I will follow you | 1:57:21 | 1:57:30 | |
# Share each day with me, each night, each morning | 1:57:30 | 1:57:38 | |
# Say you love me | 1:57:38 | 1:57:41 | |
# You know I do | 1:57:41 | 1:57:45 | |
# Love me, that's all I ask of you | 1:57:45 | 1:57:55 | |
# Anywhere you go, let me go, too | 1:58:17 | 1:58:25 | |
# Love me, that's all I ask of you. # | 1:58:28 | 1:58:43 | |
APPLAUSE | 1:58:47 | 1:58:49 | |
I hope you've had as good a night as we all have had up here. | 1:59:13 | 1:59:15 | |
Have you enjoyed yourselves tonight? | 1:59:15 | 1:59:17 | |
-CHEERING -Hasn't it been marvellous? | 1:59:17 | 1:59:19 | |
And no rain! Thank you! | 1:59:19 | 1:59:22 | |
Wonderful. | 1:59:22 | 1:59:25 | |
We'd like to finish now with one of my very favourite | 1:59:25 | 1:59:27 | |
pieces of film music. | 1:59:27 | 1:59:30 | |
This is from Moulin Rouge and it involves the wonderful choir here | 1:59:30 | 1:59:34 | |
and it's called Come What May. | 1:59:34 | 1:59:36 | |
Thank you for being such a wonderful, wonderful | 1:59:36 | 1:59:38 | |
Belfast audience. See you next time. | 1:59:38 | 1:59:41 | |
# Never knew I could feel like this | 2:00:17 | 2:00:24 | |
# Like I've never seen the sky before | 2:00:24 | 2:00:31 | |
# I want to vanish inside your kiss | 2:00:31 | 2:00:37 | |
# Every day I love you more and more | 2:00:37 | 2:00:43 | |
# Suddenly the world seems such a perfect place | 2:00:43 | 2:00:50 | |
# Suddenly it moves with such a perfect grace | 2:00:50 | 2:00:57 | |
# Suddenly my life doesn't seem such a waste | 2:00:57 | 2:01:03 | |
# It all revolves around you | 2:01:03 | 2:01:08 | |
# And there's no mountain too high | 2:01:08 | 2:01:12 | |
# No river too wide | 2:01:12 | 2:01:16 | |
# Sing out this song I'll be there by your side | 2:01:16 | 2:01:23 | |
# Storm clouds may gather | 2:01:23 | 2:01:26 | |
# And stars may collide | 2:01:26 | 2:01:33 | |
# But I love you until the end of time | 2:01:33 | 2:01:42 | |
# Come what may | 2:01:42 | 2:01:48 | |
# Come what may | 2:01:48 | 2:01:55 | |
# I will love you until my dying day | 2:01:55 | 2:02:04 | |
# Oh, come what may | 2:02:04 | 2:02:10 | |
# Come what may | 2:02:10 | 2:02:19 | |
# I will love you | 2:02:19 | 2:02:25 | |
# I will love you | 2:02:25 | 2:02:28 | |
# Suddenly the world seems such a perfect place | 2:02:28 | 2:02:36 | |
# Come what may | 2:02:39 | 2:02:46 | |
# Come what may | 2:02:46 | 2:02:53 | |
# I will love you until my dying day. # | 2:02:53 | 2:03:07 | |
APPLAUSE | 2:03:16 | 2:03:18 | |
Thank you very much. | 2:03:39 | 2:03:41 | |
That's the end of another Proms In The Park. | 2:03:50 | 2:03:52 | |
My goodness, it goes so quickly. | 2:03:52 | 2:03:54 | |
Roll on next year, that's all I can say. | 2:03:54 | 2:03:56 | |
Thank you to all our wonderful artists and, of course, | 2:03:56 | 2:03:59 | |
to the orchestra and to David Brophy. | 2:03:59 | 2:04:02 | |
APPLAUSE | 2:04:02 | 2:04:03 | |
Thanks to you all for being here this evening. | 2:04:10 | 2:04:13 | |
You were brilliant. | 2:04:13 | 2:04:14 | |
We have one more piece for you, from Moulin Rouge again, the Can-can. | 2:04:14 | 2:04:18 | |
Thank you all very much indeed, ladies and gentlemen. | 2:04:18 | 2:04:20 | |
We'll see you next year, we hope. | 2:04:20 | 2:04:23 | |
Goodnight. Goodnight. | 2:04:23 | 2:04:25 | |
APPLAUSE | 2:04:25 | 2:04:27 | |
CHEERING AND APPLAUSE | 2:06:25 | 2:06:27 |