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We've got the flags, the outfits, the electric atmosphere and, | :00:31. | :00:32. | |
Welcome to the Last Night of the Proms 2016! | :00:33. | :00:41. | |
Tonight is the 75th Prom from the Royal Albert Hall | :00:42. | :00:44. | |
this summer and we're having a party, all set to a sensational | :00:45. | :00:47. | |
soundtrack of new music, timeless masterpieces | :00:48. | :00:49. | |
And there's an all-star cast waiting in the wings. | :00:50. | :00:54. | |
The BBC Symphony Orchestra and Chorus and the BBC Singers | :00:55. | :00:58. | |
are raring to go under conductor Sakari Oramo and our soloist tonight | :00:59. | :01:01. | |
is the spectacular Peruvian tenor Juan Diego Florez. | :01:02. | :01:06. | |
We have a musical feast ahead of us and it's fusion at its finest - | :01:07. | :01:10. | |
delicious Italian arias from Rossini and Donizetti, | :01:11. | :01:12. | |
Russian spices in Borodin's Polovtsian Dances and slices | :01:13. | :01:16. | |
of Shakespeare from Ralph Vaughan Williams and Jonathan Dove. | :01:17. | :01:19. | |
And that's just some of what's on the menu tonight. | :01:20. | :01:23. | |
Then we'll have all the traditional flag-waving fare on BBC One | :01:24. | :01:25. | |
But first, you might notice that some of our orchestra looks a little | :01:26. | :01:33. | |
No, we're not in a time warp ? these are the 45 young musicians that make | :01:34. | :01:37. | |
up the BBC Proms Youth Ensemble who are on stage with some members | :01:38. | :01:41. | |
of the BBC Symphony Orchestra to premiere a brand new piece | :01:42. | :01:43. | |
It's called Raze and it's by 25-year-old Scottish composer | :01:44. | :01:48. | |
Raze by Tom Harrold - our curtain-raiser to the 2016 | :01:49. | :07:00. | |
The BBC Proms Youth Ensemble with members of the BBC | :07:01. | :07:04. | |
Symphony Orchestra conducted by Sakari Oramo. | :07:05. | :07:13. | |
There is the composer looking very happy with that performance. | :07:14. | :07:45. | |
16-year-old violinist Lena Segal says, "Raze is thrilling to play; | :07:46. | :07:47. | |
it is a very loud piece with occasional jazzy moments. | :07:48. | :07:50. | |
I love playing it, especially with the BBC | :07:51. | :07:52. | |
Symphony Orchestra musicians, who make us feel as if we are in | :07:53. | :07:55. | |
Youth now gives way to experience as the BBC Symphony Orchestra take | :07:56. | :08:07. | |
They're bringing us more British music and from a war hero no less. | :08:08. | :08:12. | |
George Butterworth was awarded the military cross twice | :08:13. | :08:14. | |
The Banks of Green Willow is a vision of England in 1913, | :08:15. | :08:20. | |
the year before war broke out and it's based on two | :08:21. | :08:22. | |
But now comes the first of our Last Night traditions | :08:23. | :08:26. | |
when two Promenaders honour the founder of the Proms, | :08:27. | :08:29. | |
Sir Henry Wood, by placing a chaplet of laurels on the bust | :08:30. | :08:32. | |
Sir Henry has been looking down on the concerts all season | :08:33. | :08:44. | |
and tonight he is being honoured by two of our dedicated prommers, | :08:45. | :08:47. | |
Husband and wife John and Liz met in the Philharmonia Chorus in 1973 | :08:48. | :08:51. | |
and they have both sung at the Proms many times. | :08:52. | :08:59. | |
The chaplet is firmly placed on the head of Sir Henry. As they polish | :09:00. | :09:07. | |
his face, as is traditional, I must tell you that Liz first came to the | :09:08. | :09:12. | |
Proms when she was 14. Her husband John said the couple thought this | :09:13. | :09:15. | |
season has been particularly excellent. John and Liz, I am glad | :09:16. | :09:16. | |
you thought so. The chaplet ceremony is just one | :09:17. | :09:25. | |
of the Last Night traditions I've been rummaging | :09:26. | :09:28. | |
through the archives to find out more about the event's other weird | :09:29. | :09:31. | |
and wonderful customs. Sir Henry Wood's programme for the | :09:32. | :09:38. | |
first Last Night was an immense feat with nearly 30 works, British and | :09:39. | :09:43. | |
continental ranging from Sir Arthur Sullivan to Richard Wagner. Over the | :09:44. | :09:49. | |
next half century the programmes were slimmed down but no flags and | :09:50. | :09:57. | |
bunting just yet. 1947 step forward Sir Malcolm Sergeant. Combined with | :09:58. | :10:01. | |
the dawn of the age of television it was under his charismatic leadership | :10:02. | :10:05. | |
that so many of the traditions became firmly enskonsed in the | :10:06. | :10:09. | |
hearts and minds of the audience and it could be argued spawned an even | :10:10. | :10:13. | |
more populist spirit. I want to thank you so much, more than half | :10:14. | :10:18. | |
the concerts were filled from the gods to those whatever you call them | :10:19. | :10:25. | |
in the lower region. Sergeant or flash Harry, really made the | :10:26. | :10:29. | |
conductor's speech the showstopper we expect today. I am speaking to my | :10:30. | :10:34. | |
friends down here. You are the most wonderful audience but I suppose you | :10:35. | :10:38. | |
have been told that before. This is the very model of a modern music | :10:39. | :10:41. | |
Festival. Tonight would be different if any one of you were missing so | :10:42. | :10:47. | |
thank heavens you all showed up. Sorry, it's kind of hot here. A | :10:48. | :10:51. | |
Proms audience can't just sit back and watch without flexing their | :10:52. | :10:56. | |
vocal chords. # Land of hope and glory... | :10:57. | :11:10. | |
Pomp and circumstance. Jerusalem and others hadn't been written when the | :11:11. | :11:14. | |
Prom began by the 60th season they began to appear together what we now | :11:15. | :11:19. | |
see as the traditional party pieces to round off the night led by | :11:20. | :11:23. | |
soloists. Accompanied by an enthusiastic | :11:24. | :11:45. | |
audience. It's not just in the hall you can | :11:46. | :11:53. | |
enjoy the Last Night. Since 1996 it has taken the experience around the | :11:54. | :12:02. | |
nation. We are going to send a special... The Festival continues to | :12:03. | :12:07. | |
evolve. Who know what is the next Last Night standard will be. | :12:08. | :12:14. | |
But little define it is more than the Prommers themselves, ready after | :12:15. | :12:17. | |
a summer of more serious music-making to let their hair down. | :12:18. | :12:27. | |
And why not! Well, that was then. This is now. | :12:28. | :12:31. | |
You will be seeing a lot more of those traditions in action later on | :12:32. | :12:32. | |
this evening. There's a warm welcome | :12:33. | :12:37. | |
for the leader of the BBC Symphony Orchestra Stephen Bryant, | :12:38. | :12:39. | |
on stage for the idyllic The Banks of Green Willow | :12:40. | :12:42. | |
by George Butterworth. George Butterworth was inspired | :12:43. | :12:51. | |
to study English folk songs by that towering figure of British music, | :12:52. | :12:53. | |
Ralph Vaughan Williams, who he met while studying | :12:54. | :12:55. | |
at Oxford University. We will be hearing music by Williams | :12:56. | :13:02. | |
later on as well. And Sakari Oramo joins | :13:03. | :13:13. | |
the full forces of the BBC's Symphony Orchestra for their opener | :13:14. | :13:15. | |
at the Last Night MUSIC: Butterworth - | :13:16. | :13:18. | |
The Banks of Green Willow. George Butterworth's The Banks | :13:19. | :19:53. | |
of Green Willow performed by the BBC Symphony Orchestra, | :19:54. | :20:04. | |
conducted by Sakari Oramo. And we're straight into more music - | :20:05. | :20:11. | |
from rural England to southern MUSIC: Borodin - Prince Igor, | :20:12. | :20:15. | |
Polovtsian Dances. Sakari Oramo conducting | :20:16. | :31:35. | |
the BBC Symphony Orchestra and Chorus and the BBC Singers | :31:36. | :31:52. | |
in Borodin's Polovtsian Dances. I think he said perfect at the end. | :31:53. | :32:02. | |
Certainly the audience here would agree. | :32:03. | :32:05. | |
The piece was one of Henry Wood's favourites ? he conducted | :32:06. | :32:08. | |
Polovtsian Dances is from Borodin's opera Prince Igor, which he wrote | :32:09. | :32:20. | |
over the course of the last 18 years of his life. | :32:21. | :32:28. | |
Tonight is not only the climax of the Proms 2016, | :32:29. | :32:31. | |
but also the climax of BBC Music's Get Playing campaign. | :32:32. | :32:33. | |
You may have been enjoying our amateur orchestra competition | :32:34. | :32:35. | |
All Together Now on TV and the winning group dazzled | :32:36. | :32:38. | |
Tune in next Saturday night on BBC Two to see them in action. | :32:39. | :32:43. | |
At the beginning of the summer, we asked you to join our virtual | :32:44. | :32:46. | |
orchestra to play Bizet's Toreador Song conducted by Marin Alsop. | :32:47. | :32:51. | |
And my, you delivered over 1200 of you dusted off your instruments | :32:52. | :32:54. | |
I've never seen a performance like it with banjos and bagpipes | :32:55. | :33:00. | |
So, I am delighted to introduce a taste of the BBC's | :33:01. | :33:05. | |
Just a tantalising bit of the Virtual Orchestra. You can see the | :33:06. | :33:57. | |
full performance on iPlayer and see it at bbc.co.uk. I urge you to do | :33:58. | :34:01. | |
that. . Back to tonight's live music | :34:02. | :34:06. | |
and I suggest you prepare yourselves: one of the greatest | :34:07. | :34:08. | |
tenors in the world is about to join us and offer up a treasure | :34:09. | :34:11. | |
chest of operatic riches, starting with a composer | :34:12. | :34:14. | |
particularly close And here he comes, Peruvian | :34:15. | :34:15. | |
superstar Juan Diego Florez to perform an aria from La | :34:16. | :34:25. | |
Cenerentola. There's no glass slipper | :34:26. | :34:30. | |
in Rossini's adaptation of Cinderella, but Prince Ramiro has | :34:31. | :34:32. | |
fallen in love with the beautiful Cenerentola | :34:33. | :34:35. | |
and swears he will find her. Juan Diego Florez pledging his | :34:36. | :40:18. | |
everlasting love in 'Yes, I swear to find her again', | :40:19. | :40:36. | |
'Si, ritrovarla io giuro', from Next, Donizetti's | :40:37. | :40:38. | |
The Elixir of Love. 'Una furtiva lagrima' ? | :40:39. | :45:47. | |
'A furtive teardrop' ? There's no rest for our star | :45:48. | :45:56. | |
Juan Diego this evening ? we're moving on to Offenbach's satire | :45:57. | :46:15. | |
The Beautiful Helene. Here, he is the Trojan prince Paris, | :46:16. | :46:19. | |
fresh from judging a beauty contest APPLAUSE. | :46:20. | :46:23. | |
. What an operatic hat trick | :46:24. | :50:33. | |
from the Peruvian tenor That was On Mount Ida from | :50:34. | :50:36. | |
Offenbach's The Beautiful Helene. And don't worry, Juan Diego isn't | :50:37. | :50:47. | |
leaving us for good ? he has to zip out to an al fresco date | :50:48. | :50:51. | |
in Hyde Park and then he'll be back What a fantastic evening | :50:52. | :50:54. | |
we're having here at the Royal Albert Hall - | :50:55. | :51:02. | |
and there's plenty more musical And that's not to mention | :51:03. | :51:04. | |
everything that has happened For me, it's been | :51:05. | :51:09. | |
absolutely world-class. We've had bona fide legends from | :51:10. | :51:14. | |
Daniel Barenboim to Quincy Jones, We've had debuts from musicians | :51:15. | :51:17. | |
from countries including Uzbekistan, Cameroon and Venezuela | :51:18. | :51:27. | |
as well as a whopping In this Olympic year, | :51:28. | :51:29. | |
we've had a spotlight on music Gustavo Dudamel and the Simon | :51:30. | :51:34. | |
Bolivar Symphony Orchestra and Marin Alsop, Gabriela Montero | :51:35. | :51:39. | |
and the Sao Paulo Symphony Orchestra I adore this continent and its music | :51:40. | :51:42. | |
and I've enjoyed every single Latin beat ? and no, | :51:43. | :51:48. | |
I still can't believe Team GB came second in the Olympic | :51:49. | :51:51. | |
medal table either! And as the Paralympic Games | :51:52. | :51:52. | |
continue, we have another sizzling Latin American | :51:53. | :51:55. | |
number for you later on. And look at all the flags down | :51:56. | :51:58. | |
there ? it really does feel that the world has come to the hall | :51:59. | :52:01. | |
for our party here tonight. Next up, a titan of British | :52:02. | :52:09. | |
music ? Benjamin Britten. When he was growing up, | :52:10. | :52:12. | |
his mother wanted him to be the fourth 'B' | :52:13. | :52:15. | |
in a composer line-up of Bach, Beethoven and Brahms | :52:16. | :52:17. | |
? no pressure then! Sakari is back on stage to conduct | :52:18. | :52:20. | |
the five movements of Britten's vibrant Matinees musicales, | :52:21. | :52:25. | |
inspired by Rossini. Britten was born on 22 November ? | :52:26. | :52:30. | |
that's St Cecilia's day, Both Matinees and Soirees musicales | :52:31. | :52:38. | |
were used in a ballet called Divertimento, | :52:39. | :52:48. | |
choreographed by the legendary It was premiered in June 1941 | :52:49. | :52:51. | |
during a South American tour MUSIC: Matinees Musicales | :52:52. | :52:57. | |
by Benjamin Britten Having such fun there on stage here | :52:58. | :59:15. | |
at the Royal Albert Hall. Matinees Musicales by | :59:16. | :07:32. | |
Benjamin Britten performed by the BBC Symphony Orchestra | :07:33. | :07:34. | |
conducted by Sakari Oramo. Such character in his conducting and | :07:35. | :07:42. | |
in the orchestra's playing. It was written by Britten in his 20s | :07:43. | :07:48. | |
when he was living in America as a companion piece to his earlier | :07:49. | :07:51. | |
Soirees musicales. It's true what they say, | :07:52. | :07:59. | |
time flies when you're enjoying yourself and we're almost | :08:00. | :08:01. | |
at the halfway point tonight. But we've got a corker to bring | :08:02. | :08:03. | |
the first part to an end. We've been celebrating Shakespeare | :08:04. | :08:07. | |
all season to mark 400 years since his death and this | :08:08. | :08:12. | |
is a striking setting of Prospero's words from The Tempest | :08:13. | :08:17. | |
written by the British Our soloist is the | :08:18. | :08:18. | |
British-Australian baritone Duncan Rock who is fast making | :08:19. | :08:23. | |
a name for himself on stage. Tonight's conductor Sakari Oramo | :08:24. | :08:29. | |
and our soloist Duncan Rock You might remember him | :08:30. | :08:37. | |
from the War Horse Prom in 2014. There he is, you know that face! | :08:38. | :08:59. | |
This is celebrating our Shakespeare season. This is Our Revels Now Are | :09:00. | :09:07. | |
Ended. # And, like this | :09:08. | :11:09. | |
insubstantial pageant. # We are such stuff | :11:10. | :11:55. | |
as dreams are made on, That was originally performed by a | :11:56. | :19:08. | |
smaller group. He enjoyed performing that with the full forces on stage. | :19:09. | :19:47. | |
Duncan Rock with the BBC Singers, BBC Symphony Orchestra and Chorus | :19:48. | :19:49. | |
all conducted by Sakari Oramo in Jonathan Dove's Our Revels Now | :19:50. | :19:56. | |
The second part of the Last Night of the Proms begins | :19:57. | :20:00. | |
He reckons he has clocked up over 420 Proms, as both an audience | :20:01. | :20:19. | |
fear more showstoppers are still to come, including plenty | :20:20. | :20:30. | |
Well, we're at the end of the first half of the concert but never | :20:31. | :20:33. | |
fear more showstoppers are still to come, including plenty | :20:34. | :20:35. | |
from Juan Diego Florez and all those traditional Last Night favourites. | :20:36. | :20:38. | |
The second part of the Last Night of the Proms begins | :20:39. | :20:41. | |
But it's not all about what's happening inside the Royal | :20:42. | :20:45. | |
Last Night celebrations are happening all across the country | :20:46. | :20:48. | |
thanks to the Proms in the Park events in Belfast, | :20:49. | :20:51. | |
Colwyn Bay in Wales, Glasgow and in Hyde Park | :20:52. | :20:53. | |
here in London and we've cherrypicked some of the best bits | :20:54. | :20:56. | |
Just a short time ago in Belfast violin virtuoso brothers Vladimir | :20:57. | :21:01. | |
and Anton Jablokov wowed the crowds with 'Kalinka' by Ivan Larionov. | :21:02. | :24:12. | |
APPLAUSE. Wonderful stuff in Belfast there. | :24:13. | :24:20. | |
Sorry about the couple of technical glitches. | :24:21. | :24:22. | |
And in Colwyn Bay this year's BBC Young Musician of the year, | :24:23. | :24:25. | |
cellist Sheku Kanneh-Mason performed Haydn's Cello Concerto in C with | :24:26. | :24:28. | |
CHEERING AND APPLAUSE. Amazing. | :24:29. | :28:27. | |
In Glasgow, audience were moved by the late composer | :28:28. | :28:30. | |
Sir Peter Maxwell Davies' 'Farewell to Stromness'. | :28:31. | :28:34. | |
Max, as he was affectionately known, died earlier this year. | :28:35. | :28:46. | |
Let us see if we can go to Glasgow. Any minute now. Whatever we've got | :28:47. | :28:57. | |
lined up for you, I'm sure Max will be looking down and enjoying it | :28:58. | :29:00. | |
because he was held with such affection up in Glasgow. I think we | :29:01. | :29:02. | |
have it for you right now. APPLAUSE AND | :29:03. | :31:30. | |
CHEERING Some of the amazing array of events | :31:31. | :32:27. | |
happening all over the country tonight to celebrate the Last Night | :32:28. | :32:30. | |
of the Proms. And of course, tonight is the final | :32:31. | :32:32. | |
night in an extraordinary festival that has spanned two whole months | :32:33. | :32:35. | |
during which amazing music has bounced off the walls | :32:36. | :32:37. | |
here at the Royal Albert Hall These are just some | :32:38. | :32:40. | |
of the highlights from what has been # Doo-wa, doo-wa, doo-wa, | :32:41. | :32:43. | |
doo-wa, doo-wa! # Friday 23rd of September | :32:44. | :34:24. | |
on BBC One. And watch the celebrities | :34:25. | :34:28. | |
take their first steps Don't worry, | :34:29. | :34:32. | |
I'll be on my best behaviour. | :34:33. | :34:34. |