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Hello and welcome to BBC Proms In The Park 2016, | :00:19. | :00:20. | |
Ladies and gentlemen, please give a huge round of applause for the BBC | :00:21. | :00:28. | |
Scottish Symphony Orchestra and their conductor for this | :00:29. | :00:30. | |
MUSIC: "Festive Overture" by Shostakovich. | :00:31. | :06:55. | |
I hope that's managed to whet your appetite for some | :06:56. | :07:08. | |
Shostakovich's Festive Overture, a suitably celebratory welcome | :07:09. | :07:14. | |
to Proms In The Park 2016, here on Glasgow Green. | :07:15. | :07:20. | |
We have a really great line- up for you this evening | :07:21. | :07:28. | |
with an incredible array of talent joining us on stage. | :07:29. | :07:30. | |
We have internationally renowned Scottish mezzo-soprano | :07:31. | :07:31. | |
Appearing for the first time at Proms we have the multi-million | :07:32. | :07:40. | |
selling, Brit award-winning, musician KT Tunstall. | :07:41. | :07:43. | |
Performing some well- known hits from the West End, | :07:44. | :07:51. | |
We have a special treat for you as well this evening, | :07:52. | :07:59. | |
Corporal Gary McLintoch and his gal pal Julie Jackson, known to millions | :08:00. | :08:02. | |
from the comedy hit series Gary Tank Commander, | :08:03. | :08:04. | |
will be on musical manoeuvres in a beautiful duet. | :08:05. | :08:10. | |
And of course, none of this could happen without the BBC's very | :08:11. | :08:13. | |
own Scottish Symphony Orchestra, led by Laura Samuel and conducted | :08:14. | :08:15. | |
We are, of course, live on BBC Two Scotland for the first | :08:16. | :08:28. | |
part of tonight's concert, and we're also live all night | :08:29. | :08:30. | |
Highlights from tonight are being shown UK-wide | :08:31. | :08:37. | |
and online, on the red button, and later on tonight, | :08:38. | :08:41. | |
Glasgow Green will be centre stage on BBC One's coverage | :08:42. | :08:43. | |
of the Last Night Of The Proms from the Albert Hall. | :08:44. | :08:46. | |
Now without further ado, it's our first guest this evening. | :08:47. | :08:57. | |
She's a Scottish and international star and began playing gigs | :08:58. | :09:00. | |
as a teenager in her home in St Andrews before her big break | :09:01. | :09:06. | |
# Her face is a map of the world, is a map of the world | :09:07. | :09:48. | |
# You can see she's a beautiful girl She's a beautiful girl | :09:49. | :09:53. | |
# And everything around her is a silver pool of light | :09:54. | :09:56. | |
# The people who surround her feel the benefit of it | :09:57. | :10:00. | |
# She holds you captivated in her palm | :10:01. | :10:06. | |
# This is what I wanna be Suddenly I see | :10:07. | :10:16. | |
# Why the hell it means so much to me | :10:17. | :10:23. | |
# I feel like walking the world Like walking the world | :10:24. | :10:39. | |
# You can hear she's a beautiful girl She's a beautiful girl | :10:40. | :10:44. | |
# She fills up every corner like she's born in black and white | :10:45. | :10:49. | |
# Makes you feel warmer when you're trying to remember what you heard | :10:50. | :10:54. | |
# She likes to leave you hanging on a wire | :10:55. | :10:59. | |
# This is what I wanna be Suddenly I see | :11:00. | :11:05. | |
# Why the hell it means so much to me | :11:06. | :11:12. | |
# I can see her eyes looking from a page in a magazine | :11:13. | :11:27. | |
# Oh she makes me feel like I could be a tower | :11:28. | :11:30. | |
# A big strong tower She got the power to be | :11:31. | :11:32. | |
# The power to give The power to see, yeah, yeah, yeah | :11:33. | :11:42. | |
OK, Glasgow. I need your help. Hands in the air. | :11:43. | :11:53. | |
Singh, Suddenly I See. I want to see it loud. | :11:54. | :12:02. | |
# Suddenly I See. Let me hear you. # Suddenly I See. Sounds good. | :12:03. | :12:06. | |
# Suddenly I see the power to give, the power to see | :12:07. | :12:30. | |
# This is what I wanna be Suddenly I see | :12:31. | :12:35. | |
# Why the hell it means so much to me | :12:36. | :12:38. | |
# Suddenly I see This is what I wanna be | :12:39. | :12:41. | |
# Why the hell it means so much to me | :12:42. | :12:49. | |
# Whoa, whoa, yeah, yeah Suddenly I see | :12:50. | :12:51. | |
# Why the hell it means so much to me | :12:52. | :13:15. | |
KT Tunstall, ladies and gentlemen. I was trying not to trip on the wire. | :13:16. | :13:42. | |
Fantastic. I wish I had seen that cable. Welcome to Proms In The Park. | :13:43. | :13:46. | |
It is phenomenal. CHEERING | :13:47. | :13:51. | |
Tell me, is this the first time you have performed with the Symphony | :13:52. | :13:55. | |
Orchestra? It is. The first time I have performed with an orchestra. | :13:56. | :14:00. | |
What an amazing orchestra to have a first experience with. Beautiful. I | :14:01. | :14:05. | |
dreamt about doing it but never had a chance. If you have thought about | :14:06. | :14:09. | |
going on tour, I can get you good rates. You have been going around | :14:10. | :14:14. | |
the Highlands. What happened on your tour yesterday? Tell everybody. I | :14:15. | :14:22. | |
have got a new album. It came out yesterday. It has been a lovely | :14:23. | :14:26. | |
resurgence of energy. Back to rocking out on stage. You will sing | :14:27. | :14:30. | |
a song froze right now. I would love to. What are you going to think? It | :14:31. | :14:37. | |
is called Maybe It's A Good Thing. I will let you get your guitar. Ladies | :14:38. | :14:39. | |
and gentlemen, KT Tunstall. # Often feeling lost, | :14:40. | :15:01. | |
has brought it out # But I'm looking for | :15:02. | :15:20. | |
a love, not a heartache # Even though I know | :15:21. | :15:23. | |
from the handshake # Life will become one big | :15:24. | :15:32. | |
stupid truth or dare # Ever shoot your silver | :15:33. | :16:03. | |
through my veins # I'll always remember the time | :16:04. | :16:38. | |
you sat next to me and you said # I'll always remember the time | :16:39. | :17:21. | |
you sat next to me and you said There is no doubt about it, it is | :17:22. | :19:01. | |
definitely a good thing. KT Tunstall, thank you very much and | :19:02. | :19:04. | |
all the very best with the new album. | :19:05. | :19:06. | |
In the world of theatre, uttering the name of the Scottish play, | :19:07. | :19:10. | |
Macbeth, can give thespians the heebie-jeebies, just | :19:11. | :19:11. | |
like the opera by Verdi that makes opera singers that little bit wary. | :19:12. | :19:14. | |
But we here at Proms in the Park laugh in the face | :19:15. | :19:17. | |
of such superstition when we have our own lucky rabbit's | :19:18. | :19:20. | |
foot in the shape of Stephen Bell, who conducts the BBC SSO now, | :19:21. | :19:23. | |
in this dramatic overture to The Force of Destiny! | :19:24. | :19:25. | |
MUSIC: The Force Of Destiny by G.Verdi | :19:26. | :26:45. | |
Dramatic stuff from the BBC Scottish Symphony Orchestra. | :26:46. | :26:58. | |
Our next performance this evening comes from a relatively new band. | :26:59. | :27:02. | |
Since winning Britain's Got Talent in 2014, Collabro has | :27:03. | :27:05. | |
risen to global fame, gaining fans around the world, | :27:06. | :27:09. | |
bringing musical theatre to millions through their distinctive style, | :27:10. | :27:12. | |
and bagging a number-one debut album. | :27:13. | :27:16. | |
Singing for the first time at Proms in the Park, | :27:17. | :27:18. | |
and starting with a big audience favourite from 'The Lion King', | :27:19. | :27:21. | |
singing The Circle of Life, ladies and gentlemen, | :27:22. | :27:23. | |
# More to find than can ever be found | :27:24. | :28:40. | |
# More to find than can ever be found | :28:41. | :29:57. | |
Collabro, ladies and gentlemen. A new come, Jimmy, Thomas, Michael and | :29:58. | :31:19. | |
Matthew. Welcome to Glasgow. What have you been up to recently? We | :31:20. | :31:25. | |
have been doing all sorts, specifically planning a third album. | :31:26. | :31:29. | |
It is really exciting and it will be out early next year. Do you know | :31:30. | :31:34. | |
what is going to be on that? I have a really exciting bit of news. We | :31:35. | :31:39. | |
will let the fans decide one of the tracks on the album. Follow us on | :31:40. | :31:44. | |
Twitter and see how to enter that competition. Fantastic. Where does | :31:45. | :31:48. | |
this love of musical theatre come from, Thomas? We have all grown up | :31:49. | :31:54. | |
losing news -- loving musical theatre. | :31:55. | :31:54. | |
CHEERING Hello. We did theatre as children. | :31:55. | :32:00. | |
We have grown up with it. What are you going to sing now? It is | :32:01. | :32:07. | |
O'Sullivan meal. It is not. We are going to sing a song from Phantom Of | :32:08. | :32:14. | |
The Opera called Music Of The Night. -- O Sole Mio. | :32:15. | :32:16. | |
Always a crowd favourite, it has sold millions | :32:17. | :32:18. | |
Ladies and gentlemen, here's Collabro with Music Of The Night. | :32:19. | :32:37. | |
# Night time sharpens, heightens each sensation | :32:38. | :32:43. | |
# Darkness stirs and wakes imagination | :32:44. | :32:50. | |
# Silently the senses abandon their defences | :32:51. | :33:14. | |
# Slowly, gently, night unfurls its splendour | :33:15. | :33:17. | |
# Grasp it, sense it, tremulous and tender | :33:18. | :33:24. | |
# Turn your face away from the garish light of day | :33:25. | :33:29. | |
# Turn your face away from cold, unfeeling light | :33:30. | :33:36. | |
# And listen to the music of the night | :33:37. | :33:44. | |
# Close you eyes and surrender to your darkest dreams | :33:45. | :33:57. | |
# Leave all thoughts of the life you knew before | :33:58. | :34:00. | |
# Close your eyes, let your spirit start to soar | :34:01. | :34:09. | |
# And you'll live as you've never lived before | :34:10. | :34:22. | |
# Softly, deftly, music shall caress you | :34:23. | :34:28. | |
# Hear it, feel it, secretly possess you | :34:29. | :34:36. | |
# Open up your mind, let your fantasies unwind | :34:37. | :34:41. | |
# In this darkness which you know you cannot fight | :34:42. | :34:46. | |
# The darkness of the music of the night | :34:47. | :34:54. | |
# Let your mind start a journey through a strange, new world | :34:55. | :34:59. | |
# Leave all thoughts of the world you knew before | :35:00. | :35:06. | |
# Let your soul take you where you long to go | :35:07. | :35:19. | |
# Floating, falling, sweet intoxication | :35:20. | :35:34. | |
# Touch me, trust me, savour each sensation | :35:35. | :35:42. | |
# Let the dream begin, let your darker side give in | :35:43. | :35:59. | |
# To the power of the music that I write | :36:00. | :36:02. | |
# The power of the music of the night | :36:03. | :36:21. | |
# You alone can make my song take flight | :36:22. | :36:30. | |
# Help me make the music of the night. | :36:31. | :36:55. | |
A wonderful rendition of Sir Andrew Lloyd Webber's Music Of The Night | :36:56. | :37:12. | |
It has been said I have the perfect place to play the Phantom. -- | :37:13. | :37:26. | |
perfect face. Phantom is set in Paris | :37:27. | :37:29. | |
and we're staying in France, heading to warmer climes now, | :37:30. | :37:31. | |
to Provence, and a popular If you want to form your own chain | :37:32. | :37:33. | |
and dance your way around Glasgow Green then now's your chance | :37:34. | :37:38. | |
as our wonderful orchestra play George Bizet's' fun | :37:39. | :37:40. | |
and frolicsome Farandole! MUSIC: "Farandole (Arlesienne | :37:41. | :37:43. | |
Suite No.2)" by Bizet. It was more Mary Doll Van Farandole | :37:44. | :41:23. | |
going on down there with the dancing. | :41:24. | :41:25. | |
Plenty of time for dancing in part two later on. | :41:26. | :41:27. | |
But now, ladies and gentlemen, it is my great pleasure now | :41:28. | :41:30. | |
to introduce a man whose military might is matched only | :41:31. | :41:32. | |
A man who recently grilled some our most formidable political | :41:33. | :41:38. | |
figures and most definitely had them on the back foot, or certainly | :41:39. | :41:41. | |
on their knees in the case of Willie Rennie's healing hands. | :41:42. | :41:44. | |
That's right, he's a tank commander, and his name is Gary. | :41:45. | :41:46. | |
Please welcome to the stage Corporal Gary McLintoch | :41:47. | :41:48. | |
My God. You all right? Hello. It is lovely to have you. And your friend | :41:49. | :42:09. | |
Julie at Proms In The Park. That is a lovely tan. It is cracking. I was | :42:10. | :42:15. | |
out all day yesterday. You have got to put in the hours. What are you | :42:16. | :42:21. | |
going to sing for us? We are going to sing a song. Me and Julie. We | :42:22. | :42:30. | |
have been practising. What about you, what are you doing? I am | :42:31. | :42:35. | |
singing later. This is like a duet for two people. They would be a | :42:36. | :42:45. | |
crowd. Kinky. Before juicing, I believe you're going to be coming | :42:46. | :42:47. | |
back to Glasgow at the SSE Hydro? I can't say much other | :42:48. | :42:55. | |
than it's on the 20th, Can you tell us about it? I cannot | :42:56. | :43:07. | |
tell you anything about it. It is classified. Would you be able to get | :43:08. | :43:15. | |
me a free ticket? No. Can we sing a song. I will leave you with Gary and | :43:16. | :43:22. | |
Julie. Just like the practice. Maestro. Wait, can I say something | :43:23. | :43:33. | |
# OK, can I just say something crazy? | :43:34. | :43:39. | |
# All my life has been a series of doors in my face | :43:40. | :43:47. | |
# Cos like I've been searching my whole life | :43:48. | :43:53. | |
# And maybe it's the party talking or the chocolate fondue | :43:54. | :43:57. | |
# And it's nothing like I've ever known before | :43:58. | :44:04. | |
# Who thinks so much like me! | :44:05. | :44:33. | |
Wait, wait, conductor, wait. Sorry. Can I tell you is an absolute crazy | :44:34. | :45:25. | |
thing? Yes. Will you be my best friend for ever and ever? Maybe. | :45:26. | :45:34. | |
That's it. CHEERING | :45:35. | :45:45. | |
I'm not joking. I absolutely nailed that. They pure love you. See you | :45:46. | :45:56. | |
later! They certainly tanked that one! There will always be an open | :45:57. | :46:01. | |
door for Gary and Julie. Absolutely fantastic. Let's hear it for them | :46:02. | :46:03. | |
again. Now time for some more | :46:04. | :46:06. | |
music from our orchestra. Inspired by Bergman's Smiles | :46:07. | :46:08. | |
Of A Summer Night and Mozart's "Eine kleine Nacht Musik" | :46:09. | :46:10. | |
Steven Sondheim created a musical From the award-winning | :46:11. | :46:13. | |
A Little Night Music comes this, MUSIC: Night Waltz | :46:14. | :46:16. | |
by Stephen Sondheim Earlier this year, at the age of 81, | :46:17. | :49:07. | |
the composer Sir Peter Maxwell Davies died at his home on Sanday, | :49:08. | :49:15. | |
Orkney. He loved those islands, | :49:16. | :49:17. | |
and much of his music was inspired by his walks along the coastline | :49:18. | :49:20. | |
and the views of distant hills. For all that pomp and circumstance, | :49:21. | :49:30. | |
back on Orkney, where he'd lived since the '70s, he was | :49:31. | :49:33. | |
simply known as Max. It was there that I got to sing | :49:34. | :49:35. | |
with him at St Magnus Festival, So we'd like to pay our own tribute | :49:36. | :49:38. | |
to Max now with one of his best known melodies, | :49:39. | :49:43. | |
Farewell To Stromness. You'll all agree, a wonderful piece | :49:44. | :49:49. | |
by Sir Peter Maxwell Davies. Now, time to introduce you to a very | :49:50. | :53:12. | |
special performer making a return She's a world-renowned | :53:13. | :53:15. | |
mezzo-soprano, She's travelled the world | :53:16. | :53:17. | |
and thrilled audiences, and we're privileged | :53:18. | :53:21. | |
to have her here this evening. In a moment she'll be singing | :53:22. | :53:33. | |
Habanera from Carmen, but before that, from Mozart's Italian opera | :53:34. | :53:35. | |
Cosi Fan Tutte, with Smanie # Odio la luce, odio | :53:36. | :53:38. | |
l'aria, che spiro # Deh fuggi, per pieta, | :53:39. | :54:13. | |
fuggi # Dentro quest'anima | :54:14. | :54:54. | |
# Piu non cessate, # Dentro quest'anima | :54:55. | :55:10. | |
# Piu non cessate, # Et c'est bien en | :55:11. | :55:54. | |
vain qu'on l'appelle This next performance will take | :55:55. | :57:36. | |
us out of this world. And I can't believe it was 34 years | :57:37. | :02:11. | |
ago that ET phoned home. We will pick up the story when the | :02:12. | :02:27. | |
ET is bidding a fond farewell to his good friend Elliott. No one writes | :02:28. | :02:29. | |
flying music like John Williams. MUSIC: "ET, Adventures | :02:30. | :02:36. | |
On Earth" by John Williams. It's my turn to join the band now | :02:37. | :08:11. | |
with one of my favourite songs. It's Agustin Lara's tribute to that | :08:12. | :08:37. | |
beautiful town in Andalusia. and shout "ole" as we turn | :08:38. | :08:44. | |
Glasgow Green into Granada! # Que le dieran marco | :08:45. | :09:15. | |
a la Virgen Morena # Que le dieran marco | :09:16. | :11:11. | |
a la Virgen Morena More music, and an amazing finale | :11:12. | :11:57. | |
to part one of our concert here on Glasgow Green in just | :11:58. | :12:30. | |
a moment, but before we leave BBC Two Scotland, | :12:31. | :12:33. | |
remember to look out for a very special performance over | :12:34. | :12:36. | |
on BBC One in a short while. Karen Cargill will be back on stage | :12:37. | :12:39. | |
singing live, representing Scotland with an amazing version | :12:40. | :12:42. | |
of the Skye Boat Song, Our coverage on BBC Two | :12:43. | :12:49. | |
is about to end but you can listen to part two of our | :12:50. | :12:58. | |
Glasgow Proms in the Park. And of course, a big thanks | :12:59. | :13:04. | |
to all our performers tonight. It is time for the finale, Highland | :13:05. | :13:13. | |
Cathedral. # Land of our fathers, | :13:14. | :13:23. | |
we will always be # Faithful and loyal | :13:24. | :13:27. | |
to our own country # In times of danger, | :13:28. | :13:30. | |
we will set you free # Hail, Caledonia, | :13:31. | :13:33. | |
to our ancient prayer # In this highland cathedral | :13:34. | :13:43. | |
of our God and King # Joining, together, | :13:44. | :13:59. | |
with one dream to share # God bless the people | :14:00. | :14:02. | |
of this land so fair # Gone is the past, | :14:03. | :14:05. | |
let us start anew # Let this hope of | :14:06. | :14:08. | |
peace, always remain # Spirit of Scotia, | :14:09. | :14:10. | |
be strong and true # Then your children | :14:11. | :14:14. | |
will smile again # Rise, Caledonia, | :14:15. | :14:18. | |
let your voices ring # In this highland cathedral | :14:19. | :14:23. | |
of our God and King # Whom, joy and liberty | :14:24. | :14:29. | |
to all will bring # Come, let your heart | :14:30. | :14:34. | |
with love and courage sing # Rise, Caledonia, | :14:35. | :15:25. | |
let your voices ring # In this highland cathedral | :15:26. | :17:07. | |
of our God and King # Whom joy and liberty | :17:08. | :17:14. | |
to all will bring # Come, let your heart | :17:15. | :17:21. | |
with love and courage sing CHEERING | :17:22. | :17:46. | |
APPLAUSE # Doo-wa, doo-wa, doo-wa, | :17:47. | :18:01. | |
doo-wa, doo-wa! # Friday 23rd of September | :18:02. | :18:11. | |
on BBC One. And watch the celebrities | :18:12. | :18:16. | |
take their first steps GLOCKENSPIEL PLAYS | :18:17. | :18:17. | |
Hello, campers! Hi-de-Hi! I met him, | :18:18. | :18:48. | |
and he frightened me to death. | :18:49. | :18:58. |