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Tonight we're celebrating the biggest classical music festival | :00:33. | :00:34. | |
in the world and we're doing it in style. | :00:35. | :00:36. | |
Welcome to the Last Night of the Proms 2016! | :00:37. | :00:41. | |
And what a line-up is waiting for us. | :00:42. | :00:43. | |
We'll be bringing a little Latin American heat | :00:44. | :00:45. | |
into the Royal Albert Hall, hearing from a hand-picked selection | :00:46. | :00:47. | |
of young singers and be treated to a devilishly difficult aria | :00:48. | :00:51. | |
from one of the world's greatest tenors, Peruvian singing | :00:52. | :00:54. | |
And, of course, we have all the traditional party poppers | :00:55. | :00:59. | |
to make sure we're all singing along by the end of the night. | :01:00. | :01:03. | |
Conductor Sakari Oramo and the combined powers of the BBC | :01:04. | :01:05. | |
Symphony Orchestra and Chorus and the BBC Singers are ready | :01:06. | :01:09. | |
and waiting to bring the house down here at the Royal Albert Hall. | :01:10. | :01:13. | |
It is extraordinary the amount of people here just having the most | :01:14. | :01:29. | |
fantastic time. There's a lot of flags and balloons and people | :01:30. | :01:32. | |
dressed up in ridiculous outfits. It's all pretty standard. | :01:33. | :01:34. | |
And, as ever, the Last Night of the Proms revels are not | :01:35. | :01:37. | |
Proms in the Park events have got the party started | :01:38. | :01:40. | |
6,000 people are in Wales in Parc Eirias in Colwyn Bay. | :01:41. | :01:53. | |
Glasgow Green is the setting for 6,500 people to enjoy the Last | :01:54. | :01:56. | |
In Northern Ireland, at the Titanic Slipways, Belfast, | :01:57. | :02:00. | |
And the party is also under way in Hyde Park just across the road. | :02:01. | :02:09. | |
I think there are nearly 38,000 people over there. | :02:10. | :02:14. | |
You can press your red button to watch highlights | :02:15. | :02:16. | |
We're joined by audiences around the world watching | :02:17. | :02:20. | |
and listening on TV, cinema and radio. | :02:21. | :02:23. | |
So, wherever you are, however you're hearing | :02:24. | :02:24. | |
this magnificent music, thanks for joining us. | :02:25. | :02:28. | |
First up here in the Hall, after a magnificent summer of sport | :02:29. | :02:34. | |
in Rio, we are bringing you a piece originally commissioned for another | :02:35. | :02:37. | |
Javelin by American composer Michael Torke. | :02:38. | :02:44. | |
It's full of energy, so sit back and imagine our | :02:45. | :02:48. | |
Paralympians competing in Brazil tonight. | :02:49. | :02:54. | |
And feel inspired. We are going to hear from that in just a moment. We | :02:55. | :03:04. | |
are coming to the end of the interval at the Royal Albert Hall. | :03:05. | :03:07. | |
Any minute now, our master of ceremonies for the evening will be | :03:08. | :03:15. | |
taking to the stage. Zachary has been the conductor since 2013. It | :03:16. | :03:22. | |
only took one concert with him for them to want to be the conductor. | :03:23. | :03:26. | |
He's been a huge head and we will hear him give a speech later on this | :03:27. | :03:30. | |
evening. The festivities are definitely underway. After two | :03:31. | :03:37. | |
months of incredible wonderful uplifting serious music-making, this | :03:38. | :03:41. | |
is when the people let their hair down. These characters you can see | :03:42. | :03:46. | |
standing at the front, every evening, 1000 people come and stand | :03:47. | :03:50. | |
and they've paid ?6 a ticket to get in, to listen to the best music in | :03:51. | :03:53. | |
the world but tonight they are letting off steam. There is a long | :03:54. | :04:00. | |
tradition of extremely silly costumes, tomfoolery, taunting and | :04:01. | :04:04. | |
bobbing up and down. Every year, I used to join in as home and I trust | :04:05. | :04:07. | |
that is what you're going to be doing tonight. I told you how the | :04:08. | :04:15. | |
greatly loved Zachary Ramon is in charge denied and he may be about to | :04:16. | :04:20. | |
appear on stage and then begin here this energetic piece by the American | :04:21. | :04:24. | |
composer Michael Torke, which has been described as the most | :04:25. | :04:27. | |
optimistic, joyful and thoroughly uplifting music to appear in recent | :04:28. | :04:31. | |
years, which sounds like a perfect match for the Last Night Of The | :04:32. | :04:36. | |
Proms. Here he comes. Here is the lovely Zachary. He has already | :04:37. | :04:39. | |
enjoyed himself a lot this evening and I expect it will continue. | :04:40. | :04:44. | |
APPLAUSE Michael Torke's Javelin performed | :04:45. | :05:05. | |
by the BBC Symphony Orchestra with their chief | :05:06. | :14:00. | |
conductor Sakari Oramo. The orchestra is led | :14:01. | :14:02. | |
tonight by Stephen Bryant. Michael said when he wrote Javelin | :14:03. | :14:10. | |
in 1994 he wanted to use the orchestra | :14:11. | :14:12. | |
as a "virtuosic instrument". Right, a Shakespearean treat | :14:13. | :14:18. | |
is in store for us now. We've been celebrating Shakespeare's | :14:19. | :14:24. | |
influence on music all season to mark the 400th anniversary | :14:25. | :14:27. | |
of his death, and this next piece It's the setting of a speech | :14:28. | :14:30. | |
from The Merchant of Venice. Serenade To Music | :14:31. | :14:33. | |
by Vaughan Williams. It was composed for a concert | :14:34. | :14:35. | |
celebrating the Proms It was written for singers Wood had | :14:36. | :14:37. | |
worked with throughout his career. Tonight, we've got 16 amazing young | :14:38. | :14:44. | |
singers who have been handpicked Sakari Oramo is about to come back | :14:45. | :15:03. | |
onto the stage to conduct the 16 rising stars in Vaughan Williams's | :15:04. | :15:11. | |
Serenade To Music. MUSIC: Serenade To Music | :15:12. | :15:34. | |
by Vaughn Williams Serenade to Music | :15:35. | :29:15. | |
conducted by Sakari Oramo They are rightly looking extremely | :29:16. | :29:56. | |
proud of themselves. What a wonderful performance. That piece | :29:57. | :30:00. | |
was premiered here at the Royal Albert Hall in 1938 at the Golden | :30:01. | :30:05. | |
Jubilee convert for Henry Wood, the man who starred in all of this all | :30:06. | :30:08. | |
those years ago. Sakari Oramo, very, impressed with | :30:09. | :30:24. | |
our performance, as you can tell. As we speak, international opera | :30:25. | :30:37. | |
superstar Juan Diego Florez is dashing to us in the Hall | :30:38. | :30:39. | |
for something very special indeed. Juan Diego has been with us | :30:40. | :30:43. | |
all evening and we've already After three arias here earlier, | :30:44. | :30:45. | |
we packed him off to the crowds But the best from him | :30:46. | :30:51. | |
is still yet to come. Steel yourselves for an astonishing | :30:52. | :30:56. | |
vocal feat when he gets back. Earlier this week, we caught up | :30:57. | :31:01. | |
with Juan Diego to find out how he was | :31:02. | :31:03. | |
preparing for tonight. The piece is a showcase for the | :31:04. | :31:27. | |
voice. The aria Ah Mes Amis! Is the most famous Donizetti and the most | :31:28. | :31:31. | |
difficult one. It's like champagne, I would say. There are nine hi sees | :31:32. | :31:39. | |
in succession and you have to do it like nothing is happening. It has to | :31:40. | :31:44. | |
sound easy but, of course, it's not, and I'm lucky I can still sing those | :31:45. | :31:48. | |
high notes but the aria is not only about that. It's a big scene, big | :31:49. | :31:53. | |
moment where you interact with the chorus. The chorus has a very | :31:54. | :32:00. | |
important role in this aria. I have to convince them to give me their | :32:01. | :32:04. | |
daughter. Of course, in the end, they said yes. How do I place | :32:05. | :32:13. | |
myself? I'm very much used to singing long concerts. Not so much | :32:14. | :32:17. | |
running in between things. I'm getting in the mood of the Last | :32:18. | :32:23. | |
Night Of The Proms. I already have my surprise costume for Rule | :32:24. | :32:29. | |
Britannia, which is a must. And they don't want to give it away because | :32:30. | :32:34. | |
it's a surprise, but all I can say is something that has to do with my | :32:35. | :32:39. | |
country. I was born in Peru. It's a surprise. All very intriguing | :32:40. | :32:50. | |
indeed. I have to say, we have to stay tuned to see that outfit. I'm | :32:51. | :32:55. | |
not saying any more. It's something to look forward to later, I assure | :32:56. | :33:02. | |
you of that. I have called Juan Diego as superstar. He's an absolute | :33:03. | :33:07. | |
hero in his home nation, Peru, and here he comes on the stage now. His | :33:08. | :33:14. | |
wedding was broadcast live in Peru. It gives you an idea of what are | :33:15. | :33:20. | |
enormous character he is back in Peru and here tonight, as well. And | :33:21. | :33:30. | |
we are going to hear him sing now Donizetti's The Daughter of the | :33:31. | :33:31. | |
Regiment. MUSIC: La Fille Du Regiment - | :33:32. | :33:35. | |
Ah! Mes Amis! by Donizetti. And that, ladies and gentlemen, is | :33:36. | :40:48. | |
called winning over your audience. Paddington Bear. Could it get any | :40:49. | :40:49. | |
cuter? Juan Diego Florez singing | :40:50. | :40:51. | |
Ah! Mes Amis! from Donizetti's The Daughter | :40:52. | :40:53. | |
of the Regiment, conducted by Sakari Oramo with the BBC | :40:54. | :40:55. | |
Symphony Orchestra. Those famous top Cs have only ever | :40:56. | :40:59. | |
been attempted once before at the Proms by Juan Diego | :41:00. | :41:03. | |
himself in 2006. He's almost as good looking as me. | :41:04. | :41:07. | |
APPLAUSE You know, he was found in Paddington | :41:08. | :41:17. | |
station. Everyone in Peru knows this. I know | :41:18. | :41:20. | |
it, I love it. APPLAUSE | :41:21. | :41:40. | |
MUSIC: Fiesta Caribena arranged by Anne Dudley. | :41:41. | :49:36. | |
Very good he says. They were. I hope you were singing along at home as | :49:37. | :49:57. | |
well. A medley there. We knew we'd be giving you a bit of Latin spirit | :49:58. | :50:02. | |
but I don't think anybody could have expected a love song for Paddington. | :50:03. | :50:07. | |
There's Anne Dudley. You know the name, she got an Oscar for the | :50:08. | :50:12. | |
musical and writes the music of Poldark also. But he's the man, oh, | :50:13. | :50:15. | |
my goodness, what a star. That was Juan Diego Florez | :50:16. | :50:18. | |
and the BBC Singers and BBC Symphony Orchestra | :50:19. | :50:21. | |
conducted by Sakari Oramo Prommers Simone Theiss | :50:22. | :50:24. | |
and Mike Johnson to give Juan Diego Florez and Sakari Oramo | :50:25. | :50:39. | |
their gifts for performing tonight. A decades-old tradition | :50:40. | :50:42. | |
here at the Last Night of the Proms. Simone is German and has been | :50:43. | :50:45. | |
promming since 2004. The stage is being re-set behind me | :50:46. | :50:53. | |
because we've nearly reached that moment of the night you've all been | :50:54. | :50:56. | |
waiting for with all our favourite traditional treats, | :50:57. | :50:59. | |
including Rule Britannia, Fantasia on British Sea Songs and, | :51:00. | :51:01. | |
of course, Parry's setting of William Blake's poem, | :51:02. | :51:06. | |
Jerusalem. In fact, Parry's tune is 100 | :51:07. | :51:09. | |
years old this year, and Nikki Fox has been | :51:10. | :51:12. | |
discovering its surprising, Jerusalem and the Last Night of the | :51:13. | :51:36. | |
Proms go hand in hand. It's also the anthem of another event held every | :51:37. | :51:39. | |
year, the AGM of the Women's Institute. And the WI sing Jerusalem | :51:40. | :51:47. | |
because of their links and being allowed to vote. Parry wrote it for | :51:48. | :51:51. | |
the patriotic right to vote movement. He became disillusioned | :51:52. | :51:55. | |
with the group and promptly withdrew Jerusalem for it. The idea was then | :51:56. | :52:01. | |
seized upon as using it for the voters. | :52:02. | :52:07. | |
I believe you have some artefacts here from the first time Jerusalem | :52:08. | :52:13. | |
was sung at the women's event? Yes, women over 30 were given the right | :52:14. | :52:19. | |
to vote in 1918. We have a programme from the first year in 1918, that | :52:20. | :52:25. | |
was a special moment. Not all women could vote then, it was a decade | :52:26. | :52:29. | |
later they had the right to vote. What is this here? This is a full | :52:30. | :52:37. | |
report here. It says there "no words however noble would have been enough | :52:38. | :52:43. | |
to express the feelings of those present, music and colour were | :52:44. | :52:52. | |
needed... ". ". Parry was asked to write a tune that people could join | :52:53. | :52:56. | |
in. Why is Jerusalem as memorable as it is? A friend of mine used to say | :52:57. | :53:02. | |
the best lyrics should hug the contours of the melody, so this | :53:03. | :53:12. | |
little bit that goes, "the clouded hills" and then he does the highest | :53:13. | :53:18. | |
note, it has the most emphatic conclusion. "And was Jerusalem built | :53:19. | :53:29. | |
here" with the big climax on "Jerusalem". ". Stirring, emotive, | :53:30. | :53:35. | |
absolute magic. After women got the same voting | :53:36. | :53:47. | |
rights as men in 1928, Parry's executors reassigned the copyright | :53:48. | :53:50. | |
of the song to the WI. And they're still singing it today. | :53:51. | :53:55. | |
The WI is about women having a voice and that's still relevant today as | :53:56. | :54:00. | |
it was in the 1920s. I think it reminds us that we need to keep | :54:01. | :54:03. | |
going, so sing it loud and proud. It's hard to sing on your own, it's | :54:04. | :54:09. | |
easy to sing in a group. # In England's green and pleasant | :54:10. | :54:11. | |
land... # Nikki and members of | :54:12. | :54:17. | |
the Women's Institute in good voice It's not long now till we can | :54:18. | :54:19. | |
all have a sing along. Now, we hand over to tonight's | :54:20. | :54:25. | |
conductor Sakari who will be bringing together the vocal talents | :54:26. | :54:28. | |
of the Proms in Parks audiences for a very special version | :54:29. | :54:31. | |
of Sir Henry Wood's Fantasia he is coming, I do promise you. He's | :54:32. | :54:48. | |
on his way. He's going to be bringing together people in Colwyn | :54:49. | :54:52. | |
Bay, Belfast, Glasgow and, just over the road from the Albert Hall in | :54:53. | :54:56. | |
Hyde Park. They've been gathered in their hows | :54:57. | :55:00. | |
today despite slightly inclement weather in that true Brit spirit and | :55:01. | :55:07. | |
they've been singing along, enjoying the music in kagouls. They'll be no | :55:08. | :55:10. | |
doubt very much looking forward to their big moment now when we get to | :55:11. | :55:15. | |
see them join in with us here in the Hall. And here is Sakari. | :55:16. | :55:24. | |
It's a great, great pleasure and honour to welcome everyone to this | :55:25. | :55:42. | |
Last Night of the Proms festivities. Welcome to all at the Albert Hall. | :55:43. | :56:03. | |
Welcome to all of you listening and watching all around the world on | :56:04. | :56:08. | |
radio, TV and online. APPLAUSE. | :56:09. | :56:09. | |
Welcome. And a special welcome to the | :56:10. | :56:26. | |
performers and audiences in the four Proms in the Park events in the UK. | :56:27. | :56:32. | |
Please join me by saying hello to each of them as I name them. In | :56:33. | :56:41. | |
North Wales at Colwyn Bay! Hello, Colwyn Bay! | :56:42. | :57:11. | |
And the Titanic Slipway in Belfast, hello! | :57:12. | :57:56. | |
And of course across the road from the Royal Albert Hall in Hyde Park, | :57:57. | :58:01. | |
hello! APPLAUSE. | :58:02. | :58:24. | |
So, we have now reached everyone's favourite Fantasia on British sea | :58:25. | :58:38. | |
songs. This year, the performers in Colwyn Bay, Belfast and Glasgow will | :58:39. | :58:44. | |
each contribute the national song to the BBC television broadcast. Those | :58:45. | :58:48. | |
of you here at the Royal Albert Hall will be able to enjoy the BBC | :58:49. | :58:55. | |
singers, the BBC symphony chorus and the BBC Symphony Orchestra perform | :58:56. | :59:02. | |
the songs. But, there is a bonus. You should be able to see the parks | :59:03. | :59:07. | |
on the big screens. I hope so. Let's go. | :59:08. | :59:16. | |
MUSIC: Fantasia On British Sea Songs arranged by Chilcott | :59:17. | :01:54. | |
To do think that was fast enough? So let's try again. | :01:55. | :06:43. | |
MUSIC: There is No Place Like Home... | :06:44. | :17:43. | |
A good outfit. And here is Flores to sing Rule Britannia. | :17:44. | :20:02. | |
Juan Diego Florez singing our 2016 Rule, Britannia! | :20:03. | :20:15. | |
# Rule, Britannia! Britannia, rule the waves! | :20:16. | :23:23. | |
# Britons never, never, never, shall be slaves... # | :23:24. | :23:35. | |
Juan Diego Florez singing our 2016 Rule, Britannia! | :23:36. | :24:02. | |
with the BBC Symphony Orchestra and Chorus and the BBC Singers. | :24:03. | :24:16. | |
He sang it higher than usual. He says he thinks it's more exciting | :24:17. | :24:22. | |
and he's glad to be doing it. Nobody is going to disagree with him, as | :24:23. | :24:25. | |
he's carrying a ceremonial axe! What a star he's been tonight | :24:26. | :24:35. | |
though. Great earrings too, I rather like those! | :24:36. | :24:37. | |
I think it's time for the conductor's speech. | :24:38. | :24:54. | |
The Proms is the biggest festival in the world. It is the ultimate | :24:55. | :25:06. | |
showcase for superb soloists, orchestras, choirs, conductors and | :25:07. | :25:10. | |
composers from all over the world. Let's salute all artists who've | :25:11. | :25:15. | |
appeared in this 2016 season. Hurray. Thank you. | :25:16. | :25:19. | |
CHEERING AND APPLAUSE. Thank you. | :25:20. | :25:35. | |
A special thanks to our performers here at the Royal Albert Hall this | :25:36. | :25:46. | |
evening, our soloists. Juan Diego Flores! | :25:47. | :25:55. | |
APPLAUSE. The 16 singers! | :25:56. | :26:03. | |
APPLAUSE. And Duncan Rock. | :26:04. | :26:16. | |
APPLAUSE. The wonderful young musicians of the | :26:17. | :26:32. | |
Proms Youth Ensemble. APPLAUSE. | :26:33. | :26:51. | |
Our composers tonight. APPLAUSE. | :26:52. | :27:26. | |
The BBC Symphony Corus. APPLAUSE. | :27:27. | :27:30. | |
-- Chorus. The BBC Symphony Orchestra. Love | :27:31. | :27:45. | |
you. APPLAUSE. | :27:46. | :28:05. | |
And you... APPLAUSE. | :28:06. | :28:22. | |
And a particular big thank you to the Promers down here and up in the | :28:23. | :28:28. | |
gallery. APPLAUSE. | :28:29. | :28:45. | |
Not only do you come to all the concerts, but you also raise the | :28:46. | :28:55. | |
money to support musical charities. This year, you have raised an | :28:56. | :29:02. | |
amazing sum of... LAUGHTER. ?112,000! | :29:03. | :29:12. | |
APPLAUSE. Music is a Cosmos. Music is a | :29:13. | :29:39. | |
universal and true representation of the human spirit. Hear, hear... | :29:40. | :29:47. | |
Music unites us with the past and with different cultures and it also | :29:48. | :29:54. | |
carries our world, our times and our creative ideas forward to future | :29:55. | :30:02. | |
generations. Listening to music in a concentrated way gives us the chance | :30:03. | :30:16. | |
to lose ourselves and to find resolution, peace and unity and | :30:17. | :30:21. | |
harmonies. Whether it be your first time to experience live music, or | :30:22. | :30:27. | |
perhaps you have spent all your life listening, there is something deeply | :30:28. | :30:32. | |
magical about being part of a large group of people from different walks | :30:33. | :30:38. | |
of life listening in silence and with concentration to a great | :30:39. | :30:45. | |
masterpiece of music. Music enables us to be in dialogue with each other | :30:46. | :30:52. | |
and our innermost severals. A dialogue which is more necessary in | :30:53. | :30:55. | |
these days than ever before. APPLAUSE. | :30:56. | :31:13. | |
This year, we celebrate the 400th anniversary of the death of William | :31:14. | :31:22. | |
Shakespeare. He wrote in his play, the merchant of Venice, "If they but | :31:23. | :31:36. | |
here per chance a trumpet sound,... Or any area of music touch their | :31:37. | :31:40. | |
ears, you shall perceive them, make a mutual stand. This savage eyes | :31:41. | :31:50. | |
turned to a modest gains. By the sweet power of music." APPLAUSE | :31:51. | :32:12. | |
Sir Henry... We will come to that later, he was a | :32:13. | :32:17. | |
tireless advocate of new music, both British and international. The Proms | :32:18. | :32:23. | |
continues to be true to his example, by hosting, in addition to British | :32:24. | :32:28. | |
performers and composers, artists from all around the world, often | :32:29. | :32:34. | |
performing the music of their own countries, music both old and new. | :32:35. | :32:39. | |
Tonight we celebrate our shared global cultural heritage with music | :32:40. | :32:46. | |
from the USA, Russia, France, Italy and South America, as well as the | :32:47. | :32:54. | |
UK. And so, let us raise our voices of thanks to Sir Henry Wood, whose | :32:55. | :33:01. | |
vision of access and inclusion for everyone continues to thrill and | :33:02. | :33:07. | |
inspire us today. Let's have three cheers for Sir Henry. | :33:08. | :33:14. | |
AUDIENCE CHEERS APPLAUSE | :33:15. | :33:26. | |
Can you see? His double is behind his bust. | :33:27. | :33:33. | |
LAUGHTER We will meet here again under the | :33:34. | :33:47. | |
bust of Sir Henry Wood for the 123rd Proms season, starting on the 14th | :33:48. | :33:58. | |
of July 2017 but, for now, let these 2016 Last Night Of The Proms | :33:59. | :33:59. | |
celebrations continue! MUSIC: Pomp And Circumstance March | :34:00. | :34:01. | |
No 1 In D Major by Elgar You sing very well. | :34:02. | :41:07. | |
You sang a very beautiful but I'm sure we can get even more town, so | :41:08. | :41:13. | |
let's try it again, please. -- MUSIC: Pomp And Circumstance March | :41:14. | :41:25. | |
No 1 In D Major by Elgar Next on the programme, we have a | :41:26. | :43:38. | |
very special song that is 100 years old this year. Jerusalem. | :43:39. | :43:48. | |
William Blake's words, exquisitely set by Hubert Parry. | :43:49. | :46:40. | |
Jerusalem performed in its centenary year by the BBC Symphony Orchestra, | :46:41. | :46:42. | |
led by Stephen Bryant, conducted by Sakari Oramo. | :46:43. | :46:47. | |
Now it's time for the national anthem. | :46:48. | :47:07. | |
# On Thee our hopes we fix God save us all | :47:08. | :48:49. | |
The 2016 prom season comes to an end with a great content feeling here in | :48:50. | :52:00. | |
the Royal Albert Hall. The BBC Symphony Orchestra conducted by | :52:01. | :52:02. | |
Sakari. It's been a wonderful Last Night at | :52:03. | :52:24. | |
the Proms. I'm sure you will agree. There was wonderful new music too. | :52:25. | :52:30. | |
Vaughan Williams too. Oh, so many, many wonderful moments. Sakari | :52:31. | :52:39. | |
lapping it all up. Rarely do you see a conductor enjoy himself more. | :52:40. | :52:52. | |
It has been a fantastic summer and, of course we'll be back next year | :52:53. | :53:00. | |
for the 123rd season of the BBC Proms which starts on 14th July | :53:01. | :53:06. | |
2017. It's already in my diary so please put it in yours. From me | :53:07. | :53:10. | |
though, in the meantime, Katie Derham, and everyone else here at | :53:11. | :53:14. | |
the Royal Albert Hall, thank you for joining us. Good night. | :53:15. | :54:56. | |
MUSIC: Powerful by Major Lazer | :54:57. | :55:03. |