The Last Night of the Proms from Around the UK BBC Proms

And... Action!

If it's been another incredible BBC Proms season,

so, as a finale, we'd like to invite you to join us

for a feast of the finest performances across the UK.

Welcome to the very best of BBC Proms In The Park 2016.

Deckchairs, blankets, you name it.

So who are you looking forward to seeing? Frankie Valli.

KT Tunstall.

Tony Hadley.

I'm in the middle of a park with a load of people

eating cucumber sandwiches.

It's nice, it's good.

It's just good music, you can't beat live music.

I just can't wait to hear the orchestra behind me.

I'm imagining this wall of sound and hoping it doesn't

push me off the stage.

Standing in front of an orchestra is a magical feeling.

Proms In The Park is the very best of classical music.

You come and you enjoy.

We're going to have a great time tonight.

So, for the next 90 minutes, we're going to be bringing you

some of the very best performances from Proms In The Park celebrations

across the UK, and I promise you the line-up is totally spectacular.

Here at Park Eirias in Colwyn Bay, the crowds have arrived

in their thousands to see '80s pop icon Tony Hadley.

Grammy award-winning singer-songwriter Amy Wadge.

And BBC Young Musician 2016, cellist Sheku Kanneh-Mason.

At Belfast Titanic slipways, the audience will be entertained

by the ever-popular soprano Lesley Garrett...

..and Slovakian string playing siblings, Vladimir and Anton.

And leading the party on Glasgow Green is KT Tunstall.

And she's joined there by the 2014 winners

of Britain's Got Talent, Collabro.

And of course the Last Night party wouldn't be complete without

our friends in Hyde Park and as ever they have an all-star line-up.

Anita Rani is right in the heart of all the action.

The atmosphere here in Hyde Park is electric.

I'm surrounded by some 40,000 die-hard Prommers who are all

waiting for the acts to appear on that stage.

And what a line-up.

We've got the legendary love lexicographers, ABC.

The multi-talented musician and comedian Tim Minchin

with one of his fantastic songs from the smash hit, Matilda The Musical.

Internationally renowned tenor Juan Diego Florez.

To round off the evening on a high note, to say the least,

it's Frankie Valli and the Four Seasons

with all those classics that will no doubt get everyone singing along.

And to top it all off, it's only gone and stopped raining.

Just about.

Oh, yes, you're in for a fantastic evening's entertainment and we get

the party started at Glasgow Green with an artist performing on home turf.

During rehearsals, KT Tunstall told us

what she was looking forward to most about performing

at Proms In The Park for the very first time.

I've never played with an orchestra before.

This is my first time ever that I'll be performing with a full orchestra

and it's outdoors in Glasgow on an absolutely beautiful day.

But it was just a fantastic opportunity to be involved

in that adventure of reimagining songs with orchestral arrangement,

and I just can't wait to hear that behind me,

it's just the most amazing sound.

# Her face is a map of the world

# Is a map of the world

# You can see she's a beautiful girl

# She's a beautiful girl

# And everything around her is a silver pool of light

# The people who surround her feel the benefit of it

# It makes you calm

# She holds you captivated in her palm

# Suddenly I see

# This is what I wanna be

# Suddenly I see

# Why the hell it means so much to me

# This is what I wanna be

# Suddenly I see

# Why the hell it means so much to me

# I feel like walking the world

# Like walking the world

# You can hear she's a beautiful girl

# She's a beautiful girl

# She fills up every corner like she's born in black and white

# Makes you feel warmer when you're trying to remember

# What you heard

# She likes to leave you hanging on a wire

# Suddenly I see

# This is what I wanna be

# Suddenly I see

# Why the hell it means so much to me

# This is what I wanna be

# Suddenly I see

# Why the hell it means so much to me

# And she's taller than most

# And she's looking at me

# I can see her eyes looking from the page of a magazine

# Oh, she makes me feel like I could be a tower

# A big strong tower, yeah

# The power to be

# The power to give

# The power to see... #

All right, Glasgow, I need your help.

Hands in the air.

We're going to sing, "suddenly I see".

OK, I want to hear it loud.

# Suddenly I see

Let me hear you.

# Suddenly I see

Sounds good.

# Suddenly I see

# The power to be

# The power to give

# The power to see

# She got the power to be, the power to give

# The power to see, yeah, yeah

# She got the power to be, the power to give

# The power to see, yeah, yeah

# She got the power to be

# The power to give

# The power to see

# Suddenly I see

# This is what I wanna be

# Suddenly I see

# Why the hell it means so much to me

# This is what I wanna be

# Suddenly I see

# Why the hell it means so much to me

# Suddenly I see

# Why the hell it means so much to me

# Suddenly I see

# Why the hell it means so much to me. #

Wow. KT Tunstall with a storming version of Suddenly I See,

accompanied by the BBC Scottish Symphony Orchestra

conducted by Stephen Bell.

Here in Colwyn Bay, one of Wales's best-loved entertainers,

Wynne Evans, sings Agustin Lara's popular standard, Granada.

# Granada, tierra sonada por mi

# Mi cantar se vuelve gitano cuando es para ti

# Mi cantar hecho de fantasia

# Mi cantar flor de melancolia

# Que yo te vengo

# A dar

# Granada

# Tierra ensangrentada

# En tardes de toros

# Mujer que conserva el embrujo

# De los ojos moros

# Te sueno rebelde y gitana

# Cubierta de flores

# Y beso tu boca de grana

# Jugosa manzana

# Que me habla de amores

Granada, tierra ensangrentada

# En tardes de toros

# Mujer que conserva el embrujo

# De los ojos moros

# De rosas de suave fragancia

# Que le dieran marco a la virgen morena

# Granada

# Tu tierra esta llena

# De lindas mujeres

# De sangre y de sol

# De rosas de suave fragancia

# Que le dieran marco a la virgen morena

# Granada

# Tu tierra esta llena

# De lindas mujeres

# De sangre y de sol! #

A much-deserved warm reception for Wynne Evans there, accompanied

by the BBC National Orchestra of Wales conducted by Edwin Outwater.

To the Belfast Proms party now where Vladimir and Anton

treat the crowd to some traditional Russian folk music.

Vladimir and Anton accompanied by the Ulster Orchestra

under the baton of David Brophy.

First up tonight here in Hyde Park, it's '80s pop icons ABC.

Their classic album The Lexicon Of Love

topped the charts back in 1982,

then in 2016 they brought out the sequel.

I caught up with lead singer Martin Fry a little earlier to see

how he's feeling about his debut here at the Proms.

So, Martin, debut Proms In The Park. How do you feel?

Very excited

and looking forward to stepping on that stage and performing.

And what will it be like playing with the BBC Concert Orchestra?

It's the scale. It's the scale.

We did have a small string section back in the day, so we've

kind of expanded through the years.

It's like ABC on steroids out there now in 2016.

It's bigger, more lavish and more glam.

# When your world is full of strange arrangements

# And gravity won't pull you through

# You know you're missing out on something

# Well that something depends on you

# All I'm saying it takes a lot to love you

# All I'm doing You know it's true

# All I mean now There's one thing

# Yes, one thing that turns this grey sky to blue

# That's the look, that's the look

# The look of love

# That's the look, that's the look, the look of love

# When your girl has left you out on the pavement (Goodbye)

# Then your dreams fall apart at the seams

# Your reason for living's your reason for leaving

# Don't ask me what it means

# Who's got the look?

# I don't know the answer to that question

# Where's the look? If I knew I would tell you

# What's the look? Look for your information

# For the one thing, the one thing we can find

# What's that?

# That's the look, that's the look, the look of love

# That's the look

# Look of love

# That's the look, that's the look, the look of love

# If you judge a book by the cover

# Then you judge the look by the lover

# I hope you'll soon recover

# Me I go from one extreme to another

# And all my friends still ask me

# Even in Hyde Park they ask me

# They say Martin, maybe one day you'll find true love

# And I say maybe

# That's the look that's the look, sisters and brothers

# That's the look, that's the look, should help each other

# That's the look, that's the look, oh, oh, oh,

# Heavens above.

# That's the look, that's the look, hip hip hooray, ay.

# That's the look that's the look, yippee ai yippee aiay

# That's the look, that's the look, be lucky in love

# Look of love. #

Martin Fry

and ABC.

Bravo, sir.

BBC Concert Orchestra rocking it for us.

# That's the look, that's the look

# The look of love. #

I can't get over this crowd.

You are fabulous.

This year Michael Ball has been given the daunting task

of hosting the show in Hyde Park following the passing of

much-loved legendary broadcaster Sir Terry Wogan,

who presented Proms In The Park here for 19 years.

I met up with Michael when he paid tribute to his friend.

It's a really bittersweet event for me because it's so associated

with Sir Terry Wogan who I have known throughout my entire career.

He was a great mate, a great champion of mine,

so I'm thrilled and honoured to be doing that but I wish

he was still here to do it because this and Children In Need

were the big dates in his calendar and no-one does it better.

He was never nervous,

he had this sort of calm air about him so he would make

everyone else feel calm, because it's a really difficult gig.

I heard that there was a really lovely story

about how he actually calmed you down once.

Yeah, his very first Proms 19 years ago,

and I was on that very first Prom and I was very nervous in the wings.

And he came up to me and he went, "Ah, young Ball,

"I've got only one piece of advice for you...

"Don't bugger it up, and if you do,

"I'll be here clinging to the wreckage. On you go."

That's brilliant.

You should let that same advice resonate today.

Absolutely, that's exactly what I'm going to do.

Now, as you know this year marks the centenary of

the children's author Roald Dahl,

the man who fired our imagination with stories like

Charlie And The Chocolate Factory, James And The Giant Peach

and of course The BFG.

And then of course there's Matilda, and our next guest

is the creative force behind the Royal Shakespeare Company's long-running,

multi-award-winning international sensation, Matilda The Musical.

So please give a jumpsquiffing, whoopsy-splunkers welcome to

the completely unique and utterly, utterly brilliant Mr Tim Minchin.

Fabulous Tim Minchin.

It's a huge honour to be here, thank you for having me.

That's Clara and Zaris-Angel.

# When I grow up

# I will be tall enough to reach the branches

# That you have to reach to climb the trees

# You get to climb when you're grown up

# And when I grow up

# I will be smart enough to answer all

# The questions that you need to know

# The answers to when you're a grown up

# And when I grow up

# I will eat sweets every day

# On the way to work and I will go to bed late every night

# And I will wake up

# When the sun comes up and I

# Will watch cartoons until my eyes go square

# And I won't care cos I'll be all grown up

# When I grow up

# When I grow up When I grow up

# When I grow up

# I will be strong enough to carry all

# The heavy things you have to haul

# Around with you when you're a grown-up

# And when I grow up, when I grow up

# When I grow up

# I will be brave enough to fight the creatures

# That you have to fight beneath the bed

# Each night to be a grown-up

# And when I grow up

# When I grow up

# I will have treats every day

# And I'll play with things that mum pretends

# That mums don't think are fun

# And I will wake up

# When the sun comes up and I

# Will spend all day just lying in the sun

# And I won't burn cos I'll be all grown-up

# When I grow up

# And when I grow up

# When I grow up

# I will have treats every day

# And I'll play with things that mum pretends

# That mums don't think are fun

# And I will wake up

# When the sun comes up and I

# Will spend all day just lying in the sun

# And I won't burn cos I'll be all grown-up

# When I grow up

# When I grow up. #

Tim Minchin with Clara Read and Zaris-Angel Hator,

two of the young actresses currently sharing the role of Matilda

in the West End.

Our next guest here in Colwyn Bay is the gorgeous Amy Wadge.

I could take at least a week to list her numerous collaborations

including a rather successful one with a certain Mr Ed Sheeran.

Tonight though, she's engaging in a slightly different collaboration

with the BBC National Orchestra of Wales with a specially edited

version of that global hit written with Ed.

What am I talking about?

Thinking Out Loud.

# When your legs don't work like they used to before

# And I can't sweep you off of your feet

# Will your mouth still remember the taste of my love

# Will your eyes still smile from your cheeks

# Well, darling I will be loving you till we're 70

# And honey my heart could still fall as hard at 23

# And I'm thinking 'bout how people fall in love in mysterious ways

# Maybe just the touch of a hand

# Well, me, I fall in love with you every single day

# And I just wanna tell you I am

# So honey now

# Take me into your loving arms

# Kiss me under the light of a thousand stars

# Place your head on my beating heart

# I'm thinking out loud

# Maybe we found love right where we are

# When my hair's all but gone and my memory fades

# And this crowd don't remember my name

# When my hands don't play the strings the same way, mm

# I know you will still love me the same

# Cos honey your soul can never grow old, it's evergreen

# Darling, your smile's forever in my mind and memory

# I'm thinking 'bout how people fall in love in mysterious ways

# Maybe it's all part of a plan

# I'll just keep on making the same mistakes

# Hoping that you'll understand

# But baby now

# Take me into your loving arms

# Kiss me under the light of a thousand stars

# Place your head on my beating heart

# I'm thinking out loud

# That maybe we found love right where we are, oh

# That maybe we found love right where we are. #

Thank you so much.

The beautiful Amy Wadge with Thinking Out Loud,

the international hit she co-wrote with Ed Sheeran.

Still to come...

We join forces with Prommers at the Royal Albert Hall

for the now-traditional Last Night sing-along.

Soprano Lesley Garrett in Belfast.

And, in Hyde Park, tonight's headliners

Frankie Valli and the Four Seasons help us relive

the sensational sounds of the '60s and '70s.

Thank you so much.

Well, one tradition of BBC Proms in the Park

which I particularly like

is that of shining a spotlight on new and emerging talent.

And this year we are so thrilled here in Colwyn Bay

to be showcasing rising star, cellist Sheku Kanneh-Mason,

winner of BBC Young Musician 2016.

And I got a chance to meet him earlier on. Cheers.

Since you won Young Musician, it's been a bit of a whirlwind time, hasn't it?

So what have you been up to and what do you expect from tonight?

Yeah, it's been very busy.

I think one of my highlights was playing in Festival Hall

with the Chineke Orchestra

and more concerts like that will hopefully come. And I think

tonight it's definitely another one of those - it's going to be

another one of those highlights.

Is there something different about playing, musically... Is there

something different about playing in an outside venue as opposed

to somewhere more rarefied like the Cadogan Hall or something like that?

The main difference for me as a performer is the acoustic.

In a concert hall you get the kind of feedback from the hall

of your sound whereas outside it kind of gets lost in the wind

and the mics pick it up and it sounds good out in the audience

but to me I imagine it's quite different.

So I think that's going to be quite difficult to get used to.

Other than that, I think it's still a lovely performance.

It should be great.

Sheku Kanneh-Mason there, a rare and brilliant talent.

Now, throughout the summer, BBC Music's Get Playing initiative

has been encouraging you to pick up an instrument even if

you've never done it before, and join our virtual orchestra.

Well, more than 1,200 of you did, including some famous faces.

Let's see and hear how they got on.

First, here's your "A" to tune to.

INSTRUMENTS TUNING

Excellent.

Everybody ready now?

Here we go.

MUSIC: Carmen by Georges Bizet

Fabulous.

The virtual orchestra led there by internationally

acclaimed conductor and Proms regular Marin Alsop.

Great to see so many people inspired to get playing.

Well, now for somebody who is not only incredibly lovely

but also knows a thing or two about performing

on the international stage.

I am of course speaking about Tony Hadley,

lead singer with New Romantic pop pioneers Spandau Ballet

as well as being a solo artist in his own right.

And, lucky me, I got a chance to meet up with him earlier on.

You clearly get a buzz performing to the crowds.

Do you ever get fed up with it?

I'm doing this still after 36 years and I can't believe it

and I'm still loving it and still enjoying it.

People say, "Do you get bored with the songs?"

Gold, Through The Barricades, whatever it is.

And I say, "No, because every audience is different."

And then sometimes you see people react, like if you do True,

you see a couple and they maybe got married 25 years ago and they're like, "I love you."

And it all gets a bit teary.

So it's nice.

And Gold of course has become the sort of, "All right, Tone."

Every taxi driver down in London is like, "All right, Tone. Gold!"

"All right, son, yeah, lovely."

And that's what it is like so it's kind of cool.

But you still have a joy about it, you still feel really fresh?

Do you think that's what connects?

I'm always trying to fine tune and resting on your laurels

is never a good thing and I'm always rediscovering things about

my voice and stuff like that so you just want to get better

and better, whatever you do, you want to be the best that you can be.

# Mother doesn't know where love has gone

# She says it must be youth that keeps us feeling strong

# I see it in her face that's turned to ice

# And when she smiles she shows the lines of sacrifice

# And now I know what they're saying

# As our sun begins to fade

# And we make our love on wasteland

# And through the barricades

# Father made my history

# He fought for what he thought would set us somehow free

# He taught me what to say in school

# I learned it off by heart but now that's torn in two

# And now I know what they're saying

# In the music of the parade

# And we make our love on wasteland

# And through the barricades

# Born on different sides of life

# But we fear the same and feel all of this strife

# So come to me when I'm asleep

# We'll cross the lines and dance upon the streets

# And now I know what they're saying

# As the drums begin to fade

# And we make our love on wasteland

# And through the barricades

# Oh, turn around and I'll be there

# Well there's a scar right through my heart but I'll bare it again

# I thought we were the human race

# But we were just another borderline case

# And the stars reach down and tell us

# There's always one escape

# Oh, I don't know where love has gone

# But in this troubled land desperation keeps us strong

# Friday's child is full of soul

# With nothing left to lose, there's everything to go

# Now I know what they're saying

# It's a terrible beauty we've made

# And we make our love on wasteland

# And through the barricades

# And now I know what they're saying

# As our hearts go to their graves

# When we made our love on wasteland

# And through the barricades. #

Thank you very much. Thank you.

That was the fantastic Tony Hadley.

In Belfast, our next performance comes from the award-winning

West End and Broadway actor and singer John Owen-Jones.

Renowned for his performances as the Phantom in Phantom of the Opera

and Jean Valjean in Les Miserables, here he is with one

of the best-loved numbers from Le Mis, Bring Him Home.

# God on high

# Hear my prayer

# In my need

# You have always been there

# He is young

# He's afraid

# Let him rest

# Heaven blessed

# Bring him home

# He's like the son I might have known

# If God had granted me a son

# The summers die

# One by one

# How soon they fly

# On and on

# And I am old

# And will be gone

# Bring him peace

# Bring him joy

# He is young

# He is only a boy

# You can take

# You can give

# Let him be

# Let him live

# If I die

# Let me die

# Let him live

# Bring him home

# Bring him home. #

Back here in Hyde Park now for one of the biggest acts of the '90s.

They've sold in excess of 12 million albums,

they're gorgeous, they're talented, it is of course All Saints.

# A few questions that I need to know

# How you could ever hurt me so

# I need to know what I've done wrong

# And how long it's been going on

# Was it that I never paid enough attention

# Or did I not give enough affection

# Not only will your answers keep me sane

# But I'll know never to make the same mistake again

# You can tell me to my face

# Or even on the phone

# You can write it in a letter

# Either way I've have to know

# Did I never treat you right

# Did I always start the fight

# Either way I'm going out of my mind

# All the answers to my questions I have to find

# My head's spinning

# Boy, I'm in a daze

# I feel isolated

# Don't want to communicate

# I'll take a shower

# I will scour

# I will roam

# Find peace of mind

# The happy mind

# I once owned, yeah

# Flexing vocabulary runs right through me

# The alphabet runs right from A to Z

# Conversations, hesitations in my mind

# You got my conscience asking questions that I can't find

# I'm not crazy

# I'm sure I ain't done nothin' wrong, no

# I'm just waiting

# Cos I heard that this feeling won't last that long

# Never ever have I ever felt so low

# When you gonna take me out of this black hole

# Never ever have I ever felt so sad

# The way I'm feeling, yeah, you got me feeling really bad

# Never ever have I had to find

# I've had to dig a way to find my own peace of mind

# I've never ever had my conscience to fight

# The way I'm feeling, yeah, it just don't feel right

# I'll keep searching

# Deep within my soul

# For all the answers

# Don't want to hurt no more

# I need peace

# Gotta feel at ease

# Need to be free from pain

# Go insane

# My heart aches, yeah

# Sometimes vocabulary runs through my head

# The alphabet runs right from A to Z

# Conversations, hesitations in my mind

# You got my conscience asking questions that I can't find

# I'm not crazy

# I'm sure I ain't done nothing wrong

# Now I'm just waiting

# Cos I heard that this feeling won't last that long

# When you gonna take me out of this black hole

# Never ever have I ever felt so sad

# The way I'm feeling, yeah, you got me feeling really bad

# Never ever have I had to find

# I've had to dig a way to find my own peace of mind

# I've never ever had my conscience to fight

# The way I'm feeling, yeah, it just don't feel right. #

Thank you so much.

It's such an honour to be able to announce this next act.

He has just hot-footed it over from Last Night At The Proms

at the Royal Albert Hall.

Ladies and gentlemen, superstar tenor Juan Diego Florez.

HE SINGS IN ITALIAN

Thank you.

Thank you very much.

Peruvian tenor Juan Diego Florez in Hyde Park.

Over in Belfast, one of Britain's most popular sopranos.

For a former star of Strictly, this song is the perfect choice.

From the musical My Fair Lady,

here's Lesley Garrett to sing I Could Have Danced All Night.

# Bed, bed, I couldn't go to bed

# My head's too light to try to set it down

# Sleep, sleep, I couldn't sleep tonight

# Not for all the jewels in the crown

# I could have danced all night

# And still have begged for more

# I could have spread my wings

# And done a thousand things

# I've never done before

# I'll never know what made it so exciting

# Why all at once my heart took flight

# I only know when he began to dance with me

# I could have danced, danced, danced all night

# I could have danced all night

# And still have begged for more

# I could have spread my wings

# And done a thousand things, I've never done before

# I'll never know what made it so exciting

# Why all at once my heart took flight

# I only know when he began to dance with me

# I could have danced, danced, danced all night. #

Our next performers were the 2014 winners of Britain's Got Talent.

Since then Collabro have gone on to enjoy great success

with a UK number one album and have been entertaining audiences

around the world.

# Someday I'll wish upon a star

# And wake up where the clouds are far behind me

# Where troubles melt like lemon drops

# Away above those chimney tops

# That's where you'll find me

# Somewhere over the rainbow

# Way up high

# There's a land that I heard of once in a lullaby

# Somewhere over the rainbow skies are blue

# And the dreams that you dare to dream really do come true

# Someday I'll wish upon a star

# And wake up where the clouds are far behind me

# Where troubles melt like lemon drops

# Away above the chimney tops

# That's where you'll find me

# Somewhere...

# Someday I'll wish upon a star

# And wake up where the clouds are far behind me

# Where troubles melt like lemon drops

# Away above the chimney tops

# That's where you'll find me

# Somewhere over the rainbow bluebirds fly

# Birds fly over the rainbow

# Why then, oh, why can't I?

# If happy little bluebirds fly

# Beyond the rainbow

# Why, oh, why can't I? #

Next, opera fans have their own treat with the exquisite voice

of a Scottish mezzo-soprano

who recently made her Glyndebourne debut.

Singing Habanera from Bizet's Carmen,

it's Karen Cargill.

SHE SINGS IN FRENCH

The Glasgow crowd giving home-grown mezzo Karen Cargill

a wonderful warm reception.

Next to perform in Hyde Park is the evening's host Michael Ball

with his old friend Alfie Boe.

We're going to sing a song that we recorded for our new album.

On a night like this, the Last Night of the Proms,

it makes one feel so proud,

so connected,

and this is a song that celebrates that pride in who we are

and where we come from.

# No man, no madness

# Though their sad power may prevail

# Can possess, conquer, my country's heart

# They rise to fail

# She is eternal

# Long before nations' lines were drawn

# When no flags flew, when no armies stood

# My land was born

# And you ask me why I love her

# Through wars, death and despair

# She is the constant, we who don't care

# And you ask me will I leave her - but how?

# I cross over borders but I'm still there now

# How can I leave her?

# Where would I start?

# Let man's petty nations tear themselves apart

# My land's only borders lie around my heart. #

Michael Ball and Alfie Boe wowing the 40,000-strong crowd

here in Hyde Park.

Here in Colwyn Bay we're in for another treat by Tony Hadley.

And in this year where the Olympic team have done so well,

what better song to play than Spandau Ballet's hit, Gold?

# Thank you for coming home

# I'm sorry that the chairs are all worn

# I left them here I could have sworn

# These are my salad days

# Slowly being eaten away

# Just another play for today

# Oh, but I'm proud of you, but I'm proud of you

# Nothing left to make me feel small

# Luck has left me standing so tall

# Gold

# Always believe in your soul

# You've got the power to know

# You're indestructible

# Always believe in, because you are

# Gold

# Glad that you're bound to return

# There's something I could have learned

# You're indestructible, always believing

# After the rush has gone

# I hope you find a little more time

# Remember we were partners in crime

# It's only two years ago

# The man with the suit and the face

# You knew that he was there on the case

# Now he's in love with you, he's in love with you

# My love is like a high prison wall

# But you could leave me standing so tall

# Gold

# Always believe in your soul

# You've got the power to know

# You're indestructible

# Always believe in, because you are

# Gold

# I'm glad that you're bound to return

# Something I could have learned

# You're indestructible, always believing

# My love is like a high prison wall

# But you could leave me standing so tall

# Gold

# Always believe in your soul

# You've got the power to know

# You're indestructible

# Always believe in, because you are

# Gold

# I'm glad that you're bound to return

# Something I could have learned

# You're indestructible, always believing... #

Thank you very much.

Enjoy the rest of your evening.

Thank you.

# Always believe in your soul

# Soul

# Soul, soul, soul. #

Thank you very much.

Thank you.

Thank you very much to the conductor, the orchestra, the choir.

Well, this has been my first ever Proms in the Park,

and I can tell you the atmosphere is unique and electric,

and all the 40,000 Prommers here have been waiting all night

for the young man who has just stepped on that stage -

it's '60s blue-eyed pop legend, Frankie Valli And The Four Seasons.

One of my favourites.

# We take the pressure, and we throw away

# Conventionality belongs to yesterday

# There is a chance that we can make it so far

# We start believin' now that we can be who we are,

# Grease is the word

# It's the word that you heard

# It's got groove, it's got meaning

# Grease is the time, is the place, is the motion

# Grease is the way we are feeling

# This is a life of illusion, a life of control

# Mixed with confusion - what're we doin' here?

# We take the pressure, and we throw away

# Conventionality belongs to yesterday

# There is a chance that we can make it so far

# We start believin' now that we can be who we are

# Grease is the word

# It's the word that you heard

# It's got groove, it's got meaning

# Grease is the time, is the place, is the motion

# Grease is the way we are feeling

# Grease

# Grease is the word

# It's the word that you heard

# It's got groove, it's got meaning

# Grease is the time, is the place, is the motion

# Grease is the way we are feeling. #

Hello, London.

Are you all having fun out there?

Good.

# Big girls don't cry

# Big girls don't cry... #

All right, gang, this time it's your turn.

# Big girls don't cry

# Big girls don't cry

# Who said they don't cry

# My girl said goodbye

# My oh my

# My girl didn't cry

# I wonder why?

# (Silly boy) Told my girl we had to break up

# Hoped that she would call my bluff

# (Silly boy) When she said to my surprise

# Big girls don't cry

# They don't cry

# Big girls don't cry

# Who said they don't cry?

# Baby, I was cruel

# Baby, I'm a fool

# Silly girl

# Shame on you, your mama said (Silly girl)

# Shame on you, you're cryin' in bed (Silly girl)

# Shame on you, you told a lie

# Big girls do cry

# Big girls don't cry

# They don't cry

# Big girls don't cry

# That's just an alibi

# Big girls don't cry

# Big girls don't cry. #

Wow, what a fantastic way to end this magical evening of music-making.

A reminder that there's almost nothing like the power of music

to bring us together.

The BBC Proms is really a musical celebration like no other.

So we leave you with the traditional Last Night medley from across

the UK including our friends at the Royal Albert Hall.

We'll see you next year. Goodnight.

THEY SING IN WELSH

TRADITIONAL MUSIC

# Oh, Danny boy, the pipes, the pipes are calling

# From glen to glen, and down the mountain side

# The summer's gone, and all the roses falling

# Tis you, tis you must go and I must bide

# But come ye back when summer's in the meadow

# Or when the valley's hushed and white with snow

# Tis I'll be here in sunshine or in shadow

# Oh, Danny boy, oh, Danny boy, I love you so. #

# Land of hope and glory, mother of the free

# How shall we extol thee, who are born of thee?

# Wider still and wider shall thy bounds be set

# God, who made thee mighty, make thee mightier yet

# God, who made thee mighty, make thee mightier yet. #