Strings Final BBC Young Musician


Strings Final

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For more than three decades,

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BBC Young Musician has been shining a spotlight

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on the UK's most talented young classical performers.

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It has launched the careers

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of some of the biggest names in the industry,

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and the list of previous winners reads like a who's who

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of British classical music.

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Two years ago, 15-year-old cellist Laura van der Heijden

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was the name on everybody's lips.

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The winner of BBC Young Musician 2012 is Laura van der Heijden.

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CHEERING AND APPLAUSE

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MUSIC: "Cello Concerto" by William Walton

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In a memorable final at the Sage Gateshead,

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she captured everyone's hearts

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with a sublime performance of the Walton Cello Concerto

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to win BBC Young Musician 2012.

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It really was such a special evening. I was so lucky to be there.

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Laura's performance has stayed with me ever since.

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Her musicality, charisma,

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and technical mastery of the instrument was simply breathtaking.

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Winning the BBC Young Musician basically gave me a career.

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Before, I had to ask people

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to let me play in front of them,

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and now I get asked to play for people.

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So, who will follow in Laura's footsteps

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and become the next BBC Young Musician?

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You'll be able to follow the competition

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through to its conclusion

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here on BBC Four over the next four weeks.

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Nearly 500 entered.

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Now just 25 remain.

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We'll be following their journey

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as they attempt to become the next BBC Young Musician.

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It takes years of practice and dedication to reach this standard.

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Be prepared for tension, passion and some phenomenal music-making.

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Welcome to BBC Young Musician 2014.

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The last two years have been a roller-coaster ride.

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It was the biggest musical experience of my life.

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Nicola Benedetti.

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The BBC Young Musician is the important competition in the UK.

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This competition's for people

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who want to be the best at their instrument.

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It just lifts your playing to a different level.

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These are young musicians who've really dedicated their lives

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to being the best they possibly can be.

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I'm extremely grateful to the competition

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for making my dreams a reality.

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This is really, really quite something.

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If you can cope with it then you can cope with anything.

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It will be an unforgettable experience for them,

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which will make them love music even more.

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It's been the most amazing start

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to what I hope will be a long career in music.

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For the second competition running,

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the category finals and the semifinal will take place here

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at the Royal Welsh College of Music Drama in Cardiff.

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And this magnificent venue provides the perfect environment

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for all of our young finalists

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to perform to the very best of their abilities.

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Being in this competition is a daunting task, though.

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I took part in the competition back in 1998

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and made it through to the final.

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I can remember so clearly walking out onto the stage

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to face the cameras and that intimidating line of adjudicators.

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BBC Young Musician really is a valuable experience

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and can be a fantastic stepping stone

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towards a successful career in music.

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APPLAUSE

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Tonight, we begin our coverage of BBC Young Musician 2014

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with the strings category final.

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In just a few moments, we will meet our talented five string players

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all hoping to impress the jury and secure their place in the semifinal.

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But before we do that, let's look at the competition structure

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and how they made it this far.

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The standard required to take part in BBC Young Musician

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is incredibly high.

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Just to apply, you have to be grade eight or above.

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Nearly 500 entered this year's competition.

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After two tough audition rounds,

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25 young performers were selected for these category finals.

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Five each in strings, percussion, woodwind, keyboard, and brass.

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The winners of each category will progress through to the semifinal,

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where they will perform against each other

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for three places in the grand final.

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You will be able to see full coverage of the final

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here on BBC Four on May the 18th,

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when it returns to the Usher Hall, Edinburgh,

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after a ten-year absence.

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The three finalists will each perform a concerto of their choice,

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accompanied by the BBC Scottish Symphony Orchestra

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under the baton of award-winning conductor Kirill Karabits.

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One will be named BBC Young Musician 2014.

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When the final was last held at the Usher Hall back in 2004,

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a young violinist named Nicola Benedetti walked onto the stage

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and, in front of a home crowd,

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gave a performance that would change her life.

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Over the past ten years, she's built an international reputation

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as one of the country's leading performers and recording artists.

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She combines a busy concert schedule with education work

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and a commitment to promoting classical music.

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I didn't even think you could do that!

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This year, BBC Young Musician welcomes her back

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as its first ever ambassador.

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Clemency Burton-Hill spoke to her recently.

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Nicola, tell us how you got involved in this ambassadorial role.

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BBC Young Musician gave me such an enormous platform.

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I owe so much to the competition.

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It just... I was sort of desperate to get involved somehow.

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And how do you think the role will play out?

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I think what I've been really quite keen on

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is to maintain more of a supportive role towards the competitors.

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There aren't that many people that know what it feels like

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to go through those competitions.

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There are not that many people that understand the pressures,

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understand and can pre-empt the questions

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that those young people need to know the answers to.

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And quite often, they don't know the questions themselves.

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They can feel nervous... And you're a teenager!

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And you're a teenager, and you're trying to work all of this out.

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And, in actual fact, what you want to do more than anything else

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is just develop your playing.

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And what about a competition like BBC Young Musician?

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What role does it have to play in terms of getting that message out

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about how extraordinarily talented some of Britain's kids are

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when it comes to classical music?

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Well, I think celebrating excellence

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is always something we should all rejoice in,

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and BBC Young Musician has always advocated for that,

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and that's an incredible thing.

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But I think the unusual thing about this competition

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is its community spirit.

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It has much more of a kind of inclusive,

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nurturing feeling about it.

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It's more friendly.

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This is the first time that the final's returned to Edinburgh

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since you won it - does that feel quite special?

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I am already getting nervous and excited about it.

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I'm just hoping I keep my cool

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so that I can offer some decent advice to the...

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to the finalists.

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Well, you are an inspiration, Nicky, to all of us,

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and an amazing ambassador for this competition. Thank you.

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So, thank you. Thank you.

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APPLAUSE

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And Nicola will be with us for the final on May the 18th.

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So much to look forward to over the next four weeks, and there is more.

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This year, BBC Young Musician

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has introduced a brand-new award for jazz.

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You will be able to see the first ever jazz final

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right here on BBC Four on May 23rd.

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And we will be telling you a little bit more about that

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later in the series.

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Now I think it's time to meet the five performers

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who've made it through to the first of this year's category finals.

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18-year-old violinist Elizaveta Tyun comes from Russia

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and studies in the UK.

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I decided to enter BBC Young Musician

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because it's always a nice experience to meet other musicians,

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to find your place among them.

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And, yeah, it could be the start of a nice career.

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Also playing the violin, aged 17,

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Roberto Ruisi from Birmingham.

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I have to believe that if I play at my very best

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that I've definitely got a chance to win it.

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Violinist Dogyung Anna Im is 16

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and comes from South Korea.

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Just to be in, like, one of five in those many, many people...

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..I'm really proud of myself.

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Harpist Juliana Myslov,

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aged 17, is from Hertfordshire.

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Entering a competition, you have to know where you're heading,

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Entering a competition, you have to know where you're heading,

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cos then you can push yourself to... to achieve it.

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And last to perform, and the fourth violinist in this strings final,

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William Dutton, aged 19, from Harrogate.

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To be here today in Cardiff,

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there's a great buzz and a vibe going round the whole place,

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and I'm really excited about performing tonight.

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Five incredible young talents.

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As a classical guitarist,

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I've been looking forward to this strings final for weeks,

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and I hope that in two years' time,

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there will be a guitarist here to make me proud.

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But never mind.

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For three very important people,

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there is a tough night of decision-making ahead.

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So, let's meet the judges. They are...

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Violinist and former competitor Jack Liebeck.

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I would like to see someone who really can step up to this stage

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and emote some wonderful musical ideas

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and someone who's got that real joy of performing.

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Internationally renowned harpist Catrin Finch.

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More and more we see that it's the personality

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that the audience fall in love with

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and so, of course, it's a major part of what we're looking for.

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And director of the Cheltenham Music Festival

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and our general adjudicator Meurig Bowen.

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I'm going to be looking for an inner strength,

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the ability to handle the highs and lows of a career in music,

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and to gain a sense that this person has not only a musical intelligence,

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but an emotional intelligence too.

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So, we are almost ready to hear the first performer

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in this year's BBC Young Musician category finals.

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Five very excited performers are waiting backstage.

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First on is 18-year-old Elizaveta Tyun.

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From Russia, Elizaveta is currently a full-time student

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at Chetham's School of Music in Manchester.

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Two years ago, Mr Repko, my teacher, came to St Petersburg

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to give some masterclasses, and he invited me here.

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And I said yes.

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One of the professors, they asked me to have a listen to her,

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and I was very impressed with her playing.

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She hardly said a word, was very quiet,

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but I could sense a deep enthusiasm and really wanted to play.

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It's really the sort of inner passion in her playing,

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the clarity, the purity of her expression.

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She's a good musician. She's a very, very good musician.

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As well as studying the violin, Elizaveta is taking her A-levels

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in music, history and English literature.

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Thou wouldst trust me then.

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OK, can we go back over that, please,

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and just sort of pick things up...?

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Yes?

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Maybe it has got something to do with taste.

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Like, taste of forbidden fruit. Maybe it means pleasure.

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Yes, that's right.

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In-between schoolwork, violin practice and chamber music,

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there is not a lot of time for much else.

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I like reading as well.

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That's why I've chosen English literature at school.

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Although she's a long way from home,

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she never misses an opportunity to share her mother tongue.

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"I love, I like..." Oh, it's the same. Ya lyublyu... Mm-hm. ..edu.

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Ya lyublyu... Actually, you know, "eda",

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and, you know, "ya lyublyu", so...

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Ya lyublyu edu. Yeah. Spasibo! You're welcome!

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Whether it's leading the quintet she's formed or the school orchestra,

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she's earned the admiration of her fellow students and teachers alike.

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She's quite quiet and reserved, you think,

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but there's this kind of unexpected humour

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that she comes out with now and again, which is great.

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I mean, her playing, it's so strong and confident, powerful.

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She's a good leader to play with.

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Two, three.

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She's leading the symphony orchestra at the moment.

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I came into to rehearsal the other day

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and found her at the beginning, sorting out all the chairs,

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running round, getting everybody organised,

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and there was this quiet girl getting everybody sorted out.

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It's quite fabulous.

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I miss my friends, I miss my parents,

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but I see them every two months...

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and everyone here is very welcoming.

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So, I feel like I'm home here.

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On one of those rare visits back home,

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there is a chance to catch up with friends and family.

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Her parents are both language professors

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at the University of St Petersburg.

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Next year, she will go on to study

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at the Royal College of Music in London

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and, by now, the family are well used

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to this travelling musician's life on the road.

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The first time she left, she was ten.

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She went to Switzerland with a series of concerts,

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and that was quite an adventure,

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because she was the smallest in the group.

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It's not the question

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of whether you like it or you dislike it.

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If you are a professional, you do it.

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You do it seriously.

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I think this is the main thing. She has become more serious about that.

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And here is Elizaveta to open this strings category final.

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I'm playing Meditation by Tchaikovsky.

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It's a very nice piece

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and I feel quite the same, because Tchaikovsky wrote it

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whilst he was away from home from Russia.

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APPLAUSE

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Next, Elizaveta is going to play Subito

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by the 20th-century Polish composer Lutoslawski.

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It was composed especially for a competition in 1994,

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so I thought it would be a nice piece to play for a competition.

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APPLAUSE

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Well, we're off to a great start.

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It's always really hard going first,

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but I thought Elizaveta did really fantastically.

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She held the audience's attention,

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she played with great aplomb and grace.

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You opened the show and you absolutely nailed it.

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How did it feel? Oh, I really enjoyed it.

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I think that's the most important thing.

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And I hope the audience enjoyed it as well. I think they did.

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They were electric. Elizaveta played very, very beautifully.

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I especially enjoyed the sort of stillness

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to her performance of the Tchaikovsky.

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She just sort of let her playing do the talking.

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She's obviously a thoughtful musician.

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She's not into sort of extrovert show for the sake of it.

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Overall, I enjoyed the Lutoslawski more than the Tchaikovsky.

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I think she was more relaxed in that piece and there was more...

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a broader sense of character

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and really getting into the style of that piece in particular.

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It's so beautiful and you made us all proud. Now go rest.

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I will keep my fingers crossed for you. Bravo. Thank you. Ciao.

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Now, it's worth mentioning that this category

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has produced more of the overall winners of BBC Young Musician

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than any other.

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8 out of 18 have been from this category.

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Next to stake their claim is our second violinist,

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17-year-old Roberto Ruisi.

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For the past three years, Roberto has been leader

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of the National Youth Orchestra of Great Britain.

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It's one of the greatest privileges that I've had the experience

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to be a part of.

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He was just 15 when appointed - the orchestra's youngest ever leader.

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I remember standing there on the first day, I was terrified.

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Felt out of my depth.

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He's a born leader, I think.

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And not a leader by the words, by the speech, but leader by example.

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So, exemplary playing, leads the whole section behind him

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and, actually, the whole orchestra, to improve themselves.

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I believe he's a very, very bright prospect for the future

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to become a virtuoso soloist.

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Roberto goes to King Edward's School, Birmingham,

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where he's studying for an International Baccalaureate

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in music, Italian, English, maths, physics and philosophy.

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Roberto?

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He observed that in the natural world,

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everything seems to have a purpose, telos, or a direction.

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When he's not performing or theorising about music,

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sport plays a large part in Roberto's life.

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I like the fact that Robbie's mucked in with school life,

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and I'm particularly delighted by his hockey career,

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which annoys the music teachers no end.

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The fact that Robbie turns out as centre forward for the third 11

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whilst being the best musician we've had in the school for 40 years

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is a great thrill to us.

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I've been trying to get him banned from playing hockey

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for the last three years. It's...

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It can be a lethal...game, and you get injuries.

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And, of course, his fingers are going to be his livelihood.

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There's been a few times where he's gone into tackles

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and I've just gone, "What is he doing?"

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Especially with his hands, you get a broken finger fairly easily, so...

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Obviously I'm happy to have him involved in the hockey,

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but there's been times where I'm just like...

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with your music career, I wouldn't be going into that tackle, Robbie.

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From September, Roberto will be studying

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at the Royal College of Music in London,

0:27:430:27:45

following in the footsteps of his brothers,

0:27:450:27:47

cellist Max and violinist Alessandro.

0:27:470:27:50

Good. That's good. Nice to see you.

0:27:500:27:51

It's crazy you're going to be in London next year.

0:27:510:27:55

You're making me feel really old!

0:27:550:27:57

Although it is really nice that the three of us

0:27:570:27:59

are going to be in the same city now. Yeah.

0:27:590:28:02

Especially if we're going to be still studying at the same place.

0:28:020:28:05

It's going to be really odd. The three of us bumping into you!

0:28:050:28:08

The trio's early enthusiasm for music-making

0:28:080:28:11

came as a bit of a surprise to their non-musical parents.

0:28:110:28:15

It started when our eldest, Max, he was about eight and a half,

0:28:150:28:18

and came home with a cello, and I said, "What's that?"

0:28:180:28:21

He said, "It's a cello." I said, "Well, you can take that back.

0:28:210:28:24

"You're not playing cello." He said, "I am. I've been picked."

0:28:240:28:27

And then my second son saw a violin and said, "What's that?"

0:28:300:28:34

So, that was it.

0:28:340:28:36

And then by the time I had Roberto,

0:28:360:28:38

he was three and demanding a small violin.

0:28:380:28:42

And that was it. He was hooked.

0:28:420:28:44

So, here is Roberto Ruisi.

0:28:520:28:54

Just three days ago, his violin broke

0:28:540:28:56

and tonight, Roberto's playing on a borrowed instrument.

0:28:560:28:59

He begins with the second movement from Britten's Violin Concerto.

0:28:590:29:03

It's fiendishly difficult.

0:29:030:29:05

It's notorious in the violin world and it's really great to play.

0:29:050:29:09

It's also got an incredible cadenza at the end of it,

0:29:090:29:12

which I'll be playing.

0:29:120:29:13

But, yeah, generally, it's certainly

0:29:130:29:16

one of the most technical pieces I've ever played, actually.

0:29:160:29:19

From the 20th century to the 18th. A violin sonata by Bach.

0:32:020:32:07

'It's a complete change in mood from the Britten.'

0:32:070:32:10

Hopefully, I'll be able to convey it as this relaxing

0:32:100:32:15

but also extremely emotionally deep piece, which it is.

0:32:150:32:18

APPLAUSE

0:34:310:34:33

'The Gershwin and Heifetz is It Ain't Necessarily So.'

0:34:340:34:38

I know with a piece like that that I will always end it with a smile

0:34:380:34:41

no matter what's happened, erm,

0:34:410:34:43

so I think it's a really good way to end the programme.

0:34:430:34:45

CHEERING AND APPLAUSE

0:37:300:37:32

Fantastic playing from 17-year-old Roberto Ruisi.

0:37:340:37:37

Three very contrasting pieces, and right at the beginning

0:37:370:37:40

so fiery you could even see the hairs flying off his bow.

0:37:400:37:43

That was absolutely mesmerising, and so much drama and energy,

0:37:480:37:52

but I hear there has been a lot of drama with the violin.

0:37:520:37:55

How did she behave tonight?

0:37:550:37:57

Yeah, OK.

0:37:570:37:58

I mean, it's been hard in the last few days

0:37:580:38:00

just trying to get it together and try and get used to it,

0:38:000:38:03

but I certainly did as best as I could.

0:38:030:38:05

This was a really satisfying programme,

0:38:050:38:07

three very different pieces, and I think he inhabited

0:38:070:38:10

the styles of those three different pieces beautifully.

0:38:100:38:13

'He chose a very difficult programme, but he handled himself really well'

0:38:130:38:17

and showed, I think, that he's capable of a polished performance.

0:38:170:38:21

'His Bach was very beautiful, on the romantic side of Bach playing,'

0:38:210:38:24

I think, and sometimes quite full-throated in his way of

0:38:240:38:27

singing out the Bach line.

0:38:270:38:29

'And his Gershwin was really great.'

0:38:290:38:31

So far, we've heard from two fantastic violinists

0:38:330:38:36

in our String Final.

0:38:360:38:37

'Next, another violinist, and the youngest competitor of the evening.

0:38:400:38:43

'16-year-old Dogyung Anna Im.'

0:38:430:38:45

Somerset - and Millfield School at the foot of Glastonbury Tor,

0:38:490:38:54

training ground to many a sporting legend.

0:38:540:38:57

But for one student, while others are out playing, she's practising hard.

0:39:010:39:04

But for one student, while others are out playing, she's practising hard.

0:39:040:39:06

With the school building a reputation in music,

0:39:130:39:16

Dogyung Anna Im accepted a scholarship,

0:39:160:39:19

leaving her home and family in South Korea.

0:39:190:39:21

Millfield does have a reputation as a sporting academy,

0:39:230:39:26

but people here, from the headmaster and senior management,

0:39:260:39:29

are keen to redress that misconception, I have to say.

0:39:290:39:32

She is on a reduced academic timetable

0:39:340:39:36

to allow for her violin study.

0:39:360:39:38

Try a bit more direction into this, er, to the D there.

0:39:380:39:41

HE SINGS # D... #

0:39:410:39:43

After successes at numerous competitions in the Far East,

0:39:470:39:51

which led to playing in front of the Thai Royal Family,

0:39:510:39:54

Anna was encouraged to leave her home to come and study in the UK.

0:39:540:39:59

Good, well done, and now the piece starts properly.

0:39:590:40:01

OK, so, marcato.

0:40:010:40:03

Real articulation.

0:40:030:40:05

'She's a very driven musician, very secure.'

0:40:090:40:12

She has a good deal of consistency which,

0:40:120:40:14

when it comes to competition playing, is a big plus.

0:40:140:40:17

But learning the violin hasn't always been rosy for Anna.

0:40:200:40:24

'At first I absolutely hated it.'

0:40:240:40:28

Now it's kind of like my life now.

0:40:280:40:31

It's just, like, me.

0:40:310:40:33

There's nothing else to talk about except music now.

0:40:350:40:38

Next year, Anna is hoping to study in the US

0:40:380:40:41

and is preparing for an audition at the exclusive Curtis Institute.

0:40:410:40:46

What we can't provide at Millfield is like-minded people,

0:40:460:40:50

like-minded players of that calibre.

0:40:500:40:53

After the string final, she gets on a plane,

0:40:530:40:55

flies to Philadelphia and auditions that day for the Curtis Institute.

0:40:550:40:59

So it's a tough couple of days, and, er, fingers crossed.

0:40:590:41:03

It's a challenge, and I think it's a great,

0:41:030:41:06

great opportunity for me in my life.

0:41:060:41:09

Meanwhile, there is still time to introduce her fellow boarders

0:41:100:41:14

to the pop stars from back home.

0:41:140:41:17

So, Anna, what's the name of the boys on your wall?

0:41:170:41:20

G-Dragon. Taegoon.

0:41:200:41:22

Taegoo.

0:41:220:41:24

It's only about, like, they're fit.

0:41:240:41:26

LAUGHTER DROWNS SPEECH

0:41:260:41:28

For now, Anna travels to London every Friday for lesson-packed

0:41:300:41:34

weekends with a professor from the Royal Academy,

0:41:340:41:37

South Korean violinist So-Ock Kim.

0:41:370:41:39

Instead of slapping it.

0:41:410:41:42

Yes.

0:41:440:41:45

'She has a lot of, erm, natural gift for the violin.'

0:41:480:41:52

She has a knack of being able to play the instrument very freely.

0:41:520:41:56

However, she is still very young

0:41:560:42:00

and so there's still a lot that she needs to learn.

0:42:000:42:03

But she's getting there, and she does already play very beautifully.

0:42:030:42:07

Yeah, that's better.

0:42:130:42:14

APPLAUSE

0:42:160:42:18

'For the Strings Final, Anna has a very special guest in the audience.

0:42:180:42:22

'Her mum has flown in from South Korea to hear her play.

0:42:220:42:26

'She begins with the 1st Movement from Brahms' Sonata in A Major.'

0:42:260:42:29

There's some bits that are, like, so, so beautiful.

0:43:540:43:58

I feel like I can't play that bit cos it's so beautiful.

0:43:580:44:02

I feel like, "I'm terrified to play this." So beautiful.

0:44:020:44:06

APPLAUSE

0:46:470:46:50

'Next, it's Kreisler's Recitativo and Scherzo.'

0:46:500:46:53

The first, Recitativo, you can kind of play with the rhythm there,

0:46:540:46:59

and, like, rubato, and I can feel that it's really intensive.

0:46:590:47:04

'The Scherzo, I heard loads of people playing it like etudes,'

0:48:580:49:02

but I'm trying to not play it like that.

0:49:020:49:04

I'm trying to play it a bit fun, yeah?

0:49:040:49:07

Yeah. Like a caprice.

0:49:070:49:09

APPLAUSE

0:51:040:51:06

'Dogyung Anna Im, just 16.'

0:51:060:51:09

What a great performance. She seemed so at home on stage

0:51:110:51:13

and her sound was so rich and colourful throughout.

0:51:130:51:16

Anna, congratulations.

0:51:200:51:22

You did so beautifully, they were eating out of your hand.

0:51:220:51:25

How did that feel?

0:51:250:51:26

Erm, I was a bit nervous in the Brahms,

0:51:260:51:31

but I think I couldn't have played the Brahms better.

0:51:310:51:33

You certainly played it so beautifully.

0:51:330:51:36

The Kreisler I'm especially impressed by because I think she

0:51:360:51:39

brought to the music some new things that I've never heard people do.

0:51:390:51:43

She's obviously a really, really talented violinist,

0:51:430:51:46

very, very beautiful to listen to.

0:51:460:51:48

An enormous range of colour and sense of adventure in her playing.

0:51:480:51:51

Very cultivated, sophisticated, mature performance, I think.

0:51:510:51:52

Very cultivated, sophisticated, mature performance, I think.

0:51:520:51:55

And I hear another thing, that your mum flew in. Er, yeah.

0:51:550:51:58

Did it make it easier for you, more friendly?

0:51:580:52:00

Mm, I still can't believe that she's here.

0:52:000:52:04

I'm really, really happy. I'm so happy for you. Thank you.

0:52:040:52:07

And you made your mum so proud, I'm sure, and all of us here,

0:52:070:52:11

and you have such a fantastic future in front of you.

0:52:110:52:12

and you have such a fantastic future in front of you.

0:52:120:52:13

Thank you so much.

0:52:130:52:14

So far, the Strings Final this evening has been

0:52:180:52:20

the Battle of the Violinists, and there is still one more to come.

0:52:200:52:24

Up against them is 17-year-old harpist Juliana Myslov.

0:52:240:52:27

SHE PLUCKS REPEATED NOTE

0:52:360:52:36

SHE PLUCKS REPEATED NOTE

0:52:370:52:38

'I started playing the harp when I was five,

0:52:400:52:42

'but I kind of knew that'

0:52:420:52:44

I needed to play the harp around four-ish.

0:52:440:52:46

Erm, I don't think there's a logical explanation to it,

0:52:460:52:50

I just kind of decided, erm, yeah.

0:52:500:52:53

And, erm, I think my mum was a bit wary of me

0:52:530:52:57

starting the harp considering it's so expensive and big.

0:52:570:53:00

Juliana lives in Hertfordshire with her Russian mother Sofia.

0:53:080:53:12

'We never had an issue about practising or whatever,

0:53:140:53:17

'because, you know, it was madness'

0:53:170:53:19

in our financial situation to do harp.

0:53:190:53:21

So if she will not practising,

0:53:210:53:24

I will not allow her to fooling around, and we will stop this all.

0:53:240:53:28

And that's why it never, never happened.

0:53:280:53:30

If I would say, "We will do it in a few years,

0:53:320:53:35

"when our financial situation will be better,"

0:53:350:53:38

then maybe she will lose all the interest.

0:53:380:53:40

It is necessary to give the child what she want,

0:53:400:53:43

in the right time.

0:53:430:53:44

With a full scholarship to the nearby Purcell School,

0:53:470:53:50

Juliana enjoys art as well as music

0:53:500:53:53

and feels there is a strong link between the two.

0:53:530:53:56

I've always really liked art

0:53:570:53:59

and I'm not particularly great at traditional art forms like drawing

0:53:590:54:03

and painting, but I like to look at different ways of portraying stuff.

0:54:030:54:07

It's probably cos of my synaesthesia that I feel quite a link

0:54:070:54:11

to music and art.

0:54:110:54:13

Whenever I hear stuff or certain words have a real colour to them

0:54:130:54:17

so it's always interesting to kind of match them up

0:54:170:54:20

and what you get from a painting or what you get from a sound

0:54:200:54:23

and how they go together - it's interesting to look at that.

0:54:230:54:27

Her teacher at Purcell is internationally-renowned harpist

0:54:280:54:31

Daphne Boden. Very nice. That's beautiful.

0:54:310:54:35

You tend to start it a tiny bit too slowly.

0:54:350:54:39

Try and think of the semiquavers in your head before you start it

0:54:390:54:43

and really take your speed from there. Off you go.

0:54:430:54:45

I mean, she has so many strengths in her playing.

0:54:490:54:51

She has a wonderful sound. She's an excellent sight-reader.

0:54:510:54:55

A very, very musical player.

0:54:550:54:57

I used to criticise her a lot for spreading her chords

0:54:590:55:03

very, very slowly.

0:55:030:55:04

'Maybe it's something with being Russian. I don't know.

0:55:040:55:06

'She gets very, very involved in the romantic side of things,

0:55:060:55:10

'but she's so enthusiastic about everything

0:55:100:55:12

'and she's an absolute delight to teach.'

0:55:120:55:14

She's one of the most outstanding pupils I've ever, ever had.

0:55:140:55:19

One, two, three, four.

0:55:190:55:22

As head of department at Purcell and conductor of the school orchestra,

0:55:230:55:26

Kevin Hathaway has learnt to appreciate Juliana's many strengths.

0:55:260:55:28

Kevin Hathaway has learnt to appreciate Juliana's many strengths.

0:55:280:55:30

Juliana is one of those people I would take anywhere

0:55:320:55:34

as a true ambassador for the Purcell School.

0:55:340:55:37

Juliana seems to be quite a master at such a young age

0:55:390:55:42

at drawing you into the performance.

0:55:420:55:44

It just works so well as an instrument.

0:55:460:55:49

It can be a bit underrated

0:55:490:55:51

because everyone thinks it's just arpeggios and pretty sounds

0:55:510:55:54

but you could be a whole orchestra and that's why I really love it.

0:55:540:55:58

Juliana Myslov,

0:56:020:56:04

the only non-violinist in this year's strings final.

0:56:040:56:07

She begins with her own arrangement of a Bach prelude.

0:56:090:56:12

APPLAUSE

0:56:120:56:14

The prelude that I'm playing is one of my favourite pieces.

0:56:140:56:17

It's really beautiful with really, really nice harmonies

0:56:170:56:21

and it's kind of really calming.

0:56:210:56:23

There's a kind of chord all the time that's a bit

0:56:230:56:25

like a raindrop kind of effect.

0:56:250:56:27

APPLAUSE

0:58:190:58:21

Next, Juliana is going to play the second movement

0:58:210:58:23

from Hindemith's harp sonata.

0:58:230:58:26

The second movement, I always think, is quite a kind of almost chaotic

0:58:260:58:32

but a really fun movement to play,

0:58:320:58:34

so it's a complete contrast to the Bach.

0:58:340:58:36

APPLAUSE

1:00:581:01:00

To finish, Juliana is performing Grandjany's spellbinding rhapsody.

1:01:031:01:04

To finish, Juliana is performing Grandjany's spellbinding rhapsody.

1:01:041:01:07

A real crowd-pleaser.

1:01:071:01:09

The rhapsody by Grandjany really uses the harp the way...

1:01:101:01:14

the best way you can get, like, good sounds

1:01:141:01:17

and just generally such a really beautiful piece.

1:01:171:01:21

APPLAUSE

1:04:301:04:32

A captivating performance there from Juliana Myslov.

1:04:341:04:38

She's a very stylish and technically accomplished performer.

1:04:381:04:42

You transported me and everybody

1:04:471:04:49

into some sort of a magical parallel universe.

1:04:491:04:53

How did it feel? I think it was OK. Yeah. It was more than OK!

1:04:531:04:54

How did it feel? I think it was OK. Yeah. It was more than OK!

1:04:541:04:58

It was incredible!

1:04:581:05:00

Juliana played wonderfully.

1:05:001:05:02

She chose three very contrasting pieces.

1:05:021:05:05

She had great technique

1:05:051:05:08

and there were some really lovely musical moments.

1:05:081:05:11

Juliana's programme - a really lovely, balanced programme.

1:05:111:05:15

Great poise in her playing. Beautifully accomplished.

1:05:151:05:18

Really musical playing. I very much enjoyed that performance.

1:05:181:05:21

You have such an incredible journey in front of you, and bravo.

1:05:211:05:26

Truly, truly heartfelt. Thank you very much.

1:05:261:05:28

Bravo.

1:05:301:05:32

Bringing the strings final to a close

1:05:331:05:35

is the fourth of our violinists, 19-year-old William Dutton.

1:05:351:05:39

# The first thing which I do relate... #

1:05:491:05:55

A seasoned competitor, William's early success was as a singer.

1:05:571:06:02

In 2006 he was crowned Radio 2 Young Chorister Of The Year.

1:06:021:06:07

# The next thing which to you I'll tell... #

1:06:071:06:11

What would you like to do in the future?

1:06:111:06:13

Would you like to carry on with singing? I could...

1:06:131:06:16

I play the violin as well so I could go on to that.

1:06:161:06:18

Or sell ice cream. I still like ice cream.

1:06:181:06:21

You still like ice cream. Yeah.

1:06:211:06:23

Now 19, William is at his final year in the Yehudi Menuhin School.

1:06:231:06:28

His violin playing was in its early stages

1:06:281:06:33

but he demonstrated such musicality and passion for music

1:06:331:06:36

that we thought this was the right place for him to be

1:06:361:06:38

and over the years he's developed his violin playing wonderfully.

1:06:381:06:42

His teacher at the Menuhin is Russian violinist Lutsia Ibragimova.

1:06:421:06:46

Remember about changing colours when you're changing fingers and strings.

1:06:461:06:50

We're doing it for some... making different colour. Yeah?

1:06:501:06:55

The eldest of our five strings finalists,

1:06:561:06:58

William is looking to travel further afield to study next year.

1:06:581:07:02

'I'm in Italy today, in Bergamo,

1:07:081:07:10

'to have some violin lessons with Professor Pavel Vernikov

1:07:101:07:14

'because I intend, next year,'

1:07:141:07:17

to audition for a place in his class in Sion in Switzerland.

1:07:171:07:21

Obviously, he's not my teacher yet. I'm still learning with Lutsia.

1:07:221:07:25

She's a wonderful teacher.

1:07:251:07:28

She took me in and completely changed the way I played.

1:07:281:07:32

And now she's given me the opportunity to go

1:07:321:07:35

and study with Pavel, who's just a really extraordinary person.

1:07:351:07:39

The lessons take place at the Academia Santa Cecilia.

1:07:421:07:46

Not every note. HE SINGS

1:07:531:07:56

One note here. Not five.

1:07:561:07:58

One.

1:08:011:08:03

Better.

1:08:031:08:05

Continue phrase. Oh. Oh. Oh.

1:08:061:08:10

More.

1:08:101:08:12

'I like this boy what is very sympathique.'

1:08:121:08:15

He understand very quick. Very quick.

1:08:171:08:20

He change lot of his last temp.

1:08:201:08:23

This for me is great pleasure.

1:08:231:08:25

It was very intense. We worked on lots of things together.

1:08:311:08:34

Things about intonation. Things about phrasing.

1:08:341:08:37

He teaches me how to listen more.

1:08:371:08:41

Not to kind of say to yourself, "OK, I think that sounds quite good.

1:08:411:08:44

"It's fine, let's just move on." You know, really think,

1:08:441:08:47

"What sound am I producing now? Why am I making the sound?"

1:08:471:08:50

# I can do anything at all... #

1:08:501:08:53

Back in the UK, William still keeps up his singing,

1:08:531:08:57

helping out in the local church choir with his friends.

1:08:571:09:00

Will is a great friend and an amazing violinist.

1:09:031:09:07

I've been here for three years now and,

1:09:071:09:09

you know, he was the one to introduce me to come to church here

1:09:091:09:12

and sing with the choir as well.

1:09:121:09:14

And everything that he has done for me as a friend has been great.

1:09:141:09:19

Absolutely wonderful.

1:09:191:09:21

APPLAUSE

1:09:281:09:31

In the strings final, William is accompanied

1:09:321:09:35

by one of his best friends from school, Menachem Rozin.

1:09:351:09:38

'The first piece that I'm going to be playing is Nigun by Ernest Bloch.

1:09:401:09:43

'It's a song that has no words.'

1:09:431:09:45

It can either be very, very joyous or in this case,

1:09:451:09:48

this piece is a song that's very, very sorrowful

1:09:481:09:53

and he dedicated the piece to the memory of his mother.

1:09:531:09:56

APPLAUSE

1:14:381:14:40

To end this year's strings final, William has chosen the same piece

1:14:401:14:43

that helped Laura Van Der Heijden win the category two years ago.

1:14:431:14:46

It's an arrangement of Rimsky-Korsakov's opera,

1:14:461:14:49

Le Coq d'Or. It's a really, really fun piece to play.

1:14:491:14:52

APPLAUSE

1:18:191:18:21

William Dutton bringing what has been a high-quality

1:18:241:18:28

strings final to an impressive close.

1:18:281:18:30

Let's find out what William thought about his performance.

1:18:341:18:37

He's backstage with Milos.

1:18:371:18:39

William. Finishing in grand style. How did that feel?

1:18:441:18:47

That was pretty awesome. That... No, it was a big buzz out there.

1:18:471:18:50

Fantastic audience. I wish I was on the other side of the door.

1:18:501:18:54

I was like...urgh! I wish I was on this side of the door! No!

1:18:541:18:58

I thought he had a wonderful tone. I enjoyed very much...

1:18:581:19:00

I thought it was very warm, very velvety playing.

1:19:001:19:04

Wonderful musical ideas, so yeah, a very polished performance.

1:19:041:19:08

A very impressive and bold presence on stage.

1:19:081:19:11

Possibly for me slightly overstretching himself

1:19:111:19:14

in the second piece, but I very much enjoyed the Bloch,

1:19:141:19:17

the first piece. It's...

1:19:171:19:18

the first piece. It's...

1:19:181:19:19

I get a real buzz out of doing it and I try to calm myself before.

1:19:191:19:24

I was a little bit nervous but I tried to control it

1:19:241:19:27

as much as I possibly could, but no,

1:19:271:19:29

I had a really... You know, I had a really great time.

1:19:291:19:32

And what a way to begin our coverage of BBC Young Musician 2014.

1:19:331:19:38

Five young performers have given it their all, but only one

1:19:381:19:41

can win that all-important place in the semifinal.

1:19:411:19:44

Thankfully, it's not up to me.

1:19:441:19:46

It's time for the jury to make their decision.

1:19:461:19:49

And making the decision tonight...

1:19:511:19:54

Violinist Jack Liebeck.

1:19:551:19:57

Harpist Catrin Finch.

1:20:021:20:04

And our general adjudicator, Meurig Bowen.

1:20:101:20:13

So, let's start getting into this. Elizaveta.

1:20:211:20:24

I had a feeling that you were particularly impressed

1:20:261:20:29

by her Tchaikovsky, when she started. Yeah.

1:20:291:20:33

I feel that she really sung that line

1:20:331:20:35

and didn't let anything interfere.

1:20:351:20:37

She is a very still player, but just let her violin do the talking

1:20:371:20:40

and my spine was tingling all the way through.

1:20:401:20:42

I thought it was very beautiful.

1:20:421:20:44

Occasionally she could have graded her...

1:20:461:20:48

the climaxes of the phrase a bit.

1:20:481:20:51

I had a sense that her piano wasn't quiet enough

1:20:511:20:54

and that it was all a bit mezzo forte upwards from there, which is...

1:20:541:20:59

I wanted her to open up. I felt she was playing a bit to herself.

1:20:591:21:02

I don't agree. See, I like that because she's not...

1:21:031:21:07

She's not just showing, "Look at what I can do."

1:21:071:21:10

She had something serious to say.

1:21:101:21:12

Roberto. He wasn't so much of an internalised performance, was he?

1:21:161:21:21

He's more extrovert and you couldn't get more extrovert than that

1:21:211:21:25

Britten violin concerto movement. Brave choice, right?

1:21:251:21:28

To start with that? Very brave. Difficult start.

1:21:281:21:31

And I think, at the beginning, he maybe felt a little bit tight

1:21:321:21:36

and there was a little bit, I felt, a bit of skating over some things

1:21:361:21:40

in the scales and things, but it's one of the most difficult movements.

1:21:401:21:44

The Britten Violin Concerto is seriously difficult

1:21:441:21:47

and he's a natural performer, I think.

1:21:471:21:50

Anna. Another very big performance.

1:21:521:21:55

A very accomplished and cultivated tone, I think.

1:21:551:21:59

Absolutely. A very beautiful sound.

1:22:011:22:03

Occasionally I felt a little bit that her...

1:22:031:22:05

especially early on in the performance,

1:22:051:22:07

that her vibrato was a little bit on the wide side.

1:22:071:22:09

We both said that independently.

1:22:091:22:11

The Kreisler was very beautiful.

1:22:121:22:14

The Scherzo had lots of individual things you don't hear people do.

1:22:141:22:18

She took some time at places where people...

1:22:181:22:20

I race through.

1:22:201:22:22

And other people do as well.

1:22:221:22:24

So she was quite individual. Very nice.

1:22:241:22:27

I didn't get that sense of discomfort that you sometimes get

1:22:271:22:30

with really difficult music when you feel as though

1:22:301:22:33

you're on the edge of your seat slightly a bit too much,

1:22:331:22:35

with the performer, sharing in their discomfort.

1:22:351:22:37

I didn't have that with her. She's not such an extrovert performer.

1:22:371:22:40

She felt a little... To me, I felt like she was a bit shy.

1:22:401:22:44

She's our youngest, right? I think? She's still only 16, so...

1:22:441:22:48

Very impressive.

1:22:481:22:50

So, Juliana. It was a great... Great, wonderful playing.

1:22:501:22:54

She had great technique. Her weakest link for me was the Bach.

1:22:541:22:58

And I think it's always quite hard starting with Bach.

1:22:581:23:01

It is very difficult music. It's very intricate.

1:23:051:23:07

You have to be very careful and sometimes you need to have

1:23:071:23:10

warmed up a bit to have that care in your playing. The Hindemith was...

1:23:101:23:13

You know, that's a really tough movement.

1:23:131:23:16

The most difficult movement of that sonata.

1:23:161:23:18

She had a great pace to it.

1:23:181:23:20

Sometimes she got a bit too excited.

1:23:231:23:26

You know, she nearly fell off the cliff a couple of times.

1:23:261:23:29

Hindemith's not a composer that many of us love easily, is he?

1:23:291:23:33

But I really loved that piece. It was great.

1:23:331:23:35

She made a very strong case for it. And finished with the Grandjany,

1:23:351:23:38

which is prime-time repertoire. Stunning piece. Wonderful.

1:23:381:23:42

I felt like she was free to express herself.

1:23:421:23:46

I felt very relaxed listening to it. I did too.

1:23:461:23:47

I felt very relaxed listening to it. I did too.

1:23:471:23:49

I enjoyed it very much. I did too.

1:23:491:23:51

William, our fourth violinist.

1:23:521:23:54

Another really bold presence on stage and really ambitious repertoire.

1:23:541:23:58

How did you...

1:23:581:24:00

The Bloch, sometimes it felt a little bit like he sort of

1:24:001:24:03

was showing his cards too early sort of thing.

1:24:031:24:05

He was a little bit too overpowering.

1:24:091:24:11

So sometimes he lost it a little bit but I think on the whole,

1:24:111:24:15

it was a very, you know, sort of wild and musical performance.

1:24:151:24:18

Very idiomatic, wasn't it? Yeah. Absolutely.

1:24:181:24:21

He really just played the socks off both pieces

1:24:211:24:24

and the Rimsky-Korsakov is fiendish.

1:24:241:24:27

Risky to play in a competition like this.

1:24:301:24:34

There was the odd little thing here and there,

1:24:361:24:38

which you're going to have, but he brought it off

1:24:381:24:40

and took risks with it, which I actually really appreciate.

1:24:401:24:43

Beautiful sound as well, so... Very nice sound.

1:24:431:24:46

Well, we have to make that difficult choice. It's hard, isn't it?

1:24:461:24:52

Oh, boy! It's going to be a long night.

1:24:521:24:54

And what a night we had here in Cardiff.

1:24:581:25:00

An outstanding display of musicianship and young talent

1:25:001:25:04

but there can be only one winner.

1:25:041:25:06

And to announce it, here is Meurig Bowen.

1:25:061:25:10

On behalf of my fellow adjudicators, Catrin and Jack,

1:25:111:25:14

it's my pleasure to announce that the winner

1:25:141:25:17

of the BBC Young Musician 2014 Strings Category Final is...

1:25:171:25:22

..William Dutton. APPLAUSE

1:25:231:25:26

CHEERING AND APPLAUSE

1:25:281:25:30

An incredibly enthusiastic response to that result.

1:25:351:25:38

19-year-old William Dutton. APPLAUSE

1:25:401:25:43

And a well-deserved round of applause

1:25:451:25:47

for four more outstanding young performers

1:25:471:25:49

as they return to the stage.

1:25:491:25:51

Roberto Ruisi, Dogyung Anna Im, Elizaveta Tyun and Juliana Myslov.

1:25:511:25:56

APPLAUSE

1:25:561:25:58

In the end... And it really was incredibly tough for us

1:26:011:26:04

because all five, I think, we agreed we would love to hear again

1:26:041:26:08

in a recital or concerto context.

1:26:081:26:11

But with William, I think in the end it was that boldness

1:26:111:26:14

and that sense of adventure in his performance.

1:26:141:26:18

So, William the Conqueror! THEY LAUGH

1:26:181:26:21

Congratulations.

1:26:211:26:23

That looks pretty good, no? It's really...

1:26:231:26:25

It's really beautiful actually. And how does it feel to hold it?

1:26:251:26:29

Feels very rewarding. You know, it's...

1:26:291:26:31

Feels very rewarding. You know, it's...

1:26:311:26:32

You know, from even from bits that I heard, everybody played really,

1:26:321:26:35

really well today and, you know, it was very, very close, I'm sure.

1:26:351:26:39

And, you know, it's just this once but it feels really, really special.

1:26:391:26:45

I think he really was the player that performed

1:26:461:26:49

with his heart on his sleeve. He took the risks brilliantly.

1:26:491:26:52

He had confidence.

1:26:561:26:58

He had wonderful tone and he came on and he gave a polished,

1:26:581:27:01

very mature performance.

1:27:011:27:03

And I'm sure he will go on to many a great thing

1:27:041:27:07

and best of luck to him.

1:27:071:27:10

Very well done to William Dutton.

1:27:141:27:16

And you will be able to see him perform again in four weeks' time

1:27:161:27:20

as he takes his place in the semifinal

1:27:201:27:22

of BBC Young Musician 2014.

1:27:221:27:25

In the meantime, join us again here on BBC Four next week

1:27:251:27:28

when we will have five extremely talented young players

1:27:281:27:31

in the percussion final.

1:27:311:27:33

See you then. BOTH: Good night.

1:27:331:27:35

I wanted to give it a go and see what happened, really.

1:27:371:27:40

Having the audience there is just thrilling.

1:27:401:27:43

I'm just really, really excited and want to get out there and perform.

1:27:431:27:47

It's a really great tradition to be part of.

1:27:471:27:49

Making it to the final to play a concerto would be awesome.

1:27:491:27:53

This competition is an actual music competition

1:27:531:27:55

for people who work hard and want to be the best at their instrument.

1:27:551:27:58

Not just be famous.

1:27:581:28:00

In 1750, two visionaries were brought together

1:28:511:28:54

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