Ieuenctid Cor Cymru
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Transcript
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-Subtitles | 0:00:00 | 0:00:00 | |
-Subtitles - -Subtitles | 0:00:00 | 0:00:02 | |
-Once every two years... | 0:00:04 | 0:00:06 | |
-..Cardiff loses its status -as Wales' capital city. | 0:00:06 | 0:00:10 | |
-With hundreds of eager singers -congregating in this seaside town... | 0:00:11 | 0:00:16 | |
-..Aberystwyth is the place to be. | 0:00:18 | 0:00:21 | |
-From across Wales, the country's -best choirs are here once again... | 0:00:23 | 0:00:29 | |
-..to compete -for the Cor Cymru trophy. | 0:00:29 | 0:00:32 | |
-17 choirs no less, -in five categories. | 0:00:34 | 0:00:38 | |
-Reaching Aberystwyth -has been an achievement. | 0:00:40 | 0:00:44 | |
-Dozens of choirs were recorded in -school halls across the country... | 0:00:44 | 0:00:50 | |
-..to ensure that the acoustics -were the same for everyone. | 0:00:51 | 0:00:55 | |
-The unnamed discs were sent -to three international judges... | 0:00:56 | 0:01:01 | |
-..to choose the best. | 0:01:02 | 0:01:04 | |
-A system -that was both fair and impartial. | 0:01:05 | 0:01:08 | |
-My job as a jurist is to have -an audience experience, to be moved. | 0:01:08 | 0:01:13 | |
-Most importantly, the emotion must -rise above their musical talent. | 0:01:13 | 0:01:19 | |
-I want to hear sensitivity -to the texts that they are singing. | 0:01:21 | 0:01:26 | |
-We're down to the final choirs -and these determined conductors. | 0:01:26 | 0:01:33 | |
-Who will be crowned -Cor Cymru champions in 2017? | 0:01:36 | 0:01:41 | |
-Here we go! | 0:01:41 | 0:01:42 | |
-We're joined -by the brave young souls... | 0:01:59 | 0:02:02 | |
-..who will compete -in the Youth Choir section. | 0:02:02 | 0:02:05 | |
-This man's a bit of a genius - -he's won the competition four times. | 0:02:09 | 0:02:14 | |
-Islwyn Evans and Cor Merched Sir Gar -open the competition. | 0:02:14 | 0:02:18 | |
-Let's head to the stage. -Islwyn, lead the way. | 0:02:18 | 0:02:22 | |
-Islwyn's track record won't bother -the giants of Moel Famau... | 0:02:22 | 0:02:27 | |
-..Cor Cytgan Clwyd. | 0:02:27 | 0:02:29 | |
-Coal was once the gold -of the Rhondda... | 0:02:30 | 0:02:33 | |
-..but here are the diamonds -of Cor y Cwm. | 0:02:33 | 0:02:36 | |
-You need to be up early to conquer -the talented voices on Anglesey. | 0:02:37 | 0:02:42 | |
-Here are Coda. | 0:02:42 | 0:02:44 | |
-Come in and join us. -There's a warm welcome for everyone. | 0:02:46 | 0:02:51 | |
-The supporters are ready, -as are our international judges. | 0:02:51 | 0:02:56 | |
-First, the maestro -of the sacred choral music world... | 0:02:56 | 0:03:00 | |
-..Professor Edward Higginbottom. | 0:03:01 | 0:03:03 | |
-From California, the eclectic -composer who's won two Grammys... | 0:03:04 | 0:03:08 | |
-..Christopher Tin. | 0:03:08 | 0:03:10 | |
-Finally, -from Venezuela, Maria Guinan... | 0:03:10 | 0:03:13 | |
-..a lecturer, consultant -and coordinator of El Sistema. | 0:03:14 | 0:03:19 | |
-We also have an unofficial judge. | 0:03:20 | 0:03:23 | |
-Elin Manahan Thomas is perfectly -in tune and waiting for us. | 0:03:23 | 0:03:27 | |
-To open the competition, -please welcome Cor Merched Sir Gar. | 0:03:27 | 0:03:32 | |
-Here's a little history. | 0:03:33 | 0:03:35 | |
-We're a girls' choir -from Year 10 to Year 13... | 0:03:36 | 0:03:39 | |
-..from every school -in Carmarthenshire. | 0:03:40 | 0:03:43 | |
-As part of my role -as a peripatetic teacher... | 0:03:44 | 0:03:47 | |
-..with Carmarthenshire -Music Service... | 0:03:47 | 0:03:50 | |
-..I'm also the conductor of -the secondary school girls' choir. | 0:03:50 | 0:03:54 | |
-It's quite a tonic. | 0:03:55 | 0:03:56 | |
-Some members -are regular performers... | 0:03:56 | 0:03:59 | |
-..and some -have very little experience. | 0:04:00 | 0:04:03 | |
-We've had many great experiences -with the choir... | 0:04:05 | 0:04:08 | |
-..at the Albert Hall, -and the Symphony Hall in Birmingham. | 0:04:08 | 0:04:11 | |
-Those are excellent experiences. | 0:04:12 | 0:04:14 | |
-Let's say we're on the up. | 0:04:14 | 0:04:16 | |
-Sorry, Islwyn. | 0:04:18 | 0:04:20 | |
-Mr Islwyn Evans. | 0:04:20 | 0:04:22 | |
-He's a perfectionist. -Everything must be perfect. | 0:04:23 | 0:04:26 | |
-He works us hard -but we also have fun in rehearsals. | 0:04:26 | 0:04:30 | |
-The most talkative members? | 0:04:40 | 0:04:42 | |
-Well, all of us. | 0:04:42 | 0:04:44 | |
-I think we get on Islwyn's nerves, -a little, half the time! | 0:04:46 | 0:04:50 | |
-Thank you. Stop talking. | 0:04:51 | 0:04:54 | |
-They've tasted some success. | 0:04:54 | 0:04:56 | |
-I think they enjoyed that taste -and they want to see... | 0:04:57 | 0:05:02 | |
-..if they can go further. | 0:05:02 | 0:05:04 | |
-We're a competitive crew. We know -we're up against good choirs. | 0:05:05 | 0:05:09 | |
-We're hoping to give them -a run for their money. | 0:05:09 | 0:05:13 | |
-Watch out, the Sir Gar girls -are on their way. | 0:05:13 | 0:05:16 | |
-Cor Merched Sir Gar. Whoo! | 0:05:17 | 0:05:20 | |
-A very interesting pair of glasses -on the screen. | 0:05:23 | 0:05:27 | |
-He's wearing his normal glasses -now. Good luck, Islwyn. | 0:05:27 | 0:05:31 | |
-Opening the competition for -youth choirs, Cor Merched Sir Gar. | 0:05:31 | 0:05:38 | |
-# Once when you shone -like a fiery gem | 0:05:49 | 0:05:54 | |
-# Above the stable in Bethlehem # | 0:05:54 | 0:06:00 | |
-We begin our repertoire -with Carol y Seren by Gareth Glyn. | 0:06:00 | 0:06:04 | |
-It's a warm composition and puts our -voices and sound on the platform. | 0:06:04 | 0:06:11 | |
-It also helps us calm the nerves -at the start of the competition. | 0:06:11 | 0:06:15 | |
-# With your heav'nly light | 0:06:16 | 0:06:18 | |
-# As you gave comfort -that far-off night | 0:06:19 | 0:06:24 | |
-# Star, shining down -on the Child in the manger | 0:06:24 | 0:06:30 | |
-# Fill all our hearts with light | 0:06:30 | 0:06:35 | |
-# All through the ages -at Christmastide | 0:06:39 | 0:06:45 | |
-# You lit a path -to the manger's side | 0:06:45 | 0:06:50 | |
-# All through the ages -from that first day | 0:06:50 | 0:06:56 | |
-# Your light showed all humankind -the way | 0:06:56 | 0:07:03 | |
-# As you gave comfort -that far-off night | 0:07:04 | 0:07:09 | |
-# Show us the way -with your heav'nly light | 0:07:10 | 0:07:15 | |
-# Star, shining down -on the Child in the manger | 0:07:15 | 0:07:21 | |
-# Show us the way with light | 0:07:21 | 0:07:27 | |
-# Show us the way with light | 0:07:27 | 0:07:34 | |
-# Amen # | 0:07:34 | 0:07:43 | |
-We move on to a Renaissance piece -from Josquin des Prez. | 0:07:47 | 0:07:53 | |
-The title is El Grillo, -a song about the cricket. | 0:07:53 | 0:07:56 | |
-As you can imagine, there's a lot -of movement, no time to settle down. | 0:07:58 | 0:08:03 | |
-It only lasts -a minute and a quarter. | 0:08:03 | 0:08:06 | |
-# El grillo | 0:08:11 | 0:08:14 | |
-# El grillo e buon cantore | 0:08:14 | 0:08:19 | |
-# Ma non fa come gli altri uccelli | 0:08:19 | 0:08:22 | |
-# Come li han cantato un poco | 0:08:22 | 0:08:25 | |
-# Van de fatto in altro loco | 0:08:25 | 0:08:28 | |
-# Sempre el grillo sta pur saldo | 0:08:28 | 0:08:30 | |
-# El grillo | 0:08:31 | 0:08:33 | |
-# El grillo e buon cantore | 0:08:33 | 0:08:38 | |
-# Quando la maggior e caldo | 0:08:38 | 0:08:42 | |
-# Alhor canta sol per amore | 0:08:42 | 0:08:45 | |
-# Canta sol per amore | 0:08:45 | 0:08:48 | |
-# El grillo | 0:08:48 | 0:08:50 | |
-# El grillo e buon cantore | 0:08:50 | 0:08:52 | |
-# Che tiene longo verso | 0:08:52 | 0:08:57 | |
-# Dale beve grillo canta | 0:08:57 | 0:09:00 | |
-# Dale beve grillo canta | 0:09:01 | 0:09:03 | |
-# El grillo | 0:09:03 | 0:09:05 | |
-# El grillo e buon cantore # | 0:09:05 | 0:09:11 | |
-The next song is an arrangement -of Beth Yw'r Haf i Mi? | 0:09:18 | 0:09:21 | |
-I like mixing different chords -and I've tried to combine both. | 0:09:21 | 0:09:25 | |
-I think the girls like singing it. | 0:09:26 | 0:09:29 | |
-# What is the summer | 0:09:29 | 0:09:34 | |
-# What is the summer | 0:09:35 | 0:09:41 | |
-# What is the summer to me | 0:09:42 | 0:09:47 | |
-# If the lovesick breast | 0:09:47 | 0:09:50 | |
-# Is locked away? | 0:09:51 | 0:09:54 | |
-# What is the summer to me | 0:09:55 | 0:09:59 | |
-# If the little heart | 0:09:59 | 0:10:02 | |
-# Has broken in two? | 0:10:02 | 0:10:06 | |
-# Sweet love having wondered away | 0:10:08 | 0:10:14 | |
-# Tell me you will return to me | 0:10:14 | 0:10:23 | |
-# Then I will have a pleasant summer | 0:10:25 | 0:10:33 | |
-# And blessed days | 0:10:33 | 0:10:41 | |
-# What is the summer? | 0:10:43 | 0:10:50 | |
-# What is the summer? # | 0:10:51 | 0:11:03 | |
-Next, a Czechoslovakian song, -Hoj, Hura, Hoj! | 0:11:12 | 0:11:15 | |
-# Hoj, hura hoj! | 0:11:15 | 0:11:16 | |
-# Hura hoj! | 0:11:16 | 0:11:20 | |
-# Hura hoj! | 0:11:20 | 0:11:21 | |
-# Hura hoj! | 0:11:21 | 0:11:22 | |
-# Hura hoj! Hura hoj! Hura hoj! | 0:11:23 | 0:11:28 | |
-It's a lot of fun. | 0:11:28 | 0:11:30 | |
-I remember going down to the meadow -on the farm as a child... | 0:11:30 | 0:11:34 | |
-..shouting out loud and hearing -an echo, and that's what this is. | 0:11:34 | 0:11:38 | |
-# Pujdu ja k Marusce | 0:11:39 | 0:11:44 | |
-# Svoji galanecce | 0:11:49 | 0:12:01 | |
-# Hoj, hura hoj! | 0:12:06 | 0:12:08 | |
-# Hura hoj! | 0:12:08 | 0:12:11 | |
-# Hura hoj! | 0:12:11 | 0:12:12 | |
-# Hura hoj! Hura hoj! -Hura hoj! Hura hoj! | 0:12:13 | 0:12:19 | |
-# Chasa zas kravicky vyhana | 0:12:19 | 0:12:27 | |
-# Kravaee z dediny zvolava | 0:12:27 | 0:12:34 | |
-# Hura hoj! Hura hoj! | 0:12:34 | 0:12:35 | |
-# Hura hoj! Hura hoj! -Hura hoj! Hura hoj! | 0:12:36 | 0:12:39 | |
-# Hura hoj! Hura hoj! -Hura hoj! Hura hoj! | 0:12:40 | 0:12:43 | |
-# Hura hoj! | 0:12:43 | 0:12:49 | |
-# Hura hoj! # | 0:12:50 | 0:12:55 | |
-This age group likes a song -with a jazz swing. | 0:13:00 | 0:13:04 | |
-Our accompanist -definitely likes it. | 0:13:04 | 0:13:08 | |
-So... here we go. | 0:13:08 | 0:13:11 | |
-# Goin' to the holy city | 0:13:12 | 0:13:15 | |
-# I'm gonna see the Lord I love | 0:13:15 | 0:13:18 | |
-# I'm going to the holy city | 0:13:19 | 0:13:23 | |
-# Upon the wings -of a snow white dove | 0:13:23 | 0:13:26 | |
-# Goin' to the holy city | 0:13:27 | 0:13:30 | |
-# I'm gonna join the jubilee | 0:13:30 | 0:13:33 | |
-# Yes, I'm goin' to the holy city, -won't you come and go with me? | 0:13:33 | 0:13:38 | |
-# Won't you come and go with me? | 0:13:38 | 0:13:40 | |
-# There will be no sorrow | 0:13:42 | 0:13:44 | |
-# There will be no tears | 0:13:44 | 0:13:48 | |
-# There will be no dyin' there | 0:13:49 | 0:13:51 | |
-# You can cast away your fears | 0:13:52 | 0:13:54 | |
-# Cast away your fears | 0:13:54 | 0:13:56 | |
-# Sing hallelujah, go! | 0:13:56 | 0:13:58 | |
-# Going to the holy city | 0:13:58 | 0:14:01 | |
-# To the new Jerusalem | 0:14:01 | 0:14:04 | |
-# Going to the holy city | 0:14:04 | 0:14:08 | |
-# I'm gonna bow before the Lamb | 0:14:08 | 0:14:11 | |
-# I'm going to the holy city | 0:14:11 | 0:14:15 | |
-# I'm gonna wade -into the crystal sea | 0:14:15 | 0:14:17 | |
-# Going to the holy city, -won't you come and go with | 0:14:18 | 0:14:21 | |
-# Going to the holy city, -won't you come and go with | 0:14:22 | 0:14:24 | |
-# Going to the holy city, -won't you come and go with | 0:14:25 | 0:14:28 | |
-# Me? # | 0:14:31 | 0:14:37 | |
-Islwyn's evidently -been rehearsing his dancing. | 0:14:50 | 0:14:53 | |
-How much have you rehearsed singing? | 0:14:53 | 0:14:56 | |
-We've rehearsed a lot -over the past weeks. | 0:14:56 | 0:14:59 | |
-We hope we've done enough. | 0:14:59 | 0:15:01 | |
-You started with Carol Y Seren - how -bright did Sir Gar shine tonight? | 0:15:01 | 0:15:06 | |
-Very bright! | 0:15:06 | 0:15:08 | |
-The night has begun, -the competition has started. | 0:15:09 | 0:15:13 | |
-I'm joined by Elin Manahan Thomas. | 0:15:13 | 0:15:14 | |
-I'm joined by Elin Manahan Thomas. - -They had a challenging repertoire. | 0:15:14 | 0:15:17 | |
-They had a lot of variety -over the course of five centuries. | 0:15:17 | 0:15:21 | |
-What I like about this choir -is the natural sound they create. | 0:15:22 | 0:15:26 | |
-It's clean, it's always warm -and there's plenty of character. | 0:15:26 | 0:15:31 | |
-Their diction was excellent, -their faces were animated... | 0:15:32 | 0:15:36 | |
-..the dynamic was clear and clever. | 0:15:36 | 0:15:39 | |
-They follow Islwyn all the way, -even when he dances! | 0:15:40 | 0:15:43 | |
-Their faces follow him -and that's special. | 0:15:43 | 0:15:46 | |
-If I had to be critical, the starts -and finishes were a little messy... | 0:15:46 | 0:15:51 | |
-..but that's down to some voices -being more enthusiastic. | 0:15:51 | 0:15:55 | |
-It was an accomplished performance -of some challenging pieces. | 0:15:55 | 0:15:59 | |
-We're very happy. | 0:16:00 | 0:16:02 | |
-The girls sang brilliantly -and this group enjoy singing. | 0:16:02 | 0:16:06 | |
-Just as Elin pointed out, -it's a natural sound... | 0:16:06 | 0:16:10 | |
-..and a healthy sound -and I'm very proud of it. | 0:16:10 | 0:16:14 | |
-You know what's needed -to win Cor Cymru. | 0:16:14 | 0:16:17 | |
-What's your gut instinct -as a former winner? | 0:16:17 | 0:16:20 | |
-The gut instinct is to be thankful -that we sung as well as we did. | 0:16:20 | 0:16:26 | |
-Congratulations, you were great. -Well done, Merched Sir Gar. | 0:16:26 | 0:16:30 | |
-It's a strong start -to the competition. | 0:16:32 | 0:16:35 | |
-I'm confident that standards -will be maintained. | 0:16:35 | 0:16:38 | |
-Cor Cytgan Clwyd are next. | 0:16:38 | 0:16:40 | |
-We'll hear more about them -after the break. | 0:16:40 | 0:16:43 | |
-. | 0:16:43 | 0:16:43 | |
-Subtitles | 0:16:50 | 0:16:50 | |
-Subtitles - -Subtitles | 0:16:50 | 0:16:52 | |
-We're Cor Cytgan Clwyd. | 0:16:56 | 0:16:58 | |
-We're a mixed choir -drawn from three schools... | 0:16:58 | 0:17:01 | |
-..Brynhyfryd, -Maes Garmon and Glan Clwyd. | 0:17:01 | 0:17:04 | |
-Clwyd - the best place in the world. | 0:17:04 | 0:17:06 | |
-The choir was established in time -for the Denbigh National Eisteddfod. | 0:17:06 | 0:17:11 | |
-I never thought we'd win -but we did in the end. | 0:17:11 | 0:17:14 | |
-We carried on and the choir's gone -from strength to strength. | 0:17:15 | 0:17:18 | |
-Hello! | 0:17:19 | 0:17:20 | |
-# Chili con carne, chili con carne # | 0:17:21 | 0:17:23 | |
-We're fortunate to have -a talented conductor in Ann Davies. | 0:17:23 | 0:17:27 | |
-The boss. | 0:17:28 | 0:17:29 | |
-Passionate. Musical. | 0:17:30 | 0:17:32 | |
-Passionate. Musical. - -Hardworking. Friendly. | 0:17:32 | 0:17:34 | |
-Mam! | 0:17:34 | 0:17:35 | |
-It's a worthwhile job. | 0:17:36 | 0:17:38 | |
-You can develop -the singers' voices... | 0:17:38 | 0:17:42 | |
-..and see them growing. | 0:17:43 | 0:17:45 | |
-It's a wonderful job. | 0:17:45 | 0:17:47 | |
-Goodness me. | 0:17:47 | 0:17:49 | |
-Lots of highlights. | 0:17:51 | 0:17:53 | |
-Lots of highlights. - -Llangollen, National Eisteddfod... | 0:17:53 | 0:17:56 | |
-..and the Pan Celtic Festival. | 0:17:56 | 0:17:58 | |
-..and the Pan Celtic Festival. - -Three different prizes. | 0:17:58 | 0:18:00 | |
-One of them was Festival Choir. | 0:18:00 | 0:18:02 | |
-The boys start dancing -and the girls copy them. | 0:18:02 | 0:18:06 | |
-We show the girls how to do it. | 0:18:06 | 0:18:08 | |
-We rehearse our dancing -at least three times a week. | 0:18:10 | 0:18:15 | |
-We did it once and we were so much -better than them. Embarrassing! | 0:18:15 | 0:18:20 | |
-We're professional. | 0:18:20 | 0:18:22 | |
-Being part of Cor Cymru is special. | 0:18:22 | 0:18:25 | |
-We hope to win. | 0:18:25 | 0:18:27 | |
-Pressure's on now. | 0:18:27 | 0:18:28 | |
-Pressure's on now. - -If we don't go on, it'll my fault. | 0:18:28 | 0:18:31 | |
-Choirs of Wales, we're coming! | 0:18:31 | 0:18:33 | |
-Cor Cytgan Clwyd. Wahey! | 0:18:34 | 0:18:37 | |
-The conductor Ann Davies, -and a very special mother. | 0:18:39 | 0:18:44 | |
-Take your place and give -Cor Cytgan Clwyd a warm welcome. | 0:18:44 | 0:18:49 | |
-The first piece -is Chili Con Carne... | 0:18:53 | 0:18:56 | |
-..by Anders Edenroth. | 0:18:56 | 0:18:58 | |
-# Ba ba da-ba bop bop ba dop bop | 0:18:58 | 0:19:00 | |
-# Ba ba-da bop bop bop ba-dop bop | 0:19:01 | 0:19:03 | |
-# Ba ba da-ba bop bop ba dop bop | 0:19:03 | 0:19:05 | |
-# Ba ba-dop bop ba ba-da | 0:19:05 | 0:19:06 | |
-The bassists need to be -good beatboxers. | 0:19:06 | 0:19:11 | |
-There are complex words -and many key changes. | 0:19:11 | 0:19:15 | |
-# Take some ripe and fresh tomatoes | 0:19:15 | 0:19:18 | |
-# Put them in a bowl with oil | 0:19:18 | 0:19:20 | |
-# Add the onions, strong and tasty | 0:19:20 | 0:19:22 | |
-# On the stove you let it boil | 0:19:22 | 0:19:24 | |
-# Choose the finest meat you get | 0:19:24 | 0:19:26 | |
-# From cow or pig, it doesn't matter | 0:19:27 | 0:19:29 | |
-# Beans and jalapeno peppers, -necessary is to this | 0:19:29 | 0:19:32 | |
-# But don't forget, -don't forget the Mexican spices | 0:19:33 | 0:19:36 | |
-# The spices, -the heart of the art of the cooking | 0:19:37 | 0:19:41 | |
-# Oh, no! Don't forget, -don't forget the Mexican spices | 0:19:41 | 0:19:45 | |
-# Without them, you won't get -the flavour of sunshine | 0:19:46 | 0:19:49 | |
-# Chili con carne, chili con carne | 0:19:51 | 0:19:53 | |
-# Chili con carne, chili con carne | 0:19:53 | 0:19:56 | |
-# Chili con con con carne con, -chili con carne, a-ha! Let's make! | 0:19:56 | 0:20:00 | |
-# Chili con carne, chili con carne, -chili con carne, chili con carne | 0:20:00 | 0:20:05 | |
-# Chili con con con carne con, -chili con carne | 0:20:05 | 0:20:08 | |
-# Ba da-ba bop bop ba dop bop | 0:20:09 | 0:20:11 | |
-# Ba ba-dop bop ba ba-da | 0:20:11 | 0:20:13 | |
-# Ba do wa e wop ba da da bop -ba chicky watsa | 0:20:13 | 0:20:15 | |
-# Ba da da bop ba chicky watsa wop | 0:20:16 | 0:20:18 | |
-# Ba da da bop ba chicky watsa wop | 0:20:18 | 0:20:20 | |
-# Ba da chicky ba ba wop | 0:20:20 | 0:20:21 | |
-# Ba da da bop ba chicky watsa wop | 0:20:22 | 0:20:24 | |
-# Ba da da bop ba chicky watsa wop | 0:20:24 | 0:20:26 | |
-# Ba da da bop ba chicky watsa wop | 0:20:27 | 0:20:28 | |
-# Ba ba-tu-ka ba da da da | 0:20:29 | 0:20:30 | |
-# Just don't forget, -don't forget the Mexican | 0:20:31 | 0:20:33 | |
-# Don't forget, -don't forget the Mexican spices | 0:20:33 | 0:20:35 | |
-# The heart of the art -of the cooking | 0:20:35 | 0:20:39 | |
-# Oh, no! | 0:20:39 | 0:20:40 | |
-# Don't forget, -don't forget the Mexican | 0:20:40 | 0:20:42 | |
-# Don't forget it, -don't you forget, without them | 0:20:42 | 0:20:44 | |
-# You won't get the flavour, -the flavour of Mexican sunshine | 0:20:45 | 0:20:49 | |
-# Chili con carne, chili con carne, -chili con carne, chili con carne | 0:20:49 | 0:20:54 | |
-# Chili con carne, chili con carne, -chili con carne, a-ha! Let's eat! | 0:20:54 | 0:20:58 | |
-# Chili con carne, chili con carne, -chili con carne, chili con carne | 0:20:58 | 0:21:02 | |
-# Chili con con con carne, -chili con carne | 0:21:03 | 0:21:06 | |
-# Chili con carne, chili con carne | 0:21:06 | 0:21:07 | |
-# Chili con carne, chili con carne | 0:21:08 | 0:21:10 | |
-# Chili con carne, chili con -con con carne, chili con carne | 0:21:10 | 0:21:15 | |
-# Chili con carne, chili con, a-ha | 0:21:15 | 0:21:17 | |
-# Ah dee-ya dee ya dee-ya -ba ba da ba | 0:21:17 | 0:21:22 | |
-# Ah dee-ya | 0:21:22 | 0:21:24 | |
-# Chili con carne, -chili con, chili con carne | 0:21:24 | 0:21:27 | |
-# Chili con con con carne, a-ha # | 0:21:27 | 0:21:30 | |
-The second piece -is All My Trials by Bob Chilcott. | 0:21:32 | 0:21:38 | |
-It's a slow piece -and it needs to be smooth... | 0:21:38 | 0:21:41 | |
-..thoughtful and meaningful. | 0:21:41 | 0:21:44 | |
-# All my trials, Lord | 0:21:45 | 0:21:50 | |
-# Soon be over | 0:21:50 | 0:21:55 | |
-# My trials, Lord | 0:21:57 | 0:22:02 | |
-# Soon be over | 0:22:02 | 0:22:06 | |
-# So, hush, little baby, -don't you cry | 0:22:14 | 0:22:20 | |
-# You know that man was born to die | 0:22:20 | 0:22:31 | |
-# All my trials, Lord | 0:22:32 | 0:22:37 | |
-# Soon be over | 0:22:38 | 0:22:41 | |
-# Soon be over | 0:22:41 | 0:22:44 | |
-# My trials, Lord | 0:22:44 | 0:22:49 | |
-# Soon be over | 0:22:50 | 0:22:53 | |
-# Soon be over | 0:22:53 | 0:22:56 | |
-# My trials, Lord | 0:22:57 | 0:23:04 | |
-# Soon be over | 0:23:05 | 0:23:09 | |
-# Soon be over # | 0:23:09 | 0:23:22 | |
-The third piece is Bugail Aberdyfi. | 0:23:27 | 0:23:30 | |
-The boys and girls sing separately. | 0:23:30 | 0:23:32 | |
-It's an opportunity to show -how musically the choir can sing. | 0:23:33 | 0:23:38 | |
-# Thus I try to sing my song | 0:23:38 | 0:23:43 | |
-# To bring you back me dearest one | 0:23:43 | 0:23:48 | |
-# To sit once more by the fire | 0:23:48 | 0:23:53 | |
-# On Aberdyfi Mountain | 0:23:54 | 0:24:00 | |
-# I remember you singing sweetly | 0:24:00 | 0:24:05 | |
-# But can you or your family | 0:24:06 | 0:24:10 | |
-# Ignore the prayer -of a little child | 0:24:11 | 0:24:17 | |
-# Who wants to see his mother | 0:24:17 | 0:24:24 | |
-# Saying farewell was not trivial | 0:24:24 | 0:24:30 | |
-# Let us forgive together | 0:24:30 | 0:24:35 | |
-# Please return, my dearest one | 0:24:36 | 0:24:41 | |
-# To Aberdyfi Mountain | 0:24:42 | 0:24:47 | |
-# Please return, my dearest one | 0:24:48 | 0:24:55 | |
-# To Aberdyfi Mountain # | 0:24:58 | 0:25:06 | |
-Our final piece is Sion a Sian. | 0:25:28 | 0:25:30 | |
-We commissioned this song -for the Pan Celtic Festival. | 0:25:30 | 0:25:34 | |
-One of the mothers was celebrating -a special birthday... | 0:25:35 | 0:25:39 | |
-..and the husband -was searching for a birthday gift. | 0:25:39 | 0:25:42 | |
-Since we had two of the sons in the -choir, we commissioned Sion a Sian. | 0:25:43 | 0:25:47 | |
-# Love in Chester, love in Corwen | 0:25:49 | 0:25:54 | |
-# Love in the Vale of Clwyd -and Derwen | 0:25:54 | 0:26:00 | |
-# Love further afield, -over the mountain | 0:26:01 | 0:26:06 | |
-# Love is found in Cynwyd | 0:26:06 | 0:26:09 | |
-# Love? | 0:26:09 | 0:26:10 | |
-# Love is found in Cynwyd | 0:26:11 | 0:26:13 | |
-# Love? | 0:26:14 | 0:26:15 | |
-# New love is found in Cynwyd | 0:26:16 | 0:26:18 | |
-# Humph! | 0:26:18 | 0:26:20 | |
-# There goes my love down the vale | 0:26:20 | 0:26:23 | |
-# The eyes of a sow -and a pig's teeth | 0:26:23 | 0:26:25 | |
-# Two feet just like a plough's sole | 0:26:26 | 0:26:28 | |
-# She speaks like an owl | 0:26:28 | 0:26:30 | |
-# When I finally marry Sion | 0:26:31 | 0:26:35 | |
-# There'll be horns on geese's heads | 0:26:35 | 0:26:41 | |
-# Mountain hens with white feathers | 0:26:41 | 0:26:45 | |
-# A turkey cockerel -will be the parson | 0:26:45 | 0:26:49 | |
-# A turkey cockerel -will be the parson | 0:26:50 | 0:26:52 | |
-# Sion and Sian around the fire | 0:26:56 | 0:26:59 | |
-# Eating flour and fine icing | 0:26:59 | 0:27:01 | |
-# They have no love for each other, -they are angry, in bad spirits | 0:27:03 | 0:27:09 | |
-# Sion and Sian around the fire | 0:27:11 | 0:27:13 | |
-# Eating flour and fine icing | 0:27:13 | 0:27:15 | |
-# Sion and Sian and Sion and Sian | 0:27:16 | 0:27:18 | |
-# Sion and Sian and Sion and Sian | 0:27:18 | 0:27:20 | |
-# Sion and Sian and Sion and Sian | 0:27:20 | 0:27:22 | |
-# Sion and Sian and Sion and Sian | 0:27:22 | 0:27:24 | |
-# Sion and Sian and Sion and Sian | 0:27:24 | 0:27:26 | |
-# Sion and Sian and Sion and Sian | 0:27:26 | 0:27:29 | |
-# Sion and Sian and Sion and Sian | 0:27:29 | 0:27:31 | |
-# Sion and Sian! # | 0:27:32 | 0:27:33 | |
-I love some chili con carne. | 0:27:44 | 0:27:48 | |
-How hot was the performance? | 0:27:48 | 0:27:51 | |
-It was red hot. It was one of our -best performances of it, I'm happy. | 0:27:51 | 0:27:56 | |
-What are the crucial ingredients -for a spicy performance? | 0:27:56 | 0:28:00 | |
-The main ingredients -are energy, concentration and fun. | 0:28:00 | 0:28:05 | |
-We should start in the deep -with the Chili Con Carne bassists. | 0:28:06 | 0:28:10 | |
-I almost got up to dance. | 0:28:10 | 0:28:12 | |
-This is a difficult section. | 0:28:13 | 0:28:15 | |
-That was a different sound -to what we heard earlier. | 0:28:15 | 0:28:19 | |
-It was lovely to hear from the men! | 0:28:19 | 0:28:22 | |
-I enjoyed the personality -which came from the choir. | 0:28:22 | 0:28:25 | |
-There was a tight rhythm, -they moved as one. | 0:28:26 | 0:28:30 | |
-Their strength is the power of the -sound they create when they sing. | 0:28:30 | 0:28:34 | |
-When they split into sections, they -are weaker because they're young. | 0:28:35 | 0:28:40 | |
-I enjoyed it when they sang together -and we heard a wall of sound. | 0:28:40 | 0:28:44 | |
-Is it nice to watch -the vocal talents of soloists... | 0:28:45 | 0:28:49 | |
-..performing in a choir? | 0:28:49 | 0:28:51 | |
-It's very important - -it's an experience for everyone. | 0:28:51 | 0:28:54 | |
-It's difficult for soloists but it's -nice to hear individual voices... | 0:28:55 | 0:29:00 | |
-..blending back into the choir. | 0:29:00 | 0:29:03 | |
-Elin liked the lads! | 0:29:03 | 0:29:05 | |
-Elin liked the lads! - -I don't blame her! | 0:29:05 | 0:29:06 | |
-Who are the bassists? | 0:29:07 | 0:29:09 | |
-There are six of us. | 0:29:09 | 0:29:11 | |
-Did you contribute -to the energy she enjoyed? | 0:29:11 | 0:29:14 | |
-It's the choir's best section. | 0:29:15 | 0:29:17 | |
-One question for the girls -before we finish. | 0:29:17 | 0:29:20 | |
-Praise for the soloist. | 0:29:21 | 0:29:23 | |
-Hello, how are you? You look happy. | 0:29:23 | 0:29:26 | |
-I think the performance went well. -We're happy. | 0:29:26 | 0:29:29 | |
-Well done, Cor Cytgan Clwyd. | 0:29:29 | 0:29:32 | |
-Two down and two to go. | 0:29:34 | 0:29:36 | |
-Cor Y Cwm is the next choir. | 0:29:36 | 0:29:39 | |
-We'll hear more from them -after this break. | 0:29:39 | 0:29:43 | |
-. | 0:29:43 | 0:29:43 | |
-Subtitles | 0:29:50 | 0:29:50 | |
-Subtitles - -Subtitles | 0:29:50 | 0:29:52 | |
-The choir was formed in 2008 -to compete in Llangollen. | 0:29:56 | 0:30:00 | |
-We finished second. | 0:30:00 | 0:30:01 | |
-From there, we've reached here! | 0:30:02 | 0:30:05 | |
-Most of our members are in -secondary schools in the Rhondda. | 0:30:05 | 0:30:09 | |
-Everyone's familiar -with Cor y Cwm in the valley. | 0:30:09 | 0:30:13 | |
-I'd describe the choir -as a lively choir... | 0:30:14 | 0:30:18 | |
-..but we're like one united family. | 0:30:18 | 0:30:21 | |
-That unity contributes -to our success. | 0:30:21 | 0:30:24 | |
-The festival choir -in the National Eisteddfod. | 0:30:26 | 0:30:28 | |
-We've had many highlights. | 0:30:29 | 0:30:31 | |
-Cor y Cwm. | 0:30:31 | 0:30:33 | |
-We won the viewers' award -on Cor Cymru one year. | 0:30:34 | 0:30:37 | |
-For me, that was better -than the main award. | 0:30:38 | 0:30:41 | |
-They thought we were the best. -That was just a special feeling. | 0:30:41 | 0:30:46 | |
-Friend. | 0:30:49 | 0:30:51 | |
-We've known Elin and Gav -for nine years. | 0:30:51 | 0:30:54 | |
-They're both amazing characters. | 0:30:55 | 0:30:59 | |
-And very different. | 0:30:59 | 0:31:01 | |
-We have a lot of fun. | 0:31:02 | 0:31:03 | |
-Many of our original members -are finishing this year. | 0:31:04 | 0:31:08 | |
-They'll leave school -and they'll leave the choir. | 0:31:08 | 0:31:11 | |
-It's great for them to finish with -a competition they enjoy so much. | 0:31:12 | 0:31:17 | |
-We like competing -and we like winning. | 0:31:17 | 0:31:22 | |
-Everyone does, don't they? | 0:31:22 | 0:31:24 | |
-Good luck -to all the other choirs competing. | 0:31:24 | 0:31:27 | |
-I hope you do well -but not as well as us. | 0:31:27 | 0:31:30 | |
-Cor y Cwm - wahoo! | 0:31:30 | 0:31:34 | |
-The mistress of the Rhondda, -Elin Llywelyn-Williams. | 0:31:37 | 0:31:40 | |
-Thank you, Elin, and good luck. | 0:31:41 | 0:31:43 | |
-Please welcome Cor y Cwm. | 0:31:43 | 0:31:45 | |
-We begin our repertoire -with Pais Dinogad... | 0:31:56 | 0:31:59 | |
-..a commissioned piece -by Gareth Glyn. | 0:31:59 | 0:32:02 | |
-It's exciting, there are -so many different musical elements. | 0:32:02 | 0:32:06 | |
-It's rhythmic, it has high notes, -chords, unaccompanied parts. | 0:32:06 | 0:32:11 | |
-It's a great piece for us -to open the competition. | 0:32:12 | 0:32:15 | |
-# He killed fish from his coracle | 0:32:15 | 0:32:24 | |
-# Like the lion | 0:32:24 | 0:32:30 | |
-# Killing small animals | 0:32:30 | 0:32:33 | |
-# When your father went | 0:32:47 | 0:32:52 | |
-# To the mountains | 0:32:52 | 0:32:58 | |
-# He would bring back -a roebuck, a boar, a stag | 0:32:58 | 0:33:06 | |
-# A speckled grouse -from the mountain | 0:33:06 | 0:33:14 | |
-# And a fish from Derwennydd falls | 0:33:14 | 0:33:24 | |
-# At whatever -your father aimed his spear | 0:33:26 | 0:33:30 | |
-# At whatever -your father aimed his spear | 0:33:31 | 0:33:34 | |
-# Be it a boar, a wild cat, or a fox | 0:33:35 | 0:33:39 | |
-# Be it a boar, a wild cat, or a fox | 0:33:39 | 0:33:42 | |
-# None would escape | 0:33:42 | 0:33:45 | |
-# None would escape | 0:33:45 | 0:33:47 | |
-# Without the strength of its wing # | 0:33:48 | 0:33:53 | |
-This Little Babe by Britten -is a familiar piece. | 0:33:58 | 0:34:02 | |
-It's exciting and when you hear -it from afar, it's very effective. | 0:34:03 | 0:34:08 | |
-# This little Babe so few days old -is come to rifle Satan's fold | 0:34:12 | 0:34:16 | |
-# All hell doth at -His presence quake | 0:34:16 | 0:34:19 | |
-# Though He Himself -for cold doth shake | 0:34:19 | 0:34:21 | |
-# For in this weak unarmed wise -the gates of hell He will surprise | 0:34:21 | 0:34:27 | |
-# With tears He fights -and wins the field | 0:34:30 | 0:34:32 | |
-# His tiny breast -stands for a shield | 0:34:32 | 0:34:34 | |
-# His battering shot -are babish cries | 0:34:34 | 0:34:36 | |
-# His arrows looks of weeping eyes | 0:34:37 | 0:34:38 | |
-# His martial ensigns cold and need | 0:34:39 | 0:34:41 | |
-# And feeble flesh -His warrior's steed | 0:34:41 | 0:34:44 | |
-# His camp is builded in a stall | 0:34:47 | 0:34:50 | |
-# His bulwark but a broken wall | 0:34:50 | 0:34:52 | |
-# The crib His trench, -haystalks His stakes | 0:34:52 | 0:34:54 | |
-# Of shepherds He His army makes | 0:34:54 | 0:34:56 | |
-# And thus, as sure His foe to wound | 0:34:56 | 0:34:58 | |
-# The angels' trumps -the charge now sound | 0:34:58 | 0:35:03 | |
-# My soul with Christ -join thou in fight | 0:35:03 | 0:35:06 | |
-# Stick to His tents, -the place of might | 0:35:06 | 0:35:09 | |
-# Within His crib is surest ward | 0:35:09 | 0:35:12 | |
-# This little Babe will be thy Guard | 0:35:12 | 0:35:15 | |
-# If thou wilt foil -thy foes with joy | 0:35:15 | 0:35:18 | |
-# Then flit not from -this heav'nly Boy! # | 0:35:19 | 0:35:27 | |
-Our next piece is Fendigaid Nos -by Alun Hoddinott. | 0:35:32 | 0:35:36 | |
-It's a wonderfully calm, -slow piece... | 0:35:36 | 0:35:39 | |
-..with some powerful notes -in the middle. | 0:35:39 | 0:35:42 | |
-It builds to a crescendo -towards the end. | 0:35:42 | 0:35:46 | |
-# The wings of angels -through silence sweep | 0:35:46 | 0:35:54 | |
-# Hallelujah | 0:35:54 | 0:36:00 | |
-# The great triumphant song -swings through the sky | 0:36:00 | 0:36:08 | |
-# And radiant morning stars -take up the cry | 0:36:09 | 0:36:18 | |
-# To God be glory | 0:36:18 | 0:36:24 | |
-# King of kings most high | 0:36:25 | 0:36:29 | |
-# Hallelujah | 0:36:30 | 0:36:36 | |
-# And hope and peace -were born again that day | 0:36:38 | 0:36:50 | |
-# And people worshipped -where the baby lay | 0:36:51 | 0:37:00 | |
-# Let earth rejoice -and all men learn to pray | 0:37:00 | 0:37:09 | |
-# Hallelujah | 0:37:09 | 0:37:14 | |
-# Hallelujah | 0:37:14 | 0:37:19 | |
-# Hallelujah # | 0:37:19 | 0:37:30 | |
-Hava Nageela is a popular piece -amongst choir members. | 0:37:36 | 0:37:40 | |
-It's an Israeli folk song, a dance. | 0:37:40 | 0:37:42 | |
-We all enjoy listening to the song -and the choir enjoy singing it. | 0:37:43 | 0:37:47 | |
-# Ooroo, ooroo, ooroo, ooroo | 0:37:47 | 0:37:51 | |
-# Ooroo, ooroo, ooroo | 0:37:52 | 0:37:54 | |
-# Ooroo acheem, belev sameyach | 0:37:54 | 0:37:56 | |
-# Ooroo acheem, belev sameyach | 0:37:56 | 0:37:58 | |
-# Ooroo acheem, belev sameyach | 0:37:59 | 0:38:00 | |
-# Ooroo acheem, belev sameyach | 0:38:01 | 0:38:03 | |
-# Ooroo acheem, ooroo acheem | 0:38:03 | 0:38:06 | |
-# Belev sameyach | 0:38:06 | 0:38:08 | |
-# Belev sameyach | 0:38:09 | 0:38:11 | |
-# Hava nageela, -hava nageela, hava nageela | 0:38:11 | 0:38:15 | |
-# Venis mecha | 0:38:16 | 0:38:17 | |
-# Hava nageela, -hava nageela, hava nageela | 0:38:18 | 0:38:22 | |
-# Venis mecha | 0:38:22 | 0:38:23 | |
-# Hava, hava, hava | 0:38:24 | 0:38:27 | |
-# Hava | 0:38:27 | 0:38:29 | |
-# Hava nageela, -hava nageela, hava nageela | 0:38:29 | 0:38:33 | |
-# Hava nageela | 0:38:33 | 0:38:36 | |
-# Venis mecha | 0:38:36 | 0:38:40 | |
-# Hey! # | 0:38:40 | 0:38:41 | |
-We round off our repertoire -with Let The River Run. | 0:38:44 | 0:38:47 | |
-The children's parents -are happy we're singing it. | 0:38:47 | 0:38:51 | |
-The children can relax, -enjoy and sing away. | 0:38:51 | 0:38:55 | |
-# It's asking for the taking | 0:38:55 | 0:39:00 | |
-# Trembling, shaking | 0:39:00 | 0:39:04 | |
-# Oh, my heart is aching | 0:39:05 | 0:39:09 | |
-# We're coming to the edge, -running on the water | 0:39:09 | 0:39:12 | |
-# Coming through the fog, -our sons and daughters. | 0:39:12 | 0:39:15 | |
-# We the great and small | 0:39:15 | 0:39:18 | |
-# Stand on a star | 0:39:18 | 0:39:21 | |
-# And blaze a trail of desire | 0:39:21 | 0:39:24 | |
-# Through the dark'ning dawn | 0:39:24 | 0:39:31 | |
-# It's asking for the taking | 0:39:34 | 0:39:39 | |
-# Trembling, shaking | 0:39:39 | 0:39:44 | |
-# Oh, my heart is aching | 0:39:44 | 0:39:48 | |
-# We're coming to the edge, -running on the water | 0:39:48 | 0:39:51 | |
-# Coming through the fog. -your sons and daughters. | 0:39:51 | 0:39:53 | |
-# Let the river run | 0:39:54 | 0:39:57 | |
-# Let all the dreamers -wake the nation | 0:39:57 | 0:40:02 | |
-# Come, the New Jerusalem | 0:40:02 | 0:40:09 | |
-# Ah-ah-ah-ah | 0:40:11 | 0:40:14 | |
-# The New Jerusalem | 0:40:14 | 0:40:20 | |
-# Jerusalem # | 0:40:20 | 0:40:28 | |
-You sang Fendigaid Nos - -is tonight to be a wondrous night? | 0:40:40 | 0:40:44 | |
-Will you go home with the trophy? | 0:40:44 | 0:40:47 | |
-I hope so. | 0:40:47 | 0:40:49 | |
-Some of us haven't competed before. | 0:40:49 | 0:40:52 | |
-It would be the best feeling -if we could go home... | 0:40:52 | 0:40:55 | |
-..with a smile on our faces -carrying the trophy. | 0:40:55 | 0:40:59 | |
-Cor y Cwm pleased the audience. -How about you, Elin? | 0:41:00 | 0:41:04 | |
-Yes, greatly. | 0:41:04 | 0:41:06 | |
-You could see satisfaction -and enjoyment on their faces... | 0:41:06 | 0:41:10 | |
-..but they didn't just enjoy, -they worked extremely hard. | 0:41:10 | 0:41:15 | |
-They're like a swan, that image of a -swan, calm on the water's surface... | 0:41:15 | 0:41:22 | |
-..but paddling hard -under the surface. | 0:41:22 | 0:41:24 | |
-There's an art to singing like this -- cooperation is key. | 0:41:24 | 0:41:29 | |
-They all pulled together -and the control was excellent. | 0:41:29 | 0:41:33 | |
-The sound grabbed you -right from the start. | 0:41:33 | 0:41:36 | |
-They went to the heart of the music. | 0:41:36 | 0:41:39 | |
-There was a performance right -from the start and I liked that. | 0:41:39 | 0:41:43 | |
-They finished with a song -that they enjoyed so much... | 0:41:44 | 0:41:48 | |
-..but they didn't let go, -they remained very careful. | 0:41:48 | 0:41:52 | |
-There's an art in planning -a competition repertoire... | 0:41:52 | 0:41:56 | |
-..and Elin did a very good job. | 0:41:56 | 0:41:58 | |
-They were at their best. | 0:41:59 | 0:42:00 | |
-What do you think of those comments? | 0:42:01 | 0:42:04 | |
-You're a choir -that enjoys performing. | 0:42:04 | 0:42:07 | |
-Yes, I'm so proud of everyone -in the choir. | 0:42:07 | 0:42:11 | |
-We worked so hard to sing like this. | 0:42:11 | 0:42:14 | |
-I hope we win! | 0:42:15 | 0:42:17 | |
-I'm sure you all hope you'll win. | 0:42:17 | 0:42:20 | |
-A swan of a choir - -that was some description. | 0:42:20 | 0:42:23 | |
-Did you feel like swans? | 0:42:24 | 0:42:27 | |
-No, but they were -wonderful comments. | 0:42:27 | 0:42:30 | |
-The night is almost over -but we have one more choir on stage. | 0:42:31 | 0:42:35 | |
-We'll learn more about Coda -after the break. | 0:42:35 | 0:42:38 | |
-. | 0:42:38 | 0:42:38 | |
-Subtitles | 0:42:45 | 0:42:45 | |
-Subtitles - -Subtitles | 0:42:45 | 0:42:47 | |
-Establishing Coda has been -a dream in the back of my head... | 0:42:51 | 0:42:56 | |
-..for a long time. | 0:42:57 | 0:42:59 | |
-I've never worked with -a four-part youth choir before. | 0:42:59 | 0:43:03 | |
-They're a varied group of singers. | 0:43:03 | 0:43:06 | |
-Some members of the choir are -about the leave the youth age group. | 0:43:06 | 0:43:11 | |
-There are a good group -of sixth formers... | 0:43:12 | 0:43:14 | |
-..and university students who've -returned to work with the choir. | 0:43:14 | 0:43:19 | |
-It's an opportunity -to enrich my musical knowledge... | 0:43:19 | 0:43:23 | |
-..sing in different languages -and socialise. | 0:43:23 | 0:43:26 | |
-I love being in the choir. | 0:43:27 | 0:43:29 | |
-Mari's a friend. | 0:43:30 | 0:43:32 | |
-Special. | 0:43:34 | 0:43:35 | |
-Hard-working. | 0:43:35 | 0:43:37 | |
-Mother of us all. | 0:43:37 | 0:43:39 | |
-# A vinyard... # | 0:43:39 | 0:43:41 | |
-Goodness, you have a deep voice. | 0:43:44 | 0:43:47 | |
-I don't know how she does it. -She can be so stressed going home. | 0:43:47 | 0:43:51 | |
-Everything comes together -in the end. | 0:43:51 | 0:43:54 | |
-Highlights. Wow! | 0:43:54 | 0:43:57 | |
-We sang in the Ten Pieces prom -in the Royal Albert Hall. | 0:43:57 | 0:44:01 | |
-Choir clown, without a doubt, Ifan. | 0:44:02 | 0:44:04 | |
-Idiot. | 0:44:04 | 0:44:06 | |
-Me. | 0:44:06 | 0:44:08 | |
-We're so glad we secured a place -in the semi-final round. | 0:44:08 | 0:44:14 | |
-If we're going, -we're going there to win. | 0:44:14 | 0:44:16 | |
-I'm so glad we're flying the flag... | 0:44:17 | 0:44:21 | |
-..for Anglesey's youth choirs. | 0:44:22 | 0:44:25 | |
-Did you see the red wall -in the Euros? | 0:44:25 | 0:44:28 | |
-That's how it'll be like -on Anglesey. | 0:44:28 | 0:44:31 | |
-Coda Sir Fon - hooray! | 0:44:32 | 0:44:35 | |
-She's quite a woman and a mother -to all, Mari Pritchard. Good luck. | 0:44:39 | 0:44:44 | |
-The final choir, -please welcome Coda. | 0:44:44 | 0:44:48 | |
-# Veroug drottning stor | 0:44:56 | 0:45:01 | |
-# Hjartaaf guli skinna | 0:45:02 | 0:45:09 | |
-We open our repertoire with -something from the children's world. | 0:45:09 | 0:45:13 | |
-We have a song from the film Frozen. | 0:45:14 | 0:45:17 | |
-# Fagra gryttur land | 0:45:22 | 0:45:28 | |
-# Heimr Arnadalr | 0:45:28 | 0:45:33 | |
-# Fylgio ljosins | 0:45:34 | 0:45:39 | |
-# Drottningu stor | 0:45:40 | 0:45:43 | |
-A traditional Norwegian folk song. | 0:45:46 | 0:45:49 | |
-# Na na na heia na na | 0:45:49 | 0:45:51 | |
-# Ja na na heia | 0:45:52 | 0:45:54 | |
-It turns into a very rhythmic song. | 0:45:55 | 0:45:57 | |
-The boys sing -in a very cross-accented manner... | 0:45:57 | 0:46:01 | |
-..and the girls sing -a wonderful harmony. | 0:46:01 | 0:46:04 | |
-# Na na | 0:46:04 | 0:46:07 | |
-# Heia na jano | 0:46:07 | 0:46:10 | |
-# Na na | 0:46:10 | 0:46:12 | |
-# No a heia no | 0:46:12 | 0:46:15 | |
-# No a no | 0:46:15 | 0:46:18 | |
-# No a no | 0:46:18 | 0:46:21 | |
-# Na na heia na | 0:46:21 | 0:46:23 | |
-# Heia na | 0:46:23 | 0:46:25 | |
-# Na heia heia na jano a | 0:46:26 | 0:46:30 | |
-# Hana heia no a na | 0:46:30 | 0:46:35 | |
-# Veroug drottning stor | 0:46:38 | 0:46:44 | |
-# Hjartaaf guli skinna | 0:46:46 | 0:46:51 | |
-# Kronum pik meo vonum ast og tru | 0:46:51 | 0:47:02 | |
-# Fagra gryttur land | 0:47:04 | 0:47:11 | |
-# Heimr Arnadalr | 0:47:11 | 0:47:15 | |
-# Fylgio ljosins | 0:47:16 | 0:47:25 | |
-# Drottning | 0:47:27 | 0:47:29 | |
-# Fylgio ljosins fylgio drottningu | 0:47:33 | 0:47:39 | |
-# Veroug drottning ljosins | 0:47:44 | 0:47:50 | |
-# Ljosins # | 0:47:54 | 0:48:01 | |
-Another unaccompanied piece -is Bogoroditze Dievo. | 0:48:06 | 0:48:11 | |
-It's split into six parts. | 0:48:12 | 0:48:13 | |
-It's a devotional song -about the Virgin Mary. | 0:48:13 | 0:48:16 | |
-# Blagaslo | 0:48:18 | 0:48:21 | |
-# Vienna | 0:48:21 | 0:48:27 | |
-# Ttivzenah | 0:48:27 | 0:48:34 | |
-# I blagaslo vien | 0:48:34 | 0:48:39 | |
-# Ploth crieva | 0:48:40 | 0:48:44 | |
-# Tvoiego | 0:48:44 | 0:48:48 | |
-# Spasa | 0:48:48 | 0:48:55 | |
-# Radjla | 0:48:55 | 0:49:02 | |
-# Spasa | 0:49:02 | 0:49:04 | |
-# Radjla | 0:49:05 | 0:49:09 | |
-# Iako spasa radjla | 0:49:09 | 0:49:17 | |
-# Iesi | 0:49:20 | 0:49:26 | |
-# Dus | 0:49:26 | 0:49:28 | |
-# Nasih # | 0:49:33 | 0:49:44 | |
-I wanted an energetic, -rhythmic piece... | 0:49:51 | 0:49:54 | |
-..and where better to go -than William Mathias. | 0:49:54 | 0:49:58 | |
-# Alleluia! -Let us all rejoice and sing | 0:49:58 | 0:50:03 | |
-# Alleluia! -To the Lord let our voices ring | 0:50:03 | 0:50:07 | |
-# Let our voices ring | 0:50:07 | 0:50:09 | |
-When I first played it, the choir -went, "You want us to sing this?" | 0:50:09 | 0:50:14 | |
-# Alleluia | 0:50:14 | 0:50:21 | |
-# Alleluia | 0:50:21 | 0:50:30 | |
-Williams Mathias has an incredible -talent for writing for voices. | 0:50:30 | 0:50:34 | |
-He understands -where the voice sounds good... | 0:50:35 | 0:50:37 | |
-..and how to make a choir -sound exciting. | 0:50:38 | 0:50:40 | |
-# Let the tambourine be heard | 0:50:44 | 0:50:47 | |
-# Let the cithara be played -and let us sing aloud in harmony | 0:50:47 | 0:50:50 | |
-# In harmony, in harmony | 0:50:50 | 0:50:52 | |
-# Alleluia, let us all rejoice -and praise his holy name | 0:50:55 | 0:51:01 | |
-# Alleluia with united voices | 0:51:02 | 0:51:04 | |
-# Let us sing aloud his praise | 0:51:06 | 0:51:09 | |
-# Alleluia! Alleluia! | 0:51:10 | 0:51:13 | |
-# Alleluia! | 0:51:14 | 0:51:15 | |
-# Alleluia! | 0:51:16 | 0:51:19 | |
-# Alleluia! Alleluia! # | 0:51:20 | 0:51:25 | |
-After making the choir work so hard -on three challenging pieces... | 0:51:29 | 0:51:34 | |
-..I thought, "Fair play, -they deserve something lighter." | 0:51:34 | 0:51:39 | |
-What I found was a wonderful choral -arrangement of Coldplay's Fix You. | 0:51:39 | 0:51:46 | |
-# Tears stream | 0:51:46 | 0:51:48 | |
-# Down your face | 0:51:49 | 0:51:51 | |
-# When you lose something | 0:51:53 | 0:51:55 | |
-# You cannot replace | 0:51:55 | 0:51:59 | |
-# Tears stream | 0:52:01 | 0:52:03 | |
-# Down your face | 0:52:04 | 0:52:07 | |
-# And I | 0:52:07 | 0:52:12 | |
-# Tears stream | 0:52:15 | 0:52:18 | |
-# Down your face | 0:52:19 | 0:52:22 | |
-# I promise you -I will learn from my mistakes | 0:52:22 | 0:52:28 | |
-# Tears stream | 0:52:30 | 0:52:31 | |
-# Down your face | 0:52:33 | 0:52:35 | |
-# And I | 0:52:35 | 0:52:40 | |
-# Lights will guide you home | 0:52:45 | 0:52:52 | |
-# And ignite your bones | 0:52:53 | 0:53:01 | |
-# And I will try | 0:53:01 | 0:53:07 | |
-# To fix you # | 0:53:07 | 0:53:15 | |
-The four choirs have sung -from their hearts. | 0:53:26 | 0:53:31 | |
-We'll hear the reaction to Coda's -performance right after the break. | 0:53:31 | 0:53:36 | |
-. | 0:53:36 | 0:53:43 | |
-Subtitles - -Subtitles | 0:53:43 | 0:53:45 | |
-Welcome back to Cor Cymru. | 0:53:48 | 0:53:50 | |
-Before the break -we heard the final choir, Coda. | 0:53:50 | 0:53:54 | |
-Right, Coda, did you show tonight -that you're the choir to beat? | 0:53:54 | 0:54:00 | |
-I think we did a good job. I think -Mari's happy and we're happy too. | 0:54:00 | 0:54:05 | |
-The four choirs have sung and Coda -certainly pleased the audience. | 0:54:05 | 0:54:11 | |
-They started with a well-known song. | 0:54:11 | 0:54:13 | |
-They started with a well-known song. - -Where was Let It Go?! | 0:54:13 | 0:54:14 | |
-What was special about Coda -was the standard of the sound. | 0:54:15 | 0:54:19 | |
-When they sing together, -it's so appealing. | 0:54:20 | 0:54:23 | |
-There's balance between the voices - -that's very important. | 0:54:24 | 0:54:28 | |
-The male voices -were wonderfully strong. | 0:54:28 | 0:54:31 | |
-When they can go for it, -they really do. | 0:54:31 | 0:54:34 | |
-Even in an acoustic theatre, -there was plenty of sound... | 0:54:34 | 0:54:38 | |
-..and great control -at the same time. | 0:54:38 | 0:54:41 | |
-They challenged themselves. | 0:54:41 | 0:54:43 | |
-Rachmaninov, one of my favourites, -keeping the intonation is difficult. | 0:54:43 | 0:54:47 | |
-There were times Mari wasn't needed -because they were so well drilled. | 0:54:48 | 0:54:53 | |
-They moved in unison and -I enjoyed Coda's appealing sound. | 0:54:53 | 0:54:58 | |
-Good luck to the judges. | 0:54:59 | 0:55:01 | |
-Well done, Coda. Elin was very -impressed by the appealing sound. | 0:55:01 | 0:55:06 | |
-I think the sun we can produce -is wonderful. | 0:55:06 | 0:55:10 | |
-We haven't been together -for too long... | 0:55:10 | 0:55:13 | |
-..so we're very grateful -to hear Elin's words. | 0:55:13 | 0:55:16 | |
-You can see the smile, Morgan. -I'm so proud of them, so very proud. | 0:55:17 | 0:55:22 | |
-The choirs have sung. | 0:55:25 | 0:55:27 | |
-Our international judges -will head to a quiet room... | 0:55:28 | 0:55:32 | |
-..to choose the winning choir -from this round. | 0:55:33 | 0:55:37 | |
-Let's find out more -about the judges. | 0:55:37 | 0:55:40 | |
-Professor Edward Higginbottom -was the first person... | 0:55:42 | 0:55:46 | |
-..to become Professor of -Choral Music in Oxford University. | 0:55:46 | 0:55:50 | |
-After recording over 100 CDs... | 0:55:50 | 0:55:52 | |
-..he's an international-renowned -expert in sacred choral music. | 0:55:52 | 0:55:57 | |
-Award-winning Maria Guinan -comes from Venezuela. | 0:55:59 | 0:56:02 | |
-She's a consultant -and coordinator of El Sistema... | 0:56:03 | 0:56:06 | |
-..a project where -the less fortunate are given... | 0:56:06 | 0:56:09 | |
-..musical education -and opportunities. | 0:56:09 | 0:56:12 | |
-Composer Christopher Tin -has won two Grammys... | 0:56:12 | 0:56:16 | |
-..one for composing music -for a video game. | 0:56:17 | 0:56:20 | |
-The song was called Baba Yetu. | 0:56:20 | 0:56:23 | |
-After some debate, one choir has -grabbed the attention of all three. | 0:56:24 | 0:56:31 | |
-They displayed an impeccable -level of musicianship and detail... | 0:56:31 | 0:56:36 | |
-..and attention to the text. | 0:56:36 | 0:56:38 | |
-They created special moments -out of ordinary musical passages. | 0:56:38 | 0:56:42 | |
-They excelled by singing -with conviction, sensitively... | 0:56:44 | 0:56:48 | |
-..and musically perfect at times. | 0:56:48 | 0:56:50 | |
-They could get inside -my emotional world very nicely. | 0:56:55 | 0:56:59 | |
-That's the special star element -in a winning group. | 0:57:00 | 0:57:03 | |
-We're about to reveal the name -of tonight's winning choir. | 0:57:04 | 0:57:08 | |
-Elin, give me your choice. | 0:57:08 | 0:57:10 | |
-Do I have to? | 0:57:11 | 0:57:13 | |
-I can't emphasise enough -the standard of singing this year. | 0:57:13 | 0:57:17 | |
-Congratulations to you all. | 0:57:17 | 0:57:19 | |
-We've enjoyed every minute -of an excellent competition. | 0:57:19 | 0:57:23 | |
-I'd choose Cor y Cwm. | 0:57:23 | 0:57:25 | |
-That's Elin's choice. | 0:57:25 | 0:57:28 | |
-To tell us who has won tonight, -here's Christopher Tin. | 0:57:28 | 0:57:32 | |
-The winners are... | 0:57:32 | 0:57:35 | |
-..Cor Merched Sir Gar. | 0:57:51 | 0:57:53 | |
-Congratulations. How do you feel -taking these girls to the final? | 0:58:13 | 0:58:18 | |
-I've had choirs for years -but I'm so happy for this choir. | 0:58:18 | 0:58:23 | |
-We've been on a journey -over the past year... | 0:58:23 | 0:58:27 | |
-..and we've enjoyed -our time together... I hope! | 0:58:27 | 0:58:31 | |
-It appears -there might be better to come. | 0:58:32 | 0:58:35 | |
-An excellent competition - -that's always nice to hear. | 0:58:35 | 0:58:39 | |
-The choirs were excellent. -The standard was so high. | 0:58:39 | 0:58:43 | |
-Congratulations, Islwyn, -and to Cor Merched Sir Gar. | 0:58:43 | 0:58:47 | |
-That's it for tonight. | 0:58:50 | 0:58:51 | |
-The judges' comments -and adjudications... | 0:58:52 | 0:58:55 | |
-..can be found on S4C's website. | 0:58:56 | 0:58:58 | |
-We leave you tonight -from the Arts Centre... | 0:58:58 | 0:59:02 | |
-..in the sound of the winning choir, -Cor Merched Sir Gar. | 0:59:02 | 0:59:06 | |
-Goodnight. | 0:59:06 | 0:59:07 | |
-# Going to the holy city | 0:59:15 | 0:59:17 | |
-# To the new Jerusalem | 0:59:18 | 0:59:20 | |
-# Going to the holy city | 0:59:21 | 0:59:24 | |
-# I'm gonna bow before the Lamb | 0:59:24 | 0:59:28 | |
-# I'm going to the holy city | 0:59:28 | 0:59:31 | |
-# I'm gonna wade -into the crystal sea | 0:59:31 | 0:59:34 | |
-# Going to the holy city, -won't you come and go with | 0:59:34 | 0:59:38 | |
-# Going to the holy city, -won't you come and go with | 0:59:38 | 0:59:41 | |
-# Going to the holy city, -won't you come and go with | 0:59:41 | 0:59:44 | |
-# Me? # | 0:59:47 | 0:59:54 | |
-S4C Subtitles by Adnod Cyf. | 0:59:57 | 0:59:59 | |
-. | 1:00:00 | 1:00:00 |