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-Once every two years... | 0:00:06 | 0:00:08 | |
-..Cardiff loses its status -as Wales' capital city. | 0:00:08 | 0:00:12 | |
-With hundreds of eager singers -congregating in this seaside town... | 0:00:14 | 0:00:19 | |
-..Aberystwyth is the place to be. | 0:00:20 | 0:00:23 | |
-From across Wales, the country's -best choirs are here once again... | 0:00:26 | 0:00:32 | |
-..to compete -for the Cor Cymru trophy. | 0:00:32 | 0:00:35 | |
-17 choirs no less, -in five categories. | 0:00:36 | 0:00:39 | |
-Reaching Aberystwyth in the first -place was quite an achievement. | 0:00:41 | 0:00:46 | |
-Dozens of choirs were recorded in -school halls across the country... | 0:00:47 | 0:00:53 | |
-..to ensure that the acoustics -were the same for everyone. | 0:00:54 | 0:00:59 | |
-The unnamed discs were sent -to three international judges... | 0:01:00 | 0:01:06 | |
-..to choose the best. | 0:01:06 | 0:01:08 | |
-A system -that was both fair and impartial. | 0:01:09 | 0:01:12 | |
-My job as a jurist is to have -an audience experience, to be moved. | 0:01:12 | 0:01:17 | |
-Most importantly, the emotion must -rise above their musical talent. | 0:01:18 | 0:01:23 | |
-I want to hear sensitivity -to the texts that they are singing. | 0:01:24 | 0:01:28 | |
-We're down to the final five choirs. | 0:01:29 | 0:01:32 | |
-Cor Merched Sir Gar. | 0:01:32 | 0:01:34 | |
-Cor Meibion Machynlleth. | 0:01:35 | 0:01:37 | |
-Cor Ieuenctid Mon. | 0:01:38 | 0:01:39 | |
-Cordydd. | 0:01:40 | 0:01:41 | |
-Merched Ysgol Gerdd Ceredigion. | 0:01:43 | 0:01:46 | |
-Five brave hopefuls about to be -reduced to one legendary choir. | 0:01:52 | 0:01:52 | |
-Welcome to -Cor Cymru 2017 - the final. | 0:01:53 | 0:01:56 | |
-Subtitles | 0:02:03 | 0:02:04 | |
-Subtitles | 0:02:05 | 0:02:06 | |
-There's no doubt that Cor Cymru... | 0:02:11 | 0:02:13 | |
-..has claimed its place as -the highlight of choral singing. | 0:02:14 | 0:02:17 | |
-Despite the status -and fierce rivalry... | 0:02:18 | 0:02:21 | |
-..the choirs always -open and close the evening together. | 0:02:22 | 0:02:26 | |
-Tonight is a celebration -of choral singing... | 0:02:26 | 0:02:29 | |
-..in the true sense of the words. | 0:02:29 | 0:02:31 | |
-To mark this special occasion, -we've invited the five choirs... | 0:02:31 | 0:02:36 | |
-..to sing a new composition. | 0:02:36 | 0:02:38 | |
-It's been written by Mererid Hopwood -and one of tonight's judges... | 0:02:38 | 0:02:43 | |
-..Christopher Tin. | 0:02:43 | 0:02:45 | |
-Sit back and enjoy Adain Can. | 0:02:45 | 0:02:48 | |
-# Ist das dein gesang? | 0:02:54 | 0:03:03 | |
-# This is the song of your voice | 0:03:03 | 0:03:06 | |
-# This is the song to calm us all | 0:03:06 | 0:03:10 | |
-# A song with its fine notes | 0:03:10 | 0:03:14 | |
-# Flying high on a gentle breeze | 0:03:14 | 0:03:17 | |
-# Collecting harmonies | 0:03:17 | 0:03:20 | |
-# All pure voices as one # | 0:03:20 | 0:03:46 | |
-# All pure voices as one | 0:03:46 | 0:03:52 | |
-# All pure voices as one | 0:04:40 | 0:04:42 | |
-# Ein gesang geschenk von dir | 0:04:49 | 0:04:51 | |
-# A song with its fine notes | 0:04:53 | 0:04:55 | |
-# Flying high on a gentle breeze | 0:04:56 | 0:04:59 | |
-# Collecting harmonies | 0:04:59 | 0:05:01 | |
-# All pure voices as one | 0:05:02 | 0:05:08 | |
-# Hush, the wings of the song | 0:05:10 | 0:05:12 | |
-# Tries to fly high -and lifts my spirits | 0:05:12 | 0:05:16 | |
-# This is the song of your voice | 0:05:16 | 0:05:19 | |
-# This is the song to calm us all | 0:05:19 | 0:05:23 | |
-# A song with its fine notes | 0:05:24 | 0:05:27 | |
-# Flying high on a gentle breeze | 0:05:27 | 0:05:31 | |
-# Collecting harmonies | 0:05:31 | 0:05:35 | |
-# All pure voices as one | 0:05:36 | 0:05:48 | |
-The perfect start to a evening -of choral singing in Aberystwyth. | 0:05:48 | 0:05:53 | |
-The four conductors are here -ready for the evening. | 0:05:53 | 0:05:57 | |
-Let's begin with you, Islwyn. | 0:05:58 | 0:06:00 | |
-You have two choirs here -this evening. | 0:06:00 | 0:06:03 | |
-How have you managed two choirs? | 0:06:16 | 0:06:18 | |
-I've had to Rush between the two -choirs. It is what it is. | 0:06:18 | 0:06:21 | |
-Huw Foulkes -is the conductor of Cordydd. | 0:06:21 | 0:06:24 | |
-It's great to see so many -choirs together. | 0:06:29 | 0:06:31 | |
-It's a great atmosphere here. | 0:06:36 | 0:06:37 | |
-All the choirs at top of -Their Categories. | 0:06:38 | 0:06:40 | |
-We can all show Off What We Can do. | 0:06:40 | 0:06:42 | |
-Mari Pritchard is the conductor -of Cor Ieuenctid Mon. | 0:06:43 | 0:06:47 | |
-Has the excitement continued -since the announcement? | 0:06:57 | 0:07:00 | |
-Yes, in every rehearsal. | 0:07:00 | 0:07:01 | |
-We have really enjoyed preparing -although it has been quite tiring. | 0:07:07 | 0:07:11 | |
-It was difficult to choose a -programme... | 0:07:11 | 0:07:13 | |
-..but we are Honoured to be here. | 0:07:13 | 0:07:15 | |
-Aled Myrddin is the conductor -of Cor Meibion Machynlleth. | 0:07:15 | 0:07:20 | |
-It's difficult to get farmers -together during lambing season. | 0:07:27 | 0:07:30 | |
-But we've managed to get -here All the same. | 0:07:30 | 0:07:32 | |
-If you've ever wondered... | 0:07:32 | 0:07:34 | |
-..why anyone would go out to sing -on a cold, winter's rainy night... | 0:07:34 | 0:07:38 | |
-..then here's the answer. | 0:07:38 | 0:07:40 | |
-Singing is part -of the Welsh heritage. | 0:07:41 | 0:07:43 | |
-Being in a choir is something -everyone has done at some point. | 0:07:43 | 0:07:48 | |
-If you've had a bad day, -there's nothing better than singing. | 0:07:49 | 0:07:54 | |
-You can relax with people -from different backgrounds... | 0:07:56 | 0:08:00 | |
-..and share that love of music. | 0:08:01 | 0:08:03 | |
-As soon as you walk into -the rehearsal room on Thursday... | 0:08:05 | 0:08:09 | |
-..you know -there's a community there. | 0:08:09 | 0:08:12 | |
-Yes, we work very hard -but we also enjoy ourselves. | 0:08:13 | 0:08:16 | |
-We're a close-knit crew. | 0:08:16 | 0:08:17 | |
-You're supporting each other, -you're part of a team. | 0:08:18 | 0:08:21 | |
-Everything you do contributes -to the group effort... | 0:08:22 | 0:08:25 | |
-..that you are crucial, -each one of you is crucial. | 0:08:25 | 0:08:29 | |
-Music is a language in itself. -It makes you think. | 0:08:30 | 0:08:33 | |
-You learn new languages. -You have to concentrate. | 0:08:34 | 0:08:38 | |
-You need confidence to compete -in a major competition. | 0:08:38 | 0:08:43 | |
-At the beginning, -some of us didn't know... | 0:08:43 | 0:08:46 | |
-..what the black marks -on the copy were... | 0:08:46 | 0:08:49 | |
-..and the difference -between the notes. | 0:08:49 | 0:08:52 | |
-After 21 years we know that -if a note goes up, we go with it. | 0:08:53 | 0:08:57 | |
-After choir practise, -we go to a pub to socialise. | 0:08:57 | 0:09:01 | |
-That's an appealing aspect. | 0:09:03 | 0:09:05 | |
-We've known each other since we were -eight, nine, ten years old. | 0:09:11 | 0:09:15 | |
-We're still friends -and that's great. | 0:09:16 | 0:09:19 | |
-A choir can give you that. | 0:09:19 | 0:09:21 | |
-When I sing, I can forget -about everything that's happened. | 0:09:23 | 0:09:27 | |
-I sing my heart out -and enjoy myself. | 0:09:28 | 0:09:31 | |
-I always smile when I sing. | 0:09:33 | 0:09:35 | |
-Singing lifts your spirits -and makes you feel happy. | 0:09:36 | 0:09:39 | |
-It's a special drug. | 0:09:40 | 0:09:41 | |
-All my worries disappear -when I sing. | 0:09:42 | 0:09:45 | |
-It just lets me be happy. | 0:09:46 | 0:09:48 | |
-If you love singing this is -the place to be. | 0:10:02 | 0:10:04 | |
-We are here for the next -2 1/2 hours. | 0:10:15 | 0:10:17 | |
-The international judges are here. | 0:10:21 | 0:10:23 | |
-Edward Higginbottom and -Christopher Tin are here. | 0:10:23 | 0:10:25 | |
-Maria Guinand Is From Venezuela. | 0:10:26 | 0:10:27 | |
-Caryl Parry Jones is our unofficial -judge this evening. | 0:10:28 | 0:10:33 | |
-Caryl, what will you be -looking out for in this competition? | 0:10:39 | 0:10:44 | |
-I can't wait after -watching the series. | 0:10:50 | 0:10:52 | |
-The standard has been amazing. | 0:10:52 | 0:10:54 | |
-I'm glad I'm not judging the -competition. | 0:10:55 | 0:10:57 | |
-I expect superb singing. | 0:10:57 | 0:10:58 | |
-It's time for the contest to begin. | 0:10:59 | 0:11:02 | |
-Our first choir -is Cor Merched Sir Gar. | 0:11:03 | 0:11:05 | |
-Let's hear a bit more about them. | 0:11:05 | 0:11:08 | |
-We're a girls' choir -from Year 10 to Year 13... | 0:11:09 | 0:11:12 | |
-..from every school -in Carmarthenshire. | 0:11:12 | 0:11:15 | |
-As part of my role -as a peripatetic teacher... | 0:11:16 | 0:11:19 | |
-..with Carmarthenshire -Music Service... | 0:11:20 | 0:11:22 | |
-..I'm also the conductor of -the secondary school girls' choir. | 0:11:23 | 0:11:28 | |
-I was happy coming off the stage. | 0:11:29 | 0:11:32 | |
-We did our very best. | 0:11:32 | 0:11:34 | |
-They excelled by singing -with conviction and sensitivity. | 0:11:36 | 0:11:41 | |
-They were -musically perfect at times. | 0:11:43 | 0:11:46 | |
-The drum roll was so long, -I couldn't wait for it to end. | 0:11:49 | 0:11:54 | |
-When it did and it was incredible -to hear our choir named, wow! | 0:11:54 | 0:11:59 | |
-Cor Merched Sir Gar. | 0:11:59 | 0:12:00 | |
-I thought it was a mistake. | 0:12:01 | 0:12:04 | |
-Then Islwyn turned round with the -trophy and I thought, ok, we won. | 0:12:05 | 0:12:11 | |
-We were just amazed to be named -the best youth choir in Wales. | 0:12:12 | 0:12:17 | |
-That was crazy. | 0:12:18 | 0:12:19 | |
-To win this competition, I think -the choir needs to understand... | 0:12:21 | 0:12:26 | |
-..that the reason the gospel medley -was their weakest link... | 0:12:26 | 0:12:30 | |
-..was because they didn't fully -invest in exploring a new sound... | 0:12:31 | 0:12:34 | |
-..with new rhythms and phrasings... | 0:12:35 | 0:12:37 | |
-..and maybe even new -vocal production techniques. | 0:12:37 | 0:12:41 | |
-What I want to see is almost -a completely different choir... | 0:12:42 | 0:12:45 | |
-..singing those pieces from -a different musical genre. | 0:12:46 | 0:12:49 | |
-Naturally, we'll be -looking to lift our game. | 0:12:50 | 0:12:53 | |
-All the conductors -want to stretch their talent. | 0:12:53 | 0:12:56 | |
-Winning would be awesome. | 0:12:57 | 0:12:59 | |
-Sir Gar would be so proud of us -if not the whole of Wales. | 0:12:59 | 0:13:03 | |
-Cor Merched Sir Gar. | 0:13:03 | 0:13:05 | |
-Whoooooooo. | 0:13:05 | 0:13:06 | |
-A final of Cor Cymru wouldn't be the -same without the King, Islwyn Evans. | 0:13:21 | 0:13:25 | |
-It's not getting any easier! | 0:13:25 | 0:13:27 | |
-Good luck to you. | 0:13:28 | 0:13:28 | |
-Please welcome Cor Merched Sir Gar. | 0:13:35 | 0:13:37 | |
-We start our programme -with a piece by Ivor Novello. | 0:13:38 | 0:13:42 | |
-It's a three-voice arrangement -of Waltz of my Heart. | 0:13:42 | 0:13:46 | |
-It will showcase the sound of the -choir at the start of the contest. | 0:13:47 | 0:13:51 | |
-Hopefully, some elements of -Strictly will come through. | 0:13:52 | 0:13:56 | |
-# The lark is singing on high | 0:14:05 | 0:14:09 | |
-# The Sun's ashine in the blue | 0:14:09 | 0:14:12 | |
-# The Winter is driven away | 0:14:13 | 0:14:18 | |
-# And Spring is returning anew | 0:14:18 | 0:14:24 | |
-# Who cares what sorrow may bring | 0:14:24 | 0:14:28 | |
-# What storms may tear us apart | 0:14:29 | 0:14:33 | |
-# No sadness can kill -the wonder and thrill | 0:14:33 | 0:14:37 | |
-# Of that waltz in my heart | 0:14:37 | 0:14:41 | |
-# Waltz of my heart haunting and gay | 0:14:41 | 0:14:45 | |
-# Calling enthrallingly, -waltzing away | 0:14:45 | 0:14:49 | |
-# Ring out your bells for me, -ivory keys | 0:14:50 | 0:14:54 | |
-# Weave out your spell for me, -orchestra please | 0:14:55 | 0:14:59 | |
-# Chorus of wings, thrilling the sky | 0:15:00 | 0:15:03 | |
-# While you're inspiring me, -time hurries by | 0:15:04 | 0:15:08 | |
-# Joy finds a fire in me, -soon as you start | 0:15:08 | 0:15:12 | |
-# Sweeping your strings, -waltz of my heart The | 0:15:12 | 0:15:21 | |
-# Thelark is singing on high | 0:15:21 | 0:15:23 | |
-# The lark is singing on high | 0:15:26 | 0:15:28 | |
-# The Sun's ashine in the blue | 0:15:28 | 0:15:30 | |
-# The Winter is driven away | 0:15:31 | 0:15:35 | |
-# And Spring is returning anew | 0:15:35 | 0:15:40 | |
-# Who cares what sorrow may bring | 0:15:41 | 0:15:44 | |
-# What storms may tear us apart | 0:15:45 | 0:15:49 | |
-# No sadness can kill -the wonder and thrill | 0:15:50 | 0:15:56 | |
-# Of that waltz in my heart # | 0:15:56 | 0:16:04 | |
-We continue with a madrigal by -the French composer, Passereau... | 0:16:13 | 0:16:19 | |
-..Il Est Bel Et Bon. | 0:16:19 | 0:16:21 | |
-I've enjoyed this song over -the years because the choir... | 0:16:22 | 0:16:27 | |
-..has to learn the disciplined way -of singing a madrigal. | 0:16:27 | 0:16:32 | |
-The polyphonic parts play -ping-pong with each other. | 0:16:34 | 0:16:38 | |
-# Il est bel et bon, bon, bon, bon, -bon, commere | 0:16:40 | 0:16:44 | |
-# Il est bel et bon, bon, bon, bon, -bon, commere | 0:16:44 | 0:16:47 | |
-# Commere, commere, mon mari | 0:16:47 | 0:16:49 | |
-# Il estoient deux femmes -toutes d'un pays | 0:16:49 | 0:16:52 | |
-# # Il est bel et bon, bon, bon, -bon, bon, commere | 0:16:56 | 0:16:58 | |
-# Il est bel et bon, bon, bon, bon, | 0:16:58 | 0:17:01 | |
-# Commere, commere mon mari | 0:17:01 | 0:17:02 | |
-# Il ne se courrouce, -ne me bat aussi | 0:17:03 | 0:17:06 | |
-# Il fait le mesnaige | 0:17:06 | 0:17:08 | |
-# Il donne aux poulailles | 0:17:08 | 0:17:10 | |
-# Il donne aux poulailles | 0:17:13 | 0:17:15 | |
-# Et je prens mes plaisirs | 0:17:16 | 0:17:17 | |
-# Commere, c'est pour rire | 0:17:18 | 0:17:20 | |
-# Quand les poulailles crient | 0:17:20 | 0:17:23 | |
-# Quand les poulailles crient | 0:17:23 | 0:17:25 | |
-# Petite coquette, petite coquette | 0:17:26 | 0:17:28 | |
-# Petite coquette, -petite coquette, qu'est ceci? | 0:17:28 | 0:17:32 | |
-# Il est bel et bon, bon, bon, bon, -bon, commere | 0:17:32 | 0:17:35 | |
-# Il est bel et bon, bon, bon, bon, -bon, commere | 0:17:35 | 0:17:38 | |
-# Commere, commere, mon mari | 0:17:38 | 0:17:40 | |
-# Il est bel et bon, bon, bon, bon, -bon, commere | 0:17:40 | 0:17:43 | |
-# Il est bel et bon, bon, bon, bon, -bon, commere | 0:17:43 | 0:17:46 | |
-# Commere, commere, mon mari # | 0:17:46 | 0:17:49 | |
-Next, we're performing a piece -we sang in the previous round. | 0:18:01 | 0:18:06 | |
-It's my arrangement of the -folk song, Beth yw'r Haf i Mi. | 0:18:06 | 0:18:11 | |
-The judges loved it so we'd be -foolish to leave it out. | 0:18:12 | 0:18:16 | |
-# What is summer to me? | 0:18:19 | 0:18:29 | |
-# What is summer to me? | 0:18:35 | 0:18:37 | |
-# Nothing but a gloomy winter -and neverending tears | 0:18:38 | 0:18:46 | |
-# Since I lost you | 0:18:47 | 0:18:51 | |
-# Midsummer's day is nothing to me | 0:18:52 | 0:18:59 | |
-# My dear love, though you left | 0:19:00 | 0:19:06 | |
-# Tell me you will return one day | 0:19:06 | 0:19:14 | |
-# Summer is nothing but -a dreary winter since I lost you | 0:19:15 | 0:19:30 | |
-# My dear love, -my little heart is heavy | 0:19:31 | 0:19:38 | |
-# When I hear the wind -blow through the tree branches | 0:19:38 | 0:19:42 | |
-# After hearing a song | 0:19:43 | 0:19:46 | |
-# I wait to hear your footstep | 0:19:46 | 0:19:52 | |
-# My dear love, -though you've travelled far | 0:19:53 | 0:19:59 | |
-# Come back to greet me | 0:20:00 | 0:20:06 | |
-# My little heart is heavy | 0:20:08 | 0:20:13 | |
-# No-one ever felt such longing | 0:20:14 | 0:20:20 | |
-# What is summer to me? | 0:20:31 | 0:20:39 | |
-# If my breast hurts from the pain | 0:20:40 | 0:20:42 | |
-# What is summer to me? | 0:20:44 | 0:20:48 | |
-# If my heart's -about to break in two? | 0:20:49 | 0:20:57 | |
-# My dear love, though you left | 0:20:58 | 0:21:03 | |
-# Tell me you will return one day | 0:21:03 | 0:21:12 | |
-# Only then will I enjoy -the summer and its peaceful days # | 0:21:12 | 0:21:28 | |
-# What is summer to me? | 0:21:30 | 0:21:35 | |
-# What is summer to me? | 0:21:38 | 0:21:49 | |
-We move on to a piece by the -Hungarian composer, Zoltan Kodaly. | 0:22:00 | 0:22:05 | |
-He's a great teacher of the Sol-fa -system in that country. | 0:22:06 | 0:22:11 | |
-Oh, to have that back in Wales! | 0:22:12 | 0:22:14 | |
-Turot Eszik A Cigany -is a very lively piece. | 0:22:16 | 0:22:19 | |
-This lively dance will hopefully -show the choir at its best. | 0:22:21 | 0:22:26 | |
-# See the gipsies dancing high, -see the gipsies dancing low | 0:22:29 | 0:22:34 | |
-# See the gipsies stamp their feet, -duba! | 0:22:36 | 0:22:39 | |
-# Clap their hands to every beat, -leba! | 0:22:42 | 0:22:45 | |
-# In the firelight whirling round, -duba! | 0:22:46 | 0:22:48 | |
-# Leba! leba! leba! leba! -leba! leba! leba! leba! la! | 0:22:53 | 0:22:57 | |
-# Round the fire gipsies sway | 0:22:58 | 0:23:01 | |
-# Listen to their strumming | 0:23:02 | 0:23:04 | |
-# Rida, rida, bom, bom, bom | 0:23:04 | 0:23:07 | |
-# Listen to their strumming | 0:23:08 | 0:23:10 | |
-# Round the fire gipsies sway | 0:23:12 | 0:23:14 | |
-# Listen to their strumming | 0:23:15 | 0:23:18 | |
-# Rida, rida, bom, bom, bom | 0:23:20 | 0:23:22 | |
-# Listen to their strumming | 0:23:26 | 0:23:29 | |
-# Happy songs, laughter gay | 0:23:30 | 0:23:34 | |
-# Summer days are coming | 0:23:34 | 0:23:38 | |
-# Rida, rida, bom, bom, bom | 0:23:39 | 0:23:43 | |
-# Summer days are coming | 0:23:44 | 0:23:47 | |
-# Happy songs, laughter gay | 0:23:48 | 0:23:52 | |
-# Summer days are coming | 0:23:52 | 0:23:57 | |
-# Rida, rida, bom, bom, bom | 0:23:57 | 0:24:02 | |
-# Summer days are coming | 0:24:02 | 0:24:06 | |
-# See the gipsies dancing high, -See the gipsies dancing low | 0:24:07 | 0:24:10 | |
-# See the gipsies dancing high, -see the gipsies dancing low | 0:24:11 | 0:24:14 | |
-# See the gipsies stamp their feet, -duba! | 0:24:14 | 0:24:16 | |
-# Clap their hands to every beat, -leba! | 0:24:16 | 0:24:18 | |
-# In the firelight whirling round, -duba! | 0:24:18 | 0:24:20 | |
-# To the zither's jangiing sound, -leba! | 0:24:20 | 0:24:22 | |
-# See the gipsies dancing high, -see the gipsies dancing low | 0:24:22 | 0:24:26 | |
-# Clap their hands to every beat, -leba! leba! | 0:24:26 | 0:24:28 | |
-# See the gipsies dancing high, -see the gipsies dancing low | 0:24:29 | 0:24:32 | |
-# Leba! leba! leba! leba! leba! -leba! leba! leba! la! oi! # | 0:24:32 | 0:24:37 | |
-We are going to finish -with a Gospel Medley. | 0:24:47 | 0:24:51 | |
-I hope we can step up after the -judges' comments in the last round. | 0:24:51 | 0:24:56 | |
-I came across the arrangement... | 0:24:57 | 0:25:00 | |
-..in a book I found in a -Salvation Army shop in Stockholm. | 0:25:01 | 0:25:06 | |
-# Well, woke up this mo'nin | 0:25:08 | 0:25:10 | |
-# With my mind, stayin' on Jesus | 0:25:11 | 0:25:13 | |
-# Woke up this mo'nin | 0:25:19 | 0:25:21 | |
-# With my mind, stayin' on the Lord | 0:25:21 | 0:25:27 | |
-# Well, woke up this mo'nin | 0:25:27 | 0:25:31 | |
-# With my mind, stayin' on Jesus | 0:25:32 | 0:25:37 | |
-# Halleluh, halleleluh, -halleleluh, hallelujah | 0:25:38 | 0:25:49 | |
-# Lead me, guide me along the way, | 0:25:51 | 0:26:00 | |
-# For if you lead me I cannot stray | 0:26:00 | 0:26:07 | |
-# Lord let me walk each day -with Thee | 0:26:08 | 0:26:15 | |
-# Lead me, oh, Lord, lead me | 0:26:15 | 0:26:31 | |
-# If you want to praise him, -say Amen | 0:26:31 | 0:26:37 | |
-# If you want to praise him, -say Amen | 0:26:40 | 0:26:44 | |
-# If you want to lift up -the name of Jesus | 0:26:45 | 0:26:50 | |
-# Then you ought to praise him -and say Amen | 0:26:51 | 0:26:56 | |
-# If you want to praise him, -say Amen | 0:26:56 | 0:27:02 | |
-# If you want to praise him, -say Amen | 0:27:03 | 0:27:09 | |
-# If you want to lift up -the name of Jesus | 0:27:10 | 0:27:14 | |
-# Then you ought to praise him -and say Amen | 0:27:15 | 0:27:20 | |
-# You ought to say Amen | 0:27:22 | 0:27:25 | |
-# You ought to say Amen | 0:27:27 | 0:27:31 | |
-# If you want to praise him, -say Amen | 0:27:34 | 0:27:37 | |
-# Say Amen | 0:27:39 | 0:27:43 | |
-# Say Amen # | 0:27:43 | 0:27:54 | |
-Cor Merched Sir Gar -have started the evening off... | 0:28:14 | 0:28:19 | |
-..and finished with a Gospel Medley. | 0:28:19 | 0:28:22 | |
-We really enjoyed that. It | 0:28:30 | 0:28:32 | |
-It was fabulous. | 0:28:33 | 0:28:34 | |
-Do you have a breath left? | 0:28:37 | 0:28:38 | |
-No. The audience | 0:28:38 | 0:28:39 | |
-were on their feet! | 0:28:42 | 0:28:43 | |
-We really enjoyed it and I -hope they did as well. | 0:28:50 | 0:28:52 | |
-How have the rehearsals gone? | 0:28:53 | 0:28:55 | |
-They've gone well... | 0:29:01 | 0:29:03 | |
-..and we just couldn't believe it -until we stepped onto the stage. | 0:29:06 | 0:29:09 | |
-That's when it hits you. | 0:29:09 | 0:29:11 | |
-You looked like you enjoyed -yourselves. | 0:29:13 | 0:29:15 | |
-I think it's nice to go first. | 0:29:15 | 0:29:16 | |
-We were a bit scared going on. | 0:29:18 | 0:29:20 | |
-You have really set the -bar very high. | 0:29:24 | 0:29:26 | |
-Caryl Parry Jones is -with Morgan Jones. | 0:29:28 | 0:29:30 | |
-Islwyn Evans knows what -you need to win. | 0:29:36 | 0:29:38 | |
-I think we should all go home now! | 0:29:40 | 0:29:42 | |
-This choir has such a bright tone. | 0:29:51 | 0:29:53 | |
-There is also some maturity -despite their age. | 0:29:56 | 0:29:59 | |
-Islwyn Evans has chosen an -excellent programme. -There... | 0:29:59 | 0:30:02 | |
-There is a real mixture of sounds. | 0:30:04 | 0:30:06 | |
-There were rich harmonies -in the waltz. | 0:30:11 | 0:30:13 | |
-The second piece was two women -talking about their husbands. | 0:30:21 | 0:30:24 | |
-There was such detail in the -interpretation. | 0:30:28 | 0:30:30 | |
-The arrangement by -Islwyn Evans was brilliant. | 0:30:31 | 0:30:33 | |
-Singing a folk song is -difficult for a choir. | 0:30:35 | 0:30:38 | |
-The gospel music was a real -crowdpleaser. | 0:30:44 | 0:30:46 | |
-They've done ever so well. | 0:30:46 | 0:30:47 | |
-You are a Caryl pleaser! | 0:30:54 | 0:30:55 | |
-What can I say? | 0:30:58 | 0:30:59 | |
-It was a Great Atmosphere. | 0:31:02 | 0:31:03 | |
-We've looked forward to this... | 0:31:05 | 0:31:07 | |
-..and I've been teaching -them for weeks. | 0:31:12 | 0:31:14 | |
-I hope they enjoyed it. | 0:31:14 | 0:31:15 | |
-I'm a little out of breath. | 0:31:16 | 0:31:18 | |
-Enjoy your water. | 0:31:18 | 0:31:19 | |
-It is water! | 0:31:24 | 0:31:25 | |
-There are three prizes this evening. | 0:31:27 | 0:31:29 | |
-The viewers' vote is down to you. | 0:31:32 | 0:31:34 | |
-For Cor Merched Sir Gar -phone This Number. | 0:31:35 | 0:31:37 | |
-A great start to the competition. | 0:31:42 | 0:31:43 | |
-We're off for a break while... | 0:31:46 | 0:31:49 | |
-..Cor Meibion Machynlleth -take to the stage. | 0:31:49 | 0:31:53 | |
-Subtitles | 0:31:58 | 0:31:59 | |
-Subtitles | 0:32:00 | 0:32:01 | |
-We formed two years ago -to compete in the Meifod Eisteddfod. | 0:32:03 | 0:32:08 | |
-We're 48 to 50 in number. | 0:32:09 | 0:32:11 | |
-Machynlleth, -the best place in the world. | 0:32:12 | 0:32:15 | |
-We're all from farming stock. | 0:32:15 | 0:32:17 | |
-We all know how to handle a sheep, -some more than others. | 0:32:18 | 0:32:22 | |
-It felt a bit like a home game. -Aberystwyth is close to Machynlleth. | 0:32:24 | 0:32:29 | |
-We had a lot of fans there so -there was pressure to perform well. | 0:32:30 | 0:32:34 | |
-Cor Meibion Machynlleth. | 0:32:35 | 0:32:37 | |
-We hadn't really planned on winning. | 0:32:39 | 0:32:43 | |
-We were there to put on a show. -We only went and won. | 0:32:43 | 0:32:47 | |
-They could sound like -a full, rich proper Welsh choir... | 0:32:49 | 0:32:54 | |
-..but also have the dramatic -sensitivity to scale it back. | 0:32:54 | 0:32:58 | |
-It was good to hear that we were -a choir with a pleasant sound... | 0:32:59 | 0:33:03 | |
-..that could compete and win. | 0:33:03 | 0:33:06 | |
-We've developed some fresh -confidence from winning there. | 0:33:07 | 0:33:11 | |
-We'll be really going for it now. | 0:33:12 | 0:33:14 | |
-The choir needs a better dynamic -between subtlety and power. | 0:33:17 | 0:33:22 | |
-They need more versatility -in their performances. | 0:33:23 | 0:33:27 | |
-Showing the power of the choir with -a wall of volume is just one skill. | 0:33:34 | 0:33:39 | |
-We need to show our sensitive side. | 0:33:40 | 0:33:42 | |
-I agree with you. | 0:33:44 | 0:33:45 | |
-We need confidence on the day. -A lot of them were very nervous. | 0:33:47 | 0:33:52 | |
-It effected the performance. | 0:33:52 | 0:33:54 | |
-What if we win it? | 0:33:55 | 0:33:56 | |
-It's 5,000. | 0:33:57 | 0:33:59 | |
-We can spend that. | 0:33:59 | 0:34:01 | |
-Wine, women and song! | 0:34:01 | 0:34:03 | |
-Cor Meibion Machynlleth. | 0:34:08 | 0:34:10 | |
-There are plenty of naughty -boys here today! | 0:34:26 | 0:34:29 | |
-How much work is it to -keep control of these? | 0:34:33 | 0:34:35 | |
-I Can't Tell you! | 0:34:37 | 0:34:38 | |
-Please Welcome Cor Meibion -Machynlleth. | 0:34:44 | 0:34:46 | |
-We open with Heriwn, Wynebwn y Wawr. | 0:34:46 | 0:34:48 | |
-This was the song -we opened with in the semi-final. | 0:34:49 | 0:34:52 | |
-It's challenging, strong -and gives you a solid platform. | 0:34:52 | 0:34:57 | |
-# Many, -so many are those who maintain | 0:35:06 | 0:35:09 | |
-# That the fire purifies | 0:35:11 | 0:35:13 | |
-# And the flames won't keep burning | 0:35:15 | 0:35:19 | |
-# For long | 0:35:21 | 0:35:22 | |
-# Rumours and murmurs | 0:35:22 | 0:35:24 | |
-# Again and again | 0:35:24 | 0:35:26 | |
-# Of the sun's final setting | 0:35:27 | 0:35:29 | |
-# The body is weary | 0:35:30 | 0:35:32 | |
-# Yet there and still living, a song | 0:35:32 | 0:35:39 | |
-# Doubters will warrant -that everything dies | 0:35:49 | 0:35:54 | |
-# That even the oak tree | 0:35:54 | 0:35:56 | |
-# Majestic and mighty must fall | 0:35:57 | 0:36:03 | |
-# The spirit of birth regenerating | 0:36:03 | 0:36:07 | |
-# Concealed in the darkness | 0:36:08 | 0:36:10 | |
-# Will grow in the fullness of time -as tall | 0:36:13 | 0:36:19 | |
-# Winter weighed down -for years too many to count | 0:36:35 | 0:36:40 | |
-# On the shoots and their growing | 0:36:41 | 0:36:43 | |
-# On spring her yearning desire | 0:36:44 | 0:36:48 | |
-# Now all around us -the snow disappears | 0:36:49 | 0:36:54 | |
-# It's a dawn that will wake us | 0:36:54 | 0:36:57 | |
-# A sun that will warm us | 0:36:57 | 0:37:00 | |
-# A day that will light us a fire | 0:37:01 | 0:37:04 | |
-# A day that will light us a fire | 0:37:04 | 0:37:09 | |
-# Our hearts swell with song | 0:37:13 | 0:37:18 | |
-# Onward, forward to the morrow | 0:37:19 | 0:37:25 | |
-# Casting all doubting away, -fiery of spirit | 0:37:25 | 0:37:36 | |
-# For the future's beginning | 0:37:38 | 0:37:40 | |
-# For the future's beginning | 0:37:40 | 0:37:42 | |
-# Beginning | 0:37:42 | 0:37:43 | |
-# For the future's beginning, -beginning | 0:37:43 | 0:37:46 | |
-# Beginning | 0:37:46 | 0:37:48 | |
-# Today | 0:37:51 | 0:37:57 | |
-# Today # | 0:38:00 | 0:38:05 | |
-We move on to Beati Mortui -by Mendelssohn. | 0:38:16 | 0:38:19 | |
-It's a quiet song that requires -a lot of breathing control. | 0:38:21 | 0:38:26 | |
-There's a lot of colouring needed. | 0:38:27 | 0:38:30 | |
-This is a simple-sounding song -that is rather difficult to sing. | 0:38:31 | 0:38:36 | |
-# Beati mortui in Domino morientes | 0:38:37 | 0:38:48 | |
-# Beati mortui in Domino morientes -deinenim spiritus | 0:38:49 | 0:39:12 | |
-# Dicit enim spiritus | 0:39:32 | 0:39:34 | |
-# Dicit enim spiritus | 0:39:36 | 0:39:38 | |
-# Ut requiescant a laboribus suis | 0:39:39 | 0:39:51 | |
-# Dicit enim spiritus | 0:39:53 | 0:39:57 | |
-# Ut requiescant a laboribus suis | 0:39:58 | 0:40:06 | |
-# Et opera ilorum | 0:40:07 | 0:40:15 | |
-# Sequunturipsos, sequunturipsos | 0:40:15 | 0:40:28 | |
-# Beati mortui in Domino morientes, -beati mortui | 0:40:30 | 0:40:43 | |
-# Beati, beati mortui, -beati deinceps | 0:40:44 | 0:40:57 | |
-# Beati mortui, -beati, beati, beati | 0:40:59 | 0:41:08 | |
-# Beati mortui, -beati, beati, beati | 0:41:11 | 0:41:25 | |
-# Beati mortui | 0:41:27 | 0:41:29 | |
-# Beati | 0:41:30 | 0:41:35 | |
-Joshua is our third piece. | 0:41:48 | 0:41:50 | |
-It's a fast, rhythmic song... | 0:41:50 | 0:41:52 | |
-..where the singers -have to listen to each other. | 0:41:53 | 0:41:56 | |
-It's challenging -but the choir really likes it. | 0:41:57 | 0:42:00 | |
-We're hoping to add -a little drama to it. | 0:42:00 | 0:42:03 | |
-# Josh'a | 0:42:06 | 0:42:11 | |
-# And the battle of Jericho | 0:42:11 | 0:42:17 | |
-# Josh'a fo't the battle of Jericho | 0:42:18 | 0:42:20 | |
-# Jericho | 0:42:20 | 0:42:22 | |
-# Jericho | 0:42:22 | 0:42:23 | |
-# Josh'a fo't the battle of Jericho | 0:42:24 | 0:42:26 | |
-# And the walls came tumblin' down! | 0:42:27 | 0:42:29 | |
-# You may talk -about your King of Gideon | 0:42:30 | 0:42:33 | |
-# You may talk -about your man of Saul | 0:42:33 | 0:42:35 | |
-# But there's none like good 'ol -Joshua at the battle of Jericho | 0:42:36 | 0:42:41 | |
-# Josh'a fo't the battle of Jericho | 0:42:41 | 0:42:44 | |
-# Jericho | 0:42:45 | 0:42:47 | |
-# Josh'a fo't the battle of Jericho | 0:42:48 | 0:42:51 | |
-# And the walls came tumblin' -and the walls came down | 0:42:52 | 0:42:55 | |
-# Up to the walls of Jericho | 0:42:55 | 0:42:57 | |
-# He marched with spear in hand | 0:42:57 | 0:42:59 | |
-# Go blow those rams' horns -Josh'a cried | 0:43:00 | 0:43:03 | |
-# 'Cos the battle is in my hand | 0:43:03 | 0:43:05 | |
-# Josh'a fo't the battle of Jericho | 0:43:05 | 0:43:07 | |
-# Jericho | 0:43:08 | 0:43:09 | |
-# Jericho | 0:43:09 | 0:43:10 | |
-# Jericho | 0:43:10 | 0:43:11 | |
-# Josh'a fo't the battle of Jericho | 0:43:12 | 0:43:14 | |
-# And the walls came tumblin' -and the walls came down | 0:43:14 | 0:43:18 | |
-# Then the lamb ram sheep horns -begin to blow | 0:43:18 | 0:43:22 | |
-# Trumpets begun to sound | 0:43:22 | 0:43:24 | |
-# Joshua commanded the children -to shout | 0:43:25 | 0:43:28 | |
-# And the walls came tumblin' down | 0:43:34 | 0:43:44 | |
-# Josh'a fo't the battle of Jericho | 0:43:44 | 0:43:47 | |
-# Jericho | 0:43:47 | 0:43:48 | |
-# Jericho | 0:43:49 | 0:43:50 | |
-# Josh'a fo't the battle of Jericho | 0:43:51 | 0:43:56 | |
-# And the walls came tumblin' down | 0:43:57 | 0:44:13 | |
-The final song is -Gwinllan a Roddwyd i'm Gofal. | 0:44:27 | 0:44:31 | |
-It's Caradog Williams' arrangement -of Saunders Lewis' words. | 0:44:31 | 0:44:36 | |
-It's a patriotic song that I hope -the choir enjoys singing. | 0:44:36 | 0:44:41 | |
-# From the horizon -the man's word challenges | 0:44:49 | 0:44:58 | |
-# The vineyard entrusted to our care | 0:45:08 | 0:45:11 | |
-# We'll possess her, -We'll possess her | 0:45:22 | 0:45:30 | |
-# The vineyard entrusted to our care | 0:45:39 | 0:45:44 | |
-# Yes, the vineyard -entrusted to our care | 0:45:56 | 0:45:59 | |
-# We'll possess her -We'll possess her | 0:46:03 | 0:46:14 | |
-# For us to stand firm now | 0:46:55 | 0:47:00 | |
-# Yes, the vineyard -entrusted to our care | 0:47:34 | 0:47:44 | |
-# The vineyard entrusted to our care | 0:48:02 | 0:48:07 | |
-# For Wales, for freedom now | 0:48:07 | 0:48:14 | |
-# For Wales, for freedom now | 0:48:19 | 0:48:28 | |
-Don't be shy! | 0:49:04 | 0:49:05 | |
-Many congratulations. | 0:49:08 | 0:49:09 | |
-I think it went well. | 0:49:10 | 0:49:11 | |
-You have a lot of support backstage. | 0:49:17 | 0:49:19 | |
-I think we stamped in the -right places. | 0:49:22 | 0:49:28 | |
-There were some different -moves from last time. | 0:49:28 | 0:49:31 | |
-It's amazing what a group -of farmers can do. | 0:49:34 | 0:49:37 | |
-Where is Wynnie? Come here. | 0:49:44 | 0:49:45 | |
-Can you describe the day you've had. | 0:49:49 | 0:49:51 | |
-I picked Dafydd up and came -to Aberystwyth. | 0:50:04 | 0:50:06 | |
-We practised at 12. | 0:50:07 | 0:50:08 | |
-I went home to look after the sheep -and came back here for five o'clock. | 0:50:14 | 0:50:18 | |
-That is proper commitment. | 0:50:18 | 0:50:19 | |
-Let's hear how the men have -affected Caryl Parry Jones. | 0:50:24 | 0:50:27 | |
-I think Maria Guinand will -have enjoyed it. | 0:50:33 | 0:50:35 | |
-The dynamic was to be heard -in the first beat. | 0:50:40 | 0:50:43 | |
-There Was A lot of -sensitivity as well. | 0:50:46 | 0:50:48 | |
-Sensitivity from the men -from Machynlleth. | 0:50:49 | 0:50:51 | |
-This choir has only been -going for two years. | 0:50:56 | 0:50:58 | |
-A good cup of tea has to -steep for quite a while. | 0:51:08 | 0:51:11 | |
-They've managed that in a -short space of time. | 0:51:13 | 0:51:15 | |
-They been sensitive when -needed and strong otherwise. | 0:51:16 | 0:51:19 | |
-The Welsh songs suited them better. | 0:51:23 | 0:51:25 | |
-They slipped a bit with the -Mendelssohn. | 0:51:25 | 0:51:27 | |
-We had a Brilliant Start and finish. | 0:51:28 | 0:51:29 | |
-All the voices knew what -they have to do. | 0:51:36 | 0:51:38 | |
-Good luck to them. | 0:51:39 | 0:51:40 | |
-Congratulations. | 0:51:40 | 0:51:41 | |
-It must be great to hear -that from Caryl. | 0:51:45 | 0:51:47 | |
-The lads have worked ever so hard. | 0:51:49 | 0:51:51 | |
-I just wave my arms and -they get on with it. | 0:51:59 | 0:52:01 | |
-Working with them has been -fantastic. | 0:52:03 | 0:52:05 | |
-The whole area has taken you -to their hearts. | 0:52:08 | 0:52:11 | |
-There is so much talent in the area. | 0:52:11 | 0:52:13 | |
-It's Great To have a competitive -male voice choir as well. | 0:52:14 | 0:52:17 | |
-Some real commitment from you. | 0:52:17 | 0:52:19 | |
-But there is also a phone vote -that you can take part in. | 0:52:19 | 0:52:23 | |
-To vote for Cor Meibion Machynlleth -phone the number on the screen now. | 0:52:24 | 0:52:30 | |
-We've heard the second choir. | 0:52:33 | 0:52:35 | |
-There are three more to come. | 0:52:35 | 0:52:37 | |
-We're off for a break now while -Cor Ieuenctid Mon take to the stage. | 0:52:38 | 0:52:43 | |
-Subtitles | 0:52:46 | 0:52:46 | |
-Subtitles | 0:52:48 | 0:52:50 | |
-The nucleus -is 13 and 14-year-old children. | 0:52:52 | 0:52:56 | |
-We are almost 60 in number. Singing -in the choir builds your confidence. | 0:52:57 | 0:53:03 | |
-They showcased -a tremendous amount of musicality. | 0:53:07 | 0:53:11 | |
-They capped that off -with great attention to detail. | 0:53:12 | 0:53:16 | |
-Great pitch, execution and rhythm. | 0:53:17 | 0:53:19 | |
-I was very, very impressed. | 0:53:20 | 0:53:22 | |
-That elongated drum roll -feels like a month to us conductors. | 0:53:23 | 0:53:28 | |
-Cor Ieuenctid Mon. | 0:53:28 | 0:53:30 | |
-It was lovely to hear -our name being called. | 0:53:32 | 0:53:35 | |
-It's our fifth time -in the competition. | 0:53:36 | 0:53:39 | |
-It's an experience -that will stay with me. | 0:53:40 | 0:53:43 | |
-There are no words to describe it. -We were all crying on the stage. | 0:53:44 | 0:53:49 | |
-It was amazing. | 0:53:49 | 0:53:51 | |
-The choirs who aspire to win -this fantastic competition... | 0:53:54 | 0:53:58 | |
-..have to think -of a special ingredient. | 0:53:58 | 0:54:01 | |
-There's always a 5 to 10% -extra in the performance... | 0:54:01 | 0:54:05 | |
-..that you can't put your finger on -but we know it's there. | 0:54:06 | 0:54:10 | |
-It's in the imagination -and the ambition... | 0:54:10 | 0:54:13 | |
-..that you hold for a performance. | 0:54:13 | 0:54:16 | |
-We'll be going for it and doing -the very best we can on the night. | 0:54:16 | 0:54:20 | |
-There are some superb choirs. | 0:54:21 | 0:54:23 | |
-We'll try to enjoy it -and put down a challenge too. | 0:54:23 | 0:54:27 | |
-Anglesey is the 'can do' island -and we can win this final. | 0:54:28 | 0:54:33 | |
-In the final in Aberystwyth... | 0:54:34 | 0:54:36 | |
-..Cor Ieuenctid Mon will win. | 0:54:37 | 0:54:40 | |
-Simple as. | 0:54:42 | 0:54:43 | |
-Cor Ieuenctid Mon. | 0:54:43 | 0:54:45 | |
-Mari Pritchard is their conductor. | 0:54:51 | 0:54:54 | |
-You've got very confident singers. | 0:55:02 | 0:55:04 | |
-They work really hard. | 0:55:05 | 0:55:06 | |
-They have been fully committed -to the competition. | 0:55:13 | 0:55:16 | |
-Good luck to you and please -welcome Cor Ieuenctid Mon. | 0:55:16 | 0:55:19 | |
-We open with -In Paradisum by Gabriel Faure. | 0:55:19 | 0:55:22 | |
-It comes from Faure's famous mass. | 0:55:22 | 0:55:25 | |
-You have to take -great care singing it. | 0:55:25 | 0:55:27 | |
-You need to retain -the purity of the music. | 0:55:28 | 0:55:31 | |
-You need to be -serene and quiet at the end. | 0:55:31 | 0:55:34 | |
-# In paradisum | 0:55:42 | 0:55:51 | |
-# Deducant angeli | 0:55:54 | 0:56:04 | |
-# In tuo adventu suscipiant | 0:56:05 | 0:56:14 | |
-# Te martyres, martyres | 0:56:14 | 0:56:22 | |
-# Sanctam Jerusalem | 0:56:43 | 0:56:51 | |
-# Chorus angelorum | 0:56:52 | 0:56:58 | |
-# Sanctam Jerusalem | 0:57:03 | 0:57:06 | |
-# Chorus angelorum | 0:57:10 | 0:57:18 | |
-# Te suscipiat | 0:57:19 | 0:57:24 | |
-# Cum Lazaro quondam pauper aeternam | 0:57:27 | 0:57:45 | |
-# Habeas, habeas | 0:57:45 | 0:57:48 | |
-# Cum Lazaro quondam pauper aeternam | 0:57:49 | 0:57:56 | |
-# Habeas, habeas | 0:57:57 | 0:58:01 | |
-# Requiem | 0:58:01 | 0:58:10 | |
-# Habeas, habeas | 0:58:26 | 0:58:32 | |
-# Requiem | 0:58:33 | 0:58:52 | |
-The song we are retaining from the -semi-final is Can Crwtyn Y Gwartheg. | 0:59:04 | 0:59:10 | |
-It's a traditional Welsh folk song. | 0:59:10 | 0:59:13 | |
-This time we are going to add -a little movement to the words. | 0:59:14 | 0:59:18 | |
-The words are quite funny. | 0:59:19 | 0:59:21 | |
-It describes a cow -falling in love with a hen. | 0:59:21 | 0:59:24 | |
-There are some hares in there too. | 0:59:24 | 0:59:27 | |
-It's a lovely song. | 0:59:27 | 0:59:29 | |
-# Deri ton deri ton deri ton -deri ton deri ton ton ton ton | 0:59:30 | 0:59:37 | |
-# I have a grey, white-faced cow, -yes a grey, white-faced cow | 0:59:39 | 0:59:44 | |
-# I have a grey, white-faced cow, -yes a grey, white-faced cow | 0:59:46 | 0:59:48 | |
-# She goes to the gate to lie down, -yes, to the gate to lie down | 0:59:49 | 0:59:52 | |
-# I have a tiny chick on the coal, -a tiny chick sick on the coal | 0:59:52 | 0:59:56 | |
-who won't leave my memory at all | 0:59:57 | 1:00:00 | |
-# Ton ton ton deri ton ton ton -deri ton ton ton deri ton ton ton | 1:00:00 | 1:00:03 | |
-# Ton ton ton deri ton ton ton -deri ton ton ton deri ton ton ton | 1:00:03 | 1:00:07 | |
-# Ton ton ton deri deri ton ton ton -ton ton deri deri ton ton | 1:00:07 | 1:00:15 | |
-# Seven sparrows arguing and -throwing dice, yes throwing dice | 1:00:16 | 1:00:21 | |
-# Seven sparrows arguing and -throwing dice, yes throwing dice | 1:00:22 | 1:00:27 | |
-# And the crooked beaked owl -laughing at them, laughing at them | 1:00:27 | 1:00:32 | |
-# And the crooked beaked owl -laughing at them, laughing at them | 1:00:33 | 1:00:37 | |
-# Ton ton ton deri deri ton ton ton -ton ton ton deri ton ton ton | 1:00:38 | 1:00:40 | |
-# Ton ton ton deri deri ton ton ton -ton ton ton deri ton ton ton | 1:00:40 | 1:00:45 | |
-# Ton ton ton deri deri ton ton ton -ton ton ton deri ton ton ton | 1:00:45 | 1:00:49 | |
-# Ton ton ton deri deri ton ton ton -ton ton ton deri ton ton ton | 1:00:49 | 1:00:54 | |
-# I have a hare that is red, -yes a red hare | 1:00:54 | 1:00:59 | |
-# I have a hare that is red -and two bells on her ringing | 1:00:59 | 1:01:04 | |
-# She carries two mill stones, -two stones, yes two mill stones | 1:01:05 | 1:01:10 | |
-# She carries two mill stones, -and beats the greyhounds of Wales | 1:01:10 | 1:01:19 | |
-# Ton ton ton deri deri ton ton ton -ton ton ton deri ton ton ton | 1:01:20 | 1:01:25 | |
-# Ton ton ton deri deri ton ton ton -ton ton ton deri ton ton ton | 1:01:26 | 1:01:30 | |
-# Ton ton ton deri deri ton ton ton -ton ton ton deri ton ton ton | 1:01:30 | 1:01:35 | |
-# Ton ton ton deri deri deri deri -ton ton deri ton deri deri ton ton # | 1:01:35 | 1:01:42 | |
-We turn to John Tavener -for the next piece. | 1:01:55 | 1:01:58 | |
-It's his famous piece - The Lamb. | 1:01:59 | 1:02:02 | |
-The piece is sung in two voices... | 1:02:05 | 1:02:05 | |
-..but it takes a fair amount -of nerve to get it right... | 1:02:06 | 1:02:10 | |
-..through all the phases when those -notes start to get closer together. | 1:02:10 | 1:02:16 | |
-# Little Lamb who made thee | 1:02:17 | 1:02:24 | |
-# Dost thou know who made thee | 1:02:26 | 1:02:37 | |
-# Gave thee life and bid thee feed | 1:02:38 | 1:02:44 | |
-# By the stream and o'er the mead | 1:02:44 | 1:02:51 | |
-# Gave thee clothing of delight | 1:02:51 | 1:02:58 | |
-# Softest clothing wooly bright | 1:02:58 | 1:03:06 | |
-# Gave thee such a tender voice | 1:03:09 | 1:03:21 | |
-# Making all the vales rejoice! | 1:03:22 | 1:03:33 | |
-# Little Lamb who made thee | 1:03:36 | 1:03:53 | |
-# Dost thou know who made thee | 1:03:54 | 1:04:15 | |
-# Little Lamb I'll tell thee | 1:04:16 | 1:04:26 | |
-# Little Lamb I'll tell thee! | 1:04:28 | 1:04:38 | |
-# He is called by thy name | 1:04:39 | 1:04:45 | |
-# For he calls himself a Lamb | 1:04:46 | 1:04:51 | |
-# He is meek and he is mild | 1:04:55 | 1:05:00 | |
-# He became a little child | 1:05:00 | 1:05:09 | |
-# I a child and thou a lamb | 1:05:12 | 1:05:24 | |
-# We are called by his name | 1:05:25 | 1:05:39 | |
-# Little Lamb God bless thee | 1:05:39 | 1:05:52 | |
-# Little Lamb God bless thee # | 1:05:53 | 1:06:21 | |
-We conclude with -a lovely piece by Gareth Glyn. | 1:06:33 | 1:06:36 | |
-We find it very hard to enter any -competition with a piece by Gareth. | 1:06:36 | 1:06:41 | |
-He's a local composer to us -and very supportive of all our work. | 1:06:41 | 1:06:46 | |
-The words are written by another -friend of the choir, Sian Owen. | 1:06:47 | 1:06:52 | |
-# From the frozen winter -comes a scarlet glimmer | 1:06:58 | 1:07:05 | |
-# The flower of summer is springing | 1:07:06 | 1:07:11 | |
-# With crimson complexion, -a thorn of perfection | 1:07:11 | 1:07:16 | |
-# You grow with passion unceasing | 1:07:17 | 1:07:24 | |
-# We sing all your praises -and bask in the blaze | 1:07:28 | 1:07:36 | |
-# That comes O! Rose of our days | 1:07:37 | 1:07:45 | |
-# You blossom each summer -united we sing | 1:07:45 | 1:07:52 | |
-# An anthem of glory | 1:07:53 | 1:07:57 | |
-# O! Rose of our King | 1:07:57 | 1:08:07 | |
-# The dewdrops that gather -upon your bright flower | 1:08:10 | 1:08:13 | |
-# Will wash us -like water from heaven | 1:08:13 | 1:08:18 | |
-but braving its malice | 1:08:20 | 1:08:25 | |
-# You shone in the solace -you've given | 1:08:25 | 1:08:32 | |
-# We dance in the daylight -your petals reveal | 1:08:40 | 1:08:45 | |
-# Your fragrance O! Rose of our zeal | 1:08:46 | 1:08:53 | |
-# You blossom each summer, -united we sing | 1:08:54 | 1:09:01 | |
-# An anthem of glory -O! Rose of our king | 1:09:02 | 1:09:13 | |
-# We dance in the daylight -your petals reveal | 1:09:14 | 1:09:23 | |
-# Your fragrance O! Rose of our zeal | 1:09:23 | 1:09:30 | |
-united we sing | 1:09:31 | 1:09:39 | |
-# An anthem of glory -O! Rose of our king # | 1:09:39 | 1:09:59 | |
-Just listen to that applause. | 1:10:37 | 1:10:39 | |
-Everyone has been so supportive. | 1:10:48 | 1:10:49 | |
-It was a very emotional ending. | 1:10:51 | 1:10:53 | |
-That song was written by two -people from Anglesey. | 1:10:56 | 1:10:58 | |
-They are Gareth Glyn and Sian Owen. | 1:11:02 | 1:11:04 | |
-beautiful words. | 1:11:05 | 1:11:06 | |
-It was so hot on stage. | 1:11:07 | 1:11:08 | |
-It was an amazing and -unforgettable experience. | 1:11:16 | 1:11:18 | |
-We are a big happy Family. | 1:11:18 | 1:11:20 | |
-Caryl Parry Jones will -give her comments. | 1:11:20 | 1:11:23 | |
-Mari Pritchard was very emotional. | 1:11:24 | 1:11:26 | |
-This is a children's choir. | 1:11:29 | 1:11:31 | |
-That's what we had there. | 1:11:45 | 1:11:46 | |
-You could just tell by their faces -that they understood the melodies. | 1:11:52 | 1:11:56 | |
-They are very disciplined. | 1:12:03 | 1:12:04 | |
-They are so tight but so rich. | 1:12:06 | 1:12:08 | |
-Their unison singing was amazing. | 1:12:15 | 1:12:17 | |
-The altos were out of this world. | 1:12:17 | 1:12:18 | |
-Spot on. | 1:12:19 | 1:12:20 | |
-To sing The Lamb unaccompanied -is very challenging. | 1:12:31 | 1:12:34 | |
-The tune Goes against the harmony. | 1:12:37 | 1:12:39 | |
-They did it so Effectively. | 1:12:44 | 1:12:46 | |
-I had a Lump In My throat. | 1:12:48 | 1:12:48 | |
-Thank you, Caryl. | 1:12:48 | 1:12:49 | |
-Which is your favourite piece? | 1:12:55 | 1:12:56 | |
-My favourite is Rhosyn yr Ior. | 1:13:04 | 1:13:06 | |
-We sing that as a team. | 1:13:14 | 1:13:15 | |
-We decided to go for a -very tight programme. | 1:13:26 | 1:13:29 | |
-The piece by John Taverner -was very challenging. | 1:13:30 | 1:13:32 | |
-I couldn't have asked -anything More From Them. | 1:13:33 | 1:13:35 | |
-Well done to The altos. | 1:13:36 | 1:13:38 | |
-Excellet and congratulations. | 1:13:41 | 1:13:43 | |
-There is a viewer's choice. | 1:13:43 | 1:13:45 | |
-To vote for Cor Ieuenctid Mon -phone the number on the screen now. | 1:13:45 | 1:13:50 | |
-We've heard -three of the five choirs. | 1:13:52 | 1:13:54 | |
-There are two to come. | 1:13:55 | 1:13:56 | |
-We're off for a break now -while Cordydd take to the stage. | 1:13:57 | 1:14:02 | |
-Subtitles | 1:14:04 | 1:14:05 | |
-Subtitles | 1:14:07 | 1:14:08 | |
-Cordydd was formed back in 2000. | 1:14:11 | 1:14:13 | |
-We've competed twice in the past. | 1:14:14 | 1:14:16 | |
-We decided this year, since we -hadn't competed for a while... | 1:14:17 | 1:14:21 | |
-..we wanted to go for it again. | 1:14:21 | 1:14:24 | |
-We're a group of people -who meet weekly in Cardiff. | 1:14:24 | 1:14:28 | |
-We have members from 25 years old -all the way through to 50. | 1:14:29 | 1:14:33 | |
-Cordydd won tonight mainly because -it's repertoire choices... | 1:14:34 | 1:14:39 | |
-..allowed it to span a large number -of styles, technical challenges... | 1:14:41 | 1:14:46 | |
-..and musical challenges. | 1:14:46 | 1:14:48 | |
-The choir sang with feeling -from their hearts. | 1:14:49 | 1:14:53 | |
-We were very nervous -before the result. | 1:14:53 | 1:14:57 | |
-We were all standing there -with the other choirs... | 1:14:57 | 1:15:01 | |
-..preparing to pretend not to care -if we hadn't won. | 1:15:02 | 1:15:05 | |
-It's like the Oscars Ceremony, -you hold that smile for the camera. | 1:15:06 | 1:15:10 | |
-Cordydd. | 1:15:10 | 1:15:12 | |
-We'd put in the hours -and we all knew our notes. | 1:15:12 | 1:15:15 | |
-Whatever the result, -we'd done our best. | 1:15:16 | 1:15:19 | |
-We were pleased to win. | 1:15:19 | 1:15:21 | |
-The final will be the first time... | 1:15:23 | 1:15:25 | |
-..the judges hear all five choirs -one after another on the same night. | 1:15:26 | 1:15:32 | |
-level to achieve more success. | 1:15:32 | 1:15:37 | |
-They need to build on -their excellent foundation. | 1:15:38 | 1:15:42 | |
-One of the ways they can do that is -by maintaining an unity of tone... | 1:15:43 | 1:15:48 | |
-..as they reach -the upper dynamic levels. | 1:15:48 | 1:15:52 | |
-At the moment, when they push it, -it can become a little harsh. | 1:15:52 | 1:15:57 | |
-We have to take those thoughts -seriously as we enter the final. | 1:15:57 | 1:16:02 | |
-to lose, they all want to win. | 1:16:03 | 1:16:08 | |
-That's always been -my message for the choir. | 1:16:08 | 1:16:12 | |
-Cordydd. | 1:16:12 | 1:16:14 | |
-I'm here with the conductor of the -fourth choir to take to the stage. | 1:16:20 | 1:16:25 | |
-Huw Foulkes -is the conductor of Cordydd. | 1:16:25 | 1:16:28 | |
-Are you ready for the challenge? | 1:16:29 | 1:16:31 | |
-We are here to enjoy ourselves. | 1:16:35 | 1:16:36 | |
-Winning will be a bonus. | 1:16:38 | 1:16:39 | |
-It's time for you to get onto -that stage and join your choir. | 1:16:39 | 1:16:44 | |
-We begin with Benedicamus Domintheo -by Peter Warlock. | 1:16:46 | 1:16:51 | |
-It speaks about the glory of Christ. | 1:16:52 | 1:16:55 | |
-The challenge for a choir -is not to oversing those elements. | 1:16:56 | 1:16:57 | |
-The challenge for a choir -is not to oversing those elements. | 1:16:57 | 1:17:01 | |
-We hope to set the standard -with this piece. | 1:17:01 | 1:17:05 | |
-# Procedenti puero -Eya, nobis annus est! | 1:17:06 | 1:17:10 | |
-# Virginis ex utero -Gloria! Laudes! | 1:17:10 | 1:17:14 | |
-# Deus homo factus est et immortalis | 1:17:14 | 1:17:19 | |
-# Sine viri semine -Eya nobis annus est! | 1:17:20 | 1:17:24 | |
-# Natus est de virgine -Gloria! Laudes! | 1:17:24 | 1:17:29 | |
-# Deus homo factus est et immortalis | 1:17:30 | 1:17:34 | |
-# Sine viri copia -Eya, nobis annus est! | 1:17:35 | 1:17:40 | |
-# Natus est ex Maria -Gloria! Laudes! | 1:17:40 | 1:17:45 | |
-# Deus homo factus est et immortalis | 1:17:45 | 1:17:51 | |
-# In hoc festo determino -Eya, nobis annus est! | 1:17:52 | 1:17:58 | |
-# Benedicamus Domino! -Gloria! Laudes! | 1:17:58 | 1:18:08 | |
-# Deus homo factus est -et immortalis # | 1:18:08 | 1:18:17 | |
-We will also be performing -Heilig by Mendelssohn. | 1:18:27 | 1:18:30 | |
-Eight separate voices -call and respond to each other. | 1:18:31 | 1:18:35 | |
-In the German language it demands -a lot of linguistic discipline. | 1:18:35 | 1:18:40 | |
-You also need discipline in terms of -movement and balancing the voices. | 1:18:41 | 1:18:47 | |
-# Holy, holy, holy | 1:18:48 | 1:18:52 | |
-# Holy, holy, holy | 1:19:00 | 1:19:06 | |
-# Lord God of hosts | 1:19:06 | 1:19:11 | |
-# Heaven and earth -are full of thy glory | 1:19:12 | 1:19:18 | |
-# Heaven and earth -are full of thy glory | 1:19:18 | 1:19:23 | |
-# Hosanna in heaven | 1:19:23 | 1:19:27 | |
-# Hosanna in heaven | 1:19:28 | 1:19:30 | |
-# Hosanna in heaven | 1:19:30 | 1:19:35 | |
-# Blessed is he -who comes into the name of the Lord | 1:19:35 | 1:19:41 | |
-# Blessed is he -who comes into the name of the Lord | 1:19:42 | 1:19:48 | |
-# Hosanna in heaven | 1:19:49 | 1:19:54 | |
-# Hosanna in heaven | 1:19:55 | 1:20:00 | |
-# Hosanna in heaven # | 1:20:04 | 1:20:12 | |
-Jake Runestad's Alleluia is another -piece that really appeals to us. | 1:20:21 | 1:20:26 | |
-He's a young composer from America. | 1:20:26 | 1:20:29 | |
-It's a rhythmic piece -that asks for clapping. | 1:20:29 | 1:20:33 | |
-That means more discipline | 1:20:33 | 1:20:37 | |
-# Alleluia | 1:20:38 | 1:20:40 | |
-# Alleluia | 1:20:40 | 1:20:41 | |
-# Alleluia | 1:20:43 | 1:20:44 | |
-# Alleluia | 1:20:45 | 1:20:46 | |
-# Alleluia | 1:20:48 | 1:20:49 | |
-# Alleluia | 1:20:50 | 1:20:51 | |
-# Alleluia | 1:20:52 | 1:20:54 | |
-# Alleluia | 1:20:54 | 1:20:56 | |
-# Alleluia | 1:20:56 | 1:20:58 | |
-# Alleluia | 1:20:58 | 1:21:00 | |
-# Alleluia | 1:21:01 | 1:21:03 | |
-# Alleluia | 1:21:03 | 1:21:05 | |
-# Alleluia | 1:21:05 | 1:21:07 | |
-# Alleluia | 1:21:07 | 1:21:09 | |
-# Alleluia | 1:21:09 | 1:21:11 | |
-# Alleluia | 1:21:11 | 1:21:13 | |
-# Alleluia | 1:21:14 | 1:21:15 | |
-# Alleluia | 1:21:16 | 1:21:20 | |
-# Alleluia | 1:21:20 | 1:21:22 | |
-# Alleluia | 1:21:22 | 1:21:23 | |
-# Alleluia | 1:21:24 | 1:21:25 | |
-# Alleluia | 1:21:26 | 1:21:28 | |
-# Alleluia | 1:21:28 | 1:21:30 | |
-# Alleluia | 1:21:30 | 1:21:31 | |
-# Alleluia | 1:21:32 | 1:21:33 | |
-# Alleluia | 1:21:34 | 1:21:41 | |
-# Alleluia | 1:21:44 | 1:21:49 | |
-# Alleluia | 1:21:49 | 1:21:57 | |
-# Alleluia | 1:21:57 | 1:22:02 | |
-# Alleluia | 1:22:06 | 1:22:08 | |
-# Alleluia | 1:22:09 | 1:22:16 | |
-# Alleluia | 1:22:18 | 1:22:21 | |
-# Alleluia | 1:22:21 | 1:22:35 | |
-# Alleluia | 1:22:36 | 1:22:38 | |
-# Alleluia | 1:22:38 | 1:22:40 | |
-# Alleluia | 1:22:41 | 1:22:43 | |
-# Alleluia | 1:22:44 | 1:22:45 | |
-# Alleluia | 1:22:48 | 1:22:48 | |
-# Alleluia | 1:22:48 | 1:22:51 | |
-# Alleluia | 1:22:51 | 1:22:52 | |
-# Alleluia | 1:22:53 | 1:22:56 | |
-# Alleluia | 1:22:57 | 1:22:59 | |
-# Alleluia | 1:22:59 | 1:23:02 | |
-# Alleluia | 1:23:02 | 1:23:04 | |
-# Alleluia | 1:23:05 | 1:23:06 | |
-# Alleluia | 1:23:07 | 1:23:08 | |
-# Alleluia | 1:23:09 | 1:23:11 | |
-# Alleluia | 1:23:11 | 1:23:13 | |
-# Alleluia | 1:23:14 | 1:23:15 | |
-# Alleluia # | 1:23:19 | 1:23:21 | |
-Hear My Prayers, O Lord -is an early piece by Henry Purcell. | 1:23:33 | 1:23:38 | |
-The challenge here is to translate -the passion and emotion in the work. | 1:23:39 | 1:23:44 | |
-We have to get it -across to the audience. | 1:23:45 | 1:23:49 | |
-# Hear my prayer, O Lord | 1:23:50 | 1:23:55 | |
-# And let my crying come unto thee | 1:23:56 | 1:24:07 | |
-# Hear my prayer, O Lord | 1:24:08 | 1:24:13 | |
-# And let my crying come unto thee | 1:24:14 | 1:24:22 | |
-# Hear my prayer, O Lord | 1:24:22 | 1:24:27 | |
-# And let my crying come unto thee | 1:24:28 | 1:24:40 | |
-# Hear my prayer, O Lord | 1:24:41 | 1:24:52 | |
-# And let my crying come unto thee | 1:24:52 | 1:25:07 | |
-# Hear my prayer, O Lord | 1:25:07 | 1:25:14 | |
-# And let my crying come unto thee | 1:25:14 | 1:25:29 | |
-# Hear my prayer, O Lord | 1:25:29 | 1:25:41 | |
-# And let my crying come unto thee # | 1:25:47 | 1:25:53 | |
-Our final piece is a special -arrangement of Elton John's... | 1:26:06 | 1:26:11 | |
-..Don't let The Sun Go Down On Me. | 1:26:11 | 1:26:14 | |
-I wanted one piece of light, -contemporary music for the final. | 1:26:15 | 1:26:20 | |
-choir should be able to enjoy... | 1:26:21 | 1:26:26 | |
-..the conclusion to our repertoire. | 1:26:27 | 1:26:30 | |
-# Don't let the sun go down on me | 1:26:39 | 1:26:46 | |
-# I can't light -no more of your darkness | 1:27:04 | 1:27:13 | |
-# All my pictures -seem to fade to black and white | 1:27:16 | 1:27:24 | |
-# I'm growing tired and time -stands still before me | 1:27:28 | 1:27:36 | |
-# Frozen here on the ladder -of my life | 1:27:40 | 1:27:50 | |
-# Don't let the sun go down on me | 1:27:55 | 1:27:58 | |
-# Although I search myself, -it's always someone else I see | 1:27:59 | 1:28:04 | |
-# I'd just allow a fragment -of your life to wander free | 1:28:05 | 1:28:16 | |
-# But losing everything -is like the sun going down on me | 1:28:16 | 1:28:25 | |
-# I can't find oh, -the right romantic line | 1:28:37 | 1:28:46 | |
-# But see me once and see the way -I feel | 1:28:49 | 1:29:01 | |
-# Don't discard me just -because you think I mean you harm | 1:29:01 | 1:29:13 | |
-# But these cuts I have, -oh they need love to help them heal | 1:29:13 | 1:29:25 | |
-# Don't let the sun go down on me | 1:29:25 | 1:29:30 | |
-# Although I search myself, | 1:29:31 | 1:29:36 | |
-# I'd just allow a fragment -of your life to wander free | 1:29:37 | 1:29:47 | |
-# But losing everything -is like the sun going down on me | 1:29:48 | 1:30:07 | |
-# The sun going down on me # | 1:30:23 | 1:30:31 | |
-Cordydd, how did it go? | 1:30:54 | 1:30:56 | |
-Are you happy? | 1:30:58 | 1:30:59 | |
-And relax! | 1:31:01 | 1:31:02 | |
-That was quite a finish. | 1:31:08 | 1:31:09 | |
-We were looking for some style -we hadn't tried before. | 1:31:15 | 1:31:18 | |
-The words and the message -were so fitting. | 1:31:23 | 1:31:25 | |
-We Are Happy To Be here. We don't -care about the result. | 1:31:32 | 1:31:35 | |
-It Was Clear From The Performance... | 1:31:35 | 1:31:37 | |
-..That You Were Happy to be -getting to The End. | 1:31:37 | 1:31:39 | |
-We can enjoy and relax now. | 1:31:40 | 1:31:42 | |
-We will be having a pint -or two later on. | 1:31:47 | 1:31:49 | |
-We're not telling where we're going. | 1:31:51 | 1:31:53 | |
-There's a lovely atmosphere between -all the choirs backstage. | 1:31:55 | 1:31:57 | |
-Let's hear what -Caryl Parry thought. | 1:31:57 | 1:31:59 | |
-Did this choir sing from -their hearts? | 1:32:12 | 1:32:14 | |
-In buckets. | 1:32:15 | 1:32:16 | |
-Making something sound simple... | 1:32:26 | 1:32:28 | |
-competition like this. | 1:32:29 | 1:32:32 | |
-This choir can do that all the time. | 1:32:33 | 1:32:35 | |
-Every section of the -choir is rich in tone. | 1:32:40 | 1:32:42 | |
-They seem to lift us up -with their singing. | 1:32:54 | 1:32:56 | |
-They were superb in getting the -vowel sound correct... | 1:33:08 | 1:33:11 | |
-..in several of those pieces, -especially Alleluia. | 1:33:19 | 1:33:21 | |
-I wasn't keen on the -pop song at the end. | 1:33:22 | 1:33:23 | |
-It Was nearly perfect. | 1:33:24 | 1:33:25 | |
-Nearly perfect good enough? | 1:33:29 | 1:33:30 | |
-We needed something -different at the end. | 1:33:36 | 1:33:38 | |
-Caryl Parry Jones has praised -everybody this evening. | 1:33:43 | 1:33:46 | |
-We are happy to be part of that. | 1:33:46 | 1:33:48 | |
-Congratulations to you. | 1:33:50 | 1:33:51 | |
-Please remember that there are -three prizes on offer tonight. | 1:33:56 | 1:34:01 | |
-But there is also a phone vote -that you can take part in. | 1:34:01 | 1:34:06 | |
-We're off for a break now while -Ysgol Gerdd Ceredigion get ready. | 1:34:08 | 1:34:13 | |
-Subtitles | 1:34:15 | 1:34:16 | |
-Subtitles | 1:34:17 | 1:34:18 | |
-Cor Merched Ysgol Gerdd Ceredigion -are the girls of Cywair... | 1:34:20 | 1:34:24 | |
-..and the eldest singers -of Cor Plant Ysgol Ceredigion. | 1:34:25 | 1:34:29 | |
-The boys had the opportunity -to form a boys' choir. | 1:34:30 | 1:34:33 | |
-We're putting our stamp on it now. | 1:34:34 | 1:34:36 | |
-The situation with the girls -was quite surreal. | 1:34:40 | 1:34:44 | |
-There was no competition but -I was happy with our performance. | 1:34:46 | 1:34:51 | |
-To think we were the only ones -competing... | 1:34:51 | 1:34:55 | |
-..we were still under pressure -to go through to the final. | 1:34:55 | 1:35:00 | |
-The feeling of standing on stage -is very unique. | 1:35:00 | 1:35:04 | |
-Something comes over you -and you want to win. | 1:35:05 | 1:35:09 | |
-They performed a good programme that -was diverse and well constructed... | 1:35:13 | 1:35:19 | |
-..and suitably challenging. | 1:35:19 | 1:35:21 | |
-They did it -with a good visual performance. | 1:35:22 | 1:35:25 | |
-It was nice to find out that | 1:35:25 | 1:35:29 | |
-The judges say... | 1:35:30 | 1:35:31 | |
-..yes. | 1:35:32 | 1:35:33 | |
-It would have been embarrassing -had we not gone through. | 1:35:35 | 1:35:39 | |
-It was nice to know -that we have a chance now. | 1:35:40 | 1:35:43 | |
-If this choir wants to win they need -to up their repertoire selection... | 1:35:44 | 1:35:49 | |
-..and pick challenging material -that will impress the judges. | 1:35:50 | 1:35:55 | |
-to believe we're as good as them. | 1:35:55 | 1:36:00 | |
-We have to do the best we can -and hope that's enough. | 1:36:00 | 1:36:04 | |
-Concentrate on us -and not think about them. | 1:36:04 | 1:36:07 | |
-Practising is an important part -of our success. | 1:36:12 | 1:36:13 | |
-I think there's pure talent -in Castellnewy'. | 1:36:13 | 1:36:17 | |
-Ysgol Gerdd Ceredigion. | 1:36:18 | 1:36:20 | |
-Ysgol Gerdd Ceredigion are about to -round off this competition for us. | 1:36:24 | 1:36:29 | |
-And he's back, Islwyn Evans. | 1:36:29 | 1:36:31 | |
-We will do our best. | 1:36:35 | 1:36:36 | |
-Ysgol Gerdd Ceredigion to perform. | 1:36:37 | 1:36:41 | |
-We start with -Ave Maria by Franz Biebl. | 1:36:44 | 1:36:47 | |
-It feels like something that's -been around forever but it hasn't. | 1:36:48 | 1:36:53 | |
-It's only 40 years old or so. | 1:36:54 | 1:36:56 | |
-It'll give us a different sound -to the previous round. | 1:36:58 | 1:37:02 | |
-# Ave Maria | 1:37:15 | 1:37:21 | |
-# Gratia plena | 1:37:21 | 1:37:27 | |
-# Dominus, Dominus tecum | 1:37:28 | 1:37:38 | |
-# Benedicta tu in mulieribus | 1:37:38 | 1:37:51 | |
-# Et benedictus | 1:37:55 | 1:38:01 | |
-# Fructus ventris tui, Jesus | 1:38:02 | 1:38:23 | |
-# Ave Maria, gratia plena | 1:38:24 | 1:38:29 | |
-# Sancta Maria | 1:38:30 | 1:38:36 | |
-# Mater Dei, mater Dei | 1:38:39 | 1:38:46 | |
-# Nunc et in hora, -hora mortis nostrae | 1:38:47 | 1:38:52 | |
-# Sancta Maria, mater Dei | 1:38:53 | 1:39:03 | |
-# Ora pronobis, peccatoribus | 1:39:03 | 1:39:12 | |
-# Nunc et in hora, -hora mortis nostrae | 1:39:13 | 1:39:27 | |
-# Amen | 1:39:32 | 1:39:40 | |
-# Amen | 1:39:41 | 1:39:57 | |
-# Amen # | 1:39:58 | 1:40:01 | |
-We move to a SSAA arrangement -of Henffych Datws by Gareth Glyn. | 1:40:12 | 1:40:20 | |
-The fun flows through this piece. | 1:40:22 | 1:40:25 | |
-There's a huge -vocal challenge in this one. | 1:40:26 | 1:40:29 | |
-We hope for the best. | 1:40:30 | 1:40:32 | |
-# Hail, potatoes! | 1:40:33 | 1:40:37 | |
-# Heaven knows -you're beautiful to look at | 1:40:39 | 1:40:50 | |
-# Although a kiss is too much, -I suppose | 1:40:54 | 1:40:57 | |
-# I really love to look at you -between my splayed toes | 1:40:58 | 1:41:02 | |
-# I greet you, beetroots | 1:41:04 | 1:41:06 | |
-# There's something about your name -that looks orchestral | 1:41:07 | 1:41:13 | |
-# Something elevated and ancestral | 1:41:13 | 1:41:20 | |
-# The sound of flutes, -the sound of flutes and drumbeats | 1:41:22 | 1:41:27 | |
-# This would not be true if you | 1:41:27 | 1:41:30 | |
-# Were called bootreets, -called bootreets | 1:41:30 | 1:41:34 | |
-# You must agree | 1:41:34 | 1:41:43 | |
-# That you're not half as jolly -or splendid as a caulie | 1:41:44 | 1:41:50 | |
-# With its cream curls -in their green bower | 1:41:51 | 1:41:58 | |
-# No, I prefer a cauliflower | 1:41:59 | 1:42:05 | |
-# Well met, faithful cabbage, -well met, faithful cabbage | 1:42:06 | 1:42:12 | |
-# In one leafy package | 1:42:13 | 1:42:23 | |
-# You're the greenest, -meanest ball of all | 1:42:23 | 1:42:32 | |
-# In truth | 1:42:33 | 1:42:36 | |
-# How on earth could I be savage -to a freshly gathered cabbage | 1:42:36 | 1:42:46 | |
-# O | 1:42:47 | 1:42:56 | |
-# Sprouts | 1:42:56 | 1:43:00 | |
-# I have doubts, and that's -after straining my brain muscles | 1:43:00 | 1:43:09 | |
-# That you have come here -all the way from Brussels | 1:43:09 | 1:43:20 | |
-# In choosing -what goes into my belly | 1:43:20 | 1:43:25 | |
-# I have to inform you -that I'd go for jelly | 1:43:25 | 1:43:29 | |
-# Then each finger cried out -in tearful anger | 1:43:29 | 1:43:34 | |
-# The cry, 'Farewell, O Veg rack' -carried to the Australian outback | 1:43:34 | 1:43:42 | |
-# And then kitchen water removed -each trace from a daughter | 1:43:45 | 1:43:52 | |
-# Of a basket -that had so enchanted her # | 1:43:52 | 1:44:02 | |
-..of the African hymn Ukuthula. | 1:44:16 | 1:44:16 | |
-..of the African hymn Ukuthula. | 1:44:16 | 1:44:16 | |
-..of the African hymn Ukuthula. | 1:44:16 | 1:44:16 | |
-..of the African hymn Ukuthula. | 1:44:16 | 1:44:20 | |
-On the page -this looks deceptively easy. | 1:44:21 | 1:44:24 | |
-It's one of those quiet pieces... | 1:44:24 | 1:44:29 | |
-..that comes to life once -you start working with its notes. | 1:44:29 | 1:44:36 | |
-# Ukuthula | 1:44:38 | 1:44:46 | |
-# Ukuthula | 1:44:52 | 1:44:55 | |
-# Kulo mhlaba wezono | 1:44:56 | 1:45:02 | |
-# Igazi lika Jesu | 1:45:03 | 1:45:12 | |
-# Linyenyez' ukuthula | 1:45:13 | 1:45:22 | |
-# Ukubonga | 1:45:23 | 1:45:34 | |
-# Kulo mhlaba wezono | 1:45:37 | 1:45:46 | |
-# Igazi lika Jesu | 1:45:46 | 1:45:57 | |
-# Linyenyez' ukuthula | 1:45:57 | 1:46:07 | |
-# Ukunqoba! | 1:46:12 | 1:46:20 | |
-# Kulo mhlaba wezono! | 1:46:21 | 1:46:30 | |
-# Aleluia | 1:46:30 | 1:46:33 | |
-# Igazi | 1:46:33 | 1:46:36 | |
-# Lika Jesu | 1:46:36 | 1:46:41 | |
-# Linyenyez | 1:46:41 | 1:46:46 | |
-# Ukunqoba | 1:46:46 | 1:46:49 | |
-# Ukuthula | 1:46:52 | 1:46:55 | |
-# Mm-mm-mm-mm | 1:46:55 | 1:47:00 | |
-# Ukuthula | 1:47:04 | 1:47:06 | |
-# Mm-mm-mm-mm | 1:47:07 | 1:47:13 | |
-# Aleluia | 1:47:14 | 1:47:16 | |
-# Mm-mm-mm-mm | 1:47:17 | 1:47:22 | |
-# Mm-mm-mm-mm # | 1:47:23 | 1:47:57 | |
-We finish our programme with -a piece by the Finn, Mantyjarvi. | 1:48:10 | 1:48:15 | |
-It's called Pseudo-Yoik Lite. | 1:48:17 | 1:48:19 | |
-It's a light-hearted satire -of chanting from Lapland. | 1:48:20 | 1:48:28 | |
-# Hai, hai, nan naa | 1:48:32 | 1:48:34 | |
-# Hai, hai, nan naa | 1:48:35 | 1:48:39 | |
-# Nun, nuu, nan naa | 1:48:39 | 1:48:42 | |
-# Hai, hai, nan naa | 1:48:43 | 1:48:44 | |
-# Hai, hai, nan naa | 1:48:46 | 1:48:47 | |
-# Nun, nuu, nan naa | 1:48:50 | 1:48:52 | |
-# Hai, hai, nuu naa | 1:48:55 | 1:48:56 | |
-# Jan naa, jan naa | 1:48:58 | 1:48:59 | |
-# Nou noko noko, nou noko | 1:48:59 | 1:49:01 | |
-# Nou noma niga | 1:49:02 | 1:49:03 | |
-# Nou noko, nou noko, nou | 1:49:06 | 1:49:06 | |
-# Nou noko noko, nou noko nou | 1:49:06 | 1:49:09 | |
-# Hai jemu noma, nan naa | 1:49:11 | 1:49:13 | |
-# Hai nan noma neuu nuu | 1:49:16 | 1:49:16 | |
-# Hai jemu noma nan naa | 1:49:16 | 1:49:18 | |
-# Nun nuu nan naa | 1:49:19 | 1:49:20 | |
-# Hai jemu noma, nan naa | 1:49:24 | 1:49:25 | |
-# Hai nan noma neuu nuu | 1:49:26 | 1:49:28 | |
-# Hai jemu noma nan naa | 1:49:29 | 1:49:31 | |
-# Hai jemu noma, nan naa | 1:49:32 | 1:49:33 | |
-# Hai nan noma neuu nuu | 1:49:34 | 1:49:36 | |
-# Hai jemu noma, nan naa | 1:49:37 | 1:49:39 | |
-# Hai nan noma neuu nuu | 1:49:39 | 1:49:41 | |
-# Hai jemu noma nan naa | 1:49:42 | 1:49:44 | |
-# Nun nuu nan naa | 1:49:45 | 1:49:46 | |
-# Hai jemu noma, nan naa | 1:49:47 | 1:49:49 | |
-# Hai nan noma neuu nuu | 1:49:50 | 1:49:52 | |
-# Hai jemu noma nan naa | 1:49:52 | 1:49:54 | |
-# Nun nuu nan naa | 1:49:55 | 1:49:56 | |
-# Hai jemu noma, nan naa | 1:49:59 | 1:50:01 | |
-# Hai nan noma neuu nuu | 1:50:01 | 1:50:03 | |
-# Hai jemu noma nan naa | 1:50:04 | 1:50:05 | |
-# Nun nuu nan naa | 1:50:06 | 1:50:07 | |
-# Jei nan nou mam maa | 1:50:09 | 1:50:11 | |
-# Jan naa nou nan naa | 1:50:12 | 1:50:14 | |
-# Jan naa maa | 1:50:15 | 1:50:16 | |
-# Hai nan noma neuu nuu | 1:50:18 | 1:50:20 | |
-# Hai jemu noma nan naa | 1:50:20 | 1:50:22 | |
-# Nun nuu nan naa | 1:50:24 | 1:50:25 | |
-# Nou nan naa | 1:50:26 | 1:50:27 | |
-# No ga ni ga nou | 1:50:28 | 1:50:29 | |
-# Jei nan nou | 1:50:31 | 1:50:32 | |
-# Jan naa # | 1:50:33 | 1:50:37 | |
-Cor Merched Ysgol Gerdd Ceredigion, -how did it go? | 1:51:00 | 1:51:04 | |
-That was a brilliant performance. | 1:51:13 | 1:51:17 | |
-That final piece sounded -very difficult. | 1:51:24 | 1:51:27 | |
-The conductor really challenged -us with that final piece. | 1:51:32 | 1:51:35 | |
-You have to sing through your noses. | 1:51:41 | 1:51:42 | |
-It's a nasal song. | 1:51:43 | 1:51:43 | |
-I'm not sure we filled the -brief with that song. | 1:51:52 | 1:51:55 | |
-The African prayer was the one that -brought the voices down a register. | 1:52:10 | 1:52:13 | |
-Let's hear what -Caryl Parry thought. | 1:52:14 | 1:52:17 | |
-The judges are retiring to -consider the decision. | 1:52:24 | 1:52:27 | |
-What did you think, Caryl. | 1:52:31 | 1:52:33 | |
-The final song was extraordinary. | 1:52:42 | 1:52:43 | |
-It was a satire on Lapland chanting. | 1:52:52 | 1:52:54 | |
-I'm not an expert on that, But -it sounded wonderful. | 1:52:58 | 1:53:00 | |
-They have such a clean sound. | 1:53:01 | 1:53:02 | |
-It was a very challenging programme. | 1:53:09 | 1:53:10 | |
-It was very brave. | 1:53:11 | 1:53:12 | |
-The Gareth Glyn piece demanded a -great deal of control. | 1:53:24 | 1:53:27 | |
-I would have liked to hear the -sound opening up a little. | 1:53:34 | 1:53:36 | |
-On the whole, I thought -they were brilliant. | 1:53:40 | 1:53:42 | |
-We have to praise all the -accompanists as well. | 1:53:48 | 1:53:51 | |
-I would lift my hat to them. | 1:53:51 | 1:53:52 | |
-Is it nice to hear that -kind of praise? | 1:54:01 | 1:54:03 | |
-It is indeed after putting -so much work into it. | 1:54:06 | 1:54:09 | |
-The accompanists do deserve praise. | 1:54:16 | 1:54:18 | |
-They work very hard too. | 1:54:21 | 1:54:22 | |
-Is it nice to sing as a team? | 1:54:25 | 1:54:26 | |
-Yes, we have to work as a team. | 1:54:30 | 1:54:32 | |
-It's nice when it all -comes together. | 1:54:34 | 1:54:36 | |
-To vote for Ysgol Gerdd Ceredigion -phone the number on the screen now. | 1:54:37 | 1:54:43 | |
-We've heard all five choirs. | 1:55:05 | 1:55:07 | |
-We're off for a break. | 1:55:14 | 1:55:16 | |
-Subtitles | 1:55:26 | 1:55:27 | |
-Subtitles | 1:55:28 | 1:55:29 | |
-Welcome back to Aberystwyth. | 1:55:33 | 1:55:35 | |
-The atmosphere is electric. | 1:55:47 | 1:55:48 | |
-There is a Viewers' Choice award. | 1:55:52 | 1:55:54 | |
-You can vote for your -favourite choir. | 1:55:55 | 1:55:57 | |
-For Cor Merched Sir Gar -phone this number. | 1:55:58 | 1:56:00 | |
-# The lark is singing on high | 1:56:04 | 1:56:06 | |
-# The Sun's ashine in the blue | 1:56:06 | 1:56:09 | |
-# The Winter is driven away | 1:56:09 | 1:56:13 | |
-# And Spring is returning anew | 1:56:13 | 1:56:17 | |
-# Leba! leba! leba! leba! leba! -leba! leba! leba! la! oi! # | 1:56:29 | 1:56:34 | |
-# If you want to praise him, -say Amen | 1:56:35 | 1:56:37 | |
-# Say Amen | 1:56:39 | 1:56:40 | |
-# Say Amen | 1:56:41 | 1:56:51 | |
-The second choir was -Cor Meibion Machynlleth. | 1:57:10 | 1:57:13 | |
-# A day that will light us a fire | 1:57:30 | 1:57:33 | |
-# Then the lamb ram sheep horns -begin to blow | 1:57:46 | 1:57:49 | |
-# Trumpets begun to sound | 1:57:49 | 1:57:51 | |
-# Jericho | 1:57:52 | 1:57:53 | |
-# And the walls came tumblin' -and the walls came down | 1:57:55 | 1:58:00 | |
-# Homeland of mine # | 1:58:09 | 1:58:16 | |
-Next onto the stage -were Cor Ieuenctid Mon. | 1:58:22 | 1:58:26 | |
-Here's how they got on. | 1:58:32 | 1:58:34 | |
-# Sanctam Jerusalem | 1:58:49 | 1:59:04 | |
-# Ton ton ton deri deri ton ton ton -ton ton ton deri ton ton ton | 1:59:08 | 1:59:12 | |
-# Ton ton ton deri deri ton ton ton -ton ton ton deri ton ton ton | 1:59:12 | 1:59:16 | |
-# Ton ton ton deri deri ton ton ton -ton ton ton deri ton ton ton | 1:59:17 | 1:59:21 | |
-# An anthem of glory -O! Rose of our king # | 1:59:29 | 1:59:43 | |
-Fourth on stage were Cordydd. | 1:59:52 | 1:59:55 | |
-Here's how they got on. | 1:59:59 | 2:00:01 | |
-# In hoc festo determino -Eya, nobis annus est! | 2:00:10 | 2:00:13 | |
-# Benedicamus Domino! -Gloria! Laudes! | 2:00:14 | 2:00:17 | |
-# Deus homo factus est -et immortalis # | 2:00:18 | 2:00:22 | |
-# Alleluia | 2:00:25 | 2:00:26 | |
-# Alleluia | 2:00:26 | 2:00:28 | |
-# Alleluia | 2:00:28 | 2:00:29 | |
-# Alleluia | 2:00:30 | 2:00:31 | |
-# Alleluia | 2:00:32 | 2:00:34 | |
-# Alleluia | 2:00:35 | 2:00:43 | |
-# But losing everything -is like the sun going down on me # | 2:00:57 | 2:01:11 | |
-Last on the stage -were Ysgol Gerdd Ceredigion. | 2:01:16 | 2:01:20 | |
-Here is the number for them. | 2:01:24 | 2:01:24 | |
-Here's how they got on. | 2:01:26 | 2:01:27 | |
-# Et benedictus | 2:01:30 | 2:01:35 | |
-# Fructus ventris tui, Jesus | 2:01:35 | 2:01:55 | |
-# You must agree | 2:02:12 | 2:02:14 | |
-# That you're not half as jolly -or splendid as a caulie | 2:02:16 | 2:02:20 | |
-# Nun, nuu, nan naa | 2:02:21 | 2:02:22 | |
-# Hai jemu noma, nan naa | 2:02:26 | 2:02:28 | |
-# Jan naa # | 2:02:30 | 2:02:31 | |
-Those are all the phone -numbers for you. | 2:02:41 | 2:02:43 | |
-It costs 25 pence. | 2:02:50 | 2:02:51 | |
-It can be more expensive -from mobile phones. | 2:02:52 | 2:02:55 | |
-Another competition was held here. -in Aberystwyth this weekend. | 2:03:06 | 2:03:09 | |
-Cor Cymru Cynradd also took -place last Evening. | 2:03:10 | 2:03:12 | |
-Here they are singing Ffrindiau. | 2:03:12 | 2:03:15 | |
-# When old friends in groups -meet up once again | 2:03:19 | 2:03:22 | |
-# There'll be a feast of joy | 2:03:24 | 2:03:27 | |
-# Such happy mem'ries, -stories galore | 2:03:27 | 2:03:30 | |
-# So much to enjoy! | 2:03:31 | 2:03:34 | |
-# Sounds of song and laughter -you'll be hearing | 2:03:35 | 2:03:38 | |
-# All round the village square | 2:03:39 | 2:03:42 | |
-# The tongues all wagging, -plenty to say | 2:03:42 | 2:03:46 | |
-# When old friends meet, -when old friends meet up there | 2:03:46 | 2:03:51 | |
-# How grand to have such companions | 2:03:52 | 2:03:56 | |
-# Around you, day after day | 2:03:57 | 2:04:01 | |
-# How grand to have such enjoyment | 2:04:01 | 2:04:04 | |
-# And laugh cares away, -laugh cares away | 2:04:04 | 2:04:08 | |
-# Friends whose sympathy -is with you always | 2:04:09 | 2:04:12 | |
-# Whose jokes make light of strife | 2:04:13 | 2:04:16 | |
-# They give assurance, -comfort with smiles | 2:04:16 | 2:04:20 | |
-# True companions, -true companions for life | 2:04:20 | 2:04:26 | |
-# How grand to have such companions | 2:04:26 | 2:04:29 | |
-# Around you, day after day | 2:04:30 | 2:04:32 | |
-# How grand to have such enjoyment | 2:04:33 | 2:04:36 | |
-# And laugh cares away, -laugh cares away | 2:04:37 | 2:04:40 | |
-# Friends whose sympathy -is with you always | 2:04:41 | 2:04:45 | |
-# Whose jokes make light of strife | 2:04:46 | 2:04:48 | |
-# They give assurance, -comfort with smiles | 2:04:50 | 2:04:53 | |
-# True companions, -true companions for life # | 2:04:54 | 2:05:03 | |
-That was the massed choir from -yesterday's competition. | 2:05:09 | 2:05:12 | |
-They were wonderful. | 2:05:17 | 2:05:18 | |
-It's time now for us to go -for another break... | 2:05:20 | 2:05:23 | |
-Subtitles | 2:05:31 | 2:05:33 | |
-Subtitles | 2:05:33 | 2:05:34 | |
-Welcome back to Aberystwyth. | 2:05:35 | 2:05:37 | |
-The lines have now closed -for the audience vote. | 2:05:41 | 2:05:45 | |
-or you might be charged. | 2:05:47 | 2:05:50 | |
-It's time to put -Caryl Parry Jones on the spot. | 2:05:54 | 2:05:58 | |
-Who has won this competition? | 2:06:01 | 2:06:03 | |
-I don't know! | 2:06:07 | 2:06:08 | |
-I have a battle between -my heart and my head. | 2:06:20 | 2:06:22 | |
-Cordydd are a amazing choir. | 2:06:23 | 2:06:24 | |
-Their voices and strength as a -choir is a credit to us all. | 2:06:32 | 2:06:35 | |
-However, I must go to the choir -That Moved me the most. | 2:06:41 | 2:06:43 | |
-That would be Cor Ieuenctid Mon. | 2:06:49 | 2:06:51 | |
-Some of the audience -agrees With you. | 2:06:51 | 2:06:53 | |
-Please welcome back our judges. | 2:06:59 | 2:07:00 | |
-While they make their way to the -stage let's take a look at... | 2:07:05 | 2:07:10 | |
-..what it takes to be -a successful conductor of a choir. | 2:07:10 | 2:07:15 | |
-A conductor -is a very special person. | 2:07:18 | 2:07:21 | |
-The choir is always -the embodiment of its conductor. | 2:07:22 | 2:07:26 | |
-They trust you for what you can -give them. And you trust them. | 2:07:27 | 2:07:32 | |
-If the choir really manages to sing -with enjoyment and eagerness... | 2:07:33 | 2:07:38 | |
-..it happens because the boss -has managed to convey the message... | 2:07:39 | 2:07:43 | |
-..with physical movement, -total knowledge of the music... | 2:07:44 | 2:07:48 | |
-..technique and most importantly -superb leadership. | 2:07:48 | 2:07:53 | |
-The first step for any choir... | 2:07:59 | 2:08:01 | |
-..is the conductor's selections -for the repertoire. | 2:08:02 | 2:08:06 | |
-It has to be a selection -that's appropriate for the choir. | 2:08:07 | 2:08:11 | |
-It has to offer a variety of styles -in which it is interpreted... | 2:08:11 | 2:08:21 | |
-It's not like being -an orchestral conductor. | 2:08:22 | 2:08:24 | |
-The voice is so open and vulnerable. -You need special people for the job. | 2:08:25 | 2:08:30 | |
-Being a chorus conductor involves -teaching about the instrument... | 2:08:31 | 2:08:36 | |
-..as much as directing... | 2:08:37 | 2:08:39 | |
-..the singers on what -to sing and when to sing them. | 2:08:39 | 2:08:43 | |
-Also a considerable knowledge... | 2:08:43 | 2:08:45 | |
-..of how to produce -the sound of the human voice. | 2:08:45 | 2:08:49 | |
-A successful conductor -is like a wizard. | 2:08:50 | 2:08:53 | |
-Our first award tonight is for the -best conductor in the competition. | 2:09:03 | 2:09:09 | |
-Vince Morgans will award the prize. | 2:09:19 | 2:09:21 | |
-The best conductor -in Cor Cymru 2017 is... | 2:09:24 | 2:09:27 | |
-..Eilir Owen Griffiths. | 2:09:31 | 2:09:33 | |
-Eilir, many congratulations. | 2:09:59 | 2:10:01 | |
-I just came here to watch the final. | 2:10:05 | 2:10:06 | |
-I can't believe it. | 2:10:10 | 2:10:11 | |
-I am very thankful. It's -really for the choir. | 2:10:20 | 2:10:22 | |
-Cf1 work Just as hard as I Do. | 2:10:26 | 2:10:28 | |
-Let's remind us of his efforts. | 2:10:28 | 2:10:29 | |
-Eilir Is bonkers. | 2:10:38 | 2:10:39 | |
-And enthusiastic. | 2:10:41 | 2:10:41 | |
-Determined. | 2:10:42 | 2:10:42 | |
-All over the place. | 2:10:46 | 2:10:47 | |
-I don't know what we expected -when the choir was formed. | 2:10:58 | 2:11:01 | |
-I didn't expect our success. | 2:11:01 | 2:11:02 | |
-I felt comfortable with a -conductor without a score. | 2:11:19 | 2:11:22 | |
-A conductor is a good communicator. | 2:11:26 | 2:11:28 | |
-Getting the choir to communicate -with an audience. | 2:11:32 | 2:11:35 | |
-They must also allow the choir to -enjoy the performance. | 2:11:45 | 2:11:48 | |
-I have grown as a conductor whilst -competing with Cor Cymru. | 2:11:54 | 2:11:58 | |
-I had a lot of hair when we -won as a youth choir. | 2:12:01 | 2:12:04 | |
-I've had a lot of highlights. | 2:12:08 | 2:12:10 | |
-We won the mixed choir -competition four years ago. | 2:12:16 | 2:12:18 | |
-We were against some -amazing choirs that night. | 2:12:25 | 2:12:28 | |
-I will never remember when -member telling me... | 2:12:37 | 2:12:39 | |
-..that the only thing left they -had to give was blood. | 2:12:42 | 2:12:45 | |
-I was very impressed with a -conductor... | 2:12:59 | 2:13:01 | |
-..who had the courage to drop the -beat at the beginning. | 2:13:01 | 2:13:04 | |
-Telling his choir they -were in charge. | 2:13:04 | 2:13:06 | |
-I wouldn't change him for anything. | 2:13:20 | 2:13:22 | |
-He is the best person to lead us. | 2:13:23 | 2:13:25 | |
-Congratulations to -Eilir Owen Griffiths. | 2:13:46 | 2:13:48 | |
-Next we have the phone vote. | 2:13:49 | 2:13:51 | |
-Which choir -impressed you most at home? | 2:13:52 | 2:13:55 | |
-35 Diwrnod will follow the -end of this programme. | 2:14:14 | 2:14:17 | |
-Amanda Rees from S4C will -present this prize. | 2:14:19 | 2:14:21 | |
-In third place... | 2:14:22 | 2:14:23 | |
-..Cor Merched Sir Gar. | 2:14:32 | 2:14:33 | |
-They got 19% of The Vote. | 2:14:33 | 2:14:34 | |
-In second place... | 2:14:35 | 2:14:36 | |
-Cor Meibion Machynlleth -got 20% of the vote. | 2:14:48 | 2:14:50 | |
-And winning -the audience phone vote is... | 2:14:51 | 2:14:54 | |
-..with 40% of the vote... | 2:14:58 | 2:14:59 | |
-..Cor Ieuenctid Mon. | 2:15:07 | 2:15:08 | |
-Congratulations to Mari Pritchard. | 2:15:33 | 2:15:35 | |
-You are a popular winner. | 2:15:37 | 2:15:38 | |
-I can't describe the -support that we've had. | 2:15:44 | 2:15:46 | |
-So many people have wished us well. | 2:15:46 | 2:15:48 | |
-Strangers have even -wished me good luck. | 2:15:48 | 2:15:50 | |
-I'd like to thank all the voters... | 2:15:57 | 2:15:59 | |
-..who voted for us. | 2:16:00 | 2:16:01 | |
-I wonder if the judges will agree -with the people at home. | 2:16:02 | 2:16:05 | |
-And now there's -only one thing left to do. | 2:16:06 | 2:16:08 | |
-We need to find out -who is Cor Cymru 2017. | 2:16:09 | 2:16:11 | |
-There's a prize of 5,000 pounds and -a very special trip up for grabs. | 2:16:11 | 2:16:16 | |
-Imagine the thrill -of representing your country... | 2:16:16 | 2:16:20 | |
-..in a live global TV competition... | 2:16:20 | 2:16:23 | |
-..against some of the best choirs -in Europe. | 2:16:24 | 2:16:27 | |
-That's what awaits the winners -of Cor Cymru this year. | 2:16:27 | 2:16:31 | |
-A flight to Riga, one of Europe's -most dramatic cities. | 2:16:32 | 2:16:36 | |
-A choir of up to 50 -celebrated singers. | 2:16:36 | 2:16:40 | |
-The land of song on tour. | 2:16:40 | 2:16:42 | |
-Yes, we are nearly there. | 2:16:51 | 2:16:53 | |
-The three judges are with me here. | 2:16:53 | 2:16:56 | |
-Can you describe your experience? | 2:17:03 | 2:17:04 | |
-It has been a wonderful week. | 2:17:12 | 2:17:14 | |
-I'd like to congratulate all the -choirs and conductors. | 2:17:16 | 2:17:19 | |
-I'd like to thank the enthusiasm -and professionalism... | 2:17:22 | 2:17:25 | |
-..of Rondo Media and S4C. | 2:17:27 | 2:17:28 | |
-Congratulations to them. | 2:17:29 | 2:17:30 | |
-Edward, it's Been A Special Evening. | 2:17:33 | 2:17:35 | |
-The winning choir took us on a -wonderful musical journey. | 2:17:36 | 2:17:39 | |
-They had great sensitivity and -sophistication and humour. | 2:17:50 | 2:17:53 | |
-It was terrific. | 2:17:53 | 2:17:54 | |
-They also had Solid Technique. | 2:17:54 | 2:17:56 | |
-It's time now for the result. | 2:17:57 | 2:17:59 | |
-Christopher Tin -will announce the winner for us. | 2:18:00 | 2:18:03 | |
-The winner is... | 2:18:04 | 2:18:05 | |
-..Cor Merched Sir Gar. | 2:18:28 | 2:18:29 | |
-Islwyn, congratulations. | 2:19:28 | 2:19:30 | |
-You've won it for the fifth time. | 2:19:34 | 2:19:36 | |
-I'm incredulous. | 2:19:37 | 2:19:38 | |
-It's the first time with this choir. | 2:19:47 | 2:19:49 | |
-It's a brand-new choir and -this is fantastic. | 2:19:51 | 2:19:53 | |
-It's good news for the musical -service in Carmarthenshire. | 2:19:53 | 2:19:56 | |
-All the parents are here -to support them. | 2:19:58 | 2:20:00 | |
-This is what is important in -the education system. | 2:20:08 | 2:20:11 | |
-Many congratulations. | 2:20:11 | 2:20:12 | |
-That's all we have time -for you today. | 2:20:17 | 2:20:17 | |
-Thank you for your company. | 2:20:18 | 2:20:19 | |
-We'll leave you -with the national anthem. | 2:20:21 | 2:20:23 | |
-Would Islwyn Evans please lead us. | 2:20:24 | 2:20:26 | |
-Goodnight. | 2:20:26 | 2:20:28 | |
-# Mae hen wlad fy nhadau -yn annwyl i mi | 2:20:35 | 2:20:41 | |
-# Gwlad beirdd a chantorion, -enwogion o fri | 2:20:42 | 2:20:48 | |
-# Ei gwrol ryfelwyr, -gwladgarwyr tra mad | 2:20:49 | 2:20:56 | |
-# Tros ryddid collasant eu gwaed. | 2:21:06 | 2:21:06 | |
-# Gwlad, gwlad, -pleidiol wyf i'm gwlad | 2:21:06 | 2:21:12 | |
-# Tra mor yn fur, i'r bur hoff bau | 2:21:17 | 2:21:28 | |
-# O bydded i'r hen iaith barhau # | 2:21:29 | 2:21:32 | |
-. | 2:21:32 | 2:21:33 |