Browse content similar to Frank Hennessy. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-* | 0:00:00 | 0:00:00 | |
-* - -* | 0:00:00 | 0:00:00 | |
-In this series -of Deuawdau Rhys Meirion... | 0:00:00 | 0:00:03 | |
-..I get the privilege of joining -Wales's best musical talents. | 0:00:04 | 0:00:08 | |
-We'll sing in vibrant -and unusual locations... | 0:00:09 | 0:00:12 | |
-This is going to be awesome! | 0:00:12 | 0:00:14 | |
-But I'll also get to know -the person behind the voice... | 0:00:14 | 0:00:19 | |
-..by creating and performing -brand-new duets... | 0:00:24 | 0:00:28 | |
-..where I pick a duet -to sing with them... | 0:00:29 | 0:00:32 | |
-..and they pick one -to sing with me. | 0:00:33 | 0:00:35 | |
-Why did I pick this one? | 0:00:35 | 0:00:37 | |
-Welcome to Deuawdau Rhys Meirion. | 0:00:37 | 0:00:40 | |
-I'm meeting this week's artist -at the BBC in Llandaff... | 0:00:44 | 0:00:48 | |
-..because he works here. | 0:00:48 | 0:00:50 | |
-He also has links with Ireland -and has sung there many times. | 0:00:53 | 0:00:57 | |
-He also likes singing -about an old oak tree in Carmarthen. | 0:00:59 | 0:01:03 | |
-That's just about it -for another week. | 0:01:05 | 0:01:08 | |
-Thanks for your company. | 0:01:08 | 0:01:10 | |
-I'll be back next Sunday -at seven o'clock. | 0:01:10 | 0:01:13 | |
-Goodnight. | 0:01:13 | 0:01:14 | |
-How are you? | 0:01:18 | 0:01:19 | |
-My guest this week is broadcaster -and folk singer Frank Hennessy. | 0:01:21 | 0:01:25 | |
-Thank you for accepting -the invitation to sing with me. | 0:01:25 | 0:01:29 | |
-No problem, hopefully! | 0:01:29 | 0:01:31 | |
-I'm a little bit worried. | 0:01:31 | 0:01:34 | |
-Why? What about? | 0:01:34 | 0:01:35 | |
-Because our voices are so different. | 0:01:36 | 0:01:40 | |
-Will it work? | 0:01:41 | 0:01:42 | |
-I think it will. | 0:01:42 | 0:01:43 | |
-We'll see. That's the challenge! | 0:01:43 | 0:01:46 | |
-I'm looking forward -to the opportunity. | 0:01:46 | 0:01:49 | |
-Thank you. So am I. | 0:01:49 | 0:01:50 | |
-Frank Hennessy -is a familiar voice... | 0:01:53 | 0:01:56 | |
-..and founder of the iconic -Cardiff folk group The Hennessys. | 0:01:56 | 0:02:01 | |
-That was back in the 1960s, -which sounds a long time ago. | 0:02:02 | 0:02:06 | |
-Everyone has a reason -for liking Frank and The Hennessys. | 0:02:07 | 0:02:12 | |
-A combination of humour, fine -singing and sounding good together. | 0:02:12 | 0:02:17 | |
-It's always a pleasure to see them. | 0:02:18 | 0:02:20 | |
-I'm just their ardent fan. -I love them. They're my favourites. | 0:02:21 | 0:02:25 | |
-In my opinion, -they changed Welsh music. | 0:02:25 | 0:02:30 | |
-Welsh folk music. | 0:02:30 | 0:02:32 | |
-They had a sound -we'd never heard before. | 0:02:32 | 0:02:36 | |
-The original band formed in 1967. | 0:02:37 | 0:02:41 | |
-Frank Hennessy, Dave Burns and -the late Paul Powell in the middle. | 0:02:41 | 0:02:46 | |
-Frank is a Welshman of Irish -heritage who has learnt Welsh. | 0:02:48 | 0:02:52 | |
-I wanted to learn more -about how an Irish folk group... | 0:02:52 | 0:02:56 | |
-..became a part -of Welsh folk music tradition. | 0:02:56 | 0:03:00 | |
-We originally met -on the corner of Bute Street... | 0:03:00 | 0:03:04 | |
-Steady on now! | 0:03:05 | 0:03:06 | |
-..in a club, the Central Boys Club. | 0:03:07 | 0:03:10 | |
-We were introduced -by a mutual friend... | 0:03:10 | 0:03:15 | |
-..and hit it off straight away. | 0:03:15 | 0:03:17 | |
-Before long, the group was formed. | 0:03:17 | 0:03:20 | |
-When The Hennessys started, -back in the 1960s... | 0:03:21 | 0:03:24 | |
-..we were the Cardiff Irish band. | 0:03:24 | 0:03:29 | |
-That was our nickname. | 0:03:30 | 0:03:32 | |
-The Cardiff Irish band. | 0:03:32 | 0:03:34 | |
-Dave and I were from Irish stock. | 0:03:35 | 0:03:40 | |
-Dave said to me, "Hey, we'd better -learn some Welsh songs." | 0:03:41 | 0:03:46 | |
-We didn't know anything, really. | 0:03:46 | 0:03:49 | |
-We were from Cardiff, -for goodness' sake. | 0:03:49 | 0:03:52 | |
-Dave and I had been in a pub -on St Mary's Street... | 0:03:53 | 0:03:56 | |
-..about two o'clock in the morning. | 0:03:56 | 0:03:58 | |
-Amongst all this noise, -this fellow got up... | 0:03:59 | 0:04:02 | |
-..and started to sing Ar Lan Y Mor. | 0:04:02 | 0:04:05 | |
-Oh, right, yes. | 0:04:05 | 0:04:07 | |
-The entire place went quiet. | 0:04:07 | 0:04:10 | |
-It was lovely. | 0:04:11 | 0:04:12 | |
-Dave said to me, -"We have to get these words." | 0:04:13 | 0:04:18 | |
-# On the seashore | 0:04:18 | 0:04:22 | |
-# There are red roses # | 0:04:23 | 0:04:26 | |
-The man who helped get the words, -the chords and a translation... | 0:04:26 | 0:04:31 | |
-..was none other -than Meredydd Evans. | 0:04:31 | 0:04:34 | |
-A remarkable folk singer himself... | 0:04:34 | 0:04:36 | |
-..he was also BBC Wales's -head of light entertainment. | 0:04:37 | 0:04:41 | |
-After The Hennessys learnt the song -and appeared on BBC Wales... | 0:04:41 | 0:04:45 | |
-..they got their big break. | 0:04:45 | 0:04:47 | |
-Mered got us a series -on the national network... | 0:04:47 | 0:04:52 | |
-..called The Singing Barn. | 0:04:53 | 0:04:55 | |
-All over Britain, Friday night... | 0:04:55 | 0:04:59 | |
-..and he gave us a prime slot on it. | 0:04:59 | 0:05:02 | |
-Going courting in the kitchen, -The Hennessys. | 0:05:02 | 0:05:05 | |
-# Come single belle and beau, -unto me pay attention | 0:05:05 | 0:05:08 | |
-# Don't ever fall in love, -it's the Devil's own invention | 0:05:09 | 0:05:12 | |
-# For once I fell in love -with a maiden so bewitchin' | 0:05:12 | 0:05:16 | |
-# Miss Henrietta Bell -out of Captain Kelly's kitchen # | 0:05:16 | 0:05:20 | |
-With folk singing in his blood, -something told me... | 0:05:20 | 0:05:23 | |
-..that Frank's choice of duet -would take me to that field. | 0:05:24 | 0:05:27 | |
-Have you picked a song? | 0:05:28 | 0:05:30 | |
-Yes. | 0:05:30 | 0:05:31 | |
-My favourite song at the moment -is Os Daw 'Nghariad. | 0:05:32 | 0:05:38 | |
-Os Daw 'Nghariad -is a folk song full of longing. | 0:05:38 | 0:05:41 | |
-This version is by Tudur Huws Jones. | 0:05:41 | 0:05:44 | |
-# If my love comes here tonight # | 0:05:44 | 0:05:51 | |
-There's a bit of everything -in the same song. | 0:05:52 | 0:05:55 | |
-Sadness. | 0:05:55 | 0:05:56 | |
-Romance. | 0:05:57 | 0:05:58 | |
-Betrayal. | 0:05:59 | 0:06:00 | |
-We've got a job! | 0:06:02 | 0:06:03 | |
-You don't know -what you've let yourself in for! | 0:06:04 | 0:06:07 | |
-A top tenor and a Cardiff bloke! | 0:06:07 | 0:06:09 | |
-I don't know about a top tenor... | 0:06:10 | 0:06:12 | |
-..but folk is the hardest genre -for a classical singer like me. | 0:06:12 | 0:06:17 | |
-I'm a bit nervous now. | 0:06:18 | 0:06:19 | |
-I'm about to go into Ty Cerdd -to rehearse with Frank. | 0:06:20 | 0:06:24 | |
-I haven't had a copy -of the sheet music at all. | 0:06:24 | 0:06:27 | |
-Frank and I are starting -on a level playing field. | 0:06:27 | 0:06:30 | |
-I'm looking forward to it. | 0:06:31 | 0:06:32 | |
-If I was nervous, -how was Frank feeling? | 0:06:33 | 0:06:37 | |
-It's an important adventure for me. | 0:06:39 | 0:06:42 | |
-A new partnership... | 0:06:44 | 0:06:45 | |
-..with a man -who has a wonderful voice. | 0:06:46 | 0:06:49 | |
-But I hope he'll be happy. | 0:06:50 | 0:06:52 | |
-Frank and I were singing -an arrangement by Caradog Williams. | 0:06:53 | 0:06:57 | |
-He had clearly-defined ideas -about Os Daw 'Nghariad. | 0:06:57 | 0:07:02 | |
-It's a very simple arrangement. | 0:07:02 | 0:07:05 | |
-A piano accompaniment -and an improvised viola intro. | 0:07:05 | 0:07:10 | |
-Fine. | 0:07:10 | 0:07:11 | |
-The feeling I wanted... | 0:07:11 | 0:07:13 | |
-..the general tone... | 0:07:14 | 0:07:16 | |
-..was of a bar late at night... | 0:07:16 | 0:07:19 | |
-..almost a jazz club kind of vibe... | 0:07:19 | 0:07:23 | |
-..but it's not a jazz arrangement. | 0:07:23 | 0:07:25 | |
-Just the idea of wistful... | 0:07:26 | 0:07:29 | |
-Just the idea of wistful... - -Intimate. | 0:07:29 | 0:07:30 | |
-Quiet, intimate, that idea. | 0:07:30 | 0:07:32 | |
-As we began, I wondered -how a classical tenor voice... | 0:07:33 | 0:07:37 | |
-..and a folk singer's voice -would blend. | 0:07:37 | 0:07:40 | |
-# Give him a civil answer | 0:07:41 | 0:07:43 | |
-# A civil answer | 0:07:44 | 0:07:46 | |
-# Do not speak # | 0:07:48 | 0:07:50 | |
-It's on the other side, -to save paper! | 0:07:50 | 0:07:54 | |
-This is where it gets complicated. | 0:07:56 | 0:07:59 | |
-Harmonies! | 0:07:59 | 0:08:00 | |
-# Tell him | 0:08:02 | 0:08:04 | |
-# No hard feelings | 0:08:04 | 0:08:06 | |
-# No hard feelings | 0:08:07 | 0:08:10 | |
-# Leaving him | 0:08:10 | 0:08:14 | |
-# In this way # | 0:08:14 | 0:08:16 | |
-Having started, I wanted to know -more about Frank's Irish heritage. | 0:08:17 | 0:08:22 | |
-There was only one way to go. | 0:08:22 | 0:08:25 | |
-Ireland. | 0:08:26 | 0:08:27 | |
-The other band members, Dave Burns -and Iolo Jones, joined us. | 0:08:27 | 0:08:32 | |
-Violinist Iolo -has been a member for 30 years... | 0:08:33 | 0:08:36 | |
-..while Dave was there -from the start, in 1967. | 0:08:36 | 0:08:40 | |
-Dave and Iolo... | 0:08:52 | 0:08:54 | |
-..while Frank has gone -to the shop to get some lemonade... | 0:08:54 | 0:08:58 | |
-..we'll have a quick chat. | 0:09:00 | 0:09:02 | |
-Talking about him behind his back? | 0:09:02 | 0:09:04 | |
-Talking about him behind his back? - -He's quite a character, isn't he? | 0:09:04 | 0:09:07 | |
-Frank is one of the funniest people -I've ever met. | 0:09:07 | 0:09:13 | |
-Dave and I -are often in stitches on stage. | 0:09:14 | 0:09:17 | |
-The remarkable thing -about Frank is this. | 0:09:18 | 0:09:22 | |
-You'd never think -that Cardiff humour... | 0:09:22 | 0:09:26 | |
-..could be exported so successfully. | 0:09:27 | 0:09:29 | |
-I've seen him with an audience -in Boston, say... | 0:09:29 | 0:09:33 | |
-..or in New Orleans... | 0:09:33 | 0:09:35 | |
-..singing songs like Billy The Seal -and telling jokes about Cardiff... | 0:09:35 | 0:09:40 | |
-..and he gets them laughing. | 0:09:40 | 0:09:43 | |
-He's just got that gift. | 0:09:43 | 0:09:45 | |
-I've been with him now -coming up to 50 years. | 0:09:45 | 0:09:49 | |
-Fifty years next year, isn't it? | 0:09:49 | 0:09:51 | |
-In the late 1960s, -folk music was very big in Ireland. | 0:09:52 | 0:09:55 | |
-In different shapes and forms, -but it was very popular. | 0:09:55 | 0:09:59 | |
-To compete with the Irish groups... | 0:09:59 | 0:10:01 | |
-..you had to learn the songs -as they came out. | 0:10:02 | 0:10:04 | |
-I always remember, -when we went to Ireland... | 0:10:05 | 0:10:08 | |
-..we had a repertoire -of about fifty songs. | 0:10:08 | 0:10:11 | |
-By the time we came back... | 0:10:11 | 0:10:13 | |
-..probably just under a year later, -we had 300 to 400 songs. | 0:10:13 | 0:10:18 | |
-One song inexorably linked -with The Hennessys... | 0:10:18 | 0:10:22 | |
-..is Yr Hen Dderwen Ddu. | 0:10:22 | 0:10:25 | |
-# I spied a pretty maiden -with the sunlight in her hair # | 0:10:25 | 0:10:30 | |
-The English version -has been covered by many artists... | 0:10:31 | 0:10:35 | |
-..and Daniel O'Donnell took it -to No.1 in the Irish charts. | 0:10:35 | 0:10:39 | |
-It's sung in English -as The Old Dungarvan Oak... | 0:10:41 | 0:10:45 | |
-..and we were off to Dungarvan. | 0:10:45 | 0:10:48 | |
-But en route, what could be better -than a sing-song and a Guinness? | 0:10:48 | 0:10:53 | |
-Is it me next? | 0:10:55 | 0:10:56 | |
-Me? | 0:10:56 | 0:10:57 | |
-Me? - -Yes. | 0:10:57 | 0:10:58 | |
-Give it a go. | 0:10:58 | 0:10:59 | |
-# As we approached Dungarvan | 0:11:00 | 0:11:02 | |
-# The girl at me did stare | 0:11:03 | 0:11:05 | |
-# She asked me -why I raised my hat | 0:11:06 | 0:11:09 | |
-# To a tree so old and bare | 0:11:09 | 0:11:12 | |
-# I told her of the legend -if the tree should e'er come down # | 0:11:12 | 0:11:16 | |
-In the late 60s, the lads -went to Ireland in an A35 van. | 0:11:16 | 0:11:21 | |
-As the Hennessys -found their musical feet... | 0:11:21 | 0:11:24 | |
-..the village of Ardmore -played a key role. | 0:11:24 | 0:11:27 | |
-It was in Ardmore -that the group started properly. | 0:11:28 | 0:11:33 | |
-We won a folk music cup. | 0:11:33 | 0:11:38 | |
-The Harp Lager Trophy. | 0:11:38 | 0:11:40 | |
-And 40. | 0:11:41 | 0:11:44 | |
-That was a lot of money then, 40. | 0:11:44 | 0:11:47 | |
-Yes, it certainly was. | 0:11:47 | 0:11:49 | |
-It gave us enough time -to get more gigs. | 0:11:51 | 0:11:54 | |
-Well, it enabled us -to carry on with our career. | 0:11:56 | 0:12:02 | |
-After a year, -we came back to Wales... | 0:12:03 | 0:12:07 | |
-..totally changed. | 0:12:07 | 0:12:09 | |
-We went -thinking we were an Irish group. | 0:12:09 | 0:12:11 | |
-We came back -knowing we were a Welsh group. | 0:12:12 | 0:12:14 | |
-And you had to go to Ireland -to do that! | 0:12:15 | 0:12:17 | |
-Exactly. | 0:12:17 | 0:12:18 | |
-A trophy and 40. | 0:12:21 | 0:12:23 | |
-More on the trophy later. | 0:12:23 | 0:12:25 | |
-Being back in Dungarvan -was quite an experience for Frank. | 0:12:25 | 0:12:30 | |
-So many different emotions -come back, you know. | 0:12:31 | 0:12:35 | |
-In a way, I'm quite dislocated -from where we are... | 0:12:36 | 0:12:39 | |
-..because I know -I'm a different person. | 0:12:39 | 0:12:42 | |
-But this place -is still a part of who I am. | 0:12:42 | 0:12:45 | |
-Inside the pub, -a surprise awaited Frank. | 0:12:47 | 0:12:51 | |
-Oh my God! | 0:12:52 | 0:12:53 | |
-A group of old friends -from the olden days. | 0:12:55 | 0:12:58 | |
-How are you? | 0:12:58 | 0:12:59 | |
-How are you? - -I'm fantastic. | 0:12:59 | 0:13:00 | |
-All the better for seeing you. | 0:13:00 | 0:13:02 | |
-Tony! | 0:13:02 | 0:13:03 | |
-Tony! - -Great to see you! | 0:13:03 | 0:13:04 | |
-Couldn't be better! | 0:13:05 | 0:13:06 | |
-It couldn't be better for Frank... | 0:13:07 | 0:13:10 | |
-..but I was worried -about what was coming next. | 0:13:10 | 0:13:13 | |
-Rhys has never performed this song. | 0:13:13 | 0:13:17 | |
-He'd never sung it until we sang it -on the boat coming over. | 0:13:17 | 0:13:21 | |
-After one practice on the boat, -there was no turning back. | 0:13:22 | 0:13:25 | |
-# As I rode out one morning -going to Dungarvan Fair | 0:13:31 | 0:13:36 | |
-# I spied a pretty maiden -with the sunlight in her hair | 0:13:37 | 0:13:42 | |
-# Her way was so delightful, -her voice rang like a bell | 0:13:43 | 0:13:48 | |
-# And as I overtook her, -I asked if she was well | 0:13:48 | 0:13:53 | |
-# Lay down your woollen shawl, -my love, I swear it is no joke | 0:13:54 | 0:14:00 | |
-# I'll tell to you the story -of the Old Dungarvan Oak | 0:14:00 | 0:14:06 | |
-# As we approached Dungarvan | 0:14:12 | 0:14:15 | |
-# The girl at me did stare # | 0:14:16 | 0:14:17 | |
-Too good for this show! | 0:14:17 | 0:14:19 | |
-# She asked me why I raised my hat -to a tree so old and bare | 0:14:20 | 0:14:24 | |
-# I told her of the legend, -if the tree should e'er come down | 0:14:24 | 0:14:30 | |
-# There'd be a great disaster, -sure Dungarvan would be drowned | 0:14:30 | 0:14:36 | |
-# Lay down your woollen shawl, -my love, I swear it is no joke | 0:14:36 | 0:14:42 | |
-# I'll tell to you the story | 0:14:42 | 0:14:45 | |
-# Of the Old Dungarvan Oak # | 0:14:46 | 0:14:48 | |
-Very good, very good. | 0:14:58 | 0:15:00 | |
-After the break, a story -about Frank's hit in France... | 0:15:02 | 0:15:06 | |
-..and I reveal my choice of duet... | 0:15:09 | 0:15:11 | |
-..if we ever make land! | 0:15:12 | 0:15:13 | |
-. | 0:15:16 | 0:15:17 | |
-Subtitles | 0:15:20 | 0:15:20 | |
-Subtitles - -Subtitles | 0:15:20 | 0:15:22 | |
-Cardiff born and Cardiff bred -Frank Hennessy has brought me... | 0:15:22 | 0:15:27 | |
-..to where his career began -in southern Ireland. | 0:15:27 | 0:15:30 | |
-After an evening -in a pub in Dungarvan... | 0:15:30 | 0:15:33 | |
-..we headed -to the seaside village of Ardmore. | 0:15:33 | 0:15:37 | |
-It was here in 1968 that the group -won a folk music competition... | 0:15:37 | 0:15:41 | |
-..received a trophy -and the great sum of 40. | 0:15:42 | 0:15:44 | |
-It encouraged them to carry on. | 0:15:45 | 0:15:47 | |
-Here we are. | 0:15:47 | 0:15:48 | |
-Here we are. - -Yes, Halla Deuglan. | 0:15:48 | 0:15:50 | |
-Today, Frank and the trophy -are back in the very same hall... | 0:15:50 | 0:15:55 | |
-..where The Hennessys -won that competition... | 0:15:55 | 0:15:58 | |
-..with the song The Gypsy, -almost fifty years ago. | 0:15:59 | 0:16:02 | |
-This looks so strange. | 0:16:06 | 0:16:08 | |
-Are the memories coming back? | 0:16:08 | 0:16:10 | |
-Yes. | 0:16:11 | 0:16:12 | |
-I was backstage. | 0:16:12 | 0:16:15 | |
-I remember -peeping through the curtain. | 0:16:17 | 0:16:20 | |
-The place was rammed. | 0:16:21 | 0:16:24 | |
-Full of people. | 0:16:25 | 0:16:26 | |
-Full of people. - -Oh, absolutely. | 0:16:26 | 0:16:28 | |
-And the tension. | 0:16:28 | 0:16:29 | |
-There was another group competing. | 0:16:29 | 0:16:33 | |
-They were very good. | 0:16:33 | 0:16:35 | |
-A family group from up country. | 0:16:35 | 0:16:38 | |
-We thought, -"Oh, they're very good." | 0:16:40 | 0:16:43 | |
-But the decision came. | 0:16:45 | 0:16:47 | |
-The winners of the trophy -are The Hennessys! | 0:16:48 | 0:16:53 | |
-Wow! | 0:16:53 | 0:16:54 | |
-Is this the trophy? | 0:16:54 | 0:16:56 | |
-This is it. | 0:16:56 | 0:16:58 | |
-What does it say? | 0:17:00 | 0:17:01 | |
-Where's the front? | 0:17:01 | 0:17:02 | |
-Ardmore Ballad Competition 1968. | 0:17:04 | 0:17:09 | |
-There you go, boy. | 0:17:09 | 0:17:10 | |
-The only place for two old stagers -is on the stage. | 0:17:12 | 0:17:15 | |
-Do you remember the nerves? | 0:17:16 | 0:17:18 | |
-Yeah, yeah. | 0:17:18 | 0:17:19 | |
-I remember the song -that won us the competition. | 0:17:20 | 0:17:24 | |
-It was called The Gypsy. | 0:17:25 | 0:17:28 | |
-# Do you think -that you're in love with me? | 0:17:29 | 0:17:31 | |
-# Will you listen to what I say? | 0:17:31 | 0:17:33 | |
-# You're too young -to go with me, girl | 0:17:34 | 0:17:36 | |
-# I'll soon be on me way | 0:17:36 | 0:17:38 | |
-# Stop that silly crying now | 0:17:39 | 0:17:41 | |
-# How can I make you see? | 0:17:41 | 0:17:43 | |
-# For I'm a gypsy rover, love | 0:17:43 | 0:17:45 | |
-# And you can't marry me | 0:17:45 | 0:17:47 | |
-# Go home, girl, go home # | 0:17:47 | 0:17:51 | |
-It ended like this. | 0:17:52 | 0:17:53 | |
-# Now the hour's drawing on my love, -and your ma's expecting thee | 0:17:55 | 0:17:59 | |
-# Don't tell her that you met me -here, or that I'm a gypsy | 0:17:59 | 0:18:03 | |
-# Let go of my jacket now, -your love will have to wait | 0:18:04 | 0:18:08 | |
-# See, I am twenty-two years old, -and you, you're only eight | 0:18:08 | 0:18:12 | |
-# Go home, girl, go home # | 0:18:12 | 0:18:16 | |
-Lovely. | 0:18:17 | 0:18:18 | |
-And that was the winning song. | 0:18:18 | 0:18:21 | |
-And that was the winning song. - -Thank you, Saint Deuglan. | 0:18:21 | 0:18:23 | |
-And thank you, Frank. | 0:18:23 | 0:18:25 | |
-After Iolo and Dave arrived, -a ceremony had been arranged. | 0:18:25 | 0:18:30 | |
-Frank had decided -to return the trophy... | 0:18:30 | 0:18:33 | |
-..to the original organizers... | 0:18:33 | 0:18:36 | |
-..and they had something -for The Hennessys. | 0:18:36 | 0:18:39 | |
-Before you give me anything, -I have this little memento. | 0:18:39 | 0:18:44 | |
-Recognize anyone in there? | 0:18:45 | 0:18:47 | |
-There's Paul, the late Paul Powell. | 0:18:47 | 0:18:49 | |
-The man with the long neck banjo. | 0:18:49 | 0:18:52 | |
-Me, Tony Blackburn...! | 0:18:52 | 0:18:54 | |
-Thank you. | 0:18:57 | 0:18:58 | |
-It's great to see you back, lads. | 0:18:59 | 0:19:01 | |
-It's great to be here because -this place is so important to us. | 0:19:01 | 0:19:05 | |
-Without Ardmore, perhaps -there would have not been... | 0:19:06 | 0:19:09 | |
-..certainly not The Hennessys -as we know them, as we have been. | 0:19:09 | 0:19:13 | |
-That was the catalyst. | 0:19:14 | 0:19:16 | |
-Winning this cup that night -was the catalyst. | 0:19:16 | 0:19:19 | |
-It's been a fantastic welcome, -and it's deserved. | 0:19:20 | 0:19:23 | |
-Obviously, The Hennessys -left a mark here. | 0:19:24 | 0:19:27 | |
-They did, no question about it. | 0:19:27 | 0:19:29 | |
-# As I was going over -the far-famed Kerry mountains # | 0:19:29 | 0:19:34 | |
-Ardmore clearly played a key role -in The Hennessys' history. | 0:19:34 | 0:19:39 | |
-How are you? | 0:19:39 | 0:19:40 | |
-We jump from here, do we? | 0:19:40 | 0:19:42 | |
-Will you catch us?! | 0:19:42 | 0:19:44 | |
-But Frank's links with the area -go back to his early childhood. | 0:19:45 | 0:19:50 | |
-# Whack fol the daddy-o, -there's whiskey in the jar # | 0:19:50 | 0:19:54 | |
-You first came here -because you had family farming here. | 0:19:54 | 0:19:59 | |
-Yes, my Uncle Willie. | 0:19:59 | 0:20:02 | |
-He farmed on Tower Hill. | 0:20:02 | 0:20:06 | |
-When you came here as a boy -to see your Uncle Willie... | 0:20:07 | 0:20:11 | |
-..did you hear Irish music then? | 0:20:11 | 0:20:14 | |
-Yes, yes. | 0:20:14 | 0:20:15 | |
-Uncle Willie -played the penny whistle. | 0:20:16 | 0:20:19 | |
-He bought me a whistle. | 0:20:21 | 0:20:23 | |
-Maybe that was the start. | 0:20:26 | 0:20:29 | |
-That's where the interest started. | 0:20:29 | 0:20:32 | |
-I was seven years old. | 0:20:32 | 0:20:33 | |
-The young Hennessys came here... | 0:20:34 | 0:20:37 | |
-..to immerse themselves -in the Irish traditions. | 0:20:37 | 0:20:40 | |
-You spent two years here -then went back to Wales... | 0:20:40 | 0:20:44 | |
-..with all these songs. | 0:20:45 | 0:20:47 | |
-You must have been excited. | 0:20:47 | 0:20:48 | |
-You must have been excited. - -Let's go, yes! | 0:20:48 | 0:20:50 | |
-Unleash the beast! | 0:20:50 | 0:20:51 | |
-# Whack fol the daddy-o | 0:20:54 | 0:20:56 | |
-# Whack fol the daddy-o, -there's whiskey in the jar # | 0:20:56 | 0:21:01 | |
-You're going to sing a solo now, -and it's an exceptional song. | 0:21:01 | 0:21:06 | |
-What's the story behind -Farewell To The Rhondda? | 0:21:06 | 0:21:10 | |
-Farewell To The Rhondda -is one of the first songs I wrote. | 0:21:10 | 0:21:16 | |
-At the end of the 1960s... | 0:21:18 | 0:21:20 | |
-..the young people -from the Valleys... | 0:21:20 | 0:21:24 | |
-..went to England to find work. | 0:21:25 | 0:21:28 | |
-The pits were closing. | 0:21:29 | 0:21:30 | |
-Rhydderch Jones -wrote the Welsh words. | 0:21:31 | 0:21:34 | |
-By now, the song... | 0:21:35 | 0:21:37 | |
-..is considered to be traditional. | 0:21:38 | 0:21:43 | |
-Yes, it is. | 0:21:44 | 0:21:45 | |
-For a songwriter -in the traditional way... | 0:21:46 | 0:21:49 | |
-..for that to happen... | 0:21:49 | 0:21:51 | |
-In your lifetime. | 0:21:51 | 0:21:52 | |
-..is so special, you know. | 0:21:52 | 0:21:54 | |
-# Farewell ye colliery workers, -the muffler and the cap | 0:22:00 | 0:22:05 | |
-# Farewell ye Rhondda valley girls, -we never will come back | 0:22:06 | 0:22:11 | |
-# The mines they are a-closin', -the valleys they're all doomed | 0:22:11 | 0:22:17 | |
-# There's no work in the Rhondda, -boys, we'll be in London soon | 0:22:18 | 0:22:23 | |
-# My father was a miner, -and his father was before him | 0:22:25 | 0:22:30 | |
-# He always had been proud -to work the coal | 0:22:31 | 0:22:35 | |
-# Since they fell -'neath Roben's axe | 0:22:36 | 0:22:39 | |
-# All the lads have had the sack | 0:22:39 | 0:22:41 | |
-# So away to work -in England we must go! | 0:22:41 | 0:22:46 | |
-# Farewell ye colliery workers, -the muffler and the cap | 0:22:47 | 0:22:52 | |
-# Farewell ye Rhondda valley girls, -we never will come back | 0:22:52 | 0:22:58 | |
-# The mines they are a-closin', -the valleys they're all doomed | 0:22:58 | 0:23:03 | |
-# There's no work in the Rhondda, -boys, we'll be in London soon | 0:23:04 | 0:23:10 | |
-# No more the chapel singin', -that long ago has left us | 0:23:12 | 0:23:17 | |
-# And the public house -no more the miner's songs | 0:23:17 | 0:23:22 | |
-# For the boot wheels -they are stoppin' | 0:23:22 | 0:23:25 | |
-# And the population's droppin' | 0:23:25 | 0:23:28 | |
-# And I can't afford -to stay here very long | 0:23:28 | 0:23:32 | |
-# Farewell ye colliery workers, -the muffler and the cap | 0:23:34 | 0:23:39 | |
-# Farewell ye Rhondda valley girls, -we never will come back | 0:23:40 | 0:23:44 | |
-# The mines they are a-closin', -the valleys they're all doomed | 0:23:44 | 0:23:50 | |
-# There's no work in the Rhondda, -boys, we'll be in London soon | 0:23:51 | 0:23:57 | |
-# Treherbert and Treorchy, -Tonypandy and Tynewydd | 0:23:58 | 0:24:03 | |
-# Ystrad Rhondda -and Ton Pentre, all adieu | 0:24:04 | 0:24:08 | |
-# For I can no longer wait -while Parliament debates | 0:24:09 | 0:24:14 | |
-# So a sad farewell -we bid to all of you! | 0:24:14 | 0:24:18 | |
-# Farewell ye colliery workers, -the muffler and the cap | 0:24:20 | 0:24:25 | |
-# Farewell ye Rhondda valley girls, -we never will come back | 0:24:25 | 0:24:31 | |
-# The mines they are a-closin', -the valleys they're all doomed | 0:24:31 | 0:24:36 | |
-# There's no work in the Rhondda, -boys, we'll be in London soon # | 0:24:37 | 0:24:43 | |
-After the break, back to Wales, -but we can still taste the sea. | 0:24:58 | 0:25:02 | |
-Wow! Are they good for the voice? | 0:25:03 | 0:25:05 | |
-And we find treasure. | 0:25:08 | 0:25:10 | |
-And we find treasure. - -Twenty-five quid! | 0:25:10 | 0:25:11 | |
-. | 0:25:14 | 0:25:15 | |
-Subtitles | 0:25:17 | 0:25:17 | |
-Subtitles - -Subtitles | 0:25:17 | 0:25:19 | |
-Ireland's influence -on Frank Hennessy is clear. | 0:25:21 | 0:25:25 | |
-I enjoyed hearing about his time -in Ardmore and Dungarvan. | 0:25:25 | 0:25:29 | |
-But the story continues -on his home turf in Cardiff. | 0:25:29 | 0:25:34 | |
-# Because I'm Cardiff born, -Cardiff bred | 0:25:34 | 0:25:38 | |
-# When I dies, -I'll be Cardiff dead # | 0:25:38 | 0:25:41 | |
-Frank, you're famous for being -Cardiff born, Cardiff bred. | 0:25:41 | 0:25:45 | |
-The city is very dear to you. | 0:25:46 | 0:25:49 | |
-Oh, of course. | 0:25:49 | 0:25:50 | |
-I was born in Cardiff -and I'm very fond of the city. | 0:25:50 | 0:25:56 | |
-Here's a good question. | 0:25:56 | 0:25:58 | |
-A Cardiff quiz question. | 0:25:59 | 0:26:01 | |
-How many animals are there -on the castle wall? | 0:26:01 | 0:26:06 | |
-I shouldn't look. | 0:26:07 | 0:26:08 | |
-No idea. | 0:26:08 | 0:26:09 | |
-I'll say... | 0:26:10 | 0:26:11 | |
-..twelve. | 0:26:12 | 0:26:14 | |
-No, no, no. Not bad. | 0:26:14 | 0:26:15 | |
-It's fifteen. | 0:26:17 | 0:26:18 | |
-It's fifteen. - -Fifteen? | 0:26:18 | 0:26:19 | |
-Including the two lions. | 0:26:19 | 0:26:22 | |
-Oh, right. | 0:26:22 | 0:26:23 | |
-Oh, right. - -It's a trick question. | 0:26:23 | 0:26:25 | |
-When I was a kid... | 0:26:26 | 0:26:27 | |
-..every week, I would -count the animals on the wall. | 0:26:28 | 0:26:32 | |
-I don't know if I expected them -to procreate or what! | 0:26:32 | 0:26:35 | |
-What's so special about Cardiff? | 0:26:37 | 0:26:41 | |
-What do you reckon? | 0:26:41 | 0:26:43 | |
-I'm not sure. | 0:26:43 | 0:26:44 | |
-The community? | 0:26:45 | 0:26:46 | |
-The community? - -It's in my heart. | 0:26:46 | 0:26:48 | |
-When I was young... | 0:26:50 | 0:26:52 | |
-..the city was a bit scruffy, -down at heel. | 0:26:53 | 0:26:57 | |
-But now... | 0:26:59 | 0:27:01 | |
-..there's a dynamic in the place. | 0:27:02 | 0:27:05 | |
-It's unstoppable. | 0:27:05 | 0:27:06 | |
-From noisy Cardiff -to the tranquil studio... | 0:27:11 | 0:27:14 | |
-..and Frank's melodic duet, -Os Daw 'Nghariad. | 0:27:14 | 0:27:17 | |
-# Give him a civil answer | 0:27:17 | 0:27:20 | |
-# A civil answer | 0:27:21 | 0:27:23 | |
-# Do not speak to him unkindly # | 0:27:25 | 0:27:32 | |
-Our voices are totally different. | 0:27:32 | 0:27:35 | |
-I wasn't sure -how they'd sound together. | 0:27:36 | 0:27:38 | |
-If you listened to them -separately in the solo parts... | 0:27:39 | 0:27:42 | |
-..they're totally different. | 0:27:42 | 0:27:44 | |
-But it's funny -how voices can meld together. | 0:27:45 | 0:27:49 | |
-That's the aim of the series. | 0:27:49 | 0:27:51 | |
-Bringing different voices together -and seeing how well they blend. | 0:27:51 | 0:27:56 | |
-It sounded good to me! | 0:27:56 | 0:27:57 | |
-Composing. | 0:27:58 | 0:27:59 | |
-Composing. - -That's folk music for you! | 0:27:59 | 0:28:01 | |
-Especially with Os Daw 'Nghariad. | 0:28:02 | 0:28:04 | |
-It's a simpler song -and the melody flows. | 0:28:04 | 0:28:10 | |
-That makes it harder -to meld the voices. | 0:28:10 | 0:28:13 | |
-# Tell him | 0:28:13 | 0:28:15 | |
-# No hard feelings | 0:28:15 | 0:28:17 | |
-# No hard feelings | 0:28:17 | 0:28:20 | |
-# Leaving him in this way # | 0:28:21 | 0:28:27 | |
-The folk scene -is very different to the opera. | 0:28:28 | 0:28:32 | |
-But he's very good... | 0:28:33 | 0:28:35 | |
-..at folk singing. | 0:28:37 | 0:28:38 | |
-No problem at all. | 0:28:39 | 0:28:40 | |
-No problem at all? | 0:28:42 | 0:28:44 | |
-We'll see later, Frank! | 0:28:44 | 0:28:45 | |
-# You've never seen the equal -of the mighty Grangetown whale # | 0:28:46 | 0:28:50 | |
-My trip with Frank -brought us to the market. | 0:28:50 | 0:28:54 | |
-The young Frank came here to buy -a treat with his pocket money. | 0:28:54 | 0:28:59 | |
-When I was very young, -I used to come here to the market... | 0:28:59 | 0:29:05 | |
-..every Saturday morning -with my pocket money... | 0:29:06 | 0:29:09 | |
-..and bought cockles. | 0:29:09 | 0:29:12 | |
-Penclawdd cockles. | 0:29:12 | 0:29:14 | |
-I'll try some. | 0:29:14 | 0:29:15 | |
-I'll try some. - -Can we have two little tubs please? | 0:29:15 | 0:29:17 | |
-Is that enough? | 0:29:18 | 0:29:19 | |
-Is that enough? - -More than enough. | 0:29:19 | 0:29:20 | |
-I don't want to kill him! | 0:29:20 | 0:29:22 | |
-I'll pay for them. | 0:29:23 | 0:29:25 | |
-Your treat, eh? | 0:29:26 | 0:29:27 | |
-Yes, my treat. | 0:29:27 | 0:29:28 | |
-I like seafood. | 0:29:33 | 0:29:34 | |
-Absolutely fantastic. | 0:29:36 | 0:29:37 | |
-Absolutely fantastic. - -Are they good for the voice? | 0:29:37 | 0:29:39 | |
-# We headed west for Canton, -through the cockle beds did sail # | 0:29:43 | 0:29:47 | |
-Upstairs now, -there's a very special shop. | 0:29:49 | 0:29:54 | |
-# And the flourishin' of his tail | 0:29:55 | 0:29:57 | |
-# You've never seen the equal # | 0:29:57 | 0:30:00 | |
-This is a special place for me. | 0:30:01 | 0:30:03 | |
-If you come to the market, -you have to come here. | 0:30:03 | 0:30:08 | |
-Kelly's Records. | 0:30:08 | 0:30:10 | |
-We used to call it Eddie Kelly's -second-hand record shop. | 0:30:11 | 0:30:15 | |
-Good morning. How are you doing? | 0:30:15 | 0:30:18 | |
-Good morning. How are you doing? - -Very well, thank you. How are you? | 0:30:18 | 0:30:20 | |
-I'm Frank Hennessy. | 0:30:21 | 0:30:22 | |
-Eddie, in the old days, -sold quite a few of my records. | 0:30:22 | 0:30:26 | |
-Have you got any Hennessys records? | 0:30:26 | 0:30:27 | |
-Have you got any Hennessys records? - -We do have some over here. | 0:30:27 | 0:30:29 | |
-Interestingly enough, Eddie -is my great-grandmother's brother. | 0:30:29 | 0:30:34 | |
-So, he's your great uncle. | 0:30:34 | 0:30:37 | |
-So, he's your great uncle. - -I think so, yes. | 0:30:37 | 0:30:39 | |
-We had to have a look. | 0:30:39 | 0:30:41 | |
-The Hennessys. | 0:30:42 | 0:30:43 | |
-Look at that! | 0:30:44 | 0:30:45 | |
-Paul, Dave and me. | 0:30:48 | 0:30:52 | |
-Walking over Caerphilly Mountain. | 0:30:53 | 0:30:56 | |
-Look. | 0:30:58 | 0:30:59 | |
-Twenty-five quid! | 0:31:00 | 0:31:02 | |
-They were fifteen bob -when they came out! | 0:31:05 | 0:31:08 | |
-There's nothing by Rhys Meirion. | 0:31:11 | 0:31:14 | |
-Give it time! | 0:31:14 | 0:31:16 | |
-Everyone keeps my CDs. | 0:31:18 | 0:31:19 | |
-You can't find second-hand! | 0:31:20 | 0:31:22 | |
-From old records to Frank's -latest track, Os Daw 'Nghariad. | 0:31:27 | 0:31:31 | |
-What was the experience like? | 0:31:32 | 0:31:34 | |
-I got a very nice surprise, -to be honest. | 0:31:34 | 0:31:39 | |
-You've made me sound not half bad. | 0:31:40 | 0:31:44 | |
-I haven't done anything. | 0:31:44 | 0:31:46 | |
-It's your voice. | 0:31:46 | 0:31:47 | |
-It's your voice. - -Yes. | 0:31:47 | 0:31:48 | |
-You chose Os Daw 'Nghariad. | 0:31:49 | 0:31:51 | |
-Have you played it -on your programme? | 0:31:51 | 0:31:54 | |
-Oh, yes, many times. | 0:31:54 | 0:31:56 | |
-And the next version -will be by Frank and Rhys. | 0:31:57 | 0:32:00 | |
-Who knows? | 0:32:01 | 0:32:03 | |
-# If my love comes here tonight | 0:32:21 | 0:32:25 | |
-# Here tonight | 0:32:26 | 0:32:29 | |
-# To knock on the window pane | 0:32:30 | 0:32:36 | |
-# Give him a civil answer | 0:32:38 | 0:32:41 | |
-# A civil answer | 0:32:41 | 0:32:45 | |
-# Do not speak to him unkindly | 0:32:46 | 0:32:53 | |
-# Tell him the girl is not at home | 0:32:54 | 0:33:00 | |
-# And neither is her soul | 0:33:02 | 0:33:08 | |
-# A young man from the next parish | 0:33:10 | 0:33:14 | |
-# From the next parish | 0:33:14 | 0:33:17 | |
-# Has taken her away | 0:33:18 | 0:33:22 | |
-# Tell him | 0:33:30 | 0:33:31 | |
-# There are no hard feelings | 0:33:32 | 0:33:34 | |
-# No hard feelings | 0:33:34 | 0:33:37 | |
-# As I leave him in this way | 0:33:38 | 0:33:44 | |
-# I would like so much tonight | 0:33:45 | 0:33:48 | |
-# So much tonight | 0:33:49 | 0:33:51 | |
-# To feel his arm holding me tight | 0:33:52 | 0:33:58 | |
-# But a young man -from the next parish | 0:34:00 | 0:34:06 | |
-# Has taken her away | 0:34:07 | 0:34:13 | |
-# A girl's will belongs not to her | 0:34:14 | 0:34:18 | |
-# Belongs not to her | 0:34:18 | 0:34:21 | |
-# Another has taken hold of me | 0:34:22 | 0:34:28 | |
-# Many another girl there is to love | 0:35:01 | 0:35:04 | |
-# There is to love | 0:35:04 | 0:35:08 | |
-# Around here within the shire | 0:35:08 | 0:35:15 | |
-# And it would be -much better for him | 0:35:17 | 0:35:20 | |
-# Better for him | 0:35:20 | 0:35:23 | |
-# To find another before long | 0:35:25 | 0:35:31 | |
-# Give him that message | 0:35:32 | 0:35:38 | |
-# And do not speak to him unkindly | 0:35:40 | 0:35:46 | |
-# If my lover comes here tonight | 0:35:47 | 0:35:50 | |
-# Here tonight | 0:35:51 | 0:35:54 | |
-# To knock on the window pane | 0:35:54 | 0:36:01 | |
-# If my lover comes here tonight | 0:36:02 | 0:36:07 | |
-# Here tonight | 0:36:08 | 0:36:11 | |
-# To knock | 0:36:12 | 0:36:14 | |
-# On the window pane # | 0:36:15 | 0:36:22 | |
-Look out. | 0:36:33 | 0:36:34 | |
-After the break, -we set about my choice... | 0:36:35 | 0:36:38 | |
-..and our tour of Cardiff -takes us to an unlikely location. | 0:36:39 | 0:36:44 | |
-. | 0:36:45 | 0:36:46 | |
-* | 0:36:49 | 0:36:49 | |
-* - -* | 0:36:49 | 0:36:49 | |
-# No tears were spilt -over your blood # | 0:36:49 | 0:36:53 | |
-For the last time, Frank Hennessy -and I are back in the studio. | 0:36:53 | 0:36:57 | |
-Frank's duet is complete, -and mine is beginning to take shape. | 0:36:58 | 0:37:02 | |
-There we are. | 0:37:05 | 0:37:06 | |
-There we are. - -I'm levitating, mun. | 0:37:06 | 0:37:08 | |
-I've chosen Gwaed Ar Eu Dwylo. | 0:37:08 | 0:37:10 | |
-It's an anti-war song about the -Great War, which is apt for 2017. | 0:37:11 | 0:37:16 | |
-I'm involved in the Hedd Wyn -celebrations over in Flanders... | 0:37:16 | 0:37:22 | |
-..exploring the Great War. | 0:37:22 | 0:37:24 | |
-I went to Mametz Wood, -that hellish place... | 0:37:24 | 0:37:29 | |
-..where Welsh soldiers -were killed in their thousands. | 0:37:29 | 0:37:33 | |
-So, this song means a lot to me. | 0:37:33 | 0:37:36 | |
-# And the banner -wasn't waved at half mast # | 0:37:36 | 0:37:42 | |
-It's also apt -because of the Irish links... | 0:37:43 | 0:37:46 | |
-..with the original folk song, -Willie McBride. | 0:37:46 | 0:37:49 | |
-# Who had blood on their hands # | 0:37:49 | 0:37:53 | |
-Stop there. | 0:37:54 | 0:37:55 | |
-What's the verdict? | 0:37:56 | 0:37:57 | |
-What's the verdict? - -It's good. | 0:37:57 | 0:37:58 | |
-Is it? | 0:37:59 | 0:38:00 | |
-I think it's OK now. | 0:38:00 | 0:38:01 | |
-I think it's OK now. - -Let's sit down and listen to it. | 0:38:01 | 0:38:03 | |
-This is where -I feel terribly exposed. | 0:38:06 | 0:38:09 | |
-They take it back -and it's just the voice. Ugh! | 0:38:09 | 0:38:13 | |
-# No tears were spilt -over your blood | 0:38:13 | 0:38:17 | |
-# By those who had blood # | 0:38:18 | 0:38:20 | |
-Oh, I was wrong there. | 0:38:20 | 0:38:22 | |
-That's the magic -of a different voice. | 0:38:27 | 0:38:31 | |
-Different voices coming together... | 0:38:31 | 0:38:35 | |
-..to make one voice. | 0:38:36 | 0:38:37 | |
-He must have some ear, -you know, Rhys... | 0:38:38 | 0:38:41 | |
-..because he can adapt his voice -to whoever he's singing with... | 0:38:41 | 0:38:46 | |
-..and make it sound right. | 0:38:46 | 0:38:48 | |
-Not many people can do that. | 0:38:49 | 0:38:51 | |
-# By those who had blood -on their hands # | 0:38:52 | 0:38:57 | |
-Very good, Frank. | 0:39:00 | 0:39:01 | |
-In the can! | 0:39:03 | 0:39:04 | |
-Superb! | 0:39:04 | 0:39:05 | |
-Wow! That comes across -as very powerful. | 0:39:05 | 0:39:09 | |
-Back near Cardiff, Frank wanted me -to see the site of his old home... | 0:39:12 | 0:39:18 | |
-..where he spent -the first four years of his life. | 0:39:18 | 0:39:21 | |
-There's no sign of a house today. | 0:39:22 | 0:39:24 | |
-Well, well. | 0:39:25 | 0:39:26 | |
-I don't believe this. | 0:39:29 | 0:39:31 | |
-Has it changed? | 0:39:31 | 0:39:32 | |
-Has it changed? - -Wow! | 0:39:32 | 0:39:33 | |
-Where this scrapyard stands -was once the site of an army camp. | 0:39:34 | 0:39:38 | |
-After the war, -my parents came back to Cardiff. | 0:39:39 | 0:39:43 | |
-My mother hailed from Manchester. | 0:39:43 | 0:39:46 | |
-She met my father during the war. | 0:39:46 | 0:39:49 | |
-They came back to Cardiff, -but lived in two rooms, not a house. | 0:39:50 | 0:39:56 | |
-In Cathays in Cardiff. | 0:39:56 | 0:39:58 | |
-My father heard about this place. | 0:39:58 | 0:40:01 | |
-Look at this. | 0:40:01 | 0:40:02 | |
-These are my parents. | 0:40:03 | 0:40:04 | |
-These are my parents. - -Is that you? | 0:40:04 | 0:40:05 | |
-Yes, as a baby. | 0:40:05 | 0:40:07 | |
-That's the house. | 0:40:08 | 0:40:10 | |
-Number 19. | 0:40:10 | 0:40:11 | |
-What's the name? | 0:40:13 | 0:40:14 | |
-What's the name? - -Stella Maris. Star of the sea. | 0:40:14 | 0:40:17 | |
-So was this an old army camp? | 0:40:18 | 0:40:19 | |
-So was this an old army camp? - -Yes, yes, that's right. | 0:40:19 | 0:40:21 | |
-All through the war. | 0:40:21 | 0:40:23 | |
-After the war... | 0:40:23 | 0:40:25 | |
-..they just pulled out -and were gone all of a sudden. | 0:40:26 | 0:40:30 | |
-My father heard about -a bit of a scam, I suppose... | 0:40:31 | 0:40:35 | |
-..but it was legal. | 0:40:35 | 0:40:36 | |
-It was called squatters' rights. | 0:40:37 | 0:40:40 | |
-If you could put a bed -in an empty house... | 0:40:41 | 0:40:47 | |
-..and put a new lock on the door... | 0:40:48 | 0:40:51 | |
-..you could go to the council... | 0:40:53 | 0:40:57 | |
-..and claim squatters' rights -on property whatever. | 0:40:57 | 0:41:01 | |
-Number 19, Mardy Camp. | 0:41:01 | 0:41:03 | |
-The rent was a shilling a week... | 0:41:06 | 0:41:10 | |
-..including electricity. | 0:41:11 | 0:41:13 | |
-It must feel weird to be back. | 0:41:15 | 0:41:17 | |
-It was a proper community. | 0:41:17 | 0:41:20 | |
-The residents' committee -met once a week. | 0:41:20 | 0:41:26 | |
-Real good people. | 0:41:28 | 0:41:30 | |
-I was very happy here. | 0:41:30 | 0:41:33 | |
-Tidy. | 0:41:34 | 0:41:35 | |
-Half tidy, as we say. | 0:41:35 | 0:41:36 | |
-And this was where -Frank Hennessy started. | 0:41:37 | 0:41:39 | |
-Yes, tidy. | 0:41:41 | 0:41:43 | |
-Frank's stories -painted a portrait... | 0:41:43 | 0:41:46 | |
-..of the hardships of life -in Cardiff almost 70 years ago. | 0:41:46 | 0:41:50 | |
-The greatest little pub -in the world. | 0:41:50 | 0:41:52 | |
-Frank wanted me to see -one more place, another pub. | 0:41:53 | 0:41:56 | |
-The Old Arcade, -one of his old haunts. | 0:41:56 | 0:42:00 | |
-Fancy a pint? | 0:42:00 | 0:42:01 | |
-We must have one. | 0:42:01 | 0:42:02 | |
-A pint of Dark. | 0:42:03 | 0:42:04 | |
-A pint of Dark. - -Dark? | 0:42:04 | 0:42:05 | |
-G'day. How are you, mate? | 0:42:07 | 0:42:09 | |
-I'm brilliant. | 0:42:09 | 0:42:10 | |
-That's a cracking accent. | 0:42:11 | 0:42:12 | |
-That's a cracking accent. - -Yeah, from Melbourne, Australia. | 0:42:12 | 0:42:14 | |
-Mate, I would love a selfie. | 0:42:15 | 0:42:17 | |
-Really? | 0:42:17 | 0:42:18 | |
-Two days ago, I was with Green Day. | 0:42:18 | 0:42:21 | |
-Admirers from near and far, -including one of my heroes. | 0:42:22 | 0:42:27 | |
-Here's a meeting of giants. | 0:42:27 | 0:42:29 | |
-You've picked the right time -to come in, Barry. | 0:42:30 | 0:42:33 | |
-Of all the heroes you might expect -to meet in Cardiff... | 0:42:34 | 0:42:37 | |
-..Barry John is top of the tree. | 0:42:37 | 0:42:40 | |
-This is not made up! | 0:42:40 | 0:42:41 | |
-None other than the 1970s -king of rugby, Barry John. | 0:42:42 | 0:42:46 | |
-Two pints of Dark, please. | 0:42:50 | 0:42:51 | |
-He's going to introduce me -to a pint of Dark. | 0:42:52 | 0:42:54 | |
-Wasn't there a song about it? | 0:42:55 | 0:42:56 | |
-Wasn't there a song about it? - -Cardiff born and Cardiff bred. | 0:42:56 | 0:42:57 | |
-When I dies, I'll be Cardiff dead. | 0:42:57 | 0:42:59 | |
-They'll build a little plot -in Splott in memory of me. | 0:42:59 | 0:43:02 | |
-Now Cardiff is a beautiful city. | 0:43:02 | 0:43:04 | |
-It's got the castle -and Cardiff Arms Park. | 0:43:04 | 0:43:07 | |
-We're thinking of adopting a mascot. | 0:43:07 | 0:43:10 | |
-A big huge pint of Brains Dark. | 0:43:10 | 0:43:12 | |
-Iechyd da! | 0:43:13 | 0:43:15 | |
-Good health, and good memories. | 0:43:15 | 0:43:17 | |
-We came here -for our folk singing escapades. | 0:43:18 | 0:43:21 | |
-It used to be crammed out. | 0:43:21 | 0:43:23 | |
-Oh, great. | 0:43:24 | 0:43:26 | |
-Oh, great. - -Fond memories. | 0:43:26 | 0:43:27 | |
-Oh, fantastic. | 0:43:27 | 0:43:28 | |
-It's a special place. | 0:43:30 | 0:43:31 | |
-A special place -and a special journey. | 0:43:32 | 0:43:35 | |
-The last word goes to Frank. | 0:43:35 | 0:43:37 | |
-We had Guinness in Ireland. | 0:43:37 | 0:43:40 | |
-We're having Dark in Cardiff. | 0:43:41 | 0:43:43 | |
-What next? | 0:43:45 | 0:43:46 | |
-Hennessy brandy! | 0:43:47 | 0:43:48 | |
-A small one! | 0:43:49 | 0:43:50 | |
-A small one! - -Afterwards? We'll see. | 0:43:50 | 0:43:52 | |
-Thanks for the trip. | 0:43:52 | 0:43:53 | |
-Thanks for the trip. - -It's been a pleasure. | 0:43:53 | 0:43:54 | |
-Lots of fun, lots of laughs -and good singing. | 0:43:55 | 0:43:59 | |
-What else could you ask for? | 0:43:59 | 0:44:01 | |
-What else could you ask for? - -Thanks very much. | 0:44:01 | 0:44:02 | |
-# Oh, Tomos John Williams, -I see your grave | 0:44:15 | 0:44:19 | |
-# In the green fields of France -that are peaceful today | 0:44:20 | 0:44:24 | |
-# You are here, -so lonely and far from Fron Goch | 0:44:25 | 0:44:30 | |
-# And only the poppy -recalls the red blood | 0:44:30 | 0:44:35 | |
-# I see that you were -only 18 years old | 0:44:37 | 0:44:41 | |
-# When you fell on the Somme, -and you weren't alone | 0:44:41 | 0:44:47 | |
-# While fighting for countries -so that they may be free | 0:44:48 | 0:44:52 | |
-# At the age of eighteen, -you were entombed in the earth | 0:44:52 | 0:44:57 | |
-# But you weren't called a hero -or counted a patriot | 0:44:57 | 0:45:02 | |
-# And the banner -wasn't waved at half mast | 0:45:02 | 0:45:07 | |
-# No tears were spilt -over your blood | 0:45:08 | 0:45:12 | |
-# By those who had blood -on their hands | 0:45:13 | 0:45:18 | |
-# And who were the ones, -pray tell, who told you | 0:45:21 | 0:45:25 | |
-# That it was fine for a youth -to shoulder a gun | 0:45:27 | 0:45:32 | |
-# And who were the ones -in their grand uniforms | 0:45:32 | 0:45:37 | |
-# Who drilled you and marched you -and murdered you in a while | 0:45:37 | 0:45:42 | |
-# You didn't see through them -until late in the day | 0:45:43 | 0:45:48 | |
-# You didn't get the chance -to grow a free man | 0:45:48 | 0:45:54 | |
-# But through the smoke and the -medals as you fell to the ground | 0:45:55 | 0:45:59 | |
-# You saw that it wouldn't be them -shedding tears | 0:45:59 | 0:46:04 | |
-# But you weren't called a hero -or counted a patriot | 0:46:04 | 0:46:09 | |
-# And the banner -wasn't waved at half mast | 0:46:09 | 0:46:14 | |
-# No tears were spilt -over your blood | 0:46:15 | 0:46:19 | |
-# By those -who had blood on their hands | 0:46:20 | 0:46:25 | |
-# Those men down in London -in their seats in Whitehall | 0:46:33 | 0:46:39 | |
-# Send others to war, -men who'll never return | 0:46:39 | 0:46:43 | |
-# From the slums of Glasgow -or the Welsh countryside | 0:46:44 | 0:46:49 | |
-# Innocent lads -are sent out to fight | 0:46:49 | 0:46:54 | |
-# Either to be killed -or to kill fellow men | 0:46:55 | 0:47:00 | |
-# In the name of some freedom -that they know not themselves | 0:47:00 | 0:47:05 | |
-# You, Tomos Williams, -in the name of nothing | 0:47:06 | 0:47:11 | |
-# Fall victim to the trenches -again and again | 0:47:11 | 0:47:15 | |
-# But you weren't called a hero -or counted a patriot | 0:47:16 | 0:47:20 | |
-# And the banner -wasn't waved at half mast | 0:47:20 | 0:47:26 | |
-# No tears were spilt -over your blood | 0:47:29 | 0:47:33 | |
-# By those who had blood -on their hands # | 0:47:34 | 0:47:40 | |
-S4C Subtitles by Testun Cyf. | 0:48:13 | 0:48:15 | |
-. | 0:48:15 | 0:48:16 |