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strong language and scenes of Hello and welcome back to BBC Three | :00:19. | :00:23. | |
and Glastonbury 2011. Elbow will be here in the studio in a bit. If you | :00:24. | :00:30. | |
have any remember it's the BBC Three Facebook pages or: we spoke | :00:30. | :00:33. | |
to Friendly Fires and we talk about how the sun and the weather changed | :00:33. | :00:38. | |
the mood in the place. At the moment, there is an incredible calm | :00:38. | :00:43. | |
in front of the Pyramid Stage at Glastonbury 2011. Elbow are on the | :00:43. | :00:48. | |
Main Stage. Hear here they are from earlier on on that Pyramid Stage | :00:48. | :00:51. | |
from Glastonbury 2011. Remember, there is light strobing during this, | :00:51. | :00:59. | |
so be warned. Here we go. Let me see your hands everyone. To the | :00:59. | :01:09. | |
:01:09. | :01:34. | ||
# Charging around # Overdraft speeches | :01:34. | :01:36. | |
# Cramming commitments like cats in a sack | :01:37. | :01:40. | |
# Telephone burn and a purposeful gait | :01:40. | :01:46. | |
# When out of a doorway the tentacles stretch | :01:46. | :01:49. | |
# Of a song that I know And the world moves in slow-mo | :01:49. | :01:56. | |
# Straight to my head like the first- cigarette of the day | :01:56. | :02:01. | |
# And it's you, and it's May And we're sleeping through the day | :02:01. | :02:10. | |
# And I'm five years ago and three thousand miles away. | :02:10. | :02:20. | |
:02:20. | :02:26. | ||
# Do I have time? A man of my caliber? | :02:26. | :02:30. | |
# Stood in the street like a sleepwalking teenager? | :02:30. | :02:34. | |
# No And I dealt with this years ago | :02:34. | :02:38. | |
# I took a hammer to every memento | :02:38. | :02:41. | |
# But image on image like beads on a rosary pull through my head | :02:41. | :02:48. | |
# As the music takes hold And the sickener hits | :02:48. | :02:52. | |
# I can work till I break but I love the bones of you | :02:52. | :02:56. | |
# That I will never escape | :02:56. | :02:59. | |
# And it's you, and it's May And we're sleeping through the day | :02:59. | :03:08. | |
# And I'm five years ago and three thousand miles away | :03:08. | :03:15. | |
# And I can't move my arm for fear that you will awake | :03:15. | :03:23. | |
# And I'm five years ago and three thousand miles away. | :03:23. | :03:33. | |
:03:33. | :03:52. | ||
# Ooooooh | :03:52. | :03:58. | |
# Ooooooh | :03:58. | :04:04. | |
# Ooooooh | :04:04. | :04:14. | |
:04:14. | :04:40. | ||
# And it's you, and it's May # And it's you, and it's May | :04:41. | :04:50. | |
:04:51. | :04:51. | ||
# And I'm five years ago # And I'm five years ago | :04:51. | :05:01. | |
:05:01. | :05:06. | ||
# And I can't move my arm # And it's you, and it's May | :05:06. | :05:09. | |
# And I'm five years ago and three thousand miles away | :05:09. | :05:19. | |
:05:19. | :05:24. | ||
CHEERING | :05:24. | :05:24. | |
CHEERING AND | :05:24. | :05:28. | |
CHEERING AND APPLAUSE | :05:28. | :05:28. | |
CHEERING AND APPLAUSE . | :05:28. | :05:28. | |
. Mark | :05:28. | :05:29. | |
. Mark Potter | :05:29. | :05:29. | |
. Mark Potter on | :05:29. | :05:36. | |
. Mark Potter on the guitar everyone. Is everybody OK? YES! I | :05:36. | :05:41. | |
know it's a little sticky under foot, but I don't think you really | :05:41. | :05:51. | |
:05:51. | :05:51. | ||
mind, do you? NO. Is that because you're hardcore music fans? YES. | :05:51. | :05:56. | |
Glastonbury the two-day days a year that tops up your faith in humanity | :05:56. | :06:03. | |
and allows you to go on living? Five days this gentleman is telling | :06:03. | :06:08. | |
me. I'm here for two-days. We are here for two-days. We have a | :06:08. | :06:13. | |
special arrival. I'm sure you all know about. It this song is | :06:13. | :06:22. | |
dedicated to George, AlbieEvisDewy. Welcome to the world, little man. | :06:22. | :06:32. | |
:06:32. | :06:38. | ||
Let's do some festival things. Show That is the most beautiful thing | :06:38. | :06:48. | |
:06:48. | :06:48. | ||
Apology for the loss of subtitles for 55 seconds | :06:48. | :07:44. | |
# And the street # And dawn gives me a shadow | :07:44. | :07:54. | |
:07:54. | :07:54. | ||
Apology for the loss of subtitles for 55 seconds | :07:54. | :09:45. | |
# And we made the moon # We took the town to town | :09:45. | :09:55. | |
:09:55. | :09:55. | ||
Apology for the loss of subtitles for 55 seconds | :09:55. | :12:20. | |
# And now I know CHEERING AND APPLAUSE | :12:21. | :12:24. | |
Let's see those hands again. In fact, let's trying something here, | :12:24. | :12:30. | |
right. We've done this before, but we've never seen a crowd this big | :12:30. | :12:35. | |
in front of a stage ever in our lives. Are you familiar with the | :12:36. | :12:40. | |
Mexican Wave, right? There's an awful lot of people who didn't get | :12:40. | :12:46. | |
tickets at home. For them, we should give them a reverse Mexican | :12:46. | :12:51. | |
Wave. This is something of my own invention. Everybody in the front | :12:51. | :12:54. | |
row will duck down. When you see the person in front of you duck | :12:54. | :12:59. | |
down, that is when you do it, then it goes right up the field with | :12:59. | :13:09. | |
:13:09. | :13:09. | ||
about 100,000 people in it. Are you ready front row? YES. This is about | :13:09. | :13:16. | |
you. Are you ready? YES. everybody clear? YES. Everybody | :13:16. | :13:25. | |
know what we've got to do? YES. Look at the BBC TV cameras posed. | :13:25. | :13:35. | |
:13:35. | :14:06. | ||
There it is. I'm sick with power. Show me your | :14:06. | :14:16. | |
hands again. Put them down again. Put them up again. Just the left | :14:16. | :14:21. | |
hand. Touch the hand with the person next to you, even if you | :14:21. | :14:27. | |
don't know them. Everybody throw me the peace sign. Everybody give me a | :14:28. | :14:34. | |
V sign. I love that you're doing these noises spontaneously again. | :14:34. | :14:44. | |
:14:44. | :14:44. | ||
Apology for the loss of subtitles for 55 seconds | :14:44. | :19:14. | |
Very good. Right, hands, everyone. # Fingers are for pointing at the | :19:14. | :19:24. | |
:19:24. | :19:24. | ||
Apology for the loss of subtitles for 55 seconds | :19:24. | :20:46. | |
# Fingers are for pointing at the Ladies and gentlemen, Mr Pete | :20:46. | :20:56. | |
:20:56. | :21:07. | ||
Turner on base. Everybody still OK? YES. Everybody do this. Whoa, whoa. | :21:07. | :21:15. | |
It's the Freddy Mercury thing. You run out of ideas a certain amount | :21:15. | :21:24. | |
of time. # Whoa, whoa, wooah! | :21:24. | :21:31. | |
# Whoa # This is the worst place in the | :21:31. | :21:40. | |
world to have a phantom poo # Whoa | :21:40. | :21:50. | |
:21:50. | :22:05. | ||
# Mourn that phantompoo. # I've been | :22:05. | :22:15. | |
:22:15. | :22:21. | ||
# Polishing a compass # Down comes him on sticks | :22:21. | :22:31. | |
:22:31. | :22:42. | ||
# There's a Chinese cigarette case # There's a | :22:42. | :22:52. | |
:22:52. | :22:52. | ||
# There's a hole in my neighbourhood | :22:52. | :22:56. | |
# Down which of late I cannot help but fall | :22:56. | :23:06. | |
:23:06. | :23:24. | ||
# Mondays is for drinking to the seldom seen kid | :23:24. | :23:29. | |
# Ooh | :23:29. | :23:34. | |
# Ooh | :23:34. | :23:44. | |
:23:44. | :23:45. | ||
# There's this whispering of jokers doing flesh by the pound | :23:45. | :23:50. | |
# To a chorus of supposes from the little town hoods | :23:50. | :23:55. | |
# There'll be twisted karaoke at the aniseed lounge | :23:55. | :24:00. | |
# And I'll bring you further roses But it does you no good | :24:01. | :24:06. | |
# And it does me no good | :24:06. | :24:08. | |
# And it does you no good | :24:08. | :24:11. | |
# There's a hole in my neighbourhood | :24:11. | :24:15. | |
# Down which of late I cannot help but fall | :24:15. | :24:21. | |
# There's a hole in my neighbourhood | :24:21. | :24:23. | |
# Down which of late I cannot help but fall | :24:23. | :24:27. | |
# There's a hole in my neighbourhood | :24:27. | :24:34. | |
# Down which of late I cannot help but fall | :24:34. | :24:44. | |
:24:44. | :25:03. | ||
Up | :25:03. | :25:03. | |
Up on | :25:03. | :25:04. | |
Up on the | :25:04. | :25:14. | |
:25:14. | :25:14. | ||
Apology for the loss of subtitles for 55 seconds | :25:14. | :26:19. | |
# Someday we'll be drinking Tkphraus complaus -- | :26:19. | :26:29. | |
CHEERING AND APPLAUSE Cheers everybody. Down it, down it, | :26:29. | :26:39. | |
:26:39. | :26:39. | ||
Apology for the loss of subtitles for 55 seconds | :26:39. | :31:50. | |
# Now I live off the mirrors Is rve still OK? YES. Everybody on | :31:50. | :31:58. | |
the hill OK? YES. Rve down the front OK? YES! Put your hand up if | :31:58. | :32:03. | |
you are near the front and you need water? All right, lads, you have | :32:03. | :32:10. | |
your work cut out for you there. Go on, get busy. It's no good standing | :32:10. | :32:15. | |
there looking cool. Get the water out. Keep your hands up if you want | :32:15. | :32:25. | |
:32:25. | :32:25. | ||
Apology for the loss of subtitles for 55 seconds | :32:25. | :33:31. | |
# Though I never perfected # The cigarette senate | :33:31. | :33:41. | |
:33:41. | :33:44. | ||
# Do they know those days are golden? | :33:44. | :33:50. | |
# Build a rocket, boys | :33:50. | :33:55. | |
# Build a rocket, boys | :33:55. | :34:04. | |
# One long June I came down from the trees | :34:04. | :34:10. | |
# And kerbstone cool | :34:10. | :34:16. | |
# You were a freshly painted angel | :34:16. | :34:24. | |
# Walking on walls | :34:24. | :34:27. | |
# Stealing booze and hour-long hungry kisses | :34:27. | :34:33. | |
# And nobody knew me at home anymore | :34:33. | :34:41. | |
# Build a rocket, boys | :34:41. | :34:49. | |
# Build a rocket, boys | :34:49. | :34:54. | |
# Build a rocket, boys | :34:54. | :35:04. | |
:35:04. | :35:13. | ||
# Lippy kids on the corner again | :35:13. | :35:16. | |
# Settling like crows | :35:16. | :35:19. | |
# And I never affected that simian stroll | :35:19. | :35:25. | |
# No | :35:25. | :35:35. | |
:35:35. | :35:39. | ||
# Do they know those days are golden? | :35:39. | :35:44. | |
# Build a rocket, boys | :35:44. | :35:54. | |
# Build a rocket, boys | :35:54. | :35:58. | |
# One long June I came down from the trees | :35:58. | :36:05. | |
# And kerbstone cool | :36:05. | :36:11. | |
# You were a freshly painted angel | :36:11. | :36:19. | |
# Walking on walls | :36:19. | :36:21. | |
# Stealing booze and hour-long hungry kisses | :36:21. | :36:27. | |
# And nobody knows me at home anymore | :36:27. | :36:36. | |
# Build a rocket, boys | :36:36. | :36:43. | |
# Build a rocket, boys | :36:43. | :36:47. | |
# Build a rocket, boys | :36:47. | :36:57. | |
:36:57. | :36:57. | ||
Apology for the loss of subtitles for 55 seconds | :36:57. | :38:25. | |
CHEERING AND APPLAUSE That was magical. Beautiful. Elbow | :38:25. | :38:29. | |
performing on their 20th anniversary. Gorgeous. We will | :38:29. | :38:33. | |
speak to them in a bit much we will see one last performance from them | :38:33. | :38:38. | |
as well. If you want any information about Glastonbury go | :38:38. | :38:44. | |
to: We have been talking about the Red Button. What is on the Red | :38:44. | :38:49. | |
Button has changed. You can check out Knott not and The Horrors. It's | :38:49. | :38:54. | |
worth having a look at them. The first time I saw them live they | :38:54. | :39:00. | |
threw paint on the entire front row. Noah & The Whale had an amazing day | :39:00. | :39:05. | |
yesterday at Glastonbury. Today they did an incredible set. There | :39:05. | :39:10. | |
is strobing during their performance. They were on the John | :39:10. | :39:16. | |
Peel Stage. You are a big fan? are lovely guys. They look | :39:16. | :39:20. | |
extremely dapper. I didn't see them, I imagine there is a three piece | :39:20. | :39:25. | |
suit going on. Come rain and shine they will be wearing a suit. They | :39:26. | :39:31. | |
are very sweet guys. If you have questions for Elbow we will be | :39:31. | :39:37. | |
talking to them shortly. Get on to twitter at #three@glasto. Here is | :39:37. | :39:47. | |
:39:47. | :40:03. | ||
Noah & The Whale. Remember there is # Oh, well, in five years time | :40:03. | :40:06. | |
# Oh, well, in five years time # With the sun shining down | :40:06. | :40:12. | |
# And I'll put my hands Over your eyes | :40:12. | :40:16. | |
# But you'll peep through And there'll be sun sun sun | :40:16. | :40:18. | |
# All over our bodies | :40:18. | :40:21. | |
q# And sun, sun, sun All down our necks | :40:21. | :40:24. | |
# There'll be sun sun sun All over our faces | :40:24. | :40:26. | |
# And sun sun sun | :40:26. | :40:32. | |
# So what the heck? Cos I'll be laughing | :40:32. | :40:34. | |
# At all your silly little jokes | :40:34. | :40:36. | |
# And we'll be laughing about How we used to smoke | :40:36. | :40:39. | |
# All those stupid little cigarettes And drink stupid wine | :40:40. | :40:43. | |
# Cos it's what we needed To have a good time | :40:43. | :40:47. | |
# But it was fun, fun, fun When we were drinking | :40:47. | :40:52. | |
# It was fun, fun, fun When we were drunk | :40:52. | :40:56. | |
# And it was fun, fun, fun When we were laughing | :40:56. | :41:00. | |
# It was fun, fun, fun Oh, it was fun | :41:00. | :41:04. | |
# Oh, well, I look at you and say It's the happiest I've ever been | :41:04. | :41:13. | |
# Oh, well, I look at you and say It's the happiest I've ever been | :41:14. | :41:15. | |
# I'll say I no longer feel I have to be James Dean | :41:15. | :41:18. | |
# And she'll say, yah, well, I feel all pretty happy too | :41:18. | :41:20. | |
# And I'm always pretty happy | :41:20. | :41:24. | |
# When I'm just kicking back with you | :41:24. | :41:26. | |
# And it'll be love, love, love All through our bodies | :41:26. | :41:30. | |
# And love, love, love All through our minds | :41:30. | :41:35. | |
# And it'll be love, love, love All over her face | :41:35. | :41:38. | |
# And love, love, love all over mine | :41:38. | :41:44. | |
# Although maybe all these moments Are just in my head | :41:44. | :41:47. | |
# I'll be thinking about them As I'm lying in bed | :41:47. | :41:49. | |
# And I know that maybe It might not even come true | :41:49. | :41:54. | |
# But in my mind I'm havin' A pretty good time with you | :41:54. | :41:57. | |
# Oh, in five years' time I might not know you | :41:57. | :42:01. | |
# In five years' time We might not speak | :42:01. | :42:05. | |
# Oh, in five years' time We might not get along | :42:05. | :42:08. | |
# In five years' time You might just prove me wrong | :42:09. | :42:18. | |
:42:19. | :42:25. | ||
# Oh, there'll be love, love, love Wherever you go | :42:25. | :42:26. | |
# There'll be love, love, love Wherever you go | :42:26. | :42:29. | |
# There'll be love, love, love Wherever you go | :42:29. | :42:32. | |
# There'll be love, love, love Wherever you go | :42:32. | :42:35. | |
# There'll be love, love, love Wherever you go | :42:35. | :42:39. | |
# There'll be love, love, love Wherever you go | :42:39. | :42:49. | |
:42:49. | :43:01. | ||
There'll be love, love, love # There'll be love! # | :43:01. | :43:11. | |
:43:11. | :43:29. | ||
CHEERING AND APPLAUSE Lisa likes brandy | :43:29. | :43:32. | |
# She's got deep brown eyes That've seen it all | :43:32. | :43:34. | |
# Working at a nightclub That was called The Avenue | :43:34. | :43:40. | |
# The barmen used to call her "Little Lisa, Looney Tunes" | :43:40. | :43:43. | |
# She went on almost anyone From the hard time living | :43:43. | :43:51. | |
# Till the Chelsea days | :43:51. | :43:52. | |
# From when her hair was sweet blonde | :43:52. | :43:54. | |
# Till the day it turned grey | :43:54. | :43:56. | |
# She said "L-I-F-E G-O-E-S O-N" | :43:56. | :43:58. | |
# You've got more than money and sense, my friend | :43:58. | :44:01. | |
# You've got heart And you go in your own way | :44:01. | :44:06. | |
# L-I-F-E G-O-E-S O-N | :44:06. | :44:09. | |
# What you don't have now Will come back again | :44:09. | :44:12. | |
# You've got heart And you go in your own way | :44:12. | :44:22. | |
:44:22. | :44:34. | ||
# Some people wear their history like a map on their face | :44:34. | :44:36. | |
# And Joey was an artist Just living out a case | :44:36. | :44:37. | |
# But his best work was his letters home | :44:37. | :44:40. | |
# His standard works of fiction about imaginary success | :44:40. | :44:43. | |
# The chorus girls in neon were his closest things to friends | :44:43. | :44:46. | |
# But to a writer The truth is no big deal | :44:46. | :44:54. | |
# From the hard time living To the sleepless nights | :44:54. | :44:57. | |
# And the black and blue body From the weekend fights | :44:57. | :44:59. | |
# He'd say "L-I-F-E G-O-E-S O-N" | :44:59. | :45:02. | |
# You've got more than money and sense, my friend | :45:02. | :45:04. | |
# You've got heart And you go in your own way | :45:04. | :45:10. | |
# L-I-F-E G-O-E-S O-N | :45:10. | :45:13. | |
# What you don't have now Will come back again | :45:13. | :45:15. | |
# You've got heart And you go in your own way | :45:15. | :45:24. | |
# On my last night on earth I won't look to the sky | :45:24. | :45:28. | |
# Just breathe in the air And blink in the light | :45:28. | :45:34. | |
# On my last night on earth I'll pay a high price | :45:34. | :45:39. | |
# To have no regrets And be done with my life | :45:39. | :45:44. | |
# L-I-F-E G-O-E-S O-N | :45:44. | :45:49. | |
# You've got more than money and sense, my friend | :45:49. | :45:52. | |
# You've got heart And you go in your own way | :45:52. | :45:57. | |
# L-I-F-E G-O-E-S O-N | :45:57. | :46:01. | |
# What you don't have now Will come back again | :46:01. | :46:04. | |
# You've got heart And you go in your own way | :46:04. | :46:09. | |
# L-I-F-E G-O-E-S O-N | :46:09. | :46:13. | |
# You've got more than money and sense, my friend | :46:13. | :46:15. | |
# You've got heart And you go in your own way | :46:15. | :46:24. | |
# L-I-F-E G-O-E-S O-N | :46:24. | :46:25. | |
# What you don't have now Will come back again | :46:25. | :46:28. | |
# You've got heart And you go in your own way. # | :46:28. | :46:38. | |
:46:38. | :47:15. | ||
There were the | :47:15. | :47:16. | |
There were the three | :47:16. | :47:16. | |
There were the three piece | :47:16. | :47:18. | |
There were the three piece suits. Quite a lot of sweat. Brilliant. | :47:18. | :47:22. | |
Fresh off the stage from the Pyramid Stage, as the sun was | :47:22. | :47:28. | |
setting, it's Elbow. Lovely to see you guys. Hello. Are you all right? | :47:28. | :47:35. | |
I'm buzzing. I bet you are. It got emotional at points during your set. | :47:35. | :47:40. | |
How did it feel having that many people showing that much love? | :47:40. | :47:44. | |
have never had anything remotely like that. We have had amazing | :47:44. | :47:50. | |
concerts over the years... Concerts? Did you listen to our new | :47:50. | :47:54. | |
walkman. We had the best time. When we are going to do a gig, you have | :47:54. | :47:58. | |
a feeling it's going to be great. It doesn't live up to your | :47:58. | :48:02. | |
expectations. Other times, you think, it's going to be dodgy this, | :48:02. | :48:09. | |
it goes great. Yeah. Know for three months that you are going to have a | :48:09. | :48:13. | |
good gig, because it's Glastonbury. To do it, for it to be perfect. | :48:13. | :48:17. | |
Stuff like that doesn't happen to us normally. A few moments you | :48:17. | :48:23. | |
couldn't help but grin on the stage. You could you were elated to be up | :48:23. | :48:26. | |
there doing it? The best thing about this place is, when you look | :48:26. | :48:31. | |
into the crowd, you see how many day that is person has been here. | :48:31. | :48:35. | |
Yeah. You can tell. There was a girl asleep on the barrier. Like, | :48:35. | :48:43. | |
we came on. She woke up. Yeah. just incredible. It's your 20th | :48:43. | :48:48. | |
anniversary as a band. Thank you. Happy birthday. Longer than most | :48:48. | :48:52. | |
marriages. You don't get that for murder. We were talking about your | :48:52. | :48:56. | |
experiences. You have been coming for a little while. You got here | :48:56. | :49:02. | |
yesterday? When did I get here? I drove down with a bunch of us. On, | :49:02. | :49:07. | |
hold on, I'll get this. It will come to you. It's a simple question. | :49:07. | :49:12. | |
Not last night, the night before. We hit the ground running. We had | :49:12. | :49:18. | |
fun, me, Craig and our girlfriends. You are described as being the | :49:18. | :49:21. | |
People's band, I imagine you walking around and experiencing it | :49:21. | :49:28. | |
properly. Did you do that? Did you see much? Yes. I saw saw the best | :49:28. | :49:31. | |
band playing at the moment. I have seen them five times in the last | :49:31. | :49:39. | |
six months. They are amazing. When I listen to them, it's like when I | :49:39. | :49:45. | |
listened to Pixies for the first time I couldn't believe what I was | :49:45. | :49:49. | |
hearing. They did a great set today much I was banging around in the | :49:49. | :49:56. | |
mud. A couple of guys I met in Salmond ford come up and said, "all | :49:56. | :50:04. | |
right, guy, doing all right tonight, aren't they". I've got walkman | :50:04. | :50:11. | |
mates. Jay-Z has been walking around. He saw your set. I heard | :50:11. | :50:15. | |
Beyonce was there. It might be a lie. I have been handed this | :50:15. | :50:20. | |
mysterious note here. A question from Lucas on Facebook. How did you | :50:20. | :50:25. | |
come up with your crouching Mexican Wave, which was very cool, by the | :50:25. | :50:34. | |
way? It was for a video for... Leaders. Was it not For get Myself. | :50:34. | :50:44. | |
:50:44. | :50:47. | ||
No, it was leaders. Dillon and Zas were on it. He is absolutely right. | :50:47. | :50:53. | |
It was for the video for Leaders of the Free World had monsters that we | :50:53. | :50:56. | |
were shrankishing from the world. They started at the Houses of | :50:56. | :51:02. | |
Parliament. We wanted them to send out a sonic wave over the crowd | :51:02. | :51:06. | |
much we asked a crowd at the festival to do a reverse Mexican | :51:06. | :51:12. | |
Wave like they were ducking a laser beam. It's a terrible video. | :51:12. | :51:18. | |
will go to the news. We will see One Day Like This, it was a magical | :51:18. | :51:22. | |
moment. It was beautiful. We will be back with your questions for | :51:22. | :51:25. | |
Aloe Blacc and loads more music. Elbow, thank you very much. We will | :51:25. | :51:35. | |
:51:35. | :51:35. | ||
Apology for the loss of subtitles for 55 seconds | :51:35. | :54:50. | |
# Yeah, kiss me # One day like this a year | :54:50. | :55:00. | |
:55:00. | :55:14. | ||
# One day like this a year # One day like this a year | :55:14. | :55:24. | |
:55:24. | :55:50. | ||
# One day like this a year # One day like this a year | :55:50. | :56:00. | |
:56:00. | :56:13. | ||
# One day like this a year # One day like this a year | :56:13. | :56:23. | |
:56:23. | :56:36. | ||
# One day like this a year # One day like this a year | :56:36. | :56:46. | |
:56:46. | :56:59. | ||
# One day like this a year # One day like this a year | :57:00. | :57:09. | |
:57:10. | :57:23. | ||
# One day like this a year # One day like this a year | :57:24. | :57:33. | |
:57:34. | :57:47. |