Paolo Nutini & Friendly Fires Glastonbury


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Paolo Nutini & Friendly Fires

Fearne Cotton and Reggie Yates introduce performances by Glasgow's Paolo Nutini and St Albans's Friendly Fires, while Aloe Blaac makes his debut on the West Holts Stage.


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This programme may contain some strong language and occasional

:00:06.:00:16.
:00:16.:00:21.

Hello and welcome back to BBC Three and Glastonbury 2011. Yeah, we are

:00:21.:00:24.

grinning from ear to ear as the sun is out. Yesterday, it was not so

:00:24.:00:29.

nice. It was rainy and muddy. During U2, the downpour was

:00:29.:00:33.

incredible! There was mud up to here! We are OK. There is still mud.

:00:33.:00:37.

Take a look at that! Yeah, looks like we have had an accident!

:00:37.:00:42.

Anyway, this is of course your show on BBC Three so please get in touch

:00:42.:00:49.

on Facebook. Send us your comments and we may throw them on screen -

:00:49.:00:54.

#[email protected] Anyway, we have got some great performances coming up.

:00:55.:00:59.

You will see more Mumford & Sons. Now, here is Paolo Nutini on the

:00:59.:01:09.
:01:09.:01:09.

Apology for the loss of subtitles for 105 seconds

:01:09.:02:55.

# Oh I should have known # You'd turn to me and say

:02:55.:02:57.

# Before you throw too much of me away

:02:57.:03:00.

# Don't you remember seeing the sun coming up easy

:03:00.:03:06.

# While the rain came tumbling down # And it washed out bodies so

:03:06.:03:10.

cleanly # Seen them rise up off of the cold,

:03:10.:03:15.

cold ground # We seen the sun coming up easy

:03:15.:03:21.

# While the rain came tumbling down # And it washed our bodies so clean

:03:21.:03:31.
:03:31.:03:31.

# We could feel them rise up off of the cold, cold ground.

:03:31.:03:39.

# It was in love I was created # And in love is how I hope I die

:03:39.:03:45.

# It was in love I was created # And in love is how I hope I die

:03:45.:03:48.

# Oh yeah # It was in love I was created

:03:48.:03:53.

# And in love is how I hope I die # Oh yeah

:03:53.:04:00.

# It was in love I was created # And in love is how I hope I die

:04:00.:04:03.

# Oh yeah # It was in love I was created

:04:03.:04:10.

# And in love is how I hope I die # It was in love I was created

:04:10.:04:20.
:04:20.:04:22.

# And in love is how I hope I die # It was in love I was created

:04:22.:04:32.
:04:32.:04:34.

# And in love is how I hope I die # Baby, baby, oh yeah

:04:34.:04:38.

# It was in love I was created # And in love is how I hope I die

:04:38.:04:47.

# It was in love I was created # And in love is how I hope I die

:04:47.:04:54.

# Oh # Oh yeah, mama

:04:54.:05:01.

# Yeah, yeah, yeah, mama # Oh, baby

:05:01.:05:06.

# It was in love I was created # And in love is how I hope I die

:05:07.:05:14.

# Oh yeah # Why wouldn't you

:05:14.:05:24.
:05:24.:05:24.

Apology for the loss of subtitles for 105 seconds

:05:24.:06:15.

# Why wouldn't you. # # I felt like there was something

:06:15.:06:25.
:06:25.:07:04.

# And I'm seeing stars # And I felt like there were

:07:04.:07:14.
:07:14.:07:16.

# But I had to stop from the shock # A room full of all my friends

:07:16.:07:19.

# And I thought "Hello new shoes, Bye-bye, blues"

:07:19.:07:29.
:07:29.:07:31.

# I said, hey I put some new shoes on

:07:31.:07:34.

# And everybody's smiling It's so inviting

:07:34.:07:37.

# Oh, short on money but long on time

:07:37.:07:40.

# Slowly strolling in the sweet sunshine

:07:40.:07:43.

# And I'm running late and I don't need an excuse

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# Cos I'm wearing my brand-new shoes

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# Mmm mm-mm-mm

:07:49.:07:59.
:07:59.:08:05.

# Take me wandering through these streets

:08:05.:08:07.

# Where bright lights and angels meet

:08:07.:08:08.

# Stone to stone, they take me on

:08:08.:08:10.

# I'm walking to the break of dawn

:08:10.:08:13.

# Take me wandering through these streets

:08:13.:08:16.

# Where bright lights and angels meet

:08:16.:08:19.

# Stone to stone, they take me on

:08:19.:08:21.

# I'm walking to the break of dawn

:08:21.:08:25.

# Hey, I put some new shoes on

:08:25.:08:28.

# And suddenly everything is right

:08:28.:08:31.

# I said, hey I put some new shoes on

:08:31.:08:34.

# And everybody's smiling It's so inviting

:08:34.:08:38.

# Oh, short on money but long on time

:08:38.:08:41.

# Slowly strolling in the sweet sunshine

:08:41.:08:43.

# And I'm running late and I don't need an excuse

:08:44.:08:49.

# Cos I'm wearing my brand-new shoes

:08:49.:08:59.
:08:59.:09:20.

What

:09:20.:09:20.

What a

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What a silly

:09:21.:09:31.
:09:31.:10:07.

# I got a sheet for my bed # And some water for my throat

:10:07.:10:13.

# I got money in the meter # Now it's getting hotter

:10:13.:10:16.

# I got legs on my chairs and a head full of hair

:10:16.:10:18.

# Pot and a pan And some shoes on my feet

:10:18.:10:20.

# I got a shelf full of books and most of my teeth

:10:20.:10:22.

# A few pairs of socks and a door with a lock

:10:22.:10:25.

# I got food in my belly and a licence for my telly

:10:25.:10:27.

# And nothing's going to bring me down

:10:27.:10:29.

# I got a nice guitar and tyres on my car

:10:29.:10:39.
:10:39.:10:46.

# I got most of the means and scripts for the scenes

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# I'm out and about, so I'm in with a shout

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# I got a fair bit of chat but better than that

:10:50.:10:53.

# Food in my belly and a licence for my telly

:10:53.:10:55.

# And nothing's going to bring me down

:10:55.:11:05.
:11:05.:11:15.

# But best of all I've got my baby

:11:15.:11:17.

# She's mighty fine and says she's all mine

:11:17.:11:26.

# And nothing's going to bring me down

:11:26.:11:36.
:11:36.:11:43.

# Best of all I've got my baby

:11:43.:11:48.

# Best of all I've got my baby

:11:48.:11:52.

# She's mighty fine and says she's all mine

:11:52.:11:54.

# And nothing's going to bring me down

:11:54.:11:58.

# And nothing's going to bring me down

:11:59.:12:08.
:12:09.:12:10.

# Not today, no, no. #

:12:10.:12:20.
:12:20.:12:26.

Thank

:12:26.:12:26.

Thank you.

:12:26.:12:36.
:12:36.:12:47.

# In the pouring rain

:12:47.:12:48.

# Trying to make myself a sail

:12:48.:12:49.

# Then I'll float to you, my darlin'

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# With the evening on my tail

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# Although

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# Not the most honest means of travel

:12:59.:13:01.

# It gets me there nonetheless

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# I'm a heartless man at worst

:13:04.:13:07.

# Babe

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# And a helpless one at best

:13:09.:13:11.

# Darling, I'll bathe your skin

:13:11.:13:14.

# I'll even wash your clothes

:13:14.:13:18.

# Just give me some candy

:13:18.:13:21.

# Before I go

:13:21.:13:24.

# Oh, darling, I'll kiss your eyes

:13:24.:13:27.

# And lay you down on your rug

:13:27.:13:30.

# Just give me some candy

:13:30.:13:32.

# After my heart, oh

:13:32.:13:37.

# I'm often found explaining

:13:37.:13:42.

# But the hurt

:13:42.:13:45.

# Plays out all the same

:13:45.:13:47.

# And although I'm left defeated

:13:47.:13:49.

# It gets held against my name

:13:49.:13:52.

# I know you've got plenty to offer

:13:52.:13:55.

# Baby

:13:55.:13:59.

# But I guess

:13:59.:14:00.

# I've taken quite enough

:14:00.:14:02.

# Well, I'm some stain

:14:02.:14:04.

# There on your bedsheet

:14:05.:14:06.

# You're my diamond in the rough

:14:06.:14:09.

# Darling, I'll bathe your skin

:14:09.:14:11.

# I'll even wash your clothes

:14:11.:14:14.

# Just give me some candy

:14:14.:14:17.

# Before I go

:14:17.:14:20.

# Oh, darling, I'll kiss your eyes

:14:20.:14:24.

# And lay you down on your rug

:14:24.:14:28.

# Just give me some candy

:14:28.:14:31.

# After my heart

:14:31.:14:38.

# I know that

:14:38.:14:48.
:14:48.:15:01.

# I know that

:15:01.:15:03.

# The writing's on the wall

:15:03.:15:05.

# But darling, I'll bathe your skin

:15:05.:15:08.

# I'll even wash your clothes

:15:08.:15:12.

# Just give me some candy

:15:12.:15:15.

# After my heart

:15:15.:15:25.
:15:25.:15:44.

# Oh, and I'll be there

:15:44.:15:46.

# Waiting for you

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# Know that I'll be there

:15:48.:15:50.

# Waiting for you

:15:50.:15:54.

# Oh, I'll be there

:15:54.:15:55.

# Waiting for you

:15:55.:15:57.

# Oh, I'll be there

:15:57.:16:01.

# Waiting for you

:16:01.:16:07.

# All the cheap

:16:07.:16:11.

# Oh, I'll be there

:16:11.:16:13.

# Waiting for you

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# Oh, I'll be there

:16:17.:16:18.

# Waiting for you

:16:18.:16:28.
:16:28.:16:31.

# All the cheap

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# Kind of sugary philosophies

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# Have got me on the bed

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# All the angels and the heralds

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# All they do is keep me

:16:42.:16:52.
:16:52.:17:30.

Good evening. Thank

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Good evening. Thank you.

:17:30.:17:38.

That

:17:38.:17:38.

That was

:17:38.:17:38.

That was really

:17:38.:17:41.

That was really beautiful to watch in the sunshine, Paolo Nutini on

:17:41.:17:47.

the Pyramid Stage a few minutes ago. So you are watching BBC Three. It

:17:47.:17:52.

is Glastonbury 2011. Thank you for your support if you are on Twitter.

:17:52.:17:57.

We are trending - #[email protected] if you want to leave a comment or a

:17:57.:18:01.

question for our guests Elbow. is Saturday night and the sun has

:18:01.:18:05.

started to set. The rumours are flying around about who is here,

:18:05.:18:09.

who is coming to watch each other. Tinie Tempah touched on the fact he

:18:09.:18:13.

saw Jay-Z earlier on and there are rumours that Beyonce has been

:18:13.:18:16.

running around with some sort of face paint or a mask or something

:18:16.:18:20.

watching bands. That is what some people are saying. Really? Jay-Z is

:18:20.:18:24.

here to watch his mate, Chris. didn't Chris Martin, he was partly

:18:24.:18:28.

responsible for getting Beyonce to do the Festival. He said, "I have a

:18:28.:18:32.

lot of passion and love for Glastonbury, you have to do it."

:18:32.:18:37.

Here she is. She will be here tomorrow. That will be awesome. You

:18:37.:18:42.

can see that on BBC One and we are across the BBC and don't forget

:18:42.:18:47.

about the red button, too. If you want to go to the BBC Three

:18:47.:18:52.

Facebook pages, you can. Gemma has been cavorting around that Dance

:18:52.:18:57.

Village making lots of different friends. She has bumped into Devlin.

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Hello. This is what I would call trudging along! Still at the side

:19:05.:19:13.

of the stage at the Dance Tent. It is all about Devlin. How are you?

:19:13.:19:19.

I'm in the mud right now. I have to say, your get-up is amazing.

:19:19.:19:25.

dressed for the occasion, man. It is a muddy place. What were we

:19:25.:19:32.

saying earlier, Emmerdale chic? They would be jealous of those

:19:32.:19:40.

boots. Is Hounam you expected it to be? I think so -- Is it how you

:19:40.:19:45.

expected it to be? I think so. Isn't it huge? What would you

:19:45.:19:54.

compare it to? Just like a whole borough of tents. I'm feeling a lot

:19:54.:19:58.

of anticipation for your set later. Is it going to be huge? It is the

:19:58.:20:02.

first time I have done this. Any big crowd is a pleasure to play.

:20:02.:20:06.

I'm playing the waiting game now. I can't wait. It is a bit of a party

:20:06.:20:09.

feel. There's collaborations all over the spot this afternoon. This

:20:09.:20:15.

is THE tent to be. Who will be joining you on stage? You know what,

:20:15.:20:19.

I'm going to do my thing, I have my band members with me and we are

:20:19.:20:24.

going to give them some songs off my album. Wicked. Do you feel like

:20:24.:20:27.

you are sort of really rising and people are spotting you more and

:20:27.:20:31.

more? Yeah, we have come a long way, especially over the last year-and-

:20:31.:20:35.

a-half. We have come a long way very quickly. The more appreciation,

:20:35.:20:45.
:20:45.:20:45.

the fans are blinding and it is good stuff. From Dagenham to Worthy

:20:45.:20:52.

Farm, high-five. Don't no-one copy my style next year! Welcome to

:20:52.:20:57.

Glastonbury. We are glad to have you. Later. Back to you, guys.

:20:57.:21:04.

I love the fact that every grime MC is trying to make wellies look cool.

:21:04.:21:09.

Tinie Tempah is still top of the chart, I think! He did all right.

:21:09.:21:16.

Loads of stuff is happening. There is so much happening this year and

:21:16.:21:21.

don't forget we are everywhere. We are on BBC Two, not One. If you

:21:21.:21:25.

want to go there and check out Beyonce tomorrow night, you can.

:21:25.:21:31.

Last night we showed a lot of the Mumford & Sons set. It was

:21:31.:21:39.

spectacular. They ran over so there was one song, The Cave, that you

:21:39.:21:49.
:21:49.:21:50.

missed. You can now see Mumford & Sons from last night with The Cave

:21:50.:22:00.
:22:00.:22:07.

# It's empty in the valley of your heart

:22:07.:22:09.

# The sun it rises slowly as you walk

:22:09.:22:16.

# Away from all the fears # And all the faults you've left

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behind # The harvest left no food for you

:22:18.:22:21.

to eat # You cannibal, you meat-eater, you

:22:21.:22:25.

# But I have seen the same # I know the shame in your defeat

:22:25.:22:31.

# But I will hold on hope # And I won't let you choke

:22:31.:22:39.

# On the noose around your neck # And I'll find strength in pain

:22:39.:22:49.
:22:49.:22:56.

# And I will change my ways # I'll know my name as it's called

:22:56.:23:06.
:23:06.:23:08.

again # Cause I have other things to fill

:23:08.:23:11.

my time # You take what is yours and I'll

:23:11.:23:14.

take mine # Now let me at the truth

:23:14.:23:19.

# Which will refresh my broken mind # So tie me to a post and block my

:23:19.:23:24.

ears # I can see widows and orphans

:23:24.:23:28.

through my tears # I know my call despite my faults

:23:28.:23:33.

# And despite my growing fears # But I will hold on hope

:23:33.:23:43.
:23:43.:23:44.

# And I won't let you choke # On the noose around your neck

:23:44.:23:49.

# And I'll find strength in pain # And I will change my ways

:23:49.:23:53.

# I'll know my name as it's called again

:23:53.:24:01.

# So come out of your cave walking on your hands

:24:01.:24:05.

# And see the world hanging upside- down

:24:05.:24:11.

# You can understand dependence # When you know the maker's hand

:24:11.:24:16.

# So make your siren's call # And sing all you want

:24:16.:24:26.

# I will not hear what you have to # Cause I need freedom now

:24:26.:24:33.

# And I need to know how # To live my life as it's meant to

:24:33.:24:43.
:24:43.:25:00.

# And I will hold on hope # And I won't let you choke

:25:00.:25:08.

# On the noose around your neck # And I'll find strength in pain

:25:08.:25:17.

# And I will change my ways # I'll know my name as it's called

:25:17.:25:27.
:25:27.:25:30.

CHEERING AND APPLAUSE Thank you very much. We are Mumford

:25:30.:25:37.

& Sons! We will see you soon. Their fan base is so huge now. The

:25:37.:25:41.

crowd were going crazy for Mumford & Sons. That was The cave. Earlier

:25:42.:25:47.

on, when I was trying to find Jessie J, I was in the backstage

:25:47.:25:52.

area, where all the bands hang out. I heard a lot of trumpets in one

:25:52.:25:57.

room and they were next door to a lot of dancers. Friendly Fires!

:25:57.:26:02.

Every band loves to come here and put on an extra special show. They

:26:02.:26:06.

definitely did that today. Yeah. I'm a massive fan and I love the

:26:06.:26:11.

fact that Ed never does anything apart from lose every sense of

:26:11.:26:17.

normality when it comes to performing. Spatial awareness!

:26:17.:26:23.

likes to shake his midrift quite a bit. Check them out here at

:26:23.:26:33.
:26:33.:26:40.

# You pushed me to the top floor # Jump in the pool

:26:40.:26:46.

# Jump in the pool Jump in the pool

:26:46.:26:49.

# I push out, I breathe in

:26:49.:26:56.

# And still us turning away

:26:56.:27:00.

# Don't look back Don't pretend

:27:00.:27:02.

# We'll ever take control again

:27:02.:27:05.

# And we 're falling beyond the horizon

:27:05.:27:08.

# And only the water remains

:27:08.:27:12.

# The fear is falling away

:27:12.:27:15.

# On the poolside staring into glowing blue

:27:15.:27:21.

# Swimsuit issues with my toes curled in the grooves

:27:21.:27:27.

# I could tell that you wanted to

:27:27.:27:34.

# Jump in the pool

:27:34.:27:36.

# And jump in the pool

:27:36.:27:40.

# I looked at you, I knew you wanted to

:27:40.:27:42.

# Jump in the pool Jump in the pool

:27:42.:27:45.

# I push out, I breathe in

:27:45.:27:50.

# And still us turning away

:27:50.:27:53.

# Don't look back Don't pretend

:27:53.:27:56.

# We'll ever take control again

:27:56.:27:59.

# And we 're falling beyond the horizon

:27:59.:28:02.

# And only the water remains

:28:02.:28:06.

# The fear is falling away

:28:06.:28:09.

# Keep breathing, keep searching Keep holding on

:28:09.:28:15.

# Keep breathing, keep living Keep holding on

:28:15.:28:22.

# I push out, I breathe in

:28:22.:28:32.
:28:32.:29:12.

# I push out, I breathe in

:29:12.:29:15.

# And still us turning away

:29:15.:29:17.

# Don't look back Don't pretend

:29:17.:29:19.

# We'll ever take control again

:29:19.:29:22.

# And we're falling beyond the horizon

:29:22.:29:26.

# And only the water remains

:29:26.:29:29.

# The fear is falling away. #

:29:29.:29:39.
:29:39.:30:10.

CHEERING AND

:30:10.:30:10.

CHEERING AND APPLAUSE

:30:10.:30:20.
:30:20.:30:24.

Come

:30:24.:30:24.

Come on,

:30:24.:30:25.

Come on, on

:30:25.:30:35.
:30:35.:30:44.

on the dancefloor in flashing colours

:30:44.:30:49.

# You're too much I take it that we're over

:30:49.:30:57.

# Should we even care at all?

:30:57.:31:02.

# You're too much, too much

:31:02.:31:06.

# Let's shake hands and say goodbye

:31:06.:31:11.

# Your love is out But even despite it all

:31:11.:31:16.

# Give me your hand

:31:16.:31:20.

# Let's face this night and see it through

:31:20.:31:22.

# Let's face this night and see it through

:31:22.:31:27.

# Right by my feet lay broken glasses

:31:27.:31:37.
:31:37.:31:43.

# Let's face this night and see it through

:31:43.:31:53.
:31:53.:31:56.

# Sweat from the walls, drips on my shoulder

:31:56.:31:58.

# I've got to see it through

:31:58.:32:00.

# You're too much I take it that we're over

:32:00.:32:04.

# Should we even care at all?

:32:04.:32:06.

# You're too much, too much

:32:06.:32:10.

# Let's shake hands and say goodbye

:32:10.:32:20.
:32:20.:32:40.

# Your love is out But even despite it all

:32:40.:32:42.

# Give me your hand

:32:42.:32:44.

# Let's face this night and see it through

:32:44.:32:47.

# Let's face this night and see it through

:32:47.:32:54.

# Your love is out But even despite it all

:32:54.:32:56.

# Give me your hand

:32:56.:32:59.

# Let's face this night and see it through

:32:59.:33:06.

# Your love is out But even despite it all

:33:06.:33:09.

# Give me your hand

:33:09.:33:15.

# Let's face this night and see it through

:33:15.:33:25.
:33:25.:33:36.

# Your love is out But even despite it all

:33:36.:33:40.

# Give me your hand

:33:40.:33:43.

# Let's face this night and see it through

:33:43.:33:53.
:33:53.:33:59.

Thank

:33:59.:33:59.

Thank you

:33:59.:33:59.

Thank you very

:33:59.:34:06.

Thank you very much, Glastonbury. Cheers. I like the sound of a bass

:34:06.:34:16.
:34:16.:34:24.

# Knees in my back # Did I give it all

:34:24.:34:26.

# Seeing the mountains through the fog

:34:26.:34:31.

# Watching a film with a talking dog

:34:32.:34:35.

# Cos if I fall then I guess I fall

:34:35.:34:40.

# Hawaiian air, Hawaiian air

:34:40.:34:46.

# Hawaiian air, Hawaiian air

:34:46.:34:53.

# Leaving the world down beneath the clouds

:34:53.:34:59.

# Hawaiian notes Don't need no pounds

:34:59.:35:02.

# Did I give them all Oh, did I give them all?

:35:02.:35:06.

# Ache in my leg from a broken seat

:35:07.:35:11.

# Skipping the meal for a G&T

:35:11.:35:15.

# Cos if I fall I'm begging not to fall

:35:15.:35:19.

# Hawaiian air, Hawaiian air

:35:19.:35:29.
:35:29.:35:31.

# Touching down, hit the ground I'm breathing new air

:35:31.:35:40.

# Gonna take this all in Gonna take this all in

:35:40.:35:43.

# As we land you pinch my hand We're still here

:35:43.:35:52.

# Gonna take this all in Gonna take this all in

:35:52.:35:58.

# Up in the sky, Honolulu bound Steel guitar and a melly sound

:35:58.:36:07.

# Did I give it all? I guess I gave it all

:36:07.:36:12.

# Feeling the shakes keeps me reticent

:36:12.:36:20.

# Stuck in my seat from the turbulence

:36:20.:36:23.

# And if I fall, then I fall

:36:23.:36:27.

# Breaking open skies and green earths

:36:27.:36:31.

# Around them we float

:36:31.:36:38.

# Deserts in our eyes were falling Our hearts are not broke

:36:38.:36:43.

# Hawaiian air, Hawaiian air Hawaiian air, Hawaiian air

:36:43.:36:53.
:36:53.:36:55.

# Touching down, hit the ground I'm breathing new air

:36:55.:37:05.
:37:05.:37:10.

# Touching down, hit the ground I'm breathing new air

:37:10.:37:14.

# Gonna take this all in Gonna take this all in

:37:14.:37:18.

# As we land, you pinch my hand I'm still here

:37:18.:37:24.

# Gonna take this all in Gonna take this all in

:37:24.:37:32.

# As the wheels hit the ground I'm breathing Hawaiian air

:37:32.:37:39.

# Gonna take this all in Gonna take this all in

:37:39.:37:46.

# As the heat fills my lungs I'm breathing Hawaiian air

:37:46.:37:52.

# Gonna take this all in Gonna take this all in

:37:52.:37:59.

# Hawaiian air, Hawaiian air

:37:59.:38:06.

# Hawaiian air, Hawaiian air. #

:38:06.:38:16.
:38:16.:38:21.

Thank

:38:21.:38:22.

Thank you.

:38:22.:38:22.

Thank you. Cheers.

:38:22.:38:26.

Thank you. Cheers. If

:38:26.:38:27.

If there

:38:27.:38:27.

If there is

:38:27.:38:27.

If there is one

:38:27.:38:30.

If there is one band responsible for bringing the sunshine out, we

:38:30.:38:33.

have to give it to Friendly Fires. That looked beautiful. I don't know

:38:33.:38:37.

if it would have had the same effect in the rain yesterday! That

:38:37.:38:42.

looked gorgeous. It was beautiful. One of those bands who have earnt

:38:42.:38:48.

their billing, they were on The Other Stage tonight. I did warn you

:38:48.:38:57.

about the dancers. I was excited about Ed's dancing! That was

:38:57.:39:01.

brilliant. Don't forget, Elbow will be in the studio. If you have a

:39:01.:39:06.

question for them, go on Twitter - #[email protected] We are trending and

:39:06.:39:11.

that is brilliant. Keep your questions coming in. Now we have

:39:11.:39:20.

tonnes still to come. We will be bringing you some Janelle Monae

:39:20.:39:23.

later on tonight. The Chemical Brothers. There is so much still to

:39:23.:39:27.

come. Now, we are going to find out how Gemma is getting on. Greg and

:39:27.:39:32.

Gemma have been seeing everything that we can't get to see, right?

:39:32.:39:37.

Definitely. Gemma has been making lots of friends in the Dance

:39:37.:39:43.

Village today. It is a great place to be. There's so many different

:39:43.:39:48.

pockets here where you can see dance, or hip-hop, or rock,

:39:48.:39:53.

whatever you want. Gemma has been discovering what's been going on at

:39:53.:40:01.

the Dance Village. Hello. Getting grimy right now. Literally. In the

:40:01.:40:05.

most shiny boots I have seen in a while. They were shiny and now they

:40:05.:40:10.

are just muddy! They are still shiny compared to mine. Let me give

:40:10.:40:18.

you some! Mud is quite good for the skin. Would you be interested in a

:40:18.:40:24.

mud mask? No! I know what you are getting at. I am imagining a mud

:40:24.:40:29.

fight happening sooner or later. It is like a big old party here.

:40:29.:40:36.

like an underground reunion. Gigs, everyone, Xmpl. How do you feel

:40:36.:40:40.

about bringing this scene to Glastonbury? I didn't think it

:40:40.:40:44.

would happen. I didn't think that we would be here in such a big

:40:44.:40:48.

stage with all the big artists. We kind of proved a lot in the last

:40:48.:40:52.

few years that we can really stand our ground and everyone is doing

:40:52.:40:55.

exceptionally well. How are you feeling about the mud? Happy about

:40:55.:41:00.

it? I am used to it now. Come on, you are quite fresh and clean,

:41:00.:41:05.

usually? An hour ago, if you had asked me that, I was almost in

:41:05.:41:10.

tears. Now, I'm used to it. As long as it doesn't touch my jeans.

:41:10.:41:20.
:41:20.:41:22.

would you do, if you slipped? you pushed me? I won't! Is Example

:41:22.:41:27.

going to be joining you? He is. It is nice. I don't think I am leaving

:41:27.:41:33.

this tent today. Will you be going around later on? Yes. There's some

:41:33.:41:38.

crazy stuff going on. I heard about it. A tunnel thing. Yes. I'm no

:41:38.:41:42.

good with tunnels. I went through a fridge last night. I walked through

:41:42.:41:46.

a fridge. Yes, I might, yeah, I might stay out the tent and give

:41:46.:41:51.

the fridge thing a miss. If you want to, I can sort you out. Yeah,

:41:51.:41:57.

we sort out a fridge and a mud bath! Next year! One word to

:41:57.:42:02.

describe Glastonbury, your experience so far? Retched! Give me

:42:03.:42:10.

a hippy hug. Over to you, guys. A hippy hug! Don't try now, love.

:42:10.:42:15.

Come on. No. Over it. Missed your chance. Let's not fight. He is one

:42:15.:42:20.

of the nicest men in grime. We love him. Congratulations on that number

:42:20.:42:25.

two. We have loads more coming up. We have Elbow on the Pyramid Stage

:42:25.:42:30.

behind us. You will see a lot of that set later on. We will chat to

:42:30.:42:37.

them so any questions - #[email protected] Now, anybody who

:42:37.:42:45.

watched How To Make It In America would love the theme tune and that

:42:45.:42:50.

song has travelled all over Europe. He has blown up in the UK and

:42:50.:43:00.
:43:00.:43:37.

Europe. This is him performing # Here she comes

:43:37.:43:43.

# You better watch your step # She's going to break your heart

:43:43.:43:53.
:43:53.:43:57.

in two, it's true # It's not hard to realise

:43:57.:44:03.

# Just look into her false coloured eyes

:44:03.:44:13.
:44:13.:44:14.

# She builds you up to just be a fool

:44:14.:44:20.

# Cause everybody knows she's a femme fatale

:44:20.:44:29.

# The thing she does to please # She's a femme fatale

:44:29.:44:35.

# She's just a little tease # See the way she walks

:44:35.:44:45.
:44:45.:45:08.

# Hear the way she talks # Oh

:45:08.:45:18.
:45:18.:45:19.

# You're written in her book # You're number 37, have a look

:45:19.:45:27.

# She's going to smile to make you frown, what a clown

:45:27.:45:37.
:45:37.:45:37.

# Little boy, she's from the street # Before you start, you're already

:45:37.:45:41.

beat # She's gonna play you for a fool,

:45:41.:45:51.
:45:51.:45:53.

yes it's true # Cause everybody knows she's a

:45:53.:45:56.

femme fatale # The things she does to me

:45:56.:46:05.

# She's a femme fatale # She's just a little tease

:46:05.:46:14.

# See the way she walks # Hear the way she talks

:46:14.:46:24.
:46:24.:46:49.

# Oh yeah # Something special happened today

:46:49.:46:54.

# I got green lights all the way # With no big red sign to stop me

:46:54.:46:58.

# No traffic jam delay # See I was driving over the moon

:46:58.:47:01.

# In my big air balloon # Flown it high into the darkness

:47:02.:47:09.

# I hope I'll get there soon # There's so many things to do

:47:09.:47:17.

# So many people I need to talk to # And they've all been waiting for

:47:17.:47:27.
:47:27.:47:30.

# Well, I got to make it through # Something special happened today

:47:30.:47:40.
:47:40.:47:41.

# I got green lights all the way # With no big green sign to stop me

:47:41.:47:47.

# No traffic jam delay # Think my stars would rather be

:47:47.:47:52.

green # You have no idea what it means

:47:52.:48:01.

# To a man that's always travelling # And sees the things that I see

:48:02.:48:09.

# I don't know what's yet to come # Not sure of anything that I've

:48:09.:48:14.

done # Really makes that much a

:48:14.:48:24.
:48:24.:48:24.

difference # Well I hope it has for some

:48:24.:48:28.

# Something special happened today # I got green lights all the way

:48:28.:48:38.
:48:38.:48:43.

# With no big red sign to stop me # No traffic jam delay

:48:43.:48:53.
:48:53.:48:53.

# I was driving over the moon # In my big air balloon

:48:53.:48:58.

# Flown it high high in the darkness

:48:58.:49:04.

# I promise that I'll make it to you very soon

:49:04.:49:14.
:49:14.:49:43.

# Something special happened today. How you feeling out there right

:49:43.:49:46.

now? CHEERING Well, I'm feeling really

:49:46.:49:52.

good, too. Check out the new album called Good Things. In my life

:49:52.:50:00.

there's a lot of good things going on right now. Singalong with me!

:50:00.:50:10.
:50:10.:50:13.

# Na- na-na # Say na-na-na

:50:13.:50:23.
:50:23.:50:23.

Apology for the loss of subtitles for 105 seconds

:50:23.:51:34.

# Ain't no more rainy day # Oh

:51:34.:51:38.

# I'll tell you # When you left me

:51:39.:51:45.

# I thought I would never love again

:51:45.:51:49.

# Oh you had me all confused # And twisted up inside

:51:49.:51:55.

# I thought it was something that I # Mmm

:51:55.:52:04.

# Hey, you know you wanted to know what was going on inside my head

:52:04.:52:08.

# Everything is fine # You're out of my mind

:52:08.:52:15.

# I'm going to love myself instead # Mmm

:52:15.:52:19.

# Ever since you've been gone # There's been a lot of good things

:52:19.:52:22.

going on # Mmm

:52:22.:52:28.

# Ever since you left that day # There's been a lot of good things

:52:28.:52:33.

coming my way # Ooh, yeah

:52:33.:52:43.
:52:43.:52:46.

# What more can I say # Now what more can I say

:52:46.:52:54.

# Ain't no more rainy day # Ever since you've been gone

:52:54.:52:57.

# There's been a lot of good things, good things

:52:57.:53:01.

# Going on # Yeah, yeah

:53:01.:53:06.

# Ever since you left that day # There's been a lot of good things,

:53:06.:53:11.

good things come my way, yeah # Yeah, yeah

:53:11.:53:21.
:53:21.:53:24.

# Ever since you been gone # Clap your hands everybody

:53:25.:53:29.

# Everybody just clap your hands # Come on and clap your hands

:53:29.:53:31.

everybody # Everybody just clap your hands

:53:31.:53:35.

# Come on # Say na-na-na-na

:53:35.:53:41.

# Say na-na-na-na-na # Na-na-na-na

:53:41.:53:51.
:53:51.:53:51.

# Say na-na-na-na # Say na-na-na-na her ever since

:53:52.:54:01.
:54:02.:54:19.

CHEERING AND APPLAUSE The fantastic Alloe Black.

:54:19.:54:24.

Incredible. Now fresh off the stage and still slightly sweaty, it's

:54:24.:54:26.

Friendly Fires. Hello, far from fresh. Thank you for coming. You

:54:26.:54:36.

got in a car and raced straight here. We ran the last portion. Ed...

:54:36.:54:39.

Piggy-back! Our stage manager was having a heart attack. We have made

:54:39.:54:44.

everybody take off their shoes and you have marched mud in here.

:54:44.:54:48.

have to bring the rock 'n' roll element to BBC Three. What were you

:54:48.:54:51.

thinking? Our manager was there and I said if you want to earn your 20%,

:54:51.:54:58.

give me a piggy-back. That set was amazing! Was he pleased with how it

:54:58.:55:03.

went? It looked stunning on stage. We were so lucky. It all came to

:55:03.:55:08.

the right way in the end. The clouds parted, the sun popped out.

:55:08.:55:15.

You are responsible for that. We held you responsible. Yeah.

:55:15.:55:20.

looked beautiful. The Hawaiian dancers were spectacular. Yeah.

:55:20.:55:24.

Whose idea was that? We didn't know what they were going to do.

:55:24.:55:28.

didn't ask for them to be there. They just turned up? You could have

:55:28.:55:33.

brought them here for us. You guys are great, but it would be great to

:55:33.:55:37.

have them, too. What is your plan now? You are in a great mood, the

:55:37.:55:43.

sun is shining, what will you do for the rest of Glastonbury?

:55:43.:55:52.

DJing at 4.00am. Are you going to be there then? Yes. They have not

:55:52.:56:00.

agreed yet! Where else will you be? Maybe checking out the set behind

:56:00.:56:08.

The Park Stage. OK. I can watch them. Sipping on a drink. You will

:56:08.:56:13.

be looking at - this CD will be good. I wouldn't do that! One of

:56:13.:56:18.

the things I love to find out is what bands bands are watching. Is

:56:18.:56:25.

there anyone else you are trying to see? Probably watch The Chemical

:56:25.:56:35.
:56:35.:56:36.

Brothers. They will be having it! Nice one. Shout out to Lone, a

:56:36.:56:41.

producer from Nottingham! I'm a massive fan of his music and he is

:56:41.:56:45.

playing tomorrow at 3.00pm in the afternoon on some dance stage of

:56:45.:56:52.

Fearne Cotton and Reggie Yates introduce performances by Glasgow's own heartthrob Paolo Nutini and St Albans's Friendly Fires. The 'I Need A Dollar' chart star Aloe Blaac makes his debut on the West Holts Stage and intrepid reporters Greg James and Gemma Cairney roam the vast site.