Jessie J & Tinie Tempah Glastonbury


Jessie J & Tinie Tempah

Fearne Cotton and Reggie Yates introduce live coverage on day two of the festival, with performances by UK pop sensations Jessie J making her Glastonbury debut, and Tinie Tempah.


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Transcript


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This programme contains scenes of Hello. Hello. Can you see us?

:00:14.:00:21.

Welcome to the BBC Three coverage of Glastonbury 2011. Paolo Nutini

:00:21.:00:25.

is on the main stage right now. There are tonnes of people waiting

:00:25.:00:30.

to see them. We have so much music for you. The weather is very

:00:30.:00:34.

different to yesterday. Everyone is in a good mood. Let's get on with

:00:34.:00:44.
:00:44.:00:44.

Hello there. Hello. Welcome back. The sun is shining. There is still

:00:44.:00:49.

mud, but spirits are high. Everyone is happy now the sun is out much we

:00:49.:00:54.

have a will havely show. It's Day two, we have had a brilliant day.

:00:54.:00:59.

So much to share. We will celebrate some of the best talent from the UK

:00:59.:01:01.

tonight as James Johnston and Tinie Tempah will be on this show. Also

:01:01.:01:06.

Elbow will pop in for a chat. Of course, you will get loads of music

:01:06.:01:11.

as it happens here at Glastonbury 2011. So, earlier on someone who

:01:11.:01:15.

did a storming set was James Johnston. She hurt her foot. She

:01:15.:01:22.

has a big shoe boot on. She was hobbling around and belting out

:01:22.:01:32.
:01:32.:02:11.

tunes. Here she is, James Johnston. # Yeah

:02:11.:02:21.
:02:21.:02:47.

# I said, take your stuff and run # Cos you're not for me

:02:47.:02:50.

# Mamma knows best when times get hard

:02:50.:02:55.

# And papa always has a joke, to make me laugh

:02:55.:03:04.

# Mamma knows best when # I feel down, to bring me up

:03:04.:03:12.

# Always keep my feet on the ground # Say I know, know, know

:03:12.:03:22.
:03:22.:03:22.

# That you can pick up and drop, no # And all of this inconsistent love

:03:22.:03:30.

# It's it's time that it STOP - stops

:03:30.:03:36.

# So bow out, go # Now I said bow out, leave!

:03:36.:03:40.

# I said take a bow and go # Cos you're not for me

:03:40.:03:43.

# Mama knows best when times get hard

:03:43.:03:46.

# And papa always has a joke to make me laugh

:03:46.:03:53.

# Mama knows best when # I feel down, to bring me up

:03:53.:04:01.

# And always keep my feet on Glastonbury

:04:01.:04:05.

# Just keep the best of ma # Daddy said to me

:04:05.:04:09.

# Always use humour as your therapy, yeah

:04:09.:04:12.

# Don't ever take life too seriously

:04:12.:04:17.

# Just do you, could you do you so perfectly

:04:17.:04:27.
:04:27.:04:29.

# Mama # Yeah, yeah yeeeah

:04:29.:04:34.

# Say Mama knows best # Daddy, daddy knows best

:04:34.:04:40.

# Ma'am Mama knows best # Put your hands up

:04:40.:04:48.

# Mama knows best when times get hard

:04:48.:04:51.

# Papa always has a joke to make me laugh

:04:51.:04:55.

# Mama knows best when I feel down, to bring me up

:04:55.:04:58.

# And always keep my feet on the ground

:04:59.:05:04.

# Mama knows best # See daddy knows best

:05:04.:05:08.

# Mama knows # See, Mama knows best

:05:08.:05:16.

# See, daddy, daddy knows best # See, Mama knows best

:05:16.:05:26.
:05:26.:05:31.

# Yeah, yeeaah! # CHEERING AND APPLAUSE

:05:31.:05:40.

Yeah, let's keep going. This one is Abracadabra. It's morify magical

:05:40.:05:47.

# I don't wanna be the reason # So I'ma let you do the leading

:05:47.:05:49.

# See, I just don't usually do this But you're bringing me out

:05:49.:05:52.

# All the doubts I had have gone away

:05:52.:05:53.

# When you're touching me I'm not afraid

:05:53.:05:56.

# Know this ain't going away Here to stay

:05:56.:05:59.

# I just wanna be your girl, your girl

:05:59.:06:06.

# I can be all you want Will you say?

:06:06.:06:08.

# I just wanna be your girl, yeah

:06:08.:06:15.

# Cos you got my heart on lock It's so unreal, you know

:06:15.:06:18.

# Don't want this to stop You're so damn keepable

:06:18.:06:23.

# Feel your magic touch It's unbelievable

:06:23.:06:27.

# I gotta have you, like abracadabra

:06:27.:06:36.

# You got my heart on lock It's so unreal, you know

:06:36.:06:37.

# Don't want this to stop You're so damn keepable

:06:37.:06:41.

# Feel your magic touch It's unbelievable

:06:41.:06:46.

# I gotta have you, like abracadabra

:06:46.:06:52.

# I didn't even see you coming It was such a surprise

:06:52.:06:55.

# I wasn't expecting nothing Now I'm lit up inside

:06:55.:06:59.

You're bringing out all the colours No more black and white

:06:59.:07:04.

# You won the race and got the gold So here I am, we're good to go

:07:04.:07:09.

# Know this ain't going away Here to stay

:07:09.:07:12.

# I just wanna be your girl, your girl

:07:12.:07:18.

# I can be all you want Will you say?

:07:18.:07:21.

# I just wanna be your girl, yeah

:07:21.:07:28.

# Cos you got my heart on lock It's so unreal, you know

:07:28.:07:30.

# Don't want this to stop You're so damn keepable

:07:30.:07:34.

# Feel your magic touch It's unbelievable

:07:34.:07:39.

# I gotta have you, like abracadabra

:07:39.:07:47.

# You got my heart on lock It's so unreal, you know

:07:47.:07:49.

# Don't want this to stop You're so damn keepable

:07:49.:07:54.

# Feel your magic touch It's unbelievable

:07:54.:07:59.

# I gotta have you, like abracadabra

:07:59.:08:06.

# I don't wanna take my time I don't wanna wait in line

:08:06.:08:08.

# I just want you by my side Come and give me what I like

:08:08.:08:13.

# I don't wanna take my time I don't wanna wait in line

:08:13.:08:18.

# No I just want you by my side Come and give me what I like

:08:18.:08:21.

# Cos you got my heart on lock It's so unreal, you know

:08:21.:08:26.

# Don't want this to stop You're so damn keepable

:08:26.:08:31.

# Feel your magic touch It's unbelievable

:08:31.:08:37.

# I gotta have you, like abracadabra

:08:37.:08:43.

# You got my heart on lock It's so unreal, you know

:08:43.:08:45.

# Don't want this to stop You're so damn keepable

:08:45.:08:50.

# Feel your magic touch It's unbelievable

:08:50.:08:58.

# I gotta have you Like abracadabra. #

:08:58.:09:04.

people in the place. CHEERING

:09:04.:09:04.

CHEERING AND

:09:05.:09:05.

CHEERING AND APPLAUSE

:09:05.:09:08.

CHEERING AND APPLAUSE Hello.

:09:09.:09:18.
:09:19.:09:37.

#

:09:37.:09:38.

# So

:09:38.:09:38.

# So reach

:09:38.:09:43.

# So reach deep and release your inner child

:09:43.:09:46.

# Yeah, yeah # So sit down for the love, love,

:09:46.:09:50.

love # So sit down, for the love, love,

:09:50.:09:52.

love # So stand up!

:09:52.:09:57.

# Yeah, yeah, yeah # Cause you're as old as you feel

:09:57.:09:59.

you are # And if you don't reach for the

:09:59.:10:04.

moon, you can't fall on the stars # So I live my life like every day

:10:04.:10:09.

is the last, last, last # Cause you're as old as you feel

:10:09.:10:11.

you are # And if you don't reach for the

:10:11.:10:15.

moon, you can't fall on the stars # So, I live my life like every day

:10:15.:10:24.

is the last, last, last # If you let a frown become your

:10:24.:10:28.

normality # You don't set an example for the

:10:28.:10:34.

youth of our humanity # If you spend every day wishing

:10:34.:10:40.

for the next to come # Aged and lifeless is what, yes,

:10:40.:10:42.

you'll become # Yeah, yeah

:10:42.:10:44.

# Sing with me # Stand up

:10:44.:10:47.

# So stand up # Yeah

:10:47.:10:55.

# So stand up # Yeah, yeah, yeah

:10:55.:10:58.

# Cause you're as old as you feel you are

:10:58.:11:02.

# And if you don't reach for the moon you can't fall on the stars

:11:02.:11:06.

# So I live my life like every day is the last, last, last

:11:06.:11:10.

# So in all the bad and the good # Don't think second best

:11:10.:11:13.

# Be number one # Spread some love

:11:13.:11:16.

# Don't give to receive # Strive to be happy

:11:16.:11:20.

# And live to believe # So in all the bad and the good

:11:20.:11:23.

# Don't think second best # Benumber one

:11:23.:11:26.

# Spread some love # Don't give to receive

:11:27.:11:29.

# Strive to be happy # Yeah

:11:29.:11:36.

# Live to believe # Yeah, yeah, yeah!

:11:36.:11:43.

# So stand up! # Cause you're as old as you feel

:11:43.:11:45.

you are # And if you don't reach for the

:11:45.:11:49.

moon, you can't fall on the stars # So I live my life like every day

:11:49.:11:54.

is the last, last, last # So stand up

:11:54.:12:00.

# For the love, love, love # So stand up

:12:00.:12:02.

# What? # So stand up

:12:02.:12:05.

# OK, spread it around # So stand up

:12:05.:12:11.

# For the lolololo love, yeah # So stand, up

:12:11.:12:17.

# For the lololo love yeah # So stand up

:12:17.:12:24.

# For the lololo love, yeah, yeah # So stand up

:12:24.:12:27.

# Stand up # Stand up!

:12:27.:12:30.

# Yeah # Cause you're as old as you feel

:12:30.:12:32.

you are # And if you don't reach for the

:12:32.:12:36.

moon, you can't fall on the stars # So I live my life like every day

:12:36.:12:39.

is the last, last, last # So stand up

:12:39.:12:43.

# For the love, love, love # So stand up

:12:43.:12:46.

# Yeah # For the love, love, love

:12:46.:12:50.

# So stand up for the love, love, love

:12:50.:13:00.
:13:00.:13:07.

# So stand up # I have this thing

:13:07.:13:12.

# It's like I need to tell someone,anyone who'll listen

:13:12.:13:18.

# For a minute there I lose my senses

:13:18.:13:23.

# And in the heat of the moment my mouth starts going

:13:23.:13:24.

# The words start flowing, ah

:13:24.:13:27.

# But I never meant to hurt ya

:13:27.:13:30.

# I know it's time that I learned to

:13:30.:13:32.

# Treat the people I love like I wanna be loved

:13:32.:13:37.

# This is a lesson learned

:13:37.:13:39.

# And I hate that I let you down

:13:39.:13:42.

# And I feel so bad about it

:13:42.:13:44.

# I guess karma comes back around

:13:44.:13:48.

# Cos now I'm the one that's hurting, yes

:13:48.:13:50.

# And I hate that I made you think

:13:50.:13:53.

# That the trust we had is broken

:13:53.:13:56.

# So don't tell me you can't forgive me

:13:56.:13:59.

# Cos nobody's perfect

:13:59.:14:02.

# No, no

:14:02.:14:04.

# No-no-no, no, no

:14:04.:14:06.

# No-no-no, no, no

:14:06.:14:09.

# No-no-no, no-no

:14:09.:14:12.

# Nobody's perfect, no... #

:14:12.:14:16.

# If I could turn back the hands of time

:14:16.:14:17.

# I swear I never would have crossed that line

:14:17.:14:19.

# I should have kept it between us

:14:19.:14:22.

# But Jessie went and told the whole world how she's feeling, ah

:14:22.:14:25.

# So I sit and I realise

:14:25.:14:27.

# With these tears falling from my eyes

:14:27.:14:30.

# I gotta change if I wanna keep you forever

:14:30.:14:35.

# I promise that I'm gonna try

:14:35.:14:37.

# But I never meant to hurt ya

:14:37.:14:39.

# I know it's time that I learned to

:14:39.:14:42.

# Treat the people I love like I wanna be loved

:14:42.:14:46.

# This is a lesson I learned

:14:46.:14:48.

# And I hate that I let you down

:14:48.:14:51.

# And I feel so bad about it

:14:51.:14:53.

# I guess karma comes back around

:14:53.:14:57.

# Cos now I'm the one that's hurting, yes

:14:57.:15:01.

# And I hate that I made you think

:15:01.:15:03.

# That the trust we had is broken

:15:03.:15:06.

# So don't tell me you can't forgive me

:15:06.:15:10.

# Cos nobody's perfect No, no, no-no-no

:15:10.:15:14.

# No, no-no-no, no

:15:14.:15:17.

# No-no-no, no

:15:17.:15:20.

# Nobody's perfect

:15:20.:15:23.

# Whoa-oa-oa-oa, oh, oh

:15:23.:15:27.

# Ooh-ooh-oooh ooh-ooh-oooh Ooh-ooh-oooh

:15:27.:15:31.

# No, no-no

:15:31.:15:32.

# No-no-no, no, no Slow down

:15:32.:15:35.

# I'm not a saint, no, no at all

:15:35.:15:37.

# But what I did, that wasn't cool

:15:37.:15:40.

# But I swear that I'll never do that again to you

:15:40.:15:45.

# Hey, go!

:15:45.:15:47.

# I'm not a saint, I'm not a saintNo, not at all, no, not at all

:15:47.:15:50.

# What I did, what I didThat wasn't cool, that wasn't cool

:15:50.:15:53.

# But I swear that I'll never do that again to you

:15:53.:15:57.

# Hey-ey-ey

:15:57.:15:58.

# And I hate that I let you down

:15:58.:16:02.

# And I feel so bad about it

:16:02.:16:04.

# I guess karma comes back around

:16:04.:16:07.

# Cos now I'm the one that's hurting, yes

:16:07.:16:12.

# And I hate that I made you think

:16:12.:16:15.

# The trust we had is broken

:16:15.:16:18.

# So don't tell me you can't forgive me

:16:18.:16:21.

# Cos nobody's perfect, no... #

:16:21.:16:29.

# And I hate that I let you down

:16:29.:16:30.

# And I feel so bad about it

:16:30.:16:31.

# I guess karma comes back around

:16:31.:16:33.

# Cos now I'm the one that's hurting, yes

:16:33.:16:35.

# And I hate that I made you think

:16:35.:16:39.

# The trust we had is broken

:16:39.:16:41.

# So don't tell me you can't forgive me

:16:41.:16:44.

# Cos nobody's perfect, no... #

:16:44.:16:54.
:16:54.:17:01.

# Cos nobody's perfect, no... #

:17:01.:17:07.

# No, no-no-no, no

:17:07.:17:08.

# No-no-no, no

:17:08.:17:10.

# No, no-no-no, no

:17:10.:17:13.

# No-no-no, no

:17:13.:17:16.

# No, no-no-no, no

:17:16.:17:19.

# No-no-no, no

:17:19.:17:22.

# Nobody's perfect

:17:22.:17:32.

CHEERING

:17:32.:17:32.

CHEERING AND

:17:32.:17:32.

CHEERING AND APPLAUSE

:17:32.:17:41.

So,

:17:41.:17:41.

So, somehow,

:17:41.:17:42.

So, somehow, still

:17:42.:17:45.

So, somehow, still managing to look stylish in the mud, and with a foot

:17:45.:17:50.

cast on, it's Jessie J. Hello, are you all right? Good. How are you.

:17:50.:17:54.

You have been on stage with this thing on your foot? Maybe I should

:17:54.:17:58.

have put one on the other foot. They would have thought it was a

:17:58.:18:03.

fashion statement. Could you have got eye diamonds and decorated said

:18:03.:18:08.

boot? No comment. We were supposed to do it. If you saw what ne did to

:18:09.:18:12.

the boot it was so terrible I decided not wear it. I was going to

:18:12.:18:17.

go with the proper hospital looking one instead of the ruined... It was

:18:17.:18:22.

a throne on stage? Only so many things you can jazz up when you

:18:22.:18:27.

have to sit down. I said, maybe I should do a musical chairs. Maybe

:18:27.:18:32.

every song move on to a different form of sitting down, garden chair,

:18:32.:18:36.

toilet. Couch. Bean bag. Yeah. Another option. Maybe as the

:18:36.:18:40.

festivals go on I will change. We thought a throne was a gad choice

:18:40.:18:45.

for this one. I have seen you play live a few times you are energetic

:18:45.:18:51.

and all over the shop. Is it awful to sit still and sing? It is for me.

:18:51.:18:56.

I feel sorry for the people watching. It might be quite boring.

:18:56.:19:01.

I don't do dance moves, obviously. You do your thing? I'm energetic.

:19:01.:19:05.

It's nice for them to see me sitting down and not being hyper -

:19:05.:19:10.

I don't know. I feel more sorry for them than me. People appreciate you

:19:10.:19:15.

went up there and did it. I hope so, it's painful. I was thinking about

:19:15.:19:19.

when I heard about you last year. You were on jewels Holland and

:19:19.:19:24.

exploded on the scene. Since then it's been mental. Playing

:19:24.:19:28.

Glastonbury today. You have been doing so well in the States. Do you

:19:28.:19:32.

moments when it's overwhelming? Totally. People think as soon as

:19:32.:19:36.

they know you, it's as though you are used to them knowing you. Does

:19:36.:19:40.

that make sense? I'm doing amazing television shows around the world.

:19:40.:19:47.

I go to France, I do X Factor. It's really wierd. Weirdest thing is

:19:47.:19:52.

when people say, "I want to touch you" I'm normal like you. I have

:19:52.:20:01.

skin and hair. Eye diamonds. As you do on a Saturday afternoon. It's

:20:01.:20:05.

very overminging. I have questions. Who does your nails, they are

:20:05.:20:15.
:20:15.:20:18.

fierce? They are. What are you rock rocking today? This is a good gold

:20:18.:20:23.

nail varnish. Also, at super city 3 at twitter where does your

:20:23.:20:27.

inspiration come from? To be honest, everything. If it's not about my

:20:27.:20:30.

life, it's about people near me or close to me who have gone through

:20:30.:20:34.

stuff, and I pretend I'm them. I think music is inspired by

:20:34.:20:39.

everything for me. Not just like love or... It's life. Good. You

:20:39.:20:44.

need to go and rest. Where is your man to carry you back out? Man!

:20:44.:20:47.

will get you shifted over there. Thank you very much. This will look

:20:47.:20:54.

like a chair. Just get a man. An electric man. Thank you! A man

:20:54.:20:58.

did lift her up and then take her through the mud. What you missed

:20:58.:21:04.

was that Jessie picked her nose with her long fingers nails. Saying

:21:04.:21:09.

that is why they are a length. A great performance with a bad foot.

:21:09.:21:13.

You ruined the picture. If you want more Jessie J hit the Red Button.

:21:13.:21:18.

You can see more of her set. You need to do. This not only did she

:21:18.:21:22.

decide to become one with a crowd and have a cup of mud and proceed

:21:22.:21:28.

to put it over her face. She got a seven-year-old to come out and do

:21:28.:21:36.

the rap on Price Tag. You can get involved with us on BBC Three by:

:21:36.:21:44.

We have Tinie Tempah coming into the studio. Any questions at all:

:21:45.:21:50.

Now, we have bumped into this next chap a lot today. He has been at

:21:50.:21:55.

the festival. He has performed five times already. He has his dad down

:21:55.:22:00.

here. We have met his dad. An acoustic performance now from Ed

:22:00.:22:10.
:22:10.:22:19.

# Burnt lungs, sour taste # White lips pale face

:22:19.:22:26.

# Breathing in snow flakes # Lights gone

:22:26.:22:30.

# Days end # Struggling to pay rent

:22:30.:22:34.

# Long nights # Strange men

:22:34.:22:44.
:22:44.:22:45.

# They say she's in the Class A # Slowly sinking, wasting

:22:45.:22:55.
:22:55.:22:57.

The worst things in life come # And she don't want to go outside

:22:57.:23:06.

# And in a pipe she flies to the # It's too cold outside

:23:06.:23:16.
:23:16.:23:26.

# Ripped gloves, raincoat # Dry house, wet clothes

:23:26.:23:35.

# Weary-eyed, dry throat Call girl, no phone

:23:35.:23:41.

# And they say

:23:41.:23:44.

# She's in the Class A Team Stuck in her daydream

:23:44.:23:47.

# Been this way since 18 But lately her face seems

:23:47.:23:52.

# Slowly sinking, wasting Crumbling like pastries

:23:52.:23:58.

# And they scream

:23:58.:24:01.

# The worst things in life come free to us

:24:01.:24:02.

# Cos we're just under the upperhand

:24:02.:24:03.

# And go mad for a couple of grams

:24:03.:24:06.

# But she don't want to go outside tonight

:24:06.:24:11.

# And in a pipe she flies to the Motherland

:24:11.:24:13.

# Or sells love to another man

:24:13.:24:16.

# It's too cold outside

:24:16.:24:19.

# For angels to fly

:24:19.:24:21.

# Angels to fly

:24:21.:24:24.

# An angel will die

:24:24.:24:25.

# Covered in white

:24:25.:24:26.

# Closed eye

:24:26.:24:29.

# And hoping for a better life

:24:29.:24:31.

# This time, we'll fade out tonight

:24:31.:24:33.

# Straight down the line

:24:33.:24:35.

# And they say

:24:36.:24:45.
:24:46.:24:46.

# And they say

:24:46.:24:47.

# She's in the Class A Team Stuck in her daydream

:24:47.:24:49.

# Been this way since 18 But lately her face seems

:24:49.:24:53.

# Slowly sinking, wasting Crumbling like pastries

:24:53.:24:57.

# They scream

:24:57.:25:02.

# The worst things in life come free to us

:25:02.:25:06.

# And we're all under the upperhand

:25:06.:25:08.

# Go mad for a couple of grams

:25:08.:25:12.

# And we don't want to go outside tonight

:25:12.:25:17.

# And in a pipe we fly to the Motherland

:25:17.:25:19.

# Or sell love to another man

:25:20.:25:22.

# It's too cold

:25:22.:25:26.

# For angels to fly

:25:26.:25:29.

# Angels to fly

:25:29.:25:32.

# To fly, fly

:25:32.:25:40.

# Angels to fly, to fly, to fly

:25:40.:25:46.

# Angels to die

:25:46.:25:55.

APPLAUSE

:25:55.:25:59.

APPLAUSE That

:25:59.:25:59.

That voice.

:25:59.:25:59.

That voice. It

:26:00.:26:00.

That voice. It gets

:26:00.:26:04.

That voice. It gets me every time. It got very emotional over here,

:26:04.:26:08.

didn't it? Beautiful. Are we partying later? We are partying

:26:08.:26:13.

later. There you go. Nice work. Number three in the official chart.

:26:13.:26:16.

You can find out where it officially lands by checking me out

:26:16.:26:21.

on Sunday on Radio 1. Are you there tomorrow? No, I'm not. You are here.

:26:21.:26:27.

You can see where he is next week, this week. Sed the most polite man

:26:27.:26:34.

in pop. He took his wellies off for us. Are your socks on? Yeah. Good

:26:34.:26:38.

man. This is BBC Three at Glastonbury 2011. You have Greg and

:26:38.:26:43.

Gemma seeing all the things we can't see. Greg James where are

:26:43.:26:53.
:26:53.:26:53.

you? What can you see? I wanted to show you an amazing view. I'm on

:26:53.:26:57.

the Other Stage stage where Mumford and sons played. This is the view

:26:57.:27:02.

they will see when they look out. The amazing people on the Other

:27:02.:27:09.

Stage. I spent my day around the site looking at weird stuff. Let us

:27:09.:27:17.

look at the next part of my Glastonbury Crawl. Loads of stuff

:27:17.:27:22.

going on here. I have spotted a circus tent. I can't help but

:27:22.:27:28.

notice you are spinning plates. Please, can you taste me. Spin it

:27:28.:27:37.

around like drawing a small circle in the sky. Ah, worst. Now, stop.

:27:37.:27:44.

Sugar! Slow, bigger. Then whisk it like an egg. Then stop, like that.

:27:44.:27:54.
:27:54.:28:02.

Yeah! Yes. Look at that. I think we're done here. Are you OK? Ribbit.

:28:02.:28:09.

You have your umbrella up? Ribbit. I thought frog's were waterproof

:28:09.:28:14.

anyway. I have never seen a frog with a handbag, please, don't be a

:28:14.:28:24.
:28:24.:28:27.

real frog. It's just some fags and an inhaler. Get back! Back!

:28:27.:28:37.
:28:37.:28:43.

approaching. I'm approaching. Go, Here he is. Thank as lot.

:28:43.:28:53.

Halleluiah. What is your name, mate? Greg. Let's have some music.

:28:53.:29:03.

Let's have Track 5. Let's see what this's like. Get those knees up,

:29:03.:29:11.

man. That's the spirit. It is working. Really get that working. 3,

:29:11.:29:21.
:29:21.:29:22.

2, jumping jacks. Hello, Glastonbury. If you are going to

:29:22.:29:32.
:29:32.:29:35.

have a party, you want to clear up You see, I love this. I could stay

:29:35.:29:43.

here all day happily. You see, if it starts raining, like it is at

:29:43.:29:49.

the moment, find a tent, just sit here. Sit it out. This is a good

:29:49.:29:59.
:29:59.:30:02.

What an amazing little stall. # Look at the stars

:30:02.:30:09.

# See how they shine for you # And all the things that you do

:30:09.:30:13.

# Cos they were all yellow... # Thank you, very much. See ya.

:30:13.:30:20.

Thanks. How are you? Not bad, not bad. A bit up-and-down, to tell you

:30:20.:30:25.

the truth. How are you going? Really good. Cheers. How high can

:30:25.:30:30.

you jump? How long is a piece of string. Come on, come on, for the

:30:30.:30:38.

BBC. It's been a very busy day so far. We have seen so much, but only

:30:38.:30:44.

just scratched the surface. Behind me we have the Stone Circle, the

:30:44.:30:49.

Healing Fields to do. Tonight, we will do Glastonbury at night, it's

:30:49.:30:53.

going to be good. Greg has made some rather interesting friends

:30:53.:30:59.

over the last couple of days, hasn't he? Men in leotards,

:30:59.:31:03.

kangaroos. Allardyce sorts. We haven't seen him since. We will

:31:03.:31:06.

find him. There is loads to see at Glastonbury. Greg touched on some

:31:06.:31:11.

of the things you can check out. Last night, we went over to the

:31:11.:31:17.

Dance Village and looked around. We saw Annie Mac DJing. We threw some

:31:17.:31:21.

shapes. I threw some shapes. You were a mess of arms and legs.

:31:21.:31:25.

Thanks. It was a sight to be hold. Enough. Incredible. Anyhow, Gemma

:31:25.:31:31.

is over at East Dance a, a place which has heralded incredible

:31:31.:31:34.

performances over the last few years. It has changed the face of

:31:34.:31:40.

what Glastonbury means to a lot of artists. Tinie Tempah performed

:31:40.:31:47.

there and N-Dubs performed there. Potentially lots of people are

:31:47.:31:53.

there who could progress to the Pyramid Stage. Basking in the

:31:53.:31:58.

sunshine. I'm on the side of the Dance Stage on what seems like

:31:58.:32:04.

school chairs? It really does. some hay. How are you? Amazing. How

:32:04.:32:08.

are you? I'm all right. You look very cool. Thank you. You always

:32:08.:32:14.

look cool. He is a dapper guy. You were in a thin chord suit the last

:32:14.:32:20.

time I saw you, mustard in colour. That was at the Brits. Now you are

:32:20.:32:24.

in guilting. I've got my ugly wellies on. You don't want to see

:32:24.:32:29.

these. They are not that ugly. love Hunter. There is something

:32:29.:32:33.

charm being the mud. That is quite true. My first time here. It's

:32:33.:32:38.

really cool. How are you feeling? It's amazing. Like the energy here

:32:38.:32:43.

is really cool. I think - you were tell me anyway, the rain was cizy

:32:43.:32:47.

yesterday and everyone was moody. Now the sun has come out it's

:32:47.:32:56.

liberating. I have to do the cheesy pun, you make the sunshine. This

:32:56.:33:00.

guy is the machine of Glastonbury. Tell everyone what we were

:33:00.:33:08.

discussing about? It's mad. For some reason I produced Jasmine,

:33:08.:33:11.

Processor Green, Devlin, Tinie Tempah, everyone they performed

:33:11.:33:16.

today. They are all at Glastonbury. It's wild to know I have worked on

:33:16.:33:21.

tracks with all these people. I was like, "we were working in the

:33:21.:33:27.

studio yesterday" mad. What a special man. How was it like Tinie?

:33:27.:33:30.

Amazing. You couldn't see the end of the crowd. You joined the big

:33:30.:33:36.

man on stage. So fun. How are you looking forward to your set?

:33:36.:33:40.

can't wait. A new fresh set. All my sounds on stage. I will play my

:33:40.:33:45.

guitar and key boor boards. I will be in my element. Labrinth this is

:33:45.:33:51.

a great day. Are you going to have backing dancers? Auto would love to

:33:51.:33:56.

have backing dancers but I will keep it Glastonbury today. I was

:33:56.:33:59.

really trying. I'm like # Let the sun shine

:33:59.:34:05.

# Let the sunshine, baby # . This is a good moment to go back

:34:05.:34:13.

to you guys. Wow! A live on air audition which I think she might

:34:13.:34:20.

have failed. She sang his song to him in a horrible voice. So, in

:34:20.:34:23.

that Dance Village a lot of acts are playing different times. They

:34:23.:34:31.

are working with each other, collaborating in the studio.

:34:31.:34:35.

Absolutely. Later on, Tinie Tempah will be here in the studio. If you

:34:35.:34:40.

have any questions for him at all you all you need to go is go on

:34:40.:34:46.

twitter or the BBC Three Facebook pages: Leave a comment or a

:34:47.:34:50.

question. Labrinth touched on, it he performed with Tinie Tempah on

:34:50.:34:55.

the Pyramid Stage earlier on today. It was without doubt an incredible

:34:55.:35:01.

journey. That man, himself, did an amazing set earlier on today.

:35:01.:35:05.

watched this. You were watching watching it having a dance. There

:35:05.:35:08.

is naughty language which we may dip down and there is stroke as

:35:08.:35:12.

well, warning on that one too. is what happened when I caught up

:35:12.:35:16.

with Tinie Tempah before he went on stage, on the Pyramid Stage, a

:35:16.:35:22.

little earlier on today. How are you doing? I'm well. You seem

:35:22.:35:26.

ultra-calm? You have to be. This time last year, we were standing on

:35:26.:35:30.

the side of stage and Snoop Dogg was performing. You were running on

:35:30.:35:35.

to perform Pass Out. You have an hour-and-a-half maybe more to

:35:35.:35:38.

yourself. How are you feeling? excited, man. I don't know what to

:35:39.:35:42.

say. This is a massive deal. I'm grateful to all the British fans

:35:42.:35:46.

for giving me the opportunity to get so far, so quickly. Yeah, I'm

:35:46.:35:51.

going to deliver. Do what I have to do. You brought the sun out, man?

:35:51.:35:57.

It's been muddy, raining. That is all we do. Anyone at home who wants

:35:57.:36:03.

to be here, what will they miss? You will miss all the anxiety and

:36:03.:36:11.

excitement I had running out for that one song with Snoop Dogg last

:36:11.:36:16.

year for about 20 songs. Why aren't you here? It's sunny. They missed

:36:16.:36:26.
:36:26.:36:26.

Apology for the loss of subtitles for 123 seconds

:36:26.:38:29.

out. Good luck, happy for you, man. # This is the discovery

:38:29.:38:34.

# Tinie is the name # This is the discovery

:38:34.:38:44.
:38:44.:38:49.

# I don't plan any recovery # Cover me

:38:49.:38:54.

# Don't try to understand # That cloud is in my head

:38:54.:39:04.
:39:04.:39:15.

# Just close your eyes Glastonbury 2011! Are you ready

:39:15.:39:25.
:39:25.:39:55.

# Yeah, simple # Girl, you better turn me on

:39:55.:39:59.

# I can't explain it, cool # So crazy outrageous

:39:59.:40:02.

# Crisscross # You're going to love this

:40:02.:40:08.

# Yes # Simply sun UN stoppable

:40:08.:40:09.

# I can't explain it, cool # I can't explain it

:40:09.:40:19.
:40:19.:40:25.

# So crazy outrageous # I like the taste of alcohol

:40:25.:40:28.

# Them high rises can block your horizon

:40:28.:40:31.

# Disturbing London is the city that I'm from

:40:31.:40:35.

# Where if we like the tune We make the DJ rewind 'em, yeah

:40:35.:40:37.

# So involved in this moment I can't let it go

:40:37.:40:41.

# Tik tok, check my Roley wristwatch

:40:41.:40:51.
:40:51.:40:55.

# The big boss Make 'em jump like Kriss Kross

:40:55.:40:56.

# Girl, you better turn me on cos I'm about to switch off

:40:56.:41:02.

# I can't explain it, cool But you're gonna love this, yes

:41:02.:41:04.

# So crazy outrageous Simply unstoppable, fresh

:41:04.:41:09.

# I can't explain it, cool But you're gonna love this, yes

:41:09.:41:14.

# So crazy outrageous Simply unstoppable, fresh

:41:15.:41:24.
:41:25.:41:36.

CHEERING

:41:36.:41:37.

CHEERING AND

:41:37.:41:37.

CHEERING AND APPLAUSE

:41:37.:41:47.
:41:47.:42:01.

# She said she loves my songs She bought my MP3

:42:01.:42:03.

# And so I put her number in my Bold BB

:42:03.:42:07.

# I got a black BM She got a white TT

:42:07.:42:11.

# She wanna see what's hiding in my CK briefs

:42:11.:42:14.

# I tell her wear suspenders and some PVC

:42:14.:42:17.

# And then Ill film it all up on my JVC

:42:17.:42:21.

# Uhh, scene one

:42:21.:42:27.

# Everybody get in your positions Pay attention, and listen

:42:27.:42:29.

# We're tryna get this in one take So let's try and make that happen

:42:29.:42:32.

# Take one, action!

:42:32.:42:42.
:42:42.:43:15.

# We spinnin LPR, up on my APC

:43:15.:43:18.

# I'm in my PRPS and my Nike SBs

:43:18.:43:22.

# Ravin' with SHM, London to NYC

:43:22.:43:27.

# I got my Visa and my Visa A diva and her dealer

:43:27.:43:30.

# I'm up on the guest list With the Swedish House Mafia

:43:30.:43:35.

# You can find me on a table Full of vodka and tequila

:43:35.:43:43.

# I wake up in the morning With a mild case of amnesia

:43:43.:43:46.

# With a girl that like a girl Like Lindsey Lohan, Queen Latifah

:43:46.:43:52.

# Guetta must be fever

:43:52.:43:54.

# And that's standard procedure from Miami 2 Ibiza. #

:43:54.:44:04.
:44:04.:44:20.

Glastonbury,

:44:20.:44:20.

Glastonbury, how

:44:20.:44:20.

Glastonbury, how are

:44:20.:44:27.

Glastonbury, how are you feeling out there? Now, listen, I want to

:44:27.:44:32.

great a real magical moment amongst all you thousands of people. From

:44:32.:44:35.

all over the world, if you're feeling the Tinie Tempah Show I

:44:35.:44:39.

need you guys to help me do one simple thing. I need everybody to

:44:39.:44:44.

go as low as they can, all the way down to the ground. When I get back

:44:44.:44:50.

into the chorus, we're all going to jump up and go mental. Are you

:44:50.:44:55.

ready. Everybody go as low as you can. Don't sink in the mud though.

:44:55.:45:01.

As low as you can, guys. I love that, that's beautiful.

:45:01.:45:07.

# Go low, go low # Go low #

:45:07.:45:10.

I'm watching. # Go low, go low #

:45:10.:45:17.

Everybody. When I do the chorus everyone's going to jump up and go

:45:17.:45:20.

crazy. # Go low, go low

:45:20.:45:27.

# Go low # Go low... #

:45:27.:45:31.

Stay down. Everybody get into position. Stay down.

:45:31.:45:37.

# Pay attention # I listen #

:45:37.:45:39.

Let's jump. Everybody try and make that happen.

:45:39.:45:49.
:45:49.:45:49.

Apology for the loss of subtitles for 123 seconds

:45:49.:48:15.

# Girl, you better keep your # I'm suspicious, she looks

:48:15.:48:25.
:48:25.:48:25.

Apology for the loss of subtitles for 123 seconds

:48:25.:50:52.

# Girl, you better keep your CHEERING AND APPLAUSE

:50:52.:50:56.

That was Tinie Tempah on the Pyramid Stage earlier on today at

:50:56.:50:59.

Glastonbury 2011. Apologies for some of that naughty language that

:50:59.:51:03.

slipped through the net. The man himself is here now. How are you

:51:03.:51:08.

doing? How was that? Definitely, a day to remember, forever.

:51:08.:51:15.

Definitely. You performed here before. You per formed with Snoop.

:51:15.:51:20.

Could do you think you had a bigger crowd? I don't know. You packed it

:51:20.:51:24.

out.? It felt amazing. I didn't know what the turnout was going to

:51:24.:51:28.

be. It was insane. I couldn't see past a few people. It was packed.

:51:28.:51:35.

You popped on stage with Snoop Dogg last year with one record. It's all

:51:35.:51:39.

happened in year. It has been the most ridiculous year. Not only have

:51:39.:51:42.

you done the Pyramid Stage, you have sold a million records in

:51:42.:51:49.

America. How are you getting your head around it? My staying focused.

:51:49.:51:55.

It's an amazing head start. There is a long way to go. Some of my

:51:55.:52:01.

idols, Jay-Z, have been doing it for ten or more years. Every year

:52:01.:52:07.

that goes by there is you can do. I keep my head looking to the future.

:52:07.:52:12.

You were on Jay-Z watch, spotted him. Walking around on his own.

:52:12.:52:17.

What did he say. He said congratulations on all your success.

:52:17.:52:23.

I don't have a picture of Jay-Z. I ran back and got my mate to ask him.

:52:23.:52:27.

Brilliant. It was amazing. It's nice to know you can be at a

:52:27.:52:33.

festival like this doing a gig like that and be star struck by your

:52:33.:52:37.

idols. Completely. Is this a good point in time to to reflect and see

:52:37.:52:42.

what you have achieved? I wish. That is saying, go on a holiday for

:52:42.:52:45.

a couple of days and and come back. That is not going to happen. The

:52:45.:52:50.

fact that I have so many more amazing opportunities this year. We

:52:50.:52:57.

are doing a couple more festivals in America and around England and

:52:57.:53:00.

Europe. I'm showcasing my music to millions of people throughout the

:53:00.:53:04.

year. I'm grateful I have the opportunity to do that. Things are

:53:04.:53:07.

going well in America at the moment. You were talking about what is

:53:07.:53:11.

happening next the fact you have been in the studio with a famous

:53:11.:53:16.

producer. Can you share with us who you are working with. I have been

:53:16.:53:26.
:53:26.:53:27.

in the studio with Farrell What is it like working with him?

:53:27.:53:31.

idolising him for a long time much I met him in Australia, when we

:53:31.:53:36.

were doing another festival. I said, "I'd love to get in the studio with

:53:36.:53:43.

you". Everybody say that is when they meet each other. He made it

:53:43.:53:51.

happen. I looked him up in Miami. We have been making fun and music.

:53:51.:53:55.

You popped around his house don't know each other, not his

:53:55.:54:01.

house. You went out to America to see how it would go, it has gone

:54:01.:54:05.

brilliantly? Definitely. When things are going well, there is

:54:05.:54:10.

still a lot of hard work. I'm doing shows for 20, 30, 40 people. Some

:54:10.:54:16.

shows are for 1,000, 2,000, 10,000. Because America is so big and all

:54:16.:54:19.

the States are different it's a broad spectrum. It's like starting

:54:19.:54:24.

again. We have such a long way to go. It's been an amazing experience

:54:24.:54:28.

to see. That One of the things I love about you being here, you

:54:28.:54:32.

brought the most hip-hop moment to Glastonbury this year. When they

:54:32.:54:41.

took these off of your trainers. Reggie. They were wrapped around

:54:41.:54:48.

his trainers and they take took them off. I have never such

:54:48.:54:52.

spotless wellies. Crocodile skin ones at that. You have have a

:54:52.:54:57.

problem with hygiene? You have to be clean, especially at festivals.

:54:57.:55:02.

Are you baby wiping them? I wear them, take them off, wear them.

:55:02.:55:08.

When it gets messy tonight I will have my baby wipes in my pockets.

:55:08.:55:14.

We have had questions from Facebook and twitter. One is, what is your

:55:14.:55:21.

guilty pleasure song? I like Eric Hassel Hurtful. That is not a

:55:21.:55:31.
:55:31.:55:32.

guilty pleasure. Do I listen to anything crazy. Is it bad I listen

:55:32.:55:41.

to Angus? That is all right. Wigfield? I have a tweet from

:55:41.:55:47.

gaibel. How did you come up with the name tth -- Tinie Tempah I was

:55:47.:55:54.

in year and I was board in a lesson called, "citizenship". No, we are

:55:54.:56:04.

old. I was like, there is Dizzie Rascal, I need serious name. I got

:56:04.:56:13.

to anger, I looked down, saw Tempah, I liked it. Tinie Tempah, backal

:56:14.:56:18.

and Hyde, By play time I was Tinie Tempah. There you go. Just like

:56:18.:56:21.

that. Thank you for your questions. We had tonnes of questions. Thank

:56:21.:56:27.

you for joining us. Thank you for having me. Congratulations again

:56:27.:56:30.

for doing the Pyramid Stage. It's been a brilliant year. Thank you

:56:30.:56:35.

for your support. We will have Elbow in the studio. If you have

:56:35.:56:45.
:56:45.:56:45.

any questions go to: As well as, that we will bring you Friendly

:56:45.:56:51.

Fearne Cotton and Reggie Yates introduce live coverage on day two of the world-famous festival, with performances by UK pop sensations Jessie J making her Glastonbury debut and Tinie Tempah who is returning to the Pyramid Stage following his debut as guest of Snoop Dogg last year.


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