Browse content similar to Jessie J & Tinie Tempah. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains scenes of Hello. Hello. Can you see us? | :00:14. | :00:21. | |
Welcome to the BBC Three coverage of Glastonbury 2011. Paolo Nutini | :00:21. | :00:25. | |
is on the main stage right now. There are tonnes of people waiting | :00:25. | :00:30. | |
to see them. We have so much music for you. The weather is very | :00:30. | :00:34. | |
different to yesterday. Everyone is in a good mood. Let's get on with | :00:34. | :00:44. | |
:00:44. | :00:44. | ||
Hello there. Hello. Welcome back. The sun is shining. There is still | :00:44. | :00:49. | |
mud, but spirits are high. Everyone is happy now the sun is out much we | :00:49. | :00:54. | |
have a will havely show. It's Day two, we have had a brilliant day. | :00:54. | :00:59. | |
So much to share. We will celebrate some of the best talent from the UK | :00:59. | :01:01. | |
tonight as James Johnston and Tinie Tempah will be on this show. Also | :01:01. | :01:06. | |
Elbow will pop in for a chat. Of course, you will get loads of music | :01:06. | :01:11. | |
as it happens here at Glastonbury 2011. So, earlier on someone who | :01:11. | :01:15. | |
did a storming set was James Johnston. She hurt her foot. She | :01:15. | :01:22. | |
has a big shoe boot on. She was hobbling around and belting out | :01:22. | :01:32. | |
:01:32. | :02:11. | ||
tunes. Here she is, James Johnston. # Yeah | :02:11. | :02:21. | |
:02:21. | :02:47. | ||
# I said, take your stuff and run # Cos you're not for me | :02:47. | :02:50. | |
# Mamma knows best when times get hard | :02:50. | :02:55. | |
# And papa always has a joke, to make me laugh | :02:55. | :03:04. | |
# Mamma knows best when # I feel down, to bring me up | :03:04. | :03:12. | |
# Always keep my feet on the ground # Say I know, know, know | :03:12. | :03:22. | |
:03:22. | :03:22. | ||
# That you can pick up and drop, no # And all of this inconsistent love | :03:22. | :03:30. | |
# It's it's time that it STOP - stops | :03:30. | :03:36. | |
# So bow out, go # Now I said bow out, leave! | :03:36. | :03:40. | |
# I said take a bow and go # Cos you're not for me | :03:40. | :03:43. | |
# Mama knows best when times get hard | :03:43. | :03:46. | |
# And papa always has a joke to make me laugh | :03:46. | :03:53. | |
# Mama knows best when # I feel down, to bring me up | :03:53. | :04:01. | |
# And always keep my feet on Glastonbury | :04:01. | :04:05. | |
# Just keep the best of ma # Daddy said to me | :04:05. | :04:09. | |
# Always use humour as your therapy, yeah | :04:09. | :04:12. | |
# Don't ever take life too seriously | :04:12. | :04:17. | |
# Just do you, could you do you so perfectly | :04:17. | :04:27. | |
:04:27. | :04:29. | ||
# Mama # Yeah, yeah yeeeah | :04:29. | :04:34. | |
# Say Mama knows best # Daddy, daddy knows best | :04:34. | :04:40. | |
# Ma'am Mama knows best # Put your hands up | :04:40. | :04:48. | |
# Mama knows best when times get hard | :04:48. | :04:51. | |
# Papa always has a joke to make me laugh | :04:51. | :04:55. | |
# Mama knows best when I feel down, to bring me up | :04:55. | :04:58. | |
# And always keep my feet on the ground | :04:59. | :05:04. | |
# Mama knows best # See daddy knows best | :05:04. | :05:08. | |
# Mama knows # See, Mama knows best | :05:08. | :05:16. | |
# See, daddy, daddy knows best # See, Mama knows best | :05:16. | :05:26. | |
:05:26. | :05:31. | ||
# Yeah, yeeaah! # CHEERING AND APPLAUSE | :05:31. | :05:40. | |
Yeah, let's keep going. This one is Abracadabra. It's morify magical | :05:40. | :05:47. | |
# I don't wanna be the reason # So I'ma let you do the leading | :05:47. | :05:49. | |
# See, I just don't usually do this But you're bringing me out | :05:49. | :05:52. | |
# All the doubts I had have gone away | :05:52. | :05:53. | |
# When you're touching me I'm not afraid | :05:53. | :05:56. | |
# Know this ain't going away Here to stay | :05:56. | :05:59. | |
# I just wanna be your girl, your girl | :05:59. | :06:06. | |
# I can be all you want Will you say? | :06:06. | :06:08. | |
# I just wanna be your girl, yeah | :06:08. | :06:15. | |
# Cos you got my heart on lock It's so unreal, you know | :06:15. | :06:18. | |
# Don't want this to stop You're so damn keepable | :06:18. | :06:23. | |
# Feel your magic touch It's unbelievable | :06:23. | :06:27. | |
# I gotta have you, like abracadabra | :06:27. | :06:36. | |
# You got my heart on lock It's so unreal, you know | :06:36. | :06:37. | |
# Don't want this to stop You're so damn keepable | :06:37. | :06:41. | |
# Feel your magic touch It's unbelievable | :06:41. | :06:46. | |
# I gotta have you, like abracadabra | :06:46. | :06:52. | |
# I didn't even see you coming It was such a surprise | :06:52. | :06:55. | |
# I wasn't expecting nothing Now I'm lit up inside | :06:55. | :06:59. | |
You're bringing out all the colours No more black and white | :06:59. | :07:04. | |
# You won the race and got the gold So here I am, we're good to go | :07:04. | :07:09. | |
# Know this ain't going away Here to stay | :07:09. | :07:12. | |
# I just wanna be your girl, your girl | :07:12. | :07:18. | |
# I can be all you want Will you say? | :07:18. | :07:21. | |
# I just wanna be your girl, yeah | :07:21. | :07:28. | |
# Cos you got my heart on lock It's so unreal, you know | :07:28. | :07:30. | |
# Don't want this to stop You're so damn keepable | :07:30. | :07:34. | |
# Feel your magic touch It's unbelievable | :07:34. | :07:39. | |
# I gotta have you, like abracadabra | :07:39. | :07:47. | |
# You got my heart on lock It's so unreal, you know | :07:47. | :07:49. | |
# Don't want this to stop You're so damn keepable | :07:49. | :07:54. | |
# Feel your magic touch It's unbelievable | :07:54. | :07:59. | |
# I gotta have you, like abracadabra | :07:59. | :08:06. | |
# I don't wanna take my time I don't wanna wait in line | :08:06. | :08:08. | |
# I just want you by my side Come and give me what I like | :08:08. | :08:13. | |
# I don't wanna take my time I don't wanna wait in line | :08:13. | :08:18. | |
# No I just want you by my side Come and give me what I like | :08:18. | :08:21. | |
# Cos you got my heart on lock It's so unreal, you know | :08:21. | :08:26. | |
# Don't want this to stop You're so damn keepable | :08:26. | :08:31. | |
# Feel your magic touch It's unbelievable | :08:31. | :08:37. | |
# I gotta have you, like abracadabra | :08:37. | :08:43. | |
# You got my heart on lock It's so unreal, you know | :08:43. | :08:45. | |
# Don't want this to stop You're so damn keepable | :08:45. | :08:50. | |
# Feel your magic touch It's unbelievable | :08:50. | :08:58. | |
# I gotta have you Like abracadabra. # | :08:58. | :09:04. | |
people in the place. CHEERING | :09:04. | :09:04. | |
CHEERING AND | :09:05. | :09:05. | |
CHEERING AND APPLAUSE | :09:05. | :09:08. | |
CHEERING AND APPLAUSE Hello. | :09:09. | :09:18. | |
:09:19. | :09:37. | ||
# | :09:37. | :09:38. | |
# So | :09:38. | :09:38. | |
# So reach | :09:38. | :09:43. | |
# So reach deep and release your inner child | :09:43. | :09:46. | |
# Yeah, yeah # So sit down for the love, love, | :09:46. | :09:50. | |
love # So sit down, for the love, love, | :09:50. | :09:52. | |
love # So stand up! | :09:52. | :09:57. | |
# Yeah, yeah, yeah # Cause you're as old as you feel | :09:57. | :09:59. | |
you are # And if you don't reach for the | :09:59. | :10:04. | |
moon, you can't fall on the stars # So I live my life like every day | :10:04. | :10:09. | |
is the last, last, last # Cause you're as old as you feel | :10:09. | :10:11. | |
you are # And if you don't reach for the | :10:11. | :10:15. | |
moon, you can't fall on the stars # So, I live my life like every day | :10:15. | :10:24. | |
is the last, last, last # If you let a frown become your | :10:24. | :10:28. | |
normality # You don't set an example for the | :10:28. | :10:34. | |
youth of our humanity # If you spend every day wishing | :10:34. | :10:40. | |
for the next to come # Aged and lifeless is what, yes, | :10:40. | :10:42. | |
you'll become # Yeah, yeah | :10:42. | :10:44. | |
# Sing with me # Stand up | :10:44. | :10:47. | |
# So stand up # Yeah | :10:47. | :10:55. | |
# So stand up # Yeah, yeah, yeah | :10:55. | :10:58. | |
# Cause you're as old as you feel you are | :10:58. | :11:02. | |
# And if you don't reach for the moon you can't fall on the stars | :11:02. | :11:06. | |
# So I live my life like every day is the last, last, last | :11:06. | :11:10. | |
# So in all the bad and the good # Don't think second best | :11:10. | :11:13. | |
# Be number one # Spread some love | :11:13. | :11:16. | |
# Don't give to receive # Strive to be happy | :11:16. | :11:20. | |
# And live to believe # So in all the bad and the good | :11:20. | :11:23. | |
# Don't think second best # Benumber one | :11:23. | :11:26. | |
# Spread some love # Don't give to receive | :11:27. | :11:29. | |
# Strive to be happy # Yeah | :11:29. | :11:36. | |
# Live to believe # Yeah, yeah, yeah! | :11:36. | :11:43. | |
# So stand up! # Cause you're as old as you feel | :11:43. | :11:45. | |
you are # And if you don't reach for the | :11:45. | :11:49. | |
moon, you can't fall on the stars # So I live my life like every day | :11:49. | :11:54. | |
is the last, last, last # So stand up | :11:54. | :12:00. | |
# For the love, love, love # So stand up | :12:00. | :12:02. | |
# What? # So stand up | :12:02. | :12:05. | |
# OK, spread it around # So stand up | :12:05. | :12:11. | |
# For the lolololo love, yeah # So stand, up | :12:11. | :12:17. | |
# For the lololo love yeah # So stand up | :12:17. | :12:24. | |
# For the lololo love, yeah, yeah # So stand up | :12:24. | :12:27. | |
# Stand up # Stand up! | :12:27. | :12:30. | |
# Yeah # Cause you're as old as you feel | :12:30. | :12:32. | |
you are # And if you don't reach for the | :12:32. | :12:36. | |
moon, you can't fall on the stars # So I live my life like every day | :12:36. | :12:39. | |
is the last, last, last # So stand up | :12:39. | :12:43. | |
# For the love, love, love # So stand up | :12:43. | :12:46. | |
# Yeah # For the love, love, love | :12:46. | :12:50. | |
# So stand up for the love, love, love | :12:50. | :13:00. | |
:13:00. | :13:07. | ||
# So stand up # I have this thing | :13:07. | :13:12. | |
# It's like I need to tell someone,anyone who'll listen | :13:12. | :13:18. | |
# For a minute there I lose my senses | :13:18. | :13:23. | |
# And in the heat of the moment my mouth starts going | :13:23. | :13:24. | |
# The words start flowing, ah | :13:24. | :13:27. | |
# But I never meant to hurt ya | :13:27. | :13:30. | |
# I know it's time that I learned to | :13:30. | :13:32. | |
# Treat the people I love like I wanna be loved | :13:32. | :13:37. | |
# This is a lesson learned | :13:37. | :13:39. | |
# And I hate that I let you down | :13:39. | :13:42. | |
# And I feel so bad about it | :13:42. | :13:44. | |
# I guess karma comes back around | :13:44. | :13:48. | |
# Cos now I'm the one that's hurting, yes | :13:48. | :13:50. | |
# And I hate that I made you think | :13:50. | :13:53. | |
# That the trust we had is broken | :13:53. | :13:56. | |
# So don't tell me you can't forgive me | :13:56. | :13:59. | |
# Cos nobody's perfect | :13:59. | :14:02. | |
# No, no | :14:02. | :14:04. | |
# No-no-no, no, no | :14:04. | :14:06. | |
# No-no-no, no, no | :14:06. | :14:09. | |
# No-no-no, no-no | :14:09. | :14:12. | |
# Nobody's perfect, no... # | :14:12. | :14:16. | |
# If I could turn back the hands of time | :14:16. | :14:17. | |
# I swear I never would have crossed that line | :14:17. | :14:19. | |
# I should have kept it between us | :14:19. | :14:22. | |
# But Jessie went and told the whole world how she's feeling, ah | :14:22. | :14:25. | |
# So I sit and I realise | :14:25. | :14:27. | |
# With these tears falling from my eyes | :14:27. | :14:30. | |
# I gotta change if I wanna keep you forever | :14:30. | :14:35. | |
# I promise that I'm gonna try | :14:35. | :14:37. | |
# But I never meant to hurt ya | :14:37. | :14:39. | |
# I know it's time that I learned to | :14:39. | :14:42. | |
# Treat the people I love like I wanna be loved | :14:42. | :14:46. | |
# This is a lesson I learned | :14:46. | :14:48. | |
# And I hate that I let you down | :14:48. | :14:51. | |
# And I feel so bad about it | :14:51. | :14:53. | |
# I guess karma comes back around | :14:53. | :14:57. | |
# Cos now I'm the one that's hurting, yes | :14:57. | :15:01. | |
# And I hate that I made you think | :15:01. | :15:03. | |
# That the trust we had is broken | :15:03. | :15:06. | |
# So don't tell me you can't forgive me | :15:06. | :15:10. | |
# Cos nobody's perfect No, no, no-no-no | :15:10. | :15:14. | |
# No, no-no-no, no | :15:14. | :15:17. | |
# No-no-no, no | :15:17. | :15:20. | |
# Nobody's perfect | :15:20. | :15:23. | |
# Whoa-oa-oa-oa, oh, oh | :15:23. | :15:27. | |
# Ooh-ooh-oooh ooh-ooh-oooh Ooh-ooh-oooh | :15:27. | :15:31. | |
# No, no-no | :15:31. | :15:32. | |
# No-no-no, no, no Slow down | :15:32. | :15:35. | |
# I'm not a saint, no, no at all | :15:35. | :15:37. | |
# But what I did, that wasn't cool | :15:37. | :15:40. | |
# But I swear that I'll never do that again to you | :15:40. | :15:45. | |
# Hey, go! | :15:45. | :15:47. | |
# I'm not a saint, I'm not a saintNo, not at all, no, not at all | :15:47. | :15:50. | |
# What I did, what I didThat wasn't cool, that wasn't cool | :15:50. | :15:53. | |
# But I swear that I'll never do that again to you | :15:53. | :15:57. | |
# Hey-ey-ey | :15:57. | :15:58. | |
# And I hate that I let you down | :15:58. | :16:02. | |
# And I feel so bad about it | :16:02. | :16:04. | |
# I guess karma comes back around | :16:04. | :16:07. | |
# Cos now I'm the one that's hurting, yes | :16:07. | :16:12. | |
# And I hate that I made you think | :16:12. | :16:15. | |
# The trust we had is broken | :16:15. | :16:18. | |
# So don't tell me you can't forgive me | :16:18. | :16:21. | |
# Cos nobody's perfect, no... # | :16:21. | :16:29. | |
# And I hate that I let you down | :16:29. | :16:30. | |
# And I feel so bad about it | :16:30. | :16:31. | |
# I guess karma comes back around | :16:31. | :16:33. | |
# Cos now I'm the one that's hurting, yes | :16:33. | :16:35. | |
# And I hate that I made you think | :16:35. | :16:39. | |
# The trust we had is broken | :16:39. | :16:41. | |
# So don't tell me you can't forgive me | :16:41. | :16:44. | |
# Cos nobody's perfect, no... # | :16:44. | :16:54. | |
:16:54. | :17:01. | ||
# Cos nobody's perfect, no... # | :17:01. | :17:07. | |
# No, no-no-no, no | :17:07. | :17:08. | |
# No-no-no, no | :17:08. | :17:10. | |
# No, no-no-no, no | :17:10. | :17:13. | |
# No-no-no, no | :17:13. | :17:16. | |
# No, no-no-no, no | :17:16. | :17:19. | |
# No-no-no, no | :17:19. | :17:22. | |
# Nobody's perfect | :17:22. | :17:32. | |
CHEERING | :17:32. | :17:32. | |
CHEERING AND | :17:32. | :17:32. | |
CHEERING AND APPLAUSE | :17:32. | :17:41. | |
So, | :17:41. | :17:41. | |
So, somehow, | :17:41. | :17:42. | |
So, somehow, still | :17:42. | :17:45. | |
So, somehow, still managing to look stylish in the mud, and with a foot | :17:45. | :17:50. | |
cast on, it's Jessie J. Hello, are you all right? Good. How are you. | :17:50. | :17:54. | |
You have been on stage with this thing on your foot? Maybe I should | :17:54. | :17:58. | |
have put one on the other foot. They would have thought it was a | :17:58. | :18:03. | |
fashion statement. Could you have got eye diamonds and decorated said | :18:03. | :18:08. | |
boot? No comment. We were supposed to do it. If you saw what ne did to | :18:09. | :18:12. | |
the boot it was so terrible I decided not wear it. I was going to | :18:12. | :18:17. | |
go with the proper hospital looking one instead of the ruined... It was | :18:17. | :18:22. | |
a throne on stage? Only so many things you can jazz up when you | :18:22. | :18:27. | |
have to sit down. I said, maybe I should do a musical chairs. Maybe | :18:27. | :18:32. | |
every song move on to a different form of sitting down, garden chair, | :18:32. | :18:36. | |
toilet. Couch. Bean bag. Yeah. Another option. Maybe as the | :18:36. | :18:40. | |
festivals go on I will change. We thought a throne was a gad choice | :18:40. | :18:45. | |
for this one. I have seen you play live a few times you are energetic | :18:45. | :18:51. | |
and all over the shop. Is it awful to sit still and sing? It is for me. | :18:51. | :18:56. | |
I feel sorry for the people watching. It might be quite boring. | :18:56. | :19:01. | |
I don't do dance moves, obviously. You do your thing? I'm energetic. | :19:01. | :19:05. | |
It's nice for them to see me sitting down and not being hyper - | :19:05. | :19:10. | |
I don't know. I feel more sorry for them than me. People appreciate you | :19:10. | :19:15. | |
went up there and did it. I hope so, it's painful. I was thinking about | :19:15. | :19:19. | |
when I heard about you last year. You were on jewels Holland and | :19:19. | :19:24. | |
exploded on the scene. Since then it's been mental. Playing | :19:24. | :19:28. | |
Glastonbury today. You have been doing so well in the States. Do you | :19:28. | :19:32. | |
moments when it's overwhelming? Totally. People think as soon as | :19:32. | :19:36. | |
they know you, it's as though you are used to them knowing you. Does | :19:36. | :19:40. | |
that make sense? I'm doing amazing television shows around the world. | :19:40. | :19:47. | |
I go to France, I do X Factor. It's really wierd. Weirdest thing is | :19:47. | :19:52. | |
when people say, "I want to touch you" I'm normal like you. I have | :19:52. | :20:01. | |
skin and hair. Eye diamonds. As you do on a Saturday afternoon. It's | :20:01. | :20:05. | |
very overminging. I have questions. Who does your nails, they are | :20:05. | :20:15. | |
:20:15. | :20:18. | ||
fierce? They are. What are you rock rocking today? This is a good gold | :20:18. | :20:23. | |
nail varnish. Also, at super city 3 at twitter where does your | :20:23. | :20:27. | |
inspiration come from? To be honest, everything. If it's not about my | :20:27. | :20:30. | |
life, it's about people near me or close to me who have gone through | :20:30. | :20:34. | |
stuff, and I pretend I'm them. I think music is inspired by | :20:34. | :20:39. | |
everything for me. Not just like love or... It's life. Good. You | :20:39. | :20:44. | |
need to go and rest. Where is your man to carry you back out? Man! | :20:44. | :20:47. | |
will get you shifted over there. Thank you very much. This will look | :20:47. | :20:54. | |
like a chair. Just get a man. An electric man. Thank you! A man | :20:54. | :20:58. | |
did lift her up and then take her through the mud. What you missed | :20:58. | :21:04. | |
was that Jessie picked her nose with her long fingers nails. Saying | :21:04. | :21:09. | |
that is why they are a length. A great performance with a bad foot. | :21:09. | :21:13. | |
You ruined the picture. If you want more Jessie J hit the Red Button. | :21:13. | :21:18. | |
You can see more of her set. You need to do. This not only did she | :21:18. | :21:22. | |
decide to become one with a crowd and have a cup of mud and proceed | :21:22. | :21:28. | |
to put it over her face. She got a seven-year-old to come out and do | :21:28. | :21:36. | |
the rap on Price Tag. You can get involved with us on BBC Three by: | :21:36. | :21:44. | |
We have Tinie Tempah coming into the studio. Any questions at all: | :21:45. | :21:50. | |
Now, we have bumped into this next chap a lot today. He has been at | :21:50. | :21:55. | |
the festival. He has performed five times already. He has his dad down | :21:55. | :22:00. | |
here. We have met his dad. An acoustic performance now from Ed | :22:00. | :22:10. | |
:22:10. | :22:19. | ||
# Burnt lungs, sour taste # White lips pale face | :22:19. | :22:26. | |
# Breathing in snow flakes # Lights gone | :22:26. | :22:30. | |
# Days end # Struggling to pay rent | :22:30. | :22:34. | |
# Long nights # Strange men | :22:34. | :22:44. | |
:22:44. | :22:45. | ||
# They say she's in the Class A # Slowly sinking, wasting | :22:45. | :22:55. | |
:22:55. | :22:57. | ||
The worst things in life come # And she don't want to go outside | :22:57. | :23:06. | |
# And in a pipe she flies to the # It's too cold outside | :23:06. | :23:16. | |
:23:16. | :23:26. | ||
# Ripped gloves, raincoat # Dry house, wet clothes | :23:26. | :23:35. | |
# Weary-eyed, dry throat Call girl, no phone | :23:35. | :23:41. | |
# And they say | :23:41. | :23:44. | |
# She's in the Class A Team Stuck in her daydream | :23:44. | :23:47. | |
# Been this way since 18 But lately her face seems | :23:47. | :23:52. | |
# Slowly sinking, wasting Crumbling like pastries | :23:52. | :23:58. | |
# And they scream | :23:58. | :24:01. | |
# The worst things in life come free to us | :24:01. | :24:02. | |
# Cos we're just under the upperhand | :24:02. | :24:03. | |
# And go mad for a couple of grams | :24:03. | :24:06. | |
# But she don't want to go outside tonight | :24:06. | :24:11. | |
# And in a pipe she flies to the Motherland | :24:11. | :24:13. | |
# Or sells love to another man | :24:13. | :24:16. | |
# It's too cold outside | :24:16. | :24:19. | |
# For angels to fly | :24:19. | :24:21. | |
# Angels to fly | :24:21. | :24:24. | |
# An angel will die | :24:24. | :24:25. | |
# Covered in white | :24:25. | :24:26. | |
# Closed eye | :24:26. | :24:29. | |
# And hoping for a better life | :24:29. | :24:31. | |
# This time, we'll fade out tonight | :24:31. | :24:33. | |
# Straight down the line | :24:33. | :24:35. | |
# And they say | :24:36. | :24:45. | |
:24:46. | :24:46. | ||
# And they say | :24:46. | :24:47. | |
# She's in the Class A Team Stuck in her daydream | :24:47. | :24:49. | |
# Been this way since 18 But lately her face seems | :24:49. | :24:53. | |
# Slowly sinking, wasting Crumbling like pastries | :24:53. | :24:57. | |
# They scream | :24:57. | :25:02. | |
# The worst things in life come free to us | :25:02. | :25:06. | |
# And we're all under the upperhand | :25:06. | :25:08. | |
# Go mad for a couple of grams | :25:08. | :25:12. | |
# And we don't want to go outside tonight | :25:12. | :25:17. | |
# And in a pipe we fly to the Motherland | :25:17. | :25:19. | |
# Or sell love to another man | :25:20. | :25:22. | |
# It's too cold | :25:22. | :25:26. | |
# For angels to fly | :25:26. | :25:29. | |
# Angels to fly | :25:29. | :25:32. | |
# To fly, fly | :25:32. | :25:40. | |
# Angels to fly, to fly, to fly | :25:40. | :25:46. | |
# Angels to die | :25:46. | :25:55. | |
APPLAUSE | :25:55. | :25:59. | |
APPLAUSE That | :25:59. | :25:59. | |
That voice. | :25:59. | :25:59. | |
That voice. It | :26:00. | :26:00. | |
That voice. It gets | :26:00. | :26:04. | |
That voice. It gets me every time. It got very emotional over here, | :26:04. | :26:08. | |
didn't it? Beautiful. Are we partying later? We are partying | :26:08. | :26:13. | |
later. There you go. Nice work. Number three in the official chart. | :26:13. | :26:16. | |
You can find out where it officially lands by checking me out | :26:16. | :26:21. | |
on Sunday on Radio 1. Are you there tomorrow? No, I'm not. You are here. | :26:21. | :26:27. | |
You can see where he is next week, this week. Sed the most polite man | :26:27. | :26:34. | |
in pop. He took his wellies off for us. Are your socks on? Yeah. Good | :26:34. | :26:38. | |
man. This is BBC Three at Glastonbury 2011. You have Greg and | :26:38. | :26:43. | |
Gemma seeing all the things we can't see. Greg James where are | :26:43. | :26:53. | |
:26:53. | :26:53. | ||
you? What can you see? I wanted to show you an amazing view. I'm on | :26:53. | :26:57. | |
the Other Stage stage where Mumford and sons played. This is the view | :26:57. | :27:02. | |
they will see when they look out. The amazing people on the Other | :27:02. | :27:09. | |
Stage. I spent my day around the site looking at weird stuff. Let us | :27:09. | :27:17. | |
look at the next part of my Glastonbury Crawl. Loads of stuff | :27:17. | :27:22. | |
going on here. I have spotted a circus tent. I can't help but | :27:22. | :27:28. | |
notice you are spinning plates. Please, can you taste me. Spin it | :27:28. | :27:37. | |
around like drawing a small circle in the sky. Ah, worst. Now, stop. | :27:37. | :27:44. | |
Sugar! Slow, bigger. Then whisk it like an egg. Then stop, like that. | :27:44. | :27:54. | |
:27:54. | :28:02. | ||
Yeah! Yes. Look at that. I think we're done here. Are you OK? Ribbit. | :28:02. | :28:09. | |
You have your umbrella up? Ribbit. I thought frog's were waterproof | :28:09. | :28:14. | |
anyway. I have never seen a frog with a handbag, please, don't be a | :28:14. | :28:24. | |
:28:24. | :28:27. | ||
real frog. It's just some fags and an inhaler. Get back! Back! | :28:27. | :28:37. | |
:28:37. | :28:43. | ||
approaching. I'm approaching. Go, Here he is. Thank as lot. | :28:43. | :28:53. | |
Halleluiah. What is your name, mate? Greg. Let's have some music. | :28:53. | :29:03. | |
Let's have Track 5. Let's see what this's like. Get those knees up, | :29:03. | :29:11. | |
man. That's the spirit. It is working. Really get that working. 3, | :29:11. | :29:21. | |
:29:21. | :29:22. | ||
2, jumping jacks. Hello, Glastonbury. If you are going to | :29:22. | :29:32. | |
:29:32. | :29:35. | ||
have a party, you want to clear up You see, I love this. I could stay | :29:35. | :29:43. | |
here all day happily. You see, if it starts raining, like it is at | :29:43. | :29:49. | |
the moment, find a tent, just sit here. Sit it out. This is a good | :29:49. | :29:59. | |
:29:59. | :30:02. | ||
What an amazing little stall. # Look at the stars | :30:02. | :30:09. | |
# See how they shine for you # And all the things that you do | :30:09. | :30:13. | |
# Cos they were all yellow... # Thank you, very much. See ya. | :30:13. | :30:20. | |
Thanks. How are you? Not bad, not bad. A bit up-and-down, to tell you | :30:20. | :30:25. | |
the truth. How are you going? Really good. Cheers. How high can | :30:25. | :30:30. | |
you jump? How long is a piece of string. Come on, come on, for the | :30:30. | :30:38. | |
BBC. It's been a very busy day so far. We have seen so much, but only | :30:38. | :30:44. | |
just scratched the surface. Behind me we have the Stone Circle, the | :30:44. | :30:49. | |
Healing Fields to do. Tonight, we will do Glastonbury at night, it's | :30:49. | :30:53. | |
going to be good. Greg has made some rather interesting friends | :30:53. | :30:59. | |
over the last couple of days, hasn't he? Men in leotards, | :30:59. | :31:03. | |
kangaroos. Allardyce sorts. We haven't seen him since. We will | :31:03. | :31:06. | |
find him. There is loads to see at Glastonbury. Greg touched on some | :31:06. | :31:11. | |
of the things you can check out. Last night, we went over to the | :31:11. | :31:17. | |
Dance Village and looked around. We saw Annie Mac DJing. We threw some | :31:17. | :31:21. | |
shapes. I threw some shapes. You were a mess of arms and legs. | :31:21. | :31:25. | |
Thanks. It was a sight to be hold. Enough. Incredible. Anyhow, Gemma | :31:25. | :31:31. | |
is over at East Dance a, a place which has heralded incredible | :31:31. | :31:34. | |
performances over the last few years. It has changed the face of | :31:34. | :31:40. | |
what Glastonbury means to a lot of artists. Tinie Tempah performed | :31:40. | :31:47. | |
there and N-Dubs performed there. Potentially lots of people are | :31:47. | :31:53. | |
there who could progress to the Pyramid Stage. Basking in the | :31:53. | :31:58. | |
sunshine. I'm on the side of the Dance Stage on what seems like | :31:58. | :32:04. | |
school chairs? It really does. some hay. How are you? Amazing. How | :32:04. | :32:08. | |
are you? I'm all right. You look very cool. Thank you. You always | :32:08. | :32:14. | |
look cool. He is a dapper guy. You were in a thin chord suit the last | :32:14. | :32:20. | |
time I saw you, mustard in colour. That was at the Brits. Now you are | :32:20. | :32:24. | |
in guilting. I've got my ugly wellies on. You don't want to see | :32:24. | :32:29. | |
these. They are not that ugly. love Hunter. There is something | :32:29. | :32:33. | |
charm being the mud. That is quite true. My first time here. It's | :32:33. | :32:38. | |
really cool. How are you feeling? It's amazing. Like the energy here | :32:38. | :32:43. | |
is really cool. I think - you were tell me anyway, the rain was cizy | :32:43. | :32:47. | |
yesterday and everyone was moody. Now the sun has come out it's | :32:47. | :32:56. | |
liberating. I have to do the cheesy pun, you make the sunshine. This | :32:56. | :33:00. | |
guy is the machine of Glastonbury. Tell everyone what we were | :33:00. | :33:08. | |
discussing about? It's mad. For some reason I produced Jasmine, | :33:08. | :33:11. | |
Processor Green, Devlin, Tinie Tempah, everyone they performed | :33:11. | :33:16. | |
today. They are all at Glastonbury. It's wild to know I have worked on | :33:16. | :33:21. | |
tracks with all these people. I was like, "we were working in the | :33:21. | :33:27. | |
studio yesterday" mad. What a special man. How was it like Tinie? | :33:27. | :33:30. | |
Amazing. You couldn't see the end of the crowd. You joined the big | :33:30. | :33:36. | |
man on stage. So fun. How are you looking forward to your set? | :33:36. | :33:40. | |
can't wait. A new fresh set. All my sounds on stage. I will play my | :33:40. | :33:45. | |
guitar and key boor boards. I will be in my element. Labrinth this is | :33:45. | :33:51. | |
a great day. Are you going to have backing dancers? Auto would love to | :33:51. | :33:56. | |
have backing dancers but I will keep it Glastonbury today. I was | :33:56. | :33:59. | |
really trying. I'm like # Let the sun shine | :33:59. | :34:05. | |
# Let the sunshine, baby # . This is a good moment to go back | :34:05. | :34:13. | |
to you guys. Wow! A live on air audition which I think she might | :34:13. | :34:20. | |
have failed. She sang his song to him in a horrible voice. So, in | :34:20. | :34:23. | |
that Dance Village a lot of acts are playing different times. They | :34:23. | :34:31. | |
are working with each other, collaborating in the studio. | :34:31. | :34:35. | |
Absolutely. Later on, Tinie Tempah will be here in the studio. If you | :34:35. | :34:40. | |
have any questions for him at all you all you need to go is go on | :34:40. | :34:46. | |
twitter or the BBC Three Facebook pages: Leave a comment or a | :34:47. | :34:50. | |
question. Labrinth touched on, it he performed with Tinie Tempah on | :34:50. | :34:55. | |
the Pyramid Stage earlier on today. It was without doubt an incredible | :34:55. | :35:01. | |
journey. That man, himself, did an amazing set earlier on today. | :35:01. | :35:05. | |
watched this. You were watching watching it having a dance. There | :35:05. | :35:08. | |
is naughty language which we may dip down and there is stroke as | :35:08. | :35:12. | |
well, warning on that one too. is what happened when I caught up | :35:12. | :35:16. | |
with Tinie Tempah before he went on stage, on the Pyramid Stage, a | :35:16. | :35:22. | |
little earlier on today. How are you doing? I'm well. You seem | :35:22. | :35:26. | |
ultra-calm? You have to be. This time last year, we were standing on | :35:26. | :35:30. | |
the side of stage and Snoop Dogg was performing. You were running on | :35:30. | :35:35. | |
to perform Pass Out. You have an hour-and-a-half maybe more to | :35:35. | :35:38. | |
yourself. How are you feeling? excited, man. I don't know what to | :35:39. | :35:42. | |
say. This is a massive deal. I'm grateful to all the British fans | :35:42. | :35:46. | |
for giving me the opportunity to get so far, so quickly. Yeah, I'm | :35:46. | :35:51. | |
going to deliver. Do what I have to do. You brought the sun out, man? | :35:51. | :35:57. | |
It's been muddy, raining. That is all we do. Anyone at home who wants | :35:57. | :36:03. | |
to be here, what will they miss? You will miss all the anxiety and | :36:03. | :36:11. | |
excitement I had running out for that one song with Snoop Dogg last | :36:11. | :36:16. | |
year for about 20 songs. Why aren't you here? It's sunny. They missed | :36:16. | :36:26. | |
:36:26. | :36:26. | ||
Apology for the loss of subtitles for 123 seconds | :36:26. | :38:29. | |
out. Good luck, happy for you, man. # This is the discovery | :38:29. | :38:34. | |
# Tinie is the name # This is the discovery | :38:34. | :38:44. | |
:38:44. | :38:49. | ||
# I don't plan any recovery # Cover me | :38:49. | :38:54. | |
# Don't try to understand # That cloud is in my head | :38:54. | :39:04. | |
:39:04. | :39:15. | ||
# Just close your eyes Glastonbury 2011! Are you ready | :39:15. | :39:25. | |
:39:25. | :39:55. | ||
# Yeah, simple # Girl, you better turn me on | :39:55. | :39:59. | |
# I can't explain it, cool # So crazy outrageous | :39:59. | :40:02. | |
# Crisscross # You're going to love this | :40:02. | :40:08. | |
# Yes # Simply sun UN stoppable | :40:08. | :40:09. | |
# I can't explain it, cool # I can't explain it | :40:09. | :40:19. | |
:40:19. | :40:25. | ||
# So crazy outrageous # I like the taste of alcohol | :40:25. | :40:28. | |
# Them high rises can block your horizon | :40:28. | :40:31. | |
# Disturbing London is the city that I'm from | :40:31. | :40:35. | |
# Where if we like the tune We make the DJ rewind 'em, yeah | :40:35. | :40:37. | |
# So involved in this moment I can't let it go | :40:37. | :40:41. | |
# Tik tok, check my Roley wristwatch | :40:41. | :40:51. | |
:40:51. | :40:55. | ||
# The big boss Make 'em jump like Kriss Kross | :40:55. | :40:56. | |
# Girl, you better turn me on cos I'm about to switch off | :40:56. | :41:02. | |
# I can't explain it, cool But you're gonna love this, yes | :41:02. | :41:04. | |
# So crazy outrageous Simply unstoppable, fresh | :41:04. | :41:09. | |
# I can't explain it, cool But you're gonna love this, yes | :41:09. | :41:14. | |
# So crazy outrageous Simply unstoppable, fresh | :41:15. | :41:24. | |
:41:25. | :41:36. | ||
CHEERING | :41:36. | :41:37. | |
CHEERING AND | :41:37. | :41:37. | |
CHEERING AND APPLAUSE | :41:37. | :41:47. | |
:41:47. | :42:01. | ||
# She said she loves my songs She bought my MP3 | :42:01. | :42:03. | |
# And so I put her number in my Bold BB | :42:03. | :42:07. | |
# I got a black BM She got a white TT | :42:07. | :42:11. | |
# She wanna see what's hiding in my CK briefs | :42:11. | :42:14. | |
# I tell her wear suspenders and some PVC | :42:14. | :42:17. | |
# And then Ill film it all up on my JVC | :42:17. | :42:21. | |
# Uhh, scene one | :42:21. | :42:27. | |
# Everybody get in your positions Pay attention, and listen | :42:27. | :42:29. | |
# We're tryna get this in one take So let's try and make that happen | :42:29. | :42:32. | |
# Take one, action! | :42:32. | :42:42. | |
:42:42. | :43:15. | ||
# We spinnin LPR, up on my APC | :43:15. | :43:18. | |
# I'm in my PRPS and my Nike SBs | :43:18. | :43:22. | |
# Ravin' with SHM, London to NYC | :43:22. | :43:27. | |
# I got my Visa and my Visa A diva and her dealer | :43:27. | :43:30. | |
# I'm up on the guest list With the Swedish House Mafia | :43:30. | :43:35. | |
# You can find me on a table Full of vodka and tequila | :43:35. | :43:43. | |
# I wake up in the morning With a mild case of amnesia | :43:43. | :43:46. | |
# With a girl that like a girl Like Lindsey Lohan, Queen Latifah | :43:46. | :43:52. | |
# Guetta must be fever | :43:52. | :43:54. | |
# And that's standard procedure from Miami 2 Ibiza. # | :43:54. | :44:04. | |
:44:04. | :44:20. | ||
Glastonbury, | :44:20. | :44:20. | |
Glastonbury, how | :44:20. | :44:20. | |
Glastonbury, how are | :44:20. | :44:27. | |
Glastonbury, how are you feeling out there? Now, listen, I want to | :44:27. | :44:32. | |
great a real magical moment amongst all you thousands of people. From | :44:32. | :44:35. | |
all over the world, if you're feeling the Tinie Tempah Show I | :44:35. | :44:39. | |
need you guys to help me do one simple thing. I need everybody to | :44:39. | :44:44. | |
go as low as they can, all the way down to the ground. When I get back | :44:44. | :44:50. | |
into the chorus, we're all going to jump up and go mental. Are you | :44:50. | :44:55. | |
ready. Everybody go as low as you can. Don't sink in the mud though. | :44:55. | :45:01. | |
As low as you can, guys. I love that, that's beautiful. | :45:01. | :45:07. | |
# Go low, go low # Go low # | :45:07. | :45:10. | |
I'm watching. # Go low, go low # | :45:10. | :45:17. | |
Everybody. When I do the chorus everyone's going to jump up and go | :45:17. | :45:20. | |
crazy. # Go low, go low | :45:20. | :45:27. | |
# Go low # Go low... # | :45:27. | :45:31. | |
Stay down. Everybody get into position. Stay down. | :45:31. | :45:37. | |
# Pay attention # I listen # | :45:37. | :45:39. | |
Let's jump. Everybody try and make that happen. | :45:39. | :45:49. | |
:45:49. | :45:49. | ||
Apology for the loss of subtitles for 123 seconds | :45:49. | :48:15. | |
# Girl, you better keep your # I'm suspicious, she looks | :48:15. | :48:25. | |
:48:25. | :48:25. | ||
Apology for the loss of subtitles for 123 seconds | :48:25. | :50:52. | |
# Girl, you better keep your CHEERING AND APPLAUSE | :50:52. | :50:56. | |
That was Tinie Tempah on the Pyramid Stage earlier on today at | :50:56. | :50:59. | |
Glastonbury 2011. Apologies for some of that naughty language that | :50:59. | :51:03. | |
slipped through the net. The man himself is here now. How are you | :51:03. | :51:08. | |
doing? How was that? Definitely, a day to remember, forever. | :51:08. | :51:15. | |
Definitely. You performed here before. You per formed with Snoop. | :51:15. | :51:20. | |
Could do you think you had a bigger crowd? I don't know. You packed it | :51:20. | :51:24. | |
out.? It felt amazing. I didn't know what the turnout was going to | :51:24. | :51:28. | |
be. It was insane. I couldn't see past a few people. It was packed. | :51:28. | :51:35. | |
You popped on stage with Snoop Dogg last year with one record. It's all | :51:35. | :51:39. | |
happened in year. It has been the most ridiculous year. Not only have | :51:39. | :51:42. | |
you done the Pyramid Stage, you have sold a million records in | :51:42. | :51:49. | |
America. How are you getting your head around it? My staying focused. | :51:49. | :51:55. | |
It's an amazing head start. There is a long way to go. Some of my | :51:55. | :52:01. | |
idols, Jay-Z, have been doing it for ten or more years. Every year | :52:01. | :52:07. | |
that goes by there is you can do. I keep my head looking to the future. | :52:07. | :52:12. | |
You were on Jay-Z watch, spotted him. Walking around on his own. | :52:12. | :52:17. | |
What did he say. He said congratulations on all your success. | :52:17. | :52:23. | |
I don't have a picture of Jay-Z. I ran back and got my mate to ask him. | :52:23. | :52:27. | |
Brilliant. It was amazing. It's nice to know you can be at a | :52:27. | :52:33. | |
festival like this doing a gig like that and be star struck by your | :52:33. | :52:37. | |
idols. Completely. Is this a good point in time to to reflect and see | :52:37. | :52:42. | |
what you have achieved? I wish. That is saying, go on a holiday for | :52:42. | :52:45. | |
a couple of days and and come back. That is not going to happen. The | :52:45. | :52:50. | |
fact that I have so many more amazing opportunities this year. We | :52:50. | :52:57. | |
are doing a couple more festivals in America and around England and | :52:57. | :53:00. | |
Europe. I'm showcasing my music to millions of people throughout the | :53:00. | :53:04. | |
year. I'm grateful I have the opportunity to do that. Things are | :53:04. | :53:07. | |
going well in America at the moment. You were talking about what is | :53:07. | :53:11. | |
happening next the fact you have been in the studio with a famous | :53:11. | :53:16. | |
producer. Can you share with us who you are working with. I have been | :53:16. | :53:26. | |
:53:26. | :53:27. | ||
in the studio with Farrell What is it like working with him? | :53:27. | :53:31. | |
idolising him for a long time much I met him in Australia, when we | :53:31. | :53:36. | |
were doing another festival. I said, "I'd love to get in the studio with | :53:36. | :53:43. | |
you". Everybody say that is when they meet each other. He made it | :53:43. | :53:51. | |
happen. I looked him up in Miami. We have been making fun and music. | :53:51. | :53:55. | |
You popped around his house don't know each other, not his | :53:55. | :54:01. | |
house. You went out to America to see how it would go, it has gone | :54:01. | :54:05. | |
brilliantly? Definitely. When things are going well, there is | :54:05. | :54:10. | |
still a lot of hard work. I'm doing shows for 20, 30, 40 people. Some | :54:10. | :54:16. | |
shows are for 1,000, 2,000, 10,000. Because America is so big and all | :54:16. | :54:19. | |
the States are different it's a broad spectrum. It's like starting | :54:19. | :54:24. | |
again. We have such a long way to go. It's been an amazing experience | :54:24. | :54:28. | |
to see. That One of the things I love about you being here, you | :54:28. | :54:32. | |
brought the most hip-hop moment to Glastonbury this year. When they | :54:32. | :54:41. | |
took these off of your trainers. Reggie. They were wrapped around | :54:41. | :54:48. | |
his trainers and they take took them off. I have never such | :54:48. | :54:52. | |
spotless wellies. Crocodile skin ones at that. You have have a | :54:52. | :54:57. | |
problem with hygiene? You have to be clean, especially at festivals. | :54:57. | :55:02. | |
Are you baby wiping them? I wear them, take them off, wear them. | :55:02. | :55:08. | |
When it gets messy tonight I will have my baby wipes in my pockets. | :55:08. | :55:14. | |
We have had questions from Facebook and twitter. One is, what is your | :55:14. | :55:21. | |
guilty pleasure song? I like Eric Hassel Hurtful. That is not a | :55:21. | :55:31. | |
:55:31. | :55:32. | ||
guilty pleasure. Do I listen to anything crazy. Is it bad I listen | :55:32. | :55:41. | |
to Angus? That is all right. Wigfield? I have a tweet from | :55:41. | :55:47. | |
gaibel. How did you come up with the name tth -- Tinie Tempah I was | :55:47. | :55:54. | |
in year and I was board in a lesson called, "citizenship". No, we are | :55:54. | :56:04. | |
old. I was like, there is Dizzie Rascal, I need serious name. I got | :56:04. | :56:13. | |
to anger, I looked down, saw Tempah, I liked it. Tinie Tempah, backal | :56:14. | :56:18. | |
and Hyde, By play time I was Tinie Tempah. There you go. Just like | :56:18. | :56:21. | |
that. Thank you for your questions. We had tonnes of questions. Thank | :56:21. | :56:27. | |
you for joining us. Thank you for having me. Congratulations again | :56:27. | :56:30. | |
for doing the Pyramid Stage. It's been a brilliant year. Thank you | :56:30. | :56:35. | |
for your support. We will have Elbow in the studio. If you have | :56:35. | :56:45. | |
:56:45. | :56:45. | ||
any questions go to: As well as, that we will bring you Friendly | :56:45. | :56:51. |