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. It is like a post epobg liptic town. | :00:31. | :00:39. | |
Glastonbury has its own vibe. The audience is more intelligent. | :00:39. | :00:49. | |
:00:49. | :01:01. | ||
Ingenious. The best festival in the world. | :01:02. | :01:07. | |
Welcome to Glastonbury. We brave the mud so you don't have to. You | :01:07. | :01:13. | |
can sit at home and we will bring you as much as what is going on. | :01:13. | :01:20. | |
I'm Jo Whiley and this is Mark Radcliffe. I was up here for a long | :01:20. | :01:24. | |
time. I think I was being kept out of the way way! It is glorious | :01:24. | :01:28. | |
today. The only thing is the mud is here to stay for the weekend. | :01:28. | :01:31. | |
know. Every year we talk about the | :01:31. | :01:34. | |
different textures of mud! Yesterday, you can get through it. | :01:34. | :01:38. | |
Today, it is drying up because the sun has come out which makes it | :01:38. | :01:41. | |
worse because your boots get stuck in the mud and we were saying the | :01:41. | :01:45. | |
distance it takes you an hour to get from one point to another, it | :01:45. | :01:47. | |
has taken four hours this time. It is problematic. | :01:47. | :01:51. | |
Yeah, you have got a choice of sticking to the road ways, but they | :01:51. | :01:57. | |
are heavily populated, but if you go off piste, you are knee-deep in | :01:57. | :02:02. | |
mud. My nine-year-old Rose has been in smaller wellies and every time | :02:02. | :02:07. | |
she twists to look at something and there is something to see, she | :02:07. | :02:11. | |
falls on her face. I blame her mother for putting her in a height | :02:11. | :02:16. | |
cardigan, but what -- white cardigan, but what can you do? | :02:16. | :02:26. | |
:02:26. | :02:34. | ||
have live performances. Guy Garvey is coming to have a chat. | :02:34. | :02:41. | |
We have a film from the Spirit of 71 Stage. It is 40 years since the | :02:41. | :02:44. | |
first Glastonbury and some of the artists who appeared at that | :02:44. | :02:49. | |
festival are coming back to re- create the golden age of | :02:49. | :02:56. | |
Glastonbury. Someone who has been appearing there is Noel Harrison. | :02:56. | :02:59. | |
I can't wait for this. This will happen later on. | :02:59. | :03:06. | |
He is going to do an acoustic. Now some mellow afternoon sunny | :03:06. | :03:12. | |
sounds on the Pyramid Stage. It is... Rumour. | :03:12. | :03:18. | |
Hello Glastonbury. I'm Rumour. This is my song Am I | :03:18. | :03:28. | |
:03:28. | :03:53. | ||
# I lost my heart # I sat on my window and looked out | :03:53. | :04:03. | |
:04:03. | :04:04. | ||
and watched the rain wash down # The street | :04:04. | :04:14. | |
:04:14. | :04:15. | ||
# Like the birds that fly over # Rising up through the trees | :04:15. | :04:25. | |
:04:25. | :04:26. | ||
Apology for the loss of subtitles for 133 seconds | :04:26. | :06:38. | |
# I was running out of cafe conversation | :06:39. | :06:46. | |
# I was weary of fashion parades # It seems there is a hole lot of | :06:46. | :06:49. | |
people from out of town around here these days | :06:49. | :06:55. | |
# And in the streets the the preachers say if you want to go to | :06:55. | :07:05. | |
:07:05. | :07:09. | ||
heaven why don't you walk this way # All day I prayed for five o'clock | :07:09. | :07:14. | |
# I'm thinking maybe I should quit this job | :07:14. | :07:22. | |
# And as the lights turn on the corner, I see your face face face | :07:22. | :07:26. | |
# And I light up like a child # Because you are the one who makes | :07:26. | :07:34. | |
me see # You are my saving grace | :07:34. | :07:43. | |
# You make me want to make me want to become better | :07:43. | :07:49. | |
# Cause when you you walked in # You truly changed my world | :07:49. | :07:55. | |
# When you take my hand # You make me strong | :07:55. | :08:03. | |
# And when I'm weary, I don't have to explain | :08:04. | :08:10. | |
# When I crawl the stairs, you let me rest | :08:10. | :08:15. | |
# I never thought I'd ever see the sun again | :08:15. | :08:18. | |
# Bitterness was beating down my door | :08:18. | :08:23. | |
# Now I'm picking up the telephone, I read your name | :08:23. | :08:30. | |
# And I light up like a child # Because you are the one who makes | :08:30. | :08:39. | |
me see # You are my saving grace | :08:39. | :08:49. | |
# You make me want to become, become better | :08:49. | :08:53. | |
# Because when you walked in, you truly changed my world | :08:53. | :08:59. | |
# When you take my hand, you make me strong | :08:59. | :09:07. | |
# And when you want me, I'll be there, you know | :09:07. | :09:11. | |
# I will # Just take my hand and I'll make | :09:11. | :09:21. | |
:09:21. | :09:59. | ||
Thank you. # You make me | :09:59. | :10:09. | |
:10:09. | :10:09. | ||
Apology for the loss of subtitles for 133 seconds | :10:09. | :10:55. | |
# You make me want to tell # Killing time is easy | :10:55. | :11:05. | |
:11:05. | :11:45. | ||
2# "Slow" # In your arms | :11:45. | :11:55. | |
:11:55. | :12:11. | ||
# "Slow" # You make me want to sing about | :12:11. | :12:21. | |
:12:21. | :12:21. | ||
Apology for the loss of subtitles for 133 seconds | :12:21. | :13:27. | |
# You make me want to tell Thank you. | :13:27. | :13:33. | |
There you go, that was Rumour live on the Pyramid Stage. That kind of | :13:33. | :13:36. | |
worked in a dreamy afternoon sort of way in the sun. | :13:36. | :13:39. | |
Had she done that yesterday when it was pouring with rain, it would | :13:39. | :13:44. | |
have been a different thing. The sun is coming out and there is a | :13:44. | :13:50. | |
quieter feeling. We were watching Jessie J. So many children come to | :13:50. | :13:59. | |
Glastonbury and it is nice on a Saturday afternoon they have Tinie | :13:59. | :14:02. | |
Tempah and that is what is going on at the moment. | :14:02. | :14:08. | |
Rumour, I had the urge to waft in the breeze and interpret the music | :14:08. | :14:14. | |
through the medium of mime. But you are doing it now minus the | :14:14. | :14:20. | |
cheesecloth. Do you want to stop? I would stop if I was you. | :14:20. | :14:24. | |
Many artists are still lurking around, Bono is still here. They | :14:24. | :14:27. | |
are not playing. No surprise guests or anything, but people here | :14:27. | :14:37. | |
:14:37. | :14:43. | ||
enjoying what they are doing and enjoying the festival. Here is | :14:43. | :14:53. | |
:14:53. | :14:57. | ||
# You're never running from this # You'll never get anything better | :14:57. | :15:07. | |
:15:07. | :15:15. | ||
# 'Cause you're going round in # And now you giving me the look | :15:15. | :15:25. | |
:15:25. | :15:36. | ||
# But just remember how we shook # This town is the oldest | :15:36. | :15:46. | |
:15:46. | :16:10. | ||
# We're always running round # We'd never make anything better | :16:10. | :16:20. | |
:16:20. | :16:30. | ||
# And everybody thinks # And now we're giving you | :16:30. | :16:40. | |
:16:40. | :17:02. | ||
# This town is the oldest # This town is the oldest | :17:02. | :17:12. | |
:17:12. | :17:12. | ||
Apology for the loss of subtitles for 133 seconds | :17:12. | :18:26. | |
That's Metronomy from Devon. We have been playing a lot of them on | :18:26. | :18:31. | |
6 Music. They have been sound checking for the past two hours so | :18:31. | :18:35. | |
everyone walking around has got that little bit in their head. We | :18:35. | :18:41. | |
will be joined by Guy Garvey. They arrived yesterday so they have been | :18:41. | :18:45. | |
going to all the different far flung corners of the site. | :18:45. | :18:52. | |
I bet he is he is feeling smug. Larry from U2 said, "I'm so sad it | :18:53. | :18:57. | |
was raining.". I know, but I loved that honest. You would be really | :18:57. | :19:01. | |
disappointed, wouldn't you. He was complaining that the audience were | :19:01. | :19:06. | |
so far away. Playing the drums you are always going to be at back. | :19:07. | :19:13. | |
Guy and Elbow will be seeing the weather will be thinking, "We are | :19:13. | :19:23. | |
:19:23. | :19:24. | ||
blessed.". We have Ed Sheeran and Noel Harrison. Now to someone | :19:24. | :19:31. | |
exploring every corner and taking us there. This is Greg James. | :19:31. | :19:35. | |
Loads of stuff going on here and I've just spotted a circus tent. I | :19:35. | :19:39. | |
can't help, but notice you are spinning plates. Please, can you | :19:39. | :19:46. | |
teach me? Spin it around like drawing a a circle in the sky. | :19:46. | :19:51. | |
Draw a circle in the sky. Oh, worst. Stop. | :19:51. | :19:55. | |
Sugar. Slow finger and whisk it like an | :19:55. | :20:04. | |
egg and then stop like that. Yeah! Look at that. | :20:04. | :20:14. | |
:20:14. | :20:15. | ||
I think we're done here. Are you OK? Ribbet. | :20:15. | :20:23. | |
I see you have got your umbrella up. Rib bet. | :20:23. | :20:29. | |
I thought frogs were water proof. I have never seen a frog with a | :20:29. | :20:35. | |
handbag. Please don't be a real frog. Just some fags and an | :20:35. | :20:40. | |
inhaler! Get back. | :20:40. | :20:44. | |
I'm approaching. I'm approaching. Go young man. Go. | :20:44. | :20:54. | |
:20:54. | :20:57. | ||
Thank you. Thanks a lot. | :20:57. | :21:07. | |
:21:07. | :21:08. | ||
What's your name, mate? It's Greg. Let's have some music, lads. Let's | :21:08. | :21:14. | |
have track five and see what that is like. I have no idea. | :21:14. | :21:17. | |
Get your knees up, man. That's the spirit. | :21:17. | :21:27. | |
:21:27. | :21:30. | ||
Get it working, yeah. Try and get that working. | :21:30. | :21:36. | |
Hello Glastonbury. If you are going to have a party, | :21:36. | :21:46. | |
:21:46. | :21:49. | ||
you want to clear up before you You see, I love this. I could stay | :21:49. | :21:55. | |
here all day happily. You see, if it starts raining like | :21:55. | :22:02. | |
it is at the moment, find a tent and just sit here. Sit it out. | :22:02. | :22:12. | |
:22:12. | :22:22. | ||
An amazing little stall. This is a ubg a a ukele stall. | :22:22. | :22:26. | |
# All the things you do # Because they are all yellow # | :22:27. | :22:33. | |
Thank you very much. See ya! How are you? Not bad. A bit up and | :22:33. | :22:38. | |
down to tell you the truth. How are you going, mate? Really good. How | :22:38. | :22:42. | |
high can you jump? How long is a piece of string. | :22:42. | :22:52. | |
:22:52. | :22:52. | ||
Come on, come on, for the BBC. It has been a busy day so far. We | :22:52. | :22:56. | |
have seen so much, but only scratched the surface. Behind me, | :22:56. | :22:59. | |
we have the stone circle and the healing fields to do. Tonight is | :22:59. | :23:03. | |
the big one, we are going to do Glastonbury at night. It's going to | :23:03. | :23:09. | |
I have seen Greg a lot around the site. He is looking the most | :23:09. | :23:13. | |
exhausted man. He is doing a lot of travelling, a lot of going around | :23:14. | :23:20. | |
and he looked tired. He through some water at our car, waving. | :23:20. | :23:26. | |
I thought he looked dapper when I saw him. By way of contrast. How | :23:26. | :23:36. | |
:23:36. | :23:36. | ||
are you mate? I'm very well. . Guy Garvey of Elbow. U2 were on | :23:36. | :23:41. | |
and Larry was diace pointed -- disappointed it was raining. | :23:41. | :23:45. | |
We have done a few festivals and this has happened the other way | :23:45. | :23:50. | |
around. We made it rain in Havana in July and all sorts. The sunshine | :23:50. | :23:57. | |
seems to be following us now. have lovely rosy tinted cheeks. | :23:57. | :24:01. | |
I imagine last night's whisky has something to do with it. | :24:01. | :24:05. | |
Do you feel remotely competitive? When you come to this, do you feel | :24:05. | :24:10. | |
you have got anything to prove? Is there any sense of, "We have got | :24:10. | :24:15. | |
anything to prove." U2 felt like they had something to prove. You | :24:15. | :24:19. | |
have nothing to prove, but do you feel we have got to make it a good | :24:19. | :24:24. | |
one? I have said it before, all gigs are a rehearsal for this one. | :24:24. | :24:28. | |
It is the biggest one. You don't feel competitive with the other | :24:28. | :24:31. | |
bands. You want to do the best that you can do for Glastonbury and in | :24:31. | :24:36. | |
terms of that, we have been choosing the set really carefully, | :24:36. | :24:42. | |
but no, it is just so much fun, isn't it? How have you changed the | :24:42. | :24:46. | |
set? Are there any surprises or big moments that you are building up | :24:46. | :24:50. | |
to? Not really. We were going to do a stunt. We were thinking of | :24:50. | :24:56. | |
various stunts. What were the the options? We could | :24:56. | :25:00. | |
get Richard up. I don't know what else we were going to do. Do you | :25:00. | :25:04. | |
remember the Destiny's Child we did a few years ago? Yes. | :25:04. | :25:10. | |
We were thinking of doing that. We just decided to play our favourite | :25:10. | :25:13. | |
songs of the moment. You are this far in now, you have | :25:13. | :25:19. | |
got, I mean, you know, I hesitate to call it a greatest hits set. You | :25:19. | :25:24. | |
have got enough big songs to fill a slot in length. | :25:24. | :25:28. | |
It mets the set list argument more intense because we have got more | :25:28. | :25:33. | |
songs to koos from. The -- choose from. The hour long set list we | :25:33. | :25:37. | |
have is more intense these days. Can you remember the first time you | :25:37. | :25:43. | |
played at at Glastonbury? I can't remember what stage it was. It was | :25:43. | :25:47. | |
in the early afternoon. The sun came out when you played. I | :25:47. | :25:52. | |
remembered that day. Do you remember the first time that | :25:52. | :25:56. | |
Guy played at Glastonbury? remember seeing Guy and thinking | :25:56. | :26:01. | |
this music really works wide screen. I think we had that conversation. | :26:01. | :26:06. | |
It seemed to spread the joy and sun around the ar Nina. | :26:06. | :26:10. | |
-- arena. We didn't know if it was going to | :26:10. | :26:14. | |
work and we didn't know if we could hold a big crowd like that. 80,000 | :26:14. | :26:17. | |
of them there should be tonight if not more. | :26:17. | :26:22. | |
Is there a moment in particular that you enjoy from your sets? | :26:22. | :26:29. | |
we are playing Weather To Fly which is poignant because it is 20 years | :26:29. | :26:33. | |
of the band so we are calling it our anniversary today. None of us | :26:33. | :26:38. | |
can remember what day in June we were formed. It is the only song | :26:38. | :26:42. | |
that we have got that is about being kids together. So I'm looking | :26:42. | :26:45. | |
forward to that tonne. It has been a good journey, hasn't | :26:45. | :26:49. | |
it? Yes. And you are straight off somewhere | :26:49. | :26:54. | |
else? Yes, Luxembourg. Coldplay, you have been playing | :26:54. | :26:59. | |
with them recently, are you looking forward to them top? Us and them | :26:59. | :27:05. | |
works. We have done it hundreds of times. They are putting on an maize | :27:05. | :27:10. | |
maize -- an amazing show. Last night's headline act was U2, did | :27:11. | :27:17. | |
you see that? If you didn't manage to see U2 like | :27:17. | :27:20. | |
Guy for whatever reason this is your chance. This is how they | :27:20. | :27:30. | |
:27:30. | :27:30. | ||
Apology for the loss of subtitles for 133 seconds | :27:30. | :28:59. | |
# Give me two more chances # Well, my heart is where | :28:59. | :29:09. | |
:29:09. | :29:41. | ||
# Give me one more chance # Give me one last chance | :29:41. | :29:51. | |
:29:51. | :29:54. | ||
# You're honey child to a swarm of bees | :29:54. | :29:58. | |
# Gonna blow right through you like a breeze | :29:58. | :30:02. | |
# Give me one last dance | :30:02. | :30:04. | |
# We'll slide down the surface of things | :30:04. | :30:11. | |
# You're the real thing | :30:11. | :30:14. | |
# You're the real thing, yeah | :30:14. | :30:18. | |
# You're the real thing | :30:18. | :30:21. | |
# Even better than the real thing | :30:21. | :30:24. | |
# Child | :30:24. | :30:34. | |
:30:34. | :30:57. | ||
Glastonbury, | :30:57. | :30:57. | |
Glastonbury, where | :30:57. | :30:57. | |
Glastonbury, where are | :30:57. | :31:00. | |
Glastonbury, where are you going to take us | :31:00. | :31:10. | |
:31:10. | :31:14. | ||
Where are you going to take us # You take me higher | :31:14. | :31:24. | |
:31:24. | :31:47. | ||
That is how they kicked off last night in the rain. U2 at | :31:47. | :31:52. | |
Glastonbury 2011. Look at us basking in the garden. Pm. Jacket | :31:52. | :31:57. | |
off, wellies still on for obvious reasons. I love the shots of Bono | :31:57. | :32:02. | |
in his glasses. He needs windscreen wipers to clear the vision. | :32:02. | :32:06. | |
If you build a walkway out into the audience, that's the chance you | :32:06. | :32:13. | |
take if it rains. We have still got things to come from the Spirit of | :32:13. | :32:21. | |
71 Stage. Noel Harrison will come and sing The Windmills of your Mind. | :32:21. | :32:24. | |
We have Jessie J from the other stage. We have got that from before. | :32:24. | :32:30. | |
Jessie was joined on stage. It is funny, someone's car alarm is going | :32:30. | :32:35. | |
off. I think somebody is stealing one of the courtesy 4x4s! | :32:35. | :32:41. | |
We are going to go now because it is getting grating, we are going to | :32:41. | :32:51. | |
:32:51. | :32:52. | ||
go to Anna Calvy and this is her playing on the John Peel Stage | :32:52. | :33:02. | |
:33:02. | :33:12. | ||
# Quick strike a flame cos the very # Quick strike a flame cos the very | :33:12. | :33:22. | |
:33:22. | :33:37. | ||
# Voices darkness is coming from # Should I fear you or should I just | :33:37. | :33:47. | |
:33:47. | :33:47. | ||
Apology for the loss of subtitles for 133 seconds | :33:47. | :34:32. | |
# Can't stand still but I feel you # But even this moment is running | :34:32. | :34:42. | |
:34:42. | :34:42. | ||
Apology for the loss of subtitles for 133 seconds | :34:42. | :36:42. | |
# What you are trying to tell me That happened today. Today. | :36:42. | :36:45. | |
It was today. It was today, yeah. | :36:45. | :36:51. | |
It was on the John Peel Stage. That was Anna Calvi who was | :36:51. | :36:57. | |
recommended to me a while ago by Brian Eno. | :36:57. | :37:02. | |
A couple of years ago, on the other stage, the biggest crowd I've ever | :37:02. | :37:07. | |
seen there was for Florence and the Machine, you couldn't get anywhere | :37:07. | :37:11. | |
near. I think there is an even bigger crowd for Jessie J this | :37:11. | :37:15. | |
afternoon. It is enormous. There is so many children here at the | :37:15. | :37:19. | |
festival and this was their chance to see some pop hero and she sits | :37:19. | :37:24. | |
as you will see on a throne because she has has broken her foot and she | :37:24. | :37:29. | |
has her face painted which is what so many people do when they come to | :37:29. | :37:37. | |
Glastonbury. It is like daubed on! Probably her make-up artist. | :37:37. | :37:41. | |
It just still can't take away the bounce and happiness. This is a | :37:41. | :37:46. | |
real moment of the festival so far. There is a lot of joy. | :37:46. | :37:50. | |
She looks like she is loving it. We are talking about it. You might as | :37:50. | :38:00. | |
:38:00. | :38:05. | ||
well enjoy it. This is Jess ji J. # Yeah, I forget about | :38:05. | :38:11. | |
# And in the heat of the moment my mouth starts going | :38:11. | :38:14. | |
# The words start flowing, ah | :38:14. | :38:16. | |
# But I never meant to hurt ya | :38:17. | :38:19. | |
# I know it's time that I learned to | :38:19. | :38:22. | |
# Treat the people I love like I wanna be loved | :38:22. | :38:26. | |
# This is a lesson learned | :38:26. | :38:29. | |
# And I hate that I let you down | :38:29. | :38:31. | |
# And I feel so bad about it | :38:31. | :38:34. | |
# I guess karma comes back around | :38:34. | :38:37. | |
# Cos now I'm the one that's hurting, yes | :38:37. | :38:40. | |
# And I hate that I made you think | :38:40. | :38:43. | |
# That the trust we had is broken | :38:43. | :38:46. | |
# So don't tell me you can't forgive me | :38:46. | :38:49. | |
# Cos nobody's perfect | :38:49. | :38:51. | |
# No, no | :38:51. | :38:53. | |
# No-no-no, no, no | :38:53. | :38:55. | |
# No-no-no, no, no | :38:55. | :38:58. | |
# No-no-no, no-no | :38:58. | :39:05. | |
# If I could turn back the hands of time | :39:05. | :39:07. | |
# I swear I never would have crossed that line | :39:07. | :39:09. | |
# I should have kept it between us | :39:09. | :39:11. | |
# But Jessie went and told the whole world how she's feeling, ah | :39:11. | :39:15. | |
# So I sit and I realise | :39:15. | :39:18. | |
# With these tears falling from my eyes | :39:18. | :39:21. | |
# I gotta change if I wanna keep you forever | :39:21. | :39:24. | |
# I promise that I'm gonna try | :39:24. | :39:27. | |
# But I never meant to hurt ya | :39:27. | :39:30. | |
# I know it's time that I learned to | :39:30. | :39:33. | |
# Treat the people I love like I wanna be loved | :39:33. | :39:37. | |
# This is a lesson I learned | :39:37. | :39:39. | |
# And I hate that I let you down | :39:39. | :39:42. | |
# And I feel so bad about it | :39:42. | :39:44. | |
# I guess karma comes back around | :39:44. | :39:47. | |
# Cos now I'm the one that's hurting, yes | :39:47. | :39:50. | |
# And I hate that I made you think | :39:50. | :39:53. | |
# That the trust we had is broken | :39:53. | :39:56. | |
# So don't tell me you can't forgive me | :39:56. | :39:59. | |
# Cos nobody's perfect No, no, no-no-no | :39:59. | :40:05. | |
# No, no-no-no, no | :40:05. | :40:09. | |
# No-no-no, no | :40:09. | :40:12. | |
# Nobody's perfect | :40:12. | :40:16. | |
# Whoa-oa-oa-oa, oh, oh | :40:16. | :40:19. | |
# Ooh-ooh-oooh ooh-ooh-oooh Ooh-ooh-oooh | :40:19. | :40:21. | |
# No, no-no | :40:21. | :40:26. | |
# I'm not a saint, no, no at all | :40:26. | :40:29. | |
# But what I did, that wasn't cool | :40:29. | :40:31. | |
# But I swear that I'll never do that again to you | :40:31. | :40:35. | |
# Hey, go! | :40:35. | :40:37. | |
# I'm not a saint, I'm not a saintNo, not at all, no, not at all | :40:37. | :40:39. | |
# What I did, what I didThat wasn't cool, that wasn't cool | :40:39. | :40:42. | |
# But I swear that I'll never do that again to you | :40:42. | :40:46. | |
# Hey-ey-ey | :40:46. | :40:50. | |
# And I hate that I let you down | :40:50. | :40:52. | |
# And I feel so bad about it | :40:52. | :40:55. | |
# I guess karma comes back around | :40:55. | :40:58. | |
# Cos now I'm the one that's hurting, yes | :40:58. | :41:01. | |
# And I hate that I made you think | :41:01. | :41:04. | |
# The trust we had is broken | :41:04. | :41:07. | |
# So don't tell me you can't forgive me | :41:07. | :41:11. | |
# Cos nobody's perfect, no... # | :41:11. | :41:14. | |
# And I hate that I let you down | :41:14. | :41:16. | |
# And I feel so bad about it | :41:16. | :41:19. | |
# I guess karma comes back around | :41:19. | :41:22. | |
# Cos now I'm the one that's hurting, yes | :41:22. | :41:25. | |
# And I hate that I made you think | :41:25. | :41:28. | |
# The trust we had is broken | :41:28. | :41:31. | |
# So don't tell me you can't forgive me | :41:31. | :41:35. | |
# Cos nobody's perfect, no... # | :41:35. | :41:45. | |
:41:45. | :41:46. | ||
# No-no-no-no | :41:46. | :41:54. | |
# No-no-no-no | :41:54. | :42:00. | |
# No-no-no-no | :42:00. | :42:10. | |
:42:10. | :42:10. | ||
Apology for the loss of subtitles for 133 seconds | :42:10. | :42:58. | |
Everybody give a big cheer and make What's your name? Shay. That's a | :42:58. | :43:07. | |
cool name. Jessie J featuring Shay. It wasn't even planned! | :43:07. | :43:17. | |
:43:17. | :43:17. | ||
You sing the money, money, the cha- ching. Guys, this is a big moment | :43:17. | :43:27. | |
:43:27. | :43:57. | ||
# That you can't even # It's not about the money, | :43:57. | :44:07. | |
:44:07. | :44:08. | ||
# We don't need your money, # Ain't about the cha-ching, | :44:09. | :44:18. | |
:44:19. | :44:43. | ||
# Can we all slow down # Guarantee we'll be feelin' | :44:43. | :44:53. | |
:44:53. | :44:54. | ||
# It's not about the money, # We don't need your money, | :44:54. | :45:04. | |
:45:04. | :45:14. | ||
# Ain't about the cha-ching, RAPS: Keep the price tag | :45:15. | :45:19. | |
You can keep the cars Leave it in the garage | :45:19. | :45:22. | |
Cos all I need are keys and guitars | :45:22. | :45:25. | |
In 30 seconds I'm leaving to Mars | :45:25. | :45:29. | |
It's like this, man You can't put a price on the life | :45:29. | :45:33. | |
We do this for the love So we fight and sacrifice | :45:33. | :45:36. | |
So we ain't gonna stop, no, never | :45:36. | :45:39. | |
Waiting to see A sign of defeat, uh-uh | :45:39. | :45:42. | |
So we gonna keep Everyone movin' they feet | :45:42. | :45:45. | |
So bring back the beat And everyone sayin'... | :45:45. | :45:47. | |
# It's not about the money, money, money | :45:47. | :45:49. | |
# We don't need your money, money, money | :45:49. | :45:52. | |
# We just wanna make the world dance | :45:52. | :45:54. | |
# Forget about the price tag | :45:54. | :45:57. | |
# Ain't about the cha-ching, cha-ching | :45:57. | :46:00. | |
# Ain't about the ba-bling, ba-bling | :46:00. | :46:03. | |
# Wanna make the world dance | :46:03. | :46:05. | |
# Forget about the price tag | :46:05. | :46:08. | |
# It's not about the money, money, money | :46:08. | :46:17. | |
# Ahhh Ahhh | :46:17. | :46:27. | |
:46:27. | :46:29. | ||
# La-la-la-la eh | :46:29. | :46:33. | |
# It's not about the money, money, money | :46:33. | :46:35. | |
# We don't need your money, money, money | :46:35. | :46:36. | |
# We just wanna make the world dance | :46:36. | :46:38. | |
# Forget about the price tag | :46:38. | :46:41. | |
# Ain't about the cha-ching, cha-ching. | :46:41. | :46:44. | |
# Ain't about the ba-bling, ba-bling | :46:44. | :46:47. | |
# Wanna make the world dance | :46:47. | :46:49. | |
# Forget about the price tag | :46:49. | :46:57. | |
# We don't need your money, money, money | :46:57. | :46:58. | |
# We just wanna make the world dance | :46:58. | :47:01. | |
# Forget about the price tag | :47:01. | :47:03. | |
# Ain't about the cha-ching, cha-ching. | :47:03. | :47:06. | |
# Ain't about the ba-bling, ba-bling | :47:06. | :47:09. | |
# Wanna make the world dance | :47:09. | :47:11. | |
# Forget about the price tag | :47:11. | :47:18. | |
# We don't need your money, money, money | :47:19. | :47:28. | |
# It's not about the money, money, money | :47:28. | :47:29. | |
# We don't need your money, money, money | :47:29. | :47:32. | |
# We just wanna make the world dance | :47:32. | :47:42. | |
:47:42. | :47:43. | ||
. | :47:43. | :47:45. | |
. # | :47:45. | :47:45. | |
. # I | :47:45. | :47:51. | |
. # I just want to make Shay dance # I just want to make Glastonbury | :47:51. | :47:54. | |
dance # I just want to make the world | :47:54. | :48:04. | |
:48:04. | :48:13. | ||
dance # Forget about the... # | :48:13. | :48:23. | |
:48:23. | :48:26. | ||
I don't want to get mud on you. Stand up. Take a bow. | :48:26. | :48:31. | |
Thank you! CHEERING AND APPLAUSE | :48:31. | :48:34. | |
Come on, you're smiling, aren't you? That was like a big smile all | :48:34. | :48:38. | |
around the site for that. Absolutely, I don't know who was | :48:38. | :48:41. | |
enjoying. She was good that little girl, genuinely plucked from the | :48:41. | :48:45. | |
audience. We thought she was suspiciously | :48:45. | :48:50. | |
good at first. She wasn't a plant. She was genuine. | :48:50. | :48:54. | |
The whole mood of the festival changed. | :48:54. | :48:59. | |
There is always a time when things turn around. There is one | :48:59. | :49:05. | |
performance when things feel different. People are saying, "I am | :49:05. | :49:11. | |
glad I am at home. It is grim." It was grim yesterday. The atmosphere | :49:11. | :49:14. | |
is changing and the sun has come out. Hopefully there will be more | :49:14. | :49:18. | |
talk about the performances and people can get to the outer reaches | :49:18. | :49:22. | |
and discover the stuff, the wonderful arts, the art | :49:22. | :49:25. | |
installations and the bits of popular culture going on in the | :49:25. | :49:29. | |
further reaches of the site. Some extraordinary things. So many | :49:29. | :49:34. | |
things. There was Jessie J getting that | :49:34. | :49:37. | |
girl up from the audience. There is a moment that people remember as | :49:37. | :49:41. | |
being the watershed and that was it this year. The kids as well, the | :49:41. | :49:44. | |
great thing about Glastonbury is they put so much effort into making | :49:44. | :49:49. | |
things like the kids field and the fields look beautiful and full of | :49:49. | :49:52. | |
interesting and quirky things and friendly people working there who | :49:52. | :49:55. | |
welcome the kids. I know this because I have got some of my kids | :49:56. | :50:00. | |
with me this year. You are only allowed in if you are | :50:00. | :50:06. | |
smiling into the Kids Field. The kids have a fantastic time and by | :50:06. | :50:10. | |
the Kids Field there is the Circus Field and you see extraordinary | :50:10. | :50:14. | |
things going on. It is a place my kids always want to go and spend | :50:14. | :50:19. | |
time at and learn juggling and tight roping. We have Gemma out | :50:19. | :50:24. | |
there who is doing exploring for news the Sir Kus Field. | :50:24. | :50:30. | |
Pah is what I say to hanging out backstage and trying to hang out | :50:30. | :50:34. | |
with the cool cats. I am here with the coolest cats of them all. | :50:34. | :50:41. | |
Behind the circus and Theatre Stage here with Ronnie from Wave. | :50:41. | :50:46. | |
Tell me all about rhythm wave? have been coming for 18 years and | :50:46. | :50:53. | |
we play on blazing saddles and students and staff from Perth | :50:53. | :50:58. | |
College, in Scotland. You are looking dapper. I am loving | :50:58. | :51:08. | |
:51:08. | :51:10. | ||
this. We play a song from Brazil. It is a | :51:10. | :51:18. | |
little tribute to someone. Tell me about these lovely ladies. | :51:18. | :51:24. | |
We are a dance group. I have been coming here since 1998. Loving | :51:24. | :51:29. | |
Glastonbury because I love the professionalism. They love the | :51:29. | :51:38. | |
dance and the energy, but they love comedy and they like the fun | :51:38. | :51:47. | |
factorment this year brought some. Everyone thinks of the headliners | :51:47. | :51:51. | |
and wellies and mud! But there is so much going on at Glastonbury. It | :51:51. | :51:58. | |
is beautiful. It is time to shake a leg, all right. Are we ready? | :51:58. | :52:05. | |
Rhythm Wave, are you ready? Roll the rith rhythm, Ronnie. Teach me a | :52:05. | :52:10. | |
bit of a dance. A bit of samba. But this should | :52:10. | :52:16. | |
work. We're going to start shaking. | :52:16. | :52:23. | |
I can do the shaking. Chill out. Go for it full on. | :52:23. | :52:33. | |
:52:33. | :52:57. | ||
This is where that one zum ba class That is Gemma out in the circus | :52:57. | :53:06. | |
Field. Did I tell you I did hoo la cooping. Within five seconds I got | :53:06. | :53:12. | |
T the key is not wiggling your hips, but thrusting gently backwards and | :53:12. | :53:17. | |
forwards. We will need props. We will need | :53:17. | :53:24. | |
cheesecloth and hoola hoops and our viewing figures will be enormous | :53:24. | :53:27. | |
for tonight's show. We can't fail. | :53:27. | :53:32. | |
Thank you, Gemma. That is one example of what goes on | :53:32. | :53:37. | |
in the Circus Field. There is another area which is the Spirit of | :53:37. | :53:40. | |
71 Stage. You know about this. | :53:40. | :53:45. | |
The first festival was 1970, but 71 was the first first Glastonbury. | :53:45. | :53:51. | |
This film explains this. After this we will have Noel Harrison who has | :53:51. | :53:55. | |
been sitting patiently worried that he was going to get his head | :53:55. | :54:05. | |
:54:05. | :54:09. | ||
knocked off by the crane camera. Here a little film all about the | :54:09. | :54:16. | |
You might think that Glastonbury is the one place where the 70s never | :54:16. | :54:21. | |
really ended. From their flowing skirts to the flower ins their hair, | :54:21. | :54:27. | |
the average festival goer seems to be can channelling a look between | :54:27. | :54:32. | |
Janice Joplin. What about the musician who rocked the first | :54:32. | :54:37. | |
Pyramid Stage in the 70s? Here we are at the spirit Staimg. -- Spirit | :54:37. | :54:40. | |
of 71 Stage. Lots of people who played there in 71 are coming back | :54:40. | :54:50. | |
:54:50. | :54:52. | ||
here this year. We have Linda Lewis, Terry Reid, Nick Lowe, Mick Faron. | :54:52. | :54:57. | |
My Super Lammy and this guy is Andrew Kerr who was the organiser | :54:57. | :55:02. | |
of the first festival in 1971. Andrew re-branded the Pilton pop | :55:03. | :55:10. | |
festival of 1970 as the now legendary Glastonbury. What's the | :55:10. | :55:15. | |
71 Stage all about? Well, it is celebrating 40 years of the first | :55:15. | :55:20. | |
Glastonbury. I said, "Look, I want to put on a festival which is free | :55:20. | :55:23. | |
and the bands are going to play for nothing and it is going to be | :55:23. | :55:27. | |
really lovely." It was a beautiful, beautiful baking day. Most people | :55:27. | :55:31. | |
had got their shirts off and some people had their clothes off even. | :55:31. | :55:36. | |
But I don't think we realised what it was, but it was a beginning. | :55:36. | :55:40. | |
It was a very magical night. We believed something incredible was | :55:40. | :55:45. | |
going to happen and it did really. Here I am. | :55:45. | :55:53. | |
REPORTER: There are -- are there any echoes of 71 or has the | :55:53. | :55:57. | |
atmosphere and look changed? course it it changed. We didn't | :55:57. | :56:00. | |
have any money so we didn't have gates or security. | :56:00. | :56:04. | |
Did you have any people who came? I don't suppose you really knew? | :56:04. | :56:09. | |
police told me it was 15,000. It was Big big right from the | :56:09. | :56:13. | |
beginning? There wasn't really proper playing times or anything. I | :56:13. | :56:17. | |
don't remember much. I remember the actual performance itself. I | :56:17. | :56:22. | |
remember that going on and on as we used to in those days. It seemed | :56:22. | :56:24. | |
massive at the time. What are the memories that stayed | :56:24. | :56:30. | |
with you from 71? There is Melanie. Ah, she makes me cry. | :56:30. | :56:40. | |
:56:40. | :56:42. | ||
Does she? I knew him immediately. He looked | :56:42. | :56:52. | |
# There is a chance peace will come in your life | :56:52. | :57:01. | |
# There is a chance peace will come You walk into a crowd and you see | :57:01. | :57:09. | |
somebody, "What who I wanted to see." It is magic. | :57:09. | :57:14. | |
# Six white horses carry me # Some of us are still alive and | :57:14. | :57:18. | |
kicking. It wouldn't be right really to kick us out, you know, | :57:18. | :57:23. | |
entirely. We did start it. You judge a society by how you treat | :57:23. | :57:26. | |
the old people and the young people as far as I'm concerned and the | :57:26. | :57:36. | |
fact that they will let me, that is It does feel extraordinarily right | :57:36. | :57:40. | |
that this stage and the whole celebration of the history of | :57:40. | :57:44. | |
Glastonbury is happening here this year. It feels great. What a nice | :57:44. | :57:48. | |
guy. A lovely fella, yeah. He has a nice | :57:48. | :57:54. | |
book out as well which is worth a look. It is great. It just shows | :57:54. | :57:56. | |
you there are different Glastonburies. | :57:56. | :58:05. | |
We have had U2 and yesesyJ -- Jessie J. We have more acoustic | :58:05. | :58:07. | |
performances. Ed Sheeran will be playing next. | :58:07. | :58:11. | |
I went to the Spirit of 71 and the first thing I saw live here was | :58:11. | :58:17. | |
agoing legend and former Olympic skier, he lived in Canada in a | :58:17. | :58:24. | |
house he built for years, but he is back here to give us a performance | :58:24. | :58:34. | |
:58:34. | :58:40. | ||
of a classic, Noel Harrison, # Like a snowball down a mountain | :58:40. | :58:48. | |
# Like a clock whose hands are sweeping | :58:48. | :58:50. | |
# Past the minutes of its face | :58:50. | :58:52. | |
# And the world is like an apple Rolling silently in space | :58:52. | :58:57. | |
# Like the circles that you find In the windmills of your mind | :58:57. | :59:03. | |
# Like a tunnel that you follow To a tunnel of its own | :59:03. | :59:06. | |
# Down a hollow to a cavern Where the sun has never shone | :59:06. | :59:11. | |
# Like a door that keeps revolving In a half-forgotten dream | :59:11. | :59:15. | |
# All the ripples from a pebble Someone tosses in a stream | :59:15. | :59:20. | |
# Like a clock whose hands are sweeping | :59:20. | :59:22. | |
# Past the minutes of its face | :59:22. | :59:24. | |
# And the world is like an apple Rolling silently in space | :59:24. | :59:29. | |
# Like the circles that you find In the windmills of your mind | :59:29. | :59:35. | |
# Keys that jingle in your pocket Words that jangle in your head | :59:35. | :59:38. | |
# Why did summer go so quickly? Was it something that you said? | :59:38. | :59:42. | |
# Lovers walk along the shore Leave their footprints in the sand | :59:42. | :59:47. | |
# Is the sound of distant drumming Just the fingers of your hand? | :59:47. | :59:52. | |
# Pictures hanging in a hallway Or the fragment of this song | :59:52. | :59:56. | |
# Half-remembered names and faces But to whom do they belong? | :59:56. | :00:01. | |
# When you knew that it was over You were suddenly aware | :00:01. | :00:06. | |
# That the autumn leaves were turning | :00:06. | :00:11. | |
# To the colour of his hair? | :00:11. | :00:15. | |
# Like a circle in a spiral Like a wheel within a wheel | :00:15. | :00:19. | |
# Never ending or beginning On an ever-spinning reel | :00:19. | :00:23. | |
# As the images unwind Like the circles that you find | :00:23. | :00:27. | |
# In the windmills of your mind | :00:27. | :00:37. | |
:00:37. | :00:54. | ||
. | :00:54. | :00:59. | |
. That | :00:59. | :01:00. | |
. That felt | :01:00. | :01:03. | |
. That felt like a real honour and privilege to have you do that and | :01:03. | :01:11. | |
to have you sing. Thank you very much. | :01:11. | :01:16. | |
Noel Harrison, Windmills of your Mind. | :01:16. | :01:22. | |
Are you having a good day? It has been fine. | :01:22. | :01:29. | |
Jessie J, sunny and smiles. It is like she owned the day. | :01:29. | :01:35. | |
But Tinie Tempah is taking the stage. | :01:35. | :01:39. | |
You are saying goodbye. I think I am saying goodbye until | :01:39. | :01:44. | |
tonight. It has been a pleasure. See you later with the cheesecloth | :01:44. | :01:52. | |
and the, the hoola hoop. One of the of the bands I got to | :01:52. | :01:57. | |
see on the Pyramid Stage was gas light anthem on a Saturday when | :01:57. | :02:01. | |
everybody gets to Glastonbury on a Friday and pushes it out too late | :02:01. | :02:05. | |
on the Friday, everyone is mellow first thing Saturday morning. | :02:05. | :02:10. | |
And they suited it perfectly? know how they feel. Let's watch | :02:10. | :02:20. | |
:02:20. | :02:41. | ||
# I wonder which song they're going to play when we go | :02:42. | :02:51. | |
:02:52. | :03:07. | ||
# I hope it is something quiet and peaceful | :03:07. | :03:13. | |
# Did you hear the 59 sound coming through on my grandma's radio? | :03:13. | :03:18. | |
# Did you hear the rattling chains in the hospital walls? | :03:18. | :03:24. | |
# Did you hear the old gospel choir when they came to carry you over? | :03:24. | :03:29. | |
# Did you hear your favourite song one last time? High pressure # And | :03:29. | :03:33. | |
I wonder were you scared when the metal hit the glass | :03:33. | :03:36. | |
# See I was playing a showdown the road | :03:36. | :03:44. | |
# When your spirit left your body # And they told me on the front | :03:44. | :03:46. | |
lawn # I'm sorry I couldn't go | :03:46. | :03:51. | |
# But I still know the song and the words and her name and the reasons | :03:51. | :03:57. | |
# And I know because we were kids and we used to hang | :03:57. | :04:04. | |
# Did you hear the 59 sound coming through on grandma's radio | :04:04. | :04:13. | |
# Did you hear the rattling chains # Or did you hear the old gospel | :04:13. | :04:16. | |
choir when they came to carry you over | :04:16. | :04:20. | |
# Did you hear your favourite song one last time | :04:20. | :04:30. | |
:04:30. | :04:34. | ||
# Young boys, young girls, ain't supposed to die on a Saturday night | :04:34. | :04:37. | |
# Ain't supposed to die on a Saturday night | :04:37. | :04:43. | |
# Ain't supposed to die on a Saturday night | :04:43. | :04:50. | |
# # Did you hear the 59 sound coming through on grandma's radio? | :04:50. | :04:53. | |
# Did you hear the rattling chains in the hospital walls | :04:53. | :04:59. | |
# Did you hear the old gospel choir when they came to carry you over | :04:59. | :05:09. | |
:05:09. | :05:13. | ||
# Did you hear your favourite song one last time | :05:13. | :05:23. | |
:05:23. | :05:33. | ||
# Young boys, young girls # The gas light anthem returned to | :05:33. | :05:42. | |
Glastonbury after a life changing experience when the lead singer got | :05:42. | :05:52. | |
:05:52. | :05:52. | ||
to sing with Bruce Springsteen. This will be brilliant as well. | :05:52. | :05:55. | |
This guy is probably playing more than anybody else who is here at | :05:55. | :06:00. | |
Glastonbury. How many shows? Five. | :06:00. | :06:06. | |
And three more to go. I am going to get some suntan lotion. You are | :06:06. | :06:15. | |
going to love this. This is Ed # White lips, pale face | :06:16. | :06:25. | |
:06:26. | :06:29. | ||
# Burnt lungs, sour taste # Long nights, strange men | :06:29. | :06:39. | |
:06:39. | :06:40. | ||
# Been this way since 18 But lately her face seems | :06:40. | :06:45. | |
# Slowly sinking, wasting Crumbling like pastries | :06:45. | :06:50. | |
# And they scream | :06:50. | :06:53. | |
The worst things in life come free to us | :06:53. | :06:55. | |
# Cos we're just under the upperhand | :06:55. | :06:57. | |
# And go mad for a couple of grams | :06:57. | :06:59. | |
# And she don't want to go outside tonight | :06:59. | :07:04. | |
# And in a pipe she flies to the Motherland | :07:04. | :07:06. | |
# Or sells love to another man | :07:06. | :07:09. | |
# It's too cold outside For angels to fly | :07:09. | :07:18. | |
# Angels to fly | :07:18. | :07:25. | |
# Ripped gloves, raincoat Tried to swim and stay afloat | :07:25. | :07:29. | |
# Dry house, wet clothes Loose change, bank notes | :07:30. | :07:37. | |
# Weary-eyed, dry throat Call girl, no phone | :07:37. | :07:44. | |
# And they say | :07:44. | :07:45. | |
# She's in the Class A Team Stuck in her daydream | :07:45. | :07:50. | |
# Been this way since 18 But lately her face seems | :07:50. | :07:55. | |
# Slowly sinking, wasting Crumbling like pastries | :07:55. | :08:00. | |
# And they scream | :08:00. | :08:01. | |
# The worst things in life come free to us | :08:01. | :08:04. | |
# Cos we're just under the upperhand | :08:04. | :08:06. | |
# And go mad for a couple of grams | :08:06. | :08:08. | |
# But she don't want to go outside tonight | :08:08. | :08:13. | |
# And in a pipe she flies to the Motherland | :08:13. | :08:15. | |
# Or sells love to another man | :08:15. | :08:18. | |
# It's too cold outside | :08:18. | :08:22. | |
# For angels to fly | :08:22. | :08:25. | |
# Angels to fly | :08:25. | :08:27. | |
# An angel will die | :08:27. | :08:29. | |
# Covered in white | :08:29. | :08:31. | |
# Closed eye | :08:31. | :08:32. | |
# And hoping for a better life | :08:32. | :08:34. | |
# This time, we'll fade out tonight | :08:34. | :08:37. | |
# Straight down the line | :08:37. | :08:42. | |
# And they say | :08:42. | :08:49. | |
# She's in the Class A Team Stuck in her daydream | :08:49. | :08:54. | |
# Been this way since 18 But lately her face seems | :08:54. | :08:59. | |
# Slowly sinking, wasting Crumbling like pastries | :08:59. | :09:05. | |
# They scream | :09:05. | :09:06. | |
# The worst things in life come free to us | :09:06. | :09:09. | |
# And we're all under the upperhand | :09:09. | :09:11. | |
# Go mad for a couple of grams | :09:11. | :09:14. | |
# And we don't want to go outside tonight | :09:14. | :09:19. | |
# And in a pipe we fly to the Motherland | :09:19. | :09:21. | |
# Or sell love to another man | :09:22. | :09:24. | |
# It's too cold | :09:24. | :09:27. | |
# For angels to fly | :09:27. | :09:33. | |
# Angels to fly | :09:33. | :09:40. | |
# To fly, fly | :09:40. | :09:44. | |
# Angels to fly, to fly, to fly | :09:44. | :09:49. | |
# Angels to die | :09:49. | :09:59. | |
:09:59. | :10:03. | ||
Fantastic, | :10:03. | :10:03. | |
Fantastic, Ed, | :10:03. | :10:05. | |
Fantastic, Ed, thank | :10:05. | :10:09. | |
Fantastic, Ed, thank you so much. That will be on YouTube quicker | :10:09. | :10:15. | |
than you can say anything. It was more like a game show, | :10:15. | :10:18. | |
wasn't it. He carried on regardless. | :10:18. | :10:23. | |
The new album is coming out in September, is that right? Yes. | :10:24. | :10:27. | |
The party begins tonight. Something like that. We will have another | :10:27. | :10:37. | |
:10:37. | :11:14. | ||
# Fate, with a single blow # Has clues clustered by me now | :11:14. | :11:21. | |
# True, I had my chance H true, true, true I had those wild | :11:21. | :11:30. | |
charms for you # Oh, oh, oh | :11:30. | :11:40. | |
:11:40. | :11:48. | ||
# My fire burned them out # But we will not be moved by it | :11:48. | :11:58. | |
:11:58. | :12:07. | ||
# Your mind would never ache, # When you were young and sound | :12:07. | :12:17. | |
:12:17. | :12:27. | ||
# The way your heartaches now # You feel you sent them on to | :12:27. | :12:36. | |
ground # Love, love, love til you got | :12:36. | :12:46. | |
:12:46. | :12:46. | ||
enough # Dance, dance, dance until there's | :12:47. | :12:56. | |
none left to hound you # We will not be moved by it | :12:56. | :13:06. | |
:13:06. | :13:44. | ||
# Oh, oh, oh, oh # Love, love, love til you got | :13:44. | :13:51. | |
enough # Dance, dance, dance until you got | :13:51. | :13:54. | |
none around you # Love, love, love til you got | :13:54. | :14:00. | |
enough # Dance, dance, dance til there's | :14:00. | :14:10. | |
:14:10. | :14:13. | ||
no one left to hound you # We, we will not be moved by it | :14:13. | :14:23. | |
:14:23. | :14:23. | ||
Apology for the loss of subtitles for 133 seconds | :14:23. | :15:24. | |
Well, that was The Kills. They have played on your show? We have done a | :15:24. | :15:29. | |
few sessions. It is very authentic and very real and they brought it | :15:29. | :15:33. | |
to the other stage and made everybody sink a little deeper into | :15:33. | :15:37. | |
the mud. Which is always a good thing. Who else have you seen | :15:37. | :15:42. | |
today? I saw Gaslight Anthem. The path between stage to stage which | :15:42. | :15:46. | |
we have to use because we are on call, it is the quickest route, it | :15:46. | :15:49. | |
was bogged down. Most of my watching and viewing will happen | :15:49. | :15:54. | |
after this show so hurry up! What's the plan? No idea, make it | :15:54. | :16:03. | |
up as I go along. The Horrors on the John Peel Stage. | :16:03. | :16:10. | |
Speaking of John, John is someone we miss greatly. There is a stage | :16:10. | :16:16. | |
that is named after John and dedicated to John and rightly so. | :16:16. | :16:20. | |
There was talk about what an amazing honour it is to play on the | :16:21. | :16:27. | |
John Peel Stage. One of those bands is Warpaint. We are going to check | :16:27. | :16:32. | |
out their performance. Watch out are the drummer apparently she is | :16:32. | :16:42. | |
:16:42. | :16:42. | ||
Apology for the loss of subtitles for 133 seconds | :16:42. | :18:29. | |
an absolute beast. And your full moon taunts me | :18:29. | :18:33. | |
# And your thoughts they got me # Got me in | :18:33. | :18:43. | |
:18:43. | :18:56. | ||
# And all the time it took you to get yourself self straight | :18:56. | :19:03. | |
# And all that time it took you to get yourself straight | :19:03. | :19:07. | |
# All that time it took you to get yourself straight | :19:07. | :19:10. | |
# Was too late # So work harder for the things you | :19:10. | :19:20. | |
:19:20. | :19:20. | ||
Apology for the loss of subtitles for 133 seconds | :19:20. | :20:03. | |
# All that time it took you to get yourself straight | :20:03. | :20:07. | |
# Was too late # All that time it took you to get | :20:07. | :20:13. | |
yourself straight was too late # So work harder for the things you | :20:14. | :20:23. | |
:20:24. | :20:24. | ||
Apology for the loss of subtitles for 133 seconds | :20:24. | :21:11. | |
CHEERING AND APPLAUSE Playing on the John Peel Stage. | :21:11. | :21:17. | |
With John, the area where we are, it is our fairytale garden. It is | :21:17. | :21:20. | |
really beautiful and I have got memories of John sitting on his own, | :21:20. | :21:26. | |
drinking a cup of tea or something like that. Can you remember how he | :21:26. | :21:31. | |
piggy backed you through the mud. That is when the rain was | :21:31. | :21:35. | |
horrendous and the rain was lashing down and we did this link and it | :21:35. | :21:39. | |
was 2am and we had to go off into the distance and John went, "Do you | :21:39. | :21:45. | |
want to get on my back?" I jumped on to his back and we did this last | :21:45. | :21:52. | |
link of us walking into the distance with me being piggy backed | :21:52. | :22:00. | |
in the background. Have any of us piggy backed you since? Are you | :22:00. | :22:10. | |
:22:10. | :22:10. | ||
offering? No. Civilry is dead. We will be back at 9.45pm with | :22:10. | :22:16. | |
Coldplay live. This is a really big deal. Coldplay have played here a | :22:16. | :22:20. | |
few times and this is the one where they want to raise their game. They | :22:20. | :22:24. | |
want everyone to walk away remembering this performance by | :22:24. | :22:29. | |
Coldplay. That was high praise. | :22:29. | :22:36. | |
We have Elbow joining us at 7pm on BBC Three. Jessie J and Tinie | :22:36. | :22:41. | |
Tempah will be guests. Speaking of Tinie Tempah, he was talking about | :22:41. | :22:45. | |
his new album and it is due out this year. There is a new single | :22:45. | :22:54. | |
that he will play a highlight today. This is all all facts for the fans | :22:54. | :23:04. | |
:23:04. | :23:09. | ||
and Wel Williams has been producing with him. Tinie has been touring | :23:09. | :23:12. | |
across America. He is going festival to festival. | :23:12. | :23:17. | |
We heard the roar here when he came on stage. The huge roar when he | :23:17. | :23:23. | |
came on the Pyramid Stage and you can see that on BBC Three at 7pm | :23:23. | :23:29. | |
with Jessie J and we showed you the highlights of Jessie J earlier. | :23:29. | :23:36. | |
Tinie looking ridiculously smart. He hadn't encountered any mud. | :23:36. | :23:43. | |
They steam the mud off. Crocodile skin. | :23:43. | :23:53. | |
:23:53. | :23:53. | ||
Apology for the loss of subtitles for 133 seconds | :23:53. | :25:52. | |
This is Tinie Tempah on the Pyramid Want to be famous | :25:52. | :26:02. | |
:26:02. | :26:10. |