Rumer Glastonbury


Rumer

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. It is like a post epobg liptic town.

:00:31.:00:39.

Glastonbury has its own vibe. The audience is more intelligent.

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Ingenious. The best festival in the world.

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Welcome to Glastonbury. We brave the mud so you don't have to. You

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can sit at home and we will bring you as much as what is going on.

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I'm Jo Whiley and this is Mark Radcliffe. I was up here for a long

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time. I think I was being kept out of the way way! It is glorious

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today. The only thing is the mud is here to stay for the weekend.

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know. Every year we talk about the

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different textures of mud! Yesterday, you can get through it.

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Today, it is drying up because the sun has come out which makes it

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worse because your boots get stuck in the mud and we were saying the

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distance it takes you an hour to get from one point to another, it

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has taken four hours this time. It is problematic.

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Yeah, you have got a choice of sticking to the road ways, but they

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are heavily populated, but if you go off piste, you are knee-deep in

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mud. My nine-year-old Rose has been in smaller wellies and every time

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she twists to look at something and there is something to see, she

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falls on her face. I blame her mother for putting her in a height

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cardigan, but what -- white cardigan, but what can you do?

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have live performances. Guy Garvey is coming to have a chat.

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We have a film from the Spirit of 71 Stage. It is 40 years since the

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first Glastonbury and some of the artists who appeared at that

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festival are coming back to re- create the golden age of

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Glastonbury. Someone who has been appearing there is Noel Harrison.

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I can't wait for this. This will happen later on.

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He is going to do an acoustic. Now some mellow afternoon sunny

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sounds on the Pyramid Stage. It is... Rumour.

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Hello Glastonbury. I'm Rumour. This is my song Am I

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# I lost my heart # I sat on my window and looked out

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and watched the rain wash down # The street

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# Like the birds that fly over # Rising up through the trees

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Apology for the loss of subtitles for 133 seconds

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# I was running out of cafe conversation

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# I was weary of fashion parades # It seems there is a hole lot of

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people from out of town around here these days

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# And in the streets the the preachers say if you want to go to

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heaven why don't you walk this way # All day I prayed for five o'clock

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# I'm thinking maybe I should quit this job

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# And as the lights turn on the corner, I see your face face face

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# And I light up like a child # Because you are the one who makes

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me see # You are my saving grace

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# You make me want to make me want to become better

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# Cause when you you walked in # You truly changed my world

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# When you take my hand # You make me strong

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# And when I'm weary, I don't have to explain

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# When I crawl the stairs, you let me rest

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# I never thought I'd ever see the sun again

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# Bitterness was beating down my door

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# Now I'm picking up the telephone, I read your name

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# And I light up like a child # Because you are the one who makes

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me see # You are my saving grace

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# You make me want to become, become better

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# Because when you walked in, you truly changed my world

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# When you take my hand, you make me strong

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# And when you want me, I'll be there, you know

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# I will # Just take my hand and I'll make

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Thank you. # You make me

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Apology for the loss of subtitles for 133 seconds

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# You make me want to tell # Killing time is easy

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2# "Slow" # In your arms

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# "Slow" # You make me want to sing about

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Apology for the loss of subtitles for 133 seconds

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# You make me want to tell Thank you.

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There you go, that was Rumour live on the Pyramid Stage. That kind of

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worked in a dreamy afternoon sort of way in the sun.

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Had she done that yesterday when it was pouring with rain, it would

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have been a different thing. The sun is coming out and there is a

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quieter feeling. We were watching Jessie J. So many children come to

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Glastonbury and it is nice on a Saturday afternoon they have Tinie

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Tempah and that is what is going on at the moment.

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Rumour, I had the urge to waft in the breeze and interpret the music

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through the medium of mime. But you are doing it now minus the

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cheesecloth. Do you want to stop? I would stop if I was you.

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Many artists are still lurking around, Bono is still here. They

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are not playing. No surprise guests or anything, but people here

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enjoying what they are doing and enjoying the festival. Here is

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# You're never running from this # You'll never get anything better

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# 'Cause you're going round in # And now you giving me the look

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# But just remember how we shook # This town is the oldest

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# We're always running round # We'd never make anything better

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# And everybody thinks # And now we're giving you

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# This town is the oldest # This town is the oldest

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Apology for the loss of subtitles for 133 seconds

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That's Metronomy from Devon. We have been playing a lot of them on

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6 Music. They have been sound checking for the past two hours so

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everyone walking around has got that little bit in their head. We

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will be joined by Guy Garvey. They arrived yesterday so they have been

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going to all the different far flung corners of the site.

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I bet he is he is feeling smug. Larry from U2 said, "I'm so sad it

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was raining.". I know, but I loved that honest. You would be really

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disappointed, wouldn't you. He was complaining that the audience were

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so far away. Playing the drums you are always going to be at back.

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Guy and Elbow will be seeing the weather will be thinking, "We are

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blessed.". We have Ed Sheeran and Noel Harrison. Now to someone

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exploring every corner and taking us there. This is Greg James.

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Loads of stuff going on here and I've just spotted a circus tent. I

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can't help, but notice you are spinning plates. Please, can you

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teach me? Spin it around like drawing a a circle in the sky.

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Draw a circle in the sky. Oh, worst. Stop.

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Sugar. Slow finger and whisk it like an

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egg and then stop like that. Yeah! Look at that.

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I think we're done here. Are you OK? Ribbet.

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I see you have got your umbrella up. Rib bet.

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I thought frogs were water proof. I have never seen a frog with a

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handbag. Please don't be a real frog. Just some fags and an

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inhaler! Get back.

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I'm approaching. I'm approaching. Go young man. Go.

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Thank you. Thanks a lot.

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What's your name, mate? It's Greg. Let's have some music, lads. Let's

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have track five and see what that is like. I have no idea.

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Get your knees up, man. That's the spirit.

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Get it working, yeah. Try and get that working.

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Hello Glastonbury. If you are going to have a party,

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you want to clear up before you You see, I love this. I could stay

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here all day happily. You see, if it starts raining like

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it is at the moment, find a tent and just sit here. Sit it out.

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An amazing little stall. This is a ubg a a ukele stall.

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# All the things you do # Because they are all yellow #

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Thank you very much. See ya! How are you? Not bad. A bit up and

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down to tell you the truth. How are you going, mate? Really good. How

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high can you jump? How long is a piece of string.

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Come on, come on, for the BBC. It has been a busy day so far. We

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have seen so much, but only scratched the surface. Behind me,

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we have the stone circle and the healing fields to do. Tonight is

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the big one, we are going to do Glastonbury at night. It's going to

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I have seen Greg a lot around the site. He is looking the most

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exhausted man. He is doing a lot of travelling, a lot of going around

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and he looked tired. He through some water at our car, waving.

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I thought he looked dapper when I saw him. By way of contrast. How

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are you mate? I'm very well. . Guy Garvey of Elbow. U2 were on

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and Larry was diace pointed -- disappointed it was raining.

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We have done a few festivals and this has happened the other way

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around. We made it rain in Havana in July and all sorts. The sunshine

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seems to be following us now. have lovely rosy tinted cheeks.

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I imagine last night's whisky has something to do with it.

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Do you feel remotely competitive? When you come to this, do you feel

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you have got anything to prove? Is there any sense of, "We have got

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anything to prove." U2 felt like they had something to prove. You

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have nothing to prove, but do you feel we have got to make it a good

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one? I have said it before, all gigs are a rehearsal for this one.

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It is the biggest one. You don't feel competitive with the other

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bands. You want to do the best that you can do for Glastonbury and in

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terms of that, we have been choosing the set really carefully,

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but no, it is just so much fun, isn't it? How have you changed the

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set? Are there any surprises or big moments that you are building up

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to? Not really. We were going to do a stunt. We were thinking of

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various stunts. What were the the options? We could

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get Richard up. I don't know what else we were going to do. Do you

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remember the Destiny's Child we did a few years ago? Yes.

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We were thinking of doing that. We just decided to play our favourite

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songs of the moment. You are this far in now, you have

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got, I mean, you know, I hesitate to call it a greatest hits set. You

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have got enough big songs to fill a slot in length.

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It mets the set list argument more intense because we have got more

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songs to koos from. The -- choose from. The hour long set list we

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have is more intense these days. Can you remember the first time you

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played at at Glastonbury? I can't remember what stage it was. It was

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in the early afternoon. The sun came out when you played. I

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remembered that day. Do you remember the first time that

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Guy played at Glastonbury? remember seeing Guy and thinking

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this music really works wide screen. I think we had that conversation.

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It seemed to spread the joy and sun around the ar Nina.

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-- arena. We didn't know if it was going to

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work and we didn't know if we could hold a big crowd like that. 80,000

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of them there should be tonight if not more.

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Is there a moment in particular that you enjoy from your sets?

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we are playing Weather To Fly which is poignant because it is 20 years

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of the band so we are calling it our anniversary today. None of us

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can remember what day in June we were formed. It is the only song

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that we have got that is about being kids together. So I'm looking

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forward to that tonne. It has been a good journey, hasn't

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it? Yes. And you are straight off somewhere

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else? Yes, Luxembourg. Coldplay, you have been playing

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with them recently, are you looking forward to them top? Us and them

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works. We have done it hundreds of times. They are putting on an maize

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maize -- an amazing show. Last night's headline act was U2, did

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you see that? If you didn't manage to see U2 like

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Guy for whatever reason this is your chance. This is how they

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Apology for the loss of subtitles for 133 seconds

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# Give me two more chances # Well, my heart is where

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# Give me one more chance # Give me one last chance

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# You're honey child to a swarm of bees

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# Gonna blow right through you like a breeze

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# Give me one last dance

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# We'll slide down the surface of things

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# You're the real thing

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# You're the real thing, yeah

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# You're the real thing

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# Even better than the real thing

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# Child

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Glastonbury,

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Glastonbury, where

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Glastonbury, where are

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Glastonbury, where are you going to take us

:31:00.:31:10.
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Where are you going to take us # You take me higher

:31:14.:31:24.
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That is how they kicked off last night in the rain. U2 at

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Glastonbury 2011. Look at us basking in the garden. Pm. Jacket

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off, wellies still on for obvious reasons. I love the shots of Bono

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in his glasses. He needs windscreen wipers to clear the vision.

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If you build a walkway out into the audience, that's the chance you

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take if it rains. We have still got things to come from the Spirit of

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71 Stage. Noel Harrison will come and sing The Windmills of your Mind.

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We have Jessie J from the other stage. We have got that from before.

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Jessie was joined on stage. It is funny, someone's car alarm is going

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off. I think somebody is stealing one of the courtesy 4x4s!

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We are going to go now because it is getting grating, we are going to

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go to Anna Calvy and this is her playing on the John Peel Stage

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# Quick strike a flame cos the very # Quick strike a flame cos the very

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# Voices darkness is coming from # Should I fear you or should I just

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Apology for the loss of subtitles for 133 seconds

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# Can't stand still but I feel you # But even this moment is running

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Apology for the loss of subtitles for 133 seconds

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# What you are trying to tell me That happened today. Today.

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It was today. It was today, yeah.

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It was on the John Peel Stage. That was Anna Calvi who was

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recommended to me a while ago by Brian Eno.

:36:57.:37:02.

A couple of years ago, on the other stage, the biggest crowd I've ever

:37:02.:37:07.

seen there was for Florence and the Machine, you couldn't get anywhere

:37:07.:37:11.

near. I think there is an even bigger crowd for Jessie J this

:37:11.:37:15.

afternoon. It is enormous. There is so many children here at the

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festival and this was their chance to see some pop hero and she sits

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as you will see on a throne because she has has broken her foot and she

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has her face painted which is what so many people do when they come to

:37:29.:37:37.

Glastonbury. It is like daubed on! Probably her make-up artist.

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It just still can't take away the bounce and happiness. This is a

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real moment of the festival so far. There is a lot of joy.

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She looks like she is loving it. We are talking about it. You might as

:37:50.:38:00.
:38:00.:38:05.

well enjoy it. This is Jess ji J. # Yeah, I forget about

:38:05.:38:11.

# And in the heat of the moment my mouth starts going

:38:11.:38:14.

# The words start flowing, ah

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# But I never meant to hurt ya

:38:17.:38:19.

# I know it's time that I learned to

:38:19.:38:22.

# Treat the people I love like I wanna be loved

:38:22.:38:26.

# This is a lesson learned

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# And I hate that I let you down

:38:29.:38:31.

# And I feel so bad about it

:38:31.:38:34.

# I guess karma comes back around

:38:34.:38:37.

# Cos now I'm the one that's hurting, yes

:38:37.:38:40.

# And I hate that I made you think

:38:40.:38:43.

# That the trust we had is broken

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# So don't tell me you can't forgive me

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# Cos nobody's perfect

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# No, no

:38:51.:38:53.

# No-no-no, no, no

:38:53.:38:55.

# No-no-no, no, no

:38:55.:38:58.

# No-no-no, no-no

:38:58.:39:05.

# If I could turn back the hands of time

:39:05.:39:07.

# I swear I never would have crossed that line

:39:07.:39:09.

# I should have kept it between us

:39:09.:39:11.

# But Jessie went and told the whole world how she's feeling, ah

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# So I sit and I realise

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# With these tears falling from my eyes

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# I gotta change if I wanna keep you forever

:39:21.:39:24.

# I promise that I'm gonna try

:39:24.:39:27.

# But I never meant to hurt ya

:39:27.:39:30.

# I know it's time that I learned to

:39:30.:39:33.

# Treat the people I love like I wanna be loved

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# This is a lesson I learned

:39:37.:39:39.

# And I hate that I let you down

:39:39.:39:42.

# And I feel so bad about it

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# I guess karma comes back around

:39:44.:39:47.

# Cos now I'm the one that's hurting, yes

:39:47.:39:50.

# And I hate that I made you think

:39:50.:39:53.

# That the trust we had is broken

:39:53.:39:56.

# So don't tell me you can't forgive me

:39:56.:39:59.

# Cos nobody's perfect No, no, no-no-no

:39:59.:40:05.

# No, no-no-no, no

:40:05.:40:09.

# No-no-no, no

:40:09.:40:12.

# Nobody's perfect

:40:12.:40:16.

# Whoa-oa-oa-oa, oh, oh

:40:16.:40:19.

# Ooh-ooh-oooh ooh-ooh-oooh Ooh-ooh-oooh

:40:19.:40:21.

# No, no-no

:40:21.:40:26.

# I'm not a saint, no, no at all

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# But what I did, that wasn't cool

:40:29.:40:31.

# But I swear that I'll never do that again to you

:40:31.:40:35.

# Hey, go!

:40:35.:40:37.

# I'm not a saint, I'm not a saintNo, not at all, no, not at all

:40:37.:40:39.

# What I did, what I didThat wasn't cool, that wasn't cool

:40:39.:40:42.

# But I swear that I'll never do that again to you

:40:42.:40:46.

# Hey-ey-ey

:40:46.:40:50.

# And I hate that I let you down

:40:50.:40:52.

# And I feel so bad about it

:40:52.:40:55.

# I guess karma comes back around

:40:55.:40:58.

# Cos now I'm the one that's hurting, yes

:40:58.:41:01.

# And I hate that I made you think

:41:01.:41:04.

# The trust we had is broken

:41:04.:41:07.

# So don't tell me you can't forgive me

:41:07.:41:11.

# Cos nobody's perfect, no... #

:41:11.:41:14.

# And I hate that I let you down

:41:14.:41:16.

# And I feel so bad about it

:41:16.:41:19.

# I guess karma comes back around

:41:19.:41:22.

# Cos now I'm the one that's hurting, yes

:41:22.:41:25.

# And I hate that I made you think

:41:25.:41:28.

# The trust we had is broken

:41:28.:41:31.

# So don't tell me you can't forgive me

:41:31.:41:35.

# Cos nobody's perfect, no... #

:41:35.:41:45.
:41:45.:41:46.

# No-no-no-no

:41:46.:41:54.

# No-no-no-no

:41:54.:42:00.

# No-no-no-no

:42:00.:42:10.
:42:10.:42:10.

Apology for the loss of subtitles for 133 seconds

:42:10.:42:58.

Everybody give a big cheer and make What's your name? Shay. That's a

:42:58.:43:07.

cool name. Jessie J featuring Shay. It wasn't even planned!

:43:07.:43:17.
:43:17.:43:17.

You sing the money, money, the cha- ching. Guys, this is a big moment

:43:17.:43:27.
:43:27.:43:57.

# That you can't even # It's not about the money,

:43:57.:44:07.
:44:07.:44:08.

# We don't need your money, # Ain't about the cha-ching,

:44:09.:44:18.
:44:19.:44:43.

# Can we all slow down # Guarantee we'll be feelin'

:44:43.:44:53.
:44:53.:44:54.

# It's not about the money, # We don't need your money,

:44:54.:45:04.
:45:04.:45:14.

# Ain't about the cha-ching, RAPS: Keep the price tag

:45:15.:45:19.

You can keep the cars Leave it in the garage

:45:19.:45:22.

Cos all I need are keys and guitars

:45:22.:45:25.

In 30 seconds I'm leaving to Mars

:45:25.:45:29.

It's like this, man You can't put a price on the life

:45:29.:45:33.

We do this for the love So we fight and sacrifice

:45:33.:45:36.

So we ain't gonna stop, no, never

:45:36.:45:39.

Waiting to see A sign of defeat, uh-uh

:45:39.:45:42.

So we gonna keep Everyone movin' they feet

:45:42.:45:45.

So bring back the beat And everyone sayin'...

:45:45.:45:47.

# It's not about the money, money, money

:45:47.:45:49.

# We don't need your money, money, money

:45:49.:45:52.

# We just wanna make the world dance

:45:52.:45:54.

# Forget about the price tag

:45:54.:45:57.

# Ain't about the cha-ching, cha-ching

:45:57.:46:00.

# Ain't about the ba-bling, ba-bling

:46:00.:46:03.

# Wanna make the world dance

:46:03.:46:05.

# Forget about the price tag

:46:05.:46:08.

# It's not about the money, money, money

:46:08.:46:17.

# Ahhh Ahhh

:46:17.:46:27.
:46:27.:46:29.

# La-la-la-la eh

:46:29.:46:33.

# It's not about the money, money, money

:46:33.:46:35.

# We don't need your money, money, money

:46:35.:46:36.

# We just wanna make the world dance

:46:36.:46:38.

# Forget about the price tag

:46:38.:46:41.

# Ain't about the cha-ching, cha-ching.

:46:41.:46:44.

# Ain't about the ba-bling, ba-bling

:46:44.:46:47.

# Wanna make the world dance

:46:47.:46:49.

# Forget about the price tag

:46:49.:46:57.

# We don't need your money, money, money

:46:57.:46:58.

# We just wanna make the world dance

:46:58.:47:01.

# Forget about the price tag

:47:01.:47:03.

# Ain't about the cha-ching, cha-ching.

:47:03.:47:06.

# Ain't about the ba-bling, ba-bling

:47:06.:47:09.

# Wanna make the world dance

:47:09.:47:11.

# Forget about the price tag

:47:11.:47:18.

# We don't need your money, money, money

:47:19.:47:28.

# It's not about the money, money, money

:47:28.:47:29.

# We don't need your money, money, money

:47:29.:47:32.

# We just wanna make the world dance

:47:32.:47:42.
:47:42.:47:43.

.

:47:43.:47:45.

. #

:47:45.:47:45.

. # I

:47:45.:47:51.

. # I just want to make Shay dance # I just want to make Glastonbury

:47:51.:47:54.

dance # I just want to make the world

:47:54.:48:04.
:48:04.:48:13.

dance # Forget about the... #

:48:13.:48:23.
:48:23.:48:26.

I don't want to get mud on you. Stand up. Take a bow.

:48:26.:48:31.

Thank you! CHEERING AND APPLAUSE

:48:31.:48:34.

Come on, you're smiling, aren't you? That was like a big smile all

:48:34.:48:38.

around the site for that. Absolutely, I don't know who was

:48:38.:48:41.

enjoying. She was good that little girl, genuinely plucked from the

:48:41.:48:45.

audience. We thought she was suspiciously

:48:45.:48:50.

good at first. She wasn't a plant. She was genuine.

:48:50.:48:54.

The whole mood of the festival changed.

:48:54.:48:59.

There is always a time when things turn around. There is one

:48:59.:49:05.

performance when things feel different. People are saying, "I am

:49:05.:49:11.

glad I am at home. It is grim." It was grim yesterday. The atmosphere

:49:11.:49:14.

is changing and the sun has come out. Hopefully there will be more

:49:14.:49:18.

talk about the performances and people can get to the outer reaches

:49:18.:49:22.

and discover the stuff, the wonderful arts, the art

:49:22.:49:25.

installations and the bits of popular culture going on in the

:49:25.:49:29.

further reaches of the site. Some extraordinary things. So many

:49:29.:49:34.

things. There was Jessie J getting that

:49:34.:49:37.

girl up from the audience. There is a moment that people remember as

:49:37.:49:41.

being the watershed and that was it this year. The kids as well, the

:49:41.:49:44.

great thing about Glastonbury is they put so much effort into making

:49:44.:49:49.

things like the kids field and the fields look beautiful and full of

:49:49.:49:52.

interesting and quirky things and friendly people working there who

:49:52.:49:55.

welcome the kids. I know this because I have got some of my kids

:49:56.:50:00.

with me this year. You are only allowed in if you are

:50:00.:50:06.

smiling into the Kids Field. The kids have a fantastic time and by

:50:06.:50:10.

the Kids Field there is the Circus Field and you see extraordinary

:50:10.:50:14.

things going on. It is a place my kids always want to go and spend

:50:14.:50:19.

time at and learn juggling and tight roping. We have Gemma out

:50:19.:50:24.

there who is doing exploring for news the Sir Kus Field.

:50:24.:50:30.

Pah is what I say to hanging out backstage and trying to hang out

:50:30.:50:34.

with the cool cats. I am here with the coolest cats of them all.

:50:34.:50:41.

Behind the circus and Theatre Stage here with Ronnie from Wave.

:50:41.:50:46.

Tell me all about rhythm wave? have been coming for 18 years and

:50:46.:50:53.

we play on blazing saddles and students and staff from Perth

:50:53.:50:58.

College, in Scotland. You are looking dapper. I am loving

:50:58.:51:08.
:51:08.:51:10.

this. We play a song from Brazil. It is a

:51:10.:51:18.

little tribute to someone. Tell me about these lovely ladies.

:51:18.:51:24.

We are a dance group. I have been coming here since 1998. Loving

:51:24.:51:29.

Glastonbury because I love the professionalism. They love the

:51:29.:51:38.

dance and the energy, but they love comedy and they like the fun

:51:38.:51:47.

factorment this year brought some. Everyone thinks of the headliners

:51:47.:51:51.

and wellies and mud! But there is so much going on at Glastonbury. It

:51:51.:51:58.

is beautiful. It is time to shake a leg, all right. Are we ready?

:51:58.:52:05.

Rhythm Wave, are you ready? Roll the rith rhythm, Ronnie. Teach me a

:52:05.:52:10.

bit of a dance. A bit of samba. But this should

:52:10.:52:16.

work. We're going to start shaking.

:52:16.:52:23.

I can do the shaking. Chill out. Go for it full on.

:52:23.:52:33.
:52:33.:52:57.

This is where that one zum ba class That is Gemma out in the circus

:52:57.:53:06.

Field. Did I tell you I did hoo la cooping. Within five seconds I got

:53:06.:53:12.

T the key is not wiggling your hips, but thrusting gently backwards and

:53:12.:53:17.

forwards. We will need props. We will need

:53:17.:53:24.

cheesecloth and hoola hoops and our viewing figures will be enormous

:53:24.:53:27.

for tonight's show. We can't fail.

:53:27.:53:32.

Thank you, Gemma. That is one example of what goes on

:53:32.:53:37.

in the Circus Field. There is another area which is the Spirit of

:53:37.:53:40.

71 Stage. You know about this.

:53:40.:53:45.

The first festival was 1970, but 71 was the first first Glastonbury.

:53:45.:53:51.

This film explains this. After this we will have Noel Harrison who has

:53:51.:53:55.

been sitting patiently worried that he was going to get his head

:53:55.:54:05.
:54:05.:54:09.

knocked off by the crane camera. Here a little film all about the

:54:09.:54:16.

You might think that Glastonbury is the one place where the 70s never

:54:16.:54:21.

really ended. From their flowing skirts to the flower ins their hair,

:54:21.:54:27.

the average festival goer seems to be can channelling a look between

:54:27.:54:32.

Janice Joplin. What about the musician who rocked the first

:54:32.:54:37.

Pyramid Stage in the 70s? Here we are at the spirit Staimg. -- Spirit

:54:37.:54:40.

of 71 Stage. Lots of people who played there in 71 are coming back

:54:40.:54:50.
:54:50.:54:52.

here this year. We have Linda Lewis, Terry Reid, Nick Lowe, Mick Faron.

:54:52.:54:57.

My Super Lammy and this guy is Andrew Kerr who was the organiser

:54:57.:55:02.

of the first festival in 1971. Andrew re-branded the Pilton pop

:55:03.:55:10.

festival of 1970 as the now legendary Glastonbury. What's the

:55:10.:55:15.

71 Stage all about? Well, it is celebrating 40 years of the first

:55:15.:55:20.

Glastonbury. I said, "Look, I want to put on a festival which is free

:55:20.:55:23.

and the bands are going to play for nothing and it is going to be

:55:23.:55:27.

really lovely." It was a beautiful, beautiful baking day. Most people

:55:27.:55:31.

had got their shirts off and some people had their clothes off even.

:55:31.:55:36.

But I don't think we realised what it was, but it was a beginning.

:55:36.:55:40.

It was a very magical night. We believed something incredible was

:55:40.:55:45.

going to happen and it did really. Here I am.

:55:45.:55:53.

REPORTER: There are -- are there any echoes of 71 or has the

:55:53.:55:57.

atmosphere and look changed? course it it changed. We didn't

:55:57.:56:00.

have any money so we didn't have gates or security.

:56:00.:56:04.

Did you have any people who came? I don't suppose you really knew?

:56:04.:56:09.

police told me it was 15,000. It was Big big right from the

:56:09.:56:13.

beginning? There wasn't really proper playing times or anything. I

:56:13.:56:17.

don't remember much. I remember the actual performance itself. I

:56:17.:56:22.

remember that going on and on as we used to in those days. It seemed

:56:22.:56:24.

massive at the time. What are the memories that stayed

:56:24.:56:30.

with you from 71? There is Melanie. Ah, she makes me cry.

:56:30.:56:40.
:56:40.:56:42.

Does she? I knew him immediately. He looked

:56:42.:56:52.

# There is a chance peace will come in your life

:56:52.:57:01.

# There is a chance peace will come You walk into a crowd and you see

:57:01.:57:09.

somebody, "What who I wanted to see." It is magic.

:57:09.:57:14.

# Six white horses carry me # Some of us are still alive and

:57:14.:57:18.

kicking. It wouldn't be right really to kick us out, you know,

:57:18.:57:23.

entirely. We did start it. You judge a society by how you treat

:57:23.:57:26.

the old people and the young people as far as I'm concerned and the

:57:26.:57:36.

fact that they will let me, that is It does feel extraordinarily right

:57:36.:57:40.

that this stage and the whole celebration of the history of

:57:40.:57:44.

Glastonbury is happening here this year. It feels great. What a nice

:57:44.:57:48.

guy. A lovely fella, yeah. He has a nice

:57:48.:57:54.

book out as well which is worth a look. It is great. It just shows

:57:54.:57:56.

you there are different Glastonburies.

:57:56.:58:05.

We have had U2 and yesesyJ -- Jessie J. We have more acoustic

:58:05.:58:07.

performances. Ed Sheeran will be playing next.

:58:07.:58:11.

I went to the Spirit of 71 and the first thing I saw live here was

:58:11.:58:17.

agoing legend and former Olympic skier, he lived in Canada in a

:58:17.:58:24.

house he built for years, but he is back here to give us a performance

:58:24.:58:34.
:58:34.:58:40.

of a classic, Noel Harrison, # Like a snowball down a mountain

:58:40.:58:48.

# Like a clock whose hands are sweeping

:58:48.:58:50.

# Past the minutes of its face

:58:50.:58:52.

# And the world is like an apple Rolling silently in space

:58:52.:58:57.

# Like the circles that you find In the windmills of your mind

:58:57.:59:03.

# Like a tunnel that you follow To a tunnel of its own

:59:03.:59:06.

# Down a hollow to a cavern Where the sun has never shone

:59:06.:59:11.

# Like a door that keeps revolving In a half-forgotten dream

:59:11.:59:15.

# All the ripples from a pebble Someone tosses in a stream

:59:15.:59:20.

# Like a clock whose hands are sweeping

:59:20.:59:22.

# Past the minutes of its face

:59:22.:59:24.

# And the world is like an apple Rolling silently in space

:59:24.:59:29.

# Like the circles that you find In the windmills of your mind

:59:29.:59:35.

# Keys that jingle in your pocket Words that jangle in your head

:59:35.:59:38.

# Why did summer go so quickly? Was it something that you said?

:59:38.:59:42.

# Lovers walk along the shore Leave their footprints in the sand

:59:42.:59:47.

# Is the sound of distant drumming Just the fingers of your hand?

:59:47.:59:52.

# Pictures hanging in a hallway Or the fragment of this song

:59:52.:59:56.

# Half-remembered names and faces But to whom do they belong?

:59:56.:00:01.

# When you knew that it was over You were suddenly aware

:00:01.:00:06.

# That the autumn leaves were turning

:00:06.:00:11.

# To the colour of his hair?

:00:11.:00:15.

# Like a circle in a spiral Like a wheel within a wheel

:00:15.:00:19.

# Never ending or beginning On an ever-spinning reel

:00:19.:00:23.

# As the images unwind Like the circles that you find

:00:23.:00:27.

# In the windmills of your mind

:00:27.:00:37.
:00:37.:00:54.

.

:00:54.:00:59.

. That

:00:59.:01:00.

. That felt

:01:00.:01:03.

. That felt like a real honour and privilege to have you do that and

:01:03.:01:11.

to have you sing. Thank you very much.

:01:11.:01:16.

Noel Harrison, Windmills of your Mind.

:01:16.:01:22.

Are you having a good day? It has been fine.

:01:22.:01:29.

Jessie J, sunny and smiles. It is like she owned the day.

:01:29.:01:35.

But Tinie Tempah is taking the stage.

:01:35.:01:39.

You are saying goodbye. I think I am saying goodbye until

:01:39.:01:44.

tonight. It has been a pleasure. See you later with the cheesecloth

:01:44.:01:52.

and the, the hoola hoop. One of the of the bands I got to

:01:52.:01:57.

see on the Pyramid Stage was gas light anthem on a Saturday when

:01:57.:02:01.

everybody gets to Glastonbury on a Friday and pushes it out too late

:02:01.:02:05.

on the Friday, everyone is mellow first thing Saturday morning.

:02:05.:02:10.

And they suited it perfectly? know how they feel. Let's watch

:02:10.:02:20.
:02:20.:02:41.

# I wonder which song they're going to play when we go

:02:42.:02:51.
:02:52.:03:07.

# I hope it is something quiet and peaceful

:03:07.:03:13.

# Did you hear the 59 sound coming through on my grandma's radio?

:03:13.:03:18.

# Did you hear the rattling chains in the hospital walls?

:03:18.:03:24.

# Did you hear the old gospel choir when they came to carry you over?

:03:24.:03:29.

# Did you hear your favourite song one last time? High pressure # And

:03:29.:03:33.

I wonder were you scared when the metal hit the glass

:03:33.:03:36.

# See I was playing a showdown the road

:03:36.:03:44.

# When your spirit left your body # And they told me on the front

:03:44.:03:46.

lawn # I'm sorry I couldn't go

:03:46.:03:51.

# But I still know the song and the words and her name and the reasons

:03:51.:03:57.

# And I know because we were kids and we used to hang

:03:57.:04:04.

# Did you hear the 59 sound coming through on grandma's radio

:04:04.:04:13.

# Did you hear the rattling chains # Or did you hear the old gospel

:04:13.:04:16.

choir when they came to carry you over

:04:16.:04:20.

# Did you hear your favourite song one last time

:04:20.:04:30.
:04:30.:04:34.

# Young boys, young girls, ain't supposed to die on a Saturday night

:04:34.:04:37.

# Ain't supposed to die on a Saturday night

:04:37.:04:43.

# Ain't supposed to die on a Saturday night

:04:43.:04:50.

# # Did you hear the 59 sound coming through on grandma's radio?

:04:50.:04:53.

# Did you hear the rattling chains in the hospital walls

:04:53.:04:59.

# Did you hear the old gospel choir when they came to carry you over

:04:59.:05:09.
:05:09.:05:13.

# Did you hear your favourite song one last time

:05:13.:05:23.
:05:23.:05:33.

# Young boys, young girls # The gas light anthem returned to

:05:33.:05:42.

Glastonbury after a life changing experience when the lead singer got

:05:42.:05:52.
:05:52.:05:52.

to sing with Bruce Springsteen. This will be brilliant as well.

:05:52.:05:55.

This guy is probably playing more than anybody else who is here at

:05:55.:06:00.

Glastonbury. How many shows? Five.

:06:00.:06:06.

And three more to go. I am going to get some suntan lotion. You are

:06:06.:06:15.

going to love this. This is Ed # White lips, pale face

:06:16.:06:25.
:06:26.:06:29.

# Burnt lungs, sour taste # Long nights, strange men

:06:29.:06:39.
:06:39.:06:40.

# Been this way since 18 But lately her face seems

:06:40.:06:45.

# Slowly sinking, wasting Crumbling like pastries

:06:45.:06:50.

# And they scream

:06:50.:06:53.

The worst things in life come free to us

:06:53.:06:55.

# Cos we're just under the upperhand

:06:55.:06:57.

# And go mad for a couple of grams

:06:57.:06:59.

# And she don't want to go outside tonight

:06:59.:07:04.

# And in a pipe she flies to the Motherland

:07:04.:07:06.

# Or sells love to another man

:07:06.:07:09.

# It's too cold outside For angels to fly

:07:09.:07:18.

# Angels to fly

:07:18.:07:25.

# Ripped gloves, raincoat Tried to swim and stay afloat

:07:25.:07:29.

# Dry house, wet clothes Loose change, bank notes

:07:30.:07:37.

# Weary-eyed, dry throat Call girl, no phone

:07:37.:07:44.

# And they say

:07:44.:07:45.

# She's in the Class A Team Stuck in her daydream

:07:45.:07:50.

# Been this way since 18 But lately her face seems

:07:50.:07:55.

# Slowly sinking, wasting Crumbling like pastries

:07:55.:08:00.

# And they scream

:08:00.:08:01.

# The worst things in life come free to us

:08:01.:08:04.

# Cos we're just under the upperhand

:08:04.:08:06.

# And go mad for a couple of grams

:08:06.:08:08.

# But she don't want to go outside tonight

:08:08.:08:13.

# And in a pipe she flies to the Motherland

:08:13.:08:15.

# Or sells love to another man

:08:15.:08:18.

# It's too cold outside

:08:18.:08:22.

# For angels to fly

:08:22.:08:25.

# Angels to fly

:08:25.:08:27.

# An angel will die

:08:27.:08:29.

# Covered in white

:08:29.:08:31.

# Closed eye

:08:31.:08:32.

# And hoping for a better life

:08:32.:08:34.

# This time, we'll fade out tonight

:08:34.:08:37.

# Straight down the line

:08:37.:08:42.

# And they say

:08:42.:08:49.

# She's in the Class A Team Stuck in her daydream

:08:49.:08:54.

# Been this way since 18 But lately her face seems

:08:54.:08:59.

# Slowly sinking, wasting Crumbling like pastries

:08:59.:09:05.

# They scream

:09:05.:09:06.

# The worst things in life come free to us

:09:06.:09:09.

# And we're all under the upperhand

:09:09.:09:11.

# Go mad for a couple of grams

:09:11.:09:14.

# And we don't want to go outside tonight

:09:14.:09:19.

# And in a pipe we fly to the Motherland

:09:19.:09:21.

# Or sell love to another man

:09:22.:09:24.

# It's too cold

:09:24.:09:27.

# For angels to fly

:09:27.:09:33.

# Angels to fly

:09:33.:09:40.

# To fly, fly

:09:40.:09:44.

# Angels to fly, to fly, to fly

:09:44.:09:49.

# Angels to die

:09:49.:09:59.
:09:59.:10:03.

Fantastic,

:10:03.:10:03.

Fantastic, Ed,

:10:03.:10:05.

Fantastic, Ed, thank

:10:05.:10:09.

Fantastic, Ed, thank you so much. That will be on YouTube quicker

:10:09.:10:15.

than you can say anything. It was more like a game show,

:10:15.:10:18.

wasn't it. He carried on regardless.

:10:18.:10:23.

The new album is coming out in September, is that right? Yes.

:10:24.:10:27.

The party begins tonight. Something like that. We will have another

:10:27.:10:37.
:10:37.:11:14.

# Fate, with a single blow # Has clues clustered by me now

:11:14.:11:21.

# True, I had my chance H true, true, true I had those wild

:11:21.:11:30.

charms for you # Oh, oh, oh

:11:30.:11:40.
:11:40.:11:48.

# My fire burned them out # But we will not be moved by it

:11:48.:11:58.
:11:58.:12:07.

# Your mind would never ache, # When you were young and sound

:12:07.:12:17.
:12:17.:12:27.

# The way your heartaches now # You feel you sent them on to

:12:27.:12:36.

ground # Love, love, love til you got

:12:36.:12:46.
:12:46.:12:46.

enough # Dance, dance, dance until there's

:12:47.:12:56.

none left to hound you # We will not be moved by it

:12:56.:13:06.
:13:06.:13:44.

# Oh, oh, oh, oh # Love, love, love til you got

:13:44.:13:51.

enough # Dance, dance, dance until you got

:13:51.:13:54.

none around you # Love, love, love til you got

:13:54.:14:00.

enough # Dance, dance, dance til there's

:14:00.:14:10.
:14:10.:14:13.

no one left to hound you # We, we will not be moved by it

:14:13.:14:23.
:14:23.:14:23.

Apology for the loss of subtitles for 133 seconds

:14:23.:15:24.

Well, that was The Kills. They have played on your show? We have done a

:15:24.:15:29.

few sessions. It is very authentic and very real and they brought it

:15:29.:15:33.

to the other stage and made everybody sink a little deeper into

:15:33.:15:37.

the mud. Which is always a good thing. Who else have you seen

:15:37.:15:42.

today? I saw Gaslight Anthem. The path between stage to stage which

:15:42.:15:46.

we have to use because we are on call, it is the quickest route, it

:15:46.:15:49.

was bogged down. Most of my watching and viewing will happen

:15:49.:15:54.

after this show so hurry up! What's the plan? No idea, make it

:15:54.:16:03.

up as I go along. The Horrors on the John Peel Stage.

:16:03.:16:10.

Speaking of John, John is someone we miss greatly. There is a stage

:16:10.:16:16.

that is named after John and dedicated to John and rightly so.

:16:16.:16:20.

There was talk about what an amazing honour it is to play on the

:16:21.:16:27.

John Peel Stage. One of those bands is Warpaint. We are going to check

:16:27.:16:32.

out their performance. Watch out are the drummer apparently she is

:16:32.:16:42.
:16:42.:16:42.

Apology for the loss of subtitles for 133 seconds

:16:42.:18:29.

an absolute beast. And your full moon taunts me

:18:29.:18:33.

# And your thoughts they got me # Got me in

:18:33.:18:43.
:18:43.:18:56.

# And all the time it took you to get yourself self straight

:18:56.:19:03.

# And all that time it took you to get yourself straight

:19:03.:19:07.

# All that time it took you to get yourself straight

:19:07.:19:10.

# Was too late # So work harder for the things you

:19:10.:19:20.
:19:20.:19:20.

Apology for the loss of subtitles for 133 seconds

:19:20.:20:03.

# All that time it took you to get yourself straight

:20:03.:20:07.

# Was too late # All that time it took you to get

:20:07.:20:13.

yourself straight was too late # So work harder for the things you

:20:14.:20:23.
:20:24.:20:24.

Apology for the loss of subtitles for 133 seconds

:20:24.:21:11.

CHEERING AND APPLAUSE Playing on the John Peel Stage.

:21:11.:21:17.

With John, the area where we are, it is our fairytale garden. It is

:21:17.:21:20.

really beautiful and I have got memories of John sitting on his own,

:21:20.:21:26.

drinking a cup of tea or something like that. Can you remember how he

:21:26.:21:31.

piggy backed you through the mud. That is when the rain was

:21:31.:21:35.

horrendous and the rain was lashing down and we did this link and it

:21:35.:21:39.

was 2am and we had to go off into the distance and John went, "Do you

:21:39.:21:45.

want to get on my back?" I jumped on to his back and we did this last

:21:45.:21:52.

link of us walking into the distance with me being piggy backed

:21:52.:22:00.

in the background. Have any of us piggy backed you since? Are you

:22:00.:22:10.
:22:10.:22:10.

offering? No. Civilry is dead. We will be back at 9.45pm with

:22:10.:22:16.

Coldplay live. This is a really big deal. Coldplay have played here a

:22:16.:22:20.

few times and this is the one where they want to raise their game. They

:22:20.:22:24.

want everyone to walk away remembering this performance by

:22:24.:22:29.

Coldplay. That was high praise.

:22:29.:22:36.

We have Elbow joining us at 7pm on BBC Three. Jessie J and Tinie

:22:36.:22:41.

Tempah will be guests. Speaking of Tinie Tempah, he was talking about

:22:41.:22:45.

his new album and it is due out this year. There is a new single

:22:45.:22:54.

that he will play a highlight today. This is all all facts for the fans

:22:54.:23:04.
:23:04.:23:09.

and Wel Williams has been producing with him. Tinie has been touring

:23:09.:23:12.

across America. He is going festival to festival.

:23:12.:23:17.

We heard the roar here when he came on stage. The huge roar when he

:23:17.:23:23.

came on the Pyramid Stage and you can see that on BBC Three at 7pm

:23:23.:23:29.

with Jessie J and we showed you the highlights of Jessie J earlier.

:23:29.:23:36.

Tinie looking ridiculously smart. He hadn't encountered any mud.

:23:36.:23:43.

They steam the mud off. Crocodile skin.

:23:43.:23:53.
:23:53.:23:53.

Apology for the loss of subtitles for 133 seconds

:23:53.:25:52.

This is Tinie Tempah on the Pyramid Want to be famous

:25:52.:26:02.
:26:02.:26:10.

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