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some strong language and scenes of Welcome back to BBC Four and our | :00:15. | :00:18. | |
Glastonbury coverage. If you're just joining us you have missed BB | :00:18. | :00:21. | |
King, who was on fine form, but don't worry because you have | :00:21. | :00:27. | |
Morrissey now, an intriguing presence at festivals, Morrissey, | :00:27. | :00:32. | |
sorts of the least likely frontman ever to say "Whoa, let me see some | :00:32. | :00:36. | |
hands." Of course, the Royal wedding has been going on, so | :00:36. | :00:39. | |
whether he's gotten over that - rather truculent about that, but | :00:39. | :00:44. | |
whether he's gotten over that and his mood has lightened we'll see. | :00:44. | :00:47. | |
In mark of respect to his vegetarianism, they cancelled the | :00:47. | :00:52. | |
sal sale of meat products during his set. I took advantage of the | :00:52. | :00:59. | |
duck in catering before he went on. Here he is on stage on the Pyramid | :00:59. | :01:09. | |
:01:09. | :01:13. | ||
Stage, Glastonbury 2011. It's Morrissey. Hello, Glasto. Fancy | :01:13. | :01:23. | |
:01:23. | :01:23. | ||
Apology for the loss of subtitles for 77 seconds | :01:23. | :02:41. | |
seeing me here. A tough kid who sometimes | :02:41. | :02:51. | |
:02:51. | :03:07. | ||
A tough kid who sometimes # He killed a policeman | :03:07. | :03:17. | |
:03:17. | :03:17. | ||
Apology for the loss of subtitles for 77 seconds | :03:17. | :05:34. | |
# And someone # First of the gang | :05:34. | :05:44. | |
:05:44. | :05:52. | ||
# The first of the gang to die, # The first of the gang to die, | :05:52. | :06:02. | |
:06:02. | :06:26. | ||
# Until you've seen # Where Hector | :06:26. | :06:36. | |
:06:36. | :07:11. | ||
# And he stole from # And the not very rich | :07:11. | :07:21. | |
:07:21. | :07:21. | ||
Apology for the loss of subtitles for 77 seconds | :07:21. | :09:21. | |
# I entered nothing # Piazza Cavour | :09:21. | :09:31. | |
:09:31. | :09:31. | ||
Apology for the loss of subtitles for 77 seconds | :09:31. | :10:27. | |
# I entered nothing # Who am I that I come | :10:27. | :10:37. | |
:10:37. | :10:58. | ||
# And there is no point # There is no point | :10:58. | :11:08. | |
:11:08. | :11:08. | ||
Apology for the loss of subtitles for 77 seconds | :11:08. | :12:23. | |
# My only weakness # But last night the plans | :12:23. | :12:33. | |
:12:33. | :12:33. | ||
Apology for the loss of subtitles for 77 seconds | :12:33. | :16:44. | |
# Trudging back over # And a strange dust lands | :16:44. | :16:54. | |
:16:54. | :16:54. | ||
Apology for the loss of subtitles for 77 seconds | :16:54. | :19:41. | |
# Where there's music # Because it's not my home | :19:41. | :19:51. | |
:19:51. | :19:51. | ||
Apology for the loss of subtitles for 77 seconds | :19:51. | :20:44. | |
# Well, the pleasure # I thought: "Oh God, | :20:44. | :20:54. | |
:20:54. | :20:54. | ||
Apology for the loss of subtitles for 77 seconds | :20:54. | :22:03. | |
# Oh take me anywhere # Well, the pleasure | :22:03. | :22:13. | |
:22:13. | :22:13. | ||
Apology for the loss of subtitles for 77 seconds | :22:13. | :23:33. | |
Thank you. Thank you. I will sing as fast as I can. I know you're all | :23:33. | :23:43. | |
:23:43. | :23:43. | ||
ready for U2. I know that. We know that. | :23:43. | :23:53. | |
:23:53. | :23:54. | ||
Apology for the loss of subtitles for 77 seconds | :23:54. | :24:54. | |
# You see, to someone # Because to someone | :24:54. | :25:04. | |
:25:04. | :25:04. | ||
Apology for the loss of subtitles for 77 seconds | :25:04. | :26:11. | |
# You see, to someone # Because to someone | :26:11. | :26:21. | |
:26:21. | :26:21. | ||
Apology for the loss of subtitles for 77 seconds | :26:21. | :27:11. | |
# Because to someone # Because to someone | :27:11. | :27:21. | |
:27:21. | :27:21. | ||
Apology for the loss of subtitles for 77 seconds | :27:21. | :28:11. | |
Thank you. If you can bear a new song - if you can bear an old song | :28:11. | :28:21. | |
:28:21. | :28:41. | ||
for God's sake - People Are The # Then our creator | :28:41. | :28:51. | |
:28:51. | :29:03. | ||
# And our creator had to make # And you'll find people | :29:03. | :29:13. | |
:29:13. | :29:22. | ||
# Then our creator # And our creator had to make | :29:22. | :29:32. | |
:29:32. | :29:32. | ||
Apology for the loss of subtitles for 77 seconds | :29:32. | :30:15. | |
# "The land of the free" and the # We're all in a rush | :30:15. | :30:25. | |
:30:25. | :30:25. | ||
Apology for the loss of subtitles for 77 seconds | :30:25. | :32:51. | |
# And when it's found, # The hour or the day | :32:51. | :33:01. | |
:33:01. | :33:03. | ||
# And you will never see the one you love again | :33:03. | :33:10. | |
# You will never see the one you love again | :33:10. | :33:18. | |
# I have been thinking, what, with my final brain cell | :33:18. | :33:26. | |
# How Time grips you slyly in its spell | :33:26. | :33:32. | |
# And before you know "goodbye" will be "farewell" | :33:32. | :33:38. | |
# And you will never see the one you love again | :33:38. | :33:46. | |
# And the smiling children tell you that you smell | :33:46. | :33:52. | |
# Well, just look at me, a Savage Beast | :33:52. | :33:56. | |
# I've got nothing to sell | :33:56. | :33:59. | |
# And when I die, I want to go to Hell | :33:59. | :34:08. | |
# And that's when goodbye should be farewell | :34:08. | :34:18. | |
:34:18. | :34:23. | ||
# Ra-da-da-da | :34:23. | :34:33. | |
:34:33. | :34:40. | ||
# One day "goodbye" will be "farewell" | :34:40. | :34:46. | |
# So grab me while we still have the time. # | :34:46. | :34:56. | |
:34:56. | :35:06. | ||
Do | :35:06. | :35:06. | |
Do you | :35:06. | :35:06. | |
Do you mind | :35:06. | :35:12. | |
Do you mind if I introduce the band? Well, thank you. Here they | :35:12. | :35:22. | |
:35:22. | :35:22. | ||
are. On guitar from west Hampstead is Baz Bora on the bass guitar, | :35:22. | :35:30. | |
from Chicago, is Soloman Walker. On the drums from Chicago is Matthew | :35:30. | :35:36. | |
Walker. CHEERING AND APPLAUSE | :35:36. | :35:46. | |
:35:46. | :35:46. | ||
On the keyboard from Colombia is Gustavo Mansour. On guitar from | :35:46. | :35:56. | |
:35:56. | :35:59. | ||
Mexico is Jesse Tobyas. And I'm from scruffy oldMan-fester, scruffy | :35:59. | :36:09. | |
:36:09. | :36:27. | ||
oldMan-fester - fester! -- old- # You are my possession | :36:27. | :36:37. | |
:36:37. | :36:58. | ||
# Everybody has a date # Tongue against tongue | :36:58. | :37:08. | |
:37:08. | :37:31. | ||
# Could I interest you # Everybody has a date | :37:31. | :37:41. | |
:37:41. | :37:41. | ||
Apology for the loss of subtitles for 77 seconds | :37:41. | :40:33. | |
# Everybody has a date # I've been told | :40:34. | :40:43. | |
:40:44. | :40:44. | ||
Apology for the loss of subtitles for 77 seconds | :40:44. | :42:51. | |
# Monday, Tuesday I was very pleased to hear today | :42:51. | :42:57. | |
that a bill has been passed in this country to stop using animals in | :42:57. | :42:59. | |
circuses. APPLAUSE | :42:59. | :43:09. | |
:43:09. | :43:09. | ||
However, of course, as I'm sure you know, David Cameron tried to stop | :43:09. | :43:12. | |
the bill from being passed. BOOING | :43:12. | :43:22. | |
:43:22. | :43:22. | ||
Apology for the loss of subtitles for 77 seconds | :43:22. | :44:38. | |
# And the flesh # And the calf that | :44:38. | :44:48. | |
:44:48. | :45:23. | ||
# It's not comforting # It's sizzling blood and | :45:23. | :45:33. | |
:45:33. | :45:33. | ||
Apology for the loss of subtitles for 77 seconds | :45:33. | :50:09. | |
# As you savour # I'm throwing my arms around | :50:10. | :50:19. | |
:50:20. | :50:27. | ||
# In the absence of your smiling face | :50:27. | :50:37. | |
:50:37. | :50:39. | ||
# I travelled all over the place | :50:39. | :50:41. | |
# And I have decided | :50:41. | :50:44. | |
# I'm throwing my arms around Around Paris | :50:44. | :50:50. | |
# Because only stone and steel accept my love | :50:50. | :51:00. | |
:51:00. | :51:00. | ||
# I'm throwing my arms around Around Paris | :51:00. | :51:06. | |
# Because only stone and steel accept my love | :51:06. | :51:16. | |
:51:16. | :51:30. | ||
# I'm throwing my arms around Paris | :51:30. | :51:37. | |
# Because nobody wants my love | :51:37. | :51:42. | |
# Nobody wants my love | :51:42. | :51:45. | |
# Nobody needs my love | :51:45. | :51:50. | |
# Nobody wants my love | :51:50. | :51:54. | |
# Yes, you made yourself plain | :51:55. | :51:58. | |
# Yes, you made yourself very plain. # | :51:58. | :52:08. | |
:52:08. | :52:19. | ||
Did | :52:19. | :52:20. | |
Did you | :52:20. | :52:20. | |
Did you hear | :52:20. | :52:25. | |
Did you hear that? Well, thank you for listening, and we know you'll | :52:26. | :52:35. | |
:52:36. | :52:36. | ||
Apology for the loss of subtitles for 77 seconds | :52:36. | :53:18. | |
# There is no-one on earth # To be standing by the flag | :53:18. | :53:28. | |
:53:28. | :53:47. | ||
# There is no-one on earth # And I will die | :53:47. | :53:57. | |
:53:57. | :54:10. | ||
# The English are sick to death # And spit upon the name | :54:10. | :54:18. | |
# And denounce this Royal Line that still salute him | :54:18. | :54:25. | |
# And will salute him | :54:25. | :54:28. | |
# Forever. # | :54:28. | :54:38. | |
:54:38. | :55:18. | ||
Thank you. APPLAUSE | :55:18. | :55:28. | |
:55:28. | :55:32. | ||
# Punctured bicycle | :55:32. | :55:36. | |
# On a hillside desolate | :55:36. | :55:40. | |
# Will Nature make a man of me yet? | :55:40. | :55:44. | |
# When in this charming car | :55:44. | :55:49. | |
# This charming man | :55:49. | :55:54. | |
# Why pamper life's complexities | :55:54. | :55:58. | |
# When the leather runs smooth | :55:58. | :56:00. | |
# On the passenger seat? | :56:00. | :56:05. | |
# I would go out tonight | :56:05. | :56:07. | |
# But I haven't got a stich to wear | :56:07. | :56:12. | |
# This man said: "It's gruesome | :56:12. | :56:16. | |
# That someone so handsome should care" | :56:16. | :56:22. | |
# A jumped-up pantry boy | :56:23. | :56:27. | |
# Who never knew his place | :56:27. | :56:29. | |
# He said, "Return the ring" | :56:29. | :56:33. | |
# He knows so much about these things | :56:33. | :56:36. | |
# He knows so much about these things | :56:36. | :56:44. | |
# I would go out tonight | :56:44. | :56:47. | |
# But I haven't got a stich to wear | :56:47. | :56:50. | |
# This man said, "It's gruesome | :56:50. | :56:55. | |
# That someone so handsome should care" | :56:55. | :57:00. | |
# This charming man | :57:00. | :57:09. | |
# A jumped-up pantry boy | :57:09. | :57:19. | |
:57:19. | :57:24. | ||
# A jumped-up pantry boy | :57:24. | :57:26. | |
# Who never knew his place | :57:26. | :57:27. | |
# He said, "Return the ring" | :57:28. | :57:31. | |
# He knows so much about these things | :57:31. | :57:32. | |
# He knows so much about these things. # | :57:33. | :57:42. | |
:57:43. | :57:47. | ||
Thank | :57:47. | :57:48. |