U2 Live - Part 3 Glastonbury


U2 Live - Part 3

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some strong language and scenes of some strong language and scenes of

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Welcome back to your continuing coverage of Glastonbury 2011. We

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are two-thirds of the way through U2's career spanning set. On the

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Pyramid Stage. It's hit after hit from the old to the new. We will go

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now for a great big old sing along. They are all seasoning alongs, but

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none more than this. It's Sunday # Oh, I can't close my eyes

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# Broken bottles # Bodies strewn across

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# There's many lost # The trench is dug

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# And mothers, children, brothers sisters torn apart

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# Sunday, Bloody Sunday

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# Sunday, Bloody Sunday

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# How long

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# How long must we sing this song?

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# How long? How long?

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# Tonight

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# We can be as one

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# Tonight

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# Tonight, tonight

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# Tonight, tonight... #

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# Wipe your tears away

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# Wipe the tears away

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Sunday, Bloody Sunday

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# Wipe your...

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Sunday, Bloody Sunday

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# Sunday, Bloody Sunday

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Sunday, Bloody Sunday... #

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# Sunday, Bloody Sunday

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Sunday, Bloody Sunday... #

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# Sunday, Bloody Sunday

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Sunday, Bloody Sunday... #

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# Sunday, Bloody Sunday

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Sunday, Bloody Sunday... #

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CHEERING

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CHEERING AND

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CHEERING AND APPLAUSE

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# If you

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# If you twist

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# If you twist and

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# If you twist and turn away # If you tear yourself in two again

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# If I could, you know I would # If I could, I would

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# Let it go Leave this heart of clay

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# Feel you must break away # To the light

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# Through the rain # Into the half light

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# Oh, oh # So let it go

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# Soon I fade away # To let it go

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# So not fade away # Run away

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# I'm not sleeping # Bring me my arrow of burning gold

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# Bring me my arrows of desire # Bring me my spears of clouds

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unfold # Bring me my chariot of fire

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# Take me home # Take us home

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# So let it go # Ah

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# To let it go # So now, fade, fade it

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# Fade away # And fade away

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# No, no # Not fade away

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# Come on # Not fade away

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# Run away # I'm not sleeping

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# Revelation # And temptation, condemnation

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# Isolation # Then revelation, ill luem

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lumination # Let it go

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# So not fade away # Let it go

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# So not fade away # Let it go

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# So not fade away # Let it go

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# So now fade away # Let it go

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# So now fade away # Run away

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# One man come in the name of love # One man come, he to justify

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# In the name of love What more in the name of love?

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# In the name of love What more in the name of love?

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# One man caught on a barbed-wire fence

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# One man he resist One man washed on an empty beach

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# One man betrayed with a kiss

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# In the name of love What more in the name of love?

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# In the name of love What more in the name of love?

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Apology for the loss of subtitles for 45 seconds

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# Free at last, they took your life They could not take your pride

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# In the name of love What more in the name of love?

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# In the name of love What more in the name of love?

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# Oh-oh-oh

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# Oh-oh-oh

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Good

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Good night,

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Good night, thank

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Good night, thank you very much. CHEERING AND APPLAUSE

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Good night from Edge, Adam Clayton, Larry Mullen Junior, myself Bono.

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Thank you, thank you for tuning in. Thank you to the BBC. Thank you to

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What did you make of that? Everything you expected U2 to do.

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They played risky tunes as well. Absolutely. A couple of surprises.

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For the most part, they had to play hit-heavy. A band in great form.

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know. I love the fact they went back so early to the stuff which we

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are - reminded me when I first fell in love with U2. It sounds so good.

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It's great. It was a stripped raw set. They they had the vanity stage

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up front. There wasn't a huge amount going on outside of the

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music. Brave for them to do. Hopefully they will come back here

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and tell us why they made the decision. Fingers crossed we might

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see the band to chat. At the moment we are biding our time to find out

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when U2 come back. I'm trying to think what they haven't done so

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far? I don't know what it is. Hopefully they will come back on

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and do the encore. I can't think. Let's find out. Back to you, the

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Apology for the loss of subtitles for 45 seconds

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# On a bed of nails # Through the storm

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Apology for the loss of subtitles for 45 seconds

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# Love will tear us apart, again # Love

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# Love will tear us apart, again... Take out your phones. Take out your

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cigarette lighters. Turn off the # Look at the stars

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# Look how they shine for you # And everything that you do

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# And they were yellow # I came along

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# I wrote a song for you # And all the things that you do

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# Look at the stars # See how they shine for you

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# And and all that the things that you do

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# They were all yellow here's our little planet spinning around the

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sun. Some of us doing our best to # To let the horses run free

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# Was playing with the fire # Till the fire played with me

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# Stone was really precious # We were barely conscious

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# To souls in the realm of certainty

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# Even on our wedding day # And the moment of surrender

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# I'm falling to my knees # I did not notice the passers by

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# And they did not notice me # I've been in every black hole

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# At the alter of a Dark Star # My body's now begging

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# Though, it's begging to get back # Begging to get back

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# To my heart # To the rhythm of my soul

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# To the rhythm of my consciousness # To the rhythm of yes

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# To be released from control # I was punching in the numbers at

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the ATM machine # I could see our reflection

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# A face staring back at me # At the moment of surrender

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# A vision of a visibility # I did not notice the passers-by

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Apology for the loss of subtitles for 45 seconds

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Would you hold it up. Would you # I was speeding off the subway

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# Through the stations of the cross # Every eye looking every other way

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# Counting down till the pain will stop

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# At the moment of surrender # A vision of a visibility

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# I did not notice the passers-by # And they did not notice me

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# Oh, oohh, # Ooohh...

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# Oohh... # Oohh... Oh-oh-oh...

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# The curse was that your dreams come true, God is a mirror where

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every man sees himself # When I first met you your face is

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like snow # Where ever I went to you you

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wanted to go # Your face, your case suitcase 17

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# When you put it down on the ground

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# Don't lose your faith in the cloud

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# Don't put your faith in a cloud # Don't put your faith in a cloud...

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One more. Just one more. First single. It's been a while. CLAPPING

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# Monday morning # I say how long?

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# It was one dull morning Woke the world with bawling

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# I was so sad, so sad They were so glad

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# I had the feeling it was out of control

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# I was of the opinion it was out of control

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# Boys and girls go to the school

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# And girls, they make children Not like this one

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# I had the feeling it was out of control

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Apology for the loss of subtitles for 45 seconds

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# I had the opinion it was out of control

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# Out of control...

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Out

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Out of

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Out of control?

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Out of control? How has your You have made our... Whole career.

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Thank you for the life you've given us. We're out of control though. It

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happens. It happened. Out of # I fought fate

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# One day I'll die The choice will not be mine

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# Will it be too late? You can't fight fate

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# I was of a feeling it was out of control

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CHEERING

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CHEERING AND

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CHEERING AND APPLAUSE

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All

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All right!

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CHEERING

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CHEERING AND

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CHEERING AND APPLAUSE

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That

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That looked

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That looked to

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That looked to me like a band going,, "job done" the look between

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Edge and Bono, it was, "told you it would be good" Bono was like, "it

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was all right"? Did you enjoy it? The bottom like line is U2 will be

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high on that for some time to come. They look really high. Hopefully,

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making their way back here. We might be able to ask them how it

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felt. All that talk. All those years of speculation, will U2 do.

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It they were on the list along with Presence and Bruce SpringSteen and

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a lot of other headline liners who never played. As soon as they were

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announced the artists have kept flying. Most people realise when he

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hurt his back last year chances were they were going to be

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headlining again this year. Now it's done, now that concert is over.

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What did you make of it? I loved the fact that a lot of the bands I

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have spoken to today were going,, "I actually quite like U2" I hear

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people saying "I'm in the going to watch it and see it". Marcus from

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Mumford & Sons was going,, "of course I'm going to be there.

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a funny world when we live in that the most successful ongoing rock

:37:32.:37:36.

band has become a guilty pleasure. Opinions are for everybody and

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everyone has a different one. I'm sure everyone is talking. I loved

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the Coldplay. The message, who will be watching right now, then they

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went and did the Yellow thing. Coldplay going, we are on tomorrow,

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check out what we do. It hasn't been about U2 today. Now that it's

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said and down done it's a weekend of amazing music across many

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different stages at Glastonbury. Over at the other stage we have

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Primal Scream. Here are two songs from earlier on on the evening,

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Apology for the loss of subtitles for 45 seconds

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# I believe in you Let's hear you there. Let me hear

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Apology for the loss of subtitles for 45 seconds

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# Just what is it # I said, I'm gonna get deep down

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Apology for the loss of subtitles for 45 seconds

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CHEERING AND APPLAUSE Primal Scream have been

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reenergiseing their masterpiece album for almost a year. I'm not

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sure if that was their intention when they started doing shows.

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exciting. On the other stage delivering it right here on your

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Glastonbury coverage. It's remarkable to think that a band

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that never looked back, always looked forward, have spent quite

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some time rethinking that record and play it again. It doesn't

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surprise thasm record has never goten tired. It's one of the most

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forward thinking records. Tonight was a celebration of that record

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and band. Bobbie Gill less pi's shirt. It was fantastic. You are

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right to bring up clothing. A few people have been asking ple how

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come I look like I've come back from the artic and you look like

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you have been in the Maldives. What is going on? I don't know. I'm

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wearing your coat. You are 3, 2, 1 I'm here and loose. Back in the

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game. We go to Greg now. He has been doing this trawl around the

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site. It's a stage crawl. He is checking out everything that is

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going on in the stage that is is happening. And is bringing us a

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flavour. Some of the bits we don't get to, Greg is doing it for us.

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Let's go to him on his stage crawl. Where's my coat! This is my first

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time doing the TV for Glastonbury. I can show you the real Glastonbury.

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I mean, keep your U2's, you can keep your Coldplay's, this is the

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proper bit. I'm in the circus area. I will show you the theatre bit. I

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will show you gems you have heard about and not necessarily seen.

:52:44.:52:54.
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Also, some weirdness. Let's go. I like the look of these guyss. Can

:52:55.:53:05.
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you teach me some moves? The out Hey. What is this then? An after

:53:23.:53:33.
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workshop. What do I do? Smile. Shake your body a bit. Ha-ha! This

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is a sonic forest. Can I stop you a sec. What happens in here? You run

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past the trees in in the forest. It make as sound. Shall we run

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together, hand in hand? What is the idea. The delay make it is dreamy.

:53:54.:54:00.

We play it until 4.00 am and we get wild. I'm trying to experience the

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festival as quickly as possible. These are clay figures people made

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over years. If you want to do the whole festival in a day we have it

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for you. Toilets, miniature Pyramid Stage. Who is headlining? The seven

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heads of Bono and the Edge. I love Measuring

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# The dark secret night # And I think to myself

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# What a wonderful world... # Excuse me, madam, how are you?

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are you? It's a beautiful machine? You get four weeks shopping in. We

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are Granny Terizmo. Try and get up this hill. Go on,

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have a go! I'm Betty. And we are the only

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formation shopping trolley dancing troupe in the country!

:55:16.:55:21.

You are similar to the Red Arrows? Very similar, just with more style

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and a bit more attitude, I think. You're not going to get blue smoke

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coming out your bum, are you? it depends what I've eaten the

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night before. Off you go!

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So part one of my Glastonbury crawl is done. I have had a great day so

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far. I made new friends as well. There is loads more to see. Find

:55:45.:55:55.
:55:55.:55:58.

Greg James in action. Thank you to Greg. Look who we have now. We have

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the band who have just been on the Pyramid Stage.

:56:04.:56:14.
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So was it as good... Hold on a sec. We have offerings here for you if

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you need a touch of whisky. Was it as good as Edge sold it to you last

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year. It was very, very, very, very taken aback by the warmth of the

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crowd to us and you know, we have not played to anything other than

:56:35.:56:45.
:56:45.:56:46.

our own audience for 25 years. get out of here.

:56:46.:56:51.

Live Aid. No, no, no. I mean more than two

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songs. Oh right.

:56:54.:56:59.

When was the last festival? Someone must have tried to work it out?

:56:59.:57:06.

1985. It must have been a real real

:57:06.:57:13.

stinker if you haven't done one since. Thure rhythmics.

:57:13.:57:19.

Describe what it is like? Quite overpowering. I walked out and I

:57:19.:57:26.

didn't know it was like an ice-rink and I couldn't move. For a person

:57:26.:57:30.

like myself that likes to move about, it was interesting so I just

:57:30.:57:36.

thought just stand where you are and just sing and maybe the singing

:57:36.:57:41.

will be better for me not being able to move. If it rains in our

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production, we just get wet. So we were under the roof and it felt

:57:44.:57:48.

wrong because I had to go out. So you were there with the people?

:57:49.:57:53.

We were there with everyone. What did it look like? I am a man

:57:53.:57:57.

of the people. What did it look like? The flag

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thing, they did the flags just for us. You had all the flags. We felt

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very, very honoured that they would do the flags just for us.

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They were very nice. They were great.

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Did you get the tricolour and the Union Jack.

:58:20.:58:24.

Yes. As far as we can gather here

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everyone was gathered around the TVs and the millions of people were

:58:30.:58:33.

watching around the UK and the world, and it was beautifully

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directed. It looked wonderful. The songs were beautifully sung. The

:58:40.:58:45.

drums were probably the best thing. There were wonderful wide shots.

:58:45.:58:50.

You don't want to get too slick. I don't mind a bit of slickness.

:58:50.:58:56.

We were all over the shop, but in a good way.

:58:56.:59:02.

I'm going to point to Larry, every time. We have got to talk about the

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set. It doesn't get talked about as much. But it has been 30 years

:59:07.:59:10.

since Michael Eavis said he has been trying to get you to do this

:59:10.:59:14.

festival. He is rounding it up a few? They are an extraordinary

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family. Look what they put on for people

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every year. The philosophy behind it and their

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generosity, not just of spirit. There is the legacy and the

:59:28.:59:32.

heritage and the songs are what are going to carry you through tonight.

:59:32.:59:35.

There wasn't the claw. There wasn't the things that you put into the

:59:36.:59:39.

production, it was about the tunes. Five songs to open.

:59:39.:59:49.
:59:49.:59:52.

Brave. It was very brave. I didn't call even better to start.

:59:52.:00:00.

thought it was promising. Choosing the tunes is a tough one.

:00:00.:00:05.

The hope the Damien Hirst piece went out.

:00:05.:00:11.

Tell us about that. He is the greatest living artist and he did a

:00:11.:00:17.

piece of work for Even Better Than The Real Thing and no one has seen

:00:17.:00:22.

this before. This is the opening moment? All the

:00:22.:00:30.

visuals were courtesy of Hirsty and to have his genius was a great

:00:30.:00:39.

thing and he kicked it off. We went into the fly. Dead flies courtesy

:00:39.:00:44.

of Hirsty! Can you hear the rain? This is

:00:44.:00:46.

Glastonbury, this is what it is like.

:00:46.:00:50.

We just had gentle rain. It was pouring with rain when I was was

:00:50.:00:56.

introduced you. What an introduction. I love you,

:00:56.:01:01.

Larry so much. You guys were in sync. It was

:01:01.:01:04.

remarkable. I was thinking about this with the rain and what that

:01:04.:01:13.

adds to the sense of occasion and it took me back to Under A Blood

:01:13.:01:17.

Red Sky. And you didn't climb on top of the

:01:17.:01:24.

stage this time. He couldn't move! There were a few more people here

:01:24.:01:31.

tonne than at Red Rocks. Did you enjoy it? So much.

:01:31.:01:37.

That song Jerusalem, for an Irish boy to sing it, but there is a

:01:37.:01:41.

story about Glastonbury. People don't know that song is sung in,

:01:41.:01:47.

Jerusalem, is about Joseph come to go Glastonbury and the oldest

:01:47.:01:51.

Christian abbey in Northern Europe is here. Everyone talks about

:01:51.:02:01.
:02:01.:02:03.

Stonehenge and all that, man. It is a real pilgrimage for me. I used

:02:03.:02:12.

some of the lyrics in Bad also. Were you comfortable with that?

:02:12.:02:18.

Larry, how was it for you? I was a little disappointed it was so wet.

:02:18.:02:22.

A little bit of rain is OK. For the crowd, they were stuck together,

:02:22.:02:29.

but one criticism, the audience are so far away and sometimes when you

:02:29.:02:33.

are struggling through it, you just love to have them a little bit

:02:33.:02:40.

closer. There is a huge gap and I'm not used to that. You shouldn't

:02:40.:02:45.

have been a drummer. You should have been the front-man. You always

:02:45.:02:49.

had the looks. Not much you can do about rhythm.

:02:49.:02:59.
:02:59.:03:00.

We are going to check out the mini Thank you for waiting.

:03:00.:03:10.
:03:10.:03:10.

Apology for the loss of subtitles for 45 seconds

:03:10.:03:59.

Thank you, Michael Eavis. All the # But I still haven't found

:03:59.:04:09.
:04:09.:04:33.

# But I still haven't found # I have spoke

:04:33.:04:43.
:04:43.:05:01.

# But I still haven't found # But I still haven't found

:05:01.:05:11.
:05:11.:05:48.

# Then all the colours # You broke the bonds

:05:48.:05:58.
:05:58.:06:17.

# But I still haven't found # But I still haven't found

:06:17.:06:27.
:06:27.:06:50.

# But I still haven't found # Out of the darkness

:06:50.:06:54.

# Our love shines on, our love shines on

:06:54.:07:04.

# Our love shines on # And moving on up, yeah

:07:04.:07:12.

# Out of the darkness # Our love shines on

:07:12.:07:22.
:07:22.:07:29.

So yeah, I love the rain on your glasses.

:07:29.:07:34.

I need wipers! What about that little moment when

:07:34.:07:44.

I scream? Do you have a message because you did a Coldplay thing.

:07:44.:07:54.
:07:54.:07:55.

Have you a message for Coldplay? Yeah, I have a few set ideas!

:07:55.:08:00.

LAUGHTER No, we love Coldplay. Beautiful

:08:00.:08:09.

songs, extraordinary songs they have, but let's not get carried

:08:09.:08:13.

away! They are going to be great. They are great. They are truly

:08:13.:08:20.

great. They are just not good looking!

:08:20.:08:21.

LAUGHTER Oh dear.

:08:21.:08:25.

What was interesting, you really stepped into the hole history of

:08:25.:08:28.

the site and what it means to people who aren't even here for the

:08:28.:08:34.

music and because of the lei lines and the tor which goes on before

:08:34.:08:40.

your time and it can be possible, but many, many hundreds of years.

:08:40.:08:49.

Lancet. It was a Monty Python reference.

:08:49.:08:56.

You know the film, the Monty Python film. I called Larry the knight who

:08:57.:09:04.

says no. Where would you be without it?

:09:04.:09:12.

is a high place. It is higher ground. It is holy ground. I

:09:12.:09:18.

actually came and and you can turn me off in the pub now, but I came

:09:18.:09:22.

as a pilgrim, did you feel that? Maybe not. You came as a pilgrim

:09:22.:09:27.

for the music. I came for all the other - myself and Mike Scot.

:09:27.:09:33.

Are you heading off to the to the healing fields now. The history of

:09:33.:09:37.

Glastonbury is well documented and Neil Oliver has done a film for it.

:09:37.:09:42.

You might want to watch this. tell you? No, you can't. You have

:09:42.:09:52.
:09:52.:09:58.

For the past 40 years, festival goers have been building their own

:09:58.:10:00.

mythology in the Glastonbury site. But this part of the country has

:10:00.:10:03.

been a destination for pilgrims of all kinds for over 5,000 years. In

:10:03.:10:07.

a few days time thousands of festival goers will stream down the

:10:07.:10:12.

hillsides to watch U2 make history on that stage, but how many of them

:10:12.:10:15.

will appreciate how much truly ancient history surrounds them

:10:15.:10:18.

here? The first Pyramid Stage was

:10:18.:10:24.

constructed on this spot in 1971. Made out of scaffolding and plastic

:10:24.:10:27.

sheeting, its appearance was different to the great pyramids of

:10:27.:10:33.

Egypt, but the idea behind it was much the same. Andrew Kerr wanted

:10:33.:10:38.

to use the spiritual associations of the Somerset Levels to create a

:10:38.:10:42.

free festival that was more than a gig in a field. The Pyramid Stage

:10:42.:10:47.

was to be a spiritual satellite dish able to pick up and channel

:10:47.:10:54.

the vibrations of the cosmos. Whether or not Awe awe gree with

:10:55.:10:58.

Andre's approach to stage building, this landscape is littered with

:10:58.:11:03.

ancient sites and it is full of myth and legend.

:11:03.:11:10.

Andrew Kerr moved the festival from September to June conditioning the

:11:10.:11:20.
:11:20.:11:24.

tradition of the he can of the equinox pilgrimage.

:11:24.:11:34.
:11:34.:11:34.

The site is loafer looked by this outcrop. Glastonbury tor. The Celts

:11:34.:11:43.

called this place the Isle of Glass. Pay part from the famous muddy

:11:43.:11:53.
:11:53.:11:55.

Glastonburies, there is precious On a dry day, you can see the

:11:56.:12:00.

Glastonbury Festival site from here somewhere over there. Today, is not

:12:00.:12:04.

a dry day. In keeping with another Glastonbury Festival tradition, the

:12:04.:12:13.

weather has gone bad. In ancient times these Somerset levels were a

:12:13.:12:19.

shallow marshy sea. So maybe there is some truth in the legend of

:12:19.:12:24.

Avalon after all. Glastonbury's connection to Camelot

:12:24.:12:34.
:12:34.:12:39.

Hello Neil. How are you doing? How long has

:12:39.:12:45.

this place been the focus of legend? This place has been legend

:12:45.:12:55.

for about 900 years. It goes back to the 12th century.

:12:55.:12:59.

What triggered legend here? One is the myth that when King Arthur was

:12:59.:13:04.

killed he was brought to the Isle of Avalon and no one knew where

:13:04.:13:09.

that was until the monks of Glastonbury started digging up the

:13:09.:13:15.

place. What they found here was the coffin of King Arthur.

:13:15.:13:19.

Do you think the legend, almost above all other legends, is the one

:13:19.:13:25.

that endures in this part of the world? Well, all nations want a

:13:25.:13:29.

great figurehead and if we look back into the Dark Ages, what we

:13:29.:13:39.
:13:39.:13:40.

find in reality are petty chieftains. The other important

:13:40.:13:44.

thing about King Arthur is the notion he never dismt he was

:13:44.:13:49.

brought -- died. He was brought here to Avalon and perhaps he lives

:13:49.:13:54.

For many people, this landscape is charged with the energy of all

:13:54.:13:58.

those who have passed through it before them. From the ancient

:13:58.:14:04.

architects of Stonehenge, to those seeking Avalon, so perhaps it is

:14:04.:14:08.

fit that Glastonbury should inhabit this landscape now, drawing more

:14:08.:14:18.
:14:18.:14:22.

people together and creating new I love that dude.

:14:22.:14:29.

Why do I think of Shameless when I see him? That was brilliant.

:14:29.:14:39.
:14:39.:14:40.

We had to kick off U2. They are in good form, weren't

:14:40.:14:46.

they? They looked happy. We have interviewed a few bands and

:14:46.:14:49.

they always have that same look in their eyes, they can't comprehend

:14:49.:14:55.

what has happened? They watched the performance as they watched they

:14:55.:15:03.

are going, "Ah, no." You were going "that was good.". Except for Larry

:15:03.:15:07.

who was marking a paper saying, "That didn't work.". So much to see

:15:07.:15:13.

and hear across this weekend and you can listen to Glastonbury on 6

:15:13.:15:21.

Music. We are online and the BBC

:15:21.:15:26.

Glastonbury website is the main port of call and on BBC TV. One of

:15:26.:15:31.

my highlights when I saw the line- up, but I didn't get a chance to

:15:31.:15:41.

see it. Inevitably, you can't. The bottom line is see is Celo

:15:41.:15:44.

Green. If you are watching this, there is

:15:44.:15:54.
:15:54.:15:54.

Apology for the loss of subtitles for 45 seconds

:15:54.:16:35.

a lot of strobing and there is # Gone daddy has gone

:16:35.:16:43.

# Eyes will turn # When I see you

:16:43.:16:53.
:16:53.:17:12.

# Daddy has gone # I can tell by the way you switch

:17:12.:17:22.
:17:22.:17:22.

# I can tell by the way you baby talk

:17:22.:17:32.
:17:32.:17:45.

# Daddy has gone # Get a phone call

:17:45.:17:55.
:17:55.:18:07.

# The love has gone # Gone away

:18:07.:18:17.
:18:17.:18:41.

I spint a lot of money on these shoulder pads. You like them?

:18:41.:18:51.
:18:51.:19:25.

# I remember when I lost my mind # Way out there without a care

:19:25.:19:33.

# I was out-of-touch # But it wasn't because I didn't

:19:33.:19:37.

know enough # I just knew too much

:19:37.:19:47.
:19:47.:20:05.

# Does that make me crazy? # And I hope that you are having

:20:05.:20:15.
:20:15.:20:15.

Apology for the loss of subtitles for 45 seconds

:20:15.:21:11.

who do you, who do you, # My heroes had the heart to lose

:21:11.:21:21.
:21:21.:21:21.

Apology for the loss of subtitles for 45 seconds

:21:21.:23:19.

Life is precious. Scream, enjoy I still can't hear you!

:23:19.:23:29.
:23:29.:23:30.

Apology for the loss of subtitles for 45 seconds

:23:30.:27:35.

Hello. All right. Really? Can we talk about... Are we really stood

:27:35.:27:42.

out here? It is a bit chilly now. Our set is always beautiful, but

:27:42.:27:46.

there is a wicker fox who the team dubbed for reasons, well he is

:27:46.:27:52.

called the contented fox. I would like to assure viewers... Is he

:27:52.:27:55.

playing the saxophone. It is a saxophone.

:27:55.:27:59.

It is a happy fox, but he is happy because he is playing a broadcast

:27:59.:28:05.

instrument just to be very, very clear.

:28:05.:28:15.
:28:15.:28:16.

Have have you guys stopped where there is no awning? That was Cee-Lo

:28:16.:28:20.

Green you saw there. We have been joined by Mark and Lauren. What

:28:20.:28:26.

have you got in your pocket? left their flask in our dressk room.

:28:26.:28:34.

What if Larry Mullan needs a brew. Is it tea or coffee? Is it really

:28:34.:28:40.

U2's flask. It is soup. No, that's got, it is

:28:40.:28:47.

not tea. What would you say that is? New York's I think it is soup.

:28:47.:28:57.
:28:57.:29:02.

It is not Ovalatine or Horlicks. We have cuppa soups going on.

:29:02.:29:06.

That's what it is, it is like like cuppa.

:29:06.:29:10.

It is going to sustain us through the programme. Thank you for the

:29:10.:29:15.

music... And the soup. We are going to bow out and we are

:29:15.:29:25.
:29:25.:29:27.

going to leave it over to you. Now we are going to.

:29:27.:29:37.
:29:37.:29:53.

Chasing Status. # I am a man with a heavy heart

:29:53.:29:59.

# It's a blind faith A cruel waste, a bitter taste

:29:59.:30:02.

# So I know I need this sweet sensation

:30:02.:30:08.

# Sweet sensation

:30:09.:30:12.

# The music that we play will ease your mind

:30:12.:30:22.
:30:22.:30:33.

# Sweet sensation

:30:33.:30:37.

# Sweet sensation

:30:37.:30:43.

# The music that we play will ease your mind

:30:43.:30:52.

# Sweet sensation

:30:52.:30:56.

# The music that we play will ease your mind

:30:56.:31:06.
:31:06.:31:08.

# What is a man to do with his mind?

:31:08.:31:11.

# When it's working overtime?

:31:11.:31:14.

# The best I can do is not dance with the devil

:31:14.:31:19.

# I keep myself sane I won't waste this time and space

:31:20.:31:28.

# So I know I need this sweet sensation

:31:28.:31:34.

# Sweet sensation

:31:34.:31:41.

# The music that we play will ease your mind

:31:41.:31:50.

# Sweet sensation

:31:50.:31:55.

# The music that we play will ease your mind

:31:55.:32:05.
:32:05.:32:06.

# I am a man with a heavy heart

:32:06.:32:13.

# I am a man with a heavy heart

:32:13.:32:20.

# It's a blind faith, a cruel waste

:32:20.:32:23.

# What a bitter taste

:32:23.:32:26.

# So I know I need this sweet sensation

:32:26.:32:32.

# Sweet sensation

:32:32.:32:39.

# The music that we play will ease your mind

:32:39.:32:46.

# Sweet sensation

:32:46.:32:51.

# The music that we play will ease your mind

:32:51.:33:00.

# I am a man with a heavy heart

:33:00.:33:07.

# I am a man with a heavy heart

:33:07.:33:14.

# It's a blind faith, a cruel waste

:33:14.:33:17.

# What a bitter taste

:33:17.:33:21.

# So I know I need this sweet sensation. #

:33:21.:33:31.
:33:31.:33:40.

They

:33:40.:33:40.

They look

:33:40.:33:41.

They look so

:33:41.:33:47.

They look so well. There is not a lot of veg in that. Chase & Status

:33:47.:33:56.

there. We are just sampling the Larry Mullan drink. It looks like

:33:56.:34:02.

the remains of a grill pan. It is quite nice, you know. On a

:34:02.:34:05.

wintry evening here. It is quite warming.

:34:05.:34:09.

It is kind of greasy as well. It is nice though.

:34:09.:34:13.

It is like something out of the bottom of a grill pan, isn't it?

:34:13.:34:17.

is, yes. Thank you for sticking with us. Thank you for leaving your

:34:17.:34:23.

soup, U2. Can I have some more. We have some Mumford and Sons in a

:34:23.:34:27.

while for you who were playing the other stage, but right now we have

:34:27.:34:33.

some beautiful, beautiful live music.

:34:33.:34:43.
:34:43.:34:43.

Apology for the loss of subtitles for 45 seconds

:34:43.:35:48.

# Oh these days seem so far away # I need sunshine

:35:48.:35:57.

# I need angels # There is something going on and I

:35:57.:36:07.
:36:07.:36:37.

need them # # Everything I stood for. # I was

:36:37.:36:42.

in a place that I didn't want to be # Seeing face after face, I didn't

:36:42.:36:45.

want to see # I didn't go out of my mind

:36:45.:36:55.

# Only god knows # All them girls that I used to see

:36:55.:36:59.

running around # I need sunshine

:36:59.:37:06.

# I need angels. Angels # There is something going on and I

:37:06.:37:16.
:37:16.:37:33.

need them # No, no, I need

:37:33.:37:38.

# Sunshine # There is something going on and I

:37:38.:37:48.
:37:48.:37:52.

need them # There is something going

:37:52.:38:00.

# There is something going on # I need sunshine

:38:00.:38:09.

# I need angels # I need something good and I need

:38:09.:38:19.
:38:19.:38:20.

them # There is something going on

:38:20.:38:30.
:38:30.:38:39.

# There is there is something going From London to Glastonbury, that's

:38:39.:38:44.

Maverick Sabre playing the festival tomorrow. The song was great. But

:38:44.:38:48.

this is separating from the mug now! I'm slightly worried.

:38:48.:38:51.

I want results before the end of the show.

:38:51.:38:56.

I will be looking like Larry Mullan tomorrow.

:38:56.:39:02.

Have you enjoyed it. It is raining. It was beautiful earlier on. It was

:39:02.:39:06.

pleasant. I did get a chance to see a few things. I went through the

:39:06.:39:15.

Spirit of 71 Stage and I talked to Andrew Kerr who put the festival on

:39:15.:39:22.

and and build the stage. I saw the Spirit of 71 Stage a lot of artists

:39:22.:39:30.

are playing that played in 1971. I saw Noel Harrison singing.

:39:30.:39:33.

I interviewed Melanie. She is on there tonight.

:39:33.:39:41.

She played the original festival in 1971. And she said when she played

:39:42.:39:46.

in 1971, her husband was with her and he recently died. He was her

:39:46.:39:50.

manager and the father of her three kids, but she said he promised me

:39:50.:39:54.

this was the last thing he was organising her her doing this

:39:54.:39:58.

festival and he promised that he would be there. It was really

:39:58.:40:01.

emotional and really lovely, she was OK and feeling really positive

:40:01.:40:05.

about it. It felt like she was going to be surrounded by love

:40:05.:40:08.

there. She would have been surrounded by

:40:08.:40:11.

love because Andrew Kerr was the guy sorting out the first festival.

:40:11.:40:15.

He had tears in his eyes when he told me Melanie was coming back. He

:40:15.:40:18.

couldn't believe she was coming back to play at this stage.

:40:18.:40:23.

I was saying to her, I think the old school folk spirit is in intact

:40:23.:40:27.

in Glastonbury and folk under going massive revival and one of the

:40:27.:40:31.

people at the forefront of that movement movement are Mumford and

:40:31.:40:39.

Sons. I did see Marcus Mumford on the back of a big wagon and I went

:40:39.:40:44.

went, "How did it go?" And he went like that.

:40:44.:40:54.
:40:54.:40:54.

Apology for the loss of subtitles for 45 seconds

:40:54.:45:06.

# It's empty # The sun

:45:06.:45:09.

# Away from all the fears and all the faults you've left behind

:45:09.:45:18.

# The harvest left no food for you to eat

:45:18.:45:20.

# You cannibal, you meat-eater You see

:45:20.:45:22.

# But I have seen the same I know the shame in your defeat

:45:22.:45:30.

# But I will hold on hope

:45:30.:45:33.

# And I won't let you choke on the noose around your neck

:45:33.:45:40.

# And I'll find strength in pain And I will change my ways

:45:40.:45:46.

# I'll know my name as it's called again

:45:46.:45:51.

# Cos I have other things to fill my time

:45:51.:46:01.
:46:01.:46:06.

# Cos I have other things to fill my time

:46:06.:46:07.

# You take what is yours and I'll take mine

:46:07.:46:10.

# Now let me at the truth Which will refresh my broken mind

:46:10.:46:17.

# So tie me to a post and block my ears

:46:17.:46:20.

# I can see widows and orphans through my tears

:46:20.:46:24.

# I know my call despite my faults and despite my growing fears

:46:24.:46:31.

# But I will hold on hope

:46:31.:46:34.

# And I won't let you choke on the noose around your neck

:46:34.:46:42.

# And I'll find strength in pain And I will change my ways

:46:42.:46:48.

# I'll know my name as it's called again

:46:48.:46:58.
:46:58.:46:59.

# So come out of your cave walking on your hands

:46:59.:47:02.

# And see the world hanging upside down

:47:02.:47:06.

# You can understand dependence when you know the maker's land

:47:06.:47:13.

# So make your siren's call And sing all you want

:47:13.:47:20.

# I will not hear what you have to say

:47:20.:47:23.

# Cos I need freedom now And I need to know how

:47:23.:47:29.

# To live my life as it's meant to be

:47:29.:47:39.
:47:39.:47:54.

# And I will hold on hope

:47:54.:47:57.

# And I won't let you choke on the noose around your neck

:47:57.:48:04.

# And I'll find strength in pain And I will change my ways

:48:04.:48:11.

# I'll know my name as it's called again. #

:48:11.:48:21.
:48:21.:48:31.

Thank

:48:31.:48:32.

Thank you

:48:32.:48:32.

Thank you very

:48:32.:48:42.
:48:42.:48:42.

Thank you very much. Mumford and Sons earlier on the

:48:42.:48:49.

Other Stage. Will you leave that cow alone? We're keeping her calm.

:48:49.:48:58.

We don't want her rearing up. One r for one thing, I haven't filled the

:48:58.:49:05.

form in, health and safety. I had them on a radio show and I

:49:05.:49:10.

thought they were destined to be there and they were playing the

:49:10.:49:20.
:49:20.:49:21.

Grammys. It happened last year. could hear Test Match special and

:49:21.:49:26.

David Gower saying "I'm listening to Mumford and Sons." Who would

:49:26.:49:31.

have thought it? Not them. Marcus has stayed clean cut, while some of

:49:31.:49:37.

the rest of them have gone native. We were a band of folk musicians

:49:37.:49:41.

and that's what happens. Fair play to them. I thought that was good.

:49:41.:49:47.

There has been all sorts of stuff at glast gree including --

:49:47.:49:51.

Glastonbury including a gentleman who made history in 1985 when he

:49:51.:49:56.

head lined with the Smiths. But it is not just about the big headline

:49:56.:50:00.

acts and the people who play in the Grammys and stuff, there is another

:50:00.:50:04.

side to Glastonbury and we do get out and about and enjoy that, but

:50:04.:50:11.

one lady who is enjoying it as I speak is the beautiful Gemma who is

:50:11.:50:19.

in the nocturnal armpit of Glastonbury and I mean that in a

:50:19.:50:25.

good way. Oh, far, far away from the Pyramid

:50:25.:50:31.

Stage and the Other Stage, even beyond Arcadia is Block 9 where the

:50:31.:50:36.

absurd, the glamorous, the wonderful, the most surreal moments

:50:36.:50:43.

happen. Tell me more. I found friends? We are in New York disco.

:50:44.:50:49.

This is from 1989 and it is all that's left of the world after a

:50:49.:50:52.

nuclear warp Enlighten me. What's going to

:50:52.:50:56.

happen around here this evening? Everybody is going to be very, very

:50:56.:51:01.

free and we are going to dance until the end of the world because

:51:01.:51:04.

it is what we are doing here, honey, we are just dancing and celebrating

:51:04.:51:13.

life. I am impressed. You have got heels

:51:13.:51:19.

on. I have got four inch heels on. Mud? What mud? I am hearing loads

:51:19.:51:29.
:51:29.:51:30.

about the London Underground. Let's My name is Steve Gallagher.

:51:30.:51:34.

My name is Gideon. We are the team behind the new

:51:34.:51:36.

London Underground at Glastonbury this year.

:51:36.:51:44.

We started off doing the NYC download four years ago. We knew we

:51:44.:51:47.

needed to do something else big and spectacular, but we weren't sure

:51:47.:51:52.

what it should be. We knew it should be a music venue and we

:51:52.:51:56.

wanted to do something that was London-centric so we had New York

:51:56.:52:03.

and London on opposite sides of the field. On the build crew, there are

:52:03.:52:08.

something like 45 people. We have been helping build this

:52:08.:52:11.

marvellous structure which has been called London Underground.

:52:11.:52:16.

I painted all the balconies and all the bits on the ground and put the

:52:16.:52:18.

texture on and made them look like concrete and the colour and

:52:18.:52:22.

everything. It is hard work.

:52:22.:52:26.

And once it is put together, we're going to go up on the scissor lift

:52:26.:52:34.

and put dirt and mould and everything and make it look like a

:52:34.:52:38.

really shitty council block. It always looks amazing.

:52:38.:52:41.

We all know what we have got to do so and we are all putting our time

:52:41.:52:49.

The idea behind the set was you know, I guess quite competitive,

:52:49.:52:59.

you know, we did the Downlow and it was an ambitious set and we wanted

:52:59.:53:08.

to push the boat out first. We previously crashed a taxi into

:53:08.:53:12.

the Downlow and the Tube has has derailed underground and smashed up

:53:12.:53:18.

through the tower block and caught daily life in its wheels and

:53:18.:53:21.

dragged it out through the front of the building as it crashed out

:53:21.:53:24.

through the front of the building. It is a sculpture in itself and

:53:24.:53:29.

then you walk through the sculpture into the venue behind and the venue

:53:29.:53:37.

behind is seedy, underground, London nightclub.

:53:37.:53:46.

Proper established clubs. They This is brilliant. The level of

:53:46.:53:51.

production is amazing. You don't often get to play inside a venue at

:53:51.:53:55.

a festival and they have created a nightclub and it is wicked. It is

:53:55.:54:01.

brilliant. It is like going back to London. It

:54:01.:54:04.

is like being in Brixton. There is lots of raving going on.

:54:04.:54:09.

People are having a good time. There is a lot of love.

:54:09.:54:13.

I don't think I have seen this level of, you know, extravagance in

:54:13.:54:18.

a venue before especially in a field.

:54:18.:54:25.

I haven't gone anywhere else, I have been right here.

:54:25.:54:29.

I wondered what Marcus was doing with himself. I didn't know where

:54:29.:54:34.

he was, but know I noi -- now I know.

:54:34.:54:39.

I am always amazed at how much effort people put into putting

:54:39.:54:44.

these structures up One of the things they added was a

:54:44.:54:48.

mechanical bull ring in which they are having fights with real people.

:54:48.:54:52.

We came down and launched the start of the Glastonbury season last

:54:52.:54:54.

month while they were building everything and it really is a year

:54:54.:55:00.

long project. It takes a month to strip the set back.

:55:00.:55:04.

My kids are here somewhere and they were in a giant fish. A giant

:55:04.:55:10.

silver fish. When we got up close it was built out of CDs. It was

:55:10.:55:16.

amazing that someone could go to that much trouble. It was great

:55:16.:55:21.

bringing kids as they were chatter, chatter and as soon as they saw the

:55:21.:55:26.

size of it silence. If you have never been, it is impossible to

:55:26.:55:36.
:55:36.:55:41.

Like we said, there's been all sorts on. One of the things I

:55:41.:55:47.

checked out earlier was this man - former headliners, May 1985. It was

:55:47.:55:52.

a very controversial headliners. People were not sure about the

:55:52.:55:57.

Smiths. They thought it should be a hippies only festival. He embraced

:55:57.:56:04.

pop music and took Glastonbruy into a new league. I like Morrissey. At

:56:04.:56:11.

a festival he's like, "I don't know, will I enjoy myself today?" He came

:56:11.:56:17.

out. He went, "Hi, Glastonbury. How strange to see me here." OK, we're

:56:17.:56:23.

doing this then. So we thought you might enjoy a little bit of his set,

:56:23.:56:32.

here earlier at Glastonbruy. On the Other Stage. It was Morrissey.

:56:32.:56:42.
:56:42.:56:54.

Hello Glato! Fancy seeing me -- # On the day that you're meant.

:56:54.:57:04.
:57:04.:57:04.

# Oh, desires to try # And catch up with the tree

:57:04.:57:09.

# Because I want the one I can't have

:57:09.:57:14.

# It's driving me mad # It's all over

:57:14.:57:24.

# All over # My face

:57:24.:57:34.
:57:34.:57:35.

# On the day you're meant to have # I want the one I can't have

:57:35.:57:39.

# It's driving me mad # It's all over

:57:39.:57:48.

# All over my face # A double bed

:57:48.:57:56.

# These are the riches of the poor A double bed

:57:56.:58:05.

# And a lover for sure # These are the riches of the poor

:58:05.:58:11.

And I want the one I can't have # And it's driving me mad

:58:11.:58:21.
:58:21.:58:24.

# It's all over # All over my face

:58:24.:58:31.

# A tough kid who sometimes swallows nails

:58:31.:58:36.

# Gone to the prisoner's aid # He killed a policeman when he was

:58:36.:58:46.
:58:46.:58:48.

# Somehow it really impressed me # It's written all over my face

:58:48.:58:58.
:58:58.:59:07.

# Oh, these are the riches of the poor # Oh, these are the riches of

:59:07.:59:10.

the poor-ra # I want the one I can't have

:59:10.:59:18.

# This is driving me mad # It's written all over my face,

:59:18.:59:26.

face-face # On the day that you're meant to

:59:26.:59:31.

have a journey # Catches up with your face

:59:31.:59:39.

# And if you ever need salvation # Just me me in the alibi the

:59:39.:59:44.

railway -- in the a lrk ley by the railway station

:59:44.:59:54.
:59:54.:00:12.

APPLAUSE # There is no-one on earth

:00:12.:00:19.

# English hearts # There is no-one on earth I'm

:00:19.:00:29.
:00:29.:01:02.

# To be standing by the flag # There is no-one on earth

:01:02.:01:12.
:01:12.:01:27.

# And I will die # The English are sick to death

:01:27.:01:37.
:01:37.:01:41.

# And denounce this Royal Line that still salute him

:01:41.:01:48.

# And will salute him

:01:48.:01:51.

# Forever. #

:01:51.:02:01.
:02:01.:02:01.

Apology for the loss of subtitles for 45 seconds

:02:01.:03:04.

# Punctured bicycle

:03:04.:03:06.

# On a hillside desolate

:03:06.:03:07.

# Will Nature make a man of me yet?

:03:07.:03:09.

# When in this charming car

:03:09.:03:12.

# This charming man

:03:12.:03:18.

# Why pamper life's complexities

:03:18.:03:20.

# When the leather runs smooth

:03:20.:03:22.

# On the passenger seat?

:03:22.:03:27.

# I would go out tonight

:03:27.:03:30.

# But I haven't got a stitch to wear

:03:30.:03:37.

# This man said: "It's gruesome

:03:37.:03:39.

# That someone so handsome should care"

:03:39.:03:48.

# A jumped-up pantry boy

:03:48.:03:50.

# Who never knew his place

:03:50.:03:52.

# He said, "Return the ring"

:03:52.:03:56.

# He knows so much about these things

:03:56.:04:00.

# He knows so much about these things

:04:00.:04:07.

# I would go out tonight

:04:07.:04:09.

# But I haven't got a stitch to wear

:04:09.:04:17.

# This man said, "It's gruesome

:04:17.:04:19.

# That someone so handsome should care"

:04:19.:04:29.
:04:29.:04:29.

# This charming man

:04:29.:04:39.
:04:39.:04:39.

# This charming man

:04:39.:04:46.

# A jumped-up pantry boy

:04:46.:04:48.

# Who never knew his place

:04:48.:04:50.

# He said, "Return the ring"

:04:50.:04:54.

# He knows so much about these things

:04:54.:04:58.

# He knows so much about these things. #

:04:58.:05:08.
:05:08.:05:16.

Thank

:05:16.:05:16.

Thank you.

:05:16.:05:16.

Thank you. Thank

:05:16.:05:23.

Thank you. Thank you! Morrissey earlier today, on the

:05:23.:05:31.

Pyramid Stage - the big pointy one, obviously. I enjoyed pry

:05:32.:05:38.

malscream's set earlier, -- Primal Scream's set earlier. It made me

:05:38.:05:44.

feel like I'd eaten the sun. that's where it went! We have all

:05:44.:05:52.

sort of stuff for you to enjoy on radio, online, on red button. It

:05:52.:05:58.

can take you to see others, you can enjoy fleet foxes, who were

:05:58.:06:08.
:06:08.:06:11.

fantastic earlier on. I am told in my ear Jason stay on the and

:06:11.:06:17.

Wootton clan. One of whom came in a bath robe. I think it was the

:06:17.:06:24.

founder. He always dresses up. Or it could have been Barry Clan. I

:06:24.:06:30.

can't tell them apart. They are like the Chuckle Brothers. We have

:06:30.:06:39.

some live music now. We have got some live music. These girls come

:06:39.:06:49.
:06:49.:06:50.

from Alabama, a legendary music town. They were on the acow stick -

:06:50.:07:00.

- Acoustic Stage earlier today. It is the Secret Sisters.

:07:00.:07:05.

# You make me cry baby # Cry baby, cry

:07:05.:07:10.

# I can't help but love you till the day I die

:07:10.:07:15.

# Tell me why, baby, why? # I want to be with you

:07:15.:07:18.

# Like last time when the feathers flew

:07:18.:07:22.

# You're running wild, kicking up your heels

:07:22.:07:26.

# Leaving me at home with a handful of bills

:07:26.:07:32.

# Lord, I can't live without you # It's true.

:07:32.:07:42.
:07:42.:07:43.

# There's no living without you # I'm going to honky-tonking

:07:43.:07:48.

# Tell me high you made me cry # Cry baby, cry

:07:48.:07:53.

# Lord, I kapt help but love you till the day -- can't help but love

:07:53.:08:00.

you till the day that I die # Tell me why baby, why baby, why

:08:00.:08:08.

baby, why? # Now I don't know, but I've heard

:08:08.:08:16.

# That every dog will have his day # You better pay attention

:08:16.:08:20.

# I'm just a little bit imperson napbt

:08:20.:08:30.
:08:30.:08:34.

# Well I caught you Honky-trk onkyi -- tonkying with my best friend

:08:34.:08:37.

# Come and feel for the knob on the door

:08:37.:08:40.

# Tell me why Baby

:08:40.:08:45.

# Baby # Why you made me cry, baby, cry

:08:45.:08:48.

# Lord, I can't help but love you till the day I die

:08:48.:08:53.

# Tell me why, baby, why baby, why baby, why?

:08:53.:09:03.
:09:03.:09:07.

# Tell me why baby, why baby, why? APPLAUSE

:09:07.:09:12.

That was great, wasn't it? The sister sisters from Alabama. I

:09:12.:09:18.

liked that a lot. I liked that guitar. You were admiring that.

:09:18.:09:24.

is a beautiful old Gibson guitar. Nice work, ladies! Morrissey was

:09:24.:09:28.

lying when he said he wouldn't go out tonight because he didn't is a

:09:28.:09:33.

stitch to wear! I thought I saw a change of blouse during his set.

:09:33.:09:40.

did change it. One was red and the other was slightly paler. When did

:09:40.:09:47.

he do that? Did he have a changing room, side-stage? We could miss it

:09:47.:09:52.

and start the rumour, it being late night telly. He had a lady come on

:09:52.:09:59.

and do a quick change thing. Lift the curtain up. Shake a velvet

:09:59.:10:03.

curtain. You should consider that. He should! I think maybe I should

:10:03.:10:08.

consider something. I like it, you have your het set. That's all that

:10:08.:10:13.

matters. Someone gave me this hat. He had a hat stall. I think he

:10:13.:10:17.

thought I would come on telly and plug his hat stall. I have got my

:10:17.:10:22.

free hat on. Whatever you were, I don't know your name or the name of

:10:22.:10:26.

your hat stall. It is a great hat stall, I am sure. It is a plug you

:10:26.:10:32.

can do on the BBC because it is nothing I am not advertising.

:10:32.:10:36.

If this doesn't work for him as a fashion break through, me sporting

:10:36.:10:44.

one of his hats. Morrissey changed shirts. I think he might have been

:10:44.:10:52.

back stage Biffy's changing room. They came on with their clothes on,

:10:52.:10:57.

I could only identify them by their nip pis.

:10:57.:11:07.
:11:07.:11:31.

# You got me to stay away # I can't compete with history

:11:31.:11:41.

# In control of the morning In control of the sea

:11:41.:11:51.
:11:51.:11:53.

# You are creating all the bubbles at night

:11:53.:11:59.

# I'm chasing round trying to pop them all the time

:11:59.:12:06.

# We don't need to trust a single word they say

:12:06.:12:12.

# You are creating all the bubbles at play

:12:12.:12:19.

# There's a girl, there's a girl There's a girl, there's a girl

:12:19.:12:23.

# And she's down by the river In her own creepy world

:12:23.:12:26.

# There's a girl, there's a girl

:12:26.:12:29.

# And she's down by the river It's time to consider

:12:29.:12:35.

# That baby is a sinner She'll wash away your sins

:12:35.:12:40.

# And go home I only once upset my kin

:12:41.:12:50.
:12:51.:12:56.

# Accused him of a moral slip

:12:56.:12:59.

# He came back and claimed a change I know his life's the same again

:12:59.:13:05.

# I can't ask him again I should let it go

:13:05.:13:15.
:13:15.:13:17.

# You are creating all the bubbles at night

:13:17.:13:23.

# I'm chasing round trying to pop them all the time

:13:23.:13:30.

# We don't need to trust a single word they say

:13:30.:13:36.

# You are creating all the bubbles at play

:13:36.:13:43.

# There's a girl, there's a girl There's a girl, there's a girl

:13:43.:13:46.

# And she's down by the river In her own creepy world

:13:46.:13:50.

# There's a girl, there's a girl

:13:50.:13:53.

# And she's down by the river It's time to consider

:13:53.:13:59.

# That baby is a sinner

:13:59.:14:02.

# There's a girl, there's a girl There's a girl, there's a girl

:14:02.:14:06.

# She'll wash away your sins

:14:06.:14:08.

# She's face down in the river

:14:08.:14:18.
:14:18.:14:18.

Apology for the loss of subtitles for 45 seconds

:14:18.:15:50.

The

:15:50.:15:50.

The unmistakeable

:15:50.:15:51.

The unmistakeable this

:15:51.:15:57.

The unmistakeable this rob of Biffy Clyro earlier today on the Pyramid

:15:57.:16:02.

Stage. They could get clothes drawn. With a bow tie. I found them scary.

:16:02.:16:09.

They look like they have come out of Charles Manson's gang. Who was

:16:09.:16:19.
:16:19.:16:19.

the one with the shirt on and a smart shirt on? Was he from Jim'll

:16:19.:16:23.

Fix It? Maybe he was demoted. Maybe that is

:16:24.:16:29.

how it happens. Get your top back on! They are a blistering act.

:16:29.:16:33.

are very sweet as well. I know that is not a cool thing to say! Gemma

:16:33.:16:39.

has been out in the fields, looking at the night life, looking at

:16:39.:16:45.

Glastonbury after dark. She is back up there at the London underground

:16:45.:16:50.

doing further explorations. Are you there? Here I am, in block fine. I

:16:50.:16:52.

know I'm at the London Underground, which means something weird is

:16:52.:16:58.

going to happen to me. Is that right Steve? That is right.

:16:58.:17:03.

You are about to go into the crown and glory. This is a collaborative

:17:03.:17:07.

venture with the Round House. A few people get to experience. You are

:17:07.:17:17.

one of them. I feel lucky.... I think. I'm always on the list, GC!

:17:17.:17:22.

Here goes. Oh, no! Are you all right there, guys? Yeah! Don't

:17:23.:17:28.

believe them! How there, are you all right? I thought it would be

:17:28.:17:36.

cosy in here, but... Hi, nice to meet you. What the.... Hey, what is

:17:36.:17:44.

going on in ....? OK, slightly dark, actually. Don't forget this is

:17:44.:17:49.

really late at night! OK, so I'm finally inside a room.

:17:49.:17:58.

You think you want a room at glasto, you don't think you do! I feel like

:17:58.:18:08.
:18:08.:18:09.

I'm going to find... Is this legal? What? OK, so I'm getting into a

:18:09.:18:19.
:18:19.:18:20.

fridge. I'm actually getting into a fridge. Hi, ladies. Hi! I think,

:18:20.:18:30.
:18:30.:18:31.

I'm all right, yeah! It's a pair of pants on the door. Beautiful pants.

:18:31.:18:41.
:18:41.:18:41.

Can I go through? Oh, my goodness! OK, this is really freaking me out

:18:41.:18:51.
:18:51.:18:52.

now guys. Whatever next? What? Nearly fell over in the mud. Here

:18:52.:18:57.

we go. Am I actually allowed to rave here?

:18:57.:19:05.

I survived the London Underground. It's time to rave. I think I

:19:05.:19:12.

blinking well deserve it! And we never saw her again! Love

:19:12.:19:21.

her - raving in a sheep skin. There is something 70s about that. It was

:19:21.:19:30.

like Alice in Wonderland moving to an inner city place.

:19:30.:19:35.

We had Jimmy cliff earlier. Now we have BB King, who is 85 years old.

:19:35.:19:43.

One of the oldest people ever to play at the festival. He is a

:19:43.:19:47.

legendry guitar player. Rolling Stone called him the third best

:19:47.:19:51.

guitarist ever. There is not a guitarist alive who has not taken a

:19:51.:19:58.

bit from BB King. He was on the Pyramid Stage here earlier on, here

:19:58.:20:05.

at Glastonbruy, 2011. Thank you so much. Are you ready?

:20:05.:20:09.

# No-one love me # No-one seem to care

:20:09.:20:16.

# I said nobody love me # Nobody seem to care

:20:16.:20:21.

# The Troubles # You know I've had my share

:20:21.:20:30.

# I get moving down the line # I want to pack my suitcase and go

:20:30.:20:33.

down the line # Ain't nobody worry

:20:33.:20:38.

# Ain't nobody cry # Every day, every day, every day I

:20:38.:20:44.

have the blues # Every day, every day, every day I

:20:44.:20:49.

have the blues # You seem to worry baby

:20:49.:20:56.

# It's you I'd hate to lose # Every day, every day I have the

:20:56.:21:01.

blues # Every day # Every day I have the

:21:01.:21:05.

blues # Don't worry baby

:21:05.:21:15.
:21:15.:21:15.

Apology for the loss of subtitles for 45 seconds

:21:15.:25:00.

# All right INSTRUMENTAL Thank you.

:25:00.:25:09.

BB King. Wow! I was pleased he played. I gave him the great build-

:25:09.:25:17.

up. He played guitar solo. influenced the rest of the festival.

:25:17.:25:22.

He... I am looking on Twitter. Hello to Natalie, who is watching

:25:22.:25:27.

us in labour. She is hooked up to a tens machine and getting through.

:25:27.:25:33.

love this song. This is Jenny Lewis and her musical live partner. Jenny

:25:33.:25:43.
:25:43.:25:55.

and Johnnie. This is Animals. # We must modernise Jerusalem

:25:55.:26:02.

# The temples # Let them fight over the dust

:26:02.:26:11.

# We will organise in Bethlehem # Able-bodied women

:26:11.:26:19.

# And agnostic, head-strong men # Or we'll meet at 10

:26:19.:26:26.

# If you lose your fear # Of God

:26:26.:26:36.
:26:36.:26:40.

# You are an animal at heart # Ahhh

:26:40.:26:48.

# Show your teeth to everyone # Don't let no-one prove you wrong

:26:48.:26:53.

# You are an animal # An animal

:26:53.:27:03.
:27:03.:27:03.

Show your teeth to everybody # Don't let no-one prove you wrong

:27:03.:27:09.

# You are an animal # An animal

:27:09.:27:19.
:27:19.:27:27.

We must rearrange reality # And shuffle all the cards

:27:27.:27:34.

# The joker with the Queen # Just to make her scream

:27:34.:27:42.

# To destroy all our enemies # Must investigate our friends

:27:42.:27:49.

# Find the ones we want to talk # Believe, and hang them from the

:27:49.:27:53.

trees # If you lose your fear

:27:53.:28:03.
:28:03.:28:06.

# Of God # You are an animal, at heart

:28:06.:28:14.

# Show your teeth to everyone # Don't let no-one prove you wrong

:28:14.:28:19.

# You are an animal # An animal

:28:19.:28:26.

# Show your teeth # To everyone

:28:26.:28:33.

# Don't let no-one prove you wrong # You are an animal

:28:33.:28:43.
:28:43.:28:58.

# An animal # Show your teeth to everyone

:28:58.:29:05.

# Don't let no-one prove you wrong # You are an animal

:29:05.:29:09.

, an animal # An animal

:29:09.:29:19.
:29:19.:29:28.

APPLAUSE I love her. I know, it's great tune

:29:28.:29:33.

that. I love it a lot. Absolutely beautiful. Jenny and Johnnie, that

:29:33.:29:40.

was and Animal. What? Nothing! What? Let's go on to

:29:40.:29:46.

something else. We go to fleet foxes now. We talked about Mumford

:29:46.:29:50.

and Sons, fleet foxes seem to come out of nowhere. My kids, the first

:29:50.:29:54.

time they heard them singing, they were like, how are they doing that.

:29:54.:29:59.

The plepbld of the human voice is the thing that -- the blend of the

:29:59.:30:04.

human voice is the thing that machines will never reproduce.

:30:04.:30:09.

was muddy, here they are, fleet foxes.

:30:09.:30:19.
:30:19.:30:26.

# My brother # Where do you go to tonight?

:30:26.:30:31.

# I heard that you missed your connections

:30:31.:30:40.

# To the mountain # Over in Tennessee

:30:41.:30:46.

# You're welcome with me, any time you like

:30:46.:30:51.

# In the countryside # Handsome, midnight

:30:51.:31:01.

# So no-one gets through me, no # So no one gets through me

:31:01.:31:11.
:31:11.:31:12.

# No. # Be careless

:31:12.:31:19.

# I'm sure it will be fine # I love you

:31:19.:31:29.
:31:29.:31:29.

Apology for the loss of subtitles for 45 seconds

:31:29.:32:14.

# Shiver in the darkness # Father, and the music got frozen

:32:14.:32:24.
:32:24.:32:30.

# And snowing # Till the morning light

:32:30.:32:40.
:32:40.:32:43.

# Terrible, oh, even if you don't mind

:32:43.:32:53.
:32:53.:33:03.

# In the darkness # Father

:33:03.:33:13.
:33:13.:33:19.

# And the snowing # Till the morning light

:33:19.:33:29.

# Terrible, my child # Even if you don't mind

:33:29.:33:39.
:33:39.:33:52.

CHEERING AND APPLAUSE Well, just magical sound, isn't it?

:33:52.:33:59.

Fleet Foxes there. Again like Mumford and Sons, a strange success

:33:59.:34:03.

story. It's demographic, it is because the baby-boomers are buying

:34:03.:34:08.

records and the younger people like it. I think he's right. Music now

:34:08.:34:14.

is lateral and you don't stop buying music when you're 30. This

:34:14.:34:19.

guy, who is a legend was on the bill also. It is the marvellous

:34:19.:34:29.
:34:29.:34:51.

# But you must try # Rome was not built in a day

:34:51.:35:01.
:35:01.:35:14.

# But the hotter the battle you see # But you must try

:35:14.:35:24.
:35:24.:35:38.

# Win or lose # You've got your mind

:35:38.:35:42.

# You can get it though hard it may seem now

:35:42.:35:46.

# You can get it if you really want

:35:46.:35:49.

# You can get it if you really want

:35:49.:35:53.

# You can get it if you really want

:35:53.:35:57.

# But you must try Try and try, try and try

:35:57.:36:04.

# You'll succeed at last I know it - listen

:36:04.:36:14.
:36:14.:36:22.

# You can get it if you really want

:36:22.:36:24.

# You can get it if you really want

:36:24.:36:28.

# You can get it if you really want

:36:28.:36:32.

# But you must try Try and try, try and try

:36:32.:36:38.

# You'll succeed at last. #

:36:38.:36:48.

# You can get it if you really want

:36:48.:36:52.

# You can get it if you really want

:36:52.:36:55.

# You can get it if you really want

:36:56.:37:05.
:37:06.:37:06.

Apology for the loss of subtitles for 45 seconds

:37:06.:37:56.

# I can see clearly # Gone are the dark clouds

:37:56.:38:06.
:38:06.:38:11.

# It's gonna be a bright Bright # It's gonna be a bright Bright

:38:11.:38:21.
:38:21.:38:27.

# Oh, yes, I can make it # All of the bad feelings

:38:27.:38:36.

# Here is that rainbow I've been praying for

:38:36.:38:43.

# It's gonna be a bright Bright Bright Bright sunshiny day, ooh

:38:43.:38:52.

# Look all around There's nothing but blue skies

:38:52.:38:59.

# Look straight ahead There's nothing but blue skies

:38:59.:39:09.
:39:09.:39:21.

# I can see clearly now the rain is gone

:39:21.:39:29.

# I can see all obstacles in my way

:39:29.:39:38.

# Here is that rainbow I've been praying for

:39:38.:39:45.

# It's gonna be a bright Bright Bright Bright sunshiny day

:39:45.:39:52.

# It's gonna be a bright Bright Bright Bright sunshiny day

:39:52.:40:00.

# It's gonna be a bright Bright Bright Bright sunshiny day

:40:00.:40:10.
:40:10.:40:10.

Apology for the loss of subtitles for 45 seconds

:40:10.:41:05.

# By the rivers of water # Bring the season, with all the

:41:05.:41:13.

leaves # Whatever we do, it's prosperous

:41:13.:41:23.
:41:23.:41:23.

# Bright sunshiney day # The congregation of the righteous.

:41:23.:41:29.

The way # It's a bright

:41:29.:41:39.
:41:39.:42:15.

# It's gonna be a bright Bright The great Jimmy Cliff. He had his

:42:15.:42:20.

first hit single in Jamaica when he was 15. He came to see me on 6

:42:20.:42:23.

Music earlier today. I was like, Jimmy, I can not believe you're

:42:23.:42:28.

here in this weather, it feels wrong. He said, I had a little

:42:28.:42:34.

sunshine in my pocket, but I used it all up. It was the coolest thing.

:42:34.:42:41.

Those were great slacks. Was he rocking a fleez operation there.

:42:41.:42:46.

was awkward, I nearly wore that. All these stars have clothes that I

:42:46.:42:53.

am not interested in. If he launched his own slack range I

:42:53.:42:59.

would be there! Glistening. Indeed so. I think you have expressed my

:42:59.:43:06.

personality there. Casual, yet glistening. You could say the same,

:43:06.:43:13.

Bono was glistening. Here is some U2 from earlier on.

:43:13.:43:23.
:43:23.:43:25.

It's a folk festival. # Green light

:43:25.:43:30.

# 7/11 # You stop here for a pack of

:43:30.:43:33.

cigarettes # You don't smoke

:43:33.:43:40.

# Don't even want to Check your change

:43:40.:43:45.

# Dressed up # Like a car crash

:43:45.:43:51.

# The wheels are turning # You're upside down

:43:51.:44:01.
:44:01.:44:02.

# You say when it hits you # You don't mind

:44:02.:44:12.
:44:12.:44:15.

Because when he hurts you # You feel alive

:44:15.:44:22.

Red lights Grey morning

:44:22.:44:26.

# You stumble out of a hole in the ground

:44:26.:44:30.

# A vampire # Or a victim

:44:31.:44:38.

# It depends on who's around # You used to stair

:44:38.:44:47.

# To watch the adverts # You could lipsy with a talk show

:44:47.:44:55.

# And if you look, you look through # And when you talk

:44:55.:45:02.

# It's not to me # And when I touch you

:45:02.:45:12.

# You don't feel a thing # If I could stay, then the night

:45:12.:45:21.

would give you up # If I could stay, then the day

:45:21.:45:31.
:45:31.:45:32.

would keep its trust # Stay and the night would be

:45:32.:45:39.

enough # Far away

:45:39.:45:48.

# So close Up with the sky and the radio waves

:45:48.:45:54.

# Satellites # Television, BBC

:45:54.:46:04.
:46:04.:46:06.

# You can go anywhere # Miami, New Orleans

:46:06.:46:15.

# London, Belfast, Glastonbury # And if you list en, I can call

:46:15.:46:25.
:46:25.:46:25.

# And if you jump, just my fall # And if you shower -- shout, I'll

:46:25.:46:34.

only hear you # If I could stay, then the night

:46:34.:46:44.

will give you up # If I could stay then the day will

:46:44.:46:54.
:46:54.:46:54.

keep me strong # If I could stay with the spirit I

:46:54.:46:59.

found # Stay with the demons I drown

:46:59.:47:08.

# Stay, then the night will be enough

:47:08.:47:18.
:47:18.:47:20.

# Oh, oh, oh, # Of-oh-oh

:47:20.:47:30.

# Oh-oh-oh Oh-oh-oh-oh

:47:30.:47:40.

# Three o clock in the morning # It's quiet and there's nobody

:47:40.:47:45.

around # Just the bang and the clatter

:47:45.:47:54.

# As an angel hits the ground # CHEERING AND APPLAUSE

:47:54.:47:59.

U2. They were on the Pyramid earlier. I was surprised but how

:47:59.:48:02.

stripped back that was. Everybody was like it's going to be stripped

:48:02.:48:07.

back. No lights, nothing. People said there was a lot of eye contact.

:48:07.:48:12.

The thing that was touching when they came here, they are in their

:48:12.:48:17.

own way unprepossessing. They had hair arms on each other's backs.

:48:17.:48:23.

They are mates. In case you wondered where Gary had gone.

:48:23.:48:31.

Larry had gone. He's gone to look for his flask.Um,um, we're back

:48:31.:48:36.

tomorrow at four. All sorts of people playing, Beyonce, Paul Simon.

:48:36.:48:46.
:48:46.:48:46.

Loads of stuff. Tomorrow, from 4pm, we have rumour. We have Anna Kalvy.

:48:47.:48:56.
:48:57.:48:57.

We have him from Windmills Of Your Mind. Elbow are on. Coldplay are on.

:48:58.:49:04.

We're hoping in the words of Jimmy Cliff, that's it going to be a

:49:04.:49:10.

bright sunshiny day. You can join us online. Loads more coverage on 6

:49:10.:49:16.

Music and BBC Radio. We'll be back on your telly box tomorrow at 4pm.

:49:16.:49:20.

Very, very much looking forward it to. OK. So we hope you've enjoyed

:49:20.:49:25.

it. We hope for better weather. We've had great music. We hope

:49:25.:49:35.
:49:35.:49:53.

tomorrow for a beautiful day. # And the reason

:49:53.:50:03.
:50:03.:50:03.

Apology for the loss of subtitles for 45 seconds

:50:03.:51:47.

# You've been all over # See the tuna fleets

:51:47.:51:57.
:51:57.:52:01.

# And see the bird # After the flood

:52:01.:52:11.
:52:11.:52:43.

# What you don't have # What you don't know

:52:43.:52:46.

# What you don't have you don't need it now

:52:46.:52:50.

# Don't need it now

:52:50.:52:53.

# Was a beautiful day... #

:52:53.:53:01.

# Was a beautiful day... #

:53:01.:53:11.
:53:11.:53:45.

#

:53:45.:53:49.

# Rain

:53:49.:53:50.

# Rain -rain

:53:50.:53:52.

# Rain -rain #

:53:52.:53:53.

# I

:53:53.:53:53.

# I don't

:53:53.:53:53.

# I don't mind

:53:53.:53:54.

# I don't mind #

:53:54.:53:56.

# We

:53:56.:53:56.

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