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some strong language and scenes of some strong language and scenes of | :00:07. | :00:17. | |
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Welcome back to your continuing coverage of Glastonbury 2011. We | :00:18. | :00:23. | |
are two-thirds of the way through U2's career spanning set. On the | :00:23. | :00:27. | |
Pyramid Stage. It's hit after hit from the old to the new. We will go | :00:27. | :00:31. | |
now for a great big old sing along. They are all seasoning alongs, but | :00:31. | :00:41. | |
:00:41. | :01:07. | ||
none more than this. It's Sunday # Oh, I can't close my eyes | :01:07. | :01:17. | |
:01:17. | :01:35. | ||
# Broken bottles # Bodies strewn across | :01:35. | :01:45. | |
:01:45. | :02:20. | ||
# There's many lost # The trench is dug | :02:20. | :02:24. | |
# And mothers, children, brothers sisters torn apart | :02:24. | :02:29. | |
# Sunday, Bloody Sunday | :02:29. | :02:33. | |
# Sunday, Bloody Sunday | :02:34. | :02:38. | |
# How long | :02:38. | :02:41. | |
# How long must we sing this song? | :02:41. | :02:43. | |
# How long? How long? | :02:43. | :02:49. | |
# Tonight | :02:49. | :02:52. | |
# We can be as one | :02:52. | :02:54. | |
# Tonight | :02:54. | :02:58. | |
# Tonight, tonight | :02:58. | :03:05. | |
# Tonight, tonight... # | :03:05. | :03:15. | |
:03:15. | :03:35. | ||
# Wipe your tears away | :03:35. | :03:38. | |
# Wipe the tears away | :03:39. | :03:42. | |
Sunday, Bloody Sunday | :03:42. | :03:44. | |
# Wipe your... | :03:44. | :03:47. | |
Sunday, Bloody Sunday | :03:47. | :03:49. | |
# Sunday, Bloody Sunday | :03:49. | :03:52. | |
Sunday, Bloody Sunday... # | :03:52. | :03:59. | |
# Sunday, Bloody Sunday | :03:59. | :04:01. | |
Sunday, Bloody Sunday... # | :04:01. | :04:11. | |
:04:11. | :04:26. | ||
# Sunday, Bloody Sunday | :04:26. | :04:30. | |
Sunday, Bloody Sunday... # | :04:30. | :04:34. | |
# Sunday, Bloody Sunday | :04:34. | :04:36. | |
Sunday, Bloody Sunday... # | :04:36. | :04:46. | |
:04:46. | :04:51. | ||
CHEERING | :04:51. | :04:51. | |
CHEERING AND | :04:51. | :04:51. | |
CHEERING AND APPLAUSE | :04:51. | :05:01. | |
:05:01. | :05:40. | ||
# If you | :05:40. | :05:40. | |
# If you twist | :05:40. | :05:40. | |
# If you twist and | :05:40. | :05:50. | |
:05:50. | :05:52. | ||
# If you twist and turn away # If you tear yourself in two again | :05:52. | :06:02. | |
:06:02. | :06:03. | ||
# If I could, you know I would # If I could, I would | :06:03. | :06:13. | |
:06:13. | :06:34. | ||
# Let it go Leave this heart of clay | :06:34. | :06:43. | |
# Feel you must break away # To the light | :06:43. | :06:53. | |
:06:53. | :06:57. | ||
# Through the rain # Into the half light | :06:57. | :07:07. | |
:07:07. | :07:22. | ||
# Oh, oh # So let it go | :07:23. | :07:29. | |
# Soon I fade away # To let it go | :07:29. | :07:39. | |
:07:39. | :07:42. | ||
# So not fade away # Run away | :07:42. | :07:52. | |
:07:52. | :08:14. | ||
# I'm not sleeping # Bring me my arrow of burning gold | :08:14. | :08:24. | |
:08:24. | :08:30. | ||
# Bring me my arrows of desire # Bring me my spears of clouds | :08:30. | :08:34. | |
unfold # Bring me my chariot of fire | :08:34. | :08:43. | |
# Take me home # Take us home | :08:43. | :08:50. | |
# So let it go # Ah | :08:50. | :09:00. | |
:09:00. | :09:01. | ||
# To let it go # So now, fade, fade it | :09:01. | :09:07. | |
# Fade away # And fade away | :09:08. | :09:14. | |
# No, no # Not fade away | :09:14. | :09:19. | |
# Come on # Not fade away | :09:19. | :09:29. | |
:09:29. | :09:42. | ||
# Run away # I'm not sleeping | :09:42. | :09:52. | |
:09:52. | :09:53. | ||
# Revelation # And temptation, condemnation | :09:53. | :10:01. | |
# Isolation # Then revelation, ill luem | :10:01. | :10:07. | |
lumination # Let it go | :10:07. | :10:16. | |
# So not fade away # Let it go | :10:16. | :10:25. | |
# So not fade away # Let it go | :10:25. | :10:34. | |
# So not fade away # Let it go | :10:34. | :10:42. | |
# So now fade away # Let it go | :10:42. | :10:49. | |
# So now fade away # Run away | :10:49. | :10:59. | |
:10:59. | :11:26. | ||
# One man come in the name of love # One man come, he to justify | :11:26. | :11:34. | |
# In the name of love What more in the name of love? | :11:34. | :11:42. | |
# In the name of love What more in the name of love? | :11:42. | :11:52. | |
:11:52. | :11:54. | ||
# One man caught on a barbed-wire fence | :11:54. | :11:57. | |
# One man he resist One man washed on an empty beach | :11:57. | :12:03. | |
# One man betrayed with a kiss | :12:03. | :12:10. | |
# In the name of love What more in the name of love? | :12:10. | :12:20. | |
:12:20. | :12:20. | ||
# In the name of love What more in the name of love? | :12:20. | :12:30. | |
:12:30. | :12:30. | ||
Apology for the loss of subtitles for 45 seconds | :12:30. | :13:16. | |
# Free at last, they took your life They could not take your pride | :13:16. | :13:24. | |
# In the name of love What more in the name of love? | :13:24. | :13:32. | |
# In the name of love What more in the name of love? | :13:32. | :13:42. | |
:13:42. | :13:52. | ||
# Oh-oh-oh | :13:52. | :13:55. | |
# Oh-oh-oh | :13:55. | :14:05. | |
:14:05. | :14:29. | ||
Good | :14:29. | :14:29. | |
Good night, | :14:29. | :14:30. | |
Good night, thank | :14:30. | :14:40. | |
:14:40. | :14:41. | ||
Good night, thank you very much. CHEERING AND APPLAUSE | :14:41. | :14:50. | |
Good night from Edge, Adam Clayton, Larry Mullen Junior, myself Bono. | :14:50. | :14:54. | |
Thank you, thank you for tuning in. Thank you to the BBC. Thank you to | :14:54. | :15:04. | |
:15:04. | :15:17. | ||
What did you make of that? Everything you expected U2 to do. | :15:17. | :15:20. | |
They played risky tunes as well. Absolutely. A couple of surprises. | :15:20. | :15:26. | |
For the most part, they had to play hit-heavy. A band in great form. | :15:26. | :15:32. | |
know. I love the fact they went back so early to the stuff which we | :15:32. | :15:40. | |
are - reminded me when I first fell in love with U2. It sounds so good. | :15:40. | :15:46. | |
It's great. It was a stripped raw set. They they had the vanity stage | :15:46. | :15:50. | |
up front. There wasn't a huge amount going on outside of the | :15:50. | :15:54. | |
music. Brave for them to do. Hopefully they will come back here | :15:54. | :15:59. | |
and tell us why they made the decision. Fingers crossed we might | :15:59. | :16:04. | |
see the band to chat. At the moment we are biding our time to find out | :16:04. | :16:09. | |
when U2 come back. I'm trying to think what they haven't done so | :16:09. | :16:13. | |
far? I don't know what it is. Hopefully they will come back on | :16:13. | :16:19. | |
and do the encore. I can't think. Let's find out. Back to you, the | :16:20. | :16:29. | |
:16:30. | :16:30. | ||
Apology for the loss of subtitles for 45 seconds | :16:30. | :17:22. | |
# On a bed of nails # Through the storm | :17:22. | :17:32. | |
:17:32. | :17:32. | ||
Apology for the loss of subtitles for 45 seconds | :17:32. | :21:49. | |
# Love will tear us apart, again # Love | :21:49. | :21:59. | |
:21:59. | :22:14. | ||
# Love will tear us apart, again... Take out your phones. Take out your | :22:14. | :22:24. | |
:22:24. | :22:33. | ||
cigarette lighters. Turn off the # Look at the stars | :22:33. | :22:42. | |
# Look how they shine for you # And everything that you do | :22:42. | :22:46. | |
# And they were yellow # I came along | :22:46. | :22:56. | |
:22:56. | :22:56. | ||
# I wrote a song for you # And all the things that you do | :22:56. | :23:06. | |
:23:06. | :23:34. | ||
# Look at the stars # See how they shine for you | :23:35. | :23:38. | |
# And and all that the things that you do | :23:38. | :23:48. | |
:23:48. | :23:50. | ||
# They were all yellow here's our little planet spinning around the | :23:51. | :24:00. | |
:24:01. | :24:36. | ||
sun. Some of us doing our best to # To let the horses run free | :24:36. | :24:46. | |
:24:46. | :24:55. | ||
# Was playing with the fire # Till the fire played with me | :24:55. | :25:05. | |
:25:05. | :25:09. | ||
# Stone was really precious # We were barely conscious | :25:09. | :25:11. | |
# To souls in the realm of certainty | :25:11. | :25:21. | |
:25:21. | :25:25. | ||
# Even on our wedding day # And the moment of surrender | :25:25. | :25:33. | |
# I'm falling to my knees # I did not notice the passers by | :25:33. | :25:43. | |
:25:43. | :25:47. | ||
# And they did not notice me # I've been in every black hole | :25:47. | :25:56. | |
# At the alter of a Dark Star # My body's now begging | :25:56. | :26:01. | |
# Though, it's begging to get back # Begging to get back | :26:01. | :26:10. | |
# To my heart # To the rhythm of my soul | :26:10. | :26:20. | |
# To the rhythm of my consciousness # To the rhythm of yes | :26:20. | :26:30. | |
:26:30. | :26:34. | ||
# To be released from control # I was punching in the numbers at | :26:34. | :26:44. | |
:26:44. | :26:45. | ||
the ATM machine # I could see our reflection | :26:45. | :26:55. | |
:26:55. | :26:56. | ||
# A face staring back at me # At the moment of surrender | :26:56. | :27:06. | |
:27:06. | :27:07. | ||
# A vision of a visibility # I did not notice the passers-by | :27:07. | :27:17. | |
:27:17. | :27:17. | ||
Apology for the loss of subtitles for 45 seconds | :27:17. | :28:13. | |
Would you hold it up. Would you # I was speeding off the subway | :28:13. | :28:23. | |
:28:23. | :28:24. | ||
# Through the stations of the cross # Every eye looking every other way | :28:24. | :28:29. | |
# Counting down till the pain will stop | :28:29. | :28:39. | |
:28:39. | :28:40. | ||
# At the moment of surrender # A vision of a visibility | :28:40. | :28:50. | |
:28:50. | :28:54. | ||
# I did not notice the passers-by # And they did not notice me | :28:54. | :29:03. | |
# Oh, oohh, # Ooohh... | :29:03. | :29:13. | |
:29:13. | :29:25. | ||
# Oohh... # Oohh... Oh-oh-oh... | :29:25. | :29:29. | |
# The curse was that your dreams come true, God is a mirror where | :29:29. | :29:34. | |
every man sees himself # When I first met you your face is | :29:34. | :29:37. | |
like snow # Where ever I went to you you | :29:37. | :29:41. | |
wanted to go # Your face, your case suitcase 17 | :29:41. | :29:45. | |
# When you put it down on the ground | :29:45. | :29:48. | |
# Don't lose your faith in the cloud | :29:48. | :29:56. | |
# Don't put your faith in a cloud # Don't put your faith in a cloud... | :29:56. | :30:06. | |
:30:06. | :30:31. | ||
One more. Just one more. First single. It's been a while. CLAPPING | :30:31. | :30:41. | |
:30:41. | :31:18. | ||
# Monday morning # I say how long? | :31:18. | :31:25. | |
# It was one dull morning Woke the world with bawling | :31:25. | :31:33. | |
# I was so sad, so sad They were so glad | :31:33. | :31:43. | |
# I had the feeling it was out of control | :31:43. | :31:45. | |
# I was of the opinion it was out of control | :31:45. | :31:54. | |
# Boys and girls go to the school | :31:54. | :31:58. | |
# And girls, they make children Not like this one | :31:58. | :32:08. | |
:32:08. | :32:10. | ||
# I had the feeling it was out of control | :32:10. | :32:20. | |
:32:20. | :32:20. | ||
Apology for the loss of subtitles for 45 seconds | :32:20. | :33:20. | |
# I had the opinion it was out of control | :33:20. | :33:30. | |
:33:30. | :33:35. | ||
# Out of control... | :33:35. | :33:39. | |
Out | :33:39. | :33:40. | |
Out of | :33:40. | :33:40. | |
Out of control? | :33:40. | :33:50. | |
:33:50. | :34:00. | ||
Out of control? How has your You have made our... Whole career. | :34:00. | :34:08. | |
Thank you for the life you've given us. We're out of control though. It | :34:08. | :34:18. | |
:34:18. | :34:18. | ||
happens. It happened. Out of # I fought fate | :34:19. | :34:28. | |
:34:29. | :34:29. | ||
# One day I'll die The choice will not be mine | :34:29. | :34:35. | |
# Will it be too late? You can't fight fate | :34:35. | :34:44. | |
# I was of a feeling it was out of control | :34:44. | :34:54. | |
:34:54. | :35:19. | ||
CHEERING | :35:19. | :35:19. | |
CHEERING AND | :35:19. | :35:19. | |
CHEERING AND APPLAUSE | :35:19. | :35:23. | |
All | :35:23. | :35:23. | |
All right! | :35:23. | :35:31. | |
CHEERING | :35:31. | :35:31. | |
CHEERING AND | :35:31. | :35:32. | |
CHEERING AND APPLAUSE | :35:32. | :35:42. | |
:35:42. | :36:07. | ||
That | :36:07. | :36:07. | |
That looked | :36:07. | :36:08. | |
That looked to | :36:08. | :36:13. | |
That looked to me like a band going,, "job done" the look between | :36:13. | :36:20. | |
Edge and Bono, it was, "told you it would be good" Bono was like, "it | :36:20. | :36:26. | |
was all right"? Did you enjoy it? The bottom like line is U2 will be | :36:26. | :36:31. | |
high on that for some time to come. They look really high. Hopefully, | :36:31. | :36:35. | |
making their way back here. We might be able to ask them how it | :36:35. | :36:39. | |
felt. All that talk. All those years of speculation, will U2 do. | :36:39. | :36:45. | |
It they were on the list along with Presence and Bruce SpringSteen and | :36:45. | :36:52. | |
a lot of other headline liners who never played. As soon as they were | :36:52. | :36:57. | |
announced the artists have kept flying. Most people realise when he | :36:57. | :37:01. | |
hurt his back last year chances were they were going to be | :37:01. | :37:05. | |
headlining again this year. Now it's done, now that concert is over. | :37:05. | :37:09. | |
What did you make of it? I loved the fact that a lot of the bands I | :37:09. | :37:16. | |
have spoken to today were going,, "I actually quite like U2" I hear | :37:16. | :37:21. | |
people saying "I'm in the going to watch it and see it". Marcus from | :37:21. | :37:26. | |
Mumford & Sons was going,, "of course I'm going to be there. | :37:27. | :37:32. | |
a funny world when we live in that the most successful ongoing rock | :37:32. | :37:36. | |
band has become a guilty pleasure. Opinions are for everybody and | :37:36. | :37:41. | |
everyone has a different one. I'm sure everyone is talking. I loved | :37:41. | :37:44. | |
the Coldplay. The message, who will be watching right now, then they | :37:44. | :37:50. | |
went and did the Yellow thing. Coldplay going, we are on tomorrow, | :37:50. | :37:54. | |
check out what we do. It hasn't been about U2 today. Now that it's | :37:54. | :37:59. | |
said and down done it's a weekend of amazing music across many | :37:59. | :38:06. | |
different stages at Glastonbury. Over at the other stage we have | :38:06. | :38:10. | |
Primal Scream. Here are two songs from earlier on on the evening, | :38:10. | :38:20. | |
:38:20. | :38:20. | ||
Apology for the loss of subtitles for 45 seconds | :38:20. | :43:05. | |
# I believe in you Let's hear you there. Let me hear | :43:05. | :43:15. | |
:43:15. | :43:15. | ||
Apology for the loss of subtitles for 45 seconds | :43:15. | :46:25. | |
# Just what is it # I said, I'm gonna get deep down | :46:25. | :46:35. | |
:46:35. | :46:35. | ||
Apology for the loss of subtitles for 45 seconds | :46:35. | :51:01. | |
CHEERING AND APPLAUSE Primal Scream have been | :51:01. | :51:04. | |
reenergiseing their masterpiece album for almost a year. I'm not | :51:05. | :51:10. | |
sure if that was their intention when they started doing shows. | :51:10. | :51:14. | |
exciting. On the other stage delivering it right here on your | :51:14. | :51:18. | |
Glastonbury coverage. It's remarkable to think that a band | :51:18. | :51:22. | |
that never looked back, always looked forward, have spent quite | :51:22. | :51:26. | |
some time rethinking that record and play it again. It doesn't | :51:26. | :51:30. | |
surprise thasm record has never goten tired. It's one of the most | :51:30. | :51:35. | |
forward thinking records. Tonight was a celebration of that record | :51:35. | :51:39. | |
and band. Bobbie Gill less pi's shirt. It was fantastic. You are | :51:39. | :51:44. | |
right to bring up clothing. A few people have been asking ple how | :51:44. | :51:48. | |
come I look like I've come back from the artic and you look like | :51:48. | :51:53. | |
you have been in the Maldives. What is going on? I don't know. I'm | :51:53. | :52:00. | |
wearing your coat. You are 3, 2, 1 I'm here and loose. Back in the | :52:00. | :52:05. | |
game. We go to Greg now. He has been doing this trawl around the | :52:05. | :52:09. | |
site. It's a stage crawl. He is checking out everything that is | :52:09. | :52:13. | |
going on in the stage that is is happening. And is bringing us a | :52:13. | :52:18. | |
flavour. Some of the bits we don't get to, Greg is doing it for us. | :52:18. | :52:23. | |
Let's go to him on his stage crawl. Where's my coat! This is my first | :52:23. | :52:28. | |
time doing the TV for Glastonbury. I can show you the real Glastonbury. | :52:28. | :52:35. | |
I mean, keep your U2's, you can keep your Coldplay's, this is the | :52:35. | :52:41. | |
proper bit. I'm in the circus area. I will show you the theatre bit. I | :52:41. | :52:44. | |
will show you gems you have heard about and not necessarily seen. | :52:44. | :52:54. | |
:52:54. | :52:55. | ||
Also, some weirdness. Let's go. I like the look of these guyss. Can | :52:55. | :53:05. | |
:53:05. | :53:23. | ||
you teach me some moves? The out Hey. What is this then? An after | :53:23. | :53:33. | |
:53:33. | :53:36. | ||
workshop. What do I do? Smile. Shake your body a bit. Ha-ha! This | :53:36. | :53:44. | |
is a sonic forest. Can I stop you a sec. What happens in here? You run | :53:44. | :53:49. | |
past the trees in in the forest. It make as sound. Shall we run | :53:49. | :53:54. | |
together, hand in hand? What is the idea. The delay make it is dreamy. | :53:54. | :54:00. | |
We play it until 4.00 am and we get wild. I'm trying to experience the | :54:00. | :54:04. | |
festival as quickly as possible. These are clay figures people made | :54:04. | :54:10. | |
over years. If you want to do the whole festival in a day we have it | :54:10. | :54:15. | |
for you. Toilets, miniature Pyramid Stage. Who is headlining? The seven | :54:15. | :54:25. | |
:54:25. | :54:28. | ||
heads of Bono and the Edge. I love Measuring | :54:28. | :54:34. | |
# The dark secret night # And I think to myself | :54:34. | :54:44. | |
:54:44. | :54:54. | ||
# What a wonderful world... # Excuse me, madam, how are you? | :54:54. | :55:00. | |
are you? It's a beautiful machine? You get four weeks shopping in. We | :55:00. | :55:07. | |
are Granny Terizmo. Try and get up this hill. Go on, | :55:07. | :55:13. | |
have a go! I'm Betty. And we are the only | :55:13. | :55:16. | |
formation shopping trolley dancing troupe in the country! | :55:16. | :55:21. | |
You are similar to the Red Arrows? Very similar, just with more style | :55:21. | :55:27. | |
and a bit more attitude, I think. You're not going to get blue smoke | :55:27. | :55:32. | |
coming out your bum, are you? it depends what I've eaten the | :55:32. | :55:36. | |
night before. Off you go! | :55:36. | :55:40. | |
So part one of my Glastonbury crawl is done. I have had a great day so | :55:40. | :55:45. | |
far. I made new friends as well. There is loads more to see. Find | :55:45. | :55:55. | |
:55:55. | :55:58. | ||
Greg James in action. Thank you to Greg. Look who we have now. We have | :55:58. | :56:04. | |
the band who have just been on the Pyramid Stage. | :56:04. | :56:14. | |
:56:14. | :56:14. | ||
So was it as good... Hold on a sec. We have offerings here for you if | :56:14. | :56:20. | |
you need a touch of whisky. Was it as good as Edge sold it to you last | :56:20. | :56:30. | |
year. It was very, very, very, very taken aback by the warmth of the | :56:30. | :56:35. | |
crowd to us and you know, we have not played to anything other than | :56:35. | :56:45. | |
:56:45. | :56:46. | ||
our own audience for 25 years. get out of here. | :56:46. | :56:51. | |
Live Aid. No, no, no. I mean more than two | :56:51. | :56:54. | |
songs. Oh right. | :56:54. | :56:59. | |
When was the last festival? Someone must have tried to work it out? | :56:59. | :57:06. | |
1985. It must have been a real real | :57:06. | :57:13. | |
stinker if you haven't done one since. Thure rhythmics. | :57:13. | :57:19. | |
Describe what it is like? Quite overpowering. I walked out and I | :57:19. | :57:26. | |
didn't know it was like an ice-rink and I couldn't move. For a person | :57:26. | :57:30. | |
like myself that likes to move about, it was interesting so I just | :57:30. | :57:36. | |
thought just stand where you are and just sing and maybe the singing | :57:36. | :57:41. | |
will be better for me not being able to move. If it rains in our | :57:41. | :57:44. | |
production, we just get wet. So we were under the roof and it felt | :57:44. | :57:48. | |
wrong because I had to go out. So you were there with the people? | :57:49. | :57:53. | |
We were there with everyone. What did it look like? I am a man | :57:53. | :57:57. | |
of the people. What did it look like? The flag | :57:57. | :58:06. | |
thing, they did the flags just for us. You had all the flags. We felt | :58:07. | :58:11. | |
very, very honoured that they would do the flags just for us. | :58:11. | :58:15. | |
They were very nice. They were great. | :58:15. | :58:20. | |
Did you get the tricolour and the Union Jack. | :58:20. | :58:24. | |
Yes. As far as we can gather here | :58:24. | :58:30. | |
everyone was gathered around the TVs and the millions of people were | :58:30. | :58:33. | |
watching around the UK and the world, and it was beautifully | :58:33. | :58:39. | |
directed. It looked wonderful. The songs were beautifully sung. The | :58:40. | :58:45. | |
drums were probably the best thing. There were wonderful wide shots. | :58:45. | :58:50. | |
You don't want to get too slick. I don't mind a bit of slickness. | :58:50. | :58:56. | |
We were all over the shop, but in a good way. | :58:56. | :59:02. | |
I'm going to point to Larry, every time. We have got to talk about the | :59:02. | :59:07. | |
set. It doesn't get talked about as much. But it has been 30 years | :59:07. | :59:10. | |
since Michael Eavis said he has been trying to get you to do this | :59:10. | :59:14. | |
festival. He is rounding it up a few? They are an extraordinary | :59:14. | :59:16. | |
family. Look what they put on for people | :59:16. | :59:23. | |
every year. The philosophy behind it and their | :59:24. | :59:28. | |
generosity, not just of spirit. There is the legacy and the | :59:28. | :59:32. | |
heritage and the songs are what are going to carry you through tonight. | :59:32. | :59:35. | |
There wasn't the claw. There wasn't the things that you put into the | :59:36. | :59:39. | |
production, it was about the tunes. Five songs to open. | :59:39. | :59:49. | |
:59:49. | :59:52. | ||
Brave. It was very brave. I didn't call even better to start. | :59:52. | :00:00. | |
thought it was promising. Choosing the tunes is a tough one. | :00:00. | :00:05. | |
The hope the Damien Hirst piece went out. | :00:05. | :00:11. | |
Tell us about that. He is the greatest living artist and he did a | :00:11. | :00:17. | |
piece of work for Even Better Than The Real Thing and no one has seen | :00:17. | :00:22. | |
this before. This is the opening moment? All the | :00:22. | :00:30. | |
visuals were courtesy of Hirsty and to have his genius was a great | :00:30. | :00:39. | |
thing and he kicked it off. We went into the fly. Dead flies courtesy | :00:39. | :00:44. | |
of Hirsty! Can you hear the rain? This is | :00:44. | :00:46. | |
Glastonbury, this is what it is like. | :00:46. | :00:50. | |
We just had gentle rain. It was pouring with rain when I was was | :00:50. | :00:56. | |
introduced you. What an introduction. I love you, | :00:56. | :01:01. | |
Larry so much. You guys were in sync. It was | :01:01. | :01:04. | |
remarkable. I was thinking about this with the rain and what that | :01:04. | :01:13. | |
adds to the sense of occasion and it took me back to Under A Blood | :01:13. | :01:17. | |
Red Sky. And you didn't climb on top of the | :01:17. | :01:24. | |
stage this time. He couldn't move! There were a few more people here | :01:24. | :01:31. | |
tonne than at Red Rocks. Did you enjoy it? So much. | :01:31. | :01:37. | |
That song Jerusalem, for an Irish boy to sing it, but there is a | :01:37. | :01:41. | |
story about Glastonbury. People don't know that song is sung in, | :01:41. | :01:47. | |
Jerusalem, is about Joseph come to go Glastonbury and the oldest | :01:47. | :01:51. | |
Christian abbey in Northern Europe is here. Everyone talks about | :01:51. | :02:01. | |
:02:01. | :02:03. | ||
Stonehenge and all that, man. It is a real pilgrimage for me. I used | :02:03. | :02:12. | |
some of the lyrics in Bad also. Were you comfortable with that? | :02:12. | :02:18. | |
Larry, how was it for you? I was a little disappointed it was so wet. | :02:18. | :02:22. | |
A little bit of rain is OK. For the crowd, they were stuck together, | :02:22. | :02:29. | |
but one criticism, the audience are so far away and sometimes when you | :02:29. | :02:33. | |
are struggling through it, you just love to have them a little bit | :02:33. | :02:40. | |
closer. There is a huge gap and I'm not used to that. You shouldn't | :02:40. | :02:45. | |
have been a drummer. You should have been the front-man. You always | :02:45. | :02:49. | |
had the looks. Not much you can do about rhythm. | :02:49. | :02:59. | |
:02:59. | :03:00. | ||
We are going to check out the mini Thank you for waiting. | :03:00. | :03:10. | |
:03:10. | :03:10. | ||
Apology for the loss of subtitles for 45 seconds | :03:10. | :03:59. | |
Thank you, Michael Eavis. All the # But I still haven't found | :03:59. | :04:09. | |
:04:09. | :04:33. | ||
# But I still haven't found # I have spoke | :04:33. | :04:43. | |
:04:43. | :05:01. | ||
# But I still haven't found # But I still haven't found | :05:01. | :05:11. | |
:05:11. | :05:48. | ||
# Then all the colours # You broke the bonds | :05:48. | :05:58. | |
:05:58. | :06:17. | ||
# But I still haven't found # But I still haven't found | :06:17. | :06:27. | |
:06:27. | :06:50. | ||
# But I still haven't found # Out of the darkness | :06:50. | :06:54. | |
# Our love shines on, our love shines on | :06:54. | :07:04. | |
# Our love shines on # And moving on up, yeah | :07:04. | :07:12. | |
# Out of the darkness # Our love shines on | :07:12. | :07:22. | |
:07:22. | :07:29. | ||
So yeah, I love the rain on your glasses. | :07:29. | :07:34. | |
I need wipers! What about that little moment when | :07:34. | :07:44. | |
I scream? Do you have a message because you did a Coldplay thing. | :07:44. | :07:54. | |
:07:54. | :07:55. | ||
Have you a message for Coldplay? Yeah, I have a few set ideas! | :07:55. | :08:00. | |
LAUGHTER No, we love Coldplay. Beautiful | :08:00. | :08:09. | |
songs, extraordinary songs they have, but let's not get carried | :08:09. | :08:13. | |
away! They are going to be great. They are great. They are truly | :08:13. | :08:20. | |
great. They are just not good looking! | :08:20. | :08:21. | |
LAUGHTER Oh dear. | :08:21. | :08:25. | |
What was interesting, you really stepped into the hole history of | :08:25. | :08:28. | |
the site and what it means to people who aren't even here for the | :08:28. | :08:34. | |
music and because of the lei lines and the tor which goes on before | :08:34. | :08:40. | |
your time and it can be possible, but many, many hundreds of years. | :08:40. | :08:49. | |
Lancet. It was a Monty Python reference. | :08:49. | :08:56. | |
You know the film, the Monty Python film. I called Larry the knight who | :08:57. | :09:04. | |
says no. Where would you be without it? | :09:04. | :09:12. | |
is a high place. It is higher ground. It is holy ground. I | :09:12. | :09:18. | |
actually came and and you can turn me off in the pub now, but I came | :09:18. | :09:22. | |
as a pilgrim, did you feel that? Maybe not. You came as a pilgrim | :09:22. | :09:27. | |
for the music. I came for all the other - myself and Mike Scot. | :09:27. | :09:33. | |
Are you heading off to the to the healing fields now. The history of | :09:33. | :09:37. | |
Glastonbury is well documented and Neil Oliver has done a film for it. | :09:37. | :09:42. | |
You might want to watch this. tell you? No, you can't. You have | :09:42. | :09:52. | |
:09:52. | :09:58. | ||
For the past 40 years, festival goers have been building their own | :09:58. | :10:00. | |
mythology in the Glastonbury site. But this part of the country has | :10:00. | :10:03. | |
been a destination for pilgrims of all kinds for over 5,000 years. In | :10:03. | :10:07. | |
a few days time thousands of festival goers will stream down the | :10:07. | :10:12. | |
hillsides to watch U2 make history on that stage, but how many of them | :10:12. | :10:15. | |
will appreciate how much truly ancient history surrounds them | :10:15. | :10:18. | |
here? The first Pyramid Stage was | :10:18. | :10:24. | |
constructed on this spot in 1971. Made out of scaffolding and plastic | :10:24. | :10:27. | |
sheeting, its appearance was different to the great pyramids of | :10:27. | :10:33. | |
Egypt, but the idea behind it was much the same. Andrew Kerr wanted | :10:33. | :10:38. | |
to use the spiritual associations of the Somerset Levels to create a | :10:38. | :10:42. | |
free festival that was more than a gig in a field. The Pyramid Stage | :10:42. | :10:47. | |
was to be a spiritual satellite dish able to pick up and channel | :10:47. | :10:54. | |
the vibrations of the cosmos. Whether or not Awe awe gree with | :10:55. | :10:58. | |
Andre's approach to stage building, this landscape is littered with | :10:58. | :11:03. | |
ancient sites and it is full of myth and legend. | :11:03. | :11:10. | |
Andrew Kerr moved the festival from September to June conditioning the | :11:10. | :11:20. | |
:11:20. | :11:24. | ||
tradition of the he can of the equinox pilgrimage. | :11:24. | :11:34. | |
:11:34. | :11:34. | ||
The site is loafer looked by this outcrop. Glastonbury tor. The Celts | :11:34. | :11:43. | |
called this place the Isle of Glass. Pay part from the famous muddy | :11:43. | :11:53. | |
:11:53. | :11:55. | ||
Glastonburies, there is precious On a dry day, you can see the | :11:56. | :12:00. | |
Glastonbury Festival site from here somewhere over there. Today, is not | :12:00. | :12:04. | |
a dry day. In keeping with another Glastonbury Festival tradition, the | :12:04. | :12:13. | |
weather has gone bad. In ancient times these Somerset levels were a | :12:13. | :12:19. | |
shallow marshy sea. So maybe there is some truth in the legend of | :12:19. | :12:24. | |
Avalon after all. Glastonbury's connection to Camelot | :12:24. | :12:34. | |
:12:34. | :12:39. | ||
Hello Neil. How are you doing? How long has | :12:39. | :12:45. | |
this place been the focus of legend? This place has been legend | :12:45. | :12:55. | |
for about 900 years. It goes back to the 12th century. | :12:55. | :12:59. | |
What triggered legend here? One is the myth that when King Arthur was | :12:59. | :13:04. | |
killed he was brought to the Isle of Avalon and no one knew where | :13:04. | :13:09. | |
that was until the monks of Glastonbury started digging up the | :13:09. | :13:15. | |
place. What they found here was the coffin of King Arthur. | :13:15. | :13:19. | |
Do you think the legend, almost above all other legends, is the one | :13:19. | :13:25. | |
that endures in this part of the world? Well, all nations want a | :13:25. | :13:29. | |
great figurehead and if we look back into the Dark Ages, what we | :13:29. | :13:39. | |
:13:39. | :13:40. | ||
find in reality are petty chieftains. The other important | :13:40. | :13:44. | |
thing about King Arthur is the notion he never dismt he was | :13:44. | :13:49. | |
brought -- died. He was brought here to Avalon and perhaps he lives | :13:49. | :13:54. | |
For many people, this landscape is charged with the energy of all | :13:54. | :13:58. | |
those who have passed through it before them. From the ancient | :13:58. | :14:04. | |
architects of Stonehenge, to those seeking Avalon, so perhaps it is | :14:04. | :14:08. | |
fit that Glastonbury should inhabit this landscape now, drawing more | :14:08. | :14:18. | |
:14:18. | :14:22. | ||
people together and creating new I love that dude. | :14:22. | :14:29. | |
Why do I think of Shameless when I see him? That was brilliant. | :14:29. | :14:39. | |
:14:39. | :14:40. | ||
We had to kick off U2. They are in good form, weren't | :14:40. | :14:46. | |
they? They looked happy. We have interviewed a few bands and | :14:46. | :14:49. | |
they always have that same look in their eyes, they can't comprehend | :14:49. | :14:55. | |
what has happened? They watched the performance as they watched they | :14:55. | :15:03. | |
are going, "Ah, no." You were going "that was good.". Except for Larry | :15:03. | :15:07. | |
who was marking a paper saying, "That didn't work.". So much to see | :15:07. | :15:13. | |
and hear across this weekend and you can listen to Glastonbury on 6 | :15:13. | :15:21. | |
Music. We are online and the BBC | :15:21. | :15:26. | |
Glastonbury website is the main port of call and on BBC TV. One of | :15:26. | :15:31. | |
my highlights when I saw the line- up, but I didn't get a chance to | :15:31. | :15:41. | |
see it. Inevitably, you can't. The bottom line is see is Celo | :15:41. | :15:44. | |
Green. If you are watching this, there is | :15:44. | :15:54. | |
:15:54. | :15:54. | ||
Apology for the loss of subtitles for 45 seconds | :15:54. | :16:35. | |
a lot of strobing and there is # Gone daddy has gone | :16:35. | :16:43. | |
# Eyes will turn # When I see you | :16:43. | :16:53. | |
:16:53. | :17:12. | ||
# Daddy has gone # I can tell by the way you switch | :17:12. | :17:22. | |
:17:22. | :17:22. | ||
# I can tell by the way you baby talk | :17:22. | :17:32. | |
:17:32. | :17:45. | ||
# Daddy has gone # Get a phone call | :17:45. | :17:55. | |
:17:55. | :18:07. | ||
# The love has gone # Gone away | :18:07. | :18:17. | |
:18:17. | :18:41. | ||
I spint a lot of money on these shoulder pads. You like them? | :18:41. | :18:51. | |
:18:51. | :19:25. | ||
# I remember when I lost my mind # Way out there without a care | :19:25. | :19:33. | |
# I was out-of-touch # But it wasn't because I didn't | :19:33. | :19:37. | |
know enough # I just knew too much | :19:37. | :19:47. | |
:19:47. | :20:05. | ||
# Does that make me crazy? # And I hope that you are having | :20:05. | :20:15. | |
:20:15. | :20:15. | ||
Apology for the loss of subtitles for 45 seconds | :20:15. | :21:11. | |
who do you, who do you, # My heroes had the heart to lose | :21:11. | :21:21. | |
:21:21. | :21:21. | ||
Apology for the loss of subtitles for 45 seconds | :21:21. | :23:19. | |
Life is precious. Scream, enjoy I still can't hear you! | :23:19. | :23:29. | |
:23:29. | :23:30. | ||
Apology for the loss of subtitles for 45 seconds | :23:30. | :27:35. | |
Hello. All right. Really? Can we talk about... Are we really stood | :27:35. | :27:42. | |
out here? It is a bit chilly now. Our set is always beautiful, but | :27:42. | :27:46. | |
there is a wicker fox who the team dubbed for reasons, well he is | :27:46. | :27:52. | |
called the contented fox. I would like to assure viewers... Is he | :27:52. | :27:55. | |
playing the saxophone. It is a saxophone. | :27:55. | :27:59. | |
It is a happy fox, but he is happy because he is playing a broadcast | :27:59. | :28:05. | |
instrument just to be very, very clear. | :28:05. | :28:15. | |
:28:15. | :28:16. | ||
Have have you guys stopped where there is no awning? That was Cee-Lo | :28:16. | :28:20. | |
Green you saw there. We have been joined by Mark and Lauren. What | :28:20. | :28:26. | |
have you got in your pocket? left their flask in our dressk room. | :28:26. | :28:34. | |
What if Larry Mullan needs a brew. Is it tea or coffee? Is it really | :28:34. | :28:40. | |
U2's flask. It is soup. No, that's got, it is | :28:40. | :28:47. | |
not tea. What would you say that is? New York's I think it is soup. | :28:47. | :28:57. | |
:28:57. | :29:02. | ||
It is not Ovalatine or Horlicks. We have cuppa soups going on. | :29:02. | :29:06. | |
That's what it is, it is like like cuppa. | :29:06. | :29:10. | |
It is going to sustain us through the programme. Thank you for the | :29:10. | :29:15. | |
music... And the soup. We are going to bow out and we are | :29:15. | :29:25. | |
:29:25. | :29:27. | ||
going to leave it over to you. Now we are going to. | :29:27. | :29:37. | |
:29:37. | :29:53. | ||
Chasing Status. # I am a man with a heavy heart | :29:53. | :29:59. | |
# It's a blind faith A cruel waste, a bitter taste | :29:59. | :30:02. | |
# So I know I need this sweet sensation | :30:02. | :30:08. | |
# Sweet sensation | :30:09. | :30:12. | |
# The music that we play will ease your mind | :30:12. | :30:22. | |
:30:22. | :30:33. | ||
# Sweet sensation | :30:33. | :30:37. | |
# Sweet sensation | :30:37. | :30:43. | |
# The music that we play will ease your mind | :30:43. | :30:52. | |
# Sweet sensation | :30:52. | :30:56. | |
# The music that we play will ease your mind | :30:56. | :31:06. | |
:31:06. | :31:08. | ||
# What is a man to do with his mind? | :31:08. | :31:11. | |
# When it's working overtime? | :31:11. | :31:14. | |
# The best I can do is not dance with the devil | :31:14. | :31:19. | |
# I keep myself sane I won't waste this time and space | :31:20. | :31:28. | |
# So I know I need this sweet sensation | :31:28. | :31:34. | |
# Sweet sensation | :31:34. | :31:41. | |
# The music that we play will ease your mind | :31:41. | :31:50. | |
# Sweet sensation | :31:50. | :31:55. | |
# The music that we play will ease your mind | :31:55. | :32:05. | |
:32:05. | :32:06. | ||
# I am a man with a heavy heart | :32:06. | :32:13. | |
# I am a man with a heavy heart | :32:13. | :32:20. | |
# It's a blind faith, a cruel waste | :32:20. | :32:23. | |
# What a bitter taste | :32:23. | :32:26. | |
# So I know I need this sweet sensation | :32:26. | :32:32. | |
# Sweet sensation | :32:32. | :32:39. | |
# The music that we play will ease your mind | :32:39. | :32:46. | |
# Sweet sensation | :32:46. | :32:51. | |
# The music that we play will ease your mind | :32:51. | :33:00. | |
# I am a man with a heavy heart | :33:00. | :33:07. | |
# I am a man with a heavy heart | :33:07. | :33:14. | |
# It's a blind faith, a cruel waste | :33:14. | :33:17. | |
# What a bitter taste | :33:17. | :33:21. | |
# So I know I need this sweet sensation. # | :33:21. | :33:31. | |
:33:31. | :33:40. | ||
They | :33:40. | :33:40. | |
They look | :33:40. | :33:41. | |
They look so | :33:41. | :33:47. | |
They look so well. There is not a lot of veg in that. Chase & Status | :33:47. | :33:56. | |
there. We are just sampling the Larry Mullan drink. It looks like | :33:56. | :34:02. | |
the remains of a grill pan. It is quite nice, you know. On a | :34:02. | :34:05. | |
wintry evening here. It is quite warming. | :34:05. | :34:09. | |
It is kind of greasy as well. It is nice though. | :34:09. | :34:13. | |
It is like something out of the bottom of a grill pan, isn't it? | :34:13. | :34:17. | |
is, yes. Thank you for sticking with us. Thank you for leaving your | :34:17. | :34:23. | |
soup, U2. Can I have some more. We have some Mumford and Sons in a | :34:23. | :34:27. | |
while for you who were playing the other stage, but right now we have | :34:27. | :34:33. | |
some beautiful, beautiful live music. | :34:33. | :34:43. | |
:34:43. | :34:43. | ||
Apology for the loss of subtitles for 45 seconds | :34:43. | :35:48. | |
# Oh these days seem so far away # I need sunshine | :35:48. | :35:57. | |
# I need angels # There is something going on and I | :35:57. | :36:07. | |
:36:07. | :36:37. | ||
need them # # Everything I stood for. # I was | :36:37. | :36:42. | |
in a place that I didn't want to be # Seeing face after face, I didn't | :36:42. | :36:45. | |
want to see # I didn't go out of my mind | :36:45. | :36:55. | |
# Only god knows # All them girls that I used to see | :36:55. | :36:59. | |
running around # I need sunshine | :36:59. | :37:06. | |
# I need angels. Angels # There is something going on and I | :37:06. | :37:16. | |
:37:16. | :37:33. | ||
need them # No, no, I need | :37:33. | :37:38. | |
# Sunshine # There is something going on and I | :37:38. | :37:48. | |
:37:48. | :37:52. | ||
need them # There is something going | :37:52. | :38:00. | |
# There is something going on # I need sunshine | :38:00. | :38:09. | |
# I need angels # I need something good and I need | :38:09. | :38:19. | |
:38:19. | :38:20. | ||
them # There is something going on | :38:20. | :38:30. | |
:38:30. | :38:39. | ||
# There is there is something going From London to Glastonbury, that's | :38:39. | :38:44. | |
Maverick Sabre playing the festival tomorrow. The song was great. But | :38:44. | :38:48. | |
this is separating from the mug now! I'm slightly worried. | :38:48. | :38:51. | |
I want results before the end of the show. | :38:51. | :38:56. | |
I will be looking like Larry Mullan tomorrow. | :38:56. | :39:02. | |
Have you enjoyed it. It is raining. It was beautiful earlier on. It was | :39:02. | :39:06. | |
pleasant. I did get a chance to see a few things. I went through the | :39:06. | :39:15. | |
Spirit of 71 Stage and I talked to Andrew Kerr who put the festival on | :39:15. | :39:22. | |
and and build the stage. I saw the Spirit of 71 Stage a lot of artists | :39:22. | :39:30. | |
are playing that played in 1971. I saw Noel Harrison singing. | :39:30. | :39:33. | |
I interviewed Melanie. She is on there tonight. | :39:33. | :39:41. | |
She played the original festival in 1971. And she said when she played | :39:42. | :39:46. | |
in 1971, her husband was with her and he recently died. He was her | :39:46. | :39:50. | |
manager and the father of her three kids, but she said he promised me | :39:50. | :39:54. | |
this was the last thing he was organising her her doing this | :39:54. | :39:58. | |
festival and he promised that he would be there. It was really | :39:58. | :40:01. | |
emotional and really lovely, she was OK and feeling really positive | :40:01. | :40:05. | |
about it. It felt like she was going to be surrounded by love | :40:05. | :40:08. | |
there. She would have been surrounded by | :40:08. | :40:11. | |
love because Andrew Kerr was the guy sorting out the first festival. | :40:11. | :40:15. | |
He had tears in his eyes when he told me Melanie was coming back. He | :40:15. | :40:18. | |
couldn't believe she was coming back to play at this stage. | :40:18. | :40:23. | |
I was saying to her, I think the old school folk spirit is in intact | :40:23. | :40:27. | |
in Glastonbury and folk under going massive revival and one of the | :40:27. | :40:31. | |
people at the forefront of that movement movement are Mumford and | :40:31. | :40:39. | |
Sons. I did see Marcus Mumford on the back of a big wagon and I went | :40:39. | :40:44. | |
went, "How did it go?" And he went like that. | :40:44. | :40:54. | |
:40:54. | :40:54. | ||
Apology for the loss of subtitles for 45 seconds | :40:54. | :45:06. | |
# It's empty # The sun | :45:06. | :45:09. | |
# Away from all the fears and all the faults you've left behind | :45:09. | :45:18. | |
# The harvest left no food for you to eat | :45:18. | :45:20. | |
# You cannibal, you meat-eater You see | :45:20. | :45:22. | |
# But I have seen the same I know the shame in your defeat | :45:22. | :45:30. | |
# But I will hold on hope | :45:30. | :45:33. | |
# And I won't let you choke on the noose around your neck | :45:33. | :45:40. | |
# And I'll find strength in pain And I will change my ways | :45:40. | :45:46. | |
# I'll know my name as it's called again | :45:46. | :45:51. | |
# Cos I have other things to fill my time | :45:51. | :46:01. | |
:46:01. | :46:06. | ||
# Cos I have other things to fill my time | :46:06. | :46:07. | |
# You take what is yours and I'll take mine | :46:07. | :46:10. | |
# Now let me at the truth Which will refresh my broken mind | :46:10. | :46:17. | |
# So tie me to a post and block my ears | :46:17. | :46:20. | |
# I can see widows and orphans through my tears | :46:20. | :46:24. | |
# I know my call despite my faults and despite my growing fears | :46:24. | :46:31. | |
# But I will hold on hope | :46:31. | :46:34. | |
# And I won't let you choke on the noose around your neck | :46:34. | :46:42. | |
# And I'll find strength in pain And I will change my ways | :46:42. | :46:48. | |
# I'll know my name as it's called again | :46:48. | :46:58. | |
:46:58. | :46:59. | ||
# So come out of your cave walking on your hands | :46:59. | :47:02. | |
# And see the world hanging upside down | :47:02. | :47:06. | |
# You can understand dependence when you know the maker's land | :47:06. | :47:13. | |
# So make your siren's call And sing all you want | :47:13. | :47:20. | |
# I will not hear what you have to say | :47:20. | :47:23. | |
# Cos I need freedom now And I need to know how | :47:23. | :47:29. | |
# To live my life as it's meant to be | :47:29. | :47:39. | |
:47:39. | :47:54. | ||
# And I will hold on hope | :47:54. | :47:57. | |
# And I won't let you choke on the noose around your neck | :47:57. | :48:04. | |
# And I'll find strength in pain And I will change my ways | :48:04. | :48:11. | |
# I'll know my name as it's called again. # | :48:11. | :48:21. | |
:48:21. | :48:31. | ||
Thank | :48:31. | :48:32. | |
Thank you | :48:32. | :48:32. | |
Thank you very | :48:32. | :48:42. | |
:48:42. | :48:42. | ||
Thank you very much. Mumford and Sons earlier on the | :48:42. | :48:49. | |
Other Stage. Will you leave that cow alone? We're keeping her calm. | :48:49. | :48:58. | |
We don't want her rearing up. One r for one thing, I haven't filled the | :48:58. | :49:05. | |
form in, health and safety. I had them on a radio show and I | :49:05. | :49:10. | |
thought they were destined to be there and they were playing the | :49:10. | :49:20. | |
:49:20. | :49:21. | ||
Grammys. It happened last year. could hear Test Match special and | :49:21. | :49:26. | |
David Gower saying "I'm listening to Mumford and Sons." Who would | :49:26. | :49:31. | |
have thought it? Not them. Marcus has stayed clean cut, while some of | :49:31. | :49:37. | |
the rest of them have gone native. We were a band of folk musicians | :49:37. | :49:41. | |
and that's what happens. Fair play to them. I thought that was good. | :49:41. | :49:47. | |
There has been all sorts of stuff at glast gree including -- | :49:47. | :49:51. | |
Glastonbury including a gentleman who made history in 1985 when he | :49:51. | :49:56. | |
head lined with the Smiths. But it is not just about the big headline | :49:56. | :50:00. | |
acts and the people who play in the Grammys and stuff, there is another | :50:00. | :50:04. | |
side to Glastonbury and we do get out and about and enjoy that, but | :50:04. | :50:11. | |
one lady who is enjoying it as I speak is the beautiful Gemma who is | :50:11. | :50:19. | |
in the nocturnal armpit of Glastonbury and I mean that in a | :50:19. | :50:25. | |
good way. Oh, far, far away from the Pyramid | :50:25. | :50:31. | |
Stage and the Other Stage, even beyond Arcadia is Block 9 where the | :50:31. | :50:36. | |
absurd, the glamorous, the wonderful, the most surreal moments | :50:36. | :50:43. | |
happen. Tell me more. I found friends? We are in New York disco. | :50:44. | :50:49. | |
This is from 1989 and it is all that's left of the world after a | :50:49. | :50:52. | |
nuclear warp Enlighten me. What's going to | :50:52. | :50:56. | |
happen around here this evening? Everybody is going to be very, very | :50:56. | :51:01. | |
free and we are going to dance until the end of the world because | :51:01. | :51:04. | |
it is what we are doing here, honey, we are just dancing and celebrating | :51:04. | :51:13. | |
life. I am impressed. You have got heels | :51:13. | :51:19. | |
on. I have got four inch heels on. Mud? What mud? I am hearing loads | :51:19. | :51:29. | |
:51:29. | :51:30. | ||
about the London Underground. Let's My name is Steve Gallagher. | :51:30. | :51:34. | |
My name is Gideon. We are the team behind the new | :51:34. | :51:36. | |
London Underground at Glastonbury this year. | :51:36. | :51:44. | |
We started off doing the NYC download four years ago. We knew we | :51:44. | :51:47. | |
needed to do something else big and spectacular, but we weren't sure | :51:47. | :51:52. | |
what it should be. We knew it should be a music venue and we | :51:52. | :51:56. | |
wanted to do something that was London-centric so we had New York | :51:56. | :52:03. | |
and London on opposite sides of the field. On the build crew, there are | :52:03. | :52:08. | |
something like 45 people. We have been helping build this | :52:08. | :52:11. | |
marvellous structure which has been called London Underground. | :52:11. | :52:16. | |
I painted all the balconies and all the bits on the ground and put the | :52:16. | :52:18. | |
texture on and made them look like concrete and the colour and | :52:18. | :52:22. | |
everything. It is hard work. | :52:22. | :52:26. | |
And once it is put together, we're going to go up on the scissor lift | :52:26. | :52:34. | |
and put dirt and mould and everything and make it look like a | :52:34. | :52:38. | |
really shitty council block. It always looks amazing. | :52:38. | :52:41. | |
We all know what we have got to do so and we are all putting our time | :52:41. | :52:49. | |
The idea behind the set was you know, I guess quite competitive, | :52:49. | :52:59. | |
you know, we did the Downlow and it was an ambitious set and we wanted | :52:59. | :53:08. | |
to push the boat out first. We previously crashed a taxi into | :53:08. | :53:12. | |
the Downlow and the Tube has has derailed underground and smashed up | :53:12. | :53:18. | |
through the tower block and caught daily life in its wheels and | :53:18. | :53:21. | |
dragged it out through the front of the building as it crashed out | :53:21. | :53:24. | |
through the front of the building. It is a sculpture in itself and | :53:24. | :53:29. | |
then you walk through the sculpture into the venue behind and the venue | :53:29. | :53:37. | |
behind is seedy, underground, London nightclub. | :53:37. | :53:46. | |
Proper established clubs. They This is brilliant. The level of | :53:46. | :53:51. | |
production is amazing. You don't often get to play inside a venue at | :53:51. | :53:55. | |
a festival and they have created a nightclub and it is wicked. It is | :53:55. | :54:01. | |
brilliant. It is like going back to London. It | :54:01. | :54:04. | |
is like being in Brixton. There is lots of raving going on. | :54:04. | :54:09. | |
People are having a good time. There is a lot of love. | :54:09. | :54:13. | |
I don't think I have seen this level of, you know, extravagance in | :54:13. | :54:18. | |
a venue before especially in a field. | :54:18. | :54:25. | |
I haven't gone anywhere else, I have been right here. | :54:25. | :54:29. | |
I wondered what Marcus was doing with himself. I didn't know where | :54:29. | :54:34. | |
he was, but know I noi -- now I know. | :54:34. | :54:39. | |
I am always amazed at how much effort people put into putting | :54:39. | :54:44. | |
these structures up One of the things they added was a | :54:44. | :54:48. | |
mechanical bull ring in which they are having fights with real people. | :54:48. | :54:52. | |
We came down and launched the start of the Glastonbury season last | :54:52. | :54:54. | |
month while they were building everything and it really is a year | :54:54. | :55:00. | |
long project. It takes a month to strip the set back. | :55:00. | :55:04. | |
My kids are here somewhere and they were in a giant fish. A giant | :55:04. | :55:10. | |
silver fish. When we got up close it was built out of CDs. It was | :55:10. | :55:16. | |
amazing that someone could go to that much trouble. It was great | :55:16. | :55:21. | |
bringing kids as they were chatter, chatter and as soon as they saw the | :55:21. | :55:26. | |
size of it silence. If you have never been, it is impossible to | :55:26. | :55:36. | |
:55:36. | :55:41. | ||
Like we said, there's been all sorts on. One of the things I | :55:41. | :55:47. | |
checked out earlier was this man - former headliners, May 1985. It was | :55:47. | :55:52. | |
a very controversial headliners. People were not sure about the | :55:52. | :55:57. | |
Smiths. They thought it should be a hippies only festival. He embraced | :55:57. | :56:04. | |
pop music and took Glastonbruy into a new league. I like Morrissey. At | :56:04. | :56:11. | |
a festival he's like, "I don't know, will I enjoy myself today?" He came | :56:11. | :56:17. | |
out. He went, "Hi, Glastonbury. How strange to see me here." OK, we're | :56:17. | :56:23. | |
doing this then. So we thought you might enjoy a little bit of his set, | :56:23. | :56:32. | |
here earlier at Glastonbruy. On the Other Stage. It was Morrissey. | :56:32. | :56:42. | |
:56:42. | :56:54. | ||
Hello Glato! Fancy seeing me -- # On the day that you're meant. | :56:54. | :57:04. | |
:57:04. | :57:04. | ||
# Oh, desires to try # And catch up with the tree | :57:04. | :57:09. | |
# Because I want the one I can't have | :57:09. | :57:14. | |
# It's driving me mad # It's all over | :57:14. | :57:24. | |
# All over # My face | :57:24. | :57:34. | |
:57:34. | :57:35. | ||
# On the day you're meant to have # I want the one I can't have | :57:35. | :57:39. | |
# It's driving me mad # It's all over | :57:39. | :57:48. | |
# All over my face # A double bed | :57:48. | :57:56. | |
# These are the riches of the poor A double bed | :57:56. | :58:05. | |
# And a lover for sure # These are the riches of the poor | :58:05. | :58:11. | |
And I want the one I can't have # And it's driving me mad | :58:11. | :58:21. | |
:58:21. | :58:24. | ||
# It's all over # All over my face | :58:24. | :58:31. | |
# A tough kid who sometimes swallows nails | :58:31. | :58:36. | |
# Gone to the prisoner's aid # He killed a policeman when he was | :58:36. | :58:46. | |
:58:46. | :58:48. | ||
# Somehow it really impressed me # It's written all over my face | :58:48. | :58:58. | |
:58:58. | :59:07. | ||
# Oh, these are the riches of the poor # Oh, these are the riches of | :59:07. | :59:10. | |
the poor-ra # I want the one I can't have | :59:10. | :59:18. | |
# This is driving me mad # It's written all over my face, | :59:18. | :59:26. | |
face-face # On the day that you're meant to | :59:26. | :59:31. | |
have a journey # Catches up with your face | :59:31. | :59:39. | |
# And if you ever need salvation # Just me me in the alibi the | :59:39. | :59:44. | |
railway -- in the a lrk ley by the railway station | :59:44. | :59:54. | |
:59:54. | :00:12. | ||
APPLAUSE # There is no-one on earth | :00:12. | :00:19. | |
# English hearts # There is no-one on earth I'm | :00:19. | :00:29. | |
:00:29. | :01:02. | ||
# To be standing by the flag # There is no-one on earth | :01:02. | :01:12. | |
:01:12. | :01:27. | ||
# And I will die # The English are sick to death | :01:27. | :01:37. | |
:01:37. | :01:41. | ||
# And denounce this Royal Line that still salute him | :01:41. | :01:48. | |
# And will salute him | :01:48. | :01:51. | |
# Forever. # | :01:51. | :02:01. | |
:02:01. | :02:01. | ||
Apology for the loss of subtitles for 45 seconds | :02:01. | :03:04. | |
# Punctured bicycle | :03:04. | :03:06. | |
# On a hillside desolate | :03:06. | :03:07. | |
# Will Nature make a man of me yet? | :03:07. | :03:09. | |
# When in this charming car | :03:09. | :03:12. | |
# This charming man | :03:12. | :03:18. | |
# Why pamper life's complexities | :03:18. | :03:20. | |
# When the leather runs smooth | :03:20. | :03:22. | |
# On the passenger seat? | :03:22. | :03:27. | |
# I would go out tonight | :03:27. | :03:30. | |
# But I haven't got a stitch to wear | :03:30. | :03:37. | |
# This man said: "It's gruesome | :03:37. | :03:39. | |
# That someone so handsome should care" | :03:39. | :03:48. | |
# A jumped-up pantry boy | :03:48. | :03:50. | |
# Who never knew his place | :03:50. | :03:52. | |
# He said, "Return the ring" | :03:52. | :03:56. | |
# He knows so much about these things | :03:56. | :04:00. | |
# He knows so much about these things | :04:00. | :04:07. | |
# I would go out tonight | :04:07. | :04:09. | |
# But I haven't got a stitch to wear | :04:09. | :04:17. | |
# This man said, "It's gruesome | :04:17. | :04:19. | |
# That someone so handsome should care" | :04:19. | :04:29. | |
:04:29. | :04:29. | ||
# This charming man | :04:29. | :04:39. | |
:04:39. | :04:39. | ||
# This charming man | :04:39. | :04:46. | |
# A jumped-up pantry boy | :04:46. | :04:48. | |
# Who never knew his place | :04:48. | :04:50. | |
# He said, "Return the ring" | :04:50. | :04:54. | |
# He knows so much about these things | :04:54. | :04:58. | |
# He knows so much about these things. # | :04:58. | :05:08. | |
:05:08. | :05:16. | ||
Thank | :05:16. | :05:16. | |
Thank you. | :05:16. | :05:16. | |
Thank you. Thank | :05:16. | :05:23. | |
Thank you. Thank you! Morrissey earlier today, on the | :05:23. | :05:31. | |
Pyramid Stage - the big pointy one, obviously. I enjoyed pry | :05:32. | :05:38. | |
malscream's set earlier, -- Primal Scream's set earlier. It made me | :05:38. | :05:44. | |
feel like I'd eaten the sun. that's where it went! We have all | :05:44. | :05:52. | |
sort of stuff for you to enjoy on radio, online, on red button. It | :05:52. | :05:58. | |
can take you to see others, you can enjoy fleet foxes, who were | :05:58. | :06:08. | |
:06:08. | :06:11. | ||
fantastic earlier on. I am told in my ear Jason stay on the and | :06:11. | :06:17. | |
Wootton clan. One of whom came in a bath robe. I think it was the | :06:17. | :06:24. | |
founder. He always dresses up. Or it could have been Barry Clan. I | :06:24. | :06:30. | |
can't tell them apart. They are like the Chuckle Brothers. We have | :06:30. | :06:39. | |
some live music now. We have got some live music. These girls come | :06:39. | :06:49. | |
:06:49. | :06:50. | ||
from Alabama, a legendary music town. They were on the acow stick - | :06:50. | :07:00. | |
- Acoustic Stage earlier today. It is the Secret Sisters. | :07:00. | :07:05. | |
# You make me cry baby # Cry baby, cry | :07:05. | :07:10. | |
# I can't help but love you till the day I die | :07:10. | :07:15. | |
# Tell me why, baby, why? # I want to be with you | :07:15. | :07:18. | |
# Like last time when the feathers flew | :07:18. | :07:22. | |
# You're running wild, kicking up your heels | :07:22. | :07:26. | |
# Leaving me at home with a handful of bills | :07:26. | :07:32. | |
# Lord, I can't live without you # It's true. | :07:32. | :07:42. | |
:07:42. | :07:43. | ||
# There's no living without you # I'm going to honky-tonking | :07:43. | :07:48. | |
# Tell me high you made me cry # Cry baby, cry | :07:48. | :07:53. | |
# Lord, I kapt help but love you till the day -- can't help but love | :07:53. | :08:00. | |
you till the day that I die # Tell me why baby, why baby, why | :08:00. | :08:08. | |
baby, why? # Now I don't know, but I've heard | :08:08. | :08:16. | |
# That every dog will have his day # You better pay attention | :08:16. | :08:20. | |
# I'm just a little bit imperson napbt | :08:20. | :08:30. | |
:08:30. | :08:34. | ||
# Well I caught you Honky-trk onkyi -- tonkying with my best friend | :08:34. | :08:37. | |
# Come and feel for the knob on the door | :08:37. | :08:40. | |
# Tell me why Baby | :08:40. | :08:45. | |
# Baby # Why you made me cry, baby, cry | :08:45. | :08:48. | |
# Lord, I can't help but love you till the day I die | :08:48. | :08:53. | |
# Tell me why, baby, why baby, why baby, why? | :08:53. | :09:03. | |
:09:03. | :09:07. | ||
# Tell me why baby, why baby, why? APPLAUSE | :09:07. | :09:12. | |
That was great, wasn't it? The sister sisters from Alabama. I | :09:12. | :09:18. | |
liked that a lot. I liked that guitar. You were admiring that. | :09:18. | :09:24. | |
is a beautiful old Gibson guitar. Nice work, ladies! Morrissey was | :09:24. | :09:28. | |
lying when he said he wouldn't go out tonight because he didn't is a | :09:28. | :09:33. | |
stitch to wear! I thought I saw a change of blouse during his set. | :09:33. | :09:40. | |
did change it. One was red and the other was slightly paler. When did | :09:40. | :09:47. | |
he do that? Did he have a changing room, side-stage? We could miss it | :09:47. | :09:52. | |
and start the rumour, it being late night telly. He had a lady come on | :09:52. | :09:59. | |
and do a quick change thing. Lift the curtain up. Shake a velvet | :09:59. | :10:03. | |
curtain. You should consider that. He should! I think maybe I should | :10:03. | :10:08. | |
consider something. I like it, you have your het set. That's all that | :10:08. | :10:13. | |
matters. Someone gave me this hat. He had a hat stall. I think he | :10:13. | :10:17. | |
thought I would come on telly and plug his hat stall. I have got my | :10:17. | :10:22. | |
free hat on. Whatever you were, I don't know your name or the name of | :10:22. | :10:26. | |
your hat stall. It is a great hat stall, I am sure. It is a plug you | :10:26. | :10:32. | |
can do on the BBC because it is nothing I am not advertising. | :10:32. | :10:36. | |
If this doesn't work for him as a fashion break through, me sporting | :10:36. | :10:44. | |
one of his hats. Morrissey changed shirts. I think he might have been | :10:44. | :10:52. | |
back stage Biffy's changing room. They came on with their clothes on, | :10:52. | :10:57. | |
I could only identify them by their nip pis. | :10:57. | :11:07. | |
:11:07. | :11:31. | ||
# You got me to stay away # I can't compete with history | :11:31. | :11:41. | |
# In control of the morning In control of the sea | :11:41. | :11:51. | |
:11:51. | :11:53. | ||
# You are creating all the bubbles at night | :11:53. | :11:59. | |
# I'm chasing round trying to pop them all the time | :11:59. | :12:06. | |
# We don't need to trust a single word they say | :12:06. | :12:12. | |
# You are creating all the bubbles at play | :12:12. | :12:19. | |
# There's a girl, there's a girl There's a girl, there's a girl | :12:19. | :12:23. | |
# And she's down by the river In her own creepy world | :12:23. | :12:26. | |
# There's a girl, there's a girl | :12:26. | :12:29. | |
# And she's down by the river It's time to consider | :12:29. | :12:35. | |
# That baby is a sinner She'll wash away your sins | :12:35. | :12:40. | |
# And go home I only once upset my kin | :12:41. | :12:50. | |
:12:51. | :12:56. | ||
# Accused him of a moral slip | :12:56. | :12:59. | |
# He came back and claimed a change I know his life's the same again | :12:59. | :13:05. | |
# I can't ask him again I should let it go | :13:05. | :13:15. | |
:13:15. | :13:17. | ||
# You are creating all the bubbles at night | :13:17. | :13:23. | |
# I'm chasing round trying to pop them all the time | :13:23. | :13:30. | |
# We don't need to trust a single word they say | :13:30. | :13:36. | |
# You are creating all the bubbles at play | :13:36. | :13:43. | |
# There's a girl, there's a girl There's a girl, there's a girl | :13:43. | :13:46. | |
# And she's down by the river In her own creepy world | :13:46. | :13:50. | |
# There's a girl, there's a girl | :13:50. | :13:53. | |
# And she's down by the river It's time to consider | :13:53. | :13:59. | |
# That baby is a sinner | :13:59. | :14:02. | |
# There's a girl, there's a girl There's a girl, there's a girl | :14:02. | :14:06. | |
# She'll wash away your sins | :14:06. | :14:08. | |
# She's face down in the river | :14:08. | :14:18. | |
:14:18. | :14:18. | ||
Apology for the loss of subtitles for 45 seconds | :14:18. | :15:50. | |
The | :15:50. | :15:50. | |
The unmistakeable | :15:50. | :15:51. | |
The unmistakeable this | :15:51. | :15:57. | |
The unmistakeable this rob of Biffy Clyro earlier today on the Pyramid | :15:57. | :16:02. | |
Stage. They could get clothes drawn. With a bow tie. I found them scary. | :16:02. | :16:09. | |
They look like they have come out of Charles Manson's gang. Who was | :16:09. | :16:19. | |
:16:19. | :16:19. | ||
the one with the shirt on and a smart shirt on? Was he from Jim'll | :16:19. | :16:23. | |
Fix It? Maybe he was demoted. Maybe that is | :16:24. | :16:29. | |
how it happens. Get your top back on! They are a blistering act. | :16:29. | :16:33. | |
are very sweet as well. I know that is not a cool thing to say! Gemma | :16:33. | :16:39. | |
has been out in the fields, looking at the night life, looking at | :16:39. | :16:45. | |
Glastonbury after dark. She is back up there at the London underground | :16:45. | :16:50. | |
doing further explorations. Are you there? Here I am, in block fine. I | :16:50. | :16:52. | |
know I'm at the London Underground, which means something weird is | :16:52. | :16:58. | |
going to happen to me. Is that right Steve? That is right. | :16:58. | :17:03. | |
You are about to go into the crown and glory. This is a collaborative | :17:03. | :17:07. | |
venture with the Round House. A few people get to experience. You are | :17:07. | :17:17. | |
one of them. I feel lucky.... I think. I'm always on the list, GC! | :17:17. | :17:22. | |
Here goes. Oh, no! Are you all right there, guys? Yeah! Don't | :17:23. | :17:28. | |
believe them! How there, are you all right? I thought it would be | :17:28. | :17:36. | |
cosy in here, but... Hi, nice to meet you. What the.... Hey, what is | :17:36. | :17:44. | |
going on in ....? OK, slightly dark, actually. Don't forget this is | :17:44. | :17:49. | |
really late at night! OK, so I'm finally inside a room. | :17:49. | :17:58. | |
You think you want a room at glasto, you don't think you do! I feel like | :17:58. | :18:08. | |
:18:08. | :18:09. | ||
I'm going to find... Is this legal? What? OK, so I'm getting into a | :18:09. | :18:19. | |
:18:19. | :18:20. | ||
fridge. I'm actually getting into a fridge. Hi, ladies. Hi! I think, | :18:20. | :18:30. | |
:18:30. | :18:31. | ||
I'm all right, yeah! It's a pair of pants on the door. Beautiful pants. | :18:31. | :18:41. | |
:18:41. | :18:41. | ||
Can I go through? Oh, my goodness! OK, this is really freaking me out | :18:41. | :18:51. | |
:18:51. | :18:52. | ||
now guys. Whatever next? What? Nearly fell over in the mud. Here | :18:52. | :18:57. | |
we go. Am I actually allowed to rave here? | :18:57. | :19:05. | |
I survived the London Underground. It's time to rave. I think I | :19:05. | :19:12. | |
blinking well deserve it! And we never saw her again! Love | :19:12. | :19:21. | |
her - raving in a sheep skin. There is something 70s about that. It was | :19:21. | :19:30. | |
like Alice in Wonderland moving to an inner city place. | :19:30. | :19:35. | |
We had Jimmy cliff earlier. Now we have BB King, who is 85 years old. | :19:35. | :19:43. | |
One of the oldest people ever to play at the festival. He is a | :19:43. | :19:47. | |
legendry guitar player. Rolling Stone called him the third best | :19:47. | :19:51. | |
guitarist ever. There is not a guitarist alive who has not taken a | :19:51. | :19:58. | |
bit from BB King. He was on the Pyramid Stage here earlier on, here | :19:58. | :20:05. | |
at Glastonbruy, 2011. Thank you so much. Are you ready? | :20:05. | :20:09. | |
# No-one love me # No-one seem to care | :20:09. | :20:16. | |
# I said nobody love me # Nobody seem to care | :20:16. | :20:21. | |
# The Troubles # You know I've had my share | :20:21. | :20:30. | |
# I get moving down the line # I want to pack my suitcase and go | :20:30. | :20:33. | |
down the line # Ain't nobody worry | :20:33. | :20:38. | |
# Ain't nobody cry # Every day, every day, every day I | :20:38. | :20:44. | |
have the blues # Every day, every day, every day I | :20:44. | :20:49. | |
have the blues # You seem to worry baby | :20:49. | :20:56. | |
# It's you I'd hate to lose # Every day, every day I have the | :20:56. | :21:01. | |
blues # Every day # Every day I have the | :21:01. | :21:05. | |
blues # Don't worry baby | :21:05. | :21:15. | |
:21:15. | :21:15. | ||
Apology for the loss of subtitles for 45 seconds | :21:15. | :25:00. | |
# All right INSTRUMENTAL Thank you. | :25:00. | :25:09. | |
BB King. Wow! I was pleased he played. I gave him the great build- | :25:09. | :25:17. | |
up. He played guitar solo. influenced the rest of the festival. | :25:17. | :25:22. | |
He... I am looking on Twitter. Hello to Natalie, who is watching | :25:22. | :25:27. | |
us in labour. She is hooked up to a tens machine and getting through. | :25:27. | :25:33. | |
love this song. This is Jenny Lewis and her musical live partner. Jenny | :25:33. | :25:43. | |
:25:43. | :25:55. | ||
and Johnnie. This is Animals. # We must modernise Jerusalem | :25:55. | :26:02. | |
# The temples # Let them fight over the dust | :26:02. | :26:11. | |
# We will organise in Bethlehem # Able-bodied women | :26:11. | :26:19. | |
# And agnostic, head-strong men # Or we'll meet at 10 | :26:19. | :26:26. | |
# If you lose your fear # Of God | :26:26. | :26:36. | |
:26:36. | :26:40. | ||
# You are an animal at heart # Ahhh | :26:40. | :26:48. | |
# Show your teeth to everyone # Don't let no-one prove you wrong | :26:48. | :26:53. | |
# You are an animal # An animal | :26:53. | :27:03. | |
:27:03. | :27:03. | ||
Show your teeth to everybody # Don't let no-one prove you wrong | :27:03. | :27:09. | |
# You are an animal # An animal | :27:09. | :27:19. | |
:27:19. | :27:27. | ||
We must rearrange reality # And shuffle all the cards | :27:27. | :27:34. | |
# The joker with the Queen # Just to make her scream | :27:34. | :27:42. | |
# To destroy all our enemies # Must investigate our friends | :27:42. | :27:49. | |
# Find the ones we want to talk # Believe, and hang them from the | :27:49. | :27:53. | |
trees # If you lose your fear | :27:53. | :28:03. | |
:28:03. | :28:06. | ||
# Of God # You are an animal, at heart | :28:06. | :28:14. | |
# Show your teeth to everyone # Don't let no-one prove you wrong | :28:14. | :28:19. | |
# You are an animal # An animal | :28:19. | :28:26. | |
# Show your teeth # To everyone | :28:26. | :28:33. | |
# Don't let no-one prove you wrong # You are an animal | :28:33. | :28:43. | |
:28:43. | :28:58. | ||
# An animal # Show your teeth to everyone | :28:58. | :29:05. | |
# Don't let no-one prove you wrong # You are an animal | :29:05. | :29:09. | |
, an animal # An animal | :29:09. | :29:19. | |
:29:19. | :29:28. | ||
APPLAUSE I love her. I know, it's great tune | :29:28. | :29:33. | |
that. I love it a lot. Absolutely beautiful. Jenny and Johnnie, that | :29:33. | :29:40. | |
was and Animal. What? Nothing! What? Let's go on to | :29:40. | :29:46. | |
something else. We go to fleet foxes now. We talked about Mumford | :29:46. | :29:50. | |
and Sons, fleet foxes seem to come out of nowhere. My kids, the first | :29:50. | :29:54. | |
time they heard them singing, they were like, how are they doing that. | :29:54. | :29:59. | |
The plepbld of the human voice is the thing that -- the blend of the | :29:59. | :30:04. | |
human voice is the thing that machines will never reproduce. | :30:04. | :30:09. | |
was muddy, here they are, fleet foxes. | :30:09. | :30:19. | |
:30:19. | :30:26. | ||
# My brother # Where do you go to tonight? | :30:26. | :30:31. | |
# I heard that you missed your connections | :30:31. | :30:40. | |
# To the mountain # Over in Tennessee | :30:41. | :30:46. | |
# You're welcome with me, any time you like | :30:46. | :30:51. | |
# In the countryside # Handsome, midnight | :30:51. | :31:01. | |
# So no-one gets through me, no # So no one gets through me | :31:01. | :31:11. | |
:31:11. | :31:12. | ||
# No. # Be careless | :31:12. | :31:19. | |
# I'm sure it will be fine # I love you | :31:19. | :31:29. | |
:31:29. | :31:29. | ||
Apology for the loss of subtitles for 45 seconds | :31:29. | :32:14. | |
# Shiver in the darkness # Father, and the music got frozen | :32:14. | :32:24. | |
:32:24. | :32:30. | ||
# And snowing # Till the morning light | :32:30. | :32:40. | |
:32:40. | :32:43. | ||
# Terrible, oh, even if you don't mind | :32:43. | :32:53. | |
:32:53. | :33:03. | ||
# In the darkness # Father | :33:03. | :33:13. | |
:33:13. | :33:19. | ||
# And the snowing # Till the morning light | :33:19. | :33:29. | |
# Terrible, my child # Even if you don't mind | :33:29. | :33:39. | |
:33:39. | :33:52. | ||
CHEERING AND APPLAUSE Well, just magical sound, isn't it? | :33:52. | :33:59. | |
Fleet Foxes there. Again like Mumford and Sons, a strange success | :33:59. | :34:03. | |
story. It's demographic, it is because the baby-boomers are buying | :34:03. | :34:08. | |
records and the younger people like it. I think he's right. Music now | :34:08. | :34:14. | |
is lateral and you don't stop buying music when you're 30. This | :34:14. | :34:19. | |
guy, who is a legend was on the bill also. It is the marvellous | :34:19. | :34:29. | |
:34:29. | :34:51. | ||
# But you must try # Rome was not built in a day | :34:51. | :35:01. | |
:35:01. | :35:14. | ||
# But the hotter the battle you see # But you must try | :35:14. | :35:24. | |
:35:24. | :35:38. | ||
# Win or lose # You've got your mind | :35:38. | :35:42. | |
# You can get it though hard it may seem now | :35:42. | :35:46. | |
# You can get it if you really want | :35:46. | :35:49. | |
# You can get it if you really want | :35:49. | :35:53. | |
# You can get it if you really want | :35:53. | :35:57. | |
# But you must try Try and try, try and try | :35:57. | :36:04. | |
# You'll succeed at last I know it - listen | :36:04. | :36:14. | |
:36:14. | :36:22. | ||
# You can get it if you really want | :36:22. | :36:24. | |
# You can get it if you really want | :36:24. | :36:28. | |
# You can get it if you really want | :36:28. | :36:32. | |
# But you must try Try and try, try and try | :36:32. | :36:38. | |
# You'll succeed at last. # | :36:38. | :36:48. | |
# You can get it if you really want | :36:48. | :36:52. | |
# You can get it if you really want | :36:52. | :36:55. | |
# You can get it if you really want | :36:56. | :37:05. | |
:37:06. | :37:06. | ||
Apology for the loss of subtitles for 45 seconds | :37:06. | :37:56. | |
# I can see clearly # Gone are the dark clouds | :37:56. | :38:06. | |
:38:06. | :38:11. | ||
# It's gonna be a bright Bright # It's gonna be a bright Bright | :38:11. | :38:21. | |
:38:21. | :38:27. | ||
# Oh, yes, I can make it # All of the bad feelings | :38:27. | :38:36. | |
# Here is that rainbow I've been praying for | :38:36. | :38:43. | |
# It's gonna be a bright Bright Bright Bright sunshiny day, ooh | :38:43. | :38:52. | |
# Look all around There's nothing but blue skies | :38:52. | :38:59. | |
# Look straight ahead There's nothing but blue skies | :38:59. | :39:09. | |
:39:09. | :39:21. | ||
# I can see clearly now the rain is gone | :39:21. | :39:29. | |
# I can see all obstacles in my way | :39:29. | :39:38. | |
# Here is that rainbow I've been praying for | :39:38. | :39:45. | |
# It's gonna be a bright Bright Bright Bright sunshiny day | :39:45. | :39:52. | |
# It's gonna be a bright Bright Bright Bright sunshiny day | :39:52. | :40:00. | |
# It's gonna be a bright Bright Bright Bright sunshiny day | :40:00. | :40:10. | |
:40:10. | :40:10. | ||
Apology for the loss of subtitles for 45 seconds | :40:10. | :41:05. | |
# By the rivers of water # Bring the season, with all the | :41:05. | :41:13. | |
leaves # Whatever we do, it's prosperous | :41:13. | :41:23. | |
:41:23. | :41:23. | ||
# Bright sunshiney day # The congregation of the righteous. | :41:23. | :41:29. | |
The way # It's a bright | :41:29. | :41:39. | |
:41:39. | :42:15. | ||
# It's gonna be a bright Bright The great Jimmy Cliff. He had his | :42:15. | :42:20. | |
first hit single in Jamaica when he was 15. He came to see me on 6 | :42:20. | :42:23. | |
Music earlier today. I was like, Jimmy, I can not believe you're | :42:23. | :42:28. | |
here in this weather, it feels wrong. He said, I had a little | :42:28. | :42:34. | |
sunshine in my pocket, but I used it all up. It was the coolest thing. | :42:34. | :42:41. | |
Those were great slacks. Was he rocking a fleez operation there. | :42:41. | :42:46. | |
was awkward, I nearly wore that. All these stars have clothes that I | :42:46. | :42:53. | |
am not interested in. If he launched his own slack range I | :42:53. | :42:59. | |
would be there! Glistening. Indeed so. I think you have expressed my | :42:59. | :43:06. | |
personality there. Casual, yet glistening. You could say the same, | :43:06. | :43:13. | |
Bono was glistening. Here is some U2 from earlier on. | :43:13. | :43:23. | |
:43:23. | :43:25. | ||
It's a folk festival. # Green light | :43:25. | :43:30. | |
# 7/11 # You stop here for a pack of | :43:30. | :43:33. | |
cigarettes # You don't smoke | :43:33. | :43:40. | |
# Don't even want to Check your change | :43:40. | :43:45. | |
# Dressed up # Like a car crash | :43:45. | :43:51. | |
# The wheels are turning # You're upside down | :43:51. | :44:01. | |
:44:01. | :44:02. | ||
# You say when it hits you # You don't mind | :44:02. | :44:12. | |
:44:12. | :44:15. | ||
Because when he hurts you # You feel alive | :44:15. | :44:22. | |
Red lights Grey morning | :44:22. | :44:26. | |
# You stumble out of a hole in the ground | :44:26. | :44:30. | |
# A vampire # Or a victim | :44:31. | :44:38. | |
# It depends on who's around # You used to stair | :44:38. | :44:47. | |
# To watch the adverts # You could lipsy with a talk show | :44:47. | :44:55. | |
# And if you look, you look through # And when you talk | :44:55. | :45:02. | |
# It's not to me # And when I touch you | :45:02. | :45:12. | |
# You don't feel a thing # If I could stay, then the night | :45:12. | :45:21. | |
would give you up # If I could stay, then the day | :45:21. | :45:31. | |
:45:31. | :45:32. | ||
would keep its trust # Stay and the night would be | :45:32. | :45:39. | |
enough # Far away | :45:39. | :45:48. | |
# So close Up with the sky and the radio waves | :45:48. | :45:54. | |
# Satellites # Television, BBC | :45:54. | :46:04. | |
:46:04. | :46:06. | ||
# You can go anywhere # Miami, New Orleans | :46:06. | :46:15. | |
# London, Belfast, Glastonbury # And if you list en, I can call | :46:15. | :46:25. | |
:46:25. | :46:25. | ||
# And if you jump, just my fall # And if you shower -- shout, I'll | :46:25. | :46:34. | |
only hear you # If I could stay, then the night | :46:34. | :46:44. | |
will give you up # If I could stay then the day will | :46:44. | :46:54. | |
:46:54. | :46:54. | ||
keep me strong # If I could stay with the spirit I | :46:54. | :46:59. | |
found # Stay with the demons I drown | :46:59. | :47:08. | |
# Stay, then the night will be enough | :47:08. | :47:18. | |
:47:18. | :47:20. | ||
# Oh, oh, oh, # Of-oh-oh | :47:20. | :47:30. | |
# Oh-oh-oh Oh-oh-oh-oh | :47:30. | :47:40. | |
# Three o clock in the morning # It's quiet and there's nobody | :47:40. | :47:45. | |
around # Just the bang and the clatter | :47:45. | :47:54. | |
# As an angel hits the ground # CHEERING AND APPLAUSE | :47:54. | :47:59. | |
U2. They were on the Pyramid earlier. I was surprised but how | :47:59. | :48:02. | |
stripped back that was. Everybody was like it's going to be stripped | :48:02. | :48:07. | |
back. No lights, nothing. People said there was a lot of eye contact. | :48:07. | :48:12. | |
The thing that was touching when they came here, they are in their | :48:12. | :48:17. | |
own way unprepossessing. They had hair arms on each other's backs. | :48:17. | :48:23. | |
They are mates. In case you wondered where Gary had gone. | :48:23. | :48:31. | |
Larry had gone. He's gone to look for his flask.Um,um, we're back | :48:31. | :48:36. | |
tomorrow at four. All sorts of people playing, Beyonce, Paul Simon. | :48:36. | :48:46. | |
:48:46. | :48:46. | ||
Loads of stuff. Tomorrow, from 4pm, we have rumour. We have Anna Kalvy. | :48:47. | :48:56. | |
:48:57. | :48:57. | ||
We have him from Windmills Of Your Mind. Elbow are on. Coldplay are on. | :48:58. | :49:04. | |
We're hoping in the words of Jimmy Cliff, that's it going to be a | :49:04. | :49:10. | |
bright sunshiny day. You can join us online. Loads more coverage on 6 | :49:10. | :49:16. | |
Music and BBC Radio. We'll be back on your telly box tomorrow at 4pm. | :49:16. | :49:20. | |
Very, very much looking forward it to. OK. So we hope you've enjoyed | :49:20. | :49:25. | |
it. We hope for better weather. We've had great music. We hope | :49:25. | :49:35. | |
:49:35. | :49:53. | ||
tomorrow for a beautiful day. # And the reason | :49:53. | :50:03. | |
:50:03. | :50:03. | ||
Apology for the loss of subtitles for 45 seconds | :50:03. | :51:47. | |
# You've been all over # See the tuna fleets | :51:47. | :51:57. | |
:51:57. | :52:01. | ||
# And see the bird # After the flood | :52:01. | :52:11. | |
:52:11. | :52:43. | ||
# What you don't have # What you don't know | :52:43. | :52:46. | |
# What you don't have you don't need it now | :52:46. | :52:50. | |
# Don't need it now | :52:50. | :52:53. | |
# Was a beautiful day... # | :52:53. | :53:01. | |
# Was a beautiful day... # | :53:01. | :53:11. | |
:53:11. | :53:45. | ||
# | :53:45. | :53:49. | |
# Rain | :53:49. | :53:50. | |
# Rain -rain | :53:50. | :53:52. | |
# Rain -rain # | :53:52. | :53:53. | |
# I | :53:53. | :53:53. | |
# I don't | :53:53. | :53:53. | |
# I don't mind | :53:53. | :53:54. | |
# I don't mind # | :53:54. | :53:56. | |
# We | :53:56. | :53:56. |