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Welcome to Glastonbury 2013. I'm Craig Charles. Over on the Pyramid | 0:00:17 | 0:00:21 | |
Stage, the Rolling Stones are rocking it out, but Glastonbury is | 0:00:21 | 0:00:28 | |
not all about the Rolling Stones. Here at the West Halt Stage. We are | 0:00:28 | 0:00:33 | |
about to host Public Image Ltd. The leading lights of rap. They | 0:00:34 | 0:00:38 | |
pioneered rap as political commentary on contemporary American | 0:00:38 | 0:00:44 | |
culture, a warning that there may be bad languagement these guys are | 0:00:44 | 0:00:54 | |
0:00:54 | 0:00:55 | ||
Apology for the loss of subtitles for 101 seconds | 0:00:55 | 0:02:36 | |
Don't confuse us with the sound. Come on, everyone at Glastonbury. We | 0:02:36 | 0:02:43 | |
welcome the peace sign. Put the peace sign up. | 0:02:43 | 0:02:47 | |
Everybody in the middle, throw up the peace sign now. | 0:02:47 | 0:02:57 | |
0:02:57 | 0:02:57 | ||
Apology for the loss of subtitles for 101 seconds | 0:02:57 | 0:03:41 | |
And everybody, Glastonbury brothers, I talk about base. All right, check | 0:03:41 | 0:03:46 | |
it out. CHEERING AND APPLAUSE | 0:03:46 | 0:03:52 | |
Glastonbury, Glastonbury! I said, Glastonbury! | 0:03:52 | 0:03:58 | |
CHEERING AND APPLAUSE You all know what? Do you know what? Here come | 0:03:58 | 0:04:08 | |
0:04:08 | 0:04:08 | ||
Apology for the loss of subtitles for 101 seconds | 0:04:08 | 0:06:05 | |
Can't trust it. Can't trust what? Everybody you got game. Come on. | 0:06:05 | 0:06:11 | |
Clap your hands. Clap your hands. Everybody just clap | 0:06:11 | 0:06:15 | |
your hands. To the people over here. Everybody | 0:06:15 | 0:06:22 | |
over there. # Clap your hands | 0:06:22 | 0:06:32 | |
0:06:32 | 0:06:32 | ||
Apology for the loss of subtitles for 101 seconds | 0:06:32 | 0:08:26 | |
# Everybody HE RAPS | 0:08:27 | 0:08:32 | |
# I got so much trouble on my mind # Confused. | 0:08:32 | 0:08:39 | |
# Check it # Put back a black attack | 0:08:39 | 0:08:49 | |
# Shout down the mic # Yo yo, that's about it | 0:08:49 | 0:08:55 | |
# Base line an as tash # Lord, on the flat | 0:08:55 | 0:09:05 | |
0:09:05 | 0:09:05 | ||
Apology for the loss of subtitles for 101 seconds | 0:09:05 | 0:10:14 | |
# I don't know about that puts your fists in the air. Like | 0:10:14 | 0:10:24 | |
0:10:24 | 0:10:50 | ||
Are you ready? Somebody say yeah! Yeah. Say, hell, yeah. Say yeah. | 0:10:50 | 0:11:00 | |
0:11:00 | 0:11:00 | ||
Say, hell, yeah. Say oh, yeah. Say lock yeah. Say oh, yeah. Say, hell | 0:11:00 | 0:11:09 | |
yeah. When I say, you all say. Hip when I say, you all say, hip. When I | 0:11:09 | 0:11:19 | |
0:11:19 | 0:11:19 | ||
Apology for the loss of subtitles for 101 seconds | 0:11:19 | 0:12:01 | |
say, you all say, hip. When I say, Have some soul, you all, | 0:12:01 | 0:12:06 | |
Glastonbury. If you got soul power, come on, I ain't hear you say soul | 0:12:06 | 0:12:12 | |
power. Say soul power. Say soul power. Say soul power. | 0:12:12 | 0:12:21 | |
Say soul power. The B side sides wears it again and | 0:12:21 | 0:12:31 | |
0:12:31 | 0:12:50 | ||
HE RAPS. # Listen, hard | 0:12:50 | 0:12:59 | |
# He's in the house # He's DJ Lord. Hear the drummer | 0:12:59 | 0:13:01 | |
# The drummer goes # The drummer | 0:13:02 | 0:13:11 | |
0:13:12 | 0:13:12 | ||
# The drummer goes. Base # How low can you go Glastonbury, | 0:13:12 | 0:13:18 | |
hold it, Mike. Now, Glastonbury, come on. Base, how low can you? | 0:13:18 | 0:13:24 | |
Everybody clap your hands. Give it up for the legendary Davy. He got a | 0:13:24 | 0:13:31 | |
soul track. Check it out. He got this one for the treble. | 0:13:31 | 0:13:36 | |
Check it out. One for the treble, two for the base. Come on Davy, | 0:13:36 | 0:13:46 | |
0:13:46 | 0:13:47 | ||
let's rock this place. That's the real hip-hop there. | 0:13:47 | 0:13:54 | |
On the real hip-hop, hey. Keep it on this song. Let me hear | 0:13:54 | 0:14:00 | |
you go, oh, yeah. Clap your hands, everybody come on. Everybody clap | 0:14:00 | 0:14:10 | |
0:14:10 | 0:14:23 | ||
your hands. Everybody over there, clap your hands. | 0:14:23 | 0:14:31 | |
When I say good, you all say what? Good. DJ, help them out. | 0:14:31 | 0:14:39 | |
What? What? Let's go. Come on with the DJ. | 0:14:39 | 0:14:48 | |
What? What? Now give that to me a few times. | 0:14:48 | 0:14:51 | |
Say what? Everybody, come on, clap your hands. | 0:14:52 | 0:15:01 | |
Come on. Now what you hear is us on the beat. | 0:15:01 | 0:15:07 | |
Myself and the rest of the crew, it is time for the boogie beat. It is | 0:15:07 | 0:15:14 | |
time for the guitar. Now check it out. We're going to do | 0:15:14 | 0:15:24 | |
0:15:24 | 0:15:45 | ||
Clap your hands. We still in the Terra Deem? DJ, help | 0:15:45 | 0:15:55 | |
0:15:55 | 0:15:55 | ||
Apology for the loss of subtitles for 101 seconds | 0:15:55 | 0:16:54 | |
HE RAPS. Glastonbury, come on. | 0:16:54 | 0:17:04 | |
Welcome to the Terra Dome. I like to give this shot over to the | 0:17:04 | 0:17:10 | |
Pyramid Stage for my boys, and the Rolling Stones ripping sheet out. | 0:17:10 | 0:17:14 | |
Over here, you know, at Glastonbury, we going to break that locking | 0:17:14 | 0:17:24 | |
0:17:24 | 0:17:24 | ||
Apology for the loss of subtitles for 101 seconds | 0:17:24 | 0:19:19 | |
Turn it up, Glastonbury. Crank the noise. Check it out. | 0:19:19 | 0:19:29 | |
0:19:29 | 0:19:29 | ||
Apology for the loss of subtitles for 101 seconds | 0:19:29 | 0:20:10 | |
HE RAPS. Come on, Glastonbury. Throw your | 0:20:10 | 0:20:15 | |
hands in the air. Throw your hands in the air. Wave them from side to | 0:20:15 | 0:20:25 | |
0:20:25 | 0:21:04 | ||
HE RAPS. Turn it up. Bring the noise. Bring | 0:21:04 | 0:21:14 | |
the noise. CHEERING AND APPLAUSE. | 0:21:14 | 0:21:22 | |
Yo, you know what. We the rap group that never locking broke up. There | 0:21:22 | 0:21:30 | |
was all this Government shit, but we never broke up. The rest of the crew | 0:21:30 | 0:21:38 | |
went back with the tour. Like Ice Cube, and De La Soul, but | 0:21:38 | 0:21:43 | |
we never locking broke up. I said lock that shit. Shows and hip-hop | 0:21:43 | 0:21:50 | |
have got so sloppy that mother lockers are cheering the locking | 0:21:50 | 0:21:56 | |
hologram. Tupak was like a brother to me. It | 0:21:56 | 0:22:03 | |
was unfortunate he was killed, assassinated, but you know what, I | 0:22:03 | 0:22:11 | |
would have never, " Let's bring Tupak back into a concert to make | 0:22:11 | 0:22:19 | |
them mother lockers happy and shit." Like in a hologram. What the lock? | 0:22:19 | 0:22:25 | |
Whap we have real mother lockers. Big Daddy Kane. | 0:22:25 | 0:22:32 | |
All of them legendary MCs in the UK. I mean, lock the God dam locking | 0:22:32 | 0:22:36 | |
illusion. This is the real shit, baby. Turn it out. All you dment Js, | 0:22:37 | 0:22:42 | |
know this is the real shit. Here we go again. | 0:22:42 | 0:22:48 | |
That is no mother lock locking recording. | 0:22:48 | 0:22:52 | |
With Flavours, saying don't believe, don't believe, don't believe the | 0:22:52 | 0:23:02 | |
0:23:02 | 0:23:37 | ||
hype! # Don't | 0:23:37 | 0:23:41 | |
# Don't believe the hype # Don't | 0:23:41 | 0:23:51 | |
0:23:51 | 0:23:51 | ||
Apology for the loss of subtitles for 101 seconds | 0:23:51 | 0:24:38 | |
# Yes We don't need the weak # Don't believe the hype - its a | 0:24:38 | 0:24:41 | |
sequel As an equal, can I get this through to you My 98's boomin' with | 0:24:41 | 0:24:45 | |
a trunk of funk All the jealous punks can't stop the dunk Comin' | 0:24:45 | 0:24:48 | |
from the school of hard knocks Some perpetrate, they drink Clorox Attack | 0:24:48 | 0:24:51 | |
the black, cause I know they lack exact The cold facts, and still they | 0:24:51 | 0:25:01 | |
go into the studio, we slide the faders down. Now this ain't a band. | 0:25:01 | 0:25:08 | |
It is called a band with a B AND. We are a band from many places. We are | 0:25:08 | 0:25:18 | |
0:25:18 | 0:25:28 | ||
rhythm sections. If you hear the soul, give it a clap. Clap. Clap. | 0:25:28 | 0:25:38 | |
0:25:38 | 0:25:41 | ||
You see them people clapping? They got soul, right. Give them a little | 0:25:41 | 0:25:51 | |
0:25:51 | 0:26:19 | ||
bit of soul. Clap your hands, you all got rhythm. | 0:26:19 | 0:26:27 | |
David is the first concert show DJ in hip-hop. DJ for Curtis Blow, | 0:26:27 | 0:26:34 | |
1979. He also produced Christmas Rapping and the brakes. He produced | 0:26:34 | 0:26:40 | |
music for the Fat Boys and Run DMC. He is a founding member of the | 0:26:40 | 0:26:49 | |
Hollis Crew. We are very proud to have David in the Public Image Ltd. | 0:26:49 | 0:26:56 | |
Can I get him down? He's a funny mother locker, too. All right, come | 0:26:56 | 0:27:04 | |
on, Glastonbury. Don't believe the hype as a sequel. As an equal. Can I | 0:27:04 | 0:27:09 | |
get this through to you. # My booming with a trung of funning | 0:27:09 | 0:27:13 | |
# All the jealous purngs can't stop the dunk | 0:27:13 | 0:27:16 | |
# Coming from the school of hard knocks | 0:27:16 | 0:27:24 | |
# Some perpetrate, they drink Clorox # Attack the black, cause I know | 0:27:25 | 0:27:29 | |
they lack exact # The cold facts and still they try | 0:27:29 | 0:27:33 | |
to Xerox # Leader of the new school, uncool | 0:27:33 | 0:27:37 | |
# Never played the fool, just made the rules | 0:27:37 | 0:27:39 | |
# Remember there's a need to get alarmed | 0:27:39 | 0:27:45 | |
# Again I said I was a time bomb # In the daytime the radio's scared | 0:27:45 | 0:27:48 | |
of me # Cause I'm mad, plus I'm the enemy | 0:27:48 | 0:27:52 | |
# They can't common, and play with me in primetime | 0:27:52 | 0:27:56 | |
# Cause I know the time, plus I'm getting mine | 0:27:56 | 0:28:01 | |
# I get on the mix late in the night # They know I'm living right, so | 0:28:02 | 0:28:08 | |
here go the Mike # Before let it go, don't rush my | 0:28:08 | 0:28:11 | |
show # You try to reach and grab it and | 0:28:11 | 0:28:15 | |
get elbowed # Word to herb, 2 you don't swing | 0:28:15 | 0:28:18 | |
this # Just a little bit of the taste of | 0:28:18 | 0:28:22 | |
the bass for you # As you get up and dance at the LQ | 0:28:22 | 0:28:28 | |
# When you deny it, defy it, if I swing bolos | 0:28:28 | 0:28:32 | |
# Glab, I have to ask you, are we that type | 0:28:32 | 0:28:37 | |
# Don't believe the hype # Don't, don't believe the hype | 0:28:37 | 0:28:42 | |
# Don't, don't believe # Don't believe the hype | 0:28:42 | 0:28:52 | |
0:28:52 | 0:29:04 | ||
# I got flavour in all those things you know | 0:29:04 | 0:29:08 | |
# We're not positive # What we got to give | 0:29:08 | 0:29:11 | |
# Greed # You got to know what I mean | 0:29:11 | 0:29:16 | |
# We got to let the band check this # Come on | 0:29:16 | 0:29:22 | |
# Don't believe, don't believe # Don't believe the hype | 0:29:22 | 0:29:26 | |
# Don't, don't believe the hype # Don't believe the hype | 0:29:26 | 0:29:31 | |
# Don't, don't, don't believe the hype | 0:29:31 | 0:29:34 | |
# Check it out # The rhythm | 0:29:34 | 0:29:37 | |
# The rebel # Without a pause | 0:29:37 | 0:29:42 | |
# The hard rebel # We ain't got sentiment | 0:29:42 | 0:29:46 | |
# The enemy # They play my music | 0:29:46 | 0:29:56 | |
0:29:56 | 0:30:04 | ||
# They don't know my lyrics That's right, | 0:30:04 | 0:30:07 | |
# Put your hands up # Radio | 0:30:07 | 0:30:08 | |
# Sulkers # On a mission | 0:30:08 | 0:30:15 | |
# They are paying me now # Going to school | 0:30:15 | 0:30:24 | |
# Yeah # I call the turn it on | 0:30:24 | 0:30:34 | |
# Flavour # A rebel in his own mind | 0:30:34 | 0:30:42 | |
# You're my man # Come on | 0:30:42 | 0:30:52 | |
0:30:52 | 0:30:52 | ||
Apology for the loss of subtitles for 101 seconds | 0:30:52 | 0:32:37 | |
# Yoh put your hands in the air up out of your seats! You! Rock the | 0:32:37 | 0:32:47 | |
0:32:47 | 0:32:47 | ||
Apology for the loss of subtitles for 101 seconds | 0:32:47 | 0:33:37 | |
Hey, Glastonbury you all feelgood tonight, you all say yeah! Yeah! You | 0:33:37 | 0:33:47 | |
0:33:47 | 0:33:52 | ||
say hop when I say Hyypia. Hip. You all say DJ, I say Lloyd DJ, DJDJ | 0:33:53 | 0:34:02 | |
0:34:03 | 0:34:12 | ||
CHEERING AND APPLAUSE Real hip-hop shit. | 0:34:12 | 0:34:17 | |
I heard some of the new music is space music. I got nothing against | 0:34:17 | 0:34:22 | |
hip-hop in the new day. I just would like them to perform harder and when | 0:34:22 | 0:34:26 | |
they come to the UK sweat a little bit. | 0:34:26 | 0:34:36 | |
0:34:36 | 0:34:39 | ||
Don't hide in the VIP section cos the most important people are the | 0:34:39 | 0:34:46 | |
people in the concert. It is you. Don't accept that shit. Lock, man. | 0:34:46 | 0:34:50 | |
You are paying money for your favourite artist, I don't care what | 0:34:50 | 0:34:54 | |
music they do. If they come to a club and you are locking exhausted | 0:34:54 | 0:35:00 | |
and the mother locker is up there, and shit. Lock you all. Leave. You | 0:35:00 | 0:35:10 | |
0:35:10 | 0:35:11 | ||
lock the locking door! Go to your phones right now. Tweet me. Say | 0:35:11 | 0:35:21 | |
0:35:21 | 0:35:24 | ||
Chuck D said it. Mr Chuck D and DJ Lord. Also tweet Flavaflav. Tell him | 0:35:24 | 0:35:34 | |
0:35:34 | 0:35:34 | ||
we miss you at Glastonbury. Also Professor Griff. If you go to Public | 0:35:34 | 0:35:39 | |
Image Ltd Dom it is the longest running artist on the internet. We | 0:35:39 | 0:35:46 | |
think we have released two albums that you in the UK and more most of | 0:35:46 | 0:35:52 | |
the fans in the Pyramid Stage, have on your phones. I'm not here to sell | 0:35:52 | 0:35:58 | |
shit. I'm here to be at your service. | 0:35:58 | 0:36:08 | |
0:36:08 | 0:36:09 | ||
So, I like doing this record. Most of my heroes, still appear on | 0:36:09 | 0:36:19 | |
0:36:19 | 0:36:54 | ||
this stand. This is I Shall Not Be Moved. | 0:36:54 | 0:37:02 | |
# And the beat goes on # Somebody account there, say, oh-oh | 0:37:02 | 0:37:11 | |
# Get low # Oh-oh. | 0:37:11 | 0:37:15 | |
Never bitter but better # Back by the fact | 0:37:15 | 0:37:20 | |
# All I got is my word # The new curse word is black | 0:37:20 | 0:37:23 | |
# Say the test # Is being at your best | 0:37:24 | 0:37:27 | |
# The curse # Is living at your worst | 0:37:27 | 0:37:30 | |
# Crawling like a maggot out their mind | 0:37:30 | 0:37:34 | |
# Faster than a go # Shit is live | 0:37:34 | 0:37:41 | |
# Survive # High with out a God dam reason | 0:37:41 | 0:37:44 | |
with basketball wives # And really wives | 0:37:44 | 0:37:49 | |
# Birds dropping out of the sky # And why Google why | 0:37:50 | 0:37:53 | |
# I shall not be moved # Feel the people | 0:37:53 | 0:37:55 | |
# Heal the people # Need the people | 0:37:55 | 0:38:00 | |
# So heed the people # Help the homeless | 0:38:00 | 0:38:01 | |
# Under fed # Revolution | 0:38:01 | 0:38:04 | |
# Stop the Feds # Leaving people | 0:38:04 | 0:38:08 | |
# Left for dead # Where your groove | 0:38:08 | 0:38:12 | |
# Check your heads # I shall not not be moved | 0:38:12 | 0:38:21 | |
# I shall not be moved # Oh, come on Give a little bit of | 0:38:21 | 0:38:31 | |
0:38:31 | 0:38:53 | ||
that beat, just the beat, come on # Everybody, I shall not be moved! | 0:38:53 | 0:39:03 | |
0:39:03 | 0:39:03 | ||
Apology for the loss of subtitles for 101 seconds | 0:39:03 | 0:41:16 | |
Everybody do you believe what you # fight the power | 0:41:16 | 0:41:22 | |
# We've got to fight the powers that # We got to fight the power | 0:41:22 | 0:41:26 | |
# Let me hear you say # Fight the power | 0:41:26 | 0:41:36 | |
0:41:36 | 0:41:47 | ||
# Yeah, we got to fight the power # Go! | 0:41:47 | 0:41:51 | |
# Fight the power # We got to fight the power | 0:41:51 | 0:41:55 | |
# Let me hear you say # Fight the power | 0:41:55 | 0:42:00 | |
# Let me hear you say # You got to fight the power | 0:42:00 | 0:42:04 | |
# Let me hear you say # Yeah, we got to fight | 0:42:04 | 0:42:14 | |
0:42:14 | 0:42:17 | ||
# Say soul power # Helpless was a here you, he never | 0:42:17 | 0:42:27 | |
0:42:27 | 0:42:32 | ||
meant shit to me # Don't worry be happy | 0:42:32 | 0:42:37 | |
# Was a number one jam # Damn if I say it you can slap me | 0:42:37 | 0:42:40 | |
right here # Let's get this party started right | 0:42:40 | 0:42:42 | |
# Right on # What we got to say | 0:42:42 | 0:42:46 | |
# Power to the people # No at the lay | 0:42:46 | 0:42:48 | |
# Everybody sees # And all the truth | 0:42:48 | 0:42:51 | |
# Fight the power # Let me hear you say | 0:42:51 | 0:43:00 | |
# You got to fight the power # Let me hear you say | 0:43:00 | 0:43:04 | |
# Fight the power # You all got to fight the power, | 0:43:04 | 0:43:10 | |
what? # Yeah, we got to fight the powers | 0:43:10 | 0:43:20 | |
0:43:20 | 0:43:23 | ||
that be DJ, when I say DJ, you all say Lord. DJ, when I say DJ, you | 0:43:23 | 0:43:29 | |
said Lord. What you got for the crowd, DJ? Glastonbury, let's go. | 0:43:29 | 0:43:39 | |
0:43:39 | 0:43:40 | ||
Apology for the loss of subtitles for 101 seconds | 0:43:40 | 0:47:18 | |
What you got for the crowd? Can you feel it? ! Give it up one more time. | 0:47:18 | 0:47:24 | |
Put your hands together for DJ Lord. For all the other DJs in the house. | 0:47:24 | 0:47:28 | |
We thank you Glastonbury for being a wonderful crowd. Really. You don't | 0:47:28 | 0:47:36 | |
have to do it. If we're not giving enough, all you have to do is say | 0:47:37 | 0:47:44 | |
lock, to go home. The stage is the everything to us. We salute you. | 0:47:44 | 0:47:49 | |
Especially when it comes down to hip-hop music. Once pun a time they | 0:47:49 | 0:47:55 | |
thought it funny for a hip-hop act to be here at Glastonbury. | 0:47:55 | 0:47:59 | |
Especially closing it out. My mate said, what's up, they did | 0:47:59 | 0:48:03 | |
Glastonbury a long time ago, they said to give a big shout out to the | 0:48:03 | 0:48:09 | |
people over there in the UK. So we salute you all. Already. Stop the | 0:48:09 | 0:48:14 | |
code. Just check out the signs on the front. Hip-hop changed the world | 0:48:15 | 0:48:18 | |
for the better. Just like music can bring everybody together. I don't | 0:48:18 | 0:48:23 | |
know what is up with governments, they tripping these days. Hold on to | 0:48:23 | 0:48:27 | |
yourselves as human beings, that is what it is all about. Learn about | 0:48:27 | 0:48:32 | |
each other. Learn history, learn another language. Music brings | 0:48:32 | 0:48:37 | |
everybody together and that's what it is all about. If somebody says to | 0:48:37 | 0:48:42 | |
you that hip-hop is bullshit and what you believe is bullshit. You | 0:48:42 | 0:48:52 | |
0:48:52 | 0:48:52 | ||
Apology for the loss of subtitles for 101 seconds | 0:48:52 | 0:50:21 | |
just got to shut those mother lockers down. Shut them down! MUSIC: | 0:50:21 | 0:50:31 | |
0:50:31 | 0:50:56 | ||
Shut Them Down. # Shut them down | 0:50:56 | 0:51:03 | |
# I shut them down # Hey | 0:51:03 | 0:51:05 | |
# I shut them down # Down | 0:51:05 | 0:51:11 | |
# I shut them all down # Shut them all down | 0:51:11 | 0:51:21 | |
0:51:21 | 0:51:39 | ||
# Hey. # Shut them down | 0:51:39 | 0:51:46 | |
# Shut thet shut them # Shut them down | 0:51:46 | 0:51:50 | |
# Shet thumb down # Shut them down | 0:51:50 | 0:52:00 | |
0:52:00 | 0:52:10 | ||
# Shut tem, shut them down # Shut them down | 0:52:10 | 0:52:20 | |
0:52:20 | 0:52:56 | ||
# Who killed them in the # shut them down | 0:52:56 | 0:52:59 | |
# Shut them all down # Shut tem all down | 0:52:59 | 0:53:09 | |
0:53:09 | 0:53:10 | ||
# Shut them all down # Shut them all Downe, down | 0:53:10 | 0:53:20 | |
0:53:20 | 0:53:35 | ||
# Shut them down # Down, down, down | 0:53:35 | 0:53:45 | |
0:53:45 | 0:53:45 | ||
Apology for the loss of subtitles for 101 seconds | 0:53:45 | 0:55:53 | |
# Shut them down. Let's go to that We like to thank you all. We really | 0:55:53 | 0:56:02 | |
like to thank you all. I would like to thank my compadres for coming | 0:56:02 | 0:56:11 | |
back here. Peace, love, unity and having fun and founding fathers with | 0:56:11 | 0:56:16 | |
JJs, where MCs taught to the people what they want to hear about. We | 0:56:16 | 0:56:21 | |
thank you. We owe you one as a full crew, but even as a half crew we can | 0:56:21 | 0:56:28 | |
do the job. We dedicate this to the UK, you gave us the song that the | 0:56:28 | 0:56:32 | |
rest of the world slept tonne, but now we on it. | 0:56:32 | 0:56:38 | |
DJ Lord. Now put up your hands and get a picture and send this one back | 0:56:38 | 0:56:48 | |
0:56:48 | 0:56:55 | ||
to the rest of our crew. All the SW -- all the S 1 Ws. This | 0:56:55 | 0:57:05 | |
0:57:05 | 0:57:05 | ||
Apology for the loss of subtitles for 101 seconds | 0:57:05 | 0:58:01 | |
one goes out to you. To the United Everybody clap your hands. | 0:58:01 | 0:58:11 | |
0:58:11 | 0:58:46 | ||
# Just like that # Just like what | 0:58:46 | 0:58:49 | |
# Just like that # Just like what | 0:58:49 | 0:58:59 | |
# Just like that # What you got? Light the place u -- | 0:58:59 | 0:59:04 | |
up with your phones. Come on, lighten up. | 0:59:04 | 0:59:09 | |
Give them some soul. # Just like that | 0:59:09 | 0:59:15 | |
# Oh, it's time to leave you # So you too can do what we do | 0:59:15 | 0:59:18 | |
#26 years in a cell # That's right | 0:59:18 | 0:59:28 | |
0:59:28 | 0:59:47 | ||
# you all with us # If you feelgood about yourself, | 0:59:47 | 0:59:51 | |
Glastonbury # Come on, all | 0:59:51 | 0:59:54 | |
# Just like what # Just like that | 0:59:54 | 0:59:57 | |
# Just like what # Just like that | 0:59:57 | 1:00:01 | |
# talk to me all # Just like that | 1:00:01 | 1:00:05 | |
# Talk to me # Just like that | 1:00:05 | 1:00:08 | |
# I love the guitar # Everybody you hear the music | 1:00:08 | 1:00:18 | |
1:00:18 | 1:00:18 | ||
Apology for the loss of subtitles for 101 seconds | 1:00:18 | 1:01:11 | |
# It's all about the music # Clap your hands. | 1:01:11 | 1:01:17 | |
Everybody put your hands in the air if you feelgood about yourself, the | 1:01:17 | 1:01:22 | |
music. You will be able to do anything. You hear that. | 1:01:22 | 1:01:29 | |
# It's time we do a preview # So you too can review what we do | 1:01:29 | 1:01:35 | |
#26 years in a prison cell # Thank you for ing be myself | 1:01:35 | 1:01:45 | |
1:01:45 | 1:02:03 | ||
# Keep the programme on the shelf it on Glastonbury, like you don't care | 1:02:03 | 1:02:09 | |
5,000 leaders never scared. British bring the noise, it's the moment | 1:02:09 | 1:02:13 | |
they fear # Get it up, still a beautiful idea | 1:02:13 | 1:02:19 | |
# Get up, throw your hands in the # Get up and show no fear | 1:02:19 | 1:02:25 | |
# Get up in you really care # PE 20 years, now get up | 1:02:25 | 1:02:30 | |
# Yeah, these are right # We're public enemy, up in one in | 1:02:30 | 1:02:40 | |
1:02:40 | 1:02:44 | ||
New York # Public Image Ltd -- -- we're | 1:02:44 | 1:02:50 | |
Public Enemy. # Just like that | 1:02:50 | 1:03:00 | |
1:03:00 | 1:03:30 | ||
Give it up for Chuckie D. All the real heroes, make some | 1:03:30 | 1:03:40 | |
1:03:40 | 1:03:40 | ||
Apology for the loss of subtitles for 101 seconds | 1:03:40 | 1:04:49 | |
Real hip-hop! Make some noise. CHEERING AND APPLAUSE. | 1:04:49 | 1:04:55 | |
Everybody with a smartphone, Public Enemy wants to give all the | 1:04:55 | 1:05:05 | |
1:05:05 | 1:05:09 | ||
hip-hoppers a gift, tonight. Go to www, Public Enemy Dom/free. For all | 1:05:09 | 1:05:16 |