Kenny Rogers Glastonbury

Hello. Hello.Good afternoon. Welcome back to another beautiful

sun-drenched day here at Glastonbury 2013. In fact, we're

slightly squinting into the sun. are just a little. We're here up at

the park for the final time in fact. If you look overt at our other

position at the festival... Can you see us? We're underneath a massive

fish. You can just see us - in our tree-top tiki vine we have going on

here. The Stones have been and gone, but Glastonbury still very much

here. A wonderful sweep across the site to give you the impression of

the sheer size of it if you didn't already know. Sunday is a wonderful

atmosphere especially when the weather is like this because it

builds up to the Saturday night headliner, really excited, then a

really kind of mellow atmosphere to Sunday, people just milling around

and exploring. It's kind of like the pleasure is off. Everybody has

either chosen to see the Rolling Stones or chosen not to see the

Rolling Stones, and it diversifys again. People go off and explore.

It is really as diverse as ever. Today we have ever from Smashing

Pumpkins to Kenny Rogers. We're going from roots reggae to Bruce

Forsyth on this programme. Wow. Is he going to be doing the rock

steady? He might. We have Kenny Rogers. He's doing the legendary

Sunday afternoon sing-ing a long here at Glastonbury on the Pyramid

Stage. You can singing a long to his hits in the Sommer set sunshine.

Lots to come over the next couple of hours, but let's see what has

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# Get your rocks off All those different coloured pop

shields back in the day. So yeah, if you have just tuned in and just

joined us you have missed quite a bit, but don't worry, you can catch

up online, bbc.co.uk/Glastonbury. You can watch all the performances

again on iPlayer. We're going to go see a young man who has been the

sound track to the summer. I saw him chatting to our BBC Three

colleagues and told us his ideal headliner if he could bring anyone

back would be Nick Democrat. It is Tom O'Dell live at Glastonbury.

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I can feel you breathing with your hair on my skin as we lie here

# I will pull up the sheets # When it's cold on your feet

# Because you'll fall pack to sleep every time

# Grow old with me # And I'll share all we see

# And the best it could be # Just you and I

# And our bodies will change # But we'll still be the same as we

# We'll still sing our song? Won't our hearing is all gone

# And our children # Have saw we were right

# I say grow old with me # And I'll share all we see

# And all the best it could be # Just you and I

# And the hairs, they stand up # My feet start to thump

# And the feeling of dreaming will rise #

Glastonbury! APPLAUSE

# I said you'll be the one # Who makes me hard, makes me

strong # Makes me feel like I'm alive

# Yeah, grow old with me # Let us share what we see

# Oh, the best it could be # You and I

# I say grow old with me # We'll share what we see

# Oh, the best it could be That was Tom O'Dell at Glastonbury

2013. Do you know what I really like? You say people have either

decided to see the Stones or not. Yes. I think that's one of the

great privileges of being at Glastonbury, when you've got one of

the world's legendary bands on and you think, know what, I'm going to

see someone else. Loads of people saw Public Enemy instead.

Absolutely. They were fantastic. Chasing States had to crowd going

wild I hear from the young people I know. A good choice. We've got lots

of great acoustics, and First Aid Kit are coming in to sing for us in

a bit but we have something very exciting. Indeed we have. We talked

about the big Malian programme at Glastonbury this year. We have an

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artist playing at the Pyramid Stage. awesome. Thank you very much.

was smack, that. There was an awkward pause when we were

wondering whether it was going to start, but boy, was that worth the

wait! And that beaded ball thing had been fashioned from one of

Keith Richard's earrings. Captain Jack, he was in great form last

night. Yeah. Alarming slightly. But an macing. Speaking of alarming and

amazing, Gemma is in the field discovering the delights of

Glastonbury. Sorry. Glastonbury, Sunday afternoon, and we've all

lost our minds, a place where the abnormal becomes quite the opposite.

I am in the Green Peace Field, and it's snowing. They have recreated

the arctic - just get out of my cosy tent. Hello. Hello. How are

you? I'm all right. This is Ann Daniels, and she's a legend. She's

an arctic explorer, a real live one. A real live arctic explorer. You're

proper. Tell everyone about some of the amazing experiences you have

had proper camping? Proper - I am so lucky. I have gone all the way

across Antarctica from the south pole on land to the North Pole. We

were the first women in the world to do both the North and South pole.

Glastonbury must be a breeze. It's slightly different. In the

Green Peace field there are hundreds of people whereas when

you're in the North Pole, you see the same people for 18 days. What's

the longest you have ever gone without a shower? A lot of people

are moaning about three days. 8-0?-0. I am slightly bemused about

the queues for the shower. Get dirty. I once did a trek, and I

didn't know I could smell so bad. 70 days, and you could break my

record. We have a polar bear, which you can all see - beautiful. Have

you ever seen a real one? I have actually been stalked by a polar

bear about this big for three days, and to be honest, I didn't feel as

comfortable as I do now. Stalked by a polar bear? For three days,

terrifying. Did it follow you around? No, it came to the tent,

left for awhile, then every half an hour to an hour I would see him

always to the north of me, and I was going north. They're incredible

animals. History repeats itself! I'm going to chill out quite

literally. Back over to you guys. I am a bit worried about Gemma. She

doesn't look dressed for sub-zero. Thes. When she came out of the tent

she looked alarmingly like Brian Blessed. Did they say that was a

bipolar bear? She has gone 80 days without a shower, yet she was cold,

not sweating. I was there the first day in the queue for the showers -

how hot can you get, first day? Touch wood, we have stayed dry

since. I think we're going to enjoy some sunshine sounds now,

appropriately enough. Played this on 6 Music earlier because they're

playing the Congos today? # Row, keep on rowing your boat

# Row, fisherman, row # Millions of them

# Lots of hungry belly pickney, they ashore

# Millions of them # I'm stepping along the seashore

# Hail, brother John, have you got any wenchman?

# Yes, brother Peter, wenchman, sprat and mackaba #

# Row, fisherman, row # Keep on rowing your boat

# Brother-man, brother-man. # Row, fisherman, row

# We've got to reach on higher grounds

# Simon, Peter, James and John come ashore

# To feed the hungry belly ones # Quaju Peg the collie man Sell the

best collie in sea port town. Quaju Peg the collie man Have the best

# United in the Congo, Africa # Yeah!

# Raust Farai # Remember, if you drink, don't

drive. Keep your eyes on the road. One love, one heart. Congos love

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# Quaju Peg the collie man. # Sell the best collie in sea port

town. # Quaju Peg the collie man.

# Have the best collie weed in town All right. We have another two

minutes. We're going to do something else for you. All right.

We have another two minutes. Oh, We have a little time, so we want

to give you something. Love you. Love you. Love you a lot.

Revolution. Yeah. So legends is an overused word at

this festival, but reggae legends with strong and health and safety

message and also delivering key online messages during songs. If

you don't love that, you're basically dead inside. That was the

Congos. You can't help but scank? It's like when you see a brass band

on a bandstand you have to march in time. Gemma's beard was spectacular,

but the white beerds in there were amazing. Which one was Kenny

Rogers? You have to wait. We have got Kenny Rogers coming up for you

later because it's Sunday, and it's Glastonbury Festival. That's the

Kind of thing that happens. We're going to experience something

completely different now. We're going to have on stage something

from Villagers. Are you sure one of them wasn't? Kenny Rogers? He might

# There are waves # Up in the diamond sky

# Stronger than you and I # And the waves break through the

barrier reef # Cut through the carbon sea

# Approaching the shore # Look at the sky

# Look at the trees # Man, it's all the same to me

# Look at the cars # Look at the birds

# And all of these invented words # One body's dying breath is

another's birth # What are downing from?

# What are you running from? # Sister jewellery

# Brother judging # You are recognised, this grudge

# Purrried deep beneath the sands of these ridiculous demands

# No time for innocence, or sitting on the fence

# What are you going to do? What are you going - when the waves

# Cover the coastal plains # The tents and the cars and the

trains # And the trace of honeybees,

sanitarys # Of well-insulated dignitaries

# All screaming of the memory of human love

# For anyone or anyone # Look at the birds

# Look at the bees # Madam, it's all the same to me

# Look at the girls # Look at the gold

# Gathered, beat and bought and sold

# One man's innocence is another's chance

# What were you thinking of? # Please let me boil it down to

this, my son # This party is getting wet, but it

ain't over yet # So what is it going to be? What

is it gonna be? # What is it gonna be?

# Just let the waves # Cover the coastal plains

# The fear and the guilt and the pain

# And the trace of honeybee jealousy

# Of well-insulated bigotry # And if you don't agree

# You better get back inside your cave

# Cos we're all dancing with the waves

# Up in the diamond sky # Stronger than you and I

# Am a wave # A break through the barrier reef

# I cut through the carbon sea # Approaching the shore

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He's like two halves of one thing, the way they Sing together is

incredible. There is something great about Sibling voices. Beach

Boys, Everly Brothers, all kinds of things, but these two voices

together - shivers down the spine every single time, so this is First

# Oh, the bitter wind is coming in # I am already missing the summer

# I am told I was born to endure this weather

# When it's you I find # Like a ghost in my mind

# I am defeated and I gladly # Wear the Crown

# I'll be your Emmylou # If you be my June

# I'll be your June and Johnny too # I'm not asking much of you

# Just sing, little darlin', sing with me

# Now, so much I know that things just don't grow

# If you don't bless them with your patience

# And I been there before # For every stranger with a promise

# But I'm holding back # That's the strength that I lack

# Every mornin' keeps returnin' at my window

# And it brings me you # And I don't just pass through

# But I'm not askin' for a storm # I'll be your Emmylou and I'll be

your June # If you be my Graham and my Johnny

# No, I'm not asking much of you # Just sing, little darlin'

# Sing with me # I was frightened

# But I need you now # And at long last

# I'll be your Emmylou and I'll be your June

# If you'll be my Gram and my Johnny too

# No, I'm not askin' much of you # Just sing, little darlin'

# Sing with me # I'll be your Emmylou and I'll be

your June # If you'll be my Gram and my

Johnny too # No, I'm not askin' much of you

# Just sing, little darlin' # Sing with me

# Just sing, little darlin' # Sing with me #

APPLAUSE It's just a little piece of heaven,

isn't it? I will take many special memories away from Glastonbury 2013,

but none more than sitting ten feet away from First Aid Kit singing

Emmylou, heavenly. Do you want me to wipe your eye with the

microphone? I can do this. Thank you, ladies. Gorgeous. These

afternoons are all about bringing you flavour of the massive range of

stuff that's going on across the site. There's all sorts of things

from cabaret to folk from circus skills to, well, Arcadia, which is

a whole world of its own, which we might be checking out later. Right

now - I mentioned the circus. Here's our Gemma, who is out

exploring all sorts of things at the festival and is considering

running away to join the circumstanceus at Glastonbury.

Don't ask me what is going on because I don't really know. Um, I

think I need to get out of this, guys. So one thing I can guarantee

you is that Glastonbury is not all about the music. I am in the circus

field where, frankly, your imagination might never recover. I

have come across a pop-up circus, of course. It's Igor Rasputin's

caravan of lost souls. Welcome to the circus field where we give you

things to turn your mind, spur your soul, free your mind and let you go.

Blimey. I am looking to join the circus. What do you think? We're

looking for a glamorous assistant for the bed of nails later on.

have to see what you guys do first. Do you know what? You need to take

it away, ringmaster. Welcome to Glastonbury, 2013.

APPLAUSE We are bringing you things to turn

your mind, turn your stomach, free your spirit and lose your soul, so

without further adieu, let's bring on something that'll avenge your

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And now, ladies and gentlemen, the And now, ladies and gentlemen, the

And now, ladies and gentlemen, the incredible periwinkle! Um, guys,

I'm not coming back. I'm joining the circus. This is it. This is

what I want from life. See you I worry about that girl. That's

what she wants from life - that was scary. That made Tom Waites look

like Kenny Rogers. Speaking of which, she is coming up. If you

want to Tweet us it's hashtag glasto:

Back off, Osmond, and enjoy the next act, which is slightly

different to Kenny Rogers... have had Jagger and Mick - that

group is Keith Richard's personal house staff. But someone else who

has been an indelible presence in our lives. When we revisit it

through the Punk Britannia programmes, all the things that

went on in that time - the thing that still shocked was seeingionny

Rotten sing, wasn't it? Absolutely. Still startling. As he said on

Music 6, no Johnny Rotten, no John Liedon. We can get to know him a

little bit better because Public Image Limited are at Glastonbury

this year and on your television # I could be wrong

# I could be right # I could be wrong

# I could be right # I could be black

# I could be white # I could be right

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# I could be wrong # They put a hot wire to my hand

# Because of the things I didn't say #

# I could be wrong # Anger is an energy

# The anger is an energy # What is anger?

# The anger is an energy # Anger is an energy

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I could be wrong # I could be right

# I could be wrong # I could be right

# They put a hot wire to my head # Cos of the things I did and said

# Make this feeling go away # Model citizen in every way

# The cost so high # The gain so low

# Walk through the valley # The written word is a lie

# May the road rise with you # Anger is an energy

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That was a choice of viewing and listening at Glastonbury while

Kenny Rogers was on one stage, John Lydon was on another. Something for

everyone. If you have been waiting for Kenny, then you have seen a

wonderful variety of things to warm you up for what you evidently

consider the main act. I don't think you're ready for this Kenny

as Beyonce once said! But to get you primed, ready and indeed agape

for the great man, let's enjoy a little reminder of the Kenny Rogers

story, shall we? Should such be needed, but let's do it.

# Here we have it # The impeccably groomed facial

furniture of one man has remained synonymous with feel-good country

pop for decades. Velvety voiced Kenny Rogers has crafted a career

spanning 65 albums and 120 million record sales. This year he makes

his Glastonbury debut on the Pyramid Stage in the traditional

Sunday sing-along slot. I am thrilled and honoured to be invited

to Glastonbury. I know it's a special treat. The Houston-born son

of a carpenter scored hits in the early '60s with the First Edition,

but it was a classic country offering in 1969 that sowed the

seeds for his smooth signature sound.

# Oh, Rudy # Don't take your love to town #

In 1977 one particular tale of a barroom encounter in to tell lido

finally catapulted him to international stardom

# You picked a fine time to leave me, Lucille #

Lucille marked the beginning of a string of hits for Kenny. A second

number one followed in 1980 with Coward of the County

# Promise me, son # In addition to solo success, Rogers

also found fame with his immense collaborative prowess that same

year the smoothly penned Lionel Richie-penned ballad took Lady to

the top of the charts # Lady, your love is the only love

I need # But perhaps most well known to us

Brits is his unforgettable 1983 duet with the Queen of country

herself. # Islands in the stream

# That is what we are # No-one in between

# How can we be wrong? # Dolly, I give her full credit for

that song. I'll take the money, but she can have the credit. It's a fun

song. I really look forward to doing it.

# From one lover to another # Continuing to release records

through the late '80s and '90s he focused more to TV appearances and

his famous chicken restaurants. It's Kenny Rogers' restaurant!

get ready for a post-roast portion of hits as Kenny serves up some

classics from the Pyramid Stage, leaving Glastonbury in no doubt

that true gentlemen sing smooth, stay groomed and treat the ladies

right. The thing I am looking forward to the most at Glastonbury

is that's a lot of people singing Lucille and Coward of the County

and all of those songs. # Everybody really loud! # It's for

that crowd involvement and to have that sized crowd saing long with me

will be wonderful. That's what I # Show me a bar

# I'll show you a song # Sooner or later

# And I'll think of somethin' to say

# Whoa, I can take her or leave her

# I'd like to take her away

# Liquor and music A good combination

# If you've got love on the brain

# I never knew two women who acted the same

# Some want a drink first And some want to just sit and talk

# Whoa, oh, it's two in the mornin'

# I'm running and she wants to walk

# Something's got a hold on me

# It's cheap but it ain't free

# Love or something like

# It's got a hold on me

# That's when I asked her "My place or your place"

# I hope I'm not out of line

# I asked the wrong thing But just the right woman this time

# She knew a hotel She even had a name we could sign

# Whoa, oh The cheaper the grapes are

# The sweeter the taste of the wine

# Something's got a hold on me

# It's cheap but it ain't free

# Love or something like it

# It's got a hold on me

# Something's got a hold on me

# It's cheap but it ain't free

# Love or something like it

# It's got a hold on me

# Love or something damn near like it

# It's got a hold on me. #

CHEERING AND APPLAUSE

See

See how

See how many

See how many of your family members you recognise on this picnic family

Get up # Get up

# There's dancing to be done # The party's just begun

# Everybody's having a good time # Get up

# You and me # It feels so good

# Just to be together # God only help us

# It gets better # Better

# Get up # There's dancing to be done

# The party has just begun # Everybody is going to have a good

time # Get up

# Let's celebrate our love # For one another

# All day, all night # It's a beautiful life #

# These are the days # So get a little closer

# Sing a little louder # Get up, get up

# The party's just begun # Everybody's going to have a good

time # Get up

# Let's celebrate our love # For one another

# All day # All night

# Yeah, it's a beautiful life # Whoa!

# It's a beautiful life APPLAUSE

Thank you very much, and welcome. OK. What's wrong with this picture

- Glastonbury, Kenny Rogers? It just - I am so far out of my

comfort zone here. APPLAUSE

I'm really not used to playing for such small audiences. I mean, this

is really new for me. But I want you to know I been watching you

guys on television. I think this is so exciting, and I'm so flattered

to be a part of this, and sooner or later before this show is over,

you're going to have a good time, and you're going to help me sing

some songs. I promise you. This song - a lot of these first songs

you may not know, but we're going to get to your songs, I promise you.

This song is from an album - my God, four years ago... Ten.Ten. That's

# He was sitting on a bar stool # A picture from a cheating son

# She had been standing at the jukebox

# Dropping quarters all night long # So she said

# Tell me # "If you wanna find silver

# "If you wanna find love Go looking at home"

# She touched the gold ring on his finger

# And held it to the jukebox light

# And she said "Stranger, think what you're losing

# "If you leave here with me tonight"

# So he hold her body closer She felt feelings she'd never known

# And he said "Thank you, for the lesson

# "And if you need me I'll be at home. "

# "If you wanna find gold Go looking in the mountains

# "If you wanna find silver Go digging in stones

# "If you wanna find heaven Go reading in the Bible

# "If you wanna find love Go looking at home"

# "If you wanna find love Go looking at home"

CHEERING AND APPLAUSE

# You've painted up your lips and rolled and curled your tinted hair

# Ruby, are you contemplating going out somewhere?

# The shadow on the wall tells me the sun is going down

# Oh, Ruby Don't take your love to town

# It wasn't me that started that crazy Asian war

# But I was proud to go and do my patriotic chore

# And, yes, it's true that I'm not the man I used to be

# Oh, Ruby I still need some company

# She's leaving now cos I just heard the slamming of the door

# The way I know I've heard it some 100 times before

# And if I could move I'd get my gun and put her in the ground

# Oh, Ruby Don't take your love to town

# Oh, Ruby For God's sake, turn around

CHEERING AND APPLAUSE

You

You will

You will do

# Everyone considered him # He'd never stood one single time

# His mama named him Tommy But folks just called him yellow

# Something always told me they were reading Tommy wrong

# He was only ten years old when his daddy died in prison

# I looked after Tommy Cos he was my brother's son

# I still recall the final words my brother said to Tommy

# "Son, my life is over But yours has just begun

# "Promise me, son Not to do the things I've done

# "Walk away from trouble if you can

# "Now it don't mean you're weak if you turn the other cheek

# "And I hope you're old enough to understand

# "Son, you don't have to fight to be a man"

# The Gatlin boys just laughed at him when he walked into the bar room

# One of them got up and met him halfway cross the floor

# Tommy turned around, they said "Hey, look, old yeller's leavin'"

# You could've heard a pin drop

# When Tommy stopped and locked the door

# 20 years of crawling was bottled up inside him

# He wasn't holding nothing back He let 'em have it all

# Tommy left the bar room Not a Gatlin boy was standing

# He said, "This one's for Becky As he watched the last one fall

# And I heard him say

# "I promised you, Dad Not to do the things you've done

# "I walk away from trouble when I can

# "Now please don't think I'm weak I didn't turn the other cheek

# "Papa, I should hope you understand

# "Sometimes you gotta fight when you're a man"

# Everyone considered him the coward of the county

CHEERING AND APPLAUSE

# Daytime friends and night-time lovers

# Hoping no-one else discovers where they go, what they do

# In their secret hideaway

# Daytime friends and night-time lovers

# They don't want to hurt the others

# So they love in the night-time

# And shake hands in the light of day

# And when it's over there's no peace of mind

# Just a longin' for the way things should have been

# And she wonders why some men never find

# That a woman needs a lover and a friend

# Daytime friends and night-time lovers

# Hoping no-one else discovers where they go, what they do

# In their secret hideaway

# Daytime friends and night-time lovers

# They don't want to hurt the others

# So they love in the night-time

# And shake hands in the light of day

# Daytime friends

CHEERING AND APPLAUSE

I'm

I'm going

I'm going to

you see the big Labouski? This was used in that and normally I have a

movie screen that shows me singing this when I was 30 years old! You

need to see that. But it's just a # I woke up this mornin'

# I tripped on a cloud and fell-a eight miles high

# I tore my mind on a jagged sky

# I just dropped in to see what condition my condition was in

# Yeah, yeah, oh-yeah

# What condition my condition was in

# I pushed my soul in a deep, dark hole and then I followed it in

# I watched myself crawlin' out as I was a-crawlin' in

# I got up so tight I couldn't unwind

# I saw so much I broke my mind

# I just dropped in to see what condition my condition was in

# I just dropped in to see what condition my condition was in

# Yeah, yeah, oh-yeah

CHEERING AND APPLAUSE

As

As I

As I look

realise that probably 50% of you weren't even born in 1967. I'm

convinced alet this point in my career that my audience consists of

two different groups, people born in 1980 or later, or people born before

1960 but who can no longer remember 1960!

So I want to share with you, for those of you who've never heard the

song before, the full social comet of what that song said for this

generation. Listen to the second verse of Just Dropped In. Now you

will understand why the 60s were so screwed up.

# I pushed my soul in a deep dark hole

# Then I followed it in # I watched myself crawling out

# As I was crawling in # I got so uptight, I couldn't

unwind # I saw so much

# I broke my mind # And I just dropped in to see

# What condition my condition was in! #

Nothing else young or old I think we can all agree right here tonight.

They just don't write songs like that any more.

APPLAUSE You know, I've been so blessed in my

career to be able to do duets with some of the most talented and

beautiful women in country music, Kim Carns, Sheena Easton and my

buddy Dolly Parton. But putting partners aside, this is my favourite

duet I've ever done. I did this with # I know it's late

# Still here we are # Longing for shelter

# Why should we worry? No-one will care, girl

# Look at the stars now so far away

# We've got tonight Who needs tomorrow?

# We've got tonight, babe

# Why don't you stay?

# Deep in my soul I've been so lonely

# All of my hopes fading away

# I've longed for love Like everyone else does

# I know I'll keep searching after today

# So there it is, girl I've said it all now

# And here we are, babe What do you say?

# We've got tonight Who needs tomorrow?

# We've got tonight, babe Why don't you stay?

# I know it's late and I know you're weary

# I know your plans don't include me

# Still here we are Both of us lonely

# Both of us lonely

# We've got tonight Who needs tomorrow?

# Let's make it last Let's find a way

# Turn out the light

# Oooooh-ho, come take my hand now

# We've got tonight, babe Why don't you stay?

# We've got tonight, babe Why don't you stay?

CHEERING AND APPLAUSE

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#

# Stand

# Stand up

# Stand up #

# Have

# Have you

# Have you ever

# Have you ever been there # Stand up

# Tell us all about it # Thought I was a Heman

# Do it just for me # Knew just what to do

# Thought I was a hero # I said stand up

# Have you ever been there? # Stand up

# Out in the crowd # Stand up

# Tell us all about it # Stand up

# Receive... # Stand up collapse #

I see thousands of people back at the back sitting down who never

stood up. Boooo... Boooo we all say.

One more chance. I wanna see you stand up back there.

Here we go. # Stand up

# Have you ever been there # Stand up

# Out in the crowd # Stand up

# Tell us all about it # Stand up

# Testify... # CHEERING AND APPLAUSE

We got some of you! Not all of 'em but some of 'em.

I found a song about friendship. I think we can all agree, it's

particularly difficult, in your lifetime, to find one person that

you can call and truly count on to be your friend. I promise you this,

it's equally as difficult to find a song that says it well.

And this song is Have A Little Faith In Me, there's a place in the middle

for you guys to sing. We'll do it a couple of times for you to learn it.

Please, I beg you, do not sing it until you learn it! Especially that

# When the road gets dark # Let my love throw a spark, girl

# When the tears that you cry are all you can believe

# I will reach out with these loving arms

# If you have a little faith in me

# Have a little faith in me

# Have a little faith in me

# Have a little faith in me

# When your secret heart # I will help you

# When your back's against # Look around, you will see

Apology for the loss of subtitles for 109 seconds

# Have a little faith # Have a little faith

# On a warm summer's eve # The boredom overtook us

# "Knowin' what the cards were By the way they held their eyes

# "So if you don't mind my sayin' I can see you're out of aces

# "For a taste of your whisky I'll give you some advice"

# So I handed him my bottle and he drank down my last swallow

# Then he bummed a cigarette and asked me for a light

# And the night got deathly quiet and his faced lost all expression

# He said, "If you're gonna play the game, boy

# "You gotta learn to play it right

# "You've got to know when to hold 'em

# "Know when to fold 'em

# "Know when to walk away

# "Know when to run

# "You never count your money when you're sittin' at the table

# "There'll be time enough for countin' when the dealin's done

# "Every gambler knows that the secret to survivin'

# "Is knowin' what to throw away and knowin' what to keep

# "Cos every hand's a winner and every hand's a loser

# "And the best that you can hope for

# "Is to die in your sleep"

# And when he finished speakin' He turned back toward the window

# Crushed out his cigarette And faded off to sleep

# And somewhere in the darkness The gambler he broke even

# And in his final words I found an ace that I could keep

# You've got to know when to hold 'em

# Know when to fold 'em

# Know when to walk away

# And know when to run

# You never count your money when you're sittin' at the table

# There'll be time enough for countin' when the dealin's done

# You've got to know when to hold 'em

# Know when to fold 'em

# Know when to walk away

# And know when to run

# You never count your money when you're sittin' at the table

# There'll be time enough for countin' when the dealin's done

CHEERING AND APPLAUSE

# You've got to know when to hold 'em

# Know when to fold 'em

# Know when to walk away

# And know when to run

# You never count your money when you're sittin' at the table

# There'll be time enough for countin' when the dealin's done. #

CHEERING AND APPLAUSE

# In a bar in Toledo Across from the depot

# On a bar stool She took off her ring

# I thought I'd get closer So I walked on over

# I sat down and asked her name

# When the drinks finally hit her She said I'm no quitter

# But I finally quit livin' on dreams

# I'm hungry for laughter And here ever after

# I'm after whatever the other life brings

# In the mirror I saw him And I closely watched him

# I thought how he looked out of place

# He came to the woman Who sat there beside me

# He had a strange look on his face

# The big hands were calloused He looked like a mountain

# For a minute I thought I was dead

# But he started shakin' His big heart was breakin'

# He turned to the woman and said

# You picked a fine time to leave me, Lucille

# With four hungry children And a crop in the field

# I've had some bad times Lived through some sad times

# But this time Your hurtin' won't heal

# You picked a fine time to leave me, Lucille

OK,

OK, this

OK, this was

swaying. You look like thousands of # After he left us

# From the lights of the bar room To a rented hotel room

# We walked without talkin' at all

# She was a beauty But when she came to me

# She must have thought I'd lost my mind

# I couldn't hold her Cos the words that he told her

# Kept coming back time after time

# You picked a fine time to leave me, Lucille

# With four hungry children And a crop in the field

# I've had some bad times Lived through some sad times

# But this time Your hurtin' won't heal

# You picked a fine time to leave me, Lucille

# You picked a fine time to leave me, Lucille

CHEERING AND APPLAUSE

For

For the

For the benefit

For the benefit of those of you who may have seen this show before, I

will explain this moment of obvious confusion. For 30 years, literally,

since the night I recorded Lucille, every night when I finished singing

that song, I lay my microphone down on the stool, I turn around, I wave

goodbye, I go over and hide behind the backstage and I pretend I'm not

coming back. Well I'm sick of that.

APPLAUSE You know what, think about this.

Encores are so silly. It's not like you don't know I'm coming back.

You know what else, the older you get, the more you learn to save

those very valuable steps. I have visions of them rolling me out of

here some day in a wheelchair and me saying "you picked a fine time" and

they'll just roll me out of here. Would you guys do me a special

favour and help me say thank you to seven very talented young men.

Repeat after me. Wait, repeat after Steve. Steve.Oh yes. Brian. Brian.

Warren. Warren.Randy. Randy.Mike. Mike. Chuck.Chuck. And Gene.Gene.

And what was Brian's name again? Brian!

# Lady, I'm your knight # You have made me what I am

# My love, there's so many ways I want to say I love you

# Let me hold you in my arms forever more

# You have gone and made me such a fool

# I'm so lost in your love

# And, oh, we belong together

# Won't you believe in my song?

# Lady, for so many years I thought I'd never find you

# You have come into my life and made me whole

# Forever let me wake to see you each and every morning

# Let me hear you whisper softly in my ear

# In my eyes I see no-one else but you

# There's no other love like our love

# And, yes, oh yes I'll always want you near me

# I've waited for you for so long

# Lady, your love's the only love I need

# And beside me is where I want you to be

# Cos, my love There's somethin' I want you to know

# You're the love of my life

# You're my lady. #

CHEERING AND APPLAUSE

# Baby, when I met you There was peace unknown

# I set out to get you with a fine-tooth comb

# I was soft inside There was something going on

# You do something to me that I can't explain

# Hold me closer and I feel no pain

# Every beat of my heart

# We got something going on

# Tender love is blind It requires a dedication

# All this love we feel needs no conversation

# We can ride it together, ah-ha

# Making love with each other, ah-ha

# Islands in the stream

# That is what we are

# No-one in-between

# How can we be wrong?

# Sail away with me to another world

# And we rely on each other, ah-ha

# From one lover to another, ah-ha

# I can't live without you if the love was gone

# Everything is nothing if you got no-one

# And you did walk in the night

# Slowly losing sight of the real thing

# But that won't happen to us

# And we got no doubt

# Too deep in love and we got no way out

# And the message is clear

# This could be the year for the real thing

# No more will you cry

# Baby, I will hurt you never

# We start and end as one

# In love forever

# We can ride it together, ah-ha

# Making love with each other, ah-ha

# Islands in the stream

# That is what we are

# No-one in-between

# How can we be wrong?

# Sail away with me to another world

# And we rely on each other, ah-ha

# From one lover to another, ah-ha

# Sail away

CHEERING AND APPLAUSE

CHEERING AND APPLAUSE Thank

CHEERING AND APPLAUSE Thank you

much, Glastonbury. Thanks for having us here. Thanks for standing up in

the rain. Thank you, guys! 50 years in the biz, 120 million

albums sold. Kenny Rogers. I did miss Dolly on the final track. A

long-held dream to have her here. Maybe next year. We were a bit

sketchy on words, but it was a creditable attempt. I liked Kenny

actually, he's not changed at all, has he? No.I like the way his

banter was and didn't seem he rehearsed, it seemed to be

spontaneous. Stop swaying, he said. He's done acting, singing

photography, he was a writer as well, very much an all-rounder and

he's engaged with the world, which is wonderful to see. A memorable

song catalogue, you know. It really worked. He worked the crowd. They

were not going to get away without singing, he was going to make 'em

sing along. So that was Kenny Rogers on the

Pyramid Stage earlier. Immediately he came off, he was accosted by the

fragrant iley. Tell me what it was like then? What had you heard about

Glastonbury before you came here? was a little disappointed in the

fact that it wasn't wet and muddy. I've seen some of the shots from

earlier when people were rolling around in the mud, so I couldn't

wait for that! But it was everything it was

supposed to be and more. We had a great day. I think the people

appreciated no rain and certainly I did. That's good. And did you watch

the Rolling Stones last night? did. I thought they were awesome.

Night-time is so much more dramatic, you can do so much more with the

light, but I've got to give Mick Jagger credit. He's not far out of

my age. What is the age difference between you? I think he's 70. I'll

be 75 in August. So the next five years is going to hit him hard too.

I was great five years ago. could move like that five years ago?

I was running around stage five years ago doing that. I thoroughly

enjoyed it, got home and watched them on TV. Have you ever met them

before? Never. They are probably one of the few groups I haven't at least

said hello to. You were on stage, talking about the crowd and the

sing-along that you were anticipating, it didn't come at

first, did it, you did Ruby Don't Take Your Love To Town? It's one of

those songs. Wherever I go, that has a ring of flairty about it and then

when you get into Coward of the County and lieu sell and Islands in

the Stream and the Gambler, people love to song those. It's so much

more fun for me. I'm more an entertainer than a singer and my

goal is to break the barrier between me and the audience. It's hard to

do. When they start singing, it breaks down the barrier.

compared the crowd with a Moroccan crowd? They didn't sing along on

Ruby, they sang it in Morocco and they don't speak English there. I

was just teasing. We have Wimbledon going on here at the moment and you

were a tennis buff in your day? an impulsive obsessive. I

impulsively get involved in something and become obsessive about

it. I play tennis eight hours a day every day, that's what I did, from

the time I was about 38 until I was about 45 or 50. I just loved it. I

wish I could get to Wimbledon. I don't think I'm going to make it.

Maybe not now. I'll watch it on television. Can you sum up for us

what your experience has been here being at the Glastonbury Festival?

You know, it's such an incredible thing to know that that many people

know who you are and like the songs you have done. I really expected

when I did some of the Balads to see the back start filtering out and it

didn't look like anyone left. That's what I love, when I kneel whatever I

do, they are enjoying it. I hope you walk away with happy memories.

will, I promise you. It's a great place. Our Jo chatting to Kenny

Rogers. He was saying he was an entertainer, like you said, he

needed to get the responses from the crowd. Seemed like a sweetheart.I

liked one of his gags when he said, what's wrong with this picture,

Kenny Rogers, Glastonbury, he said I'm out of my comfort zone, unusual

for me to play to a crowd like this. Good material, well done, Kenny! How

do you follow Kenny Rogers? Tough act to follow, of course, but almost

inevitably, it was left to Vampire Weekend to follow it. I mean, you

know, they are probably going to collaborate at some stage. It's got

to happen. People have been talking about it, speculating for a long

time. Last time I saw Vampire Weekend, I thought, how does that

fragile sound go through, because they are not a thrusting rock beast.

It sounded so pure and new and light and modern and everything. So it was

great to have them back here on the Pyramid Stage, glass tonne Bury,

# As a sophomore # And the linens

# Is your bed made? Is your sweater on?

# Do you want to Like you know I do?

# But this feels so unnatural Peter Gabriel, too

# But this feels so unnatural Peter Gabriel, too

# But this feels so unnatural Peter Gabriel, too

# Can you stay up To see the dawn

# In the colours of Benetton?

# Is your bed made? Is your sweater on?

# Do you want to Like you know I do?

# Like you know I do?

# But this feels so unnatural Peter Gabriel, too

# But this feels so unnatural Peter Gabriel, too

# Ohh-h-h

# Ohh-h-h

# Is your bed made? Is your sweater on?

# Do you want to

# Like you know I do?

# Like you know I do?

CHEERING AND APPLAUSE

Apology for the loss of subtitles for 109 seconds

# Baby baby baby baby right on

# Baby baby baby it's a lifetime

# Baby baby baby baby right on time

# If Diane Young won't change your mind

# Baby baby baby baby right on time

# Irish and proud baby, naturally

# But you got the luck of a Kennedy

# So grab the wheel Keep holding it tight

# Till you're driving off in the black of the night

# If Diane Young won't change your mind

# Baby baby baby baby right on time

# Baby baby baby baby right on

# Baby baby baby baby right on

# Baby baby baby it's a light on

# Baby baby baby it's a lifetime

# Baby baby baby baby right on time

# Time time time time

# Baby baby baby baby right on time

# Nobody knows what the future holds on

# Said it's bad enough just getting old

# Live my life, they say it's too fast

# You know I love the past cos I used to spend

# If Diane Young won't change your mind

# Baby baby baby baby right on time. #

CHEERING AND APPLAUSE

Vampire

Vampire Weekend.

Vampire Weekend. They

drumming style. I hear their sound mimicked often. I like the backdrop

as well, lounge wallpaper with a big mirror. You have to feel at home

when on the Pyramid Stage. That's the Stones' secret, they are

different to everyone else because they follow Keith, not Charlie. The

rest of the band is pay parentally the play-off Keith, that's how their

rhythm is slightly different to everybody else's. We are going to

have some live music from the Stones later in the programme. But not just

yet. Speaking of Knights of the realm. This shows you the variety of

things that you can see whilst wondering the vast glaze of

Glastonbury. You could have seen Bruce Forsyth. Here is his journey

It's quite amazing. It is another world. I've never experienced

anything like it. All my life, I've waited for this. Nice to see you, to

see you... Nice!This is real rock'n'roll. What the hell I'm doing

here, I've no idea at all. I'm going to try to rock and I'm going to try

to roll, but I don't know, I might roll over on the stage. That's what

I might do. # And this is my moment

# My destiny calls me # And I can explore a new and

exciting life... # This is the hot ticket of the day

for Sunday? The hot ticket, yes. I haven't been the hot ticket for a

long time! I've got a routine organised where I

tap dance sitting on a chair. Four guys from the audience will

come up, we'll have a bit of fun from them. Did you all come from the

car wash. I teach them how to do a top hat number.

# And I trust that you... # Sound rather good, doesn't it?

Legend. He knows how to work the crowd. He is a genius. How many

all-round performers are there at 85? He's a national treasure. Pf

It was an experience I've never had before. It's an experience I would

love to have again because it was so wonderful. I was doing what I love

to do. Didn't he do well... So, from Sir Mick last night to Sir

Bruce today, quite appropriate actually, given the location here in

the Vale of Avalon. We were just short of a round table and we'd be

getting on quite well! Brucie, what a pro, got both catch phrases in,

even in that short item. Of course he did, he knows what he's doing.

Marvellous. Part of the tapestry in the variety of things that is on

here at Glastonbury and there's still loads to bring you. I meant to

tell you just after Vampire Weekend that there's more of them on BBC

Three from 8 o'clock this evening. If you have missed anything and you

want to see more or catch up, we are streaming 120 live performances from

Glastonbury. Most have now happened so there's so much you can catch up

with on the BBC website at www.bbc.co.uk/glastonbury and via

the BBC app, so on your phone, tablet or online. Microwave and

toaster. Blender, washing machine, should work on any gadget. We are

going to be back from 10 o'clock tonight where Mumford & Sons will be

amongst the glorious things we bring you. We are going to finish off this

programme with more of last night's headliners, the Rolling Stones. This

was a song we didn't show you last night actually. The Stones' song,

Factory Girl, they sang this and called it, Glastonbury Girl. .

Came here last night, right, to Glastonbury, so came around, had a

wonderful time, went to Shangri-la. I saw the Arctic Monkeys, couldn't

get up in the tower because the queue was so long. But I did see a

few people and I did a song for this girl that I met at Glastonbury

# Waiting for a girl # He was wearing cut off jeans

# Waiting for a girl # And her eyes were bright green

# I met her peeing in the street # Waiting for my Glastonbury girl

# He washed off all the dirt # Lit her up a cigarette

# Gave her my clean shirt # Offered up my luxury yurt

# Waiting for a girl # Waiting for a girl

# Gonna sing her a tune # I ain't slept since Wednesday

afternoon # Waiting for a girl