Browse content similar to Bombay Bicycle Club & Black Keys. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello and welcome back to day three at Glastonbury festival here on BBC | :00:10. | :00:15. | |
Three. The Black Keys are sounding amazing behind us on the Pyramid | :00:16. | :00:19. | |
Stage. We'll bring you that in the next hour. And we've got Ellie | :00:20. | :00:23. | |
Goulding at 9 o'clock and Disclosure at 10. What were your favourites | :00:24. | :00:30. | |
from this weekend? We've got some options for you. Tell us who you | :00:31. | :00:34. | |
really enjoyed this weekend: We'll play the winner before we | :00:35. | :00:54. | |
finish. Have you farted? I haven't! This Ferrero Rocher lighting thing | :00:55. | :01:03. | |
is burning my leg. The BBC are spoiling us. Today The Kooks turned | :01:04. | :01:04. | |
up to a huge crowd. # If you get yourself into a fight | :01:05. | :01:47. | |
# If that's the way you wanna live your life | :01:48. | :01:53. | |
# You can get yourself connected # To the world that we don't do here | :01:54. | :02:02. | |
# But all I need is somewhere to lay # Somewhere to lay my head on | :02:03. | :02:08. | |
# I need someone to love in the middle of the date | :02:09. | :02:11. | |
# I want someone to be # And someone to drive around town | :02:12. | :02:15. | |
# I need someone to love when the chips are down | :02:16. | :02:23. | |
# To love me when the chips are down # Will you love me when the chips | :02:24. | :02:27. | |
are down? # Love me when the chips are down | :02:28. | :02:36. | |
# Could you love me when the world is crashing all around? | :02:37. | :02:42. | |
# You can try and be someone you're | :02:43. | :02:45. | |
not # If that's the rift that you wanna | :02:46. | :02:49. | |
cause # You can do the life of a Bohemian | :02:50. | :02:58. | |
# Or you can choose the material world | :02:59. | :03:02. | |
# But all I need is somewhere to lay snowed somewhere to lay my head on | :03:03. | :03:07. | |
# I need someone to love in the middle of the day | :03:08. | :03:10. | |
# I want someone to be # And someone to drive around town | :03:11. | :03:15. | |
# I need someone to love when the chips are down | :03:16. | :03:23. | |
# Love me when the chips are down # Will you love me when the chips | :03:24. | :03:27. | |
are down? # Love me when the chips are down | :03:28. | :03:37. | |
# Could you love me when the world is crashing all around? | :03:38. | :03:43. | |
# All around All I need is somewhere to lay | :03:44. | :04:11. | |
# Somewhere to lay my head on # I need someone to love in the | :04:12. | :04:14. | |
middle of the day # I want someone to be | :04:15. | :04:18. | |
# And someone to drive around town # I need someone to love | :04:19. | :04:25. | |
# Someone to love, someone to love # Love me when the chips are down | :04:26. | :04:31. | |
# Will you love me when the chips are down | :04:32. | :04:37. | |
# Love me when the chips are down # Could you love me when the chips | :04:38. | :04:43. | |
are down # Love me when the chips are down | :04:44. | :04:51. | |
# Could you love me when the world is crashing all around? | :04:52. | :05:24. | |
CHEERING Big crowd for The Kooks earlier today in the John Peel tent. | :05:25. | :05:31. | |
We'll talk about Bombay Bicycle Club in a second. Let me draw your | :05:32. | :05:34. | |
attention to our special Glastonbury website. If you have a tablet or | :05:35. | :05:41. | |
smartphone you can watch anything. Six stages, 120 acts. You can watch | :05:42. | :05:47. | |
it whenever you like. I want to watch St Vincent. You can watch | :05:48. | :05:52. | |
Robert Plant on the Red Button. Bombay Bicycle Club will be here for | :05:53. | :05:58. | |
a chat shortly. Yes, I saw them earlier, they were watching Lucy | :05:59. | :06:03. | |
rose and they owned the stage. We'll have a chat when we've seen some of | :06:04. | :06:08. | |
their chat from the Other Stage. This is Bombay Bicycle Club, with | :06:09. | :06:11. | |
some flashing lights. # Fading out the light, softly say, | :06:12. | :07:07. | |
Get it out my mind, any way # Say you mean it, seal it up, | :07:08. | :07:11. | |
say you wanna try # Say you haven't had enough, | :07:12. | :07:14. | |
say you wanna # Once you get the feeling it, | :07:15. | :07:18. | |
wants you back for more # Says it's gonna heal it | :07:19. | :07:24. | |
but you won't make the call # One step back you're leaving it, | :07:25. | :07:28. | |
now it's moving on # Why won't you believe in it, | :07:29. | :07:31. | |
till it's gone # Once you get the feeling it, | :07:32. | :07:36. | |
wants you back for more # Now it gets ethereal, | :07:37. | :07:39. | |
feet ain't on the floor # One step back you're leaving it, | :07:40. | :07:46. | |
jumping at the wall # Why won't you believe in it, | :07:47. | :07:48. | |
till it's gone # You gave to me, all I know, | :07:49. | :08:05. | |
I will stay here, I will not go # Once you get the feeling it, | :08:06. | :08:25. | |
wants you back for more # Says it's gonna heal it | :08:26. | :09:12. | |
but you won't make the call # One step back you're leaving it, | :09:13. | :09:15. | |
now it's moving on # Why won't you believe in it, | :09:16. | :09:18. | |
till it's gone # Once you get the feeling it, | :09:19. | :09:20. | |
wants you back for more # Says it's gonna heal it | :09:21. | :09:23. | |
but you won't make the call # One step back you're leaving it, | :09:24. | :09:28. | |
now it's moving on # One step back you're leaving it, | :09:29. | :09:31. | |
jumping at the wall # Why won't you believe in it, | :09:32. | :09:33. | |
till it's gone # Let me be the one to the one to | :09:34. | :11:21. | |
the one # Can you feel the leeches bite | :11:22. | :11:29. | |
# That boy that she took out tonight # He's brave and walking sure | :11:30. | :11:33. | |
# Through all the spots you're working for | :11:34. | :11:47. | |
Keep your old and wasted words # My heart is break breaking like | :11:48. | :11:52. | |
you heard # But the town has always turned | :11:53. | :11:56. | |
# These lies and made them all burn # Let me be the one, to the one, to | :11:57. | :12:23. | |
the one # Let me be the one to try it on | :12:24. | :12:33. | |
# To the one, to the one, to the one # Let me be the one to try it on | :12:34. | :12:57. | |
# The light is out and the words have gone | :12:58. | :13:04. | |
# Let me be the one to try it on # When the light is out and the | :13:05. | :13:07. | |
words have gone # Let me be the one to try it on | :13:08. | :13:15. | |
# When the light is out and the words have gone | :13:16. | :13:21. | |
# Let me be the one to try it on # When the light is out and words | :13:22. | :13:26. | |
have gone # Let me be the one to try it on | :13:27. | :13:34. | |
# The light is out and words have gone | :13:35. | :13:39. | |
# Let me be the one to try it on # When the light is out and the | :13:40. | :13:43. | |
words have gone # Let me be the one to try it on | :13:44. | :13:51. | |
# When the light is out and words have gone | :13:52. | :13:56. | |
# Let me be the one to try it on # When the light is out and words | :13:57. | :13:59. | |
have gone # Let me be the one to try it on | :14:00. | :14:09. | |
# When the light is out and words have gone | :14:10. | :14:14. | |
# Let me be the one to try it on # When the light is out and words | :14:15. | :14:18. | |
have gone # Let me be the one to try it on. # | :14:19. | :14:33. | |
Lucy rose everybody! # When I was out | :14:34. | :15:37. | |
Did you get in # And draw the right stamp | :15:38. | :15:39. | |
on your skin? # Saying I am ready | :15:40. | :15:43. | |
# I hope you'll see that we can speak at slower speeds | :15:44. | :16:48. | |
# It will always be that when I wake up | :16:49. | :16:52. | |
# Can I wake you up # Is it late enough | :16:53. | :19:47. | |
# There's a story in which my eyes shut | :19:48. | :19:49. | |
# Is it late enough # Is it late enough? | :19:50. | :20:18. | |
# Could I wake you up # Can I wake you up | :20:19. | :20:25. | |
# Is it late enough? Is it late enough? | :20:26. | :20:32. | |
# There's a story in which my eyes are shut | :20:33. | :20:34. | |
# Could you bag me up # Could you bag me up snow can I | :20:35. | :20:39. | |
wake you up # Can I wake you up | :20:40. | :20:42. | |
# Is it late enough # Is it late enough | :20:43. | :20:46. | |
# There's a story in which my eyes are shut | :20:47. | :20:49. | |
# Could you bag me up # Could you bag me up | :20:50. | :20:51. | |
# There's a story, # Can I wake you up | :20:52. | :21:11. | |
# Is it late enough # Is it late enough? | :21:12. | :21:19. | |
# There's a story in which my eyes shut | :21:20. | :21:23. | |
# Can you wake me up # Can you wake me up? # | :21:24. | :21:28. | |
Thank you! # Oh, why is your face | :21:29. | :21:43. | |
so pale and white? # Just waiting | :21:44. | :22:05. | |
for the perfect hideout # Down where the walls | :22:06. | :22:10. | |
started shaking # Just waiting for | :22:11. | :22:14. | |
the perfect hideout # Down where the walls | :22:15. | :23:18. | |
started shaking # Just waiting for | :23:19. | :23:20. | |
the perfect hideout # Down where the walls | :23:21. | :23:40. | |
started shaking Brilliant, that was from the Other | :23:41. | :24:33. | |
Stage earlier, Bombay Bicycle Club, a perfect time for day for us. I | :24:34. | :24:38. | |
hope you enjoyed that. And they were joining us here. Hello there. We are | :24:39. | :24:44. | |
joined by Jamie and Jack from Bombay Bicycle Club. How was the set for | :24:45. | :24:48. | |
you earlier? I gave it ten out of ten. You were able to watch it back | :24:49. | :24:53. | |
there. It looked beautiful. What an amazing time to be on. It was a | :24:54. | :24:58. | |
really good slot to have, the sun was going down. Romance was in the | :24:59. | :25:05. | |
air. I've been sat on the sofa for the last 15 minutes while these | :25:06. | :25:11. | |
three dorks talk about cricket. I don't understand. You were | :25:12. | :25:16. | |
contributing to the conversation. I really wasn't. You know what a gully | :25:17. | :25:24. | |
is, mid-off and short-leg. Are you making this up?! No, get with the | :25:25. | :25:30. | |
programme. You are Glastonbury stalwarts now. I want to know the | :25:31. | :25:36. | |
difference between playing the Other Stage and the John Peel Stage. We | :25:37. | :25:41. | |
did the Other Stage three years ago. Jamie said this on stage, we felt | :25:42. | :25:48. | |
really nervous, it was a really big step for us and none of us remember | :25:49. | :25:53. | |
the show. We feel we've built up to it now and we were ready for it. | :25:54. | :25:57. | |
Everything came together. It feels like you have taken your time with | :25:58. | :26:04. | |
it. And to get the number one with So Long, See You Tomorrow, that's my | :26:05. | :26:08. | |
favourite album by the way. You probably feel you are ready for it | :26:09. | :26:14. | |
now. I think if you are not a natural entertainer and you are | :26:15. | :26:18. | |
reserved, you have to do it slowly. Otherwise you are thrown on to a | :26:19. | :26:21. | |
huge stage and you don't know what to do. You are not naturally | :26:22. | :26:26. | |
confident and exuberant. I think the thing I like about the band | :26:27. | :26:32. | |
generally is aside from the music of course, it is that it has, I don't | :26:33. | :26:37. | |
know, it didn't come to out easily, any of it. The albums got better | :26:38. | :26:42. | |
with each album. The live shows got better each time. It is a series of | :26:43. | :26:47. | |
small moments that kind of add up to something greater as opposed to | :26:48. | :26:53. | |
burning brightly really quickly but then fading away equally fast. | :26:54. | :26:59. | |
Jamie, we were chatting earlier, because you saw Sam Smith walking | :27:00. | :27:06. | |
about with a celebrity entourage. I saw Bombay Bicycle Club with an | :27:07. | :27:16. | |
indie entourage. It is like you've got Rae Morris and Lucy rose. It is | :27:17. | :27:22. | |
like a little family. It was really nice to have Lucy back together. We | :27:23. | :27:26. | |
are really close to everyone. It was a real moment I thought. It feels | :27:27. | :27:31. | |
like Glastonbury is one of those festivals that rewards hard work. It | :27:32. | :27:35. | |
is nice that they keep asking you back and they are aware that the | :27:36. | :27:39. | |
journey is still going for you. That friendship is there I think. It felt | :27:40. | :27:44. | |
like it was just a great moment really. I don't know what else to | :27:45. | :27:50. | |
say. I think I've said great moment too many times! Will you ever get | :27:51. | :27:54. | |
bored with people singing back to you? No, it helps me out. Less work. | :27:55. | :28:01. | |
We are going to Gemma now. She's at the Other Stage, I believe. Wow! | :28:02. | :28:07. | |
This is so surreal. I'm here on the actual Other Stage. I can't believe | :28:08. | :28:11. | |
it. Hello Glastonbury! CHEERING Jump if you were excited | :28:12. | :28:16. | |
for Ellie Goulding! Oh, my goodness. People are frantically setting up. | :28:17. | :28:22. | |
I'm hardly allowed to be here. I see drums, giant lights, a huge flag | :28:23. | :28:26. | |
with her name on. And just a small Glastonbury aside. A clever thing | :28:27. | :28:30. | |
that you do when you are in the crowd is create your own flag, so | :28:31. | :28:34. | |
that your friends can find you. These are the true enthusiasts that | :28:35. | :28:38. | |
have found their spot right at the front. If you are as excited and are | :28:39. | :28:42. | |
on the edge of your sofa or are streaming it on the bus. Don't | :28:43. | :28:46. | |
worry, because Ellie Goulding will be with you live at 9.00pm on BBC | :28:47. | :28:52. | |
Three. On the pyramid stage you can hear | :28:53. | :28:57. | |
the black keys. We are taking it back to the start of their set. I | :28:58. | :29:02. | |
feel bad because we didn't say thank you for Bombay Bicycle Club. We were | :29:03. | :29:07. | |
out of time. They know we are appreciative. I'm excited about | :29:08. | :29:12. | |
this. The Black Keys from the Pyramid Stage. | :29:13. | :29:31. | |
# If you do, you know I'll follow you | :29:32. | :30:20. | |
# Nah nah, nah nah, nah nah nah, nah nah | :30:21. | :32:27. | |
# Nah nah, nah nah, nah nah nah, nah nah (Whoa oh oh) | :32:28. | :32:42. | |
# The look of the cake it ain't, it ain't always the taste | :32:43. | :33:35. | |
# My ex girl she had such, such a beautiful face | :33:36. | :33:40. | |
# But for the girl so she could, so she could love herself | :33:41. | :33:51. | |
# A beautiful face and a, and a wicked way | :33:52. | :34:29. | |
# And I'm payin' for her beautiful face everyday | :34:30. | :34:35. | |
# All that work over, over so much time | :34:36. | :34:40. | |
# If I, if I think too hard I might lose my mind | :34:41. | :34:45. | |
# Oh yeah Oh yeah-yeah | :34:46. | :40:03. | |
We're the Black Keys. Thank you. Help us out with this. | :40:04. | :41:09. | |
# Clouds covered Love's | :41:10. | :42:12. | |
# You wanted to love, but you didn't know how | :42:13. | :45:00. | |
# It got so bad to where I wouldn't allow | :45:01. | :45:08. | |
# You smoke cigarettes and you act like a clown | :45:09. | :45:37. | |
# You do what you like and no matter what they allow | :45:38. | :45:45. | |
# I've seen you out, just hangin' 'round | :45:46. | :48:13. | |
# You'll need me one day, need me one day | :48:14. | :48:22. | |
# Taking nova baby to the dollar machine | :48:23. | :48:27. | |
# You'll need me one day, need me one day soon | :48:28. | :48:36. | |
# Elevator ladies in the parking lots | :48:37. | :49:14. | |
# The dream you told me, dream you told me | :49:15. | :49:22. | |
# Of the dream you sold me, dream you sold me, oh | :49:23. | :49:37. | |
# Well now I must admit I can't explain | :49:38. | :52:17. | |
# Any of these thoughts Racing through my brain | :52:18. | :52:31. | |
# There's something wrong With this plot | :52:32. | :52:44. | |
# Mocking bird Can't you see? | :52:45. | :53:24. | |
# Da da da da Da da da da | :53:25. | :55:23. | |
enjoyed The Black Keys. Sammy says they are simply the best abandoned | :55:24. | :55:29. | |
planet. This one says the consequences of jumping around is a | :55:30. | :55:40. | |
sprained ankle. Still to come, Emily Goulding, Disclosure at 10 o'clock. | :55:41. | :55:46. | |
What are you doing now? I'm running off to Disclosure live on the West | :55:47. | :55:55. | |
Holts Stage. George Ezra came in. He'll be singing Budapest for us | :55:56. | :56:01. | |
live on BBC Three in a second after this break. | :56:02. | :56:03. |