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This programme contains strong language and flashing images. | :00:09. | :00:17. | |
The missing cows. They go into their beds. Toi, a spa. They do serve | :00:18. | :00:22. | |
hamburgers here right? They're very comfortable. They're being dead lazy | :00:23. | :00:24. | |
somewhere. Hello there. Here we are, to do it | :00:25. | :00:49. | |
all one last time. It's the final night of Glastonbury 2014. Our | :00:50. | :00:52. | |
headliners must be pretty excited right now. They've played the | :00:53. | :00:55. | |
festival four times before, but their fifth is going to be the first | :00:56. | :00:59. | |
time headlining the Pyramid Stage. Kasabian have said after this show | :01:00. | :01:02. | |
they will be able to die happy. It's literally a dream come true. Before | :01:03. | :01:06. | |
we see them playing live on that there stage, let's find out a little | :01:07. | :01:10. | |
bit about the journey it too them to get here. | :01:11. | :01:20. | |
Leicester City 1997 an 18-year-old wannabe rock star falls to his knees | :01:21. | :01:26. | |
and yells... That was Glastonbury. Tom. The front man of the mighty | :01:27. | :01:32. | |
Kasabian, arguably one of the best live acts around. Tonight, they | :01:33. | :01:37. | |
headline the Pyramid Stage. Performing together with SergePisono | :01:38. | :01:46. | |
the band performed under the short-lived name of Syracuse. They | :01:47. | :01:52. | |
renamed themselves Kasabian they took on great British rock and too | :01:53. | :01:56. | |
took it into the millennium with a swagger all their own. | :01:57. | :02:04. | |
And the release of their 2004 debut album gave them an instant fan base. | :02:05. | :02:10. | |
After an 11am booking at Glastonbury in 2004, they were promoted to an | :02:11. | :02:14. | |
evening slot on the other stage the following year. It was the first | :02:15. | :02:18. | |
realisation we had connected with people. It was these people wanted | :02:19. | :02:21. | |
to see our band play. You realise that's all that matters. In 2006, | :02:22. | :02:29. | |
their album Empire sold over a million copies and stormed to number | :02:30. | :02:35. | |
one, bringing a steady release of anthems that defined their same. In | :02:36. | :02:44. | |
2009, the catchily named West Rider Lunatic Asylum reached number one. | :02:45. | :02:49. | |
It gave us lock locks from Tom, the classic Fire and brought them one | :02:50. | :02:52. | |
step closer to being Pyramid headliners. In 2009 we played fire, | :02:53. | :03:01. | |
because it was delayed at the back, there was a weird sea of jumping and | :03:02. | :03:06. | |
Tom's strawberry jacket... And the long hair. It's unparalleled. Two | :03:07. | :03:13. | |
years later and another number one album, Kasabian cemented their | :03:14. | :03:17. | |
reputation as being one of the must-see live acts of their | :03:18. | :03:22. | |
generationment A decade on from the release of | :03:23. | :03:26. | |
their first record they find themselves at the top again. Finally | :03:27. | :03:38. | |
their dream of headlining the Pyramid Stage is here. The nerves | :03:39. | :03:42. | |
are kicking in. This has made it worse. Can't be scared of it. Have | :03:43. | :03:47. | |
you to embrace a moment. If you get it right, you can go to places you | :03:48. | :03:49. | |
never thought possible. # Get them a message, | :03:50. | :04:02. | |
a message from me # I'm caught up in love | :04:03. | :06:09. | |
and I'm in ecstasy # What can I do now | :06:10. | :06:15. | |
when nothing's the same # And all that I know | :06:16. | :06:20. | |
I wanna do it again # Well tell me now | :06:21. | :06:26. | |
Life is so simple # Cos when we're together | :06:27. | :06:38. | |
# I'm in ecstasy I'm in ecstasy | :06:39. | :06:58. | |
# All you pretty things Get on board this mothership | :06:59. | :07:05. | |
# I said all you got to be Is ready for action, baby | :07:06. | :07:19. | |
# Don't think I'm twisted, as a matter of fact | :07:20. | :07:25. | |
# Where I fight off robots and the men in the suits | :07:26. | :07:35. | |
# Wear out the soles of your monkey boots | :07:36. | :07:39. | |
# Can't get enough of the sunshine Can't get enough of the moonlight | :07:40. | :07:47. | |
# And all the colours that are coming on strong | :07:48. | :07:50. | |
# Trying to hold on, trying to hold on | :07:51. | :07:52. | |
# Can't get enough of the oceans Can't get enough of the mantra | :07:53. | :07:57. | |
# We're in ecstasy We're in ecstasy | :07:58. | :08:08. | |
# All you pretty things Get on board this mothership | :08:09. | :08:28. | |
# I said all you got to be Is ready for action, baby | :08:29. | :08:34. | |
# Can't get enough of the sunshine Can't get enough of the moonlight | :08:35. | :08:51. | |
# And all the colours that are coming on strong | :08:52. | :08:54. | |
# Trying to hold on, trying to hold on | :08:55. | :08:57. | |
# Can't get enough of the oceans Can't get enough of the mantra | :08:58. | :09:02. | |
# We're in ecstasy We're in ecstasy | :09:03. | :09:13. | |
# All you pretty things Get on board this mothership | :09:14. | :09:33. | |
# I said all you got to be Is ready for action, baby | :09:34. | :09:39. | |
# Ready for action, baby Ready for action, baby | :09:40. | :09:50. | |
# Shoot the runner, shoot shoot the runner | :09:51. | :10:52. | |
# Shoot the runner, shoot shoot the runner | :10:53. | :10:56. | |
# Shoot the runner, Shoot shoot the runner | :10:57. | :11:18. | |
# I'm a king and she's my queen, bitch | :11:19. | :11:21. | |
# Shoot the runner, shoot shoot the runner | :11:22. | :11:57. | |
# Shoot the runner, shoot shoot the runner | :11:58. | :12:05. | |
# I'm a King and she's my Queen, bitch | :12:06. | :13:16. | |
# Kings, kings may come and then go, By this sword you must know | :13:17. | :13:20. | |
# That all things come and then pass Live your days like the last | :13:21. | :13:28. | |
# Aahh, and you're my queen, that's it | :13:29. | :14:58. | |
# Kill me if you dare Hold my head up everywhere | :14:59. | :15:00. | |
# Keep myself right on this train I'm the underdog | :15:01. | :15:08. | |
# Keep myself riding on this train Keep myself riding on this train | :15:09. | :15:30. | |
# I got my cloak and dagger In a bar room brawl | :15:31. | :15:39. | |
# See the local loves a fighter Loves a winner to fall | :15:40. | :15:45. | |
# Feels like I'm lost in a moment I'm always losing to win | :15:46. | :15:54. | |
# Can't get away from the moment Seems like it's time to begin | :15:55. | :16:10. | |
# Kill me if you dare Hold my head up everywhere | :16:11. | :16:15. | |
# Keep myself right on this train I'm the underdog | :16:16. | :16:20. | |
# Keep myself riding on this train Keep myself riding on this train | :16:21. | :16:35. | |
# Can't get away from the moment Seems like it's time to begin | :16:36. | :17:10. | |
# Kill me if you dare, Hold my head up everywhere | :17:11. | :18:52. | |
# Keep myself right on this train I'm the underdog, | :18:53. | :18:56. | |
# Tell me if you're down Throw your weapons to the ground | :18:57. | :19:10. | |
# Paper on the wire Sold your soul for another one | :19:11. | :19:19. | |
# Keep myself riding on this train Keep myself riding on this train | :19:20. | :19:35. | |
Thank you so much Glastonbury! Thank you. You look beautiful from where I | :19:36. | :20:09. | |
am. You look gorgeous, gorgeous. Any way, this next song is called | :20:10. | :20:13. | |
Fast Fuse. # Oh, baby, | :20:14. | :20:57. | |
I was born with a fast fuse # I got no time to love | :20:58. | :21:02. | |
Just a city to abuse # Ahh, come get me with your files | :21:03. | :21:08. | |
Don't arrest me # Oh, baby, | :21:09. | :21:11. | |
I was born with a fast fuse # I got no time to love | :21:12. | :21:13. | |
Just a city to abuse # Ahh, come get me with your files | :21:14. | :21:20. | |
Don't arrest me # I'm Lucifer's child, wild, | :21:21. | :21:24. | |
acids done # Black sunglasses | :21:25. | :21:28. | |
shade the morning sun # So come get me | :21:29. | :21:30. | |
All you fuckers can't touch me # I'm the hooligan choir, sire, | :21:31. | :21:35. | |
so sit don't scatter # It don't matter | :21:36. | :21:39. | |
Get me one, two, three # Oh, baby, | :21:40. | :21:43. | |
I was born with a fast fuse # I got no time to love | :21:44. | :21:57. | |
Just a city to abuse # Oh, baby, | :21:58. | :22:03. | |
I was born with a fast fuse # I got no time to love | :22:04. | :22:08. | |
Just a city to abuse # Ahh, how dare you | :22:09. | :22:37. | |
Now it's time to address you # I'm the reason you came, shame, | :22:38. | :22:57. | |
stroke my mane # It's getting hotter | :22:58. | :22:59. | |
Now I'm spitting out lava # I'm the Spaniard in the works, | :23:00. | :23:08. | |
jerks, genuine stock # Hear that bomb | :23:09. | :23:11. | |
Going tick tick tock # Oh, baby, | :23:12. | :23:14. | |
I was born with a fast fuse # Oh, baby, | :23:15. | :23:30. | |
I was born with a fast fuse # I got no time to love | :23:31. | :23:40. | |
Just a city to abuse # In the middle of the night | :23:41. | :23:48. | |
When they come for you # What you gonna do? | :23:49. | :23:51. | |
Who you going to be? # Heaven may come and heaven | :23:52. | :23:59. | |
may call but I won't be there. # # Heaven may come and heaven | :24:00. | :24:09. | |
may call but I won't be there. # # Ah ah ah ah ah ah | :24:10. | :24:22. | |
Ah ah ah ah ah ah # Hey son I'm looking forward | :24:23. | :25:02. | |
You're leaning backwards # Have you had enough? | :25:03. | :25:04. | |
Are you feeling rough? # Does your skull hurt? | :25:05. | :25:11. | |
Well if it's warm # Cos I am taking back what's mine | :25:12. | :25:17. | |
I am taking back the time # You may call it suicide | :25:18. | :25:21. | |
But I'm being born again # I'm waiting, Ah | :25:22. | :25:26. | |
I'm waiting (ah ah ah ah ah) # Right here now, I'm waiting | :25:27. | :25:34. | |
For someone or something # To take me | :25:35. | :25:41. | |
To take me over # Days, days are forgotten | :25:42. | :25:44. | |
Now it's all over # Simply forgotten | :25:45. | :25:56. | |
How to disappear # Home bred, I've got blood lust | :25:57. | :26:03. | |
Feeding you bread crust # You say I'm old hat | :26:04. | :26:08. | |
A fucking dirty rat # Call me a cliche | :26:09. | :26:15. | |
How right you are # Cos I am flipping bag of bones | :26:16. | :26:20. | |
I am righting all your wrongs # You may call it suicide | :26:21. | :26:25. | |
But I'm being born again # I'm waiting, ah | :26:26. | :26:37. | |
I'm waiting, ah ah ah ah ah # For someone | :26:38. | :26:39. | |
Or something # To take me | :26:40. | :26:48. | |
To take me over # Days, days are forgotten | :26:49. | :26:51. | |
Now it's all over # Simply forgotten | :26:52. | :27:00. | |
How to disappear # I saw something | :27:01. | :27:11. | |
I get on the dark # You was at home | :27:12. | :27:14. | |
Chewing a monkey brain # I am out here | :27:15. | :27:21. | |
I'm just a silhouette # You will never | :27:22. | :27:25. | |
Ever ever forget # Now it's all over | :27:26. | :27:30. | |
Simply forgotten # How to disappear | :27:31. | :27:46. | |
Days, days are forgotten # Now it's all over | :27:47. | :27:56. | |
Simply forgotten # How to disappear | :27:57. | :28:03. | |
I saw something # You was at home | :28:04. | :28:15. | |
Chewing a monkey brain Glastonbury, 2014 - raise your hands | :28:16. | :28:42. | |
to the fucking heavens - come on! Glastonbury, easy! Easy! Easy! Easy, | :28:43. | :28:54. | |
easy, easy, easy... # Eez-eh, I'll make you mad | :28:55. | :29:39. | |
'least I ain't sleazy # I'm just trying | :29:40. | :29:43. | |
to put the world to rights # And if you want to, | :29:44. | :29:46. | |
I'll take you high # Gonna keep you up all | :29:47. | :29:51. | |
Gonna keep you up all, night! # Tired of taking orders | :29:52. | :30:05. | |
Choking with disorders # The wrong men have the power | :30:06. | :30:09. | |
It's turning my milk sour # We're tired of taking orders | :30:10. | :30:12. | |
Coping with disorders # It's turning my milk sour | :30:13. | :30:16. | |
It's turning my milk sour # Eez-eh, I'll make you mad | :30:17. | :30:26. | |
'least I ain't sleazy # I'm just trying | :30:27. | :30:30. | |
to put the world to rights # And if you want to, | :30:31. | :30:33. | |
I'll take you high # Cos I got the feeling that I'm | :30:34. | :30:37. | |
Gonna keep you up all night! # Eez-eh, I ain't that mad | :30:38. | :30:42. | |
No rhyme or reason # I'm just trying to set the world | :30:43. | :30:46. | |
alight # You got problems, | :30:47. | :30:48. | |
and so have I # An' I got the feeling that I'm | :30:49. | :30:57. | |
gonna keep you up all # Gonna keep you up all | :30:58. | :31:01. | |
Gonna keep you up all, night! # There's cobras in the mosh pit | :31:02. | :31:16. | |
Finally we lost it # Everyday is brutal | :31:17. | :31:20. | |
Now we're being watched by Google # Gotta keep it simple | :31:21. | :31:23. | |
Sending out a signal # Everyday is brutal | :31:24. | :31:27. | |
Now we're being watched by Google # Being watched by Google | :31:28. | :31:31. | |
Being watched by Google # I ain't eez-eh, I'll make you mad | :31:32. | :31:40. | |
'least I ain't sleazy # I'm just trying to put the world | :31:41. | :31:43. | |
to rights # And if you want to, | :31:44. | :31:47. | |
I'll take you out # Cos I got the feeling that I'm | :31:48. | :31:50. | |
Gonna keep you up all night! # Eez-eh, I ain't that mad | :31:51. | :31:55. | |
No rhyme or reason # I'm just trying to set the world | :31:56. | :31:57. | |
alight # You got problems, | :31:58. | :31:59. | |
and so have I # An' I got the feeling that I'm | :32:00. | :32:06. | |
gonna keep you up all # Gonna keep you up all | :32:07. | :32:10. | |
Gonna keep you up all # Gonna keep you up all | :32:11. | :32:17. | |
Gonna keep you up all Easy, easy, easy... Easy, easy, | :32:18. | :32:52. | |
easy. # I ran from the tide | :32:53. | :33:45. | |
# I drop beats from this processed meat | :33:46. | :33:49. | |
# For a conversation, a meditation | :33:50. | :33:54. | |
# And I cut waves like some unborn sage | :33:55. | :33:58. | |
# Just like terrorists on a day of rest, singing | :33:59. | :34:03. | |
# Won't let you hide Won't let you hide | :34:04. | :34:12. | |
# I break bones stealing mobile phones | :34:13. | :34:16. | |
# Making idle threats using Chinese burns | :34:17. | :34:25. | |
# As you load my head with the Grateful Dead, singing | :34:26. | :34:30. | |
# Won't let you hide Won't let you hide | :34:31. | :34:38. | |
# Won't let you hide Won't let you hide | :34:39. | :35:03. | |
# Won't let you hide Won't let you hide | :35:04. | :35:33. | |
# Won't let you hide Won't let you hide | :35:34. | :35:59. | |
# I drop beats from this processed meat | :36:00. | :36:28. | |
Thank you for being here. Thank you fuck soing much, you know. This song | :36:29. | :37:06. | |
is off the new record. # Stevie, | :37:07. | :37:26. | |
Where you going with that gun? # Who you wanna shoot down? | :37:27. | :38:10. | |
Who you trying to kid? # You've been watching too much TV | :38:11. | :38:19. | |
It's playing with your memories # It's trying to break your heart | :38:20. | :38:28. | |
Just calm down # Take your medication | :38:29. | :38:35. | |
It numbs you to the world # Not my world | :38:36. | :38:44. | |
And all the kids, they say # Live to fight another day | :38:45. | :38:53. | |
Live to fight again # And all the kids, they say | :38:54. | :39:03. | |
Live to fight another day # Live to fight again | :39:04. | :39:12. | |
Again, again, again # It's no life, underneath your | :39:13. | :39:32. | |
finger I dreamed a little bigger # I'm sick and tired of this | :39:33. | :39:41. | |
If you show us what we can't have # What do you expect when | :39:42. | :39:52. | |
We take it back from you? # Cos it's no joke, no joke | :39:53. | :40:01. | |
I wanna open up your eyes wide, # Eyes wide, I feel it coming, | :40:02. | :40:05. | |
but you can't hide, can't hide # And all the kids, they say | :40:06. | :40:10. | |
Live to fight another day # Live to fight again | :40:11. | :40:24. | |
And all the kids, they say # Live to fight another day | :40:25. | :40:35. | |
Live to fight again # Again, again, again | :40:36. | :40:42. | |
And the ordinary people # Living ordinary lives | :40:43. | :40:50. | |
There's more than just excuses # I see the fire in your eyes | :40:51. | :40:54. | |
You knew this all already # It comes as no surprise | :40:55. | :41:04. | |
It's time to push things forward # Cos there's no way back | :41:05. | :41:09. | |
There's no way back now # Live to fight another day | :41:10. | :41:15. | |
Live to fight again # No one else is here | :41:16. | :41:50. | |
And I can't get, since I'm nothing # No one else gets high and | :41:51. | :44:20. | |
I can't sleep cos I got nothing # Feeling I am lost | :44:21. | :44:32. | |
Control to a higher force # Music is my, my love | :44:33. | :45:16. | |
# No one else comes clean and I can't sleep, cos I got nothing | :45:17. | :45:34. | |
# Control to a higher force Music is my, my love | :45:35. | :46:06. | |
# Music is my, music is my, music is my | :46:07. | :46:40. | |
Glastonbury! I always wanted to do that. How's your weekend been? Good? | :46:41. | :47:39. | |
It's an honour for us to close tonight. Thank you for having us. | :47:40. | :47:42. | |
Thank you for sticking around as well. I know it's Sunday. You've | :47:43. | :47:46. | |
probably had a fucking hard week. Enjoy the show. | :47:47. | :48:46. | |
# Remember trout, without a care # Out of touch | :48:47. | :48:53. | |
# It wasn't because I didn't know enough | :48:54. | :48:58. | |
# Just knew too much # Does that make me craze why? -- | :48:59. | :49:03. | |
crazy? # Does that make me crazy? | :49:04. | :49:24. | |
# Probably. # And I hope that you're having the | :49:25. | :49:32. | |
time of your life # But think twice, that's my only | :49:33. | :49:44. | |
advice # Come on now, would do you, who do | :49:45. | :49:50. | |
you, who do you, who do you think you are? | :49:51. | :49:59. | |
# H a, ha, ha, bless your soul # You really think glur control | :50:00. | :50:07. | |
# Come on, well, I think you're crazy | :50:08. | :50:15. | |
# I think you're crazy # I think you're crazy | :50:16. | :50:25. | |
# just like me # I can't hear you, come on | :50:26. | :50:32. | |
# I think you're crazy # I think you're crazy | :50:33. | :50:46. | |
# Just like me # # Held off, called on by truncheons | :50:47. | :52:25. | |
Rattling keys to the dungeons # Can you see me in the way now | :52:26. | :52:33. | |
# Oh take aim now! Gotta get us out of here | :52:34. | :53:03. | |
# Don't take me over I bid you all farewell | :53:04. | :53:12. | |
# I've got to leave Tears on my shovel | :53:13. | :53:27. | |
# Can you see me in the way now Oh take aim now! | :53:28. | :54:04. | |
# Oh take aim now! Gotta get us out of here | :54:05. | :54:12. | |
# Can you see me in the way now Oh take aim now! | :54:13. | :54:23. | |
# Oh take aim now! Gotta get us out of here | :54:24. | :54:52. | |
# Don't take me over I bid you all farewell | :54:53. | :55:01. | |
Posh pit, posh pit, mosh pit, mosh pit... | :55:02. | :56:30. | |
# One, take control of me? You're messing with the enemy | :56:31. | :56:38. | |
# Said it's two, it's another trick Messin' with my mind, I wake up | :56:39. | :56:41. | |
# Chase down an empty street Blindly snap the broken beats | :56:42. | :56:44. | |
# Said it's gone with the dirty trick | :56:45. | :56:46. | |
# It's taken all these days to find ya | :56:47. | :56:51. | |
# I tell you I want you I tell you I need you | :56:52. | :57:00. | |
# Friends, take control of me Stalking cross' the gallery | :57:01. | :57:04. | |
# All these pills got to operate The color quits and all invade us | :57:05. | :57:08. | |
# There it goes again Take me to the edge again | :57:09. | :57:12. | |
# All I got is a dirty trick I'm chasin' down walls to save ya | :57:13. | :57:19. | |
# I tell you I want you I'll tell you I need you | :57:20. | :57:31. | |
# Just wanted you near me I tell you I want you | :57:32. | :57:57. | |
# I feel like the time has come A fearless rescue from everyone | :57:58. | :00:54. | |
# Who made you the master? The lady caster | :00:55. | :00:56. | |
# I found you looking for a good time | :00:57. | :00:59. | |
# I was out in exile perfecting my style | :01:00. | :01:04. | |
# Hit me! Harder! | :01:05. | :01:18. | |
# I flip the switch that makes you feel electric | :01:19. | :01:25. | |
# Even! Faster! Than before... | :01:26. | :01:29. | |
# I'm gonna light 'em up with you I'm gonna light 'em up with you | :01:30. | :01:43. | |
# Try to keep up, you scatter brain She will enter through your vein | :01:44. | :01:59. | |
# The one who made you, the flame I need to heat the silver | :02:00. | :02:08. | |
# You'd bring Gods to their knees pick out the bad seeds | :02:09. | :02:13. | |
# Relieve the generals of theirs duties | :02:14. | :02:17. | |
# Hit me! Harder! | :02:18. | :02:18. | |
# I flip the switch that make you feel electric | :02:19. | :02:24. | |
# Even! Faster! | :02:25. | :02:26. | |
# Than before I'm gonna light 'em up with you | :02:27. | :02:33. | |
# I found you looking for a good time | :02:34. | :03:15. | |
# Now this blood and glitter, it tastes so bitter | :03:16. | :03:20. | |
# Hit me! Harder! | :03:21. | :03:26. | |
# I flip the switch that make you feel electric | :03:27. | :03:33. | |
# Even! Faster! | :03:34. | :03:35. | |
# I'm gonna light 'em up with you I'm gonna light 'em up with you | :03:36. | :03:54. | |
Thank you Glastonbury! Thank you! You all right? | :03:55. | :05:07. | |
CHEERING This is called Treat. | :05:08. | :05:25. | |
# Everybody knows I work it Work it like a treat | :05:26. | :05:28. | |
# Everybody knows I work it Work it like a treat | :05:29. | :05:35. | |
# Everybody knows I work it Work it like a treat | :05:36. | :05:39. | |
# Everybody knows I work it Work it like a treat | :05:40. | :05:51. | |
# What is this instance before me It's shaking in a mirror gleam | :05:52. | :05:56. | |
# Come on, evil twin You got me jumping out my skin | :05:57. | :06:01. | |
# Excuse me, where's my manners? Please allow my introduction | :06:02. | :06:05. | |
# Cos I am gonna get you hit I am gonna get you hit | :06:06. | :06:10. | |
# Reach out and touch me Cos I got to | :06:11. | :06:13. | |
# Everybody knows I work it Work it like a treat | :06:14. | :06:24. | |
# Everybody knows I work it Work it like a treat | :06:25. | :06:28. | |
# Everybody knows I work it Work it like a treat | :06:29. | :06:32. | |
# Everybody knows I work it Work it like a treat | :06:33. | :06:36. | |
# Work it like a treat Everybody! | :06:37. | :06:56. | |
# I'm stood here naked with a junkie sinking margheritas | :06:57. | :07:11. | |
# Well, where we left off Seperated deep in Leicester | :07:12. | :07:19. | |
# How could you ditch me in the state I'm in? | :07:20. | :07:25. | |
# And if you want to witness what goes on behind the curtain | :07:26. | :07:28. | |
# He is just as cracked as you So be careful if you do | :07:29. | :07:33. | |
# Reach out and touch me Cos I got to | :07:34. | :07:37. | |
# Everybody knows I work it Work it like a treat | :07:38. | :07:46. | |
# Everybody knows I work it Work it like a treat | :07:47. | :07:51. | |
# I said now Everybody knows I work it | :07:52. | :07:54. | |
# Everybody knows I work it Work it like a treat | :07:55. | :08:02. | |
# Everybody knows I work it Work it like a treat | :08:03. | :08:06. | |
# Everybody knows I work it Work it like a treat | :08:07. | :08:09. | |
# Everybody knows I work it Work it like a treat | :08:10. | :08:17. | |
# Everybody! Work it like a treat | :08:18. | :08:22. | |
# Everybody knows I work it Work it like a treat | :08:23. | :10:51. | |
# Everybody knows I work it Work it like a treat | :10:52. | :10:56. | |
# Everybody knows I work it Work it like a treat | :10:57. | :11:00. | |
# Everybody knows I work it Work it like a treat | :11:01. | :11:05. | |
# I work it I work it | :11:06. | :11:08. | |
# Too much information Well I said you're good for nothing | :11:09. | :13:13. | |
# Come on to the back I said your needles count for something | :13:14. | :13:17. | |
# Guess I'd better sell you now Guess I'd be around | :13:18. | :13:21. | |
# Singing for your questions But you've stolen all of my answers | :13:22. | :13:24. | |
# Too much entertainment drove And that's not all the colour | :13:25. | :13:28. | |
# Tell me that you've seen a ghost I'll tell you what to fear the most | :13:29. | :13:33. | |
# I said it's happening again! We're all wasting away! | :13:34. | :13:43. | |
# We're all wasting away! Too much information | :13:44. | :14:07. | |
# I said you're good for nothing Stitch your part of counterfeit | :14:08. | :14:12. | |
# I said your far out here Taking at the roads | :14:13. | :14:18. | |
# Where you're taken for the simple codes | :14:19. | :14:20. | |
# Swimming with the fishes While the serpent waves his tongue | :14:21. | :14:23. | |
# With a belly full of splinters Now you see that I'm the one | :14:24. | :14:27. | |
# Tell me that you've seen a ghost I'll tell you what to fear the most | :14:28. | :14:31. | |
# Stop! I said it's happening again! | :14:32. | :14:37. | |
# We're all wasting away! We're all wasting away! | :14:38. | :15:09. | |
# Stop! I said it's happening again! | :15:10. | :15:53. | |
# We're all wasting away! We're all wasting away! | :15:54. | :16:19. | |
# Stop! I said it's happening again! | :16:20. | :16:25. | |
# We're all wasting away! We're all wasting away! | :16:26. | :16:43. | |
Glastonbury, you are fucking empire. Ladies and gentleman, it's someone's | :16:44. | :16:51. | |
birthday today, Rick Graham come to the stage. Come here. Come here. No, | :16:52. | :16:57. | |
come on. This guy has been with us for fucking ten years, God bless | :16:58. | :17:02. | |
him. He's only fucking 30 years old, innit? Shall we sing happy birthday | :17:03. | :17:10. | |
to Rick? He's given his life to rock-and-roll. Owe him that. | :17:11. | :17:15. | |
# Happy birthday to you # Happy birthday to you | :17:16. | :17:27. | |
# Happy birthday dear Rick # Happy birthday to you # | :17:28. | :17:38. | |
CHEERING AND APPLAUSE That's fucking rock-and-roll really, | :17:39. | :17:39. | |
isn't it? # Shake me into the night | :17:40. | :18:08. | |
And I'm an easy lover # Take me into the fight | :18:09. | :18:11. | |
And I'm uneasy brother # And I'm on fire | :18:12. | :18:24. | |
# I'm a road runner Spill my guts on a wheel | :18:25. | :18:30. | |
# And I'm on fire And I'm on fire | :18:31. | :18:45. | |
# I'm on fire Wire me up to machines | :18:46. | :18:56. | |
# I'm on fire I'm on fire | :18:57. | :19:14. | |
# I'll be your prisoner Find it hard to believe | :19:15. | :19:28. | |
# You are my murderer I'm on fire behind you | :19:29. | :19:41. | |
# I'm on fire I'm on fire | :19:42. | :19:53. | |
# Shake me into the night And I'm an easy lover | :19:54. | :21:08. | |
# Switchblade smiles They go on for miles | :21:09. | :23:27. | |
# And will be forever Now we stand together | :23:28. | :23:31. | |
# Much too soon For the wooden spoon | :23:32. | :23:45. | |
# Can you hear the knocking Now your feet are stomping | :23:46. | :23:49. | |
# Switchblade smiles They go on for miles | :23:50. | :25:06. | |
# And will be forever Now we stand together | :25:07. | :25:08. | |
# Much too soon For the wooden spoon | :25:09. | :25:20. | |
# Can you hear the knocking Now your feet are stomping | :25:21. | :25:24. | |
People of Glastonbury, you have been warned many times. . The times of | :25:25. | :27:37. | |
warning are passed. It's like a nail bomb inside a small dog. You will | :27:38. | :27:40. | |
feel the power! # Face check I walk this beach | :27:41. | :28:12. | |
I'm frying in the heat # In the cauldron stir me | :28:13. | :28:15. | |
Chomp down my diamond teeth # I ain't got | :28:16. | :28:20. | |
The simple things in life # I feel like | :28:21. | :28:26. | |
You have got to witness # This is your last retreat | :28:27. | :28:30. | |
My last repeat # All my friends | :28:31. | :28:40. | |
are as sharp as razors # Cut you down | :28:41. | :28:43. | |
if you touch the faders # High class elevators | :28:44. | :28:48. | |
Now we have got the floor # You can't miss me | :28:49. | :29:04. | |
I'm still alive # Snake skin shoes | :29:05. | :29:22. | |
I'm pleading homicide # Come on and feel this | :29:23. | :29:26. | |
I'm still alive # We need to raise the dead | :29:27. | :29:32. | |
we need to raise the people # It is true the simple things in | :29:33. | :29:51. | |
life have been lost # You have got to witness | :29:52. | :29:59. | |
We are the last beatniks # All my friends | :30:00. | :30:07. | |
are as sharp as razors # Cut you down | :30:08. | :30:16. | |
if you touch the faders # Now we have got the floor | :30:17. | :30:19. | |
Now we have got the floor field jump as high as they have ever | :30:20. | :30:55. | |
jumped. # You can't miss me | :30:56. | :31:23. | |
I'm still alive # Snake skin shoes | :31:24. | :31:46. | |
I'm pleading homicide # Come on and feel this | :31:47. | :31:48. | |
I'm still alive # Bobby Womack, see you | :31:49. | :32:00. | |
on the other side lolly pops. Glastonbury, let's hear | :32:01. | :33:16. | |
it for Noel Fielding. By the way, you will be hearing from the the | :33:17. | :33:21. | |
string players, they have been amazing and the backing singers. Do | :33:22. | :33:25. | |
you know what, can I just say something before it gets too | :33:26. | :33:29. | |
emotional, right. Ten years ago, we opened on The Other Stage, I was 23 | :33:30. | :33:35. | |
years old. Been up all night. But thank you for this. Thank you so | :33:36. | :33:38. | |
much Glastonbury. So much respect. thank you for this. Thank you so | :33:39. | :33:40. | |
much Glastonbury. So much Thank you, all of you. That's rock 'n' roll. | :33:41. | :34:02. | |
# We've come a long long way together | :34:03. | :34:05. | |
# Through the hard times and the good | :34:06. | :34:09. | |
# I have to praise you like I should | :34:10. | :34:31. | |
# We've come a long long way together | :34:32. | :34:32. | |
# Through the hard times and the good | :34:33. | :34:36. | |
# I have to praise you like I should | :34:37. | :34:46. | |
# We've come a long long way together | :34:47. | :34:59. | |
# Through the hard times and the good | :35:00. | :35:04. | |
# I have to praise you like I should | :35:05. | :35:42. | |
# I'm much deeper, a sleeper Waiting for the final trip | :35:43. | :35:46. | |
# Come on it, get on it I'm carving through a letterbomb | :35:47. | :35:50. | |
# I need it, loud potions These drugs are just an hour away | :35:51. | :35:55. | |
# Come on it, electronic A polyphonic prostitute, the motors, | :35:56. | :35:59. | |
# On fire Messiah for the animals | :36:00. | :36:15. | |
# Ah, oh come on! We got our backs to the wall! | :36:16. | :36:22. | |
# Ah! Get on! | :36:23. | :36:24. | |
# And watch out! Sayin', "Yer gonna kill us all!" | :36:25. | :36:47. | |
# Ah, I'm on it, get on it The troops are on fire! | :36:48. | :36:50. | |
# You know I need it, much closer I'm trading just a little more | :36:51. | :36:53. | |
# Step on it, electronic The troops are on fire! | :36:54. | :36:56. | |
# I'm much deeper, a sleeper Messiah for the animals | :36:57. | :37:10. | |
# Ah, oh come on! We got our backs to the wall! | :37:11. | :37:22. | |
# Ah! Get on! | :37:23. | :37:23. | |
# And watch out! Sayin', "Yer gonna kill us all!" | :37:24. | :37:31. | |
# Ah, oh come on! We got our backs to the wall! | :37:32. | :37:39. | |
# Get on! And watch out! | :37:40. | :37:41. | |
Glastonbury 2014. God bless you, thank you. | :37:42. | :42:06. | |
CROWD: La, la, la, la, la, la, la, la force | :42:07. | :42:23. | |
# La, la, la # La, la, la, la, la, la, Llalana | :42:24. | :42:34. | |
# La, la, la, la, la # La, la, la La, la, la, la, la | :42:35. | :43:03. | |
# La, la, la # La, la, la, la, la, la | :43:04. | :43:09. | |
# La, la, la # La, la, la, la, la, la, la | :43:10. | :43:26. | |
Emotional scenes. Emotional scenes from the Pyramid Stage where | :43:27. | :43:33. | |
Kasabian have just exited finally. Tom not being able to resist getting | :43:34. | :43:37. | |
the crowd one more time. You can see how much that meant to that band ten | :43:38. | :43:41. | |
years ago. That was utter headline. I know the flags, they are annoying | :43:42. | :43:46. | |
but on television, they look amazing. The whole stage t looked so | :43:47. | :43:51. | |
clean, the black and white. They worked hard. So thank you for | :43:52. | :43:56. | |
pulling off a great headline set. They stayed on longer than | :43:57. | :44:00. | |
Metallica. They did not want it to be over. The new thing - headliners | :44:01. | :44:06. | |
don't want to leave the stage. Kasabian will be chatting to Gemma | :44:07. | :44:09. | |
and Huw. We have loads of highlights this | :44:10. | :44:13. | |
evening. Loads. Lots for you to enjoy. We will hear from London | :44:14. | :44:18. | |
Grammar, headlining on John Peel Stage. Also James Blake. We have St | :44:19. | :44:23. | |
Vincent and The Black Keys who were on just before Kasabian. And we have | :44:24. | :44:27. | |
our acoustic performances. This is a Lord we play a lot on Six Music. | :44:28. | :44:31. | |
This is a great performance. We have seen them rehearsing. It is top | :44:32. | :44:37. | |
stuff. It is Lizzo with her excellent album. They are going to | :44:38. | :44:44. | |
do Batches and cookies. Featuring Sophia Ellis. | :44:45. | :45:19. | |
APPLAUSE I loved that. Fantastic. That's | :45:20. | :48:14. | |
Lizzo. Lizzo and the girls were watching Kasabian and saying who is | :48:15. | :48:17. | |
this and what is their history. I told them they started on the small | :48:18. | :48:21. | |
stage. The girls played on the Pussy Parlour stage. The Pyramid Stage | :48:22. | :48:27. | |
beckons. She has her eyes on the Pyramid Stage. Behind the cameras, | :48:28. | :48:34. | |
you have never seen so many enraptured, happy people, trying to | :48:35. | :48:37. | |
grind. You know you were. Have you had a good day? Really good. It has | :48:38. | :48:43. | |
not rained once. We built up to Dolly. Everybody was in a fantastic | :48:44. | :48:47. | |
mood. I can't believe it is kind of nearly over already. Of It has gone | :48:48. | :48:52. | |
so quickly. It whizzed by. Metallica was dominating the mood of the place | :48:53. | :48:57. | |
and also the weather yesterday but today the sun has shone and Dolly | :48:58. | :49:03. | |
was here but we'll go to the band who headlined on the John Peel | :49:04. | :49:05. | |
Stage, this is London Grammar. # And I?m so down caught in the | :49:06. | :49:28. | |
middle # And a lion, a lion roars would you | :49:29. | :49:47. | |
not listen # If a child, a child cries | :49:48. | :49:51. | |
would you not forgive them # With a stare | :49:52. | :50:02. | |
caught right in the middle # If a lion, a lion roars | :50:03. | :50:39. | |
Would you not listen? # If a child, a child cries | :50:40. | :51:05. | |
Would you not forgive them? # And I'm so down caught in the | :51:06. | :51:19. | |
middle # From the search to the hurt, I | :51:20. | :54:51. | |
believed I could take you on # We would drink, we would dance | :54:52. | :54:56. | |
# You would watch me whenever you want. | :54:57. | :55:02. | |
# And can you give me everything # Everything, everything | :55:03. | :55:06. | |
# I can't give you anything. # You told me to put them in order. | :55:07. | :55:59. | |
# You trade to take me on # From the bed to the room # | :56:00. | :56:11. | |
Can you give me everything, everything, everything # | :56:12. | :56:23. | |
I can't give you everything # And I'm giving you everything | :56:24. | :56:34. | |
#... We will meet again # | :56:35. | :57:13. | |
Thank you so, so much. We have one more song for you. We're never going | :57:14. | :57:33. | |
to forget this gig. Thank you for being here. We have one more song. | :57:34. | :58:09. | |
# Though it starts with love and lust | :58:10. | :58:22. | |
# Stay awake to the middle of the night | :58:23. | :59:33. | |
# Stay awake to the middle of the night | :59:34. | :59:38. | |
# Stay awake to the middle of the night | :59:39. | :59:42. | |
# Stay awake to the middle of the night | :59:43. | :59:48. | |
# Stay awake to the middle of the night | :59:49. | :59:52. | |
# Stay awake to the middle of the night | :59:53. | :00:04. | |
Thank you, have a good night.. I thought that was wonderful. You fell | :00:05. | :02:09. | |
in love, properly. Her voice is extraordinary. You were saying she | :02:10. | :02:14. | |
had some problems and didn't sing yesterday. To save herself. Yes to | :02:15. | :02:20. | |
save herself for the headline shot Whoever shot that. The close-ups of | :02:21. | :02:26. | |
her at the piano it was compelling a inthe strings. They were headlining. | :02:27. | :02:30. | |
At the Park stage tonight, James Blake was on. We will hear from him | :02:31. | :02:37. | |
later. A contrast from Kasabian. We'll hear from them now. They were | :02:38. | :02:42. | |
quite excited when they came off stage, as you'll probably see here. | :02:43. | :02:51. | |
Can you Bloomin' believe it, they have run, hopped skipped, jumped. | :02:52. | :02:58. | |
# La, la, la. # La, la, la, la, la, la Wow, wow. | :02:59. | :03:11. | |
It's kas andian everyone. The first thing Tom said when he got here was, | :03:12. | :03:20. | |
"How was that?" Suffice to say, huge congratulations. Can you do your | :03:21. | :03:24. | |
interview when I'm doing this? No, sit down, we want to hear from you. | :03:25. | :03:32. | |
The time of my life mate. It looks like the Pyramid Stage. They are | :03:33. | :03:36. | |
still singing. Ten years ago you started your band practice with a, | :03:37. | :03:42. | |
"Hello Glastonbury." What was it like, headlining the Pyramid? | :03:43. | :03:47. | |
Emotional, as well. Me and Sergio, we started the band in 1997. Fucking | :03:48. | :04:00. | |
three years old. That's what happens, you know, we destroyed it, | :04:01. | :04:06. | |
mate, you must be joking. What makes Glastonbury so special. We do. Why | :04:07. | :04:13. | |
is this the ONE. On the way here before we played, I saw a geeser in | :04:14. | :04:18. | |
a pair of pants and fake boots. He was definitely an accountant. Fake | :04:19. | :04:24. | |
titties. In his ordinary life he is an accountant. For these three or | :04:25. | :04:30. | |
four days, he can be anybody he wants to be. That's what is mazing. | :04:31. | :04:35. | |
We were watching from here for the second half of the set. It was | :04:36. | :04:40. | |
beautiful. The crowd swaying, the flags, everything. What was your | :04:41. | :04:44. | |
view like from the Pyramid. It was a wonderful moment. We have been | :04:45. | :04:49. | |
together me and Serge. Fought our way to the top, since we were | :04:50. | :04:54. | |
babies. We sat in a bedroom playing acoustic guitar when they were 17. | :04:55. | :04:58. | |
Listen, the thing is - we are gay, we are homosexuals. An exclusive The | :04:59. | :05:06. | |
women are over now! Have you ever watched the snooker, that bit at the | :05:07. | :05:14. | |
back. But why? It is a rock show. Listen, I went to bed last night | :05:15. | :05:21. | |
about 11.30pm. Liar. Well, listen - I have anxiety | :05:22. | :05:31. | |
anyway. Ifs born with it. You can't - yeah, what what do you want me to | :05:32. | :05:37. | |
say and feel? The bowtie says it all. James Bond. Is it bigger than a | :05:38. | :05:42. | |
wedding day? No, weddings are rubbish. Forget weddings. I can't be | :05:43. | :05:48. | |
asked getting married. That's a wedding right there. You can get | :05:49. | :05:53. | |
married in Shangri-la later. What happens now, ten years on, you have | :05:54. | :05:57. | |
headlined Glastonbury? No-one is going to see us again. The last | :05:58. | :06:02. | |
interview. Exclusive. We are done, see you later. | :06:03. | :06:02. | |
interview. Exclusive. We are done, see you Lovely to know you all. See | :06:03. | :06:07. | |
you later. Happy to quit. I'm going to hide in a hobbit hole. Sergio is | :06:08. | :06:12. | |
going to disappear it Italy. I will walk in that field, you will never | :06:13. | :06:19. | |
see me again. I'm done. As you can tell, they are literally having the | :06:20. | :06:23. | |
time of their lives. It is so much to get some of that energy. I feel T | :06:24. | :06:30. | |
I'm ready to party. Energy, energy? I can feel it roadiating from you. | :06:31. | :06:36. | |
Forget lightning an, man. Why is that down the side of the TV? Who | :06:37. | :06:43. | |
knows. Is that your dildo? Thank you very much, kas andian! -- Kasabian. | :06:44. | :06:53. | |
I love doing those interviews when bands come off stage. I'm happy we | :06:54. | :06:58. | |
are here. Poor Huw and Gemma. That's how to do one of those. Dolly Parton | :06:59. | :07:02. | |
was similar when you chatted to her when she came off. It is a joyous | :07:03. | :07:07. | |
reaction, isn't it? That's how anybody would feel headlining at | :07:08. | :07:11. | |
Glastonbury. I interviewed him a week or so ago for my radio show. He | :07:12. | :07:16. | |
said all over the years I have watched the bands, saw them do the | :07:17. | :07:19. | |
interviews, sometimes they are not excited. We are going to be super | :07:20. | :07:23. | |
excited. He absolutely was. I love the fact he has watched it and it | :07:24. | :07:27. | |
meant that would Will much to him. It would -- it meant that much to | :07:28. | :07:32. | |
him. We are up here on The Park stage. When we got here there was a | :07:33. | :07:35. | |
different vibe, atmospheric. Headlining on The Park tonight, | :07:36. | :07:38. | |
James Blake. # You're on your own, | :07:39. | :07:45. | |
in a world you've grown # I'll wait, so show me | :07:46. | :09:29. | |
why you're strong # I'll wait, so show me | :09:30. | :09:52. | |
why you're strong # I'll wait, so show me | :09:53. | :10:05. | |
why you're strong # I'll wait | :10:06. | :10:55. | |
way to headline at Glastonbury. Possibly the tallest man. Wynn from | :10:56. | :18:37. | |
Arcade Fire. Also on the way up, we bumped into Ed O'Brien from | :18:38. | :18:41. | |
Radiohead. He hasn't seen any bands. He has been hanging out in | :18:42. | :18:47. | |
Shangri-la. Goog them them for us and tell us who is taller. Tweet it | :18:48. | :18:56. | |
to us. Now another artist, captivating as you are about to see. | :18:57. | :19:02. | |
This, at Glastonbury festival is St VIPPent. -- St Vincent. | :19:03. | :19:32. | |
# Only looks like be a window # Even turn the TV on, it looks like | :19:33. | :19:50. | |
a window. # Digital witnesses what's the point | :19:51. | :20:05. | |
of even sleeping, if I can't show you if you can can't see me | :20:06. | :20:13. | |
# What's the point of doing anything # This is no time for confessing | :20:14. | :20:25. | |
# I want all of your mind # People turn on the TV on it looks | :20:26. | :20:33. | |
just like a window yeah # People turn the TV on it looks | :20:34. | :20:38. | |
just like a window # Yeah | :20:39. | :20:46. | |
# Digital witnesses # What's the point of even sleeping | :20:47. | :20:54. | |
# If I can't show it # If you can't see me | :20:55. | :21:01. | |
# Watch me jump right off the London Bridge | :21:02. | :21:01. | |
# This is no time for confessing # People turn the TV on and throw it | :21:02. | :21:22. | |
out the window # Yeah fors force | :21:23. | :21:32. | |
# Yeah # Get back to your stare | :21:33. | :21:39. | |
# I care but I don't care # Oh, oh, I want all of your mind | :21:40. | :21:48. | |
# Gimme all of your mind # I want all of your mind | :21:49. | :21:58. | |
# Gimme all of it # Digital witnesses | :21:59. | :22:05. | |
# What's the point of even sleeping # If I can't show it | :22:06. | :22:11. | |
# If you you can't see me # What's the point of doing anything | :22:12. | :22:18. | |
# What's the point of even sleeping # So I stopped sleeping | :22:19. | :22:24. | |
# Yeah, I stopped sleeping # Won't somebody sell me become to | :22:25. | :22:32. | |
me # -- back to me. Really good stuff | :22:33. | :22:38. | |
from St Vincent who has done an excellent collaboration with David | :22:39. | :22:41. | |
Byrne which is well worth hearing. We were enjoying that but during | :22:42. | :22:45. | |
that we were scurrying around trying to find out who is the tallest | :22:46. | :22:49. | |
headliner. We are still going for James Blake. I think it is possibly | :22:50. | :22:55. | |
him. I think he is 6'5". Does the nation know it is your birthday | :22:56. | :22:59. | |
today? It is finished. Now we will have a live performance this. Man | :23:00. | :23:03. | |
has been waiting patiently to perform for you. He is very | :23:04. | :23:07. | |
talented. The most beautiful voice. His name is quaubs. -- Kwabs. | :23:08. | :23:30. | |
# That you're always gonna tread the wrong road | :23:31. | :23:54. | |
# Cos there's something that I need to let you know | :23:55. | :24:05. | |
# If you're looking for a place to hide | :24:06. | :24:07. | |
# I will always try and look the other way | :24:08. | :24:14. | |
# And if you're ever caught between the lines | :24:15. | :24:17. | |
# We are one and I will always keep you safe | :24:18. | :24:26. | |
# From the memories you tried to leave behind | :24:27. | :24:54. | |
# So I'm reaching out and here's the reason why | :24:55. | :25:06. | |
# If you're looking for a place to hide | :25:07. | :25:08. | |
# I will always try and look the other way | :25:09. | :25:15. | |
# And if you're ever caught between the lines | :25:16. | :25:17. | |
# We are one and I will always keep you safe # | :25:18. | :25:31. | |
# And if you're ever caught between the lines | :25:32. | :25:39. | |
# And if you're ever caught between the lines | :25:40. | :26:03. | |
# If you're looking for a place to hide | :26:04. | :26:10. | |
# I will always try and look the other way | :26:11. | :26:15. | |
# And if you're ever caught between the lines | :26:16. | :26:18. | |
# We are one and I will always keep you safe | :26:19. | :26:32. | |
Glastonbury debut. You will be hearing more I dare say. Seconds | :26:33. | :27:09. | |
before he came on stage to do that performance, he was snuggled up with | :27:10. | :27:13. | |
a duvet, he has been waiting so long. The guitar-player had a | :27:14. | :27:21. | |
giraffe onesie on. We liked it. All over the weekend we have been giving | :27:22. | :27:27. | |
you insights into the various people and their various tales of | :27:28. | :27:31. | |
Glastonbury, we have worked here a long time. To see what life they | :27:32. | :27:36. | |
lead. This is the guy working on the Glastonbury radio station. This is | :27:37. | :27:42. | |
the Reggae DJ himself. The station rules the nation. | :27:43. | :27:49. | |
I'm Danny Teacher, the Reggae present er at Worthy FM. We started | :27:50. | :27:59. | |
19 fest values ago in a one-man caravan. -- festivals ago. We | :28:00. | :28:04. | |
broadcast for the week, from the Monday. My show is a Reggae show. I | :28:05. | :28:10. | |
play a lot of ska, rock steady, a little bit for everyone. We also | :28:11. | :28:15. | |
deal with the human side. I mean from the very first time they come | :28:16. | :28:20. | |
on site, people can listen to the roo. We deal with what the weather | :28:21. | :28:24. | |
is going to be like. Where are the best places to camp. What about the | :28:25. | :28:28. | |
rain? Don't worry about the rain at all. Make sure you have all your | :28:29. | :28:33. | |
gear and not next to the tent walls, OK. My whole family are musicians. | :28:34. | :28:41. | |
My grandfather was a fiddle player in Jamaica. My father was a | :28:42. | :28:47. | |
saxophonist. He wouldn't read a music of music but they played mag | :28:48. | :28:52. | |
no I have sently. My job is a singing. I tour the world singing. | :28:53. | :28:57. | |
When I come back here, it is back to my own little community and family. | :28:58. | :29:01. | |
-- magnificently. The equipment might not be as up-to-date as if you | :29:02. | :29:06. | |
find in radio studios nowadays but this is' part of being in | :29:07. | :29:10. | |
Glastonbury and doing it in a field. How long will it carry on? I think | :29:11. | :29:15. | |
we'll carry on as long as Michael Eavis carries on Glastonbury. | :29:16. | :29:25. | |
That's our final Glastonbury tale. A tale of Worthy FM. The great DJ | :29:26. | :29:32. | |
there. It is interesting being here tonight and doing the final show. | :29:33. | :29:35. | |
Normally things are getting deconstructed and everyone is | :29:36. | :29:38. | |
clearing the place. Tonights is-upping. There are loads of people | :29:39. | :29:43. | |
still here. -- tonight it's-upping. I think people arrive on Wednesday | :29:44. | :29:47. | |
and go home about Tuesday. Last year when we were doing this, people were | :29:48. | :29:52. | |
dismantling the studio around us. He was gone by this time. He was. More | :29:53. | :29:58. | |
music from the pir mid-stage. The band that -- from the Pyramid Stage. | :29:59. | :30:04. | |
The band that came on before Kasabian. These are the Black quays. | :30:05. | :30:08. | |
-- the Black Keys. # Now if the cold pale light | :30:09. | :30:37. | |
in your eyes # Now if the cold pale light | :30:38. | :33:01. | |
in your eyes # Oh whoa-o-oh, I got a love | :33:02. | :33:15. | |
that keeps me waitin' # Oh-whoa-o-oh, I got a love that | :33:16. | :35:19. | |
keeps me waitin' # Oh whoa-o-oh, I got a love | :35:20. | :35:26. | |
that keeps me waitin' # Oh-whoa-o-oh, I got a love | :35:27. | :35:48. | |
that keeps me waitin' # Oh whoa-o-oh, I got a love that | :35:49. | :36:20. | |
keeps me waitin' # Oh whoa-o-oh, I got a love | :36:21. | :36:35. | |
that keeps me waitin' # Oh whoa-o-oh, I got a love that | :36:36. | :36:59. | |
keeps me waitin' have been doing a tall upbeat. Wynn | :37:00. | :37:47. | |
from Arcade Fire is 6'4" and three-quarters. | :37:48. | :37:54. | |
Ed from Radiohead, 6'5". We remembered the guy from kas andian. | :37:55. | :38:03. | |
We looked him up, 6'5"-and-a-half -- Kasabian. | :38:04. | :38:13. | |
The Horrors. And he is tall. How tall is he? | :38:14. | :38:57. | |
# I never meant for you to get hurt # And how I try oh how I try | :38:58. | :39:06. | |
# I could never give you just what you deserve | :39:07. | :39:33. | |
# Another man would surely learn # I know these words may only serve | :39:34. | :39:38. | |
to twist the knife # But I'll strive to make them heard | :39:39. | :39:46. | |
# Maybe it's better now I've gone away | :39:47. | :39:55. | |
# Maybe it's not, oh who can say # And though it's hard for me to say | :39:56. | :40:04. | |
# Maybe I'm better off this way # And when I told her I didn't love | :40:05. | :40:19. | |
her any more # She cried | :40:20. | :40:23. | |
# And when I told her, her kisses were not like before | :40:24. | :40:27. | |
# She cried # And when I told her another girl | :40:28. | :40:33. | |
had caught my eye # She cried | :40:34. | :40:38. | |
# And then I kissed her with a kiss that can only mean goodbye | :40:39. | :40:52. | |
# And though it's hard for me to say # Maybe you're better off this way | :40:53. | :41:12. | |
# And it's hard for me to say -- and though it's hard for me to say | :41:13. | :41:20. | |
# I know you're better off this way # Get away and away # | :41:21. | :41:34. | |
Thank you. Very nice. That was the horors. In | :41:35. | :41:40. | |
our occasional feature we are doing, who is the tallest headliner. It is | :41:41. | :41:46. | |
not that occasional. Once a year. Every link this show. So far we've | :41:47. | :41:50. | |
established, Rodrigo y Gabriela - who is the tallest? Ser g fre, | :41:51. | :41:56. | |
Kasabian. We have researched the guy from the horrors, how tall is he? | :41:57. | :42:03. | |
Pretty tall. 6'6". He hasn't headlined. It seems odd seeing them | :42:04. | :42:08. | |
in daylightment they are a dark, dinghy club sort of band. We will go | :42:09. | :42:14. | |
over to the West Holt stage now and enjoy The Wailers. | :42:15. | :42:32. | |
# Could you be loved # Could you be loved | :42:33. | :42:44. | |
# And be loved # Don't let them fool you | :42:45. | :43:02. | |
# Oh, no # Or even try to school ya | :43:03. | :43:13. | |
# Oh, no we've got a mind of our own so go to hell if what you're think | :43:14. | :43:20. | |
something not right love would never leave us alone and in the darkness | :43:21. | :43:28. | |
there must come out to light # Could you be loved and be loved | :43:29. | :43:43. | |
# Could you be loved wo-now # And be loved | :43:44. | :44:09. | |
income # Could you be loved | :44:10. | :44:15. | |
# Could you be # Could you be loved | :44:16. | :44:28. | |
# Don't let them change you # Or even re-arrange you | :44:29. | :44:46. | |
# We've got a life to live they say # Only | :44:47. | :44:55. | |
# only the it test of the fittest shall survive -- only the fittest of | :44:56. | :45:02. | |
the fittest shall survive stay alive # Could you be loved | :45:03. | :45:09. | |
# And be loved # Could you be loved woah yeah | :45:10. | :45:23. | |
# And be loved never miss your water until your well runs tray | :45:24. | :45:27. | |
# No matter how you treat him # The man will never be satisfied | :45:28. | :45:31. | |
# Could be be # Could you be | :45:32. | :45:34. | |
# Could be you loved # Could you be loved come on, you've | :45:35. | :45:42. | |
got to say something # Come on you've got to say | :45:43. | :45:49. | |
something come on you've got to say something come on you gotta say | :45:50. | :45:59. | |
something # Could you be loved | :46:00. | :46:03. | |
# Reggae # Reggae. Rockers, rockers. | :46:04. | :46:10. | |
# Say something # Could you be loved | :46:11. | :46:15. | |
# Reggae, Reggae # Say something | :46:16. | :46:18. | |
# Rockers, rockers. # Say something | :46:19. | :46:22. | |
# Could you be loved # Could you be loved | :46:23. | :46:26. | |
# Say something # Rockers rockers all my people just | :46:27. | :46:30. | |
say something # Could you be loved # | :46:31. | :46:38. | |
That was The Wailers. Just, I think really showing the breadth of music | :46:39. | :46:43. | |
and the genre and the variety you get here at Glastonbury that was on | :46:44. | :46:46. | |
the West Holt stage earlier today Time is running out for us. We have | :46:47. | :46:51. | |
time for our final acoustic performance here in our special | :46:52. | :46:56. | |
studio at this year's grass tonbury. Someone born in Beirut but now based | :46:57. | :46:59. | |
in Paris. This is Yasmine Hamdam. That was Yasmine Hamdam. That's the | :47:00. | :50:48. | |
final of our live performances had here at Glastonbury. Nearly gone. | :50:49. | :50:53. | |
Every year there is someone who really surprises you. Someone you | :50:54. | :50:57. | |
were aware of but you have not realised how on the cusp of | :50:58. | :51:02. | |
greatness. Who is it from you? The time just fitted as I was walking | :51:03. | :51:07. | |
past. It was Ellie Goulding. To be honest, she blew me away and here is | :51:08. | :51:09. | |
why. # You look at me, | :51:10. | :51:39. | |
it's like you hit me with lightning # Like paper planes | :51:40. | :51:47. | |
and playground games # You look at me, | :51:48. | :52:24. | |
it's like you hit me with lightning smashed it. She very much did. That | :52:25. | :54:52. | |
was Ellie Goulding on The Other Stage. For me, I tell you someone I | :54:53. | :54:56. | |
was impressed with, Ed Sheeran. Everyone knows he is massively | :54:57. | :54:59. | |
successful at the moment. He went on stage after Dolly Parton. Obviously | :55:00. | :55:04. | |
she had the biggest crowd I have ever seen And a big band. He walks | :55:05. | :55:09. | |
out on stage and it is just him but he held on to the audience. They | :55:10. | :55:13. | |
were singing along with every word. He is very clever. He sent a video | :55:14. | :55:19. | |
message to Mike Hibbs. What a gent. The highlights for you, then? Well, | :55:20. | :55:24. | |
I remember the thunderstorm on Friday afternoon and Fisherman's | :55:25. | :55:29. | |
Friend singing acousticically in the acoustic tent. It has gone so | :55:30. | :55:34. | |
quickly. It doesn't seem five minutes sin I saw Blondie first band | :55:35. | :55:39. | |
on the The Other Stage on Friday. Dolly was a massive moment. There | :55:40. | :55:44. | |
haven't been many moments but Sam Smith was great. Bombay Bicycle | :55:45. | :55:47. | |
Club, you could see them growing into the set they had. They played | :55:48. | :55:51. | |
on The Other Stage. They were great. It has been rocky. A year of rock | :55:52. | :55:56. | |
here. We should tell you about a if you things. If you go to the BBC | :55:57. | :56:01. | |
iPlayer, you can see highlights. And the website has things. There is a | :56:02. | :56:06. | |
high lites programme on Friday, 4th July at 11.00pm. These are | :56:07. | :56:11. | |
Glastonbury's best bits. We will see you next year. We have done quite a | :56:12. | :56:17. | |
few of these together. . Veterans, I think it is what they call it. I | :56:18. | :56:22. | |
hope you enjoyed it, see you next year. | :56:23. | :56:26. | |
# Here you come again # Just when I'd begun to get myself | :56:27. | :56:32. | |
together # You waltzed right in the door | :56:33. | :56:35. | |
# Just like you did before # And you wrapped my heart around | :56:36. | :56:40. | |
your little finger # Here you come again job just when | :56:41. | :56:47. | |
I'm about to make it work without you | :56:48. | :56:55. | |
# You look into my eyes # And I pretty soon I'm wondering | :56:56. | :56:59. | |
how I came to doubt you # All you've got to do is smile that | :57:00. | :57:06. | |
smile and there go all my defences # Just leave it up to you | :57:07. | :57:10. | |
# And in a little while # You are messing up my mind | :57:11. | :57:15. | |
# Filling up my senses # Here you come again | :57:16. | :57:24. | |
# Oh looking better than a body has a right to | :57:25. | :57:26. | |
# And shaking me up so # That all I really know | :57:27. | :57:31. | |
# Is here you come again # And here I go | :57:32. | :57:51. | |
# Awful' got to do is smile that smile | :57:52. | :57:58. | |
# And there go all my defences # Just leave it up to you | :57:59. | :58:03. | |
# And in a little while # You're messing up my mind | :58:04. | :58:10. | |
# Better than my senses -- filling up my senses | :58:11. | :58:14. | |
# Here you come again # Looking better than a body has the | :58:15. | :58:18. | |
right to # And shaking me up so, that all I | :58:19. | :58:24. | |
really know, is here you come again. # And here I go | :58:25. | :58:41. | |
# Here I go. # Here you come again | :58:42. | :58:45. | |
# Darling here you come again # Here you come again | :58:46. | :58:57. | |
# And here you come again # Here I go # | :58:58. | :59:02. |