Kasabian Glastonbury


Kasabian

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Transcript


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This programme contains strong language and flashing images.

:00:09.:00:17.

The missing cows. They go into their beds. Toi, a spa. They do serve

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hamburgers here right? They're very comfortable. They're being dead lazy

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somewhere. Hello there. Here we are, to do it

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all one last time. It's the final night of Glastonbury 2014. Our

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headliners must be pretty excited right now. They've played the

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festival four times before, but their fifth is going to be the first

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time headlining the Pyramid Stage. Kasabian have said after this show

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they will be able to die happy. It's literally a dream come true. Before

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we see them playing live on that there stage, let's find out a little

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bit about the journey it too them to get here.

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Leicester City 1997 an 18-year-old wannabe rock star falls to his knees

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and yells... That was Glastonbury. Tom. The front man of the mighty

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Kasabian, arguably one of the best live acts around. Tonight, they

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headline the Pyramid Stage. Performing together with SergePisono

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the band performed under the short-lived name of Syracuse. They

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renamed themselves Kasabian they took on great British rock and too

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took it into the millennium with a swagger all their own.

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And the release of their 2004 debut album gave them an instant fan base.

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After an 11am booking at Glastonbury in 2004, they were promoted to an

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evening slot on the other stage the following year. It was the first

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realisation we had connected with people. It was these people wanted

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to see our band play. You realise that's all that matters. In 2006,

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their album Empire sold over a million copies and stormed to number

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one, bringing a steady release of anthems that defined their same. In

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2009, the catchily named West Rider Lunatic Asylum reached number one.

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It gave us lock locks from Tom, the classic Fire and brought them one

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step closer to being Pyramid headliners. In 2009 we played fire,

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because it was delayed at the back, there was a weird sea of jumping and

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Tom's strawberry jacket... And the long hair. It's unparalleled. Two

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years later and another number one album, Kasabian cemented their

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reputation as being one of the must-see live acts of their

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generationment A decade on from the release of

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their first record they find themselves at the top again. Finally

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their dream of headlining the Pyramid Stage is here. The nerves

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are kicking in. This has made it worse. Can't be scared of it. Have

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you to embrace a moment. If you get it right, you can go to places you

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never thought possible. # Get them a message,

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a message from me # I'm caught up in love

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and I'm in ecstasy # What can I do now

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when nothing's the same # And all that I know

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I wanna do it again # Well tell me now

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Life is so simple # Cos when we're together

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# I'm in ecstasy I'm in ecstasy

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# All you pretty things Get on board this mothership

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# I said all you got to be Is ready for action, baby

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# Don't think I'm twisted, as a matter of fact

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# Where I fight off robots and the men in the suits

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# Wear out the soles of your monkey boots

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# Can't get enough of the sunshine Can't get enough of the moonlight

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# And all the colours that are coming on strong

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# Trying to hold on, trying to hold on

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# Can't get enough of the oceans Can't get enough of the mantra

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# We're in ecstasy We're in ecstasy

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# All you pretty things Get on board this mothership

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# I said all you got to be Is ready for action, baby

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# Can't get enough of the sunshine Can't get enough of the moonlight

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# And all the colours that are coming on strong

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# Trying to hold on, trying to hold on

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# Can't get enough of the oceans Can't get enough of the mantra

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# We're in ecstasy We're in ecstasy

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# All you pretty things Get on board this mothership

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# I said all you got to be Is ready for action, baby

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# Ready for action, baby Ready for action, baby

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# Shoot the runner, shoot shoot the runner

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# Shoot the runner, shoot shoot the runner

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# Shoot the runner, Shoot shoot the runner

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# I'm a king and she's my queen, bitch

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# Shoot the runner, shoot shoot the runner

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# Shoot the runner, shoot shoot the runner

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# I'm a King and she's my Queen, bitch

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# Kings, kings may come and then go, By this sword you must know

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# That all things come and then pass Live your days like the last

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# Aahh, and you're my queen, that's it

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# Kill me if you dare Hold my head up everywhere

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# Keep myself right on this train I'm the underdog

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# Keep myself riding on this train Keep myself riding on this train

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# I got my cloak and dagger In a bar room brawl

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# See the local loves a fighter Loves a winner to fall

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# Feels like I'm lost in a moment I'm always losing to win

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# Can't get away from the moment Seems like it's time to begin

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# Kill me if you dare Hold my head up everywhere

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# Keep myself right on this train I'm the underdog

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# Keep myself riding on this train Keep myself riding on this train

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# Can't get away from the moment Seems like it's time to begin

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# Kill me if you dare, Hold my head up everywhere

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# Keep myself right on this train I'm the underdog,

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# Tell me if you're down Throw your weapons to the ground

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# Paper on the wire Sold your soul for another one

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# Keep myself riding on this train Keep myself riding on this train

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Thank you so much Glastonbury! Thank you. You look beautiful from where I

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am. You look gorgeous, gorgeous. Any way, this next song is called

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Fast Fuse. # Oh, baby,

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I was born with a fast fuse # I got no time to love

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Just a city to abuse # Ahh, come get me with your files

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Don't arrest me # Oh, baby,

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I was born with a fast fuse # I got no time to love

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Just a city to abuse # Ahh, come get me with your files

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Don't arrest me # I'm Lucifer's child, wild,

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acids done # Black sunglasses

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shade the morning sun # So come get me

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All you fuckers can't touch me # I'm the hooligan choir, sire,

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so sit don't scatter # It don't matter

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Get me one, two, three # Oh, baby,

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I was born with a fast fuse # I got no time to love

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Just a city to abuse # Oh, baby,

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I was born with a fast fuse # I got no time to love

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Just a city to abuse # Ahh, how dare you

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Now it's time to address you # I'm the reason you came, shame,

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stroke my mane # It's getting hotter

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Now I'm spitting out lava # I'm the Spaniard in the works,

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jerks, genuine stock # Hear that bomb

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Going tick tick tock # Oh, baby,

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I was born with a fast fuse # Oh, baby,

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I was born with a fast fuse # I got no time to love

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Just a city to abuse # In the middle of the night

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When they come for you # What you gonna do?

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Who you going to be? # Heaven may come and heaven

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may call but I won't be there. # # Heaven may come and heaven

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may call but I won't be there. # # Ah ah ah ah ah ah

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Ah ah ah ah ah ah # Hey son I'm looking forward

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You're leaning backwards # Have you had enough?

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Are you feeling rough? # Does your skull hurt?

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Well if it's warm # Cos I am taking back what's mine

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I am taking back the time # You may call it suicide

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But I'm being born again # I'm waiting, Ah

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I'm waiting (ah ah ah ah ah) # Right here now, I'm waiting

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For someone or something # To take me

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To take me over # Days, days are forgotten

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Now it's all over # Simply forgotten

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How to disappear # Home bred, I've got blood lust

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Feeding you bread crust # You say I'm old hat

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A fucking dirty rat # Call me a cliche

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How right you are # Cos I am flipping bag of bones

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I am righting all your wrongs # You may call it suicide

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But I'm being born again # I'm waiting, ah

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I'm waiting, ah ah ah ah ah # For someone

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Or something # To take me

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To take me over # Days, days are forgotten

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Now it's all over # Simply forgotten

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How to disappear # I saw something

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I get on the dark # You was at home

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Chewing a monkey brain # I am out here

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I'm just a silhouette # You will never

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Ever ever forget # Now it's all over

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Simply forgotten # How to disappear

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Days, days are forgotten # Now it's all over

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Simply forgotten # How to disappear

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I saw something # You was at home

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Chewing a monkey brain Glastonbury, 2014 - raise your hands

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to the fucking heavens - come on! Glastonbury, easy! Easy! Easy! Easy,

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easy, easy, easy... # Eez-eh, I'll make you mad

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'least I ain't sleazy # I'm just trying

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to put the world to rights # And if you want to,

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I'll take you high # Gonna keep you up all

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Gonna keep you up all, night! # Tired of taking orders

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Choking with disorders # The wrong men have the power

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It's turning my milk sour # We're tired of taking orders

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Coping with disorders # It's turning my milk sour

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It's turning my milk sour # Eez-eh, I'll make you mad

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'least I ain't sleazy # I'm just trying

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to put the world to rights # And if you want to,

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I'll take you high # Cos I got the feeling that I'm

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Gonna keep you up all night! # Eez-eh, I ain't that mad

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No rhyme or reason # I'm just trying to set the world

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alight # You got problems,

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and so have I # An' I got the feeling that I'm

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gonna keep you up all # Gonna keep you up all

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Gonna keep you up all, night! # There's cobras in the mosh pit

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Finally we lost it # Everyday is brutal

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Now we're being watched by Google # Gotta keep it simple

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Sending out a signal # Everyday is brutal

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Now we're being watched by Google # Being watched by Google

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Being watched by Google # I ain't eez-eh, I'll make you mad

:31:32.:31:40.

'least I ain't sleazy # I'm just trying to put the world

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to rights # And if you want to,

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I'll take you out # Cos I got the feeling that I'm

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Gonna keep you up all night! # Eez-eh, I ain't that mad

:31:51.:31:55.

No rhyme or reason # I'm just trying to set the world

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alight # You got problems,

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and so have I # An' I got the feeling that I'm

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gonna keep you up all # Gonna keep you up all

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Gonna keep you up all # Gonna keep you up all

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Gonna keep you up all Easy, easy, easy... Easy, easy,

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easy. # I ran from the tide

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# I drop beats from this processed meat

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# For a conversation, a meditation

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# And I cut waves like some unborn sage

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# Just like terrorists on a day of rest, singing

:33:59.:34:03.

# Won't let you hide Won't let you hide

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# I break bones stealing mobile phones

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# Making idle threats using Chinese burns

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# As you load my head with the Grateful Dead, singing

:34:26.:34:30.

# Won't let you hide Won't let you hide

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# Won't let you hide Won't let you hide

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# Won't let you hide Won't let you hide

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# Won't let you hide Won't let you hide

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# I drop beats from this processed meat

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Thank you for being here. Thank you fuck soing much, you know. This song

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is off the new record. # Stevie,

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Where you going with that gun? # Who you wanna shoot down?

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Who you trying to kid? # You've been watching too much TV

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It's playing with your memories # It's trying to break your heart

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Just calm down # Take your medication

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It numbs you to the world # Not my world

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And all the kids, they say # Live to fight another day

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Live to fight again # And all the kids, they say

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Live to fight another day # Live to fight again

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Again, again, again # It's no life, underneath your

:39:13.:39:32.

finger I dreamed a little bigger # I'm sick and tired of this

:39:33.:39:41.

If you show us what we can't have # What do you expect when

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We take it back from you? # Cos it's no joke, no joke

:39:53.:40:01.

I wanna open up your eyes wide, # Eyes wide, I feel it coming,

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but you can't hide, can't hide # And all the kids, they say

:40:06.:40:10.

Live to fight another day # Live to fight again

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And all the kids, they say # Live to fight another day

:40:25.:40:35.

Live to fight again # Again, again, again

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And the ordinary people # Living ordinary lives

:40:43.:40:50.

There's more than just excuses # I see the fire in your eyes

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You knew this all already # It comes as no surprise

:40:55.:41:04.

It's time to push things forward # Cos there's no way back

:41:05.:41:09.

There's no way back now # Live to fight another day

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Live to fight again # No one else is here

:41:16.:41:50.

And I can't get, since I'm nothing # No one else gets high and

:41:51.:44:20.

I can't sleep cos I got nothing # Feeling I am lost

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Control to a higher force # Music is my, my love

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# No one else comes clean and I can't sleep, cos I got nothing

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# Control to a higher force Music is my, my love

:45:35.:46:06.

# Music is my, music is my, music is my

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Glastonbury! I always wanted to do that. How's your weekend been? Good?

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It's an honour for us to close tonight. Thank you for having us.

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Thank you for sticking around as well. I know it's Sunday. You've

:47:43.:47:46.

probably had a fucking hard week. Enjoy the show.

:47:47.:48:46.

# Remember trout, without a care # Out of touch

:48:47.:48:53.

# It wasn't because I didn't know enough

:48:54.:48:58.

# Just knew too much # Does that make me craze why? --

:48:59.:49:03.

crazy? # Does that make me crazy?

:49:04.:49:24.

# Probably. # And I hope that you're having the

:49:25.:49:32.

time of your life # But think twice, that's my only

:49:33.:49:44.

advice # Come on now, would do you, who do

:49:45.:49:50.

you, who do you, who do you think you are?

:49:51.:49:59.

# H a, ha, ha, bless your soul # You really think glur control

:50:00.:50:07.

# Come on, well, I think you're crazy

:50:08.:50:15.

# I think you're crazy # I think you're crazy

:50:16.:50:25.

# just like me # I can't hear you, come on

:50:26.:50:32.

# I think you're crazy # I think you're crazy

:50:33.:50:46.

# Just like me # # Held off, called on by truncheons

:50:47.:52:25.

Rattling keys to the dungeons # Can you see me in the way now

:52:26.:52:33.

# Oh take aim now! Gotta get us out of here

:52:34.:53:03.

# Don't take me over I bid you all farewell

:53:04.:53:12.

# I've got to leave Tears on my shovel

:53:13.:53:27.

# Can you see me in the way now Oh take aim now!

:53:28.:54:04.

# Oh take aim now! Gotta get us out of here

:54:05.:54:12.

# Can you see me in the way now Oh take aim now!

:54:13.:54:23.

# Oh take aim now! Gotta get us out of here

:54:24.:54:52.

# Don't take me over I bid you all farewell

:54:53.:55:01.

Posh pit, posh pit, mosh pit, mosh pit...

:55:02.:56:30.

# One, take control of me? You're messing with the enemy

:56:31.:56:38.

# Said it's two, it's another trick Messin' with my mind, I wake up

:56:39.:56:41.

# Chase down an empty street Blindly snap the broken beats

:56:42.:56:44.

# Said it's gone with the dirty trick

:56:45.:56:46.

# It's taken all these days to find ya

:56:47.:56:51.

# I tell you I want you I tell you I need you

:56:52.:57:00.

# Friends, take control of me Stalking cross' the gallery

:57:01.:57:04.

# All these pills got to operate The color quits and all invade us

:57:05.:57:08.

# There it goes again Take me to the edge again

:57:09.:57:12.

# All I got is a dirty trick I'm chasin' down walls to save ya

:57:13.:57:19.

# I tell you I want you I'll tell you I need you

:57:20.:57:31.

# Just wanted you near me I tell you I want you

:57:32.:57:57.

# I feel like the time has come A fearless rescue from everyone

:57:58.:00:54.

# Who made you the master? The lady caster

:00:55.:00:56.

# I found you looking for a good time

:00:57.:00:59.

# I was out in exile perfecting my style

:01:00.:01:04.

# Hit me! Harder!

:01:05.:01:18.

# I flip the switch that makes you feel electric

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# Even! Faster! Than before...

:01:26.:01:29.

# I'm gonna light 'em up with you I'm gonna light 'em up with you

:01:30.:01:43.

# Try to keep up, you scatter brain She will enter through your vein

:01:44.:01:59.

# The one who made you, the flame I need to heat the silver

:02:00.:02:08.

# You'd bring Gods to their knees pick out the bad seeds

:02:09.:02:13.

# Relieve the generals of theirs duties

:02:14.:02:17.

# Hit me! Harder!

:02:18.:02:18.

# I flip the switch that make you feel electric

:02:19.:02:24.

# Even! Faster!

:02:25.:02:26.

# Than before I'm gonna light 'em up with you

:02:27.:02:33.

# I found you looking for a good time

:02:34.:03:15.

# Now this blood and glitter, it tastes so bitter

:03:16.:03:20.

# Hit me! Harder!

:03:21.:03:26.

# I flip the switch that make you feel electric

:03:27.:03:33.

# Even! Faster!

:03:34.:03:35.

# I'm gonna light 'em up with you I'm gonna light 'em up with you

:03:36.:03:54.

Thank you Glastonbury! Thank you! You all right?

:03:55.:05:07.

CHEERING This is called Treat.

:05:08.:05:25.

# Everybody knows I work it Work it like a treat

:05:26.:05:28.

# Everybody knows I work it Work it like a treat

:05:29.:05:35.

# Everybody knows I work it Work it like a treat

:05:36.:05:39.

# Everybody knows I work it Work it like a treat

:05:40.:05:51.

# What is this instance before me It's shaking in a mirror gleam

:05:52.:05:56.

# Come on, evil twin You got me jumping out my skin

:05:57.:06:01.

# Excuse me, where's my manners? Please allow my introduction

:06:02.:06:05.

# Cos I am gonna get you hit I am gonna get you hit

:06:06.:06:10.

# Reach out and touch me Cos I got to

:06:11.:06:13.

# Everybody knows I work it Work it like a treat

:06:14.:06:24.

# Everybody knows I work it Work it like a treat

:06:25.:06:28.

# Everybody knows I work it Work it like a treat

:06:29.:06:32.

# Everybody knows I work it Work it like a treat

:06:33.:06:36.

# Work it like a treat Everybody!

:06:37.:06:56.

# I'm stood here naked with a junkie sinking margheritas

:06:57.:07:11.

# Well, where we left off Seperated deep in Leicester

:07:12.:07:19.

# How could you ditch me in the state I'm in?

:07:20.:07:25.

# And if you want to witness what goes on behind the curtain

:07:26.:07:28.

# He is just as cracked as you So be careful if you do

:07:29.:07:33.

# Reach out and touch me Cos I got to

:07:34.:07:37.

# Everybody knows I work it Work it like a treat

:07:38.:07:46.

# Everybody knows I work it Work it like a treat

:07:47.:07:51.

# I said now Everybody knows I work it

:07:52.:07:54.

# Everybody knows I work it Work it like a treat

:07:55.:08:02.

# Everybody knows I work it Work it like a treat

:08:03.:08:06.

# Everybody knows I work it Work it like a treat

:08:07.:08:09.

# Everybody knows I work it Work it like a treat

:08:10.:08:17.

# Everybody! Work it like a treat

:08:18.:08:22.

# Everybody knows I work it Work it like a treat

:08:23.:10:51.

# Everybody knows I work it Work it like a treat

:10:52.:10:56.

# Everybody knows I work it Work it like a treat

:10:57.:11:00.

# Everybody knows I work it Work it like a treat

:11:01.:11:05.

# I work it I work it

:11:06.:11:08.

# Too much information Well I said you're good for nothing

:11:09.:13:13.

# Come on to the back I said your needles count for something

:13:14.:13:17.

# Guess I'd better sell you now Guess I'd be around

:13:18.:13:21.

# Singing for your questions But you've stolen all of my answers

:13:22.:13:24.

# Too much entertainment drove And that's not all the colour

:13:25.:13:28.

# Tell me that you've seen a ghost I'll tell you what to fear the most

:13:29.:13:33.

# I said it's happening again! We're all wasting away!

:13:34.:13:43.

# We're all wasting away! Too much information

:13:44.:14:07.

# I said you're good for nothing Stitch your part of counterfeit

:14:08.:14:12.

# I said your far out here Taking at the roads

:14:13.:14:18.

# Where you're taken for the simple codes

:14:19.:14:20.

# Swimming with the fishes While the serpent waves his tongue

:14:21.:14:23.

# With a belly full of splinters Now you see that I'm the one

:14:24.:14:27.

# Tell me that you've seen a ghost I'll tell you what to fear the most

:14:28.:14:31.

# Stop! I said it's happening again!

:14:32.:14:37.

# We're all wasting away! We're all wasting away!

:14:38.:15:09.

# Stop! I said it's happening again!

:15:10.:15:53.

# We're all wasting away! We're all wasting away!

:15:54.:16:19.

# Stop! I said it's happening again!

:16:20.:16:25.

# We're all wasting away! We're all wasting away!

:16:26.:16:43.

Glastonbury, you are fucking empire. Ladies and gentleman, it's someone's

:16:44.:16:51.

birthday today, Rick Graham come to the stage. Come here. Come here. No,

:16:52.:16:57.

come on. This guy has been with us for fucking ten years, God bless

:16:58.:17:02.

him. He's only fucking 30 years old, innit? Shall we sing happy birthday

:17:03.:17:10.

to Rick? He's given his life to rock-and-roll. Owe him that.

:17:11.:17:15.

# Happy birthday to you # Happy birthday to you

:17:16.:17:27.

# Happy birthday dear Rick # Happy birthday to you #

:17:28.:17:38.

CHEERING AND APPLAUSE That's fucking rock-and-roll really,

:17:39.:17:39.

isn't it? # Shake me into the night

:17:40.:18:08.

And I'm an easy lover # Take me into the fight

:18:09.:18:11.

And I'm uneasy brother # And I'm on fire

:18:12.:18:24.

# I'm a road runner Spill my guts on a wheel

:18:25.:18:30.

# And I'm on fire And I'm on fire

:18:31.:18:45.

# I'm on fire Wire me up to machines

:18:46.:18:56.

# I'm on fire I'm on fire

:18:57.:19:14.

# I'll be your prisoner Find it hard to believe

:19:15.:19:28.

# You are my murderer I'm on fire behind you

:19:29.:19:41.

# I'm on fire I'm on fire

:19:42.:19:53.

# Shake me into the night And I'm an easy lover

:19:54.:21:08.

# Switchblade smiles They go on for miles

:21:09.:23:27.

# And will be forever Now we stand together

:23:28.:23:31.

# Much too soon For the wooden spoon

:23:32.:23:45.

# Can you hear the knocking Now your feet are stomping

:23:46.:23:49.

# Switchblade smiles They go on for miles

:23:50.:25:06.

# And will be forever Now we stand together

:25:07.:25:08.

# Much too soon For the wooden spoon

:25:09.:25:20.

# Can you hear the knocking Now your feet are stomping

:25:21.:25:24.

People of Glastonbury, you have been warned many times. . The times of

:25:25.:27:37.

warning are passed. It's like a nail bomb inside a small dog. You will

:27:38.:27:40.

feel the power! # Face check I walk this beach

:27:41.:28:12.

I'm frying in the heat # In the cauldron stir me

:28:13.:28:15.

Chomp down my diamond teeth # I ain't got

:28:16.:28:20.

The simple things in life # I feel like

:28:21.:28:26.

You have got to witness # This is your last retreat

:28:27.:28:30.

My last repeat # All my friends

:28:31.:28:40.

are as sharp as razors # Cut you down

:28:41.:28:43.

if you touch the faders # High class elevators

:28:44.:28:48.

Now we have got the floor # You can't miss me

:28:49.:29:04.

I'm still alive # Snake skin shoes

:29:05.:29:22.

I'm pleading homicide # Come on and feel this

:29:23.:29:26.

I'm still alive # We need to raise the dead

:29:27.:29:32.

we need to raise the people # It is true the simple things in

:29:33.:29:51.

life have been lost # You have got to witness

:29:52.:29:59.

We are the last beatniks # All my friends

:30:00.:30:07.

are as sharp as razors # Cut you down

:30:08.:30:16.

if you touch the faders # Now we have got the floor

:30:17.:30:19.

Now we have got the floor field jump as high as they have ever

:30:20.:30:55.

jumped. # You can't miss me

:30:56.:31:23.

I'm still alive # Snake skin shoes

:31:24.:31:46.

I'm pleading homicide # Come on and feel this

:31:47.:31:48.

I'm still alive # Bobby Womack, see you

:31:49.:32:00.

on the other side lolly pops. Glastonbury, let's hear

:32:01.:33:16.

it for Noel Fielding. By the way, you will be hearing from the the

:33:17.:33:21.

string players, they have been amazing and the backing singers. Do

:33:22.:33:25.

you know what, can I just say something before it gets too

:33:26.:33:29.

emotional, right. Ten years ago, we opened on The Other Stage, I was 23

:33:30.:33:35.

years old. Been up all night. But thank you for this. Thank you so

:33:36.:33:38.

much Glastonbury. So much respect. thank you for this. Thank you so

:33:39.:33:40.

much Glastonbury. So much Thank you, all of you. That's rock 'n' roll.

:33:41.:34:02.

# We've come a long long way together

:34:03.:34:05.

# Through the hard times and the good

:34:06.:34:09.

# I have to praise you like I should

:34:10.:34:31.

# We've come a long long way together

:34:32.:34:32.

# Through the hard times and the good

:34:33.:34:36.

# I have to praise you like I should

:34:37.:34:46.

# We've come a long long way together

:34:47.:34:59.

# Through the hard times and the good

:35:00.:35:04.

# I have to praise you like I should

:35:05.:35:42.

# I'm much deeper, a sleeper Waiting for the final trip

:35:43.:35:46.

# Come on it, get on it I'm carving through a letterbomb

:35:47.:35:50.

# I need it, loud potions These drugs are just an hour away

:35:51.:35:55.

# Come on it, electronic A polyphonic prostitute, the motors,

:35:56.:35:59.

# On fire Messiah for the animals

:36:00.:36:15.

# Ah, oh come on! We got our backs to the wall!

:36:16.:36:22.

# Ah! Get on!

:36:23.:36:24.

# And watch out! Sayin', "Yer gonna kill us all!"

:36:25.:36:47.

# Ah, I'm on it, get on it The troops are on fire!

:36:48.:36:50.

# You know I need it, much closer I'm trading just a little more

:36:51.:36:53.

# Step on it, electronic The troops are on fire!

:36:54.:36:56.

# I'm much deeper, a sleeper Messiah for the animals

:36:57.:37:10.

# Ah, oh come on! We got our backs to the wall!

:37:11.:37:22.

# Ah! Get on!

:37:23.:37:23.

# And watch out! Sayin', "Yer gonna kill us all!"

:37:24.:37:31.

# Ah, oh come on! We got our backs to the wall!

:37:32.:37:39.

# Get on! And watch out!

:37:40.:37:41.

Glastonbury 2014. God bless you, thank you.

:37:42.:42:06.

CROWD: La, la, la, la, la, la, la, la force

:42:07.:42:23.

# La, la, la # La, la, la, la, la, la, Llalana

:42:24.:42:34.

# La, la, la, la, la # La, la, la La, la, la, la, la

:42:35.:43:03.

# La, la, la # La, la, la, la, la, la

:43:04.:43:09.

# La, la, la # La, la, la, la, la, la, la

:43:10.:43:26.

Emotional scenes. Emotional scenes from the Pyramid Stage where

:43:27.:43:33.

Kasabian have just exited finally. Tom not being able to resist getting

:43:34.:43:37.

the crowd one more time. You can see how much that meant to that band ten

:43:38.:43:41.

years ago. That was utter headline. I know the flags, they are annoying

:43:42.:43:46.

but on television, they look amazing. The whole stage t looked so

:43:47.:43:51.

clean, the black and white. They worked hard. So thank you for

:43:52.:43:56.

pulling off a great headline set. They stayed on longer than

:43:57.:44:00.

Metallica. They did not want it to be over. The new thing - headliners

:44:01.:44:06.

don't want to leave the stage. Kasabian will be chatting to Gemma

:44:07.:44:09.

and Huw. We have loads of highlights this

:44:10.:44:13.

evening. Loads. Lots for you to enjoy. We will hear from London

:44:14.:44:18.

Grammar, headlining on John Peel Stage. Also James Blake. We have St

:44:19.:44:23.

Vincent and The Black Keys who were on just before Kasabian. And we have

:44:24.:44:27.

our acoustic performances. This is a Lord we play a lot on Six Music.

:44:28.:44:31.

This is a great performance. We have seen them rehearsing. It is top

:44:32.:44:37.

stuff. It is Lizzo with her excellent album. They are going to

:44:38.:44:44.

do Batches and cookies. Featuring Sophia Ellis.

:44:45.:45:19.

APPLAUSE I loved that. Fantastic. That's

:45:20.:48:14.

Lizzo. Lizzo and the girls were watching Kasabian and saying who is

:48:15.:48:17.

this and what is their history. I told them they started on the small

:48:18.:48:21.

stage. The girls played on the Pussy Parlour stage. The Pyramid Stage

:48:22.:48:27.

beckons. She has her eyes on the Pyramid Stage. Behind the cameras,

:48:28.:48:34.

you have never seen so many enraptured, happy people, trying to

:48:35.:48:37.

grind. You know you were. Have you had a good day? Really good. It has

:48:38.:48:43.

not rained once. We built up to Dolly. Everybody was in a fantastic

:48:44.:48:47.

mood. I can't believe it is kind of nearly over already. Of It has gone

:48:48.:48:52.

so quickly. It whizzed by. Metallica was dominating the mood of the place

:48:53.:48:57.

and also the weather yesterday but today the sun has shone and Dolly

:48:58.:49:03.

was here but we'll go to the band who headlined on the John Peel

:49:04.:49:05.

Stage, this is London Grammar. # And I?m so down caught in the

:49:06.:49:28.

middle # And a lion, a lion roars would you

:49:29.:49:47.

not listen # If a child, a child cries

:49:48.:49:51.

would you not forgive them # With a stare

:49:52.:50:02.

caught right in the middle # If a lion, a lion roars

:50:03.:50:39.

Would you not listen? # If a child, a child cries

:50:40.:51:05.

Would you not forgive them? # And I'm so down caught in the

:51:06.:51:19.

middle # From the search to the hurt, I

:51:20.:54:51.

believed I could take you on # We would drink, we would dance

:54:52.:54:56.

# You would watch me whenever you want.

:54:57.:55:02.

# And can you give me everything # Everything, everything

:55:03.:55:06.

# I can't give you anything. # You told me to put them in order.

:55:07.:55:59.

# You trade to take me on # From the bed to the room #

:56:00.:56:11.

Can you give me everything, everything, everything #

:56:12.:56:23.

I can't give you everything # And I'm giving you everything

:56:24.:56:34.

#... We will meet again #

:56:35.:57:13.

Thank you so, so much. We have one more song for you. We're never going

:57:14.:57:33.

to forget this gig. Thank you for being here. We have one more song.

:57:34.:58:09.

# Though it starts with love and lust

:58:10.:58:22.

# Stay awake to the middle of the night

:58:23.:59:33.

# Stay awake to the middle of the night

:59:34.:59:38.

# Stay awake to the middle of the night

:59:39.:59:42.

# Stay awake to the middle of the night

:59:43.:59:48.

# Stay awake to the middle of the night

:59:49.:59:52.

# Stay awake to the middle of the night

:59:53.:00:04.

Thank you, have a good night.. I thought that was wonderful. You fell

:00:05.:02:09.

in love, properly. Her voice is extraordinary. You were saying she

:02:10.:02:14.

had some problems and didn't sing yesterday. To save herself. Yes to

:02:15.:02:20.

save herself for the headline shot Whoever shot that. The close-ups of

:02:21.:02:26.

her at the piano it was compelling a inthe strings. They were headlining.

:02:27.:02:30.

At the Park stage tonight, James Blake was on. We will hear from him

:02:31.:02:37.

later. A contrast from Kasabian. We'll hear from them now. They were

:02:38.:02:42.

quite excited when they came off stage, as you'll probably see here.

:02:43.:02:51.

Can you Bloomin' believe it, they have run, hopped skipped, jumped.

:02:52.:02:58.

# La, la, la. # La, la, la, la, la, la Wow, wow.

:02:59.:03:11.

It's kas andian everyone. The first thing Tom said when he got here was,

:03:12.:03:20.

"How was that?" Suffice to say, huge congratulations. Can you do your

:03:21.:03:24.

interview when I'm doing this? No, sit down, we want to hear from you.

:03:25.:03:32.

The time of my life mate. It looks like the Pyramid Stage. They are

:03:33.:03:36.

still singing. Ten years ago you started your band practice with a,

:03:37.:03:42.

"Hello Glastonbury." What was it like, headlining the Pyramid?

:03:43.:03:47.

Emotional, as well. Me and Sergio, we started the band in 1997. Fucking

:03:48.:04:00.

three years old. That's what happens, you know, we destroyed it,

:04:01.:04:06.

mate, you must be joking. What makes Glastonbury so special. We do. Why

:04:07.:04:13.

is this the ONE. On the way here before we played, I saw a geeser in

:04:14.:04:18.

a pair of pants and fake boots. He was definitely an accountant. Fake

:04:19.:04:24.

titties. In his ordinary life he is an accountant. For these three or

:04:25.:04:30.

four days, he can be anybody he wants to be. That's what is mazing.

:04:31.:04:35.

We were watching from here for the second half of the set. It was

:04:36.:04:40.

beautiful. The crowd swaying, the flags, everything. What was your

:04:41.:04:44.

view like from the Pyramid. It was a wonderful moment. We have been

:04:45.:04:49.

together me and Serge. Fought our way to the top, since we were

:04:50.:04:54.

babies. We sat in a bedroom playing acoustic guitar when they were 17.

:04:55.:04:58.

Listen, the thing is - we are gay, we are homosexuals. An exclusive The

:04:59.:05:06.

women are over now! Have you ever watched the snooker, that bit at the

:05:07.:05:14.

back. But why? It is a rock show. Listen, I went to bed last night

:05:15.:05:21.

about 11.30pm. Liar. Well, listen - I have anxiety

:05:22.:05:31.

anyway. Ifs born with it. You can't - yeah, what what do you want me to

:05:32.:05:37.

say and feel? The bowtie says it all. James Bond. Is it bigger than a

:05:38.:05:42.

wedding day? No, weddings are rubbish. Forget weddings. I can't be

:05:43.:05:48.

asked getting married. That's a wedding right there. You can get

:05:49.:05:53.

married in Shangri-la later. What happens now, ten years on, you have

:05:54.:05:57.

headlined Glastonbury? No-one is going to see us again. The last

:05:58.:06:02.

interview. Exclusive. We are done, see you later.

:06:03.:06:02.

interview. Exclusive. We are done, see you Lovely to know you all. See

:06:03.:06:07.

you later. Happy to quit. I'm going to hide in a hobbit hole. Sergio is

:06:08.:06:12.

going to disappear it Italy. I will walk in that field, you will never

:06:13.:06:19.

see me again. I'm done. As you can tell, they are literally having the

:06:20.:06:23.

time of their lives. It is so much to get some of that energy. I feel T

:06:24.:06:30.

I'm ready to party. Energy, energy? I can feel it roadiating from you.

:06:31.:06:36.

Forget lightning an, man. Why is that down the side of the TV? Who

:06:37.:06:43.

knows. Is that your dildo? Thank you very much, kas andian! -- Kasabian.

:06:44.:06:53.

I love doing those interviews when bands come off stage. I'm happy we

:06:54.:06:58.

are here. Poor Huw and Gemma. That's how to do one of those. Dolly Parton

:06:59.:07:02.

was similar when you chatted to her when she came off. It is a joyous

:07:03.:07:07.

reaction, isn't it? That's how anybody would feel headlining at

:07:08.:07:11.

Glastonbury. I interviewed him a week or so ago for my radio show. He

:07:12.:07:16.

said all over the years I have watched the bands, saw them do the

:07:17.:07:19.

interviews, sometimes they are not excited. We are going to be super

:07:20.:07:23.

excited. He absolutely was. I love the fact he has watched it and it

:07:24.:07:27.

meant that would Will much to him. It would -- it meant that much to

:07:28.:07:32.

him. We are up here on The Park stage. When we got here there was a

:07:33.:07:35.

different vibe, atmospheric. Headlining on The Park tonight,

:07:36.:07:38.

James Blake. # You're on your own,

:07:39.:07:45.

in a world you've grown # I'll wait, so show me

:07:46.:09:29.

why you're strong # I'll wait, so show me

:09:30.:09:52.

why you're strong # I'll wait, so show me

:09:53.:10:05.

why you're strong # I'll wait

:10:06.:10:55.

way to headline at Glastonbury. Possibly the tallest man. Wynn from

:10:56.:18:37.

Arcade Fire. Also on the way up, we bumped into Ed O'Brien from

:18:38.:18:41.

Radiohead. He hasn't seen any bands. He has been hanging out in

:18:42.:18:47.

Shangri-la. Goog them them for us and tell us who is taller. Tweet it

:18:48.:18:56.

to us. Now another artist, captivating as you are about to see.

:18:57.:19:02.

This, at Glastonbury festival is St VIPPent. -- St Vincent.

:19:03.:19:32.

# Only looks like be a window # Even turn the TV on, it looks like

:19:33.:19:50.

a window. # Digital witnesses what's the point

:19:51.:20:05.

of even sleeping, if I can't show you if you can can't see me

:20:06.:20:13.

# What's the point of doing anything # This is no time for confessing

:20:14.:20:25.

# I want all of your mind # People turn on the TV on it looks

:20:26.:20:33.

just like a window yeah # People turn the TV on it looks

:20:34.:20:38.

just like a window # Yeah

:20:39.:20:46.

# Digital witnesses # What's the point of even sleeping

:20:47.:20:54.

# If I can't show it # If you can't see me

:20:55.:21:01.

# Watch me jump right off the London Bridge

:21:02.:21:01.

# This is no time for confessing # People turn the TV on and throw it

:21:02.:21:22.

out the window # Yeah fors force

:21:23.:21:32.

# Yeah # Get back to your stare

:21:33.:21:39.

# I care but I don't care # Oh, oh, I want all of your mind

:21:40.:21:48.

# Gimme all of your mind # I want all of your mind

:21:49.:21:58.

# Gimme all of it # Digital witnesses

:21:59.:22:05.

# What's the point of even sleeping # If I can't show it

:22:06.:22:11.

# If you you can't see me # What's the point of doing anything

:22:12.:22:18.

# What's the point of even sleeping # So I stopped sleeping

:22:19.:22:24.

# Yeah, I stopped sleeping # Won't somebody sell me become to

:22:25.:22:32.

me # -- back to me. Really good stuff

:22:33.:22:38.

from St Vincent who has done an excellent collaboration with David

:22:39.:22:41.

Byrne which is well worth hearing. We were enjoying that but during

:22:42.:22:45.

that we were scurrying around trying to find out who is the tallest

:22:46.:22:49.

headliner. We are still going for James Blake. I think it is possibly

:22:50.:22:55.

him. I think he is 6'5". Does the nation know it is your birthday

:22:56.:22:59.

today? It is finished. Now we will have a live performance this. Man

:23:00.:23:03.

has been waiting patiently to perform for you. He is very

:23:04.:23:07.

talented. The most beautiful voice. His name is quaubs. -- Kwabs.

:23:08.:23:30.

# That you're always gonna tread the wrong road

:23:31.:23:54.

# Cos there's something that I need to let you know

:23:55.:24:05.

# If you're looking for a place to hide

:24:06.:24:07.

# I will always try and look the other way

:24:08.:24:14.

# And if you're ever caught between the lines

:24:15.:24:17.

# We are one and I will always keep you safe

:24:18.:24:26.

# From the memories you tried to leave behind

:24:27.:24:54.

# So I'm reaching out and here's the reason why

:24:55.:25:06.

# If you're looking for a place to hide

:25:07.:25:08.

# I will always try and look the other way

:25:09.:25:15.

# And if you're ever caught between the lines

:25:16.:25:17.

# We are one and I will always keep you safe #

:25:18.:25:31.

# And if you're ever caught between the lines

:25:32.:25:39.

# And if you're ever caught between the lines

:25:40.:26:03.

# If you're looking for a place to hide

:26:04.:26:10.

# I will always try and look the other way

:26:11.:26:15.

# And if you're ever caught between the lines

:26:16.:26:18.

# We are one and I will always keep you safe

:26:19.:26:32.

Glastonbury debut. You will be hearing more I dare say. Seconds

:26:33.:27:09.

before he came on stage to do that performance, he was snuggled up with

:27:10.:27:13.

a duvet, he has been waiting so long. The guitar-player had a

:27:14.:27:21.

giraffe onesie on. We liked it. All over the weekend we have been giving

:27:22.:27:27.

you insights into the various people and their various tales of

:27:28.:27:31.

Glastonbury, we have worked here a long time. To see what life they

:27:32.:27:36.

lead. This is the guy working on the Glastonbury radio station. This is

:27:37.:27:42.

the Reggae DJ himself. The station rules the nation.

:27:43.:27:49.

I'm Danny Teacher, the Reggae present er at Worthy FM. We started

:27:50.:27:59.

19 fest values ago in a one-man caravan. -- festivals ago. We

:28:00.:28:04.

broadcast for the week, from the Monday. My show is a Reggae show. I

:28:05.:28:10.

play a lot of ska, rock steady, a little bit for everyone. We also

:28:11.:28:15.

deal with the human side. I mean from the very first time they come

:28:16.:28:20.

on site, people can listen to the roo. We deal with what the weather

:28:21.:28:24.

is going to be like. Where are the best places to camp. What about the

:28:25.:28:28.

rain? Don't worry about the rain at all. Make sure you have all your

:28:29.:28:33.

gear and not next to the tent walls, OK. My whole family are musicians.

:28:34.:28:41.

My grandfather was a fiddle player in Jamaica. My father was a

:28:42.:28:47.

saxophonist. He wouldn't read a music of music but they played mag

:28:48.:28:52.

no I have sently. My job is a singing. I tour the world singing.

:28:53.:28:57.

When I come back here, it is back to my own little community and family.

:28:58.:29:01.

-- magnificently. The equipment might not be as up-to-date as if you

:29:02.:29:06.

find in radio studios nowadays but this is' part of being in

:29:07.:29:10.

Glastonbury and doing it in a field. How long will it carry on? I think

:29:11.:29:15.

we'll carry on as long as Michael Eavis carries on Glastonbury.

:29:16.:29:25.

That's our final Glastonbury tale. A tale of Worthy FM. The great DJ

:29:26.:29:32.

there. It is interesting being here tonight and doing the final show.

:29:33.:29:35.

Normally things are getting deconstructed and everyone is

:29:36.:29:38.

clearing the place. Tonights is-upping. There are loads of people

:29:39.:29:43.

still here. -- tonight it's-upping. I think people arrive on Wednesday

:29:44.:29:47.

and go home about Tuesday. Last year when we were doing this, people were

:29:48.:29:52.

dismantling the studio around us. He was gone by this time. He was. More

:29:53.:29:58.

music from the pir mid-stage. The band that -- from the Pyramid Stage.

:29:59.:30:04.

The band that came on before Kasabian. These are the Black quays.

:30:05.:30:08.

-- the Black Keys. # Now if the cold pale light

:30:09.:30:37.

in your eyes # Now if the cold pale light

:30:38.:33:01.

in your eyes # Oh whoa-o-oh, I got a love

:33:02.:33:15.

that keeps me waitin' # Oh-whoa-o-oh, I got a love that

:33:16.:35:19.

keeps me waitin' # Oh whoa-o-oh, I got a love

:35:20.:35:26.

that keeps me waitin' # Oh-whoa-o-oh, I got a love

:35:27.:35:48.

that keeps me waitin' # Oh whoa-o-oh, I got a love that

:35:49.:36:20.

keeps me waitin' # Oh whoa-o-oh, I got a love

:36:21.:36:35.

that keeps me waitin' # Oh whoa-o-oh, I got a love that

:36:36.:36:59.

keeps me waitin' have been doing a tall upbeat. Wynn

:37:00.:37:47.

from Arcade Fire is 6'4" and three-quarters.

:37:48.:37:54.

Ed from Radiohead, 6'5". We remembered the guy from kas andian.

:37:55.:38:03.

We looked him up, 6'5"-and-a-half -- Kasabian.

:38:04.:38:13.

The Horrors. And he is tall. How tall is he?

:38:14.:38:57.

# I never meant for you to get hurt # And how I try oh how I try

:38:58.:39:06.

# I could never give you just what you deserve

:39:07.:39:33.

# Another man would surely learn # I know these words may only serve

:39:34.:39:38.

to twist the knife # But I'll strive to make them heard

:39:39.:39:46.

# Maybe it's better now I've gone away

:39:47.:39:55.

# Maybe it's not, oh who can say # And though it's hard for me to say

:39:56.:40:04.

# Maybe I'm better off this way # And when I told her I didn't love

:40:05.:40:19.

her any more # She cried

:40:20.:40:23.

# And when I told her, her kisses were not like before

:40:24.:40:27.

# She cried # And when I told her another girl

:40:28.:40:33.

had caught my eye # She cried

:40:34.:40:38.

# And then I kissed her with a kiss that can only mean goodbye

:40:39.:40:52.

# And though it's hard for me to say # Maybe you're better off this way

:40:53.:41:12.

# And it's hard for me to say -- and though it's hard for me to say

:41:13.:41:20.

# I know you're better off this way # Get away and away #

:41:21.:41:34.

Thank you. Very nice. That was the horors. In

:41:35.:41:40.

our occasional feature we are doing, who is the tallest headliner. It is

:41:41.:41:46.

not that occasional. Once a year. Every link this show. So far we've

:41:47.:41:50.

established, Rodrigo y Gabriela - who is the tallest? Ser g fre,

:41:51.:41:56.

Kasabian. We have researched the guy from the horrors, how tall is he?

:41:57.:42:03.

Pretty tall. 6'6". He hasn't headlined. It seems odd seeing them

:42:04.:42:08.

in daylightment they are a dark, dinghy club sort of band. We will go

:42:09.:42:14.

over to the West Holt stage now and enjoy The Wailers.

:42:15.:42:32.

# Could you be loved # Could you be loved

:42:33.:42:44.

# And be loved # Don't let them fool you

:42:45.:43:02.

# Oh, no # Or even try to school ya

:43:03.:43:13.

# Oh, no we've got a mind of our own so go to hell if what you're think

:43:14.:43:20.

something not right love would never leave us alone and in the darkness

:43:21.:43:28.

there must come out to light # Could you be loved and be loved

:43:29.:43:43.

# Could you be loved wo-now # And be loved

:43:44.:44:09.

income # Could you be loved

:44:10.:44:15.

# Could you be # Could you be loved

:44:16.:44:28.

# Don't let them change you # Or even re-arrange you

:44:29.:44:46.

# We've got a life to live they say # Only

:44:47.:44:55.

# only the it test of the fittest shall survive -- only the fittest of

:44:56.:45:02.

the fittest shall survive stay alive # Could you be loved

:45:03.:45:09.

# And be loved # Could you be loved woah yeah

:45:10.:45:23.

# And be loved never miss your water until your well runs tray

:45:24.:45:27.

# No matter how you treat him # The man will never be satisfied

:45:28.:45:31.

# Could be be # Could you be

:45:32.:45:34.

# Could be you loved # Could you be loved come on, you've

:45:35.:45:42.

got to say something # Come on you've got to say

:45:43.:45:49.

something come on you've got to say something come on you gotta say

:45:50.:45:59.

something # Could you be loved

:46:00.:46:03.

# Reggae # Reggae. Rockers, rockers.

:46:04.:46:10.

# Say something # Could you be loved

:46:11.:46:15.

# Reggae, Reggae # Say something

:46:16.:46:18.

# Rockers, rockers. # Say something

:46:19.:46:22.

# Could you be loved # Could you be loved

:46:23.:46:26.

# Say something # Rockers rockers all my people just

:46:27.:46:30.

say something # Could you be loved #

:46:31.:46:38.

That was The Wailers. Just, I think really showing the breadth of music

:46:39.:46:43.

and the genre and the variety you get here at Glastonbury that was on

:46:44.:46:46.

the West Holt stage earlier today Time is running out for us. We have

:46:47.:46:51.

time for our final acoustic performance here in our special

:46:52.:46:56.

studio at this year's grass tonbury. Someone born in Beirut but now based

:46:57.:46:59.

in Paris. This is Yasmine Hamdam. That was Yasmine Hamdam. That's the

:47:00.:50:48.

final of our live performances had here at Glastonbury. Nearly gone.

:50:49.:50:53.

Every year there is someone who really surprises you. Someone you

:50:54.:50:57.

were aware of but you have not realised how on the cusp of

:50:58.:51:02.

greatness. Who is it from you? The time just fitted as I was walking

:51:03.:51:07.

past. It was Ellie Goulding. To be honest, she blew me away and here is

:51:08.:51:09.

why. # You look at me,

:51:10.:51:39.

it's like you hit me with lightning # Like paper planes

:51:40.:51:47.

and playground games # You look at me,

:51:48.:52:24.

it's like you hit me with lightning smashed it. She very much did. That

:52:25.:54:52.

was Ellie Goulding on The Other Stage. For me, I tell you someone I

:54:53.:54:56.

was impressed with, Ed Sheeran. Everyone knows he is massively

:54:57.:54:59.

successful at the moment. He went on stage after Dolly Parton. Obviously

:55:00.:55:04.

she had the biggest crowd I have ever seen And a big band. He walks

:55:05.:55:09.

out on stage and it is just him but he held on to the audience. They

:55:10.:55:13.

were singing along with every word. He is very clever. He sent a video

:55:14.:55:19.

message to Mike Hibbs. What a gent. The highlights for you, then? Well,

:55:20.:55:24.

I remember the thunderstorm on Friday afternoon and Fisherman's

:55:25.:55:29.

Friend singing acousticically in the acoustic tent. It has gone so

:55:30.:55:34.

quickly. It doesn't seem five minutes sin I saw Blondie first band

:55:35.:55:39.

on the The Other Stage on Friday. Dolly was a massive moment. There

:55:40.:55:44.

haven't been many moments but Sam Smith was great. Bombay Bicycle

:55:45.:55:47.

Club, you could see them growing into the set they had. They played

:55:48.:55:51.

on The Other Stage. They were great. It has been rocky. A year of rock

:55:52.:55:56.

here. We should tell you about a if you things. If you go to the BBC

:55:57.:56:01.

iPlayer, you can see highlights. And the website has things. There is a

:56:02.:56:06.

high lites programme on Friday, 4th July at 11.00pm. These are

:56:07.:56:11.

Glastonbury's best bits. We will see you next year. We have done quite a

:56:12.:56:17.

few of these together. . Veterans, I think it is what they call it. I

:56:18.:56:22.

hope you enjoyed it, see you next year.

:56:23.:56:26.

# Here you come again # Just when I'd begun to get myself

:56:27.:56:32.

together # You waltzed right in the door

:56:33.:56:35.

# Just like you did before # And you wrapped my heart around

:56:36.:56:40.

your little finger # Here you come again job just when

:56:41.:56:47.

I'm about to make it work without you

:56:48.:56:55.

# You look into my eyes # And I pretty soon I'm wondering

:56:56.:56:59.

how I came to doubt you # All you've got to do is smile that

:57:00.:57:06.

smile and there go all my defences # Just leave it up to you

:57:07.:57:10.

# And in a little while # You are messing up my mind

:57:11.:57:15.

# Filling up my senses # Here you come again

:57:16.:57:24.

# Oh looking better than a body has a right to

:57:25.:57:26.

# And shaking me up so # That all I really know

:57:27.:57:31.

# Is here you come again # And here I go

:57:32.:57:51.

# Awful' got to do is smile that smile

:57:52.:57:58.

# And there go all my defences # Just leave it up to you

:57:59.:58:03.

# And in a little while # You're messing up my mind

:58:04.:58:10.

# Better than my senses -- filling up my senses

:58:11.:58:14.

# Here you come again # Looking better than a body has the

:58:15.:58:18.

right to # And shaking me up so, that all I

:58:19.:58:24.

really know, is here you come again. # And here I go

:58:25.:58:41.

# Here I go. # Here you come again

:58:42.:58:45.

# Darling here you come again # Here you come again

:58:46.:58:57.

# And here you come again # Here I go #

:58:58.:59:02.

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