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Hello. Welcome back to day one at Glastonbury Festival. We have | :00:10. | :00:14. | |
experienced all the elements today, but now we are into the golden hour. | :00:15. | :00:19. | |
That was a nice shot. Golden what? The golden hour. Between the dog and | :00:20. | :00:24. | |
the wolf and all that. Lily Allen is scary, isn't she? Terrifying! On | :00:25. | :00:31. | |
edge. Like, can I go? Please, don't, go, Greg. I will miss you. I want to | :00:32. | :00:37. | |
go now! I will miss you. Speaking of which here is Foster The People from | :00:38. | :00:44. | |
earlier today. # # I hope you try to find me | :00:45. | :02:00. | |
# I know what you want to say # Want to rearrange so I will just | :02:01. | :02:05. | |
say it # I really miss you, miss you, I | :02:06. | :02:08. | |
said # Smile at the chance just to see | :02:09. | :02:11. | |
you again # I really miss you, miss you, I | :02:12. | :02:17. | |
said # Yeah, yeah, yeah | :02:18. | :02:36. | |
# Heat stroke, death's like # The wrong things that I think are | :02:37. | :02:39. | |
right # I never knew that I could go as | :02:40. | :02:42. | |
far as this # I took a problem recently | :02:43. | :02:44. | |
forgotten # I know who I had been before I | :02:45. | :02:51. | |
slipped # Oh, I want to change it | :02:52. | :02:56. | |
# I will live a life that makes you smile | :02:57. | :03:00. | |
# When I'm done here and long gone # Feverish speaking, just wantia see | :03:01. | :03:04. | |
your face # What you say, what you say | :03:05. | :03:10. | |
# Oh, yeah # I really miss you, miss you, I | :03:11. | :03:13. | |
said # Smile at the chance just to see | :03:14. | :03:15. | |
you again # I really miss you, miss you, I | :03:16. | :03:23. | |
said # Look at me now before I walk away | :03:24. | :03:31. | |
# You just might miss me, or miss me one day | :03:32. | :03:32. | |
# Yeah, yeah, yeah # Call it what you want | :03:33. | :06:19. | |
# Yeah, we got nothing to lose # We got nothing to prove | :06:20. | :06:23. | |
# Your social guides give you swollen eyes but what I got can't be | :06:24. | :06:27. | |
bought # Call it what you want | :06:28. | :06:43. | |
# You have taken your words and you take your judgments | :06:44. | :06:46. | |
# And stick them on to everything # If it don't conform to what you | :06:47. | :06:48. | |
were born into # Then you run the other way | :06:49. | :06:52. | |
# You say, what's your style and who do you listen to | :06:53. | :06:57. | |
# The rat race ladder climbing fake-face smile's got nothing on me | :06:58. | :07:01. | |
# We got nothing to lose # You better run and hide | :07:02. | :07:07. | |
# Yeah, you crossed the line # Got a knife behind my back | :07:08. | :07:11. | |
# We got nothing to prove # Your social guides give you | :07:12. | :07:13. | |
swollen eyes # But what I got can't be bought | :07:14. | :07:17. | |
# Call it what you want # Call it what you want | :07:18. | :07:33. | |
# APPLAUSE AND CHEERING | :07:34. | :09:37. | |
Thank you so. Much. How you guys doing out there? | :09:38. | :10:24. | |
# Well, I see you standing there like a rabid dog | :10:25. | :10:27. | |
# Makes me wanna surrender and wrap you in my arms | :10:28. | :10:37. | |
# You know I try to live without regrets | :10:38. | :10:40. | |
# I'm always moving forward and not looking back | :10:41. | :10:43. | |
# But I tend to leave a trail of dead while I'm moving ahead | :10:44. | :10:51. | |
# It feels like, feels like a coming of age | :10:52. | :11:07. | |
# Feels like, feels like a coming of age | :11:08. | :11:29. | |
# And when my fear pulls me out to sea | :11:30. | :11:31. | |
# And the stars are hidden by my pride and my enemies | :11:32. | :11:36. | |
# I seem to hurt the people that care the most | :11:37. | :11:42. | |
# Just like an animal, I protect my pride | :11:43. | :11:46. | |
# And even when I'm wrong, I tend to think I'm right | :11:47. | :11:56. | |
# It feels like, feels like a coming of age | :11:57. | :12:12. | |
# It feels like, feels like it's comin' | :12:13. | :12:16. | |
# It feels like, feels like a coming of age | :12:17. | :12:19. | |
# It feels like, feels like a coming of age | :12:20. | :12:28. | |
# It feels like, feels like it's comin' | :12:29. | :12:30. | |
# It feels like, feels like a coming of age | :12:31. | :13:14. | |
# Yeah, it's like a coming of age | :13:15. | :13:17. | |
# It feels like, feels like a coming of age | :13:18. | :13:26. | |
# It feels like, feels like a coming of age | :13:27. | :13:31. | |
# Hanging out his mouth, he's a cowboy kid | :13:32. | :14:59. | |
# In his dad's closet with a box of fun things | :15:00. | :15:04. | |
# All the other kids with the pumped up kicks | :15:05. | :15:13. | |
# You'd better run, better run, outrun my gun | :15:14. | :15:16. | |
# All the other kids with the pumped up kicks | :15:17. | :15:19. | |
# You'd better run, better run, faster than my bullet | :15:20. | :15:27. | |
# He'll be coming home late He's coming home late | :15:28. | :15:31. | |
# Cos dinner's in the kitchen and it's packed in ice | :15:32. | :15:38. | |
# Yeah, the sleight of my hand is now a quick-pull trigger | :15:39. | :15:45. | |
# And say, "Your hair's on fire, you must have lost your wits," yeah | :15:46. | :15:53. | |
# All the other kids with the pumped up kicks | :15:54. | :15:55. | |
# You'd better run, better run, outrun my gun | :15:56. | :15:59. | |
# All the other kids with the pumped up kicks | :16:00. | :16:02. | |
# You'd better run, better run, faster than my bullet | :16:03. | :16:06. | |
# All the other kids with the pumped up kicks | :16:07. | :16:09. | |
# You'd better run, better run, outrun my gun | :16:10. | :16:14. | |
# All the other kids with the pumped up kicks | :16:15. | :16:19. | |
# You'd better run, better run, faster than my bullet | :16:20. | :16:46. | |
# All the other kids with the pumped up kicks | :16:47. | :17:01. | |
# You'd better run, better run, faster than my bullet | :17:02. | :17:04. | |
# All the other kids with the pumped up kicks | :17:05. | :17:08. | |
# You'd better run, better run, outrun my gun | :17:09. | :17:10. | |
# All the other kids with the pumped up kicks | :17:11. | :17:15. | |
# You'd better run, better run, faster than my bullet | :17:16. | :17:38. | |
# I took a sip of something poisoned but I will hold on tight | :17:39. | :19:41. | |
# You know those days when you want to just choose | :19:42. | :19:48. | |
# To not get out of bed, you're lost in your head again | :19:49. | :19:51. | |
# You play the game but you kind of cut | :19:52. | :19:54. | |
# Cause you're coming down hard and your joints are all stuck | :19:55. | :19:57. | |
# I tried to say that's not the only way | :19:58. | :19:59. | |
# I never knew if I could face myself to change | :20:00. | :20:07. | |
# You were pacing, I was insecure # Slip and fall, I got the calls | :20:08. | :20:13. | |
from the prison I've been living in # Yeah, yeah, it's OK | :20:14. | :20:17. | |
# I tie my hands up to a chair so I don't fall that way | :20:18. | :20:20. | |
# Yeah, yeah, and I'm all right # I took a sip of something poisoned | :20:21. | :20:22. | |
but I'll hold on tight # Yeah, yeah, and it's OK | :20:23. | :21:18. | |
# I tie my hands up to a chair so I don't fall that way | :21:19. | :21:21. | |
# Yeah, yeah, and I'm all right # I took a sip of something poisoned | :21:22. | :21:28. | |
# But I hold on tight # Yeah, yeah, it's OK | :21:29. | :21:33. | |
# I tie my hands up to a chair so I don't fall that way | :21:34. | :21:36. | |
# Yeah, yeah, I'm all right # I took a sip of something poisoned | :21:37. | :21:39. | |
# Took a sip of something poisoned APPLAUSE AND CHEERING Well, | :21:40. | :22:21. | |
that looked like so much fun from earlier today. That was the brim -- | :22:22. | :22:29. | |
brilliant Foster The People. Live to The Other Stage and this is Paolo | :22:30. | :22:33. | |
Nutini who will be here shortly. Everything's been a bit messed up | :22:34. | :22:39. | |
today. There was an electrical storm, the power went out. Didn't | :22:40. | :22:48. | |
know if we would be on TV today? Any highlights? I was watching earlier, | :22:49. | :22:53. | |
the tent wasn't massively busy, time to leave and turned around and | :22:54. | :22:57. | |
couldn't move. So many people behind me. My highlight was De La Soul. A | :22:58. | :23:04. | |
lot of artists you wouldn't get a chance to see them and they put | :23:05. | :23:08. | |
these artists on and they were on The Pyramid Stage today and there | :23:09. | :23:12. | |
was a security guard in the front row who wasn't putting his hands up. | :23:13. | :23:17. | |
Everybody was going puts your hands up! They singled this guy out. He | :23:18. | :23:22. | |
was stood there going. And eventually everyone was going, 242! | :23:23. | :23:29. | |
Suddenly he goes. Everybody goes yes! You can see that on the BBC | :23:30. | :23:34. | |
Glastonbury website. You can stream all the stages, as well. Another | :23:35. | :23:41. | |
band I saw today Haim. I think we had a moment. We didn't explain your | :23:42. | :23:45. | |
face earlier. Is your face normally like that? I was on The Other Stage | :23:46. | :23:49. | |
and it wasn't the weirdest face on that stage. We did the bass face to | :23:50. | :23:53. | |
her face today. You know the band well, would they have been annoyed | :23:54. | :23:58. | |
at that? Not at all. They're fun-time girls. Sometimes you | :23:59. | :24:02. | |
interview a band and they're like, ha-ha! And they just leave and | :24:03. | :24:05. | |
they're not actually that nice in real life. But with Haim what you | :24:06. | :24:10. | |
see is 100% what you get. They're the most fun. Coming occupy we will | :24:11. | :24:16. | |
have Paolo Nutini live from the Other Stage. We are just waiting, | :24:17. | :24:20. | |
still loads of stuff tonight... He is probably getting into that shirt | :24:21. | :24:25. | |
Gemma gave him. No, he put that in the bin. As we said there is so much | :24:26. | :24:29. | |
to get your teeth into on the BBC. We have all the red button stuff | :24:30. | :24:34. | |
going on. Plus, you can go to the website and stream all of those | :24:35. | :24:36. | |
stages we talked about earlier. Really you can just do whatever you | :24:37. | :24:40. | |
like. You can watch stuff on your tablets and that stuff, as well. | :24:41. | :24:47. | |
Also The Introducing Stage. A cheeky plug, amazing bands on Sunday. Three | :24:48. | :24:54. | |
incredible bands to check out. Hello to Steve who says, how have I not | :24:55. | :25:01. | |
discovered Foster The People? Also, you are rocking us on our sofa at | :25:02. | :25:06. | |
home to Foster The People, that is. Charlotte, the coverage is just | :25:07. | :25:10. | |
brilliant. I feel like I am there with you. And also, this guy Adam | :25:11. | :25:15. | |
says, no World Cup football tonight but thank God for Kaiser Chiefs at | :25:16. | :25:21. | |
Glastonbury, they've saved my day. Over the next couple of days loads | :25:22. | :25:25. | |
of brilliant stuff and we have Sunday and Ellie Goulding who will | :25:26. | :25:30. | |
be on. These people love coming back to Glastonbury. What is it about | :25:31. | :25:34. | |
this place? It's not just a Festival, it's everything else, as | :25:35. | :25:38. | |
well. It's the atmosphere, the music, the people, the weird little | :25:39. | :25:43. | |
tents and performing arts. But also so many people are here that it's | :25:44. | :25:47. | |
like a birthday party. You go and you see all your mates, you are | :25:48. | :25:54. | |
like, all right, hi! And everyone is up for a good time, doesn't matter | :25:55. | :25:57. | |
what you are watching or where you are, there is something to do. | :25:58. | :26:04. | |
Kaiser Chiefs have had a big day, they started the whole Festival, a | :26:05. | :26:07. | |
band gets the job of opening the Festival, they were first on, | :26:08. | :26:11. | |
they've had a lock day. They've been away -- a long day. They've been | :26:12. | :26:16. | |
away a bit. And they're back on headlining The John Peel Stage | :26:17. | :26:19. | |
tonight which is a big deal for them. The great thing about them is | :26:20. | :26:25. | |
they'll have a crowd there who found them through seeing Ricky on The | :26:26. | :26:30. | |
Voice and the old school indie fans 2004 era when you were in a disco as | :26:31. | :26:35. | |
a student or whatever dancing to, oh, my God, I can't believe it! But | :26:36. | :26:42. | |
it's nostalgia and current and new. Arcade Fire later. I am going to | :26:43. | :26:49. | |
watch the Kaiser Chiefs, and I am happy, you are going to see Arcade | :26:50. | :26:53. | |
Fire and I am jealous of you. They've earned that slot, you know | :26:54. | :27:00. | |
what, they've gone we are ready for the Pyramid Stage. For them to do | :27:01. | :27:04. | |
that tonight is a big deal for them. The great thing about Arcade Fire is | :27:05. | :27:11. | |
they span a huge awry, they're going to put on a show. They draw | :27:12. | :27:14. | |
influences from different places. My favourite member is a guy called | :27:15. | :27:18. | |
Richard who I saw a couple of years ago do a performance called Hearts | :27:19. | :27:26. | |
and Breaths, him and a group of musicians and they did this thing | :27:27. | :27:29. | |
and performed this piece of music together and instead of playing it a | :27:30. | :27:33. | |
track or something they were playing to the sound of their own heartbeat | :27:34. | :27:42. | |
with stethoscopes on. Over this piece they fell into time. It was | :27:43. | :27:47. | |
amazing. Paolo Nutini is coming up, we promise you. We have a few | :27:48. | :27:51. | |
technical problems at the moment. You can see there is The Other | :27:52. | :27:55. | |
Stage. Everyone is waiting for him to be on stage. Everything's been | :27:56. | :27:59. | |
delayed because of the storm from today. We will get to Paolo Nutini | :28:00. | :28:02. | |
very shortly. Looking back, you have been to Glastonbury a few times. | :28:03. | :28:08. | |
Have you got a favourite moment, a headliner, a favourite moment? What | :28:09. | :28:15. | |
have you liked at this Festival? On The Introducing Stage Daughter last | :28:16. | :28:20. | |
year was special. All the kind of like, had gone to see them play, and | :28:21. | :28:24. | |
they played the Introducing Stage and there was hardly anyone in | :28:25. | :28:28. | |
there, it was so silent and quiet. You knew that every person in that | :28:29. | :28:32. | |
tent was a massive fan. It made it feel so much more like electric. | :28:33. | :28:38. | |
Also my first ever Glastonbury was brilliant too. We are going to go to | :28:39. | :28:42. | |
The Other Stage now, because Paolo Nutini is ready to go. Enjoy. | :28:43. | :29:24. | |
# How was I to know you'd just come along? | :29:25. | :29:46. | |
# She's the bass, she's the beat She's the rhythm, she's the band | :29:47. | :29:55. | |
# Sly hands, spinning webs like silk | :29:56. | :30:10. | |
# Beats are dripping on me, like spider milk | :30:11. | :30:18. | |
# And I never heard the warning when I woke up this morning | :30:19. | :30:21. | |
# She's my rock, she's my bud, she's tequila, she's a trip | :30:22. | :30:28. | |
# I said the only way I win is the way I lose | :30:29. | :30:48. | |
# And I never got the script I unzipped | :30:49. | :30:52. | |
# Got a little bit wet up in my brain | :30:53. | :30:56. | |
# She's your church, she's your sin | :30:57. | :30:57. | |
# She's the oh She's the rain | :30:58. | :31:07. | |
# She gets me silly She's like a trick on me | :31:08. | :31:29. | |
# And in the climax she would scream with me | :31:30. | :31:35. | |
# She gets me funny, she doesn't want none of my money | :31:36. | :31:40. | |
# So I pour it over her like gasoline | :31:41. | :31:42. | |
# Light a match and then I'm back in my teens | :31:43. | :31:45. | |
# Me and super girl smoking my green | :31:46. | :31:46. | |
# Unload, reload Eyes back swinging | :31:47. | :31:52. | |
# Sweet thing, knows things Jeff Beck sings | :31:53. | :31:58. | |
# Roundhouse, going down Let's go! | :31:59. | :32:02. | |
# Yeah, the girl, so fine You wanna scream. # | :32:03. | :33:06. | |
# There was no sweeter fruit than this | :33:07. | :34:14. | |
# While the rain came a-tumbling down | :34:15. | :37:40. | |
It's such a pleasure to be back here in this field. Playing for you | :37:41. | :41:46. | |
beautiful people. Let's hope the rain stays away. | :41:47. | :42:04. | |
# I kiss the sky to send her blue a letter | :42:05. | :42:53. | |
# Gonna treat her like a real man can | :42:54. | :43:14. | |
# She's got me feeling so much better | :43:15. | :43:38. | |
# Oh, you trade all the money in the world | :43:39. | :43:43. | |
# All the while, she'll make you feel so much better | :43:44. | :44:02. | |
# Oh that girl, makes me wanna be a better man | :44:03. | :44:16. | |
# Sure she sees, gonna treat her like a real man can | :44:17. | :44:28. | |
# I said that girl makes me wanna be a better man | :44:29. | :46:25. | |
# Sure she see she fit, gonna treat her like a real man can | :46:26. | :46:29. | |
# Gonna treat her like a real man can | :46:30. | :47:08. | |
I just want to say thank you to Gemma for my Glastonbury shirt. | :47:09. | :48:07. | |
# And all the corners of our pictures | :48:08. | :48:39. | |
# They still symbolize what you mean to me | :48:40. | :48:57. | |
# Well I'd be a fool to want more from you | :48:58. | :49:11. | |
# I'll cry and you'll cry and we'll cry | :49:12. | :49:40. | |
# And the devil moves and clings to us | :49:41. | :49:54. | |
# Sometimes it feels like it's all I've gotten | :49:55. | :50:11. | |
# Like you'd be a fool to want more from me | :50:12. | :50:25. | |
# And promises captured in one kiss | :50:26. | :51:32. | |
# We hide and we seek and we squander | :51:33. | :51:38. | |
# The evil eyed leads a curious fight | :51:39. | :54:12. | |
# And even angels can get caught in the end | :54:13. | :54:15. | |
# With their halos round their throat | :54:16. | :54:19. | |
# Part time lovin' on the primitive still | :54:20. | :54:29. | |
# Two glass mantras on a hook, on a rail | :54:30. | :54:32. | |
# Seems like I'm doing the same old shit | :54:33. | :54:44. | |
# Yeah, you should taste her majesty | :54:45. | :55:10. | |
# And all the rest seems circumstantial | :55:11. | :55:48. | |
# Scattered across a less predictable stage | :55:49. | :55:53. | |
# Scrambled softly, they're all over your plate | :55:54. | :55:56. | |
# Seems like I'm doing the same old shit | :55:57. | :56:11. | |
# Just like a crow, it comes and goes | :56:12. | :56:48. |