Friday Part 2 ‹ 2016 ‹ Glastonbury

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This programmes contains strong language and repetivive strobing.	:00:09.	:00:14.
Wear, strong, comfortable shoes. When rap remembers at Glastonbury,	:00:15.	:00:23.
they look for fresh, plastic bags to put over their white trainers. It is	:00:24.	:00:30.
England. It is going to be wet. Find out who your neighbours are. Find	:00:31.	:00:37.
out where your tent is. Get a pop-up tent. Have a Zambuca. Take a deep	:00:38.	:00:43.
breath. Soak up the energy. That's what you should do.	:00:44.	:01:00.
Hello and welcome back to BBC Two and the Glastonbury coverage here at	:01:01.	:01:06.
the festival. There is so much for you to enjoy, in your beds, between	:01:07.	:01:11.
now and 2.00am. However, coming up next. Yes, we are heading back it	:01:12.	:01:17.
the Pyramid Stage for your Friday night headliners, here at	:01:18.	:01:22.
Glastonbury 2016. I have always wanted to say this, so here we go...	:01:23.	:01:28.
Have we got more Muse for you. We have, enjoy.	:01:29.	:02:01.
# I wanna break this spell that you've created	:02:02.	:02:05.
# You're something beautiful a contradiction	:02:06.	:02:07.
# I wanna play the game I want the friction	:02:08.	:02:09.
# You will be the death of me You will be the death of me	:02:10.	:02:12.
# I won't let you murder it our time is running out	:02:13.	:02:28.
# You can't push it underground You can't stop it screaming out	:02:29.	:02:37.
# I wanted freedom bound and restricted	:02:38.	:02:54.
# I tried to give you up but I'm addicted	:02:55.	:02:58.
# Now that you know I'm trapped sense of elation	:02:59.	:03:02.
# You'd never dream of breaking this fixation	:03:03.	:03:08.
# You will squeeze the life out of me, bury it	:03:09.	:03:17.
# I won't let you bury it I won't let you smother it	:03:18.	:03:21.
# I won't let you murder it our time is running out	:03:22.	:03:32.
# Our time is running out You can't push it underground	:03:33.	:03:38.
# You will suck the life out of me	:03:39.	:04:29.
# I won't let you smother it I won't let you murder it	:04:30.	:04:42.
# You can't push it underground You can't stop it screaming out	:04:43.	:05:02.
# And she had a name	:05:03.	:06:54.
# Let your anger rise	:06:55.	:07:06.
# This is the last time I'll abandon you	:07:07.	:07:47.
# And this is the last time I'll forget you	:07:48.	:07:56.
# This is the last time I'll abandonyou	:07:57.	:08:52.
# This is the last time I'll abandon you	:08:53.	:08:57.
# And this is the last time I'll forget you	:08:58.	:09:11.
# This is the last time I'll abandon you	:09:12.	:10:13.
# And this is the last time I'll forget you	:10:14.	:10:23.
# It's gone, you know it's gone for good	:10:24.	:23:56.
# Lost in space and time for ever more	:23:57.	:24:14.
# They'll try to push drugs that keep us all dumbed down	:24:15.	:28:19.
# And hope that we will never see the truth around	:28:20.	:28:21.
# Another packaged lie to keep us trapped in greed	:28:22.	:28:30.
# And all the green belts wrapped around our minds	:28:31.	:28:34.
# And endless red tape to keep the truth confined	:28:35.	:28:58.
# Come let the revolution take its toll	:28:59.	:29:36.
# If you could flick the switch and open your third eye	:29:37.	:29:38.
# You'd see that we should never be afraid to die	:29:39.	:29:41.
# It's time the fat cats had a heart attack	:29:42.	:29:47.
# You know that their time's coming to an end	:29:48.	:29:49.
# We have to unify and watch our flag ascend	:29:50.	:29:53.
# I've fallen on the inside	:29:54.	:33:47.
# Save me from the ghosts and shadows	:33:48.	:34:03.
# Running from the ghosts and shadows	:34:04.	:34:40.
# The world just disavows	:34:41.	:34:56.
How are you doing? CHEERS	:34:57.	:38:21.
# No one's gonna take me alive	:38:22.	:42:23.
# The time has come to make things right	:42:24.	:42:29.
# You and I must fight for our rights	:42:30.	:42:35.
# The time has come to make things right	:42:36.	:42:58.
# You and I must fight for our rights	:42:59.	:43:04.
# The time has come to make things right	:43:05.	:43:51.
# You and I must fight for our rights	:43:52.	:43:59.
CHEERING AND APPLAUSE	:44:00.	:46:38.
Thank you Glastonbury. You guys are fucking amazing. It is great to be	:46:39.	:46:46.
back. Have a good weekend. Cheers. Job done. They have made an awful	:46:47.	:47:28.
lot of people extraordinarily happy and they must be extremely happy	:47:29.	:47:33.
too. That was Muse, headlining on the Pyramid Stage. We'll bring you	:47:34.	:47:39.
other headliners around the stages in Glastonbury. We'll have Richard	:47:40.	:47:46.
Hawley and Disclosure on The Other Stage and we'll head over to the	:47:47.	:47:53.
John Peel Stage for Sigur Ros and we have special guests and a few people	:47:54.	:48:02.
from the Sir Cows Field. I would be so disappointed if somebody wasn't	:48:03.	:48:05.
contorting themselves live. First, we'll go to the first of our	:48:06.	:48:09.
performances this evening. This woman has the most incredible voice.	:48:10.	:48:13.
She can really let rip. If you are ready, we'll go over to the	:48:14.	:48:15.
wonderful Grace. # Feels good when I	:48:16.	:48:24.
wake in the morning # Feeling good when	:48:25.	:48:29.
I look in the mirror # Slept all night for	:48:30.	:48:38.
the first time, in month # Shoulda done it	:48:39.	:48:48.
when you had the chance # I know you didn't think It	:48:49.	:49:50.
comes back around, oh Very nice. It is absolutely	:49:51.	:51:47.
freezing, can I do this? Well done, Grace. What do you make of	:51:48.	:51:50.
Glastonbury, is it your first time here? Oh, have two mics. It was	:51:51.	:52:02.
amazing. We did our show at 7.00pm. I got to hang out. I saw a couple of	:52:03.	:52:07.
people. It is crazy. I can't believe how big it is and the energy is	:52:08.	:52:17.
insane, it is sic. You are mates with Stormzy. I hope to do something	:52:18.	:52:22.
with him in the future Trying to place your accent. I was born in	:52:23.	:52:26.
Australia, but my dad is British. And I have been in the States for	:52:27.	:52:30.
three years. Your album is out this Friday, is that right? It is. Is it	:52:31.	:52:36.
this Friday? Wow. I didn't know it was that close but it comes out this	:52:37.	:52:44.
Friday. And it is called? It is called FMA - Forgive My Attitude.	:52:45.	:52:48.
Thank you for being so patient and so good. Tell you what, we will go	:52:49.	:52:52.
over to the Park Stage. As we mentioned. Richard Hawley has been	:52:53.	:52:57.
playing, a headline set. It is that wonderful time when everything else	:52:58.	:53:01.
stops and all of a sudden he was casting a spell around the park	:53:02.	:53:03.
area. This # Oh yeah	:53:04.	:54:18.
# Those people thb they got nothing in their souls. Thb they make our	:54:19.	:54:28.
TVs bind us # From our vision and our goals	:54:29.	:54:35.
# All the time it tricks you # Did you know that tonight	:54:36.	:54:46.
# The streets our ours # The streets are ours	:54:47.	:54:56.
# These lights in our hearts # They tell no lies	:54:57.	:54:59.
# And no-one else can see # the way you dream of me	:55:00.	:55:10.
# I need to know # I couldn't be without you	:55:11.	:55:22.
# The light it shines around you # Nothing ever mattered more	:55:23.	:55:24.
# Tonight the streets are ours # There is so much of the past	:55:25.	:56:08.
# But did you know that tonight, the streets are ours	:56:09.	:56:09.
# tonight, the streets are ours # These lights in our street are	:56:10.	:56:25.
ours # Tonight the streets are ours	:56:26.	:56:32.
# These lights in our hearts they tell no lies	:56:33.	:56:38.
# APPLAUSE	:56:39.	:57:24.
# He killed his wife # The hungry little children	:57:25.	:57:30.
# He took their lives # This was the act of a desperate	:57:31.	:57:34.
man. # With only love in his eyes for no	:57:35.	:57:38.
evil hand # He was standing at the star's edge	:57:39.	:57:53.
# And out there who knows what he's looking	:57:54.	:57:55.
# He was sliding down the razor's edge	:57:56.	:57:56.
# inwatched his life slowly sinking Mary was a troubled girl	:57:57.	:58:23.
# She stole to eat # She had to sell her body to put	:58:24.	:58:30.
shoes on her feet # Stole a car and tried to get away	:58:31.	:58:39.
# Now all she hears is the rain on the roof	:58:40.	:58:43.
# At sky's edge jail # She was standing at the sky's edge	:58:44.	:58:54.
# And out there who knows what she is athinking	:58:55.	:58:56.
# She was sliding down the razor's edge	:58:57.	:59:04.
# And watched her life slowly sinking	:59:05.	:59:09.
# Away # Away	:59:10.	:59:45.
# They were standing at the sky's edge	:59:46.	:59:51.
# And out there who knows what they're thinking	:59:52.	:59:57.
# They were sliding down the razor's edge	:59:58.	:00:03.
# And watched their lives slowly sinking	:00:04.	:00:09.
# Away # Away	:00:10.	:00:15.
# Away # Jacob was misguided,	:00:16.	:00:22.
he carried a blade, # So much fear in the city	:00:23.	:01:50.
it carried him away. # Young men were fighting	:01:51.	:01:52.
and loosing their lives # At night as the screech	:01:53.	:01:54.
howls in the trees watch # They were standing	:01:55.	:01:58.
at the sky's edge, # And out there who knows	:01:59.	:02:02.
what they're thinking. # They were sliding	:02:03.	:02:05.
down the razor's edge, # And watched their	:02:06.	:02:08.
lives slowly sinking, # They were standing	:02:09.	:02:14.
at the sky's edge, # And out there there's	:02:15.	:02:21.
dangerous thinking, # They were standing	:02:22.	:02:27.
at the mirror's edge, # And watched their	:02:28.	:02:34.
lives slowly sinking, He is so great. That was Richard	:02:35.	:03:54.
Hawley on the Park Stage. A lovely stage. Are you a fan? I am. I think	:03:55.	:04:00.
the last album was brilliant. I like the Welcome to Sheffield sign. A	:04:01.	:04:06.
little bit of Sheffield in Pilton. We have not seen Gemma for a while.	:04:07.	:04:11.
I believe she is at the Common and surrounded by people from The Day Of	:04:12.	:04:14.
the Dead. Oh my giddy aunt. This is absolutely	:04:15.	:04:27.
surreal as ever. OK. So I'm in the Common area of Glastonbury, one of	:04:28.	:04:33.
the newest late-night venues, in, specifically this new tented. It is	:04:34.	:04:42.
an experience of performist artists themed on Mexicanna and Day of the	:04:43.	:04:47.
Dead. I'm getting my make-up done in a coffin. Only for you guys. Finish	:04:48.	:04:53.
me up, babies. Oh my goodness. This is absolutely	:04:54.	:04:59.
bananas. I want to speak to Katie. She is the mother of the theatre	:05:00.	:05:09.
company. What is going on here? We are inspired by looking at the	:05:10.	:05:12.
difference of Hallowe'en. It was all about gore. You know, zombies. I was	:05:13.	:05:20.
interested in what really was behind that before and it was the festival	:05:21.	:05:26.
of the dead, very like the Mexican festival of dead, where they really	:05:27.	:05:30.
honour their dead and honour and remembrance and treat death very	:05:31.	:05:34.
differently. So I felt very passionate about changing that. What	:05:35.	:05:39.
time can people come here to? What time do you close? Can people come	:05:40.	:05:43.
and get a cocktail and dance with skeletons? We are all from 11-3am	:05:44.	:05:48.
with all the characters around and big things to join into and then	:05:49.	:05:54.
there is a bar from about 3am to 6am every night for the next three	:05:55.	:05:58.
nights. Well, it absolutely has blown my mind. It is a very	:05:59.	:06:02.
different experience here. All I can say, is I think it is time for me to	:06:03.	:06:08.
sign off. I am in the depths of late-night Glastonbury and I'm in	:06:09.	:06:10.
coffin. So weird. Good night. I kind of getting the feeling she	:06:11.	:06:19.
might not come back. I hope she does and we'll see her a bit later. The	:06:20.	:06:25.
last fancy dress party we had at home. I went from a character from	:06:26.	:06:30.
Day of the Dead. If you want an idea for fancy dress at a party. It is so	:06:31.	:06:34.
good. Might do that, come Hallowe'en. Not belong to go,	:06:35.	:06:38.
something to look forward to. What are we going to hear next? We are	:06:39.	:06:43.
going tow go to Savages. I went to see them before I came on air. I	:06:44.	:06:47.
thought you were going to ask me something deep and personal. Well,	:06:48.	:06:51.
what do you want to know I'm excited to see them. They were brilliant	:06:52.	:06:55.
earlier, here is at bit of their set.	:06:56.	:07:02.
This song is called, This Is What You Get.	:07:03.	:07:18.
Thb what you get when you mess with love	:07:19.	:07:24.
# This is what you get when you mess with love	:07:25.	:07:27.
# This is what you get when you mess with love.	:07:28.	:07:41.
# This is what you get if you mess with love	:07:42.	:07:46.
# This is what you get if you mess with love	:07:47.	:07:49.
# This is what you get if you mess with... Love	:07:50.	:08:16.
# You mess with love when you gop out tonight.	:08:17.	:08:23.
# Doesn't matter who's wrong or right	:08:24.	:08:26.
# All you want is that feeling again # When someone is catching in your	:08:27.	:08:30.
head # Look right, look left, what	:08:31.	:08:32.
distress # I saw a no become a yes	:08:33.	:08:38.
# This is what you get when you mess with love	:08:39.	:08:41.
# This is what you get when you mess with love	:08:42.	:08:42.
# I mess with love # I mess with love	:08:43.	:08:46.
# You mess with love # I mess with love	:08:47.	:08:49.
# You mess with love # I mess with love	:08:50.	:09:12.
# This is what you get when you mess with will have	:09:13.	:09:46.
# This is what you get when you mess with love	:09:47.	:09:49.
# This is what you get when you mess with love	:09:50.	:09:55.
# Love # Love	:09:56.	:10:01.
# Mess with love # Mess with love love	:10:02.	:10:09.
# APPLAUSE	:10:10.	:10:20.
That of Savages playing on the Park Stage only about an hour ago before	:10:21.	:10:27.
Richard Hawley. It looked like there was a Sir cull pit going on. She is	:10:28.	:10:35.
an amaze front woman. Second album sounding superb. Great to see them.	:10:36.	:10:41.
I kind of feel like I'm doing the Chelsea Flower Show. There are some	:10:42.	:10:48.
shows you can only do with a had the water bottle. I find Glastonbury,	:10:49.	:10:51.
late night, you need T this is my accessory for the rest of the	:10:52.	:10:55.
evening. We will go to the John Peel Stage, earlier on the headliners	:10:56.	:10:58.
were the wonderful, fabulous, Sigur Ros.	:10:59.	:11:05.
What have you done with the hot water bottle? I deep thinking what	:11:06.	:17:05.
about Bear Grylls recommend? ? That was Sigur Ros. Unique and singing in	:17:06.	:17:10.
their own language. Sounding incredible. We will go to band who n	:17:11.	:17:17.
2014 were playing on a different stage. Tonight they were heading on	:17:18.	:17:21.
The Other Stage. This is Disclosure. How are we feeling out there,	:17:22.	:17:23.
Glastonbury? All right. We are going to slow	:17:24.	:17:27.
things down, just for one minute. # Don't say you want me,	:17:28.	:17:40.
don't say you need me # Willing and able,	:17:41.	:18:05.
cards on the table # And I believe	:18:06.	:18:09.
in what we've found # There'll be no looking back,	:18:10.	:18:12.
no looking back, no # If there's enough,	:18:13.	:18:17.
in stuff we touch # There'll be no looking back,	:18:18.	:18:19.
no looking back, no # If we're falling in love,	:18:20.	:18:21.
we're falling in love # And I won't give you up,	:18:22.	:18:23.
no I won't give you up # If we're falling in love,	:18:24.	:18:42.
we're falling in love # And I won't give you up,	:18:43.	:18:53.
no I won't give you up # If you don't feel it,	:18:54.	:19:04.
the same as me # If you don't see it,	:19:05.	:19:13.
the way I see # There'll be no looking back,	:19:14.	:19:22.
no looking back, no # If there's enough,	:19:23.	:19:37.
in stuff we touch # There'll be no looking back,	:19:38.	:19:43.
no looking back, no # If we're falling in love,	:19:44.	:19:46.
we're falling in love # And I won't give you up,	:19:47.	:19:50.
no I won't give you up # If we're falling in love,	:19:51.	:19:58.
we're falling in love # And I won't give you up,	:19:59.	:20:09.
no I won't give you up # If I'm gonna fall in,	:20:10.	:20:18.
I'm gonna fall my all in make some noise for Kwabs,	:20:19.	:21:51.
Glastonbury. CHEERING AND	:21:52.	:21:57.
APPLAUSE You know, I usually have to hit that	:21:58.	:22:34.
like, three or four times, you guys, you just win, you win.	:22:35.	:22:40.
But, I'm still going to start the song. So, Glastonbury, are you with	:22:41.	:22:44.
us for this one? Every person left to right, front to	:22:45.	:23:10.
back are going to sing this with us? # You lift my heart up	:23:11.	:24:00.
# When the rest of me is down # You, you enchant me even when	:24:01.	:24:03.
you're not around # if there are boundaries	:24:04.	:24:15.
# I will try to knock them down # I'm latching on babe, now I know	:24:16.	:24:17.
# I'm latching on, babe, now I know what I have found	:24:18.	:24:42.
# Feel so enamored, hold me tight within your clutch	:24:43.	:25:39.
# How do you do it, you got me losing every breath	:25:40.	:25:46.
# What did you give me to make my heart bleed out my chest?	:25:47.	:26:09.
Glastonbury, show me your biggest smile!	:26:10.	:26:29.
Let's do this for peae and love, come on!	:26:30.	:26:51.
We've been Disclosure. We've been amazing.	:26:52.	:29:00.
Thank you so much, guys. We love you. Have a great weekend. We will	:29:01.	:29:12.
see you out there. He joy, good night. -- enjoy.	:29:13.	:29:16.
I mazing. You can believe it as well. You can see the brothers,	:29:17.	:29:24.
Howards running around over a massive set on The Other Stage. They	:29:25.	:29:27.
seemed genuinely overwhelmed. Didn't they? The crowd so, so happy. We	:29:28.	:29:31.
were saying the dance scene is massive here, compared to how it	:29:32.	:29:36.
used to be. Yes. It gets bigger every year. I can imagine, years ago	:29:37.	:29:42.
it was ZZ Top from Friday morning to Sunday night. Thank God for	:29:43.	:29:47.
electronic music. Thank God they are still here. Things never changes. We	:29:48.	:29:50.
were chat being what we were looking forward to. We'll discuss that after	:29:51.	:29:56.
we have watched the next VT. We will go to Aluna George next, who played	:29:57.	:30:01.
John Peel earlier on. I have one question for you. Who's	:30:02.	:30:03.
in control? # Who's in control?	:30:04.	:30:22.
# I'm in control # Who's in control?	:30:23.	:30:23.
# I'm in control # I like crashing waves	:30:24.	:31:09.
# But I want to see them at first light	:31:10.	:31:13.
# After a long night # And see the sky take shape	:31:14.	:31:19.
# But I want to see the stars burn # After I've had my turn	:31:20.	:31:26.
# And ooh, ooh, # You're working so hard	:31:27.	:31:30.
# You played your card # So what's the payoff?	:31:31.	:31:38.
# And, ooh, ooh, # Big talk is cheap	:31:39.	:31:42.
# You gotta go deeper than deep # To get me off	:31:43.	:31:46.
# If you're picking up my call # Come and tell your boss you know	:31:47.	:31:49.
that I'm in control # I'm in control	:31:50.	:31:53.
# Don't you know I want it all # Put your hands against the wall	:31:54.	:31:56.
# I'm in control # I'm in control	:31:57.	:32:30.
# We got rainbow colours # I know you're undercover oh, oh,	:32:31.	:32:43.
working so hard # You played your hard	:32:44.	:32:48.
# So what's the payoff? # And oh, oh, big talk is cheap	:32:49.	:32:53.
# Because you're deeper than deep # To get me off	:32:54.	:33:03.
# If you're picking up my call # Come and tell your boss you know	:33:04.	:33:06.
that I'm in control # Don't you know I want it all	:33:07.	:33:09.
# Put your hands against the wall # I'm in control	:33:10.	:33:25.
# All night me a give you love # I'm in control	:33:26.	:33:57.
# If you're picking up my call # Come and tell your boss you know	:33:58.	:34:03.
# That I'm in control # Don't you know I want it all	:34:04.	:34:09.
# Put your hands against the wall # Cause she's in control of me love	:34:10.	:34:13.
# I'm in control#	:34:14.	:34:25.
Brilliant, Aluna George and Disclosure playing, and what is	:34:26.	:34:29.
Brailleant it started as bedroom projects. Good dancing as well.	:34:30.	:34:34.
Absolutely. Really good. The day started here on the Pyramid Stage	:34:35.	:34:39.
with the Sir skap Syrian Nags a Orchestra. Damon Albarn worked with	:34:40.	:34:47.
him in 2008 and they performed with him on the Gori I will las album. It	:34:48.	:34:53.
was poignant when they foamed. So picture at the beginning of the day,	:34:54.	:35:02.
the Syrian National Orchestra with Damon Albarn. Welcome.	:35:03.	:35:16.
I'm so pleased to be here. It is something unusual to be here. It is	:35:17.	:35:23.
maybe be once in a life to be in Glastonbury. We have somehow managed	:35:24.	:35:27.
to gather some extraordinary musicians from the pan Arabic world.	:35:28.	:35:30.
They have travelled all the way here. From a very different reality.	:35:31.	:35:43.
It was so exciting for Syria and all the people here are so excited for	:35:44.	:35:48.
that. We love Syria. We are here to show people that	:35:49.	:35:59.
there is a lot of talented people in Syria. There is the mukic in Syria.	:36:00.	:36:13.
Very warm, sunny music. It has melancholy in t sunshine, blue	:36:14.	:36:17.
skies, mountains, ancient history, a massive, diverse set of people,	:36:18.	:36:21.
different religions. Different ethnicity. You know, it also has bad	:36:22.	:36:29.
weather and it is moment it is experiencing really bad weather but	:36:30.	:36:33.
that applies to everywhere really. Damon Albarn takes you to his world.	:36:34.	:36:37.
Like we are following him and we are building the music together.	:36:38.	:37:05.
# Huff been so busy lately # You haven't found the time.	:37:06.	:37:12.
You can express your feelings and fly with the audience.	:37:13.	:37:19.
? # Out of time. It was the perfect	:37:20.	:37:27.
start to Glastonbury. It was amazing. Really beautiful. Thank	:37:28.	:37:32.
you. Thank you, thank you, I love you.	:37:33.	:42:36.
The Syrian National Orchestra with Damon Albarn. How beautiful was that	:42:37.	:42:41.
little clip. Now early days, you could see early door it was about	:42:42.	:42:46.
the waterproof poncho. I think our boots tell the tale of what the	:42:47.	:42:51.
weather was like early. That's the only reference to mud we will have	:42:52.	:42:56.
on this show today. I bought these with mud already on. This is old	:42:57.	:43:01.
school mud, from three years ago. We'll head over to the BBC's	:43:02.	:43:07.
introducing stage. We played introducing artists on Radio 2, six	:43:08.	:43:13.
music, 1 Xtra. The stage is a big part of it and as well as new	:43:14.	:43:17.
friends, old friends come back to play. And this is what happened	:43:18.	:43:21.
earlier on today when Catfish and the Bottlemen from North Wales came	:43:22.	:43:23.
it play for us. # All for none	:43:24.	:44:02.
# And still I become # I just always seem to call out	:44:03.	:45:36.
# When I need you # I'm sorry	:45:37.	:45:48.
# See I # Struggle to speak some time	:45:49.	:46:31.
# But that's why she never lets me # See I	:46:32.	:46:35.
# That's why nobody gets me see I # Struggle to please sometime	:46:36.	:46:36.
# But it's why I don't... APPLAUSE Thank you. That was Catfish	:46:37.	:47:03.
and the Bottlemen sounding great on the BBC introducing stage earlier.	:47:04.	:47:08.
The videos from pretty much all the performances and so many of the	:47:09.	:47:12.
other stages are up online. They will be up for weeks to come. They	:47:13.	:47:18.
will be back on Sunday afternoon on The Other Stage. You will get to see	:47:19.	:47:26.
them again. We'll go and have another wonderful acoustic	:47:27.	:47:29.
performance. This land come from Atalanta. They do about 250 gigs a	:47:30.	:47:35.
year, every year. This is Blackberry Smoke.	:47:36.	:47:55.
# In the tiny town I come from # You grew up doing what your daddy	:47:56.	:48:02.
done # And you don't ask questions you do	:48:03.	:48:11.
it just because # You don't climb too high or drink	:48:12.	:48:14.
too much # With a whole lot of work and a	:48:15.	:48:20.
little bit of luck # You can wind up right where your	:48:21.	:48:27.
daddy was # This little biddy town	:48:28.	:48:35.
# it ain't nothing new # We all stick around	:48:36.	:48:46.
# Cos they all tell us to # So swallow your pride	:48:47.	:48:53.
# Just to make your family proud # If I didn't think that that it	:48:54.	:49:03.
would shut the whole place down # I'd ride my pony right out of this	:49:04.	:49:11.
one horse town # Yeah, this one horse town	:49:12.	:49:23.
# I'm an old married man at age 23. Got two little boys	:49:24.	:49:31.
# And that might be their only ticket out	:49:32.	:49:41.
# All they got is a warn out name # And a daddy who could have' gone	:49:42.	:49:44.
all the way # But I hung my saddle up and I	:49:45.	:49:53.
settled down # This little biddy town	:49:54.	:49:58.
# Oh, yeah, it ain't nothing new # We all stick around	:49:59.	:50:10.
# Cos they all tell us to # Swallow this pride	:50:11.	:50:21.
# Just to make your family proud # If I didn't drink it with shut the	:50:22.	:50:30.
whole place down - if I didn't think it would shut the whole place down	:50:31.	:50:37.
# I'd ride my pony out of this one horse town	:50:38.	:50:38.
# Yes this one horse town # This little biddy town	:50:39.	:51:04.
# Oh, yeah, it ain't nothing new # We all stick around	:51:05.	:51:17.
# Because they all tell us to # Swallow your pride	:51:18.	:51:20.
# # If I didn't think it would shut	:51:21.	:51:35.
the whole thing down I'd saddle that one horse and ride him right out of	:51:36.	:51:39.
this town #	:51:40.	:51:44.
APPLAUSE That was brilliant. Beautiful.	:51:45.	:51:53.
Coming to Glastonbury and imagine upstaging ZZ Top with the beards as	:51:54.	:51:57.
well. Thank you so much for playing. That was beautiful. You have	:51:58.	:52:02.
supported them in the past and more recently Zac, so it makes perfect	:52:03.	:52:08.
sense. It was great. More live music for you now at Glastonbury. Do we	:52:09.	:52:17.
know from who? It is Skepta on the Pyramid Stage. A big moment for	:52:18.	:52:21.
Skepta and the crowd. This is what happened earlier on.	:52:22.	:52:51.
# Don't know your songs but they know mine	:52:52.	:52:58.
# That's why I got gigs just like Joe Grind	:52:59.	:53:01.
# After the show I'll be rolling mine	:53:02.	:53:03.
# Don't care about the no smoking sign	:53:04.	:53:05.
# They try to steal my vision # This and the a culture, it's my	:53:06.	:53:10.
religion, # God knows I don't wanna go to	:53:11.	:53:13.
prison # But if a man wanna try me	:53:14.	:53:19.
# Trust me, listen me and my G's ain't scared for the police wb doe	:53:20.	:53:22.
don't listen to no policeman you tryna show me your Fendi	:53:23.	:53:55.
# I told you before this don't impress me	:53:56.	:54:01.
# shut down went to show, sitting in the front row, shut down	:54:02.	:54:12.
# in the black track suit and it's shutdown	:54:13.	:54:18.
# Touch the road and it's shutdown. A bmpl of young men all dressed in	:54:19.	:54:23.
black, dancing extremely aggressively on stage, it made me	:54:24.	:54:27.
feel so intimidated and it's not just whey expect to see on prime	:54:28.	:54:31.
time TV. # I'm a different class	:54:32.	:54:37.
# When I get through I'm bring my dogs, 2 by 2, man a walk in a arc	:54:38.	:54:45.
# Sittin at the front # It's like rRosaParks.	:54:46.	:54:52.
# Trust me you don't wanna see me get dark	:54:53.	:54:57.
# Shut down, thbs a he in the me and it's shut down be ring ring pussy	:54:58.	:55:02.
it's shutdown, Fashion Week and it's shutdown, went to the show sitting	:55:03.	:55:06.
in the front row, in the backtrack suit and it's shutdown touch the	:55:07.	:55:10.
road and it's shutdown, boy better know when it's shutdown.	:55:11.	:55:16.
# Boy better know when it's shutdown. Link up daddy.	:55:17.	:55:19.
# So much incredible. . Grime MC is	:55:20.	:55:27.
playing at Glastonbury and it doesn't get much better than that.	:55:28.	:55:32.
That was the only and only Skepta shutdown. We were talking earlier	:55:33.	:55:37.
about who we were looking to seeing, we were discussing the headliners,	:55:38.	:55:40.
you saw Adele when she played in Dublin. Amazing. I think tomorrow	:55:41.	:55:46.
night will be special. We need Adele at glass tonne bri. She doesn't play	:55:47.	:55:50.
fest values. She wouldn't commit to doing something like this if she	:55:51.	:55:54.
couldn't pull it off. She will be great. Coldplay on Sunday night and	:55:55.	:56:01.
Barry Gibb from the Bee Gees is come on stage. Is that happening? Yes.	:56:02.	:56:06.
They called him. He said OK. He is doing tracks. Back to the days of	:56:07.	:56:12.
scoot night Fever Beck is before them. Really exciting. Yes, we'll go	:56:13.	:56:20.
to the Park Stage now where Unknown Mortal Orchestra earlier on today.	:56:21.	:58:08.
# I can't keep checking my phone, no # I can't keep checking my phone, no	:58:09.	:58:28.
# I can't keep checking my phone, no # We read the universe might be	:58:29.	:58:52.
holographic # Traffic lights might reverse my	:58:53.	:58:57.
love # Go ahead and traverse the winter	:58:58.	:59:01.
force # Yeah	:59:02.	:59:13.
# We eat crickets # In the future	:59:14.	:59:15.
# Just tastes like # Far from home	:59:16.	:59:23.
# Drink Chicha in the jungle # That sounds great	:59:24.	:59:32.
# I'm kinda busy # I can't keep checking my, no	:59:33.	:59:48.
The joy and euphoria in that field. Great. And just over there in the	:59:49.	:01:43.
Park Stage and we are going to head to the Pyramid Stage now and Jesse	:01:44.	:01:50.
Glyn has had an amazing year. Released a debut album. It started	:01:51.	:01:55.
with that collaboration a couple of years ago. She stormed it earlier on	:01:56.	:02:02.
today. So here is Jesse Glyn on the Pyramid Stage. OK, Glastonbury, we	:02:03.	:02:10.
are all right here together. Can you believe the sun is shining?	:02:11.	:02:24.
# I didn't think this life was gonna be for me	:02:25.	:02:29.
# A love you gave me to discover was right here	:02:30.	:02:31.
# But now I'm caught up in a dream don't wanna leave!	:02:32.	:02:34.
# See I ain't been one for wishing not at all	:02:35.	:02:37.
# When you least expect it's creepin' up on you	:02:38.	:02:39.
# No confiding or abiding to no rules	:02:40.	:02:41.
# And now I'm content knowing that I'm here with you	:02:42.	:02:46.
# Right here, you got me where you want me	:02:47.	:02:49.
# Now I'm right here waiting for your calling	:02:50.	:02:53.
# Now I'm right here you got me where you want me	:02:54.	:02:56.
# Infatuation took a hold of my mind	:02:57.	:03:22.
# I wouldn't change it for the world, now that you're mine	:03:23.	:03:26.
# You played me hard to get for a while	:03:27.	:03:30.
# Still cut me deeper every day with your smile	:03:31.	:03:34.
# See I ain't been one for wishing Not at all	:03:35.	:03:36.
# When you least expect it's creepin' up on you	:03:37.	:03:40.
# No confiding or abiding to no rules	:03:41.	:03:43.
# And now I'm content knowing that I'm here with you	:03:44.	:03:50.
# Right here, you got me where you want me	:03:51.	:03:52.
# Now I'm right here waiting for your calling	:03:53.	:03:56.
# Now I'm right here, you got me where you want me	:03:57.	:04:00.
# Right here, you got me where you want me	:04:01.	:04:42.
# Right here, you got me where you want me	:04:43.	:04:56.
# Now I'm right here waiting for your calling	:04:57.	:05:00.
# Now I'm right here You got me where you want me	:05:01.	:05:05.
# Right here, you got me where you want me	:05:06.	:05:12.
# Now I'm right here Waiting for your calling	:05:13.	:05:17.
# Now I'm right here, you got me where you want me	:05:18.	:05:19.
OK, Glastonbury. I want every single person here to get down. Are you	:05:20.	:06:04.
ready? # Standing in a crowded room	:06:05.	:06:28.
and I can't see your face # Put your arms around me	:06:29.	:06:37.
Tell me everything's OK # In my mind, I'm running round	:06:38.	:06:41.
a cold and empty space # Just put your arms around me	:06:42.	:06:48.
Tell me everything's OK # Break my bones	:06:49.	:06:57.
but you won't see me fall, oh # The rising tide	:06:58.	:07:04.
will rise against them all, oh # Cos I don't wanna walk	:07:05.	:07:10.
on my own any more # I'm ready for this	:07:11.	:07:21.
There's no denying # I'm ready for this	:07:22.	:07:30.
You stop me falling # I'm ready for this	:07:31.	:07:32.
I need you all in # I'm ready for this	:07:33.	:07:35.
So darling, hold my hand # Soul is like a melting pot	:07:36.	:07:44.
when you're not next to me # Tell me that you've got me	:07:45.	:07:47.
and you're never gonna leave # Tryna find a moment	:07:48.	:07:53.
where I can find release # Please tell me that you've got me	:07:54.	:08:00.
and you're never gonna leave # Cos I don't wanna walk	:08:01.	:08:07.
on my own any more # I'm ready for this	:08:08.	:08:39.
There's no denying # I'm ready for this	:08:40.	:08:49.
You stop me falling # I'm ready for this	:08:50.	:08:54.
I need you all in # I'm ready for this	:08:55.	:08:57.
So darling, hold my hand # So please don't make me wait	:08:58.	:09:08.
cos I don't wanna break # That you don't make me wait	:09:09.	:09:16.
and never let me break # Cos I don't wanna walk	:09:17.	:09:33.
on my own any more # Cos I don't wanna walk	:09:34.	:09:49.
on my own any more # I'm ready for this	:09:50.	:10:09.
There's no denying # I'm ready for this	:10:10.	:10:15.
You stop me falling # I'm ready for this	:10:16.	:10:16.
I need you all in # I'm ready for this	:10:17.	:10:19.
So darling, hold my hand # I'm ready for this	:10:20.	:10:25.
There's no denying # I'm ready for this	:10:26.	:10:31.
You stop me falling # I'm ready for this	:10:32.	:10:33.
I need you all in # I'm ready for this	:10:34.	:10:36.
So darling, hold my hand Jesse, Glyn who was playing earlier.	:10:37.	:10:56.
So nice it see the kids there. And talking about kids. Bsail is Brush.	:10:57.	:11:05.
And I saw Dom from Dick and Dom earlier jumping up and down. If you	:11:06.	:11:12.
are a big fan of the stuff we are putting out, look at thaep. You can	:11:13.	:11:15.
see all the different performances there. If you could just be my	:11:16.	:11:21.
assistant. You can watch Jack Garrett and all the different	:11:22.	:11:25.
performances are there for you to check out whenever you want to,	:11:26.	:11:29.
wherever you are. Whenever the need takes you, the BBC Music app is what	:11:30.	:11:37.
you should get and follow our BBC Galasto. But the app is beautiful So	:11:38.	:11:45.
much great music. We are heading now to hear a Ukrainian band played	:11:46.	:11:50.
earlier. They are called Dakhabbrakha.	:11:51.	:15:00.
That looked mazing. That was Dakhabbrakha from Ukraine.	:15:01.	:15:06.
You love saying that. It is very satisfying. Try it at home.	:15:07.	:15:10.
Dakhabbrakha. I'm obsessed with the app. It is so good. We have this	:15:11.	:15:17.
tippee where we are filming acoustic performances. You can see those.	:15:18.	:15:21.
Half Moon Run. They were on. They were good. We'll have loads of	:15:22.	:15:26.
performances in in the tippee all weaning. Ourn Radio 2. Yes, 4-7pm	:15:27.	:15:35.
with Dermot O'Leary, including an exclusive interview with Basil	:15:36.	:15:39.
Brush. Boom, boom. We'll go today, to the highlight of Mark Radcliffe's	:15:40.	:15:45.
day, interviewing ZZ Top. Making your debut at Glastonbury, back	:15:46.	:15:49.
stage with Billy gibbons, a long time getting you here. How a was it?	:15:50.	:15:55.
Awesome. Quite the event. We have been knowing about Glastonbury over	:15:56.	:15:58.
in the States for so long. We finally made the scene. What a great	:15:59.	:16:02.
scene it is. It was really interesting. I was on the side of	:16:03.	:16:06.
the stage watching you and you guys, because you have been together so	:16:07.	:16:10.
long, you don't even need to look at each other to know what you are	:16:11.	:16:17.
going to do. I mean you are kind of three heads on the same body in a	:16:18.	:16:22.
way. Yes, we have kind of got into this mind-reading thing. What keeps	:16:23.	:16:25.
it exciting is we never know who is going to make the first mistake. As	:16:26.	:16:29.
long as we are going straight, if somebody takes a left turn, it is	:16:30.	:16:33.
always about getting back it square one, which we have done One of the	:16:34.	:16:37.
things which interested me on stage, I couldn't see any set lists and I	:16:38.	:16:41.
couldn't see any drinks. Well... We had both Did you? OK, I didn't see.	:16:42.	:16:45.
No pieces of paper on the floor. I thought you MEPPorised all the songs	:16:46.	:16:48.
you were playing. Well, what was down there, was it a whiskey bottle	:16:49.	:16:53.
or set list first? I can't remember... How do you know how to	:16:54.	:16:58.
do the steps? Steps? Do you sort of think with Dusty, this will be a	:16:59.	:17:02.
good time to be a duck walk or something. You must rehearse those.	:17:03.	:17:09.
Well, we had a great teach ter, Paula Abdul before she became a	:17:10.	:17:13.
singer, she was a choreographer and taught us everything we know You	:17:14.	:17:18.
take that stuff seriously. She gave up on us. She said - you guys work	:17:19.	:17:25.
it out Billy Gi about, about, ons, was once named by Jimmy Hendricks as	:17:26.	:17:32.
his favourite guitarists. You played some Hendricks today, you must	:17:33.	:17:37.
Phelan an affinity with him. Without question. Doing things with the	:17:38.	:17:41.
Fender that the designers had no clue that could even be done. Of	:17:42.	:17:45.
course, he did it and kept on doing it and did it well. So what keeps ZZ	:17:46.	:17:51.
Top going. You obviously still get great joy, I mean it still looks	:17:52.	:17:56.
like fun? It is. We get to do what we get to do. This is important to	:17:57.	:18:01.
us. We take it quite seriously. It may not appear to be that way, but	:18:02.	:18:06.
it is what we like doing the most. Someone asked - what would we be	:18:07.	:18:10.
doing if we weren't doing this? Pharmacist. I don't know. Have you	:18:11.	:18:20.
always stayed friends? Oh, yeah. There's always a story and they keep	:18:21.	:18:26.
coming up and every day there is some convenient. We travel in	:18:27.	:18:29.
different coaches and by the time we are arriving at the next town,	:18:30.	:18:34.
something of interest will ignite. That keeps it rolling. So you travel	:18:35.	:18:40.
in different coaches, so you don't kind of overburden the friendship,	:18:41.	:18:45.
so you are pleased to see oaf other when you get out there. It is always	:18:46.	:18:50.
a race it see who can get to the catering table first. So what about	:18:51.	:18:54.
Glastonbury, what else are you going to do? Someone told me you might be	:18:55.	:18:57.
doing a guest spot with somebody else. Ronnie Spector is on the bill.	:18:58.	:19:02.
I grew up listening to that great song of her Be My Baby. Is that what	:19:03.	:19:08.
you are going to play today? I think so. Yes. Have you had a chance to	:19:09.	:19:13.
look around or will you look around when you see Ronnie? We arrived in	:19:14.	:19:17.
the middle of the night. The moon was full and clouds were parted. We	:19:18.	:19:22.
saw humanity in every direction going up over every hillside and	:19:23.	:19:25.
down into valleys. It was really something to see. This is a	:19:26.	:19:28.
spectacular gathering. This is really kind. It has been great to	:19:29.	:19:33.
see you. Thanks for coming. If you had one word to sum up your	:19:34.	:19:37.
Glastonbury experience, what do you think it would be? Choice.	:19:38.	:20:38.
# She's got legs, she knows how to use them	:20:39.	:20:41.
# She never begs, she knows how to choose them	:20:42.	:20:56.
# She's kinda jet set, try undo her panties.	:20:57.	:21:07.
# Everytime she's dancin' she knows what to do.	:21:08.	:21:14.
# Everybody wants to see if she can use it.	:21:15.	:21:23.
# She's so fine, she's all mine, girl, you got it right.	:21:24.	:22:17.
# She's got legs, she knows how to use them.	:22:18.	:22:23.
# She never begs, she knows how to choose them.	:22:24.	:22:34.
# She's got a dime all of the time, stays out at night	:22:35.	:22:44.
# Oh, I want her, said, I got to have her,	:22:45.	:22:55.
# The girl is alright, she's alright.	:22:56.	:23:08.
That was ZZ Top. I have never seen Mark look so enAmored when	:23:09.	:24:36.
interviewing somebody before. That's pretty much it. Tomorrow we are back	:24:37.	:24:41.
on the radio and TV coverage starts at 4 owe clockpm with Lauren and	:24:42.	:24:46.
Mark. They will be here bringing you lots of goodies. If you want to	:24:47.	:24:50.
Adele headlining grass tonne bricks 9 owe clockpm tomorrow night on BBC	:24:51.	:25:02.
Two. It all starts at 7. .30pm. -- headlining Glastonbury at 8.00pm.	:25:03.	:25:08.
-- 9.00pm. Web out and about tomorrow bringing you everything we	:25:09.	:25:13.
can. You can follow us on twitter and get the music app and choose	:25:14.	:25:19.
whatever Giggs you want to watch with at your leisure. We'll end	:25:20.	:25:24.
tonight with this. This is Ronnie Spector.	:25:25.	:25:40.
# The best part of breaking up # Is when we're making up.	:25:41.	:25:47.
# But after breaking up # Be sure you're making up with me	:25:48.	:26:05.
anybody wanna know # Tell me why	:26:06.	:26:10.
# is it so # That the best part of making up	:26:11.	:26:16.
# -- breaking up # It is when we're making up	:26:17.	:26:24.
# but after breaking up # Be sure you're making up with me	:26:25.	:26:35.
# Come on baby # It come on baby	:26:36.	:26:42.
# well, I say maybe it makes no difference who was wrong	:26:43.	:26:48.
# Just along as I'll be with you # Baby I'll be Loney till you're	:26:49.	:26:53.
back where you should be # But baby I belong to you and you	:26:54.	:26:57.
belong to May # Tell me why	:26:58.	:26:59.
# I want to know # Tell me why is it so#	:27:00.	:27:05.
Come on everybody # That the best part of breaking up	:27:06.	:27:08.
is when you're # The best part of breaking up	:27:09.	:27:14.
# Is when you're making up # But after breaking up #	:27:15.	:27:21.
# Be sure you're making up with # Best part of breaking up	:27:22.	:27:27.
# Is when you know that you're making up with	:27:28.	:27:34.
me# come on now	:27:35.	:27:45.
# Come on baby # Don't say maybe	:27:46.	:27:49.
# Best part # Come on baby	:27:50.	:27:53.
# Rock 'n' roll # Rock 'n' roll baby	:27:54.	:28:01.
# Come on baby # Oh, yeah baby come on baby rock	:28:02.	:28:11.
'n' roll, rock 'n' roll baby # Come on baby yeah	:28:12.	:28:22.
force# - # Yeah	:28:23.	:28:24.
# Sleet is back. With a new	:28:25.	:28:28.
round of celebrity rookies... Let's go solve a crime.	:28:29.	:28:32.
..showing them how it's done. Uh-oh, you just let my client go!	:28:33.	:28:36.
You look like a superhero, Sleet.	:28:37.	:28:42.

Friday Part 2 Glastonbury

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2016

Glastonbury

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