Browse content similar to Muse & Underworld. Check below for episodes and series from the same categories and more!
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This programme contains repetitive flashing images and strong language. | :00:11. | :00:17. | |
Welcome to Glastonbury, where the party is full swing. Behind me, a | :00:18. | :00:22. | |
band from Devon have come to Somerset and the Pyramid Stage to | :00:23. | :00:27. | |
make history, the first band ever to get the Pyramid Stage headline a | :00:28. | :00:32. | |
hat-trick, by opening tonight. They have already done Saturday and | :00:33. | :00:38. | |
Sunday in 2016, they are going to conquer the third headline spot. It | :00:39. | :00:40. | |
is Muse. # Love, it will get | :00:41. | :01:46. | |
you nowhere # You're on your own | :01:47. | :01:53. | |
Lost in the wild Are you a human drone? | :01:54. | :02:00. | |
Aye, sir! # And I'm the virus | :02:01. | :03:02. | |
I'm changing the station Are you a psycho killer? | :03:03. | :03:19. | |
Say "I'm a psycho killer" I am a psycho killer | :03:20. | :03:59. | |
Scream it I am a psycho killer | :04:00. | :04:02. | |
Show me your war face You are a pussy | :04:03. | :04:05. | |
I said show me your war face # I'm gonna make you | :04:06. | :04:10. | |
I'm gonna break you # Home, it's becoming | :04:11. | :04:27. | |
a killing field # There's a crosshair | :04:28. | :06:55. | |
locked on my heart # With no recourse, and there's no | :06:56. | :06:59. | |
one behind the wheel # Hellfire you're wiping | :07:00. | :07:05. | |
me out # You rule | :07:06. | :07:09. | |
with lies and deceit # And all you've done | :07:10. | :07:26. | |
is brutalise # I don't think I can | :07:27. | :08:02. | |
handle the truth # I'm just a pawn, | :08:03. | :08:09. | |
and we're all expendable # Incidentally electronically | :08:10. | :08:15. | |
erased # You kill | :08:16. | :08:19. | |
by remote control # You rule | :08:20. | :08:35. | |
with lies and deceit # I've exposed your lies, | :08:36. | :10:05. | |
baby # The underneath is no big | :10:06. | :13:05. | |
surprise CROWD SINGS: # When I'm | :13:06. | :13:09. | |
tired of giving # In unbroken virgin | :13:10. | :15:01. | |
realities # Revere a million prayers | :15:02. | :15:07. | |
and draw me into your holiness # Light only shines | :15:08. | :17:21. | |
from those who share # Unleash a million drones | :17:22. | :17:28. | |
and confine me then erase me, babe # On the outside | :17:29. | :17:39. | |
you're ablaze and alive # On the outside | :17:40. | :18:04. | |
you're ablaze and alive # You've taught me to lie | :18:05. | :19:22. | |
without a trace # On the outside | :19:23. | :20:54. | |
I'm the greatest guy # And no one thinks | :20:55. | :21:07. | |
they are to blame # That when we bleed | :21:08. | :24:28. | |
we bleed the same # When will this | :24:29. | :24:37. | |
loneliness be over?# It needs to go the Middle Way and | :24:38. | :28:52. | |
find some kind of agreement with the union... | :28:53. | :30:06. | |
# In an isolated system, entropy can only increase | :30:07. | :30:07. | |
# Were my oppressor | :30:08. | :31:06. | |
# I must disassociate from you | :31:07. | :31:58. | |
# Has become a cold and impassive machine | :31:59. | :32:27. | |
# I won't let you control my feelings anymore | :32:28. | :34:08. | |
# And I will no longer do as I am told | :34:09. | :34:16. | |
# And I am no longer afraid to walk alone | :34:17. | :34:24. | |
# You caught me under false pretences | :34:25. | :36:57. | |
# You're the queen of the superficial | :36:58. | :37:45. | |
Thank you, Glastonbury! You guys look amazing out there. | :37:46. | :40:44. | |
# Of people who care if I live or die | :40:45. | :40:59. | |
# Don't know if it's worth it anymore | :41:00. | :41:14. | |
That's the rhythm section! Drums, bass. | :41:15. | :47:36. | |
# I, I can't get these memories out of my mind | :47:37. | :47:51. | |
# And some kind of madness has started to evolve | :47:52. | :48:03. | |
# And I, I tried so hard to let you go | :48:04. | :48:12. | |
# But some kind of madness is swallowing me whole, yeah | :48:13. | :48:25. | |
# And now I need to know is this real love | :48:26. | :49:03. | |
# Or is it just madness keeping us afloat? | :49:04. | :49:11. | |
# And when I look back at all the crazy fights we had | :49:12. | :49:25. | |
# Like some kind of madness was taking control, yeah | :49:26. | :49:36. | |
# And now I have finally seen the light | :49:37. | :49:47. | |
# And I have finally realized # What you need | :49:48. | :50:03. | |
# But now I have finally seen the end finally seen the end | :50:04. | :50:40. | |
# And I'm not expecting you to care expecting you to care | :50:41. | :50:51. | |
# But I have finally seen the light finally seen the light | :50:52. | :51:00. | |
# I have finally realized realized | :51:01. | :51:09. | |
It relies on means to expand its influence. Subversion rather than | :51:10. | :53:08. | |
elections. Intimidation rather than free choice. It is a system which | :53:09. | :53:13. | |
has conscripted vast resources into the highly efficient machine that | :53:14. | :53:17. | |
combines military, the dramatic economic, scientific and economic | :53:18. | :53:22. | |
operations. Its mistakes are buried. Its dissenters are silenced. | :53:23. | :54:39. | |
What a start to the Pyramid Stage proceedings, the gauntlet thrown | :54:40. | :59:04. | |
down to the next two headliners. More from Muse on BBC Two, if you | :59:05. | :59:10. | |
fancy. We are going to move the party on and catch up with a band | :59:11. | :59:16. | |
back at Glastonbury Festival after 17 years, between performances. It's | :59:17. | :59:18. | |
Underworld. All right, Richard? What do you | :59:19. | :00:03. | |
fancy doing tonight? A little dancing? | :00:04. | :00:23. | |
# Blah blah blah blah blah blah blah blah blah | :00:24. | :01:44. | |
# Blah blah blah blah blah blah blah blah blah | :01:45. | :01:57. | |
Hey, Glastonbury. We are Underworld. A very happy to be back after 17 | :01:58. | :04:30. | |
years. What you been up to? Let's talk about it. | :04:31. | :04:47. | |
Yeah. Just a little bit of warm up. That's good, yeah. OK, yeah. | :04:48. | :05:01. | |
# The origin of numbers is a questionable hypothesis | :05:02. | :05:06. | |
# This is the most ancient form of a sign | :05:07. | :05:15. | |
# Walking in light, glowing walking in light | :05:16. | :19:14. | |
# Gold ring around you, the hues of you | :19:15. | :19:17. | |
# Cool wind following, following after you | :19:18. | :19:39. | |
# Rising for you, your skin beautiful | :19:40. | :19:43. | |
# Everything comes natural, fantastic fan | :19:44. | :19:44. | |
# Cool wind following, following after you | :19:45. | :20:20. | |
# Rising for you, your skin beautiful | :20:21. | :20:24. | |
# Everything comes natural, fantastic fan | :20:25. | :20:27. | |
# There was a little drawing of a heart next to that | :20:28. | :21:33. | |
# The back of his was covered in stuff | :21:34. | :21:41. | |
# Brandon is not a very nice guy, but Alex is so nice | :21:42. | :21:48. | |
# And that had the exclamation thing too | :21:49. | :21:53. | |
# It was just silly crap that hit the spot | :21:54. | :21:56. | |
# Cool wind following, following after you | :21:57. | :23:32. | |
# Rising for you, your skin beautiful | :23:33. | :23:36. | |
# Everything comes natural, fantastic fan | :23:37. | :23:40. | |
Thank you! How is everybody? Feeling good? It's the best. It's so nice to | :23:41. | :30:37. | |
be back, you know? # Talking, should be in the driving | :30:38. | :33:20. | |
seat # Talking... | :33:21. | :33:34. | |
# It's the business of options # Doing nothing for the future | :33:35. | :34:34. | |
# Connected missions # Correct ignitions. | :34:35. | :35:13. | |
# Sliding between the doors of a scorched earth | :35:14. | :37:14. | |
Now we take you to the dark streets of Berlin. | :37:15. | :43:19. | |
# Mongoose and the King of snake | :43:20. | :48:56. | |
# Daily, daily, daily, daily thing | :48:57. | :50:22. | |
# Daily, daily, daily, daily thing | :50:23. | :50:30. | |
It's getting sweaty appear! How are you? Are you sufficiently sweaty? We | :50:31. | :54:04. | |
can always get more sweaty, if you like? In that case, bring on the | :54:05. | :54:11. | |
dancing elephant! # Click, click, click, | :54:12. | :55:21. | |
click # The night wants me | :55:22. | :55:23. | |
like a little lost child # The dark on the other | :55:24. | :55:31. | |
side of the locked door # Click, when you come | :55:32. | :55:57. | |
to take your century # Expected early in the | :55:58. | :59:09. | |
morning And now, my favourite techno tune | :59:10. | :07:25. | |
that was ever written in a terraced house in a back bedroom, in Romford, | :07:26. | :07:29. | |
Essex. # An eraser of love, | :07:30. | :11:47. | |
an eraser of love # An eraser of love, | :11:48. | :12:32. | |
an eraser of love # An eraser of love, | :12:33. | :13:22. | |
an eraser of love Thank you! This is a fantastic way | :13:23. | :18:22. | |
for us to come back to Glastonbury. Thank you so much! We wrote a little | :18:23. | :18:31. | |
tune backstage, it's brand-new. It's never been heard before. We thought | :18:32. | :18:40. | |
you might want to give us an idea of something we might sing with it. | :18:41. | :21:24. | |
# You had hands girl boy and steel boy | :21:25. | :21:40. | |
# You had hands girl boy and steel boy | :21:41. | :22:21. | |
# Random blonde bio high density rhythm | :22:22. | :22:53. | |
# Blonde boy blonde country blonde high density | :22:54. | :22:56. | |
# Babes and babes and babes and babes and babes | :22:57. | :23:11. | |
# Squatting pissed in a tube-hole at Tottenham Court Road | :23:12. | :24:07. | |
# Mega mega white thing Mega mega white thing | :24:08. | :24:34. | |
# Mega mega mega going back to Romford | :24:35. | :24:52. | |
Do you want to dance with me? Let's dance! | :24:53. | :27:36. | |
Thank you so much. Have a great festival! | :27:37. | :28:14. |