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This programme contains some strong language and flashing images. | :00:00. | :00:16. | |
It's Glastonbury 2016, we've got Philip Glass's Heroes Symphony | :00:17. | :00:18. | |
coming up for you later this evening from the Park Stage. | :00:19. | :00:23. | |
We will contemplate the life of David Bowie. But until then, we're | :00:24. | :00:31. | |
having a party, at The Other Stage tonight, transformed for the | :00:32. | :00:42. | |
electronics blend of new order. -- electronics blend of New Order. | :00:43. | :02:09. | |
CHEERING AND APPLAUSE Thank you! | :02:10. | :08:45. | |
Can you give me a bit old vocal, and maybe a bit of guitar down, Danny, | :08:46. | :08:48. | |
please? # I don't know what to say | :08:49. | :09:51. | |
you don't care anyway # I'm a man in a rage | :09:52. | :10:23. | |
with a girl I betrayed # You can't buy it | :10:24. | :10:31. | |
with money # Keep it coming | :10:32. | :11:58. | |
# I don't know what to say you don't care anyway | :11:59. | :12:02. | |
# I'm a man in a rage with a girl I betrayed | :12:03. | :12:11. | |
# Keep it coming, Keep it coming | :12:12. | :13:52. | |
# Keep it coming, Keep it coming | :13:53. | :13:59. | |
# I don't know what to say you don't care anyway | :14:00. | :14:10. | |
# I'm a man in a rage with a girl I betrayed | :14:11. | :14:21. | |
# You've got me where it hurts But I don't really care | :14:22. | :17:37. | |
# Cos I know I'm OK Whenever you are there | :17:38. | :17:40. | |
# You take me to a place I always wanna go | :17:41. | :17:43. | |
# You always make me high Whenever I feel low | :17:44. | :17:48. | |
# I'm paper in your hand I'm under your command | :17:49. | :17:52. | |
# And sometimes I just can't go on I feel like I'm a setting sun | :17:53. | :19:15. | |
# I know my eyes are burning bright I just need you to make it right | :19:16. | :19:24. | |
# You've got me where it hurts But I don't really care | :19:25. | :19:27. | |
# Cos I know I'm OK Whenever you are there | :19:28. | :19:31. | |
# You take me to a place I always wanna go | :19:32. | :19:38. | |
# You always make me high whenever I feel low | :19:39. | :19:55. | |
# You've got me where it hurts But I don't really care | :19:56. | :21:07. | |
# Cos I know I'm OK Whenever you are there | :21:08. | :21:10. | |
# You take me to a place I always wanna go | :21:11. | :21:12. | |
# You always make me high whenever I feel low | :21:13. | :22:20. | |
Come on, we want to see you dance now. You can't leave it up to us on | :22:21. | :22:51. | |
stage. I know we are getting paid. My traders are extremely white, not | :22:52. | :22:56. | |
money, but we do need help from the audience. Come on, it is | :22:57. | :22:57. | |
Glastonbury. For lock sake! # I feel shot right | :22:58. | :24:26. | |
through with a bolt of blue # Living a life that | :24:27. | :24:31. | |
I can't leave behind # The wisdom of the fool | :24:32. | :24:36. | |
won't set you free # Why can't we be ourselves | :24:37. | :24:41. | |
like we were yesterday # Then I'll never see just | :24:42. | :25:51. | |
what we're meant to be # I won't desert you | :25:52. | :26:22. | |
I don't know what to say # I really hurt you | :26:23. | :31:49. | |
I nearly gave it all the way # I've got it all | :31:50. | :32:02. | |
Cos you were not the one # And I don't know where | :32:03. | :32:10. | |
to turn when you're gone # The wheels are | :32:11. | :32:12. | |
turning all the while # And I don't know where | :32:13. | :32:50. | |
to turn when you're gone # How many times must | :32:51. | :33:43. | |
I lose my way, hey # How many words do | :33:44. | :34:07. | |
I have to say, hey # What can I do | :34:08. | :34:14. | |
just to make you see # That you're so good | :34:15. | :34:22. | |
for a man like CHEERING AND APPLAUSE | :34:23. | :34:31. | |
Cheers, thanks a lot. # This love is poison, | :34:32. | :37:42. | |
but it's like gold # Show me affection, | :37:43. | :38:09. | |
I'll sell you my soul # And if I'm missing, | :38:10. | :38:25. | |
will you miss me? # Feels like thunder, | :38:26. | :39:21. | |
it's getting cold # This love is poison, | :39:22. | :39:45. | |
but it's like gold # One of these days, | :39:46. | :40:06. | |
one of these days # Right when you want me, | :40:07. | :42:51. | |
baby, I'll be gone # Cos you're like plastic, | :42:52. | :43:00. | |
you're artificial # You don't mean nothing, | :43:01. | :43:05. | |
baby, so superficial.# CHEERING AND APPLAUSE | :43:06. | :43:21. | |
Thank you! # This friend of mine | :43:22. | :44:19. | |
would fall apart # I said let's go out | :44:20. | :44:41. | |
and have some fun # I know, you know, | :44:42. | :44:52. | |
you believe in a land of love # I know, you know, | :44:53. | :44:57. | |
we believe in a land of love # Tonight I should | :44:58. | :45:33. | |
have stayed at home, # I said let's go out | :45:34. | :45:43. | |
and have some fun # I know, you know, | :45:44. | :46:03. | |
we believe in a land of love # And I don't care | :46:04. | :49:44. | |
if I'm here tomorrow # Again and again | :49:45. | :52:02. | |
I've taken too much # Of the things that | :52:03. | :52:05. | |
cost you too much # I used to think that | :52:06. | :52:09. | |
the day would never come # I'd see delight in | :52:10. | :52:12. | |
the shade of the morning sun # My morning sun is the drug | :52:13. | :52:19. | |
that brings me near # To the childhood I | :52:20. | :52:22. | |
lost, replaced by fear # I used to think that | :52:23. | :52:27. | |
the day would never come # That my life would | :52:28. | :52:30. | |
depend on the morning sun # Our valued destiny | :52:31. | :52:37. | |
comes to nothing # I guess there was | :52:38. | :53:01. | |
just no way of knowing # I used to think that | :53:02. | :53:08. | |
the day would never come # I'd see my life in | :53:09. | :53:16. | |
the shade of the morning sun # My morning sun is the drug | :53:17. | :53:19. | |
that brings me near # To the childhood I | :53:20. | :53:22. | |
lost, replaced by fear # I used to think that | :53:23. | :53:25. | |
the day would never come # That my life would | :53:26. | :53:28. | |
depend on the morning sun # I used to think that | :53:29. | :54:57. | |
the day would never come # That my life would | :54:58. | :55:04. | |
depend on the morning sun # My morning sun is the drug | :55:05. | :55:08. | |
that brings me near # To the childhood I | :55:09. | :55:10. | |
lost, replaced by fear # I used to think that | :55:11. | :55:14. | |
the day would never come # That my life would | :55:15. | :55:18. | |
depend on the morning sun # When you've laid | :55:19. | :56:21. | |
your hands upon me # But I'm quite sure | :56:22. | :59:03. | |
that you'll tell me # But if it wasn't | :59:04. | :59:44. | |
for your misfortunes CHEERING AND APPLAUSE | :59:45. | :03:54. | |
Thank you! Shia we have even managed to stop the rain! Gerry McCabe leave | :03:55. | :04:01. | |
you me, it will not rain from now on, tomorrow will be dry. | :04:02. | :04:09. | |
# Just like a feeling I need, it's no joke | :04:10. | :06:18. | |
# And though it hurts me to see you this way | :06:19. | :06:29. | |
# Betrayed by words I'd never heard, too hard to say | :06:30. | :06:34. | |
# Each way I turn, I know I'll always try | :06:35. | :07:26. | |
# To break this circle that's been placed around me | :07:27. | :07:33. | |
# From time to time, I find I've lost some need | :07:34. | :07:41. | |
# That was urgent to myself, I do believe | :07:42. | :07:51. | |
# No, I've never met anyone quite like you before | :07:52. | :10:30. | |
# Bolts from above hurt the people down below | :10:31. | :10:33. | |
# People in this world, we have no place to go | :10:34. | :10:37. | |
# Bolts from above hurt the people down below | :10:38. | :10:41. | |
# People in this world, we have no place to go | :10:42. | :10:46. | |
# Bolts from above hurt the people down below | :10:47. | :10:48. | |
# People in this world, we have no place to go | :10:49. | :10:55. | |
# Bolts from above hurt the people down below | :10:56. | :10:56. | |
# People in this world, we have no place to go | :10:57. | :11:00. | |
# Oh no, I've never met anyone quite like you before.# | :11:01. | :11:32. | |
Thank you! That's the end! Beautiful friends, this is the end. CHEERING | :11:33. | :13:24. | |
AND APPLAUSE Well, maybe there is one more. | :13:25. | :15:00. | |
CHEERING. We would play longer if they letters, but they won't. I bet | :15:01. | :15:10. | |
Adele has more time. She sings all those long notes. Anyway, she has a | :15:11. | :15:17. | |
beautiful voice. But what has her boyfriend under her? He must be a | :15:18. | :15:19. | |
right twat. # Love, love will | :15:20. | :15:43. | |
tear us apart again # Love, love will | :15:44. | :16:28. | |
tear us apart again # Love, love will | :16:29. | :17:42. | |
tear us apart again Thank you, Glastonbury. It has been | :17:43. | :19:24. | |
an honour and a pleasure. Thank you so much, good night. CHEERING. | :19:25. | :19:43. | |
New Order performing on the Other Stage. The keen eyed among you might | :19:44. | :19:52. | |
have noticed the ace of spades at the top of the stage which was a | :19:53. | :19:59. | |
tribute to Lemmy who played what turned out to be his last festival | :20:00. | :20:06. | |
performance last year Glastonbury. Prince has been the subject of many | :20:07. | :20:13. | |
tributes on site and Lemmy also and on the park we are in for the most | :20:14. | :20:23. | |
spectacular tribute. David Bowie. Philip Glass's Heroes Symphony will | :20:24. | :20:28. | |
be performed with a special laser show. We will tell you about that in | :20:29. | :20:34. | |
a bit. Before now, we will check out the act on just before. Mercury Rev, | :20:35. | :20:37. | |
at the park. # Well, I got us on a highway, | :20:38. | :21:05. | |
I got us in a car # Got us going faster | :21:06. | :21:08. | |
than we've ever gone before # I got us on a highway, | :21:09. | :21:11. | |
I got us in a car # Got us going faster | :21:12. | :21:14. | |
than we've ever gone before # And I know | :21:15. | :21:19. | |
it ain't gonna last # They explode like | :21:20. | :21:30. | |
two bugs on glass # Far above the ocean, | :21:31. | :21:50. | |
deep under the sea # There's a river running dry | :21:51. | :21:53. | |
'cause of you and me # Far above the ocean, | :21:54. | :21:56. | |
deep under the sea # There's a river running dry | :21:57. | :22:00. | |
'cause of you and me # They explode like | :22:01. | :22:04. | |
two bugs on glass # She's a goddess on a highway, | :22:05. | :22:49. | |
a goddess in a car # Goddess going faster | :22:50. | :22:55. | |
than she's ever gone before # She's a goddess on the highway, | :22:56. | :22:57. | |
a goddess in a car # Goddess going faster | :22:58. | :23:01. | |
than she's ever gone before # They explode like | :23:02. | :23:08. | |
two bugs on glass # And I know | :23:09. | :23:48. | |
# It ain't gonna last, it ain't gonna last #. | :23:49. | :24:17. | |
# It ain't gonna last, it ain't gonna last | :24:18. | :25:01. | |
# I dreamed of you on my farm I dreamed of you in my arms | :25:02. | :26:00. | |
# I never dreamed I'd hurt you I never dreamed I'd lose you | :26:01. | :26:10. | |
# I always dreamed of big crowds Plumes of smoke and high clouds | :26:11. | :26:43. | |
# I have my suspicions When the stars are in position | :26:44. | :27:18. | |
# But I know that until then Unless the stars surrender | :27:19. | :27:31. | |
# And I can hear someone Somewhere in this song | :27:32. | :28:49. | |
# I dreamed that I was walking And the two of us were talking | :28:50. | :28:55. | |
# The words that flow between friends | :28:56. | :29:06. | |
# Winding streams without end I wanted you to see | :29:07. | :29:17. | |
# And now the dark is rising And a brand new moon is born | :29:18. | :29:46. | |
# I always dreamed I'd love you | :29:47. | :29:51. | |
Cheers, thank you! We love you! CHEERING | :29:52. | :33:05. | |
Band-macro at the Part earlier, I remember seeing them for the first | :33:06. | :33:10. | |
time at Glastonbury in 1999, around about the release of their | :33:11. | :33:19. | |
Deserter's Songs album, and it's good to see them still standing as | :33:20. | :33:24. | |
great as ever. Jonathan Donahue's voices like a lullaby, isn't it? A | :33:25. | :33:29. | |
beautiful thing, lulling us into the right frame of mind, the right state | :33:30. | :33:33. | |
of mind for a very special to beat to a man who had a very special | :33:34. | :33:37. | |
relationship with Glastonbury, actually, headlining the festival in | :33:38. | :33:43. | |
1971, a replacement for T Rex who pulled out at the last-minute if I | :33:44. | :33:48. | |
remember rightly, did not get onstage till about 4am, I think he | :33:49. | :33:52. | |
was in a farmhouse printing T, not sure of what variety but he was | :33:53. | :33:56. | |
enjoying himself. David Bowie came back to the festival with Tin | :33:57. | :34:07. | |
machine later in his career. You may have noticed during the sets on the | :34:08. | :34:13. | |
Pyramid stage denied that there is a Aladdan Sane lightning strike | :34:14. | :34:16. | |
painter before but we're going to the ever a special live performance | :34:17. | :34:19. | |
tonight. This is a tribute that has been put together, I think Charles | :34:20. | :34:23. | |
Hazlewood came up with the idea, he lives a couple of fields along in | :34:24. | :34:26. | |
Somerset and he approached Philip Glass to ask if we could put this on | :34:27. | :34:31. | |
and here it is, featuring a sonic laser performance by light artist | :34:32. | :34:37. | |
Chris it is Charles Hazlewood conducting stage-macro and members | :34:38. | :34:53. | |
of school-macro -- conducting Army Of Generals with members of The | :34:54. | :34:59. | |
British Paraorchestra with the Heroes Symphony. | :35:00. | :35:01. |