Browse content similar to Saturday Part 3 - including Adele. Check below for episodes and series from the same categories and more!
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This programme contains some strong language and scenes | :00:00. | :00:00. | |
I liked Chasing Pavements. Home town glory. Take it all. Million years | :00:00. | :00:14. | |
ago. Set fire to the rain. Chasing pavements. When she was really young | :00:15. | :00:19. | |
and innocent. I wish nothing but the best for you... That one before she | :00:20. | :00:29. | |
did before the last one. Hello... The Lionel Richie version, no. Oh, | :00:30. | :00:33. | |
my God, my songs are so sad, aren't they? Everyone's going to be crying | :00:34. | :00:39. | |
to all of it. You know she's doing an album of only fools and horses | :00:40. | :00:41. | |
quotes called Adele boy. Hello. Welcome back to Glastonbury | :00:42. | :01:04. | |
2016, Saturday night and here we are at the Park Stage. The action is in | :01:05. | :01:09. | |
full swing. Floating Points winding up here. It's been a fantastic | :01:10. | :01:21. | |
afternoon of fun, mud, music, Tame Impala have been amazing, some of | :01:22. | :01:24. | |
that set is coming up in this programme as we build up to our | :01:25. | :01:28. | |
headliner tonight. It's a big moment for Adele, 10. 15pm is when she's | :01:29. | :01:33. | |
on. Between now and then there's live music. Here in the tree house, | :01:34. | :01:41. | |
there's special artists playing. St Paul and the Broken Bones, Alabama | :01:42. | :01:45. | |
playing soon and Saturday Night Magic. Ready for that, dynamo is | :01:46. | :01:49. | |
coming to pay us a visit. He was on in the Kidz Field earlier. My kids | :01:50. | :01:55. | |
were enraptured. The man himself almost couldn't get out because so | :01:56. | :01:58. | |
many kids wanted selfies. He was there for hours. If they've all gone | :01:59. | :02:02. | |
to bed, he'll be up to perform some magic for us. Very exciting. So in | :02:03. | :02:07. | |
case you just joined us, let's catch up on the action at Glastonbury 2016 | :02:08. | :02:10. | |
so far. This is what's been going on. | :02:11. | :02:19. | |
# Having fun, playing fools # Smashing up the wood work tools | :02:20. | :02:24. | |
# The teachers are in the pub # Passing round the ready rub | :02:25. | :02:28. | |
# Trying to not when the lunch time bell would ring again | :02:29. | :02:31. | |
# Oh, what fun we had # Did it all turn out bad | :02:32. | :02:35. | |
# Oh, what fun we had # But at the time it seemed so bad | :02:36. | :02:42. | |
# MUSIC: Baggy Trousers. | :02:43. | :03:35. | |
CHEERING AND APPLAUSE Yes, it's been quite a couple of | :03:36. | :03:39. | |
days. Lots of action to catch up on, if you feel you've missed anything. | :03:40. | :03:44. | |
Do check the website, bbc.co.uk/Glasto. We're going across | :03:45. | :03:48. | |
all platforms, all media, all we could get our hands on to bring you | :03:49. | :03:52. | |
as much of the action at the festival as possible. Quite a lot to | :03:53. | :03:55. | |
cover. Absolutely. Stay where you are. We've been on 6 Music and Radio | :03:56. | :04:00. | |
1 and Radio 2 at Glastonbury all weekend. This band you're about to | :04:01. | :04:04. | |
see, came and did an acoustic session for Radio 1 today. Then they | :04:05. | :04:09. | |
went and smashed the Other stage. Here are The 1975. | :04:10. | :04:10. | |
Lovely hair. # Hey, now I call it a split 'cause | :04:11. | :04:34. | |
I know that you will # No, we're never gonna quit it, no, | :04:35. | :04:50. | |
we're never gonna quit it, no" # Now run, run away | :04:51. | :04:53. | |
from the boys in the blue, # Hey, now I think about what to do, | :04:54. | :04:56. | |
I think about what to say, # Pause it, play it, | :04:57. | :05:03. | |
pause it, play it, pause it # Oh, we go where nobody | :05:04. | :05:09. | |
knows, we've guns hidden # We're never gonna quit it, no, | :05:10. | :05:12. | |
we're never gonna quit it, no # Yeah, we're dressed | :05:13. | :05:17. | |
in black from head to toe # We've got guns hidden | :05:18. | :05:20. | |
under our petticoats # No, we're never gonna quit it, no, | :05:21. | :05:23. | |
we're never gonna quit it, no # "Now, you're never gonna quit it, | :05:24. | :05:27. | |
now you're never gonna quit it, # If you don't stop smoking it, | :05:28. | :05:31. | |
that's what she said" # Hey, now we're building up speed | :05:32. | :05:51. | |
as we're approaching the hill # Hey, now you say you're gonna quit | :05:52. | :05:54. | |
it but you're never gonna quit it # Go get it, go get it, | :05:55. | :06:02. | |
go get it, go get it, go # Oh, you said we go where nobody | :06:03. | :06:05. | |
knows, we've guns hidden # No, we're never gonna quit it, no, | :06:06. | :06:09. | |
we're never gonna quit it, no # Yeah, we're dressed | :06:10. | :06:15. | |
in black from head to toe, # We've got guns hidden | :06:16. | :06:17. | |
under our petticoats # We're never gonna quit it, no, | :06:18. | :06:19. | |
we're never gonna quit it, no Oh, yeah Glastonbury, now we're | :06:20. | :06:23. | |
getting started. Let's go. # We go where nobody knows, we've | :06:24. | :06:52. | |
guns hidden under our petticoats # No, we're never gonna quit it, no, | :06:53. | :06:56. | |
we're never gonna quit it, no # Yeah, we're dressed | :06:57. | :07:01. | |
in black from head to toe, # We've guns hidden | :07:02. | :07:04. | |
under our petticoats # We're never gonna quit it, no, | :07:05. | :07:06. | |
we're never gonna quit it, no # Well, I know when you're around | :07:07. | :07:12. | |
'cause I know the sound # Well, I know when you're around | :07:13. | :07:56. | |
'cause I know the sound # I can't believe | :07:57. | :08:03. | |
I forgot your name # She said "I've got a problem | :08:04. | :08:18. | |
with your shoes and your tunes # I thought that you were | :08:19. | :08:23. | |
straight, now I'm wondering # What does it matter if I lie | :08:24. | :08:27. | |
to you? # I don't regret it but I'm | :08:28. | :08:32. | |
glad that we're through # So don't you tell me that | :08:33. | :08:35. | |
you 'just don't get it' # Well I know when you're around | :08:36. | :08:38. | |
cause I know the sound # Well I know when you're around | :08:39. | :08:43. | |
cause I know the sound # It's not about reciprocation | :08:44. | :08:51. | |
it's just all about me # A sycophantic, prophetic, | :08:52. | :08:59. | |
Socratic junkie wannabe # I can't see the difference | :09:00. | :09:04. | |
in it either way # And we left things | :09:05. | :09:18. | |
to protect my mental health # But you call me when you're bored | :09:19. | :09:22. | |
and you're playing with yourself # What does it matter if I lie | :09:23. | :09:27. | |
to you? # I don't regret it but I'm | :09:28. | :09:35. | |
glad that we're through # So don't you tell me that | :09:36. | :09:37. | |
you 'just don't get it' # Well I know when you're around | :09:38. | :09:41. | |
cause I know the sound # Well I know when you're around | :09:42. | :09:45. | |
cause I know the sound # Well I know when you're around | :09:46. | :09:52. | |
cause I know the sound # Well I know when you're around | :09:53. | :10:00. | |
cause I know the sound Now everybody, if you're young, if | :10:01. | :10:20. | |
you're old, if you're covered in shit, if you're not, it doesn't | :10:21. | :10:23. | |
matter. Everybody's going to start jumping up and down, moving side to | :10:24. | :10:27. | |
side on the count of four. One... Two... One, two, fucking jump! | :10:28. | :11:00. | |
# Well I know when you're around cause I know the sound | :11:01. | :11:06. | |
# Well I know when you're around cause I know the sound | :11:07. | :11:11. | |
# Well I know when you're around cause I know the sound | :11:12. | :11:18. | |
# Well I know when you're around cause I know the sound | :11:19. | :11:26. | |
# Take your shoes off in the back of my van | :11:27. | :12:13. | |
# When it's just hanging off your back | :12:14. | :12:27. | |
# And she said, "Use your hands and my spare time | :12:28. | :12:31. | |
# We've got one thing in common, it's this tongue of mine" | :12:32. | :12:34. | |
# There's only minutes before I drop you off | :12:35. | :12:45. | |
# All we seem to do is talk about sex | :12:46. | :12:48. | |
# I loved your friend when I saw his film | :12:49. | :12:56. | |
# But I like that 'cause he still looks cool | :12:57. | :13:01. | |
One more time, Glastonbury! Let's have it. | :13:02. | :13:39. | |
One, two, three, four. # And I'm not trying | :13:40. | :13:59. | |
to stop you love # If we're gonna do anything | :14:00. | :14:13. | |
we might as well just fuck # You've got your | :14:14. | :14:17. | |
tongue pierced anyway Glastonbury! | :14:18. | :15:13. | |
CHEERING AND APPLAUSE. Thank you so much. An amazing gig earlier for | :15:14. | :15:29. | |
Manchester's The 1975. I like a tall band. There's been a lot of talk | :15:30. | :15:34. | |
about mud at Glastonbury this year but that's not really the point. | :15:35. | :15:38. | |
This year Glastonbury is all about grime. The scene has been one of the | :15:39. | :15:43. | |
UK's most vibrant for a decade, but in 2016 grime really is having its | :15:44. | :15:47. | |
big moment. It is slap-bang in the middle of the mainstream. It is the | :15:48. | :15:53. | |
music that everyone is talking about. On the Main Stage there's | :15:54. | :15:58. | |
been such a focus here at Glastonbury. The whole of Friday's | :15:59. | :16:03. | |
bill was given over to grime artists, so we went to check it out. | :16:04. | :16:12. | |
I'm live in the flesh here at Glastonbury. Where you know me from, | :16:13. | :16:23. | |
where you know me from? One of the reasons that grime has had this sick | :16:24. | :16:28. | |
rise in the last year or two is there's a thirst and hunger for | :16:29. | :16:34. | |
authenticity in music. Real experiences and energy that hasn't | :16:35. | :16:43. | |
shined for some years. Everyone is looking for it, saying we don't | :16:44. | :16:48. | |
really like what's going on, like. Where's the real one one? Grime is | :16:49. | :16:55. | |
like that, like funk or hip-hop. For a long time grime and UK hip-hop | :16:56. | :17:00. | |
lots its identity. I feel that over the last 18 months ownership has | :17:01. | :17:04. | |
been the main thing for a lot of artists involved in the currency. Go | :17:05. | :17:12. | |
over your head, up load it a bit, and you fellow... Grime is very | :17:13. | :17:16. | |
important to me because it's the UK. It's ours. It's the scene and it is | :17:17. | :17:24. | |
building and getting more powerful. I'm from Birmingham and I did feel a | :17:25. | :17:29. | |
little bit uncomfortable rapping in my accent when I first started. But | :17:30. | :17:34. | |
now I'm so proud that I can be myself on the track. Ten years ago | :17:35. | :17:44. | |
you would never think cue get your foot in the door because you are not | :17:45. | :17:49. | |
from London. But now the whole game's changed. Bugsy Malone is on | :17:50. | :18:01. | |
stage right now. He's got a model where artists outside the M 25 | :18:02. | :18:05. | |
finally believe that this is the way of life. It is growing at the | :18:06. | :18:09. | |
moment, fast. I come from quite a difficult background. It is just | :18:10. | :18:13. | |
having a voice. Somebody like me could have easily been sat going | :18:14. | :18:16. | |
through what I was going through with nobody to get it off my chest. | :18:17. | :18:20. | |
This gives young people who might not have so much of a chance, an | :18:21. | :18:29. | |
opportunity to talk. Where I grew up, if you didn't have a lyric you | :18:30. | :18:35. | |
was a moron. Everyone had a bar when I was growing up. A really good | :18:36. | :18:42. | |
lyric with resonates with someone has sonates with someone has to come | :18:43. | :18:44. | |
from somewhere - maybe a past experience or something you want to | :18:45. | :18:47. | |
do. It has to come from who you are, you know what I'm saying? I don't | :18:48. | :18:53. | |
know why we like the postcode... It is called grime. It is truthful. It | :18:54. | :18:57. | |
is raw to the core. It is not watered down for the radio or for T | :18:58. | :19:01. | |
A lot of people like how fresh it sounds and how warm and British it | :19:02. | :19:06. | |
really is. The game's changed a little bit. I always tell young | :19:07. | :19:12. | |
artists, there are no boundaries. Look at myself. Look at all these | :19:13. | :19:17. | |
other sick artists and go that you can be greater. You are a like a | :19:18. | :19:24. | |
King, man. CHEERING Cheer. Just a little bit of | :19:25. | :19:30. | |
the action that was happening here yesterday at Glastonbury. Amazing to | :19:31. | :19:38. | |
see Stormzy. The energy is so infectious. A big moment for grime | :19:39. | :19:42. | |
at Glastonbury. And there was a big focus on it, but we saw earlier | :19:43. | :19:47. | |
today Lady Leisure played on the Park Stage. We took some of that | :19:48. | :19:57. | |
performance on BBC Two. And amazing to see, and Adele shouted out | :19:58. | :20:06. | |
Stormzy in one of her big gigs. Will he come out with Adele later on? | :20:07. | :20:13. | |
We'll see. Now to a Glastonbury performer, Dine mow is here. How are | :20:14. | :20:19. | |
you guys doing? How are you? I had a big one last night. I'm trying to | :20:20. | :20:24. | |
get over it. I'm trying to hold it together for Adele. My kids saw you | :20:25. | :20:29. | |
earlier and you were grabbed for so many selfies with children that you | :20:30. | :20:33. | |
couldn't get out. What happened? I think I did at least a thousand | :20:34. | :20:38. | |
selfies in the kids field today, and I will do more later. I'm a bit of a | :20:39. | :20:45. | |
selfie King now. Move over Kim Kardashian. Dynamo is here. You've | :20:46. | :20:52. | |
been on a huge arena tour. The most popular magician. What are you doing | :20:53. | :20:58. | |
for us tonight? Right now I want to use your imagination. I've got some | :20:59. | :21:03. | |
cards. Even that, that's really cool already. It's already a bit magical. | :21:04. | :21:09. | |
Before I start, I will Give them a shuffle. I will even misthem face up | :21:10. | :21:16. | |
so you can see all the faces, all different. They are face up. He | :21:17. | :21:21. | |
faces, all different. They are face up. -- mix them face up. I will even | :21:22. | :21:28. | |
give them a cut. Huw, cut the cards to a random card. Move them from the | :21:29. | :21:31. | |
top to the bottom. Put them anywhere you lice. From the top to the | :21:32. | :21:39. | |
bottom. Yep. Stop where you like. You've cut to the card that's on the | :21:40. | :21:45. | |
top there. Without letting anyone else see it, not even yourself, | :21:46. | :21:50. | |
slide that card into your back pocket. Shall I stand up? If you | :21:51. | :21:59. | |
need to. That top card... Yeah, done. I will get rid of these ones. | :22:00. | :22:08. | |
Right now you've got a random card in your back pocket. Not even you or | :22:09. | :22:12. | |
anybody else here or watching at home knows what it is. Absolutely. | :22:13. | :22:17. | |
I'm going to come back to you later, Huw. What I want you to do is | :22:18. | :22:24. | |
imagine that there's a table between us, an invisible pack of cards, and | :22:25. | :22:28. | |
I'm reaching over and I'm removing either the red or the black cards. | :22:29. | :22:32. | |
If it was your choice, would you move the red or the black? The red. | :22:33. | :22:37. | |
So I'm moving the red cards, I'm holding them and I'm separating them | :22:38. | :22:42. | |
into hearts and diamonds. I'll drop either the hearts or the diamonds on | :22:43. | :22:46. | |
to the table. What am I dropping back? The diamonds. I'm left with | :22:47. | :22:53. | |
the hearts. I've separated them into picture Kurds and number cards. | :22:54. | :22:56. | |
Picture cards will be like a King or a Queen. I'm going to toss into the | :22:57. | :23:00. | |
air either the picture cards or the number cards. Numbers I'm tossing | :23:01. | :23:04. | |
the number cards into the air and they are floating in front of us. | :23:05. | :23:07. | |
We've got the high number cards and the low number cards. I'm going to | :23:08. | :23:12. | |
scoop out either the high or the low. What am I scooping right now? | :23:13. | :23:17. | |
You are scooping the low numbers. I've got the low numbers here. I've | :23:18. | :23:24. | |
got 2, 3, 4 and 5 of hearts. I'm going to take two of them out of | :23:25. | :23:34. | |
here. What did I just grab? The 2 and and the 5. You've ended one the | :23:35. | :23:41. | |
5 of hearts, which we've crated in your imagination, right? Yes. At the | :23:42. | :23:45. | |
beginning of this you took a card from the pack which you shuffled. | :23:46. | :23:49. | |
You didn't even know what it was. Take a look. Do you want a close up? | :23:50. | :23:58. | |
Here we go. It's the 5 of hearts. Ooh! Look at that! That's beautiful. | :23:59. | :24:07. | |
And off he goes. Can I put this down, or have I got to hold on to | :24:08. | :24:12. | |
this? That was amazing. Thank you so much. In dynamo core coming to say | :24:13. | :24:18. | |
hello. We have some live music now. This is some of Lapsley's set. | :24:19. | :24:41. | |
I came here when I was 17. This was my first gig ever. It's the same to | :24:42. | :24:53. | |
be back. With this many people, it's just insane! | :24:54. | :24:53. | |
CHEERING. Thank you. # Because you took something | :24:54. | :25:15. | |
away from yourself # Come back to this route | :25:16. | :27:36. | |
and take your heart to higher self # Because you took something | :27:37. | :27:45. | |
away from yourself # Come back to this route | :27:46. | :27:53. | |
and take your heart to higher self # Because you took something | :27:54. | :28:00. | |
away from yourself # Come back to this route | :28:01. | :28:09. | |
and take your heart to higher self CHEERING. | :28:10. | :28:45. | |
# Thank you. Such a great voice. That was Lapsley playing on the John | :28:46. | :28:50. | |
Peel Stage earlier. It is interesting to see people's journey | :28:51. | :28:54. | |
developing and growing in pop later. She was on the BBC Introducing stage | :28:55. | :29:01. | |
two or three years ago. We heard her play in Liverpool. The next act you | :29:02. | :29:08. | |
are about to see tonight on BBC Two is from Nottingham. He's got an | :29:09. | :29:12. | |
amazing voice. He has his beautiful band with him. This is Ady Suleiman. | :29:13. | :29:27. | |
# Step inside and flow off into your own world | :29:28. | :29:36. | |
# Where no-one else can be, and no one-else can see | :29:37. | :29:39. | |
# None of your dreams shut down by reality | :29:40. | :29:41. | |
# But that ain't gonna solve the fears that you hold | :29:42. | :29:47. | |
# I hate to be the to burst your bubble. | :29:48. | :29:51. | |
# But I thought that you should know, that even if you go | :29:52. | :29:54. | |
# Shadows have the tendency to follow | :29:55. | :29:56. | |
# Gotta stand up tall and try to take control | :29:57. | :30:10. | |
# So pick your back up from off the wall | :30:11. | :30:12. | |
# And try to make a change, cause yes you are brave | :30:13. | :30:15. | |
# I want to educate that you don't need to run away | :30:16. | :30:20. | |
# So don't you run away, cause you can escape | :30:21. | :30:23. | |
# The ghosts'll haunt your soul when negativity stays | :30:24. | :30:25. | |
# Unless you turn and face, and pick up the courage to say | :30:26. | :30:29. | |
# Stop your runnin' from, and start runnin' to | :30:30. | :30:59. | |
# A destination that is gonna help your life improve | :31:00. | :31:02. | |
# You need to realise that runnin' all the time | :31:03. | :31:05. | |
# Ain't gonna help you check out these things in life | :31:06. | :31:07. | |
# You need to fight and stop a hidin' | :31:08. | :31:10. | |
# Cause in time, sip or two, they'll be doubled | :31:11. | :31:15. | |
# And I assume the runnin' will continue | :31:16. | :31:21. | |
# I don't want to run no more. # No more, no more. | :31:22. | :31:44. | |
# I don't want to run. # You're running away, my love. | :31:45. | :31:56. | |
# You're running away. # Yeah you don't need to run, my | :31:57. | :32:32. | |
love, no more. # I don't want to run. | :32:33. | :32:38. | |
# I don't want to run away, my love. # | :32:39. | :32:42. | |
APPLAUSE thank you for coming to play for us, | :32:43. | :32:50. | |
to the band and to you, nice one. Thank you so much. Ady Suleiman live | :32:51. | :32:53. | |
at Glastonbury tonight. Very impressive. And the box fresh feet, | :32:54. | :32:58. | |
on all of you, excellent work. I don't know what I'm doing wrong, I'm | :32:59. | :33:02. | |
covered in mud. You're pristine. That's impressive too. All right, | :33:03. | :33:06. | |
it's time now to head over and find out what happened when our own Jo | :33:07. | :33:11. | |
Whiley call up with one of this weekend's most talked about artists, | :33:12. | :33:16. | |
it is tonight's headliner Adele. She might be the biggest artist in the | :33:17. | :33:19. | |
world right now, but Glastonbury can still make you a little bit nervous, | :33:20. | :33:23. | |
even if that is the case as Jo found out. | :33:24. | :33:28. | |
I don't think there are many people head lining on the Pyramid Stage to | :33:29. | :33:32. | |
take the time out to have a chat pre-gig, this is quite something | :33:33. | :33:37. | |
that Adele has decided to do this. You're either mad or very brave? I'm | :33:38. | :33:41. | |
a bit mad. I don't know what I'm doing here. Take this as a | :33:42. | :33:45. | |
distraction. Yeah, definitely. Tell me about Glastonbury as a child the | :33:46. | :33:48. | |
very first time? The very first time. I don't remember. I was very, | :33:49. | :33:52. | |
very young. It was muddy, I remember it being one of the worst years. I | :33:53. | :33:55. | |
remember seeing garbage and being like, I want to do that. I remember | :33:56. | :34:00. | |
doing that for sure. Being in the circus, there's a lot of photographs | :34:01. | :34:04. | |
of me during my set, from when I was younger. That's kind of made me want | :34:05. | :34:08. | |
to do it. I grew up at festivals. Glastonbury is a massive part of my | :34:09. | :34:12. | |
life. The first time that you played Glastonbury, the only time you | :34:13. | :34:16. | |
played? I played once, the Guardian tent, to no-one. And then downpour. | :34:17. | :34:20. | |
So everyone rushed in and spoke over me. I think it was 2007. It was in | :34:21. | :34:25. | |
the T tent. I went on just before Florence. Oh, did you, what. It was | :34:26. | :34:28. | |
amazing. Did you do the whole experience? Oh, yeah. You camped? | :34:29. | :34:34. | |
Oh, yeah, lost my mates. My manager was just like moaning about the | :34:35. | :34:39. | |
winnebagos. I used to be in a tent with nowhere to stay, blag a space | :34:40. | :34:44. | |
in the arch way of a tent. Always. I was drunk. So you came last year as | :34:45. | :34:52. | |
well I came last year to semi-scope it out and semi-see Kanye on the | :34:53. | :34:56. | |
Saturday night. I watch today on Emily. I was so frightened just | :34:57. | :35:00. | |
watching his set and at the same time, I said yeah, all right I'll do | :35:01. | :35:05. | |
it. Why did you do it? I think Glastonbury will end up being a big | :35:06. | :35:10. | |
part of my kids' life as well. I want to say, I did that. I want it | :35:11. | :35:14. | |
to be part of his childhood as well. So I want him to see me do it. Your | :35:15. | :35:21. | |
proper debut is head lining on the Pyramid Stage the Saturday night, | :35:22. | :35:24. | |
I'm not saying that to make you sick. I'm as nervous as I was in the | :35:25. | :35:30. | |
Guardian tent. My nerves, I keep bursting into tears and feeling | :35:31. | :35:33. | |
sick. Earlier, I felt like driving home. I could have got home before | :35:34. | :35:39. | |
my set. Now I'm stuck. How did the arena tour, those shows, did they | :35:40. | :35:43. | |
prepare you for doing this? I love arenas. There's so many people to | :35:44. | :35:46. | |
talk to. I don't know if I can pull it off tonight. I want it talk. I | :35:47. | :35:50. | |
don't want to ignore the crowd. Whether there's ten of you or 10,000 | :35:51. | :35:55. | |
or a few more than that, as long as they're happy to see my set, I want | :35:56. | :35:59. | |
to talk to them and see what their favourite colour it. It will be | :36:00. | :36:03. | |
interesting to see if it works. I can't not talk to them. If they get | :36:04. | :36:07. | |
wet, I'll get wet. How do you adapt your set? You're not going to have | :36:08. | :36:12. | |
dancers? I can't imagine I'll be dancing! No dancers. I've got my | :36:13. | :36:17. | |
orchestra, that will be nice. I've got my band. Nothing, I haven't got | :36:18. | :36:23. | |
any bells or whistles. Have you got outstanding memories of bands and | :36:24. | :36:25. | |
performances in the past, whether it on television or when you were here, | :36:26. | :36:32. | |
like the great moments for you? Arctic Monkies, last shadow puppets, | :36:33. | :36:38. | |
do you remember That's Momma, African singers, bloody amazing. She | :36:39. | :36:42. | |
was like the first Beyonce. She was in the jazz field years ago. That | :36:43. | :36:46. | |
was amazing. Due watch Beyonce? On TV. I think I was in America then. | :36:47. | :36:52. | |
What due think? She's like my I'd o. -- idol. She aced it. She kept | :36:53. | :36:56. | |
leaving the stage to throw up because she was pregnant. She said | :36:57. | :37:00. | |
that! She kept walking off stage to throw up. That's not exclusive by | :37:01. | :37:04. | |
the way, I saw that on TV one time. Hang on, if you exit the stage | :37:05. | :37:09. | |
you're not pregnant. No! I don't want any more kids. I'm trying to | :37:10. | :37:14. | |
think what my highlight was. I'm going to say Basement Jaxx. Did she | :37:15. | :37:27. | |
stand in for Kylie? Unbelievable. That was my favourite and Coldplay | :37:28. | :37:32. | |
always smash it. Advice, have you had advice from headliners in the | :37:33. | :37:36. | |
past, like Florence or Coldplay? She came to my London show and said it | :37:37. | :37:40. | |
would be great. Chris has been helpful. I spoke to him yesterday | :37:41. | :37:43. | |
and I cried a lot. I'm really emotional about it. He said, well, | :37:44. | :37:47. | |
this is the worst thing that can happen, your sound will probably cut | :37:48. | :37:50. | |
out for you, don't worry about that. It happens for everyone. If it rains | :37:51. | :37:58. | |
you will fall over in front of thousands of people. Somebody will | :37:59. | :38:03. | |
throw something at you, a pat or mud, but it won't be spiteful. It | :38:04. | :38:10. | |
will be friendly. Thanks Chris! Probably don't go to Chris Martin | :38:11. | :38:14. | |
for any kind of pep talk is the takeaway for that interview. Oh, | :38:15. | :38:19. | |
Adele, Britain is rooting for Adele, I feel. She can bring us all | :38:20. | :38:23. | |
together. Can't she? In our mutual love of Adele. She's incredible. | :38:24. | :38:28. | |
Tonight's performance will be a big moment in her musical story as well. | :38:29. | :38:33. | |
About half an hour to go until Adele takes to the Pyramid Stage. We will | :38:34. | :38:36. | |
bring it to you live tonight. Don't go anywhere. Let's head to the Other | :38:37. | :38:41. | |
Stage now, a brilliant band from Scotland playing there. Yes glag | :38:42. | :38:42. | |
indeed. It's the wonderful Chvrches. # I never believe but I see it now | :38:43. | :39:28. | |
# I'm learning the lessons # I'm learning your lessons | :39:29. | :39:31. | |
# They make you feel so clever to do well. | :39:32. | :39:57. | |
# Finally, we agree, no place for promises yeah | :39:58. | :40:05. | |
# You better act so # High, high, I don't want bridges | :40:06. | :40:08. | |
# I will be a gun # And it's you I'll come for | :40:09. | :40:12. | |
# Hide, hide # No, it's not so easy | :40:13. | :40:17. | |
# I will be a gun. # Who are you to tell me how to keep | :40:18. | :40:26. | |
myself afloat # I tread water all the while | :40:27. | :40:35. | |
# You stop and deny you held out my life | :40:36. | :40:38. | |
# Did it make you feel so clever # Did you wear it on your sleeve | :40:39. | :40:47. | |
# Did you see another lifetime # I was not a part so far | :40:48. | :40:58. | |
# There is no other way # Finally, we agree, no place for | :40:59. | :41:05. | |
promises here # You better run so | :41:06. | :41:10. | |
# Hide, hide # I have burned the bridgeser I will | :41:11. | :41:15. | |
be a gun and it's you I'll come for # Hide, hide, now it's all so easy | :41:16. | :41:22. | |
# I will be a gun # There's no other way, never run | :41:23. | :41:26. | |
far # Check a good swing at me and | :41:27. | :41:30. | |
everything is even # Finally, we agree | :41:31. | :41:38. | |
# No place for promises here. # Hide, hide, I am going to be burn | :41:39. | :41:43. | |
the bridges # I will be a gun and it's you I'll | :41:44. | :41:47. | |
come for # Hide, hide, now it's all so easy | :41:48. | :41:51. | |
# I will be a gun # It's you I'll come for. | :41:52. | :42:03. | |
# And it's you I'll come for. # And it's you I'll come for. | :42:04. | :42:10. | |
# And it's you... # I am going to see that you won't | :42:11. | :42:13. | |
go far # And I'm going to see that you | :42:14. | :42:24. | |
won't go far # CHEERING AND APPLAUSE | :42:25. | :43:19. | |
# We can just leave it here # So quick any number | :43:20. | :43:32. | |
# Choose any colour # I could be answered. | :43:33. | :43:44. | |
# And, no, you know you don't need me | :43:45. | :46:28. | |
Wow! Absolutely spectacular set from Chvrches earlier today. What a hero. | :46:29. | :46:38. | |
She should be a cometic book hero. I'm sure someone could draw her. And | :46:39. | :46:44. | |
the sunset playing along as well. It looked beautiful. In anticipation of | :46:45. | :46:53. | |
Adele's headline set, Clara went to see what's going on there 30 minutes | :46:54. | :46:57. | |
before she goes on stage. Yes, here I am in the belly of the beast at | :46:58. | :47:07. | |
the iconic Pyramid Stage waiting for one Misadeal Atkins. Those eyes are | :47:08. | :47:14. | |
arguably the most well applied liquid I liner in pop. I've never | :47:15. | :47:20. | |
seen as many excited people in one space as today. We had in one space | :47:21. | :47:24. | |
as today. We had tame tame, who -- we had Tame Impala who warmed up for | :47:25. | :47:29. | |
her earlier. A beautiful set. Everyone is rooting for Adele. This | :47:30. | :47:33. | |
is a woman who famously said she would never do Glastonbury, too much | :47:34. | :47:37. | |
mud. She couldn't deal with the cloud. Then she let slip she didn't | :47:38. | :47:42. | |
have an opportunity to do it last year, because the record wasn't | :47:43. | :47:48. | |
level. But now 25 is out there. I will never forget that famous day | :47:49. | :47:54. | |
inning October when there was that adbreak and we heard the words, | :47:55. | :48:00. | |
Hello. You may have seen her talking to Jo earlier, expressing how | :48:01. | :48:03. | |
nervous she's feeling tonight. It's understandable. There's a lot of | :48:04. | :48:08. | |
people out to see her. Everybody is truly on her side. Three albums | :48:09. | :48:12. | |
worth of material to get through. We absolutely cannot wait. As we wait | :48:13. | :48:17. | |
for Adele, I want to have a look back at some of her peers, some of | :48:18. | :48:22. | |
the famous faces who have grace that the pyramid stage and truly made it | :48:23. | :48:27. | |
their own. The pyramid at Glastonbury Festival is the most | :48:28. | :48:30. | |
instantly recognisable stage in the world. Whoever you are, however | :48:31. | :48:35. | |
large the star, a headline twig on the Pyramid Stage is always the big | :48:36. | :48:41. | |
one. And after treading its hallowed boards, most artists fall in love | :48:42. | :48:50. | |
with it. I felt like a rock star. This is like the highlight of my | :48:51. | :48:58. | |
career. That was as good as it gets. I love the excitement, the | :48:59. | :49:01. | |
electricity. Perhaps part of its appeal lies in the nature of its | :49:02. | :49:05. | |
unusual design. It's a fantastic shape. A pyramid turned into a | :49:06. | :49:13. | |
stage. Isn't that strange? Another element that adds to its symbolic | :49:14. | :49:17. | |
power is its history. Which goes back to the first real Glastonbury | :49:18. | :49:22. | |
festival, in 1971, the Glastonbury Fair. The pyramid first became a | :49:23. | :49:30. | |
permanent structure in 1981. Made of corrugated steel and Telegraph | :49:31. | :49:34. | |
poles. When not hosting bands it was a cow shed. In 1994, disaster | :49:35. | :49:40. | |
struck, between Pyramid Stage burnt down. And for the rest of the '90s | :49:41. | :49:46. | |
it was replaced by a temporary stage. In 2000 the Pyramid Stage | :49:47. | :49:55. | |
rose from the ashes into the iconic inanation we know and love today. | :49:56. | :50:00. | |
Christened with a gallon of work from Worthy Farm by Michael Eavis | :50:01. | :50:06. | |
and Robert Plant. Here goes the pyramid for the third millennium. It | :50:07. | :50:10. | |
is open! This history and near mythical status is something all | :50:11. | :50:18. | |
artists feed on. The Pyramid Stage is a Stonehenge for British bands. | :50:19. | :50:25. | |
An epic headline set can springboard the hottest new band to greatness | :50:26. | :50:30. | |
and catapult an already great band into the rock stratosphere. It was | :50:31. | :50:35. | |
sheer size of it that blew us away. To top the bill on the Pyramid Stage | :50:36. | :50:39. | |
is an appointment with destiny. It's the stuff rock 'n' roll dreams are | :50:40. | :50:43. | |
made of. It's the equivalent of scoring a goal at Wembley. | :50:44. | :50:53. | |
CHEERING. I interviewed the guy who built the first one, the first | :50:54. | :50:58. | |
Pyramid Stage. Tony, on my show yesterday on BBC 6 Music. Apparently | :50:59. | :51:06. | |
they used recommissioned, decommissioned MOD canvas and | :51:07. | :51:10. | |
Telegraph poles he said, in 1971. It's a beast, that stage. One tenth | :51:11. | :51:16. | |
the size of the pyramid of Giza apparently. We'll be going to it | :51:17. | :51:22. | |
soon. But now something intimate from a band in Birmingham, Alabama. | :51:23. | :51:27. | |
This is St Paul and the broken bones. | :51:28. | :51:40. | |
# But our doctors keep us high (we can't get you low) | :51:41. | :52:13. | |
APPLAUSE. Thank you so much to Paul and the broken bones. A new album | :52:14. | :55:09. | |
for your group this year. Thank you gentlemen. That was a pleasure. | :55:10. | :55:14. | |
Enjoy your first Glastonbury. Some live music now. A big gig for this | :55:15. | :55:21. | |
band from Australia. You met Tame Impala earlier. He didn't come in. | :55:22. | :55:27. | |
He was resting his voice. I thought fair enough. Kevin was going to pop | :55:28. | :55:33. | |
in. I said, have a herbal tea, smash it on the pyramid, and he did. Did. | :55:34. | :55:36. | |
Good job, lad. # In the end it's stronger | :55:37. | :55:56. | |
than I know how to be # And I can't just spend my | :55:57. | :56:02. | |
whole lifetime wondering # I fell in love with the sound | :56:03. | :56:10. | |
of my heels on the wooden floor # I don't want our footsteps | :56:11. | :56:18. | |
to be silent anymore # In the end it's gone | :56:19. | :56:26. | |
and there's nothing left to do # But I'm still not certain | :56:27. | :56:51. | |
just how I'm gonna feel # Ooh, it's getting | :56:52. | :58:49. | |
# Shaking his big grey trunk for the hell of it | :58:50. | :00:42. | |
# He knows that you're dreaming about being loved by him | :00:43. | :00:44. | |
# To get shy when they ask him who is on top | :00:45. | :00:50. | |
# There must be something deep down in the dark down there | :00:51. | :00:53. | |
# He's got friends but they got the fear | :00:54. | :01:01. | |
# Wouldn't care too much if he just disappeared | :01:02. | :01:06. | |
# Oh look see there he is now coming down the stairs | :01:07. | :01:14. | |
# He pulled the mirrors off his Cadillac | :01:15. | :02:57. | |
# Cos he doesn't like it looking like he looks back | :02:58. | :03:00. | |
# He talks like his opinion is a simple fact | :03:01. | :03:08. | |
# Somebody grabbed his collar He cried the whole way home | :03:09. | :03:15. | |
# No one remembered a thing when they saw him again | :03:16. | :03:23. | |
# That's how it is till the end | :03:24. | :03:38. | |
All right. Keep it going, keep it going, Glastonbury. | :03:39. | :03:58. | |
Keep the party going. # Someone said they left together | :03:59. | :04:24. | |
I ran out the door to get her # She was holding hands with Trevor | :04:25. | :04:31. | |
Not the greatest feeling ever # "You should try your | :04:32. | :04:40. | |
luck with Heather" # Then I heard they slept together | :04:41. | :04:47. | |
Oh the less I know the better # Oh my love can't you see | :04:48. | :05:01. | |
yourself by my side? # No surprise when you're | :05:02. | :05:13. | |
on his shoulder like every night # Oh my love can't you see | :05:14. | :05:21. | |
that you're on my mind? # Don't suppose we could convince | :05:22. | :05:29. | |
your lover to change his mind # Oh my love can't you see | :05:30. | :05:37. | |
yourself by my side? # I don't suppose you could convince | :05:38. | :06:27. | |
your lover to change his mind # Till I saw your face | :06:28. | :06:36. | |
now I can't erase # Is this what you want? | :06:37. | :06:47. | |
is this who you are? # Till I saw your eyes | :06:48. | :06:53. | |
turn away from mine # Oh sweet darling | :06:54. | :07:00. | |
where he wants you # Said "Come on Superman | :07:01. | :07:04. | |
say your stupid line".# CHEERING AND APPLAUSE | :07:05. | :07:45. | |
The sun soaked psych of Australian band Tame Impala. Isn't it as dreamy | :07:46. | :07:54. | |
sound! Noted music for tepees, isn't it? I like it. They were on the | :07:55. | :08:00. | |
Pyramid Stage earlier on before tonight's headliner. We saw her | :08:01. | :08:04. | |
interview earlier on. She's played Glastonbury once in a tiny tent just | :08:05. | :08:09. | |
before Florence And The Machine. She camped here years ago. Things have | :08:10. | :08:13. | |
changed so much. Three albums in. 25 was the latest. She's on a mammoth | :08:14. | :08:18. | |
World Tour at the moment. She's on like a proper health kick for it as | :08:19. | :08:22. | |
well. She quit booze for it. She's glowing. She's on fire. We're | :08:23. | :08:26. | |
excited about tonight. Before we bring you Adele on the Pyramid | :08:27. | :08:30. | |
Stage, here's a bit more about your Saturday night headliner at | :08:31. | :08:40. | |
Glastonbury 2016. Second newspaper Glastonbury 2016's | :08:41. | :08:44. | |
hat-trick of home grown headliners is the nation, no, the world's, | :08:45. | :08:48. | |
favourite female star. # I'll set fire to the rain | :08:49. | :08:53. | |
# Let me photograph you in this light... | :08:54. | :08:57. | |
# Send my love to you... # Surprisingly, this is her first | :08:58. | :09:01. | |
official outing at Glastonbury and she's making her way straight to the | :09:02. | :09:06. | |
top, Saturday night on the Pyramid Stage. To the Nan born Adele dreamed | :09:07. | :09:15. | |
of following in the food steps of her heroes, Eta James and the Spice | :09:16. | :09:18. | |
Girls. She began to write her songs at the BRIT School in Croydon. Soon | :09:19. | :09:22. | |
she was on our screens and on the road to glory. We welcome from | :09:23. | :09:28. | |
Brixton, Adele. # You can find him | :09:29. | :09:37. | |
# Sitting on your doorstep # Her song spoke of the life and | :09:38. | :09:42. | |
loves of her generation with a distinctly London accent. | :09:43. | :09:47. | |
# Making up the past and feeling up his girl... Her debut 19, released | :09:48. | :09:52. | |
in January 2008 went straight to number one and gave us the first in | :09:53. | :09:57. | |
a stream of class Iqbal adds. -- classic ballads. | :09:58. | :10:02. | |
# I've been walking in the same way... Zblt hits kept coming. | :10:03. | :10:07. | |
# Should I give up or should I just keep chasing pavements. Please give | :10:08. | :10:11. | |
a good cheer for the gorgeous Adele. Hello! I'm not going to talk for too | :10:12. | :10:16. | |
long because I think speeches are really boring. Next came what some | :10:17. | :10:21. | |
refer to as the tricky second album. # There's a fire starting in my | :10:22. | :10:26. | |
heart... 21 stormed the top of the charts and camped out there for | :10:27. | :10:32. | |
longer than any other album by a female solo artist in history. | :10:33. | :10:37. | |
# We could have had it all# She's currently number one in an | :10:38. | :10:42. | |
astonishing 17 countries. If you've ever had a broken heart, you're | :10:43. | :10:46. | |
about to remember it. # Never mind, I'll find someone like | :10:47. | :10:50. | |
you # I wish nothing but the best for | :10:51. | :11:01. | |
you two. With Someone like You she gave the nation a weepy moment. | :11:02. | :11:09. | |
So by her mid-20s, Adele was fast becoming a national treasure, making | :11:10. | :11:17. | |
her a perfect fit to form the -- to perform the latest Bond theme. | :11:18. | :11:23. | |
# This is the end # Hold your breath and count ten# | :11:24. | :11:32. | |
If that wasn't honour enough, it won a Grammy, a Golden Globe and... Oh, | :11:33. | :11:37. | |
my God. Even an Oscar. # Skyfall, when they crumble# | :11:38. | :11:42. | |
And the fairy-tale continued, when later, in 2013, Adele was invited to | :11:43. | :11:49. | |
the Palace to receive an MBE. After all that, Adele needed a break, in | :11:50. | :11:52. | |
fact, she took some time off to become a mum and reflect on the | :11:53. | :11:59. | |
phenomenon her life has become. But now, she's back. The new album, 25, | :12:00. | :12:07. | |
has become the UK's fastest selling album of all time. She's just signed | :12:08. | :12:13. | |
the most lucrative record deal in history. | :12:14. | :12:15. | |
# Hello from the other side# And the biggest star on the planet | :12:16. | :12:20. | |
is about to storm its greatest stage. | :12:21. | :12:29. | |
What an amazing story it's been for Adele. It continues tonight here | :12:30. | :12:33. | |
live on your tellies at Glastonbury 2016. I think tonight's headline | :12:34. | :12:36. | |
performance, the music's incredible. I love Adele. Everyone loves Adele. | :12:37. | :12:39. | |
Everyone's looking forward to hearing what she's got to say. Very | :12:40. | :12:43. | |
much so. Her banter is second to none. She might turn the air blue, | :12:44. | :12:50. | |
you know, God bless him, God rest him Lemmy last year has nothing on | :12:51. | :12:53. | |
Adele for the swearing. We'll see how that goes. I'm nervous now. I | :12:54. | :12:56. | |
was excited about it as well, watching that build up and how far | :12:57. | :12:59. | |
she's come and knowing how much it means to her, from what she said to | :13:00. | :13:05. | |
Jo, quite nervous. It's a really big deal this. I think we need to let | :13:06. | :13:10. | |
the feels out. It's been an emotional week. There's nobody | :13:11. | :13:13. | |
better to accompany us through a Saturday night than Adele. Coldplay | :13:14. | :13:19. | |
headline tomorrow night with Beck and so many other incredible | :13:20. | :13:23. | |
performers. Coverage continue after Adele with more live highlights from | :13:24. | :13:27. | |
all the stages. There's loads of footage and live footage on the | :13:28. | :13:31. | |
website. Now the time has arrived. So settle down, hope you've got a | :13:32. | :13:35. | |
cup of tea, because you're in for a treat. Yes, we're going to go and | :13:36. | :13:41. | |
see our charra, she is in -- Clara, she's in the bit by the side of the | :13:42. | :13:46. | |
Pyramid Stage, waiting for the first, huge headline slots from | :13:47. | :13:47. | |
Adele. How is it going? It's set to be a | :13:48. | :13:58. | |
truly beautiful Saturday night. Adele everybody. . Rumour has, it | :13:59. | :14:06. | |
was spotted in the Tesco getting her shopping before her performance. I | :14:07. | :14:10. | |
can confirm she's here. Adele says what she thinks. We love her for | :14:11. | :14:14. | |
that. Expect there to be strong language in this performance. Ladies | :14:15. | :14:17. | |
and gentlemen, get ready to laugh and cry and feel it all, here's | :14:18. | :14:19. | |
Adele. # Hello | :14:20. | :15:26. | |
# I was wondering if after all these years you'd like to meet | :15:27. | :15:53. | |
# They say that time's supposed to heal ya | :15:54. | :15:58. | |
# I'm in Glastonbury, dreaming about who we used to be | :15:59. | :16:19. | |
# I've forgotten how it felt before the world fell at our feet | :16:20. | :16:26. | |
# There's such a difference between us | :16:27. | :16:31. | |
# To tell you I'm sorry for everything that I've done | :16:32. | :16:58. | |
# But when I call you never seem to be home | :16:59. | :17:03. | |
# To tell you I'm sorry for breaking your heart | :17:04. | :17:20. | |
# But it don't matter, it clearly doesn't tear you apart | :17:21. | :17:25. | |
# It's so typical of me to talk about myself, I'm sorry | :17:26. | :17:44. | |
# Did you ever make it out of that town where nothing ever happened? | :17:45. | :17:56. | |
# To tell you I'm sorry for everything that I've done | :17:57. | :18:26. | |
# But when I call # You never seem to be home | :18:27. | :18:32. | |
# To tell you I'm sorry for breaking your heart | :18:33. | :18:47. | |
# Anymore, ooooohh # Anymore, ooooohh | :18:48. | :19:08. | |
# Anymore, anymore # To tell you I'm sorry for | :19:09. | :19:49. | |
everything that I've done # But when I call you | :19:50. | :20:04. | |
never seem to be home # To tell you I'm sorry | :20:05. | :20:11. | |
for breaking your heart # But it don't matter, it clearly | :20:12. | :20:31. | |
doesn't tear you apart This is mad. Oh, my fucking... . I | :20:32. | :21:08. | |
think we might just have to go into another one, my darlings. I don't | :21:09. | :21:09. | |
know what to say to you yet. # Ooh, ooh | :21:10. | :21:19. | |
Ooh, ooh # She ain't gonna be | :21:20. | :21:22. | |
able to love yo like I will # You and I have history | :21:23. | :21:29. | |
Or don't you remember? # But, baby, is that | :21:30. | :21:37. | |
really what you want? # Bless your soul | :21:38. | :21:48. | |
you've got your head in the clouds # She made a fool out of you | :21:49. | :21:51. | |
And, boy, she's bringing you down # She made your heart melt | :21:52. | :21:57. | |
But you're cold to the core # Now rumour has it | :21:58. | :22:00. | |
She ain't got your love anymore # Ooh, rumour has it | :22:01. | :22:05. | |
Ooh, rumour has it # But I'm guessing that's | :22:06. | :22:25. | |
the reason that you strayed # You've been telling people | :22:26. | :22:29. | |
things you shouldn't be # When we creep out | :22:30. | :22:39. | |
and she ain't around # Bless your soul, you've | :22:40. | :22:43. | |
got your head in the clouds # You made a fool out of me | :22:44. | :22:51. | |
And, boy, it's bringing me down # You made my heart melt But I'm | :22:52. | :22:55. | |
cold to my core # But rumour has it I'm the one | :22:56. | :23:00. | |
You're leaving her for # Ooh, rumour has it | :23:01. | :23:03. | |
Ooh, rumour has it # A-a-all of these words | :23:04. | :23:31. | |
Whispered in my ear # Tell a story that I cannot bear | :23:32. | :23:40. | |
to hear # Just cos I said it it | :23:41. | :23:44. | |
don't mean that I meant it # Just cos I said it | :23:45. | :23:50. | |
don't mean that I meant it # Ooh, rumour has it | :23:51. | :24:21. | |
Ooh, rumour has it # But I'm guessing that's | :24:22. | :24:28. | |
the reason that you strayed # But rumour has it he's the one I'm | :24:29. | :24:40. | |
leaving you for #. I can show you that I was wrong | :24:41. | :27:10. | |
# I was a child then, but now I'm willing to learn. | :27:11. | :27:13. | |
# We had time against us # And miles between us | :27:14. | :27:17. | |
# The heavens cried # I know I left you speechless | :27:18. | :27:24. | |
# But now the sky has cleared and it's blue | :27:25. | :27:29. | |
# And I see my future in you # I'll be waiting for you | :27:30. | :27:33. | |
# When you're ready to love me again # I put my hands up | :27:34. | :27:37. | |
# I'll do everything different # I'll be better to you | :27:38. | :27:40. | |
# I'll be waiting for you when you're ready to love me again | :27:41. | :27:44. | |
# I put my hands up # I'll be somebody different | :27:45. | :27:49. | |
# I'll be better to you # Time against us | :27:50. | :27:53. | |
# Miles between us # Miles between us | :27:54. | :27:55. | |
# Heavens cried # I know I left you speechless | :27:56. | :28:03. | |
# Time against us # Miles between us | :28:04. | :28:05. | |
# Heavens cried # I know I left you speechless | :28:06. | :28:19. | |
# I left you speechless... # I'll be waiting | :28:20. | :28:24. | |
# I've been waiting for you | :28:25. | :28:32. | |
# When you're ready to love me again # | :28:33. | :28:34. | |
I put my hands up # I'll do everything different | :28:35. | :28:37. | |
# I'll be better to you # I'll be waiting for you when | :28:38. | :28:41. | |
you're ready to love me again # I put my hands up | :28:42. | :28:46. | |
# I'll be somebody different # I'll be better to you... | :28:47. | :28:50. | |
# CHEERING AND APPLAUSE | :28:51. | :29:41. | |
# I grow fonder every day loose myself in time. | :29:42. | :29:45. | |
# Just thinking of your face God only knows | :29:46. | :29:47. | |
# Why it's taking me so long to let my doubts go | :29:48. | :29:50. | |
# I don't know why I'm scared, I've been here before. | :29:51. | :29:54. | |
# Every feeling every word, I've imagined it all, | :29:55. | :29:56. | |
# You never know if you never tried to forgive your past | :29:57. | :29:59. | |
# I dare you to let me be all, the one and only | :30:00. | :30:20. | |
# Promise I'm worthy to hold in your arms | :30:21. | :30:26. | |
# So come on and give me the chance # To prove up I'm the one who can | :30:27. | :30:35. | |
lose yourself in time # At the mention of my | :30:36. | :31:03. | |
name, will I ever love # How it feels to hold you close | :31:04. | :31:13. | |
# And have you tell me which ever road I chose you'll go | :31:14. | :31:22. | |
# I don't know why I'm scared, I've been here before | :31:23. | :31:26. | |
# Every feeling every word, I've imagined it all, | :31:27. | :31:31. | |
# You never know if you never tried to forgive your past | :31:32. | :31:37. | |
# I promise I'm worthy to hold in your arms | :31:38. | :32:01. | |
# So come on and give me the chance # To prove up I'm the one who can | :32:02. | :32:11. | |
# Walk them miles until the end starts | :32:12. | :32:41. | |
# Nobody's perfect, it ain't easy, trust me I've given up your heart | :32:42. | :33:17. | |
# Nobody's perfect, it ain't easy, trust me I've given up your heart | :33:18. | :33:38. | |
# So I dare you to let me be all, the one and only | :33:39. | :33:47. | |
# I promise I'm worthy to hold in your arms | :33:48. | :33:55. | |
# So come on and give me the chance # To prove up I'm the one who can | :33:56. | :34:06. | |
# Walk them miles until the end starts | :34:07. | :34:14. | |
# Walk them miles until the end starts. | :34:15. | :34:42. | |
Oh, my God. Oh, my God. Oh, my God! Hi. Hi. Oh, my God. This is the best | :34:43. | :35:00. | |
fucking moment of my whole life! CHEERING Oh, my God. Look at you. | :35:01. | :35:07. | |
Can you put the lights on more, I want to see everyone - oh, look! Oh, | :35:08. | :35:14. | |
my God! Keep the lights on. I want one of you to come up and say hello | :35:15. | :35:18. | |
to me. You, I see you. Yes, you, my darling | :35:19. | :35:25. | |
in the blue puffer jacket. You my darling, come here. Can you get that | :35:26. | :35:29. | |
lovely little girl. Come up. Where's the staircase? Oh, shit, I've got to | :35:30. | :35:34. | |
lift you up? Oh, here we go. Glastonbury means the world to me. | :35:35. | :35:38. | |
I'm not even lying. I'm not just saying that because I'm here with | :35:39. | :35:43. | |
you lot. I've awes wanted to do this my whole life, I've -- always wanted | :35:44. | :35:48. | |
to do this my whole life. I've just been too scared. I've been coming to | :35:49. | :35:53. | |
Glastonbury since I was your age my darling girl. What's your name? | :35:54. | :35:59. | |
Lyla. Ewe old are you? Ten. Who are you with? My family and friends. | :36:00. | :36:04. | |
What day did you get here? Friday. Who have you seen that you liked? | :36:05. | :36:08. | |
Erm...... Have you seen anyone yet? Bastille. Any of you lot see | :36:09. | :36:12. | |
Bastille? CHEERING | :36:13. | :36:18. | |
Who else? We saw Jess Glynn. Oh, yeah, I like her. What's your | :36:19. | :36:22. | |
favourite colour? Pink. Nice. Mine's green. Let's go over here to get a | :36:23. | :36:27. | |
selfie. I know, because I'm going to get more of you up later. Where have | :36:28. | :36:31. | |
they gone, my darling. Where are you, mum? Do you want to take a | :36:32. | :36:36. | |
picture of us up here? Unless your battery's dead. Where are they? Here | :36:37. | :36:38. | |
we go. ( CHEERING. Yay. Thanks for coming up, | :36:39. | :36:49. | |
my darling. Let me walk you back to the stage. Who are you looking | :36:50. | :36:52. | |
forward to seeing tomorrow? Don't know. I think I'm looking forward to | :36:53. | :36:57. | |
seeing Coldplay. Are you watching Coldplay? Yeah. I saw them recently | :36:58. | :37:01. | |
in bars loanament I don't know how they -- Barcelona. I don't know how | :37:02. | :37:05. | |
they manage to get better and better. Let her back in, there she's | :37:06. | :37:10. | |
obviously been here all day. How are you down the front, are you OK? | :37:11. | :37:17. | |
CHEERING Have any of you had to do a piss, like down the front? Yeah. | :37:18. | :37:24. | |
Have any of you had to do a shit? Someone's pointing - over there, one | :37:25. | :37:29. | |
of you has done a shit. Is that piss in that cup, don't fucking throw | :37:30. | :37:33. | |
that at me. Do you know how rock-and-roll I am, not very. But | :37:34. | :37:38. | |
the BBC had to warn about my potty mouth. I bet Muse didn't get that | :37:39. | :37:42. | |
warning beforehand. Obviously, I'm nervous and scared, hence why I'm | :37:43. | :37:46. | |
talking a millionmph. I would like to thank you all for coming out and | :37:47. | :37:51. | |
watching my show. CHEERING | :37:52. | :37:55. | |
For the last two or three days, I've been like spontaneously bursting | :37:56. | :37:58. | |
into tears. Really excited one minute and then think it's the end | :37:59. | :38:01. | |
of the world. I was literally expecting to come on to like a soggy | :38:02. | :38:05. | |
hay bail blowing in the fucking wind. | :38:06. | :38:10. | |
Thank you. You've made my night and everything, my life, whatever. I'm | :38:11. | :38:14. | |
sure you're aware, I bet you 50 quid I fall over at some point tonight by | :38:15. | :38:18. | |
the way. So I'm sure you're aware that I don't really have many | :38:19. | :38:23. | |
upbeat, happy songs, which why I think a lot of people moaned about | :38:24. | :38:27. | |
me coming tonight, but fuck you, they're obviously not watching, | :38:28. | :38:31. | |
so... Whatever! But I do have a couple. I have a couple of songs | :38:32. | :38:35. | |
that sound happy and sound upbeat. I'm going to give one to you now. | :38:36. | :38:39. | |
After that, it does get miserable. But let's just be miserable together | :38:40. | :38:42. | |
all right. Let's embrace it. I'm here and I | :38:43. | :38:47. | |
ain't going nowhere for like an hour-and-a-half. So, this is Water | :38:48. | :38:51. | |
Under The Bridge. # Then how come I can | :38:52. | :39:10. | |
bring you to your knees? # Why do I hate the | :39:11. | :39:20. | |
idea of being free? # You've gotta stop | :39:21. | :39:35. | |
holding me the way you do # Oh, honey if I'm | :39:36. | :39:41. | |
not the one for you # Why have we been through | :39:42. | :39:44. | |
what we have been through # It's so cold out | :39:45. | :39:46. | |
here in your wilderness # If you're gonna let me | :39:47. | :39:58. | |
down, let me down gently # Don't pretend that | :39:59. | :40:11. | |
you don't want me # Our love ain't water | :40:12. | :40:14. | |
under the bridge # If you're gonna let me | :40:15. | :40:18. | |
down, let me down gently # Don't pretend that | :40:19. | :40:21. | |
you don't want me # Say that our love ain't | :40:22. | :40:24. | |
water under the bridge # You never seem to make | :40:25. | :40:39. | |
it through the door # It ain't no life to live | :40:40. | :40:48. | |
like you're on the run # The only thing that | :40:49. | :40:58. | |
I want is your love # If you're gonna let me | :40:59. | :41:08. | |
down, let me down gently # Don't pretend that | :41:09. | :41:11. | |
you don't want me # Our love ain't water | :41:12. | :41:13. | |
under the bridge # If you're gonna let me | :41:14. | :41:17. | |
down, let me down gently # Don't pretend that | :41:18. | :41:21. | |
you don't want me # Say that our love ain't | :41:22. | :41:23. | |
water under the bridge # If you're gonna let me | :41:24. | :41:37. | |
down, let me down gently # Don't pretend that | :41:38. | :42:01. | |
you don't want me # Our love ain't water | :42:02. | :42:04. | |
under the bridge # If you're gonna let me | :42:05. | :42:09. | |
down, let me down gently # Don't pretend that | :42:10. | :42:11. | |
you don't want me # Our love ain't water | :42:12. | :42:15. | |
under the bridge # Say that our love ain't | :42:16. | :42:23. | |
water under the bridge # Say that our love ain't | :42:24. | :42:33. | |
water under the bridge #. CHEERING AND APPLAUSE | :42:34. | :42:59. | |
You don't mind if I talk lots, do you? No! OK, good. Are you having a | :43:00. | :43:05. | |
good weekend so far. Did lots of you come on Thursday? I didn't stop | :43:06. | :43:09. | |
hearing about a lot of you coming on the Wednesday and causing all that | :43:10. | :43:15. | |
traffic jam, you lot. I have been here a lot of times. I've lost | :43:16. | :43:18. | |
myself a lot of times here, if you know what I mean. Yep. And I'm so | :43:19. | :43:24. | |
honoured and thrilled to be here on the Saturday night, because I've had | :43:25. | :43:28. | |
some of the best times of my life on a Saturday night here at | :43:29. | :43:32. | |
Glastonbury. I really have. Moments in my life that I'll remember | :43:33. | :43:35. | |
forever and obviously this one tops them all. That's why I'm so excited | :43:36. | :43:39. | |
for you, because after this, hopefully you're all drunk and off | :43:40. | :43:43. | |
your face, because it will make my set a bit better. But also, after | :43:44. | :43:47. | |
this, some of you are going to have the most incredible things happen to | :43:48. | :43:50. | |
you. I'm really excited for you. I am! For real, truly. Go and have a | :43:51. | :43:55. | |
little explore. This ain't it. Anyone who ain't ventured outside | :43:56. | :43:58. | |
this bit, oh, my God. It's a right laugh. This next one I'm doing for | :43:59. | :44:03. | |
you, I'm going to do my Bond song for you, Skyfall. | :44:04. | :44:10. | |
Good, I'm glad you're happy about that, thank God, phew! They asked me | :44:11. | :44:16. | |
to do this years ago obviously, I kindly said no the first time | :44:17. | :44:19. | |
because I thought, well, you know things have gone so well on the | :44:20. | :44:21. | |
second album, maybe the world would be like fuck off. And I'm sure a few | :44:22. | :44:26. | |
of you right now are like "fuck off". I said no. Then inside I was | :44:27. | :44:29. | |
dying. They asked again. So I decided to do it. I'm so pleased I | :44:30. | :44:35. | |
did. It was so much fun to read a script and like be under cover | :44:36. | :44:39. | |
because it was top secret. My name was on the script. I felt like James | :44:40. | :44:44. | |
Bond myself. Then I didn't do a video because I was like | :44:45. | :44:47. | |
nine-and-a-half months pregnant and about to drop. I did Halle Berry. | :44:48. | :44:55. | |
Who wants to do a Bond song if you don't look like that. That's the | :44:56. | :44:59. | |
main reason for no video. This is Skyfall. | :45:00. | :45:19. | |
# I've drowned and dreamt this moment | :45:20. | :45:55. | |
# We will stand tall Face it all together | :45:56. | :46:27. | |
# We will stand tall Face it all together | :46:28. | :46:34. | |
# Where worlds collide and days are dark | :46:35. | :47:06. | |
# You may have my number you can take my name | :47:07. | :47:13. | |
# We will stand tall we will stand tall | :47:14. | :47:23. | |
# We will stand tall we will stand tall | :47:24. | :47:36. | |
# Where you go I go What you see I see | :47:37. | :48:03. | |
# I know I'd never be me without the security | :48:04. | :48:08. | |
# Of your loving arms keeping me from harm | :48:09. | :48:14. | |
# Put your hand in my hand and we'll stand | :48:15. | :48:17. | |
# We will stand tall we will stand tall | :48:18. | :48:28. | |
# We will stand tall we will stand tall | :48:29. | :48:40. | |
# Oooh... # | :48:41. | :49:18. | |
I want to go round there. Let me round here. I'll come and have a | :49:19. | :49:30. | |
look. Let me have a look. I can't believe how many of you there are. | :49:31. | :49:32. | |
Truly! I'll come over. Hi. Hi. Hi. Hi, hi! Oh, look, oh, my God I'm on | :49:33. | :49:53. | |
theside screen at Glastonbury. YEAH. Can you keep following me spotlight? | :49:54. | :50:01. | |
Oh, my God. Hi, hi. There's Michael. Thanks for having me, sir. Thank you | :50:02. | :50:05. | |
for having me. I see you all down there and all the way back there. | :50:06. | :50:10. | |
Oh, my God. Oh, my God. I've got so many stories to tell you. Stealing | :50:11. | :50:15. | |
your thunder. So many stories to tell you, but I don't know how tosay | :50:16. | :50:21. | |
anything. Oh, here we go. That is dangerous. How is that saxophone | :50:22. | :50:26. | |
player earlier wandering around. Hi everyone at home. I watched Muse | :50:27. | :50:32. | |
last night at home. Had a Chinese. Did some washing up. Watched Muse. | :50:33. | :50:41. | |
Did you lot watch MUSE. They are insane. I loved it at home much, you | :50:42. | :50:48. | |
lot loved it here, didn't you. Yes. Me too. By chance, is anyone from | :50:49. | :50:54. | |
Tottenham here. Oh, fuck off. Shut the front door, are you really from | :50:55. | :51:01. | |
Tottenham? Are you really. Wherever you're from this song is for you. We | :51:02. | :51:06. | |
wish we could live here, this could be our hometown. Get ready to smile | :51:07. | :51:13. | |
for me at the end because you'll be on the TV. This | :51:14. | :51:20. | |
Homegrown Glory. I was 16 when I wrote this. Never did I think I | :51:21. | :51:25. | |
would be here doing this. # I've been walking | :51:26. | :51:33. | |
in the same way # Missing out the cracks | :51:34. | :51:35. | |
In the pavement # And tutting my heel | :51:36. | :51:41. | |
and strutting my feet # Is there anything | :51:42. | :51:43. | |
I can do for you, dear? # No, and thank you, | :51:44. | :51:45. | |
please, Madam # Round my hometown | :51:46. | :51:54. | |
memories are fresh # Round my hometown | :51:55. | :52:04. | |
Ooh, the people I've met # When the air is | :52:05. | :52:14. | |
so thick and opaque # I love to see everybody in short | :52:15. | :52:42. | |
skirts, shorts and shades # I like it in the city | :52:43. | :52:49. | |
when two worlds collide # You get the people | :52:50. | :52:52. | |
and the government # Shows that we ain't gonna stand | :52:53. | :52:55. | |
shows that we are united # Shows that we ain't gonna stand | :52:56. | :53:07. | |
shows that we are united # Round my hometown | :53:08. | :53:18. | |
memories are fresh # Round my hometown | :53:19. | :53:27. | |
Ooh, the people I've met, yeah # Doo, da da da da da | :53:28. | :53:33. | |
Da da, yeah # Doo dun doo, dun doo | :53:34. | :53:53. | |
Dun doo, ohh-oh # Ohh-oh-oh | :53:54. | :53:56. | |
Oh, yeah # Are the wonders of my world | :53:57. | :53:58. | |
are the wonders of my world # Of my world | :53:59. | :54:16. | |
Of my world # Of my world | :54:17. | :54:29. | |
Of my world Oh, you're beautiful. So I'm going | :54:30. | :54:56. | |
to do a little strip down version of one of my favourite songs off 21. | :54:57. | :55:04. | |
There a country vibe to it. It's by the arrangement we are going to do. | :55:05. | :55:13. | |
There is a singer/songwriter called Alison who had an album, trust me, | :55:14. | :55:19. | |
if you want to listen to itting. This was me and my Alison moment | :55:20. | :55:24. | |
begging and wishing to be her. This is Don't You Remember. Are you lot | :55:25. | :55:27. | |
ready? Yeah. Right, let's do it. # You left with no goodbye | :55:28. | :55:44. | |
Not a single word was said # And I had no idea | :55:45. | :56:01. | |
of the state we were in # I know I have a fickle heart | :56:02. | :56:16. | |
and a bitterness # And a wandering eye | :56:17. | :56:26. | |
and a heaviness in my head # When was the last time that | :56:27. | :56:28. | |
you thought of me? # Or have you completely | :56:29. | :57:11. | |
erased me from your memory? # Cos I often think | :57:12. | :57:19. | |
about where I went wrong # But I know I have a fickle heart | :57:20. | :57:31. | |
and a bitterness # And a wandering eye | :57:32. | :57:41. | |
and a heaviness in my head # Gave you the space | :57:42. | :57:47. | |
so you could breathe # And I kept my distance | :57:48. | :58:26. | |
so you would be free # And hope that you find | :58:27. | :58:30. | |
the missing piece Do any of you have anyone in your | :58:31. | :59:45. | |
life that you would rather be in it? It is impossible that there are only | :59:46. | :59:49. | |
so few of you. You at the back, you must have someone in your life that | :59:50. | :59:54. | |
you wish weren't in it. I know. I've had a lot, hence all my albums that | :59:55. | :59:59. | |
are all quite moody and bitchy. But there was one. It was quite a long | :00:00. | :00:04. | |
time ago because it took me a while to write this album, but it was also | :00:05. | :00:08. | |
because I was being lazy. There was one that kept trying to come into my | :00:09. | :00:13. | |
personal atmosphere, trying to fuck everything up. And I was like, no. I | :00:14. | :00:18. | |
ain't having that. I might as well be married, so why are you trying to | :00:19. | :00:25. | |
come back? To live with your mother. Can't keep up with me. So this is | :00:26. | :00:36. | |
for you, and him. And for any of you and those skanky people that try to | :00:37. | :00:39. | |
do that to us. This is for you and me. This is send my love. | :00:40. | :00:52. | |
# You put your hands on, on my body and told me | :00:53. | :01:00. | |
# I'd be your last love everlasting you and me | :01:01. | :01:12. | |
# We've gotta let go of all of our ghosts | :01:13. | :01:35. | |
# We gotta let go of all of our ghosts | :01:36. | :01:47. | |
# I was too strong you were trembling | :01:48. | :01:58. | |
# You couldn't handle the hot heat rising rising | :01:59. | :02:04. | |
# You couldn't keep up, you were falling down down | :02:05. | :02:16. | |
# We gotta let go of all of our ghosts | :02:17. | :02:39. | |
# We've gotta let go of all of our ghosts | :02:40. | :02:51. | |
# We've gotta let go of all of our ghosts | :02:52. | :03:38. | |
# We both know we ain't kids no more of all of our ghosts | :03:39. | :03:53. | |
# If you're ready, if you're ready Send my love to your new lover | :03:54. | :03:58. | |
# If you're ready, I am ready Treat her better | :03:59. | :04:02. | |
# We've gotta let go of all of our ghosts | :04:03. | :04:05. | |
# If you're ready, I am ready | :04:06. | :04:13. | |
# We've gotta let go of all of our ghosts | :04:14. | :04:16. | |
# We both know we ain't kids no more #. | :04:17. | :05:07. | |
Sorry, I will have to start again. It is all that fucking dancing, I | :05:08. | :05:20. | |
ain't used to it! Right, I am ready. OK, let's go. | :05:21. | :05:44. | |
# but my heart is a valley, it's so shallow. # I'm so scared that if I | :05:45. | :05:55. | |
let you in, you will see that I'm just a fake. # sometimes I feel | :05:56. | :06:01. | |
lonely in the arms of your touch. # but I know that's just me. | :06:02. | :06:10. | |
# when I was a child, I grew up by the River Lee. | :06:11. | :07:01. | |
So I blame it on the River Lea, the River Lea, the River Lea | :07:02. | :07:13. | |
# I should probably tell you now before it's way too late | :07:14. | :07:16. | |
# That I never meant to hurt you or lie straight to your face | :07:17. | :07:19. | |
# Consider this my apology, I know it's years in advance | :07:20. | :07:22. | |
# But I'd rather say it now in case I never get the chance | :07:23. | :07:26. | |
# out of my fingertips but the reeds are growing | :07:27. | :07:35. | |
# I can't go back to the river But it's in my roots, in my veins | :07:36. | :07:42. | |
# It's in my blood and I stain every heart that I use to heal the pain | :07:43. | :07:53. | |
# Oh, it's in my roots, in my veins | :07:54. | :07:57. | |
# It's in my blood and I stain every heart that I use | :07:58. | :08:00. | |
# Yeah, I blame it on the River Lea, the River Lea, the River Lea | :08:01. | :08:25. | |
# River Lea, River Lea River Lea, River Lea | :08:26. | :09:12. | |
Perfect time to fuck at a song at Glastonbury headline set, wouldn't | :09:13. | :09:20. | |
you agree? Perfect time. Hi, I'm coming down. Is that for me? Oh, | :09:21. | :09:34. | |
thank you! Thank you so much. Thank you, darling. Hi! Hi, my darling. | :09:35. | :09:46. | |
Hang on, I've got shoes on. I'm going to have to put my new friend | :09:47. | :09:50. | |
down here, I'm afraid. Front row, though. That's better, I can see | :09:51. | :10:06. | |
you! How are you? Look, the flags! I don't like being that far away from | :10:07. | :10:14. | |
you, I can't see you. Hi. Last night, when I was watching it on TV, | :10:15. | :10:20. | |
you know they shoot it back there. And even when I was watching it, I | :10:21. | :10:25. | |
was like, where am I going to stand? It is so mind blowing that I am up | :10:26. | :10:29. | |
here. And thank you for letting me have this little stage here. Thank | :10:30. | :10:36. | |
you so much, Glastonbury. Right. So, are you ready? It's going to be fun, | :10:37. | :10:40. | |
this one. I will try my best not to fuck it up. Oh, my God, you look | :10:41. | :10:44. | |
like Brian Harvey from the 17! All right, Brian! So, this song kicked | :10:45. | :10:51. | |
off a whole other level in my life. You're nice and muddy, have you | :10:52. | :10:56. | |
fallen over? I want you to sing with me loud. I want us to jump as well | :10:57. | :11:00. | |
because that is the only opportunity I have with this one. This is | :11:01. | :11:02. | |
rolling in the deep, Glastonbury. # There's a fire | :11:03. | :11:10. | |
starting in my heart # There's a fire | :11:11. | :11:15. | |
starting in my heart # Baby, I have no story | :11:16. | :11:42. | |
to be told # And I'm gonna | :11:43. | :12:32. | |
make your head burn Fucking hell! Oh, my God, I want to | :12:33. | :14:15. | |
have a singalong, all right? I'm going to do it, then the girls will | :14:16. | :14:19. | |
do it and then we are all going to do it. | :14:20. | :14:32. | |
# your gonna wish you never had met me. | :14:33. | :14:40. | |
Songs micro tears are done for. Glastonbury! | :14:41. | :14:49. | |
# You're gonna wish you never had met me. | :14:50. | :14:54. | |
CHEERING AND APPLAUSE. Wow! I like your T-shirt, my darling. Fucking | :14:55. | :15:56. | |
hell, that was amazing. Amazing. Oh! I love you, too. Fucking hell, why | :15:57. | :16:02. | |
are you crying? Why are you crying. Sigh saw three flares then. Never in | :16:03. | :16:07. | |
my wildest dream would I see a flare. Someone shot something up in | :16:08. | :16:13. | |
the sky. Oh, my God where's your other willy? You've only got one | :16:14. | :16:19. | |
willy. Where it's gone. It fell off your foot. Don't put her down. Don't | :16:20. | :16:25. | |
put it down. That confetti has gone right in on it. I bet it will get | :16:26. | :16:31. | |
muddy. That was amazing. Don't you pull me off. Where are you from? | :16:32. | :16:36. | |
Where are you from? Stoke-on-Trent. Anyone else from Stoke-on-Trent? | :16:37. | :16:41. | |
Hang on a minute, we are one big happy family here, stop your booing. | :16:42. | :16:46. | |
Where are you from? Eastbourne, Derbyshire. Ash bourne. | :16:47. | :16:54. | |
Where are you from? Coventry. I'll have no fucking booing on my show. | :16:55. | :17:06. | |
After what went on the other day. You want to boo each other. Where | :17:07. | :17:10. | |
are you from? Holloway. Where are you from? Reading. Bristol. Where | :17:11. | :17:17. | |
are you from, the with all the lights on? Yorkshire. He's from | :17:18. | :17:19. | |
Yorkshire. Stop with your booing. We have South | :17:20. | :17:28. | |
Africa over there. You look lovely. You look lovely. So, you look like - | :17:29. | :17:36. | |
I don't like that finger-pointing. I'm going to do a ballad for you. | :17:37. | :17:45. | |
It's Saturday and you might not have your phone charge. When I was here | :17:46. | :17:49. | |
last year there was a building where you could charge your phone. It's | :17:50. | :17:55. | |
weird but I suppose they use it. Can you put your phone on for me if you | :17:56. | :18:01. | |
have a light. Keep going. It will look fucking amazing. Keep going, my | :18:02. | :18:05. | |
darlings. Keep going. Oh! I could actually cry. Right this song, | :18:06. | :18:09. | |
right. It's off of my first album. It's actually a cover. Do we have | :18:10. | :18:15. | |
Bob Dylan fans here? When I first heard this song it, like, broke my | :18:16. | :18:19. | |
heart and fixed it all at the same time much I want to dedicate this to | :18:20. | :18:24. | |
my grandad who, he's dead, obviously. He probably would have | :18:25. | :18:28. | |
died anyway if he'd ever seen me do. This you look amazing. Oh, my God! | :18:29. | :18:34. | |
Oh! I want to sing this for him, but I want to sing it for you and anyone | :18:35. | :18:38. | |
you have loved. It's weird at the moment stuff going for all of us. We | :18:39. | :18:42. | |
need to look after each other. This is Make You Feel My Love. You look | :18:43. | :18:45. | |
amazing. # When the rain is blowing | :18:46. | :19:06. | |
in your face # And the whole world | :19:07. | :19:18. | |
is on your case # I could offer | :19:19. | :19:26. | |
you a warm embrace # When the evening shadows | :19:27. | :19:31. | |
and the stars appear # And there is no-one | :19:32. | :19:47. | |
there to dry your tears # Oh, I could hold | :19:48. | :19:59. | |
you for a million years # I know you haven't | :20:00. | :20:02. | |
made your mind up yet # I've known it from the moment | :20:03. | :20:10. | |
that we met # There's no doubt | :20:11. | :20:22. | |
in my mind where you belong # I'd go hungry | :20:23. | :20:29. | |
I'd go black and blue # And I'd go crawling | :20:30. | :20:37. | |
down the avenu # No, there's nothing | :20:38. | :20:45. | |
that I wouldn't do # To make you feel my love, | :20:46. | :20:51. | |
yeah # The storms are raging | :20:52. | :21:06. | |
on the rolling seas # And on that | :21:07. | :21:30. | |
highway of regret # Though winds of change | :21:31. | :21:37. | |
are blowing wild and free # I could make you happy | :21:38. | :21:43. | |
make your dreams come true # I'd go to the ends | :21:44. | :21:57. | |
of this Earth for you Come here. Come out, come up. Can | :21:58. | :22:40. | |
you help get this lady up please because she's crying her eyes out. | :22:41. | :22:45. | |
Come on, my darling. Do you want to meet me at the bottom of the stairs. | :22:46. | :22:49. | |
Get her to walk round here. Come round here my darling. Come up to | :22:50. | :22:54. | |
the big stage. Do you want your hat back, my darling? Do you want your | :22:55. | :22:59. | |
hat back? I can't see... Come on to this big stage. Let me take you to | :23:00. | :23:04. | |
the big one. Let me give him his hat back. I'll give you a quick selfie. | :23:05. | :23:10. | |
Go on then. Hi, my darling. Come on up. Look. It's like horse shit down | :23:11. | :23:14. | |
here. CHEERING What's your name? Maria. I | :23:15. | :23:26. | |
knew your name was going to be Maria. I fucking knew it was going | :23:27. | :23:31. | |
to be Maria. Who is that man down there? My What is his boyfriend. | :23:32. | :23:37. | |
Name? John. Hi, John why are you so emotional? We're from Brazil. You're | :23:38. | :23:42. | |
from Brazil. Did you come here for the festival? Yep. We planned our | :23:43. | :23:49. | |
whole trip around the world to this moment. Oh, you did. Whereabouts in | :23:50. | :23:59. | |
Brazil are you from? Where abouts? Saos Paulo. Nice. How old are you? | :24:00. | :24:06. | |
I'm 26. When did you get here? When did you and John get to Glastonbury? | :24:07. | :24:11. | |
Wednesday. Nice. What has been your favourite moment that's happened? | :24:12. | :24:20. | |
We've seen... A whole lot of bands. Who has been your favourite though? | :24:21. | :24:24. | |
I'm not trying to egg her on to see me. I want to know. I haven't been | :24:25. | :24:32. | |
here. I'm in a tight spot right now. But I've seen... Can you remember or | :24:33. | :24:39. | |
are you a bit flabbergasted. You should have filmed that. Get a | :24:40. | :24:43. | |
selfie. Do you know how to do it? Here we go. Oh, here we go. Ready? | :24:44. | :24:57. | |
Ready? Do you want me to do it? Here we go. Oh, my God, I've just burped. | :24:58. | :25:06. | |
LAUGHTER. I'll see you later Maria. John make | :25:07. | :25:10. | |
sure she gets her spot back. If you follow Liam, my darling. Here we go. | :25:11. | :25:15. | |
I had a dirty burger before I came on, that's why. Hi. Is it good news | :25:16. | :25:18. | |
or bad news, Richard? OKKing. I need your help, everybody. | :25:19. | :25:29. | |
I'm going to hand you over to Richard. My production manager there | :25:30. | :25:38. | |
is an emergency. Can everybody make a path over there. We need someone | :25:39. | :25:43. | |
who is ill out of the audience. OK. So security is going to ask you to | :25:44. | :25:47. | |
make a path. Can you watch what they are doing and make a path, please. | :25:48. | :25:52. | |
Thank you Richard. Keep moving, you lot. I'm going to come and help. I | :25:53. | :25:59. | |
hope they're OK. They are probably moshing too hard to one of my songs | :26:00. | :26:03. | |
or something. Calm down, calm down, do you know what I mean? Where is | :26:04. | :26:06. | |
the security that is going to help. There we go. Has that started. One | :26:07. | :26:13. | |
time when I did a show in Vegas. Any of you been to Las Vegas. What did | :26:14. | :26:19. | |
you think of it? I can't deal with that heat. Oh, my God, I can't deal | :26:20. | :26:25. | |
with the heat. I did a show. You know in the hotels. Are the crowd | :26:26. | :26:28. | |
moving around, guys? Is it working. Is there a path being made? Yeah or | :26:29. | :26:33. | |
no? Are you lot moving out of the way. You are. Fantastic. I did this | :26:34. | :26:39. | |
show in Vegas, right, old grannies. They do old day drinking sessions in | :26:40. | :26:45. | |
the swimming pool in this heat. This granny, 85, came to my show, front | :26:46. | :26:53. | |
row. Pissed rememberself, security had to carry her out. She pissed | :26:54. | :27:00. | |
remember self-the whole way out. In Belfast who women had a catfight. | :27:01. | :27:05. | |
They get drunk at my shows and feel their emotion and then all hell | :27:06. | :27:10. | |
breaks loose. Let me know when the path is done. I don't want to cause | :27:11. | :27:15. | |
a riot or anything with my next one. Am I good to carry on? Am I good to | :27:16. | :27:22. | |
carry on back there? Yeah. All right, I'm going into it because | :27:23. | :27:26. | |
no-one is saying no. All right. Ladies and gentlemen, this is Set | :27:27. | :27:28. | |
Fire to the Rain. CHEERING. # And as it fell you rose | :27:29. | :27:41. | |
to claim it # Until you kissed my | :27:42. | :27:47. | |
lips and you saved me # Without falling | :27:48. | :27:57. | |
to your feet # But there's a side to you that | :27:58. | :28:14. | |
I never knew, never knew # All the things you'd say | :28:15. | :28:26. | |
they were never true, never true # And the games you play | :28:27. | :28:29. | |
you would always win, always win # Watched it pour | :28:30. | :28:32. | |
as I touched your face # Cos I heard | :28:33. | :28:39. | |
it screaming out your name # Close my eyes feel | :28:40. | :28:47. | |
you here forever # You and me together | :28:48. | :29:05. | |
nothing is better # But there's a side to you that | :29:06. | :29:07. | |
I never knew, never knew # And the games you play | :29:08. | :29:10. | |
you would always win, always win # Watched it pour as | :29:11. | :29:26. | |
I touched your face # Cos I heard it | :29:27. | :29:30. | |
screaming out your name # Cos I knew that | :29:31. | :29:37. | |
that was the last time # That heart you caught must be | :29:38. | :29:54. | |
waiting for you # I can't help myself | :29:55. | :30:05. | |
from looking for you # Watched it pour as | :30:06. | :30:14. | |
I touched your face # Cos I heard it screaming | :30:15. | :30:22. | |
out your name, your name # Cos I knew that | :30:23. | :30:31. | |
that was the last time # Everybody loves the things you do | :30:32. | :30:47. | |
# From the way you talk # But if by chance you're here alone | :30:48. | :35:02. | |
# Can I have a moment # Cos I've been by | :35:03. | :35:15. | |
myself all night long # Hoping you're | :35:16. | :35:26. | |
someone I used to know # Let me photograph | :35:27. | :35:33. | |
you in this light # In case it is the last | :35:34. | :35:49. | |
time that we might # Be exactly like we | :35:50. | :35:54. | |
were before we realized # That's what you said, | :35:55. | :36:01. | |
when you left me # Let me photograph | :36:02. | :36:38. | |
you in this light # In case it is the last | :36:39. | :36:56. | |
time that we might # Be exactly like we | :36:57. | :37:00. | |
were before we realized # Let me photograph | :37:01. | :37:06. | |
you in this light # In case it is the last | :37:07. | :38:29. | |
time that we might # Be exactly like we | :38:30. | :38:33. | |
were before we realized Thank you. Thank you so very much. | :38:34. | :39:18. | |
Everybody, give it up for my amazing band. Thank you all so much. Thank | :39:19. | :39:24. | |
you for being a part of this with me, guys. I've been dying for my | :39:25. | :39:31. | |
cider, oh, my days. I'm going to have a few. Have you enjoyed it? I | :39:32. | :39:38. | |
really hope I've contributed towards your Saturday night at Glastonbury, | :39:39. | :39:41. | |
because it's going to be a good one for you, I promise you. I have never | :39:42. | :39:47. | |
been so moved by anything in my life, and I dreaded ever possibly | :39:48. | :39:50. | |
being asked to do this festival, not that I ever thought I would be asked | :39:51. | :39:54. | |
to do it. I was up there on that platform with Emily Eavis last year | :39:55. | :39:57. | |
watching Kanye West, which I thought was amazing. And I've never been so | :39:58. | :40:01. | |
frightened of the crowd I saw last year. As I was watching it, I was | :40:02. | :40:07. | |
like, all right, I will do it! I have always wanted to do this, and | :40:08. | :40:11. | |
the truth is, my whole childhood and a career I have was inspired when I | :40:12. | :40:14. | |
was about seven and I was up there by one of those nights, that tower, | :40:15. | :40:20. | |
I was there and I saw Garbage playing and I was like, oh, my days, | :40:21. | :40:26. | |
I want to do that. I saw Prodigy, I saw Radiohead. That was when I was | :40:27. | :40:32. | |
like, I want to be making music, not necessarily to be up on this stage, | :40:33. | :40:35. | |
but it's amazing the way music brings people together and that's | :40:36. | :40:38. | |
why I am so grateful you came together for me. And this festival | :40:39. | :40:43. | |
is so amazing and magical because of the people that come. You can feel | :40:44. | :40:48. | |
it in the earth here. I am sure you agree that you lose all your in | :40:49. | :40:52. | |
emissions when you are here. And that is you are the people on the | :40:53. | :40:55. | |
other side of the barriers who make this festival so incredible -- you | :40:56. | :40:59. | |
lose your inhibitions. This is the most incredible moment of my life so | :41:00. | :41:04. | |
far, so thank you so much. You have been amazing. I'm not sure if I will | :41:05. | :41:08. | |
remember it. I can't even expand how I feel, it's the most surreal thing | :41:09. | :41:12. | |
I've ever done. It is bizarre. I didn't want to come and now I don't | :41:13. | :41:17. | |
want to go off. This song changed my life. I wrote it when I was | :41:18. | :41:20. | |
obviously miserable, that's nothing new. We all know that. I wanted a | :41:21. | :41:26. | |
friend in this song. I wanted to feel not so alone. And within a | :41:27. | :41:30. | |
couple of hours of starting to write it, feeling sorry for myself, I had | :41:31. | :41:35. | |
a bad cold, all of that, and it did its job for me. The song helped me | :41:36. | :41:39. | |
fix might have a bit. And when I started playing it to people I know | :41:40. | :41:43. | |
and love, they started reacting to this song very differently to | :41:44. | :41:46. | |
anything else I had written. Then I did it on Jools Holland, and it | :41:47. | :41:52. | |
started getting bigger all stop then I did it at the Brit awards and it | :41:53. | :41:57. | |
completely changed my life. Nothing has been the same ever since. This | :41:58. | :42:05. | |
is a song I feel like if anyone remembers me in years to come, this | :42:06. | :42:08. | |
might be the song they do. I just want you to note that I will never, | :42:09. | :42:13. | |
ever forget this moment tonight. I will never forget it. So thank you. | :42:14. | :42:18. | |
I can't believe I haven't cried yet! And I want you to sing it with me, | :42:19. | :42:23. | |
even if you're happy. I'm happy, I just like to moan. And I want us all | :42:24. | :42:27. | |
to sing it. I want us not to be able to hear what each other is doing | :42:28. | :42:32. | |
because it's so loud. Thank you for having me. I hope you have the best | :42:33. | :42:36. | |
time ever at Glastonbury, I really do. It's amazing here. This is | :42:37. | :42:38. | |
Someone Like You. # I heard that you're settled down | :42:39. | :42:48. | |
rhat you found a girl # I heard that you're settled down | :42:49. | :43:00. | |
that you found a girl # Guess she gave you things | :43:01. | :43:03. | |
I didn't give to you # Ain't like you to hold back | :43:04. | :43:20. | |
or hide from the light # I hate to turn up out | :43:21. | :43:35. | |
of the blue uninvited # But I couldn't stay away | :43:36. | :43:38. | |
I couldn't fight it # I had hoped you'd see my face | :43:39. | :43:41. | |
and that you'd be reminded # Never mind I'll find | :43:42. | :43:44. | |
someone like you # I wish nothing but | :43:45. | :43:55. | |
the best for you too # Don't forget me I beg | :43:56. | :44:04. | |
I remember you said # "Sometimes it lasts in love | :44:05. | :44:11. | |
but sometimes it hurts instead" # Sometimes it lasts in love | :44:12. | :44:20. | |
but sometimes it hurts instead # Only yesterday it was | :44:21. | :44:23. | |
the time of our lives # We were born and raised | :44:24. | :44:42. | |
in a summer haze # Bound by the surprise | :44:43. | :44:50. | |
of our glory days # I hate to turn up out | :44:51. | :44:56. | |
of the blue uninvited # But I couldn't stay away | :44:57. | :45:00. | |
I couldn't fight it And that you'd be reminded that | :45:01. | :45:04. | |
for me it isn't over # Never mind I'll find | :45:05. | :45:14. | |
someone like you # I wish nothing | :45:15. | :45:25. | |
but the best for you too # Don't forget me, I beg | :45:26. | :45:28. | |
I remember you said # Sometimes it lasts in love | :45:29. | :45:35. | |
but sometimes it hurts instead # Nothing compares | :45:36. | :45:42. | |
no worries or cares # Regrets and mistakes | :45:43. | :45:50. | |
and memories made # Who would have known how | :45:51. | :45:55. | |
bittersweet this would taste? Glastonbury, do it one more time for | :45:56. | :46:05. | |
me. Scream it. # Never mind I'll find | :46:06. | :46:13. | |
someone like you # I wish nothing but | :46:14. | :46:15. | |
the best for you too # Don't forget me, I beg | :46:16. | :46:17. | |
I remember you said # Sometimes it lasts in love | :46:18. | :46:24. | |
but sometimes it hurts instead # Never mind I'll | :46:25. | :46:32. | |
find someone like you # I wish nothing | :46:33. | :46:37. | |
but the best for you too # Don't forget me, I beg | :46:38. | :46:48. | |
I remember you said # Sometimes it lasts in love | :46:49. | :46:55. | |
but sometimes it hurts instead CHEERING AND APPLAUSE. I'll see you | :46:56. | :47:28. | |
later. Thank you so much. I did it. I did it. Oh. Look after each other. | :47:29. | :47:33. | |
Sing it for me, let me hear you. CHEERING. | :47:34. | :47:44. | |
See you later. # Never mind I'll find | :47:45. | :47:56. | |
someone like you # I wish nothing but | :47:57. | :47:58. | |
the best for you too # Don't forget me, I beg | :47:59. | :48:01. | |
I remember you said # Sometimes it lasts in love | :48:02. | :48:05. | |
but sometimes it hurts instead CHEERING AND APPLAUSE. There was | :48:06. | :49:26. | |
Adele nailing headlining the Pyramid Stage at Glastonbury Festival. I | :49:27. | :49:30. | |
hope she he cherishes every single second of that performance. Knowing | :49:31. | :49:33. | |
how much it meanted to her from the chat we did before hand. This was | :49:34. | :49:38. | |
her moment. She said that if she did it OK tonight then that would be as | :49:39. | :49:42. | |
good as it ever gets. This is like the pinnacle of her career. If she | :49:43. | :49:46. | |
messed it up it would be devastating. She said tonight was | :49:47. | :49:50. | |
the moment in her career? It's extraordinary. I've never seen a | :49:51. | :49:55. | |
headline act like. That there has never been a greater connection, has | :49:56. | :50:00. | |
there, between the audience and headline audience. I have never seen | :50:01. | :50:04. | |
anything like. She wanted the runway, get out and talk to the | :50:05. | :50:07. | |
audience and do everything on her shows and have that connection. | :50:08. | :50:15. | |
Somewhere as huge as that d and to have that intimacy, incredible | :50:16. | :50:18. | |
glchlt you have a heart of stone did you almost get emotional at any | :50:19. | :50:22. | |
point? There Were real moments. All the torch lights. I liked that. Just | :50:23. | :50:25. | |
the torch lights? No. It was amazing. Never seen anything quite | :50:26. | :50:29. | |
like it. That control and connection with the crowd. Clara is still down | :50:30. | :50:36. | |
there somewhere. Clara. The crowd are still singing along. Adele, | :50:37. | :50:44. | |
headlining the Pyramid Stage at Glastonbury, Saturday 2016. She left | :50:45. | :50:48. | |
a piece of her with us emotionally and physically with these song | :50:49. | :50:52. | |
lyrics she sprayed into the crowd. She took us on a journey from that | :50:53. | :50:57. | |
seven-year-old girl she told us about who came here inspired by | :50:58. | :51:00. | |
Radiohead to a woman fully in control of her career. In control of | :51:01. | :51:07. | |
this crowd. Very happy that I gave you that swearing warning. Like | :51:08. | :51:11. | |
said, with Adele what you see is what you get. She gives all of | :51:12. | :51:15. | |
herself to us. We were truly, I think we were truly blessed tonight. | :51:16. | :51:20. | |
It was really overwhelming to watch her, actually. Coming out I don't | :51:21. | :51:26. | |
think she could believe that many people came to here her. It was | :51:27. | :51:29. | |
evident in what we all just shared now. I'm sorry, back to you, Adele. | :51:30. | :51:38. | |
You have our hearts. Thank you very much. She did say, Adele was like - | :51:39. | :51:44. | |
I'm in and out. I'm coming to do it unless it goes well and then I will | :51:45. | :51:48. | |
have a few drinks. What do you reckon she drinks? We know. She was | :51:49. | :51:52. | |
drinking red wine and Coca-Cola mixed. I'm sure she is probably | :51:53. | :51:57. | |
doing the same thing. Maybe. It was quite extraordinary, wasn't it, | :51:58. | :52:00. | |
really. At one point she said - I wrote this song when I was 16. I | :52:01. | :52:05. | |
never thought I would be on the Main Stage at Glastonbury do it. I wander | :52:06. | :52:10. | |
if it changed the nature of headline acts much we are used to a big rock | :52:11. | :52:18. | |
show and a finishing with a guy on a piano. It was very different. | :52:19. | :52:22. | |
Amazing. Wonderful. OK. We have a lot more for you to enjoy tonight. | :52:23. | :52:28. | |
We have. Acoustic sets. We have different artists performing here. | :52:29. | :52:32. | |
We will go now to another of the headliners this is James Blake. | :52:33. | :53:13. | |
# When I'm speaking my mind # I hope I'm right when I'm speaking | :53:14. | :53:23. | |
my mind | :53:24. | :53:41. | |
# I've been looking for the golden | :53:42. | :53:44. | |
trees # I don't wanna see the killing on | :53:45. | :53:52. | |
those leaves. # Haven't we all | :53:53. | :54:02. | |
# Maybe I'll just press my hands on it | :54:03. | :54:06. | |
# It's a lot for me to take # Where do we | :54:07. | :54:14. | |
# Where do we | :54:15. | :54:33. | |
# I hope I'm right when I'm speaking my mind | :54:34. | :54:48. | |
# I hope I am dump # I hope my life is no sign of the | :54:49. | :54:50. | |
times # I hope my life is no sign of the | :54:51. | :55:02. | |
times # | :55:03. | :55:05. | |
Maybe I'll just press my hand on it # Maybe I'll just press my hands on | :55:06. | :55:12. | |
it # | :55:13. | :55:22. | |
Maybe I'll just press my hands on it # Maybe I'll just press my hands on | :55:23. | :55:28. | |
it # Maybe I'll just press my hands on | :55:29. | :55:35. | |
it # Maybe I'll just press my hands on | :55:36. | :55:42. | |
it # Maybe I'll just press my hands on | :55:43. | :55:52. | |
it # Maybe I'll just press my hands on | :55:53. | :55:56. | |
it # Maybe I'll just press my hands on | :55:57. | :56:11. | |
# # Maybe I'll just press my hands on | :56:12. | :56:19. | |
it # Maybe I'll just press my hands on | :56:20. | :56:28. | |
you # Maybe I'll just press my hands on | :56:29. | :56:47. | |
you # Maybe I'll just press my hands on | :56:48. | :56:51. | |
you # Maybe I'll just press my hands on | :56:52. | :57:14. | |
you # Maybe I'll just press my hands on | :57:15. | :57:25. | |
you # It's a lot for me to take | :57:26. | :58:16. | |
# To burn it like cedar I request another dream | :58:17. | :00:23. | |
# I request another dream I need a forest fire | :00:24. | :00:42. | |
# I request another dream I need a forest fire | :00:43. | :00:56. | |
# I hope you'll stop me before I'll build a world around me | :00:57. | :01:08. | |
# You know that money bought your name | :01:09. | :01:32. | |
# Caution, swelling, can I repay you with some blame? | :01:33. | :01:38. | |
# I request another dream I need a forest fire | :01:39. | :01:47. | |
# To burn it like cedar I request another dream | :01:48. | :01:56. | |
# I need a forest fire To burn it like cedar | :01:57. | :02:04. | |
# To burn it like cedar I request another dream | :02:05. | :02:11. | |
# I need a forest fire To burn it like cedar | :02:12. | :02:22. | |
# Stop Stop before I build a wall around me | :02:23. | :02:35. | |
# Stop before I build a wall around me | :02:36. | :03:28. | |
Justin Vernon. That was James Blake, with Justin | :03:29. | :03:48. | |
Vernon, as he says, who was here last year. On the Pyramid Stage. He | :03:49. | :03:54. | |
was sort of duetting with Kanye West, but Kanye West would not let | :03:55. | :03:58. | |
him stand at the front and pushed into the shadows. You had no idea he | :03:59. | :04:03. | |
was there. James Blake was headlining on the Park Stage. I know | :04:04. | :04:10. | |
you have this heart of stone, did that performance do anything to you? | :04:11. | :04:15. | |
Well, I get all this stick for having a heart of stone. Anyone who | :04:16. | :04:18. | |
knows me knows I am a deeply emotional person. Last night, Jo | :04:19. | :04:22. | |
Whiley said it is freezing, put plenty of layers on. And look at me | :04:23. | :04:28. | |
and look at her! When the songs are on, a load of willing acolytes, and | :04:29. | :04:35. | |
swayed her in cloth is. Adele said to me, won't you freezing last | :04:36. | :04:40. | |
night? Yeah, I was. And all the clothes get whipped off before we | :04:41. | :04:44. | |
come back on, leaving Jo looking diaphanous and me looking like I | :04:45. | :04:50. | |
have come to fix the heating. White, let's go to a band who are freezing | :04:51. | :04:56. | |
because they have been waiting ages. He is fabulous. | :04:57. | :05:39. | |
# a fresh one, I said you need a real one, a strong one. # a fresh | :05:40. | :05:54. | |
one. # Baby, I'm feeling sexual. | :05:55. | :06:01. | |
# if I dance, I'm warning you. # baby, I'm feeling super cool. | :06:02. | :06:10. | |
# you know me baby, I'm feeling brand-new. # I'm feeling brand-new. | :06:11. | :06:23. | |
# I said, what did he do? # tell me, did you so you dreams? | :06:24. | :06:31. | |
# you know what I mean? # I said, what did he do? | :06:32. | :06:34. | |
# I can tell you didn't love you write. | :06:35. | :06:39. | |
# come on, if you want to have fun tonight, you need a real one, a | :06:40. | :06:42. | |
strong one. # a fresh one. | :06:43. | :06:48. | |
# I said you need a real one, a strong one. | :06:49. | :06:57. | |
# no ex-1, so honey, don't look no more. | :06:58. | :07:05. | |
# baby, I'm feeling sexual. # if I dance, I'm wanting you. | :07:06. | :07:14. | |
# baby, I'm feeling super cool. # you know me baby, yeah. | :07:15. | :07:20. | |
# I say, I want to boogie tonight, come on, baby, let's boogie tonight. | :07:21. | :07:26. | |
# I want to boogie tonight, come on, baby, let's boogie tonight. | :07:27. | :07:33. | |
# I want to boogie tonight, come on, baby, let's boogie tonight. | :07:34. | :07:41. | |
# baby, I'm feeling sexual. # if I dance, I'm wanting you. | :07:42. | :07:49. | |
# baby, I'm feeling super cool. # you know me, baby, I'm feeling | :07:50. | :07:55. | |
brand-new. That was great! Moving on Astroturf | :07:56. | :08:04. | |
is not easy. I know! Tiggs Da Author, and that was brand-new. And | :08:05. | :08:10. | |
respect to George on the guitar. Nice work, my friend. Thank you very | :08:11. | :08:16. | |
much. Now we are going to go to M83. I have never been sure how to say | :08:17. | :08:23. | |
their name. We will go to them anyway. | :08:24. | :09:03. | |
# The night city grows Look and see her eyes, they glow | :09:04. | :09:41. | |
# The city is my church (city is my church) | :09:42. | :10:42. | |
That sounded great, euphoric. It did! You look angelic tonight in | :10:43. | :13:07. | |
this diaphanous frock. One of the drivers was ferrying us about, and | :13:08. | :13:10. | |
he has fallen about -- in love with an angel at Gloucester bridge. He | :13:11. | :13:15. | |
said she is the most beautiful girl I have ever seen, and she drives a | :13:16. | :13:21. | |
tractor -- at Glastonbury. I thought it was a man! I thought he said it | :13:22. | :13:27. | |
was a man dressed as an angel. No, he has fallen in love with a | :13:28. | :13:31. | |
beautiful girl who drives a tractor. And in Glastonbury at the moment, | :13:32. | :13:35. | |
with the mud underfoot, that is your dream date, a beautiful girl who has | :13:36. | :13:42. | |
her own tractor. I am still contemplating Adele. Shouldn't cry | :13:43. | :13:45. | |
in the whole of that performance. Just at the end. I think she now has | :13:46. | :13:49. | |
rivers of is not pouring down her face. I am sure she is! Now to | :13:50. | :13:58. | |
another semi unpleasant image, a propensity of bottoms in this next | :13:59. | :14:03. | |
item, so I've been told. We are going to block nine now, beware. | :14:04. | :14:09. | |
I thought we were supposed to be in Somerset. This doesn't look like | :14:10. | :14:16. | |
Somerset. This is the heart of New York City, can't you tell! We took | :14:17. | :14:23. | |
the gays, the transsexuals, the tran vestites and the butcher boys and we | :14:24. | :14:31. | |
are giving a heighted queer experience. There will be a change | :14:32. | :14:38. | |
happening in those dark corners. Will I experience changers? You have | :14:39. | :14:42. | |
to get ready to be torn to pieces. Where are you taking me? The inner | :14:43. | :14:51. | |
sanctum. I can't wait. Let's do it. My word, it's cramped in here now. | :14:52. | :14:56. | |
These are all the dancers. We have been rehearsing for weeks. This | :14:57. | :14:59. | |
isn't something we don't do all the time. It's a weekly thing for all | :15:00. | :15:03. | |
these people. Do any of you have boring offices jobs? I'm an | :15:04. | :15:09. | |
educational recruitful consultant. Boring job. What does it mean Glason | :15:10. | :15:16. | |
burpy is the Oscars for drag artists. We want to make gay culture | :15:17. | :15:24. | |
more mainstream. We want to make the world a better place. World peace | :15:25. | :15:32. | |
everyone. World peace. Wow! There's a lot of meat. | :15:33. | :15:37. | |
Guys, what's good today? The sirloin or prime rib? Probably the beef | :15:38. | :15:48. | |
livers. It sounds like quite a feast. Welcome! It's pumping babe, | :15:49. | :15:55. | |
get in there. This is the kind of place that | :15:56. | :16:13. | |
awakens something inside of everybody who comes here. What does | :16:14. | :16:17. | |
it awaken inside of you, that's the question. It's like nothing I've | :16:18. | :16:23. | |
ever seen before. You can see it again and again and again this | :16:24. | :16:28. | |
weekend at Glastonbury. Why wouldn't you. | :16:29. | :16:34. | |
I've seen a lot of things, a lot of Glastonburies in my time. Nothing | :16:35. | :16:41. | |
quite like what is going on in there. I have made new friends, | :16:42. | :16:48. | |
learnt a lot about gay Glastonbury and maybe a little bit about myself. | :16:49. | :16:52. | |
There was a lot of bottoms going on there. A lot of bottoms. Bottom | :16:53. | :17:01. | |
envy. They were peachy. Pert. Never seen so many in a confined space | :17:02. | :17:08. | |
since I visited the production office with Jools Holland. They were | :17:09. | :17:14. | |
peachy. What did you enbe joyed? Thes the Last Shadow Puppets they | :17:15. | :17:20. | |
did a phenomenal version of Moon Age Day Dream by Bowie. One of my | :17:21. | :17:28. | |
favourite tracks of Ziggy Stardust. That was a ept moment for What | :17:29. | :17:35. | |
about. Me. Bass ill Brush. I watched the performance and met and chatted | :17:36. | :17:44. | |
to him. A career high. Adele Adele and Basil brush. I cons. The Kidz | :17:45. | :17:55. | |
Field seeing how happy they were. Dynamo. It was good going there, | :17:56. | :18:00. | |
seeing another bit of Glastonbury. Next we are going to go to Fat Boy | :18:01. | :18:06. | |
Slim on the John Peel Stage. # Praise you. | :18:07. | :19:16. | |
# I have to praise you like I should # I have to praise you like I should | :19:17. | :19:25. | |
# I have to praise you # I... | :19:26. | :20:27. | |
# I can't get no # I can't get no | :20:28. | :21:00. | |
# What I say measure funk soul brother | :21:01. | :21:17. | |
# Check it out now McFunk soul brother | :21:18. | :21:22. | |
# Check it out now # Funk soul brother | :21:23. | :21:29. | |
# Check it out now # Funk soul brother | :21:30. | :21:31. | |
# Check it out now # Funk soul brother | :21:32. | :22:07. | |
# Check it out now # Funk soul brother | :22:08. | :22:12. | |
# Right about now funk soul brother # Check it out now | :22:13. | :22:18. | |
# Funk soul brother # Make it out now | :22:19. | :22:22. | |
# Funk soul # Right about now | :22:23. | :22:44. | |
# Funk soul brother # Check it out now | :22:45. | :22:48. | |
# Funk soul brother # Right about now | :22:49. | :22:50. | |
# Funk soul brother # Check it out you now | :22:51. | :22:54. | |
# Funk soul brother # Right about now | :22:55. | :22:56. | |
# Funk soul brother # Check it out now | :22:57. | :23:01. | |
# It's funk soul brother # Right about now | :23:02. | :23:03. | |
# Funk soul brother # Check it out now | :23:04. | :23:08. | |
# Funk soul brother # Right about now, now, now, now | :23:09. | :23:19. | |
# About now, about now, about now... APPLAUSE | :23:20. | :23:22. | |
# Right about now # Funk soul brother | :23:23. | :23:26. | |
# Check it out now # Funk soul brother | :23:27. | :23:29. | |
# Right about now # Funk soul brother | :23:30. | :23:33. | |
# Check it out now # Funk soul brother | :23:34. | :23:36. | |
# Right about now # Funk soul brother | :23:37. | :23:43. | |
# Check it out now # Right about now | :23:44. | :23:46. | |
# About now # About now... | :23:47. | :23:55. | |
# Sample, sample, sample, sample # Sample, sample, sample... | :23:56. | :24:05. | |
# APPLAUSE | :24:06. | :24:06. | |
that was perfect for a father and son outing. If I was taking my | :24:07. | :24:14. | |
daughter I would say, let's see Fat Boy Slim. Sweet at the song. That is | :24:15. | :24:19. | |
his 16th year. 16th consecutive year. He loves Glastonbury with a | :24:20. | :24:25. | |
passion. He is a genius, to be sure. He communicates some good cheer and | :24:26. | :24:30. | |
energy and a visual spectacle off one bloke playing records. He is a | :24:31. | :24:34. | |
happy chap. He is. Talking about other things we enjoyed over the | :24:35. | :24:47. | |
day. I saw Impaula. Incredible. Madness. I missed them. Saw weapon | :24:48. | :24:55. | |
squeeze. Bands of an era. Classics. Madness played to the most enormous | :24:56. | :25:00. | |
crowd. It was a huge sing-along. Great Crystal Palaceon burpy | :25:01. | :25:02. | |
moments. They brought their families on at the end. They always do that. | :25:03. | :25:08. | |
Loads happening on this site. Somewhere out there, talking to | :25:09. | :25:12. | |
people and how they prepare for the night ahead is Gemma. One of my most | :25:13. | :25:18. | |
faif riot things about Glastonbury is sometimes you don't know if you | :25:19. | :25:21. | |
are imagining things or not. We were walking down a path on the way to | :25:22. | :25:27. | |
the Glad and found this absolutely incredible little cove of disco ball | :25:28. | :25:34. | |
wonderment. I'm here to find out how to survive glason bury whachl are | :25:35. | :25:38. | |
your tips for late-night Glastonbury? You have to keep going. | :25:39. | :25:43. | |
Keep dancing and listen to the music, feel the vibe. Do you have a | :25:44. | :25:49. | |
curfew? No, when the sun comes up. Wow! What about you guys, any tips | :25:50. | :25:55. | |
to survive last night Glastonbury? Go and do everything that you can. | :25:56. | :25:58. | |
Enjoy it. Don't miss out on anything. Do you have a particular | :25:59. | :26:01. | |
time that you make sure you get to bed? No. They don't go to bed. What | :26:02. | :26:10. | |
about you, guys? Good day. Hello. We are off down the road to Shanghai. | :26:11. | :26:21. | |
Shangri-La. What keeps you going. Is it a one-off experience or do you | :26:22. | :26:25. | |
sometimes flag? Our friend has fallen in the mud. He is in the | :26:26. | :26:30. | |
tent. Power full and think of the experience. You are at Glastonbury, | :26:31. | :26:34. | |
one-off, go for it. The outfits help? Yeah. We never get lost. You | :26:35. | :26:39. | |
are looking fab. You are, too. That is what I need. I need one of these | :26:40. | :26:46. | |
to keep myself going, Gemma has the most fun out of anybody who goes to | :26:47. | :26:53. | |
Glastonbury. Her hair is might mighty fine. If you get the BBC | :26:54. | :26:58. | |
music kapp. We talk about this, it's really good. You can watch lots of | :26:59. | :27:05. | |
performances chose what you enjoy. We go to another band. The Last | :27:06. | :27:09. | |
Shadow Puppets. The Arctic Monkeys We go to another band. The Last | :27:10. | :27:19. | |
head lined last time. He was back this year with his mate Myels and | :27:20. | :27:19. | |
the guys of The Last Shadow Puppets. # Without you baby | :27:20. | :28:01. | |
# It really just the pits without you, baby. | :28:02. | :28:08. | |
# It's like everyone's awithout you baby. | :28:09. | :28:12. | |
# We've now fallen in love. # All my pals will tell me that I'm | :28:13. | :28:32. | |
crazy # You bet I'm loopy alright | :28:33. | :28:42. | |
# # And I just don't recognise this | :28:43. | :28:51. | |
fool # That you have made me | :28:52. | :29:10. | |
# Whoa, I ain't seen him for a while # And sass your shringking figure | :29:11. | :29:22. | |
blows a kiss # I catch and smash it on my lips | :29:23. | :29:38. | |
# Darling I can't seem to quit # Completely falling to bits | :29:39. | :29:52. | |
# I really might be losing it # The idea that you've existed all | :29:53. | :30:05. | |
along's ridiculous # I don't know what to say | :30:06. | :30:19. | |
# Baby we ought to fuck # Seven years of bad luck out the | :30:20. | :30:27. | |
powder room mirror # Could I have made it any clearer | :30:28. | :30:41. | |
# It's love like a tongue in a nostril | :30:42. | :30:48. | |
# Love like an ache in the jaw # You're the first day of spring | :30:49. | :30:59. | |
# With a septum piercing # Little Miss Sweet Dreams... | :31:00. | :31:10. | |
# # About as subtle as | :31:11. | :31:36. | |
an earthquake, I know, # And in the backroom | :31:37. | :32:22. | |
of the bad dream, she came, # And it's as solid as a rock | :32:23. | :32:26. | |
rolling down a hill, # The fact is that it | :32:27. | :32:30. | |
probably will hit something, # And we're just following | :32:31. | :32:33. | |
the flock, Around and in-between, # Before we're smashed | :32:34. | :32:37. | |
to smithereens Like they were, # She couldn't | :32:38. | :32:40. | |
help, but spit them out. # Innocence and arrogance entwined, | :32:41. | :32:51. | |
In the filthiest of minds. # And now a face in | :32:52. | :32:58. | |
the crowd, she's not. # And I suspected now | :32:59. | :33:09. | |
forever the shape # And it's a lot to | :33:10. | :33:13. | |
ask her not to sting. # Around your crooked | :33:14. | :33:23. | |
conscious she will wind. # Before we're smashed | :33:24. | :33:44. | |
to smithereens Like they were, # And it's the fame that | :33:45. | :33:55. | |
put words in her mouth, # She couldn't help but spit them | :33:56. | :34:00. | |
out # Around your crooked | :34:01. | :34:02. | |
conscious she will wind. # And it's a lot to | :34:03. | :34:05. | |
ask her not to sting, Playing quite the rock star roles | :34:06. | :35:17. | |
these days, The Last Shadow Puppets. It is extraordinary, talk about | :35:18. | :35:21. | |
growing up in public. I remember the shy lad who used to front the Arctic | :35:22. | :35:26. | |
Monkeys, and now he is like a bull-fighter, short cutting the | :35:27. | :35:30. | |
ring. We are going next to somebody we are both enormous fans of. I | :35:31. | :35:34. | |
think he was ailing a bit, not feeling well today. He is probably | :35:35. | :35:40. | |
tucked up in bed now watching this. This is John grant. | :35:41. | :36:25. | |
# Back then I often found myself Driving on the road at night, | :36:26. | :36:28. | |
# And the radio was broadcasting the ocean. | :36:29. | :36:30. | |
# Warm late Spring wind whips through my hair. | :36:31. | :36:33. | |
# I am right here, but I wanna be there, | :36:34. | :36:35. | |
# And no one in this world is gonna stop me. | :36:36. | :36:38. | |
# Pale green ghosts at the end of May | :36:39. | :36:40. | |
# Soldiers of this black highway Helping me to know my place. | :36:41. | :36:43. | |
# Pale green ghosts must take great care, | :36:44. | :36:45. | |
# Release themselves into the air Reminding me that I must be aware. | :36:46. | :37:18. | |
# I was getting warm, but now I'm getting colder, | :37:19. | :37:22. | |
# And I stomp my feet, demanding like a child. | :37:23. | :37:26. | |
# I hope you get everything you wanted, boy | :37:27. | :37:29. | |
# I hope you conquer the world and turn it into your toy | :37:30. | :37:32. | |
# But don't come crying when you're forced to learn the truth | :37:33. | :37:36. | |
# Pale green ghosts at the end of May | :37:37. | :37:41. | |
# Soldiers of this black highway Helping me to know my place | :37:42. | :37:47. | |
# Pale green ghosts must take great care | :37:48. | :37:50. | |
# Release themselves into the air Reminding me that I must be aware | :37:51. | :40:37. | |
# Pale green ghosts at the end of May | :40:38. | :40:40. | |
# Pale green ghosts must take great care | :40:41. | :40:49. | |
# Release themselves into the air Reminding me that I must be aware. | :40:50. | :41:15. | |
We all love John Grant. The pale green ghosts in question were a row | :41:16. | :41:28. | |
of trees he used to drive past going home. He makes at interesting music, | :41:29. | :41:33. | |
and yet he is best mates with Elton John now. Elton John, if you're | :41:34. | :41:37. | |
watching, I love that you are mates with John Grant, because we love | :41:38. | :41:41. | |
him. Didn't he perform at the Royal Albert Hall and Kylie came on stage | :41:42. | :41:47. | |
couple of weeks ago? John Grant is fantastic. Now someone who flew in | :41:48. | :41:53. | |
to perform at Glastonbury from Germany, this is Tom Odell. | :41:54. | :42:06. | |
How are you doing today, Gloucester bridge? Thank you so much for coming | :42:07. | :42:10. | |
to see me. My name is Tom Odell. Hanging around with the wrong crowd | :42:11. | :43:50. | |
# I can't help it, I don't know how # I guess I'll always be hanging | :43:51. | :43:58. | |
around with the wrong crowd # Ohhhhh, my boy | :43:59. | :44:10. | |
# Ohhhhh my boy | :44:11. | :44:36. | |
# And my brother is standing behind me | :44:37. | :44:52. | |
# As I'm slowly going out of my head # He says you know those people | :44:53. | :45:02. | |
don't like me # Why do you wanna be one of them | :45:03. | :45:10. | |
# But I can't help it, I don't know how | :45:11. | :45:12. | |
# I guess I'll always be hanging round with the wrong crowd | :45:13. | :45:18. | |
# I can't help it, I don't know how # I guess I'll always be hanging | :45:19. | :45:27. | |
round with the wrong crowd # Ohhhh, I wish I could find | :45:28. | :45:33. | |
somebody # That my mother would like | :45:34. | :45:50. | |
# Oh, I wish I can find somebody # That could treat me right | :45:51. | :45:58. | |
# But I can't help it, I don't know how | :45:59. | :46:01. | |
# I guess I'll always be hanging round with the wrong crowd | :46:02. | :46:08. | |
# I can't help it, I don't know how # I guess I'll always be hanging | :46:09. | :46:11. | |
round with the wrong crowd # But I can't help it, I don't know | :46:12. | :46:15. | |
how # I guess I'll always be hanging | :46:16. | :46:19. | |
round with the wrong crowd # I can't help it, I don't know how | :46:20. | :46:27. | |
# I guess I'll always be hanging round with the wrong crowd | :46:28. | :46:32. | |
# I can't help it, I don't know how # I guess I'll always be hanging | :46:33. | :46:36. | |
round with the wrong crowd # I can't help it, I don't know how | :46:37. | :46:43. | |
# I guess I'll always be hanging round with the wrong crowd | :46:44. | :46:47. | |
# But I can't help it, I don't know how | :46:48. | :46:51. | |
# I guess I'll always be hanging round with the wrong crowd | :46:52. | :46:55. | |
# I can't help it, I don't know how # I guess I'll always be hanging | :46:56. | :47:09. | |
round with the wrong crowd... # | :47:10. | :47:39. | |
INSTRUMENTAL. # Ohhhhh... | :47:40. | :47:54. | |
# Ohhhh # Ohhh | :47:55. | :48:05. | |
# Yeah, yeah, yeah ... # | :48:06. | :48:09. | |
CHEERING AND In case you were thinking what to | :48:10. | :48:24. | |
wear tomorrow? It would be warm at this time of night. That was Tom | :48:25. | :48:39. | |
Odell a big fan of Elton John. He has given him a lot of advice, | :48:40. | :48:45. | |
mentor as in John Grant. We will be back tomorrow at 6. 30pm. Tomorrow | :48:46. | :48:57. | |
is the Legend Spot. ELO. We have an acoustic performance from Cindy | :48:58. | :49:04. | |
Lauper. I hope to God the sun shines when ELO do Mr Blue Sky. We will see | :49:05. | :49:09. | |
you tomorrow. We will leave you with music from The Other Stayed and New | :49:10. | :49:12. | |
Order. Yes. # Every time I think of you | :49:13. | :50:37. | |
# I feel shot right through with a bolt of blue | :50:38. | :50:40. | |
# It's no problem of mine # But it's a problem I find | :50:41. | :50:47. | |
# Living a life that I can't leave behind | :50:48. | :50:50. | |
# But there's no sense in telling me # The wisdom of the fool won't set | :50:51. | :50:54. | |
you free # That's the way that it goes | :50:55. | :50:59. | |
# And it's what nobody knows # Well every day my confusion grows | :51:00. | :51:18. | |
# Every time I see you falling # I get down on my knees and pray | :51:19. | :51:29. | |
# I'm waiting for that final moment # You say the words that I can't say | :51:30. | :51:49. | |
# I feel fine and I feel good # I'm feeling like I never should | :51:50. | :51:58. | |
# Whenever I get this way # I just don't know what to say | :51:59. | :52:04. | |
# Why can't we be ourselves like we were yesterday | :52:05. | :52:08. | |
# I'm not sure what this could mean # I don't think you're what you seem | :52:09. | :52:13. | |
# I do admit to myself # That if I hurt someone else | :52:14. | :52:21. | |
# Then I'll never see just what we're meant to be | :52:22. | :52:37. | |
# Every time I see you falling # I get down on my knees and pray | :52:38. | :52:53. | |
# I'm waiting for that final moment # You say the words that I can't say | :52:54. | :52:58. | |
# Every time I see you falling # I get down on my knees and pray | :52:59. | :53:03. | |
# Waiting for that final moment # You say the words that I can't say | :53:04. | :53:19. | |
... # Every time I see you falling | :53:20. | :53:53. | |
# I get down on my knees and pray # I'm waiting for that final moment | :53:54. | :54:02. | |
# You say the words that I can't say # Every time I see you falling | :54:03. | :54:09. | |
# I get down on my knees and pray # I'm waiting for that final moment | :54:10. | :54:20. | |
# You say the words that I can't say... | :54:21. | :54:34. | |
# # Love will tear us apart again. | :54:35. | :57:36. | |
# You cry out in your sleep # All my failings exposed | :57:37. | :57:44. | |
# And there's a taste in my mouth # As desperation takes hold | :57:45. | :57:49. | |
# Just that something so good # Just can't function no more | :57:50. | :57:52. | |
# But love, love will tear us apart again | :57:53. | :57:58. | |
# Love, love will tear us apart again | :57:59. | :58:05. | |
# Love, love will tear us apart again | :58:06. | :58:13. | |
# Love, love will tear us apart again | :58:14. | :59:01. | |
Thank you Glastonbury! It's been an honour and a pleasure. | :59:02. | :59:03. |