Browse content similar to Jools' 20th Annual Hootenanny - 2012. Check below for episodes and series from the same categories and more!
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BAGPIPE MUSIC | 0:00:02 | 0:00:03 | |
What is it that people are looking for on New Year's Eve? | 0:00:03 | 0:00:07 | |
The great explorers of all time, the great seekers - | 0:00:07 | 0:00:10 | |
what is it they're trying to find? | 0:00:10 | 0:00:12 | |
Well, normally, apart from a bit of fake snow | 0:00:12 | 0:00:14 | |
and a few decorations, the thing they're after... | 0:00:14 | 0:00:18 | |
is a very nice party to go to. | 0:00:18 | 0:00:20 | |
A nice place in the warm, where you can have a knees-up. | 0:00:20 | 0:00:23 | |
Why go out into the horrid cold when you can be here, with us, | 0:00:23 | 0:00:28 | |
snuggled up at another lovely Hootenanny? | 0:00:28 | 0:00:31 | |
Come into the room where the whole world is ready to enjoy itself! | 0:00:31 | 0:00:36 | |
CHEERING | 0:00:36 | 0:00:40 | |
Ahh! | 0:00:40 | 0:00:42 | |
This is much better! | 0:00:42 | 0:00:43 | |
I'm feeling good! | 0:00:45 | 0:00:47 | |
I think we should start with a 17th-century folk song. | 0:00:47 | 0:00:50 | |
MUSIC: "The Maiden's Lament" | 0:00:51 | 0:00:55 | |
# One morning | 0:01:16 | 0:01:17 | |
# Very early | 0:01:17 | 0:01:18 | |
# One morning in the spring | 0:01:18 | 0:01:21 | |
# I heard a maid in Bedlam | 0:01:21 | 0:01:23 | |
# Who mournfully did sing | 0:01:23 | 0:01:25 | |
# Her chains she rattled on her hands | 0:01:26 | 0:01:28 | |
# While sweetly thus sung she | 0:01:28 | 0:01:31 | |
# She went, "I love my love | 0:01:31 | 0:01:33 | |
# "And I know my love loves me | 0:01:33 | 0:01:36 | |
# "Cruel were the parents | 0:01:36 | 0:01:38 | |
# "That took my love to sea | 0:01:38 | 0:01:41 | |
# "Cruel were the ships that stole my love from me | 0:01:41 | 0:01:47 | |
# "But I love his parents | 0:01:47 | 0:01:48 | |
# "Since they're his Though they've ruined me | 0:01:48 | 0:01:51 | |
# "Now I love my love | 0:01:51 | 0:01:53 | |
# "And I know my love loves me | 0:01:53 | 0:01:56 | |
# "Should it please the pitying powers | 0:01:56 | 0:01:59 | |
# "To call me to the sky | 0:01:59 | 0:02:01 | |
# "I'd gaze around with piercing eyes | 0:02:02 | 0:02:04 | |
# "Where I my love might spy | 0:02:04 | 0:02:07 | |
# "Unhappy maiden | 0:02:07 | 0:02:09 | |
# "That love I will never, never see | 0:02:09 | 0:02:11 | |
# "Oh, I love my love | 0:02:11 | 0:02:14 | |
# "And I know my love loves me | 0:02:14 | 0:02:17 | |
# "I'll make a strawy garland | 0:02:17 | 0:02:19 | |
# "I'll make it wondrous fine | 0:02:19 | 0:02:22 | |
# "Roses, a-lilies and daisies | 0:02:22 | 0:02:24 | |
# "Mix in the eglantine | 0:02:24 | 0:02:26 | |
# "I'll present it to my love | 0:02:27 | 0:02:29 | |
# "When he returns from sea | 0:02:29 | 0:02:32 | |
# "I love my love | 0:02:32 | 0:02:34 | |
# "And I know my love loves me | 0:02:34 | 0:02:36 | |
# "If I were a little bird | 0:03:17 | 0:03:19 | |
# "I'd build upon his breast | 0:03:19 | 0:03:21 | |
# "If I were a nightingale | 0:03:21 | 0:03:24 | |
# "I'd sing my love to rest | 0:03:24 | 0:03:26 | |
# "To gaze upon his lovely eyes | 0:03:27 | 0:03:29 | |
# "Oh, my reward would be | 0:03:29 | 0:03:31 | |
# "For I love my love | 0:03:31 | 0:03:34 | |
# "And I know my love loves me. # | 0:03:34 | 0:03:36 | |
CHEERING AND APPLAUSE | 0:03:42 | 0:03:44 | |
Thank you so much! | 0:03:49 | 0:03:50 | |
That the was the 17th-century Maiden's Lament. | 0:03:50 | 0:03:52 | |
Welcome to the Hootenanny! | 0:03:52 | 0:03:54 | |
ALL: Hootenanny! | 0:03:54 | 0:03:56 | |
A room packed, on New Year's Eve, with amazing guests. | 0:03:56 | 0:03:59 | |
We have Paloma Faith! | 0:03:59 | 0:04:00 | |
We have Ruby Turner! | 0:04:00 | 0:04:03 | |
Roland Gift! | 0:04:03 | 0:04:05 | |
We have Lianne La Havas! | 0:04:05 | 0:04:07 | |
We have...The Hives, especially come in from Sweden for us! | 0:04:07 | 0:04:12 | |
We have a load of incredibly famous people and guests, | 0:04:12 | 0:04:15 | |
including The Dubliners! | 0:04:15 | 0:04:17 | |
CHEERING | 0:04:17 | 0:04:19 | |
Top-of-the-range, number one artist Emeli Sande! | 0:04:19 | 0:04:23 | |
CHEERING | 0:04:23 | 0:04:24 | |
We have Jake Bugg! | 0:04:24 | 0:04:26 | |
CHEERING | 0:04:26 | 0:04:27 | |
More amazing load of people there, look. Hello! HELLO! | 0:04:27 | 0:04:30 | |
CHEERING | 0:04:30 | 0:04:31 | |
We have Adam Ant! | 0:04:31 | 0:04:33 | |
CHEERING | 0:04:33 | 0:04:35 | |
We have soul legend Bettye LaVette! | 0:04:35 | 0:04:37 | |
We have Dexys, who are there somewhere. | 0:04:37 | 0:04:40 | |
We have Bobby Womack, we have Damon Albarn, | 0:04:40 | 0:04:43 | |
we have Petula Clark! | 0:04:43 | 0:04:45 | |
CHEERING | 0:04:45 | 0:04:47 | |
All in this one room! | 0:04:47 | 0:04:48 | |
And now we start with the boogie-woogie queen herself - | 0:04:48 | 0:04:51 | |
royalty in the form of Ruby Turner! | 0:04:51 | 0:04:55 | |
CHEERING | 0:04:55 | 0:04:57 | |
# He saw big Eddie Cavendish | 0:05:13 | 0:05:18 | |
# He's got two girls in love with him | 0:05:18 | 0:05:21 | |
# Are ya able, Mabel? | 0:05:21 | 0:05:24 | |
# Able, Mabel? | 0:05:24 | 0:05:26 | |
# What d'ya say, Rosie May? | 0:05:26 | 0:05:28 | |
# Say, Rosie May? | 0:05:28 | 0:05:30 | |
# Are ya able, Mabel To rock his blues away-ay? | 0:05:30 | 0:05:35 | |
# Well, Mabel's got to skate | 0:05:38 | 0:05:40 | |
# And Rosie's got to stroll | 0:05:40 | 0:05:42 | |
# I jump around the room | 0:05:42 | 0:05:44 | |
# To satisfy his soul | 0:05:44 | 0:05:46 | |
# Are you able, Mabel Long? | 0:05:46 | 0:05:49 | |
# Oh, what d'ya say, Rosie May? | 0:05:49 | 0:05:52 | |
# Are ya able, Mabel To rock his blues away-ay? | 0:05:53 | 0:06:01 | |
# Let's go, darlin'... # | 0:06:01 | 0:06:03 | |
Hey! | 0:06:32 | 0:06:33 | |
Mr Michael Rose! | 0:06:39 | 0:06:41 | |
Whoop! | 0:07:01 | 0:07:02 | |
Yeah! | 0:07:04 | 0:07:05 | |
# When Mabel starts to rock | 0:07:15 | 0:07:17 | |
# And Rosie starts to roll | 0:07:17 | 0:07:19 | |
# I jump him out the blues | 0:07:19 | 0:07:21 | |
# You know it satisfies his soul | 0:07:21 | 0:07:23 | |
# Are ya able, Mabel Long? | 0:07:23 | 0:07:27 | |
# Oh, what d'ya say, Rosie May? | 0:07:27 | 0:07:30 | |
# Are ya able, Mabel To rock his blues away-ay? | 0:07:31 | 0:07:37 | |
# Hey-hey, let's groove tonight | 0:07:39 | 0:07:43 | |
# Ah-ah, let's move tonight | 0:07:43 | 0:07:47 | |
# A-hey-hey, let's groove tonight | 0:07:47 | 0:07:51 | |
# Ah-ah, let's groove tonight | 0:07:51 | 0:07:55 | |
# Are ya able, Mabel To rock his blues away-ay? | 0:07:55 | 0:08:02 | |
# Hey-hey, let's roll tonight | 0:08:03 | 0:08:07 | |
# Oh-oh, let's move tonight | 0:08:07 | 0:08:11 | |
# Hey-hey-hey-hey | 0:08:11 | 0:08:13 | |
# Let's roll all night long | 0:08:13 | 0:08:15 | |
# Hey-hey, let's move tonight | 0:08:15 | 0:08:19 | |
# Are ya able, Mabel To rock his blues away? | 0:08:19 | 0:08:25 | |
# Hey-hey! # | 0:08:25 | 0:08:28 | |
CHEERING AND WHISTLES | 0:08:28 | 0:08:33 | |
Ruby Turner! | 0:08:33 | 0:08:34 | |
The wonderful Ruby Turner! | 0:08:35 | 0:08:37 | |
And now we're delighted to welcome in, for New Year's Eve, | 0:08:38 | 0:08:42 | |
from Sweden, The Hives. | 0:08:42 | 0:08:45 | |
CHEERING | 0:08:45 | 0:08:47 | |
-ROBOTIC VOICE: -Go right ahead. | 0:09:03 | 0:09:05 | |
Go right ahead. | 0:09:07 | 0:09:08 | |
Go right ahead. | 0:09:10 | 0:09:12 | |
Go right ahead. | 0:09:14 | 0:09:15 | |
Wo-o-o-o-o-o-o-ow! | 0:09:16 | 0:09:21 | |
# Go right ahead | 0:09:21 | 0:09:22 | |
# Go right ahead | 0:09:24 | 0:09:26 | |
# Go right ahead | 0:09:28 | 0:09:30 | |
# Go, go, go | 0:09:30 | 0:09:31 | |
# Go right ahead | 0:09:31 | 0:09:33 | |
# Roam the streets in a uniform | 0:09:33 | 0:09:35 | |
# Go right ahead | 0:09:35 | 0:09:36 | |
# Find a bull and you grab the horns | 0:09:36 | 0:09:38 | |
# Go right ahead | 0:09:38 | 0:09:39 | |
# You scream your head off Like the day you was born | 0:09:39 | 0:09:42 | |
# Go right ahead | 0:09:42 | 0:09:43 | |
# Go right ahead, go right ahead Go right a | 0:09:43 | 0:09:45 | |
# Go right ahead | 0:09:45 | 0:09:47 | |
# Go right ahead | 0:09:49 | 0:09:50 | |
# Go right ahead | 0:09:52 | 0:09:54 | |
# Go right ahead | 0:09:56 | 0:09:58 | |
# Go, go, go | 0:09:58 | 0:09:59 | |
# Go right ahead | 0:09:59 | 0:10:00 | |
# Here's a secret but keep it tight | 0:10:00 | 0:10:03 | |
# Go right ahead | 0:10:03 | 0:10:04 | |
# It's California late at night | 0:10:04 | 0:10:06 | |
# Go right ahead | 0:10:06 | 0:10:07 | |
# We're going to drink Fight all night | 0:10:07 | 0:10:10 | |
# Go right ahead | 0:10:10 | 0:10:11 | |
# Go right ahead, go right ahead Go right ahead, go | 0:10:11 | 0:10:14 | |
# Is it right or wrong? | 0:10:14 | 0:10:16 | |
# You never know it | 0:10:16 | 0:10:17 | |
# Soldiers come along | 0:10:17 | 0:10:19 | |
# I want to show it | 0:10:19 | 0:10:21 | |
# Our God is a Zilla | 0:10:21 | 0:10:23 | |
# Our King is a Kong | 0:10:23 | 0:10:24 | |
# The room's about to crumble as I burst into song | 0:10:24 | 0:10:27 | |
# Go right ahead | 0:10:27 | 0:10:28 | |
# Go right ahead | 0:10:31 | 0:10:33 | |
# Go right ahe-ea-ea-ead | 0:10:34 | 0:10:37 | |
# You gotta go from A-Z | 0:10:38 | 0:10:40 | |
# From when you're born until you're dead | 0:10:40 | 0:10:42 | |
# Go right ahead | 0:10:42 | 0:10:43 | |
# Go right ahead | 0:10:45 | 0:10:47 | |
# Go, go, go | 0:10:47 | 0:10:49 | |
# Go right ahead | 0:10:49 | 0:10:50 | |
# Like a tiger breaking out of the zoo | 0:10:50 | 0:10:52 | |
# Go right ahead | 0:10:52 | 0:10:53 | |
# Do anything that you want to do | 0:10:53 | 0:10:55 | |
# Go right ahead | 0:10:55 | 0:10:57 | |
# The rumours you heard | 0:10:57 | 0:10:58 | |
# They were all true | 0:10:58 | 0:10:59 | |
# Go right ahead | 0:10:59 | 0:11:00 | |
# Go right ahead, go right ahead | 0:11:00 | 0:11:02 | |
# Go right ahead, go | 0:11:02 | 0:11:03 | |
# Is it right or wrong? | 0:11:03 | 0:11:05 | |
# You never know it | 0:11:05 | 0:11:07 | |
# Soldiers come along | 0:11:07 | 0:11:09 | |
# I want to show it | 0:11:09 | 0:11:10 | |
# Our God is a Zilla | 0:11:10 | 0:11:12 | |
# Our King is a Kong | 0:11:12 | 0:11:14 | |
# The room's about to crumble as I burst into song | 0:11:14 | 0:11:17 | |
# Go right a... # | 0:11:17 | 0:11:18 | |
Hootenanny! | 0:11:18 | 0:11:20 | |
-ALL: -Hootenanny! | 0:11:20 | 0:11:22 | |
-# Go right ahead, go right ahead -Go right ahead | 0:11:22 | 0:11:25 | |
# Go right ahead | 0:11:25 | 0:11:26 | |
# Go, go, go | 0:11:26 | 0:11:28 | |
# Go right ahead | 0:11:28 | 0:11:29 | |
# Go right ahead | 0:11:29 | 0:11:30 | |
-# Go right ahead -Go right ahea-ea-ea-ead | 0:11:30 | 0:11:34 | |
# You gotta go from A-Z | 0:11:34 | 0:11:36 | |
# From when you're born until you're dead | 0:11:36 | 0:11:38 | |
# Go right ahead | 0:11:38 | 0:11:39 | |
# Go right ahead, go right ahead | 0:11:39 | 0:11:41 | |
# Go right ahead | 0:11:41 | 0:11:43 | |
# Roam the streets in a uniform | 0:11:43 | 0:11:45 | |
# Go right ahead | 0:11:45 | 0:11:46 | |
# Find a bull and you grab the horns | 0:11:46 | 0:11:49 | |
# You scream your head off Like the day you were born | 0:11:49 | 0:11:52 | |
# Go right ahead, go right ahead Go right ahead, go right ahead | 0:11:52 | 0:11:56 | |
# Go right ahead, go right ahead Go right ahead, go right ahead | 0:11:56 | 0:11:59 | |
# Go right ahead, go right ahead Go right ahead, go right ahead | 0:11:59 | 0:12:03 | |
# Go right ahead... # | 0:12:03 | 0:12:05 | |
CHEERING AND APPLAUSE | 0:12:05 | 0:12:07 | |
# Go right ahead. # | 0:12:07 | 0:12:08 | |
Thanks. CHEERING | 0:12:08 | 0:12:11 | |
Thanks to The Hives. | 0:12:15 | 0:12:16 | |
Thank you, The Hives. | 0:12:17 | 0:12:19 | |
Go Right Ahead, from Lex Hives, their album. The Hives! | 0:12:19 | 0:12:22 | |
More from them. And I shall be finding out | 0:12:22 | 0:12:24 | |
exactly what they do on New Year's Eve in Sweden. | 0:12:24 | 0:12:27 | |
Who can imagine? | 0:12:27 | 0:12:28 | |
But let's immediately go, as we approach the end of this year, | 0:12:28 | 0:12:31 | |
and let's think...let's look back | 0:12:31 | 0:12:33 | |
with some of the marvellous people in this room. | 0:12:33 | 0:12:35 | |
Fiona Bruce, you've joined us! | 0:12:35 | 0:12:37 | |
Is this your husband? May I sit on his lap? | 0:12:37 | 0:12:38 | |
-This is my husband, Nigel, yes. -Ah, thanks very much. | 0:12:38 | 0:12:41 | |
You never thought this was going to happen, but it has. | 0:12:41 | 0:12:43 | |
So I hope the News Of The World are catching... | 0:12:43 | 0:12:46 | |
Oh, they've gone, haven't they? | 0:12:46 | 0:12:47 | |
What was the happiest news that you heard? You see all the news - | 0:12:47 | 0:12:50 | |
what was the most cheerful bit of news | 0:12:50 | 0:12:52 | |
from this year that's nearly finished? | 0:12:52 | 0:12:53 | |
Oh, it's all been so grim, but I guess the Olympics. | 0:12:53 | 0:12:56 | |
-Marvellous. -Andy Murray winning, that was fantastic. | 0:12:56 | 0:12:58 | |
-Lovely. Happy moment. -Definitely the highlight of the year. | 0:12:58 | 0:13:01 | |
Anything you're looking forward to next year? | 0:13:01 | 0:13:03 | |
-Or anything you're going to avoid? Have you made any resolutions? -Er... | 0:13:03 | 0:13:06 | |
the thing I would look forward to most | 0:13:06 | 0:13:09 | |
is our new puppy not weeing in the house. | 0:13:09 | 0:13:11 | |
-That's right. What sort of puppy is it? -It's an Irish terrier. | 0:13:11 | 0:13:15 | |
-Excellent. Is it muzzled and everything? -Aim high, aim high. | 0:13:15 | 0:13:18 | |
-Yeah, nice. -"Not world peace, my puppy not weeing!" | 0:13:18 | 0:13:21 | |
-Yeah, yeah. -LAUGHTER | 0:13:21 | 0:13:22 | |
Taking the big view there. | 0:13:22 | 0:13:24 | |
Well, just, you know, kind of... keeping it real. | 0:13:24 | 0:13:26 | |
Now, John, looking back, now we're nearly at the very last moments, | 0:13:26 | 0:13:29 | |
what's been the highlights for you this year? | 0:13:29 | 0:13:31 | |
I think seeing you sat on Nigel's knee. | 0:13:31 | 0:13:34 | |
Cos, to be honest, | 0:13:34 | 0:13:35 | |
I've never seen a man look more uncomfortable than that. | 0:13:35 | 0:13:37 | |
-Which one? -He doesn't know where to put his hands - | 0:13:37 | 0:13:40 | |
-he looks like he's working you. -Quite right, too! | 0:13:40 | 0:13:42 | |
LAUGHTER | 0:13:42 | 0:13:43 | |
And so I can see that as the highlight of the year. | 0:13:43 | 0:13:46 | |
Is it OK back there for you? | 0:13:46 | 0:13:47 | |
-It's going very nicely. -Good. Excellent. | 0:13:47 | 0:13:49 | |
Keeping a low profile, as always. | 0:13:49 | 0:13:51 | |
Um, and what about next year? | 0:13:51 | 0:13:52 | |
Any resolutions you've made, looking forward? | 0:13:52 | 0:13:54 | |
Er, yeah, I've decided, this year, just to get fat. | 0:13:54 | 0:13:57 | |
Just to spend all year getting as fat as I possibly can. | 0:13:57 | 0:14:00 | |
Very good idea. | 0:14:00 | 0:14:01 | |
And throwing pies at thin people. | 0:14:01 | 0:14:03 | |
Yes! Yes! Ah, yes! Yes, yes! | 0:14:03 | 0:14:05 | |
-You live and you die - get fat. -Excellent. | 0:14:05 | 0:14:07 | |
John, I'll be talking to you, but I'll come back and see you again. | 0:14:07 | 0:14:10 | |
-Happy New Year to you both in a moment. -Aww... | 0:14:10 | 0:14:12 | |
Steady, steady. And Hootenanny, I go over this way. | 0:14:12 | 0:14:15 | |
Thank you for joining us, Fiona Bruce and John Bishop. | 0:14:15 | 0:14:18 | |
Yes, I'll be joining various people as the evening goes on, | 0:14:18 | 0:14:20 | |
and I think I'll hang on to this microphone, cos it's a bit louder. | 0:14:20 | 0:14:23 | |
And I'm going to take it over here. | 0:14:23 | 0:14:25 | |
We now have a legendary soul guest. | 0:14:25 | 0:14:27 | |
She's going to now do her wonderful hit that was originally out in 1966. | 0:14:27 | 0:14:31 | |
It's still a ravishing piece of music. It's Let Me Down Easy. | 0:14:31 | 0:14:35 | |
This is Bettye LaVette! | 0:14:35 | 0:14:37 | |
CHEERING | 0:14:37 | 0:14:40 | |
# Let me down easy | 0:14:50 | 0:14:54 | |
# Though your love for me is gone | 0:14:57 | 0:15:00 | |
# Let me down easy | 0:15:03 | 0:15:06 | |
# Since you feel to stay is wrong | 0:15:08 | 0:15:11 | |
# I know it's all over | 0:15:11 | 0:15:16 | |
# Except the last goodbye | 0:15:17 | 0:15:20 | |
# Wohhh-ohh-ohhh | 0:15:21 | 0:15:25 | |
# Let me down easy | 0:15:27 | 0:15:29 | |
# When you pass by me | 0:15:32 | 0:15:34 | |
# Say hello once in a while | 0:15:37 | 0:15:41 | |
# When you pass by me, baby, baby | 0:15:42 | 0:15:48 | |
# Does it hurt so much to smile? | 0:15:49 | 0:15:52 | |
# We promised that we'd still be friends | 0:15:52 | 0:15:58 | |
# Till the very end | 0:15:58 | 0:16:01 | |
# I'm begging you, baby, please | 0:16:03 | 0:16:07 | |
# Let me down easy | 0:16:08 | 0:16:11 | |
# I remember at the start | 0:16:38 | 0:16:42 | |
# Said it was so nice, dear | 0:16:44 | 0:16:48 | |
# I never thought we'd have to part | 0:16:50 | 0:16:53 | |
# But now it's... | 0:16:54 | 0:16:55 | |
# You tell me it's all over | 0:16:57 | 0:17:00 | |
# All we've got to do is say goodbye | 0:17:01 | 0:17:04 | |
# I'm calling you, Daddy, please | 0:17:06 | 0:17:11 | |
# Let me down easy | 0:17:12 | 0:17:14 | |
# Let me down easy | 0:17:17 | 0:17:20 | |
# Let me down easy | 0:17:22 | 0:17:26 | |
# Don't turn your back on me so fast | 0:17:27 | 0:17:31 | |
# Let me down easy | 0:17:32 | 0:17:36 | |
# Please | 0:17:36 | 0:17:37 | |
# Please | 0:17:39 | 0:17:41 | |
# Please | 0:17:42 | 0:17:44 | |
# Please | 0:17:45 | 0:17:47 | |
# Please | 0:17:49 | 0:17:51 | |
# Please | 0:17:53 | 0:17:57 | |
# Let me down easy. # | 0:17:57 | 0:18:03 | |
CHEERING AND APPLAUSE | 0:18:07 | 0:18:11 | |
The wonderful Bettye LaVette! | 0:18:15 | 0:18:17 | |
All right. So now, a fantastic British pop icon | 0:18:20 | 0:18:24 | |
with a brand-new band. | 0:18:24 | 0:18:26 | |
We're so delighted to have him in this studio. | 0:18:26 | 0:18:29 | |
Yes, I'm speaking of Adam Ant. | 0:18:29 | 0:18:32 | |
CHEERING AND APPLAUSE | 0:18:32 | 0:18:36 | |
# Oh, yeah | 0:18:38 | 0:18:40 | |
# Oh, Johnny looked back | 0:18:48 | 0:18:52 | |
# You know, he never looked back | 0:18:52 | 0:18:55 | |
# The whole world was his stage | 0:18:55 | 0:18:58 | |
# He never acted his age | 0:18:58 | 0:19:00 | |
# Well, a girl we call French Valerie | 0:19:01 | 0:19:06 | |
# Gave a gold link chain to me | 0:19:06 | 0:19:09 | |
# Asked her who had given it her | 0:19:09 | 0:19:12 | |
# An old flame called Vince Taylor | 0:19:12 | 0:19:15 | |
# Oh, yeah | 0:19:15 | 0:19:17 | |
# I nearly done a Vince Taylor | 0:19:19 | 0:19:22 | |
# Oh, Johnny looked back | 0:19:22 | 0:19:24 | |
# You know, he never looked back | 0:19:25 | 0:19:28 | |
# Well, leather and chains Goddamn vain | 0:19:28 | 0:19:32 | |
# Never see his likes again | 0:19:33 | 0:19:36 | |
# Must have left his mark on me | 0:19:36 | 0:19:39 | |
# Even liked by Morrissey | 0:19:39 | 0:19:42 | |
# Oh, leather and chains | 0:19:42 | 0:19:44 | |
# Goddamn vain | 0:19:46 | 0:19:47 | |
# Never going to see his likes again. # | 0:19:49 | 0:19:52 | |
Not Vince Taylor. | 0:19:53 | 0:19:54 | |
# Yeah! | 0:19:55 | 0:19:57 | |
# Wow! | 0:20:09 | 0:20:10 | |
# Johnny looked back | 0:20:10 | 0:20:11 | |
# You know, he never looked back | 0:20:12 | 0:20:15 | |
# The whole world was his stage | 0:20:15 | 0:20:19 | |
# He never acted his age | 0:20:19 | 0:20:21 | |
# Well, a girl we call French Valerie | 0:20:21 | 0:20:27 | |
# Gave a gold link chain to me | 0:20:27 | 0:20:30 | |
# Asked her who had given it her | 0:20:30 | 0:20:33 | |
# An old flame called Vince Taylor | 0:20:33 | 0:20:36 | |
# Leather and chains | 0:20:36 | 0:20:38 | |
# Goddamn vain | 0:20:39 | 0:20:41 | |
# Never going to see his likes again. # | 0:20:43 | 0:20:46 | |
Not Vince Taylor. | 0:20:46 | 0:20:47 | |
# Well, ohhh | 0:20:49 | 0:20:52 | |
# Now, Johnny looked back | 0:21:02 | 0:21:04 | |
# You know, he never looked back | 0:21:06 | 0:21:08 | |
# The whole world was his stage | 0:21:09 | 0:21:11 | |
# Never acted his age | 0:21:12 | 0:21:14 | |
# Well, a girl we call French Valerie | 0:21:14 | 0:21:20 | |
# Gave a gold link chain to me | 0:21:20 | 0:21:23 | |
# Asked her who had given it her | 0:21:23 | 0:21:27 | |
# An old flame called Vince Taylor | 0:21:27 | 0:21:29 | |
# Oh, yeah | 0:21:29 | 0:21:30 | |
# Nearly done a Vince Taylor | 0:21:33 | 0:21:35 | |
# I nearly done a Vince Taylor | 0:21:36 | 0:21:41 | |
# You know, I nearly done a Vince Taylor | 0:21:42 | 0:21:48 | |
# You know, I nearly done a Vince Taylor | 0:21:49 | 0:21:54 | |
# You know, I nearly done a Vince Taylor | 0:21:55 | 0:22:00 | |
# You know, I nearly done a Vince Taylor. # | 0:22:02 | 0:22:07 | |
CHEERING AND APPLAUSE | 0:22:12 | 0:22:16 | |
Thank you, Adam Ant. The song, Vince Taylor, | 0:22:17 | 0:22:20 | |
from a new album, coming out in January. Adam Ant! | 0:22:20 | 0:22:24 | |
We'll be hearing more from him before the year is out. | 0:22:24 | 0:22:27 | |
And speaking of the year 2012, | 0:22:27 | 0:22:30 | |
what a fantastic year for this next wonderful young artist. | 0:22:30 | 0:22:34 | |
She's chosen a delightful old song to do. | 0:22:34 | 0:22:38 | |
We welcome Lianne La Havas. | 0:22:38 | 0:22:40 | |
CHEERING AND APPLAUSE | 0:22:40 | 0:22:43 | |
# Out on the plains down near Santa Fe | 0:22:51 | 0:22:56 | |
# I met a cowboy ridin' the range one day | 0:22:56 | 0:23:00 | |
# And as he jogged along | 0:23:00 | 0:23:04 | |
# I heard him singin' | 0:23:04 | 0:23:06 | |
# A most peculiar cowboy song | 0:23:06 | 0:23:09 | |
# It was a ditty he learned in the city | 0:23:09 | 0:23:13 | |
# Comma ti aye aye ay | 0:23:13 | 0:23:16 | |
# Comma ti yippy yi yay | 0:23:16 | 0:23:18 | |
# Get along, gettin' hip Little doggy | 0:23:18 | 0:23:22 | |
# Get along You better be on your way | 0:23:22 | 0:23:27 | |
# Get along, get hip, little doggy | 0:23:27 | 0:23:31 | |
# And he trucked 'em on down the old fairway | 0:23:31 | 0:23:35 | |
# Singin' the Cow Cow Boogie in the strangest way | 0:23:35 | 0:23:40 | |
# Comma ti aye aye ay | 0:23:40 | 0:23:42 | |
# Comma ti yippy yi yay | 0:23:42 | 0:23:44 | |
# Singin' a cowboy song | 0:23:44 | 0:23:47 | |
# He's just too much | 0:23:47 | 0:23:48 | |
# He's got a knocked-up western accent | 0:23:48 | 0:23:52 | |
# With a Harlem touch | 0:23:52 | 0:23:54 | |
# He was raised on local weed | 0:23:54 | 0:23:58 | |
# He's what you call a swingin' half breed | 0:23:58 | 0:24:02 | |
# Singin' the Cow Cow Boogie in the strangest way | 0:24:02 | 0:24:06 | |
# Comma ti aye aye ay | 0:24:06 | 0:24:08 | |
# Comma ti yippy yi yay. # | 0:24:08 | 0:24:11 | |
AUDIENCE JOINS IN CLAPPING | 0:24:21 | 0:24:25 | |
# Doo doo da-doo doo | 0:24:44 | 0:24:47 | |
# Doo doo da-doo doo | 0:24:47 | 0:24:49 | |
# Ooh-wee | 0:24:53 | 0:24:56 | |
# Ooh-wee | 0:24:56 | 0:24:58 | |
# Out on the plains down near Santa Fe | 0:25:01 | 0:25:05 | |
# I met a cowboy ridin' the range one day | 0:25:05 | 0:25:10 | |
# And as he jogged along I heard him singin' | 0:25:10 | 0:25:15 | |
# A most peculiar cowboy song | 0:25:15 | 0:25:19 | |
# It was a ditty he learned in the city | 0:25:19 | 0:25:23 | |
# Comma ti aye aye ay | 0:25:23 | 0:25:25 | |
# Comma ti yippy yi yay | 0:25:25 | 0:25:27 | |
# This cowboy song | 0:25:27 | 0:25:30 | |
# Better be on your way | 0:25:34 | 0:25:36 | |
# Get along, gettin' hip Little doggy | 0:25:36 | 0:25:40 | |
# And he trucked 'em on down the old fairway | 0:25:40 | 0:25:44 | |
# Singin' the Cow Cow Boogie in the strangest way | 0:25:44 | 0:25:49 | |
# Comma ti aye aye ay-ay ay-ay ay | 0:25:49 | 0:25:52 | |
# Tippety yay. # | 0:25:52 | 0:25:57 | |
CHEERING AND APPLAUSE | 0:25:57 | 0:26:01 | |
The wonderful Lianne La Havas with Cow Cow Boogie. | 0:26:03 | 0:26:07 | |
We will be hearing more | 0:26:07 | 0:26:08 | |
from the wonderful Lianne La Havas later on. | 0:26:08 | 0:26:10 | |
So now I'm going to barge in onto this corner of the room for a moment | 0:26:12 | 0:26:17 | |
and see who we've got over here. | 0:26:17 | 0:26:18 | |
We appear to have just in this corner Peter Capaldi | 0:26:18 | 0:26:21 | |
and Jon Culshaw and others, I've noted, | 0:26:21 | 0:26:23 | |
but I'm just going to barge into you first of all. | 0:26:23 | 0:26:27 | |
Peter, it's been a great... | 0:26:27 | 0:26:28 | |
very good newsroom stuff going on there, | 0:26:28 | 0:26:30 | |
but looking back over the year, | 0:26:30 | 0:26:32 | |
-what's your highlights, would you say? -The highlights? | 0:26:32 | 0:26:34 | |
The highlight for me is, I got to make a film with Angelina Jolie | 0:26:34 | 0:26:37 | |
and then made a film with Brad Pitt. | 0:26:37 | 0:26:39 | |
And did you become friends with them? Did they speak to you? | 0:26:39 | 0:26:42 | |
-Not at all. No. -LAUGHTER | 0:26:42 | 0:26:44 | |
And also, I felt extremely ugly for the whole of the year. | 0:26:44 | 0:26:47 | |
But it was lovely. No, actually, they were really, really nice. | 0:26:47 | 0:26:50 | |
Great. They haven't come with you this evening, have they? | 0:26:50 | 0:26:52 | |
I think I'm going on to theirs tonight after this, yes. | 0:26:52 | 0:26:55 | |
-Excellent. -They need a babysitter. | 0:26:55 | 0:26:56 | |
Very good. We've heard it here first. Thank you very much, Peter. | 0:26:56 | 0:26:59 | |
So now, Jon, it's very nice to have you here in this Hootenanny. | 0:26:59 | 0:27:02 | |
-Hootenanny! -CHEERING | 0:27:02 | 0:27:05 | |
Looking back over the year, who are the people you'd like to... | 0:27:05 | 0:27:08 | |
who are the people you've noticed that have come into your radar? | 0:27:08 | 0:27:11 | |
The thing I'm looking forward to in 2013, in November, | 0:27:11 | 0:27:15 | |
astronomically, in the night sky, there's going to be a comet, | 0:27:15 | 0:27:17 | |
and it's going to be called a sungrazer, cos it's very near the sun, | 0:27:17 | 0:27:20 | |
which means it might be very, very bright and be brighter | 0:27:20 | 0:27:23 | |
than the full moon, or it might melt completely and just turn into mush. | 0:27:23 | 0:27:26 | |
-Nice. -But maybe Jonathan Cainer can tell us more about that. | 0:27:26 | 0:27:28 | |
I think he might do, yes. | 0:27:28 | 0:27:30 | |
Any politicians come into your zone this year? | 0:27:30 | 0:27:32 | |
-(AS BORIS JOHNSON) -Well, wonderful Mayor Boris Johnson | 0:27:32 | 0:27:34 | |
and the wonderful success that was the London 2012 Olympic Games, | 0:27:34 | 0:27:38 | |
where the nation came together in the Olympic Stadium | 0:27:38 | 0:27:41 | |
to boo George Osborne. Huzzah! | 0:27:41 | 0:27:43 | |
LAUGHTER AND APPLAUSE | 0:27:43 | 0:27:45 | |
Very good to see. Well, I well be back. | 0:27:45 | 0:27:48 | |
I might lunge in at you fellows again. | 0:27:48 | 0:27:50 | |
Thank you very much for joining us, | 0:27:50 | 0:27:51 | |
Peter Capaldi and the wonderful Jon Culshaw! | 0:27:51 | 0:27:54 | |
CHEERING AND APPLAUSE | 0:27:54 | 0:27:56 | |
Great heroes of the screen we have in this room. | 0:27:56 | 0:27:59 | |
What great heroes of the music world we have in this room. | 0:27:59 | 0:28:02 | |
Now, joined by a man who's had amazing things this year - | 0:28:02 | 0:28:04 | |
an incredible opera, incredible records, incredible music. | 0:28:04 | 0:28:08 | |
He's joined by Richard Russell and Damon Albarn. | 0:28:08 | 0:28:11 | |
It's Bobby Womack! | 0:28:11 | 0:28:13 | |
CHEERING AND APPLAUSE | 0:28:13 | 0:28:16 | |
# Where there's a heartbeat | 0:28:16 | 0:28:21 | |
# There's a dream inside | 0:28:23 | 0:28:27 | |
# A new day | 0:28:28 | 0:28:31 | |
# Make it come alive | 0:28:32 | 0:28:38 | |
# The dawn will come The sun will rise | 0:28:38 | 0:28:43 | |
# Hope returns as fears subside | 0:28:43 | 0:28:48 | |
# Time will heal and seasons change | 0:28:48 | 0:28:53 | |
# Love will bring you past the pain | 0:28:53 | 0:29:01 | |
# Love is gonna lift you up | 0:29:01 | 0:29:03 | |
# Gonna lift you up | 0:29:03 | 0:29:05 | |
# Love is gonna lift you up | 0:29:05 | 0:29:08 | |
# If you're feeling down | 0:29:08 | 0:29:10 | |
# Love is gonna lift you up | 0:29:10 | 0:29:13 | |
# Gonna lift you up | 0:29:13 | 0:29:15 | |
# Love is gonna lift you up | 0:29:15 | 0:29:18 | |
# Love is gonna | 0:29:18 | 0:29:19 | |
# Love is gonna lift you up | 0:29:19 | 0:29:21 | |
# Brighten up your day | 0:29:21 | 0:29:23 | |
# Love is gonna lift you up | 0:29:23 | 0:29:26 | |
# Love is gonna lift you | 0:29:26 | 0:29:28 | |
# Love is gonna lift you up | 0:29:28 | 0:29:30 | |
# Gonna lift you up | 0:29:30 | 0:29:32 | |
# Love is gonna lift you up | 0:29:32 | 0:29:35 | |
# Mmmmm | 0:29:35 | 0:29:37 | |
# Yeah | 0:29:40 | 0:29:41 | |
# Mmm | 0:29:44 | 0:29:46 | |
# Where there's construction | 0:29:52 | 0:29:57 | |
# There's a future life | 0:29:57 | 0:29:59 | |
# A new city | 0:30:00 | 0:30:03 | |
# Under the bright lights | 0:30:04 | 0:30:07 | |
# The dawn will come The sun will rise | 0:30:08 | 0:30:13 | |
# Hope returns as fears subside | 0:30:13 | 0:30:17 | |
# Time will heal as seasons change | 0:30:17 | 0:30:21 | |
# Love will bring you past the pain | 0:30:21 | 0:30:25 | |
# Love is gonna lift you up | 0:30:25 | 0:30:27 | |
# Gonna lift you up | 0:30:27 | 0:30:29 | |
# Love is gonna lift you up | 0:30:29 | 0:30:31 | |
# Lift you higher | 0:30:31 | 0:30:33 | |
# Love is gonna lift you up | 0:30:33 | 0:30:35 | |
# Gonna lift you up | 0:30:35 | 0:30:37 | |
# Love is gonna lift you up | 0:30:37 | 0:30:39 | |
# Ohhh | 0:30:39 | 0:30:41 | |
# Love is gonna lift you up | 0:30:41 | 0:30:43 | |
# Gonna lift you up | 0:30:43 | 0:30:44 | |
# Love is gonna lift you up | 0:30:44 | 0:30:47 | |
# When you're feeling down | 0:30:47 | 0:30:48 | |
# Love is gonna lift you up | 0:30:48 | 0:30:51 | |
# Gonna lift you up | 0:30:51 | 0:30:52 | |
# Love is gonna lift you up | 0:30:52 | 0:30:55 | |
# Ohhhh | 0:30:55 | 0:30:57 | |
# Yeah | 0:30:59 | 0:31:00 | |
# Do it again | 0:31:03 | 0:31:05 | |
# Ooooh-ooooh-ooooh | 0:31:07 | 0:31:10 | |
# Yeah | 0:31:15 | 0:31:17 | |
# Ay-ay-ay, yeah, yeah, yeah | 0:31:18 | 0:31:21 | |
# Gonna lift you up | 0:31:23 | 0:31:25 | |
# Yeah, yeah, yeah | 0:31:26 | 0:31:28 | |
# Love is gonna lift you up | 0:31:28 | 0:31:30 | |
# Love is gonna lift you up | 0:31:30 | 0:31:32 | |
# Love is gonna lift you up | 0:31:32 | 0:31:34 | |
# If it's here and now | 0:31:34 | 0:31:36 | |
# Love is gonna lift you up | 0:31:36 | 0:31:38 | |
# Love will turn you around | 0:31:38 | 0:31:40 | |
# Love is gonna lift you up | 0:31:40 | 0:31:42 | |
-# Love is gonna -Love is gonna lift you up | 0:31:43 | 0:31:45 | |
# Gonna, gonna lift you up | 0:31:45 | 0:31:47 | |
# Love is gonna lift you up | 0:31:47 | 0:31:49 | |
# Love is gonna lift you | 0:31:49 | 0:31:52 | |
# Love is gonna lift you up | 0:31:52 | 0:31:53 | |
# Gonna lift you up | 0:31:53 | 0:31:55 | |
# Love is gonna lift you up | 0:31:55 | 0:31:57 | |
# Ooooh, ooooh | 0:31:57 | 0:31:59 | |
# Love is gonna lift you up | 0:31:59 | 0:32:01 | |
# Love is gonna lift you up | 0:32:03 | 0:32:05 | |
# Love is gonna lift you up | 0:32:05 | 0:32:07 | |
# Love is gonna lift you up | 0:32:07 | 0:32:09 | |
# Yeah | 0:32:09 | 0:32:11 | |
# Love is gonna lift you up... # | 0:32:11 | 0:32:12 | |
Everybody sing! | 0:32:12 | 0:32:14 | |
-ALL: -# Love is gonna lift you up | 0:32:14 | 0:32:17 | |
# Love is gonna lift you up | 0:32:18 | 0:32:21 | |
# Love is gonna lift you up | 0:32:22 | 0:32:25 | |
# Yeah | 0:32:26 | 0:32:27 | |
# Love is gonna lift you up | 0:32:27 | 0:32:29 | |
# Love is gonna lift you up | 0:32:30 | 0:32:32 | |
# I know | 0:32:32 | 0:32:34 | |
# Love is gonna lift you up | 0:32:34 | 0:32:37 | |
# Want you to know | 0:32:37 | 0:32:38 | |
# Love is gonna lift you up | 0:32:38 | 0:32:40 | |
# Gonna, gonna, gonna lift you up | 0:32:40 | 0:32:42 | |
# Love is gonna lift you up | 0:32:42 | 0:32:44 | |
# Ohhhh | 0:32:44 | 0:32:45 | |
# Love is gonna lift you up | 0:32:45 | 0:32:49 | |
-# Talk to me -Love is gonna lift you up | 0:32:49 | 0:32:52 | |
# Gonna lift you higher | 0:32:52 | 0:32:54 | |
# Love is gonna lift you up | 0:32:54 | 0:32:56 | |
# It's gonna lift you higher than you've ever been before | 0:32:56 | 0:32:59 | |
# Ohhh | 0:33:00 | 0:33:02 | |
# Love is gonna lift you up | 0:33:02 | 0:33:03 | |
# Love is gonna lift you up | 0:33:05 | 0:33:07 | |
-# Ooh, ooh -Love is gonna lift you up | 0:33:08 | 0:33:11 | |
# Yeah, yeah, yeah | 0:33:12 | 0:33:13 | |
Love is gonna lift you up. # | 0:33:13 | 0:33:15 | |
CHEERING AND APPLAUSE | 0:33:15 | 0:33:19 | |
Bobby Womack! | 0:33:23 | 0:33:24 | |
More from him. | 0:33:25 | 0:33:27 | |
Joined by Richard Russell and his beautiful pyramid. | 0:33:28 | 0:33:32 | |
APPLAUSE CONTINUES | 0:33:32 | 0:33:33 | |
And the wonderful Damon Albarn. | 0:33:33 | 0:33:35 | |
Fantastic. We will be enjoying more. So now, celebrating 50 years. | 0:33:39 | 0:33:43 | |
Wherever you are, let's imagine you were in your favourite tiny pub | 0:33:43 | 0:33:47 | |
or your favourite front room, | 0:33:47 | 0:33:48 | |
this is the music that is the greatest music on Earth. | 0:33:48 | 0:33:51 | |
Perhaps the greatest Irish group of all time. The Dubliners! | 0:33:51 | 0:33:55 | |
APPLAUSE | 0:33:55 | 0:33:56 | |
# As I was going over the far-famed Kerry mountains | 0:34:03 | 0:34:08 | |
# I met with Captain Farrell | 0:34:08 | 0:34:09 | |
# And his money he was counting | 0:34:09 | 0:34:11 | |
# I first produced me pistol | 0:34:11 | 0:34:13 | |
# And I then produced me rapier | 0:34:13 | 0:34:15 | |
# Saying stand and deliver | 0:34:15 | 0:34:18 | |
# For you are a bold deceiver | 0:34:18 | 0:34:20 | |
# Musha ring dumma do dumma daa | 0:34:20 | 0:34:21 | |
# Wack fall the daddy-oh | 0:34:22 | 0:34:24 | |
# Wack fall the daddy-oh | 0:34:24 | 0:34:26 | |
# There's whiskey in the jar | 0:34:26 | 0:34:28 | |
# I counted out his money and it made a pretty penny | 0:34:28 | 0:34:31 | |
# I put it in my pocket and I took it home to Jenny | 0:34:31 | 0:34:36 | |
# She sighed and she swore | 0:34:36 | 0:34:38 | |
# She never would deceive me | 0:34:38 | 0:34:40 | |
# But the devil take the women for they never can be easy | 0:34:40 | 0:34:44 | |
# Musha ring dumma do dumma daa | 0:34:44 | 0:34:45 | |
# Wack fall the daddy-oh | 0:34:46 | 0:34:49 | |
# Wack fall the daddy-oh | 0:34:49 | 0:34:50 | |
# There's whiskey in the jar | 0:34:50 | 0:34:52 | |
# Well, in the morning just before I rose to travel | 0:34:52 | 0:34:56 | |
# Up comes a band of pipers and likewise, Captain Farrell | 0:34:56 | 0:35:00 | |
# I first produced me pistol for me rapier she had stolen | 0:35:00 | 0:35:04 | |
# I could not shoot the water so a prisoner I was taken | 0:35:04 | 0:35:08 | |
# Musha ring dumma do dumma daa | 0:35:08 | 0:35:10 | |
# Wack fall the daddy-oh | 0:35:10 | 0:35:13 | |
# Wack fall the daddy-oh | 0:35:13 | 0:35:15 | |
# There's whiskey in the jar | 0:35:15 | 0:35:17 | |
# If there's anyone can aid me | 0:35:17 | 0:35:19 | |
# It's me brother in the Army | 0:35:19 | 0:35:20 | |
# If I can find his station in Cork or in Killarney | 0:35:20 | 0:35:25 | |
# And if he'll go with me We'll go roving in Kilkenny | 0:35:25 | 0:35:28 | |
# And I'm sure he'll treat me better than me sly and thieving Jenny | 0:35:28 | 0:35:33 | |
# Musha ring dumma do dumma daa | 0:35:33 | 0:35:34 | |
# Wack fall the daddy-oh | 0:35:35 | 0:35:37 | |
# Wack fall the daddy-oh | 0:35:37 | 0:35:39 | |
# There's whiskey in the jar | 0:35:39 | 0:35:41 | |
# Cos some take delight in the carriages a-rolling | 0:35:41 | 0:35:45 | |
# And others take delight in the hurling and the bowling | 0:35:45 | 0:35:49 | |
# But I take delight in the juice of the barley | 0:35:49 | 0:35:53 | |
# And courting pretty fair maids in the morning, bright and early | 0:35:53 | 0:35:57 | |
# Musha ring dumma do dumma daa | 0:35:57 | 0:35:59 | |
# Wack fall the daddy-oh | 0:35:59 | 0:36:02 | |
# Wack fall the daddy-oh | 0:36:02 | 0:36:03 | |
# There's whiskey in the jar | 0:36:03 | 0:36:05 | |
# Musha ring dumma do dumma daa | 0:36:05 | 0:36:08 | |
# Wack fall the daddy-oh | 0:36:08 | 0:36:10 | |
# Wack fall the daddy-oh | 0:36:10 | 0:36:12 | |
# There's whiskey in the jar! # | 0:36:12 | 0:36:13 | |
CHEERING | 0:36:13 | 0:36:15 | |
What joy! The Dubliners! | 0:36:24 | 0:36:26 | |
What a lovely sound that was. You missed over here, | 0:36:29 | 0:36:31 | |
-everybody over here was having a knees up to that, weren't you? -Yeah! | 0:36:31 | 0:36:37 | |
Whiskey In The Jar. So let's have a chat. | 0:36:37 | 0:36:39 | |
Midnight is getting close, so there's not a lot of time, | 0:36:39 | 0:36:42 | |
but I'm going to lunge in quickly. Where's me microphone? Oh, it's in my pocket, silly me! | 0:36:42 | 0:36:46 | |
Paloma Faith, lovely to see you. | 0:36:46 | 0:36:48 | |
-Sitting next to Ruby, Roland and Leanne. Were you all having a knees up to The Dubliners? -Amazing. | 0:36:50 | 0:36:55 | |
Yeah, I'm a big fan of all of theirs. | 0:36:55 | 0:36:57 | |
And also quite nervous because one of my eyelashes | 0:36:57 | 0:37:00 | |
just fell off just as I was told I had to talk to you. | 0:37:00 | 0:37:03 | |
So if anybody is wondering why one eye looks bigger than the other, | 0:37:03 | 0:37:07 | |
-on television at home, that's why! -It's been a fantastic year for you. | 0:37:07 | 0:37:12 | |
You've gone from strength to strength. | 0:37:12 | 0:37:13 | |
You must have enjoyed it tremendously. What about next year? | 0:37:13 | 0:37:16 | |
Any predictions for next year? | 0:37:16 | 0:37:18 | |
Next year, I predict that the world will become more full of love | 0:37:18 | 0:37:23 | |
-and joy, and there won't be any wars any more. -Rachel, what do you say? | 0:37:23 | 0:37:27 | |
-Yes? -I'm putting it into the ether. -Yes, a good idea. | 0:37:27 | 0:37:30 | |
We are all for that. OK, I'm going to leave you with these people here who will | 0:37:30 | 0:37:34 | |
-take good care of you. -They're all amazing. | 0:37:34 | 0:37:35 | |
And you can have a little amazing corner here. I'm going over here. Do you know who we have there? | 0:37:35 | 0:37:39 | |
Somebody over there has been a film star, sold 60, 70 million records. | 0:37:39 | 0:37:43 | |
That's a record for everybody in Britain | 0:37:43 | 0:37:45 | |
-and most of their friends who live in Belgium. -Tell us who it is. | 0:37:45 | 0:37:48 | |
-I will tell you who it is. Shall I tell you? -Yeah! -Are you ready? -I'm ready! | 0:37:48 | 0:37:52 | |
-It is the legend that I have longed to work with all my life, are you ready? -Tell me! | 0:37:52 | 0:37:55 | |
It's Petula Clark! | 0:37:55 | 0:37:57 | |
CHEERING | 0:37:57 | 0:37:59 | |
# You're the only one that I rely on | 0:38:13 | 0:38:18 | |
# The shoulder there for me to cry on | 0:38:18 | 0:38:22 | |
# And the hours alone that I'm without you | 0:38:23 | 0:38:27 | |
# All I ever do is think about you | 0:38:28 | 0:38:33 | |
# No-one else could be so understanding | 0:38:35 | 0:38:38 | |
# Even though my love is so demanding | 0:38:38 | 0:38:43 | |
# Every time you look at me | 0:38:43 | 0:38:44 | |
# Then you know you we'll both agree | 0:38:44 | 0:38:46 | |
# That no other love could be | 0:38:46 | 0:38:50 | |
# I couldn't live without your love | 0:38:50 | 0:38:54 | |
# No, now I know you're really mine | 0:38:54 | 0:38:58 | |
# I've got to have you all the time Yeah | 0:38:58 | 0:39:06 | |
# I didn't like you much when I first met you | 0:39:08 | 0:39:12 | |
# But somehow I couldn't quite forget you | 0:39:12 | 0:39:16 | |
# Said you didn't want a friend or lover | 0:39:16 | 0:39:20 | |
# That your life was happy with another | 0:39:20 | 0:39:23 | |
# But as time went by My love grew stronger | 0:39:23 | 0:39:27 | |
# Knew that I just couldn't wait any longer | 0:39:27 | 0:39:30 | |
# For I couldn't let you go | 0:39:30 | 0:39:33 | |
# And I had to tell you so that our love was so beautiful | 0:39:33 | 0:39:38 | |
# I couldn't live without your love | 0:39:38 | 0:39:43 | |
# Now I know you're really mine | 0:39:43 | 0:39:47 | |
# I've got to have you all the time | 0:39:47 | 0:39:51 | |
# Oh | 0:39:51 | 0:39:56 | |
# Baby | 0:39:56 | 0:40:00 | |
# Do, do, ooh, ooh | 0:40:00 | 0:40:01 | |
# Ooh, ooh, ooh, ooh | 0:40:03 | 0:40:05 | |
# Ooh, ooh, ooh, ooh | 0:40:05 | 0:40:09 | |
# Now the tears are gone and I'm not crying | 0:40:11 | 0:40:15 | |
# When you say you love me You're not lying | 0:40:15 | 0:40:19 | |
# So, if people wanna stare I don't really care | 0:40:19 | 0:40:23 | |
# Just so long as you are there | 0:40:23 | 0:40:26 | |
# I couldn't live without your love | 0:40:26 | 0:40:31 | |
# Now I know you're really mine | 0:40:31 | 0:40:35 | |
# I've got to have you all the time | 0:40:35 | 0:40:39 | |
# Wo-ah, I | 0:40:39 | 0:40:42 | |
# Couldn't live without your love | 0:40:42 | 0:40:46 | |
# Now I know you're really mine | 0:40:46 | 0:40:49 | |
# I've got to have you all the time | 0:40:49 | 0:40:52 | |
One more time, Jools! | 0:40:52 | 0:40:54 | |
# I couldn't live without your love | 0:40:55 | 0:41:01 | |
# Now I know you're really mine | 0:41:01 | 0:41:04 | |
# I've got to have you | 0:41:04 | 0:41:07 | |
# All the | 0:41:07 | 0:41:10 | |
# Time. # | 0:41:10 | 0:41:17 | |
CHEERING | 0:41:17 | 0:41:21 | |
A dream come true for me and the orchestra, the wonderful Petula Clark! | 0:41:23 | 0:41:28 | |
So, from one of the biggest selling artists of all time, | 0:41:31 | 0:41:34 | |
not that it's about numbers, to the biggest selling artist of 2012. | 0:41:34 | 0:41:38 | |
And there's not a lot of time left for that to change! | 0:41:38 | 0:41:40 | |
I'm delighted to welcome into this room the wonderful Emeli Sande! | 0:41:40 | 0:41:45 | |
# Do you recognise me | 0:42:19 | 0:42:22 | |
# In the flashing lights? | 0:42:22 | 0:42:25 | |
# I try to keep my heart clean | 0:42:26 | 0:42:29 | |
# But I can't get it right | 0:42:29 | 0:42:32 | |
# Will you recognise me | 0:42:33 | 0:42:37 | |
# When I'm lying on my back? | 0:42:37 | 0:42:39 | |
# Something's gone inside me | 0:42:41 | 0:42:44 | |
# And I can't get it back | 0:42:44 | 0:42:47 | |
# Oh, heaven | 0:42:49 | 0:42:50 | |
# Oh, heaven | 0:42:50 | 0:42:52 | |
# I wake with good intentions | 0:42:52 | 0:42:56 | |
# But the day It always lasts too long | 0:42:56 | 0:43:01 | |
# Then I'm gone Oh, heaven | 0:43:03 | 0:43:05 | |
# Oh, heaven | 0:43:05 | 0:43:07 | |
# I wake with good intentions | 0:43:07 | 0:43:11 | |
# But the day It always lasts too long | 0:43:11 | 0:43:16 | |
# Then I'm gone | 0:43:17 | 0:43:19 | |
# Then I'm gone | 0:43:19 | 0:43:21 | |
# Then I'm gone | 0:43:21 | 0:43:23 | |
# Then I'm gone | 0:43:23 | 0:43:25 | |
# Then I'm gone | 0:43:25 | 0:43:27 | |
# Then I'm gone | 0:43:27 | 0:43:28 | |
# Then I'm gone | 0:43:28 | 0:43:30 | |
# Then I'm gone | 0:43:30 | 0:43:32 | |
# So, will you recognise me | 0:43:32 | 0:43:36 | |
# When I'm stealing from the poor? | 0:43:36 | 0:43:38 | |
# You're not gonna like me | 0:43:40 | 0:43:43 | |
# I'm nothing like before | 0:43:43 | 0:43:48 | |
# Will you recognise me | 0:43:48 | 0:43:50 | |
# When I lose another friend? | 0:43:50 | 0:43:52 | |
# Will you learn to leave me | 0:43:55 | 0:43:58 | |
# Or give me one more try again? | 0:43:58 | 0:44:01 | |
# Oh, heaven | 0:44:03 | 0:44:04 | |
# Oh, heaven | 0:44:04 | 0:44:06 | |
# I wake with good intentions | 0:44:06 | 0:44:10 | |
# But the day It always lasts too long | 0:44:10 | 0:44:15 | |
# Then I'm gone | 0:44:16 | 0:44:18 | |
# Oh, heaven | 0:44:18 | 0:44:19 | |
# Oh, heaven | 0:44:19 | 0:44:21 | |
# I wake with good intentions | 0:44:21 | 0:44:24 | |
# But the day It always lasts too long | 0:44:24 | 0:44:30 | |
# Then I'm gone | 0:44:31 | 0:44:33 | |
# Then I'm gone | 0:44:33 | 0:44:35 | |
# Then I'm gone | 0:44:35 | 0:44:37 | |
# Then I'm gone | 0:44:37 | 0:44:39 | |
# Then I'm gone | 0:44:39 | 0:44:40 | |
# Then I'm gone | 0:44:40 | 0:44:42 | |
# Then I'm gone | 0:44:42 | 0:44:44 | |
# Then I'm gone | 0:44:44 | 0:44:47 | |
# Oh, heaven | 0:44:47 | 0:44:49 | |
# Oh, heaven | 0:44:49 | 0:44:50 | |
# I wake with good intentions | 0:44:50 | 0:44:54 | |
# Oh, heaven | 0:44:54 | 0:44:56 | |
# Oh, heaven | 0:44:56 | 0:44:58 | |
# I wake with good intentions | 0:44:58 | 0:45:01 | |
# Oh, heaven | 0:45:01 | 0:45:03 | |
# Oh, heaven | 0:45:03 | 0:45:05 | |
# I wake with good intentions | 0:45:05 | 0:45:09 | |
# You say that you will wait | 0:45:09 | 0:45:11 | |
# I try but always break | 0:45:11 | 0:45:13 | |
# Cos the day always lasts too long | 0:45:13 | 0:45:16 | |
# Then I'm gone | 0:45:16 | 0:45:17 | |
# Then I'm gone | 0:45:17 | 0:45:19 | |
# Then I'm gone | 0:45:19 | 0:45:21 | |
# Then I'm gone | 0:45:21 | 0:45:23 | |
# Then I'm gone | 0:45:23 | 0:45:26 | |
# Then I'm gone | 0:45:26 | 0:45:30 | |
# Then I'm gone | 0:45:30 | 0:45:32 | |
# Then I'm gone | 0:45:32 | 0:45:34 | |
# Then I'm gone | 0:45:34 | 0:45:36 | |
# Then I'm gone | 0:45:36 | 0:45:37 | |
# Then I'm gone | 0:45:37 | 0:45:39 | |
# Then I'm gone | 0:45:39 | 0:45:41 | |
# Then I'm gone | 0:45:41 | 0:45:43 | |
# Then I'm gone. # | 0:45:43 | 0:45:46 | |
CHEERING AND APPLAUSE | 0:45:49 | 0:45:53 | |
Emeli Sande and Heaven. | 0:45:58 | 0:46:00 | |
What a pleasure it is to have that sensational woman in this room. | 0:46:02 | 0:46:06 | |
What a myriad of stars are in. In a while, | 0:46:06 | 0:46:07 | |
Emeli is going to do one of her favourite old standards over at the piano. | 0:46:07 | 0:46:11 | |
But if you are at home, or if you are in the room, it is | 0:46:11 | 0:46:14 | |
very soon going to be that moment when this year disappears | 0:46:14 | 0:46:18 | |
and the new one comes to join us. | 0:46:18 | 0:46:20 | |
So, wherever you are in the city, in the country, in the pub, | 0:46:20 | 0:46:23 | |
in the shed, or your bed, get yourselves ready. But not quite. | 0:46:23 | 0:46:26 | |
We have time for one last song this year. | 0:46:26 | 0:46:28 | |
And the man to give it to us is the amazingly talented, | 0:46:28 | 0:46:32 | |
the magnificent Roland Gift! | 0:46:32 | 0:46:36 | |
CHEERING | 0:46:36 | 0:46:40 | |
# One good thing | 0:46:50 | 0:46:52 | |
# In my life | 0:46:53 | 0:46:55 | |
# Has gone away, I don't know why | 0:46:55 | 0:47:00 | |
# She's gone away | 0:47:01 | 0:47:03 | |
# I don't know where | 0:47:03 | 0:47:06 | |
# Somewhere I can't | 0:47:06 | 0:47:08 | |
# Follow her | 0:47:08 | 0:47:10 | |
# The one good thing didn't stay too long | 0:47:11 | 0:47:16 | |
# My back was turned and she was gone | 0:47:17 | 0:47:22 | |
# Good thing | 0:47:22 | 0:47:23 | |
# Where have you gone? | 0:47:23 | 0:47:25 | |
# My good thing | 0:47:27 | 0:47:29 | |
# You been gone too long | 0:47:29 | 0:47:31 | |
# People say | 0:47:32 | 0:47:34 | |
# I should forget | 0:47:34 | 0:47:38 | |
# There's plenty more | 0:47:38 | 0:47:40 | |
# Don't get upset | 0:47:40 | 0:47:42 | |
# People say | 0:47:43 | 0:47:45 | |
# She's doing fine | 0:47:45 | 0:47:47 | |
# Mutual friends | 0:47:48 | 0:47:50 | |
# I see sometime | 0:47:50 | 0:47:52 | |
# That's not what I want to hear | 0:47:54 | 0:47:58 | |
# I want to hear she wants me near | 0:47:59 | 0:48:04 | |
# Good thing | 0:48:04 | 0:48:05 | |
# Where have you gone? | 0:48:05 | 0:48:07 | |
# My good thing | 0:48:09 | 0:48:11 | |
# You been gone too long | 0:48:11 | 0:48:12 | |
# Do do do do Do-do-do-bee-do | 0:49:06 | 0:49:08 | |
# Do do do do Do-do-do-bee-do | 0:49:08 | 0:49:11 | |
# Do do do do Do-do-do-bee-do | 0:49:11 | 0:49:14 | |
# Do do do do Do-do-do-bee-do | 0:49:14 | 0:49:17 | |
# Then one day | 0:49:17 | 0:49:18 | |
# She came back | 0:49:19 | 0:49:21 | |
# I was so happy that I didn't ask | 0:49:22 | 0:49:27 | |
# Morning came | 0:49:27 | 0:49:29 | |
# Into my room | 0:49:29 | 0:49:32 | |
# Caught me dreaming like a fool | 0:49:32 | 0:49:37 | |
# Good thing | 0:49:37 | 0:49:39 | |
# Where have you gone? | 0:49:39 | 0:49:41 | |
# My good thing You've been gone too long | 0:49:42 | 0:49:46 | |
# Good thing | 0:49:48 | 0:49:50 | |
# My, my good thing | 0:49:50 | 0:49:52 | |
# Good thing girl | 0:49:53 | 0:49:56 | |
# Where had you gone? | 0:49:56 | 0:49:57 | |
# Good thing! # | 0:49:58 | 0:50:00 | |
CHEERING AND APPLAUSE | 0:50:01 | 0:50:04 | |
The fantastic Roland Gift and Good Thing. | 0:50:07 | 0:50:12 | |
All right. | 0:50:13 | 0:50:15 | |
It is now very close to that moment indeed. | 0:50:15 | 0:50:18 | |
Please, everybody, at home, wherever you may be, your shed, | 0:50:18 | 0:50:21 | |
your bed, the pub, your car... | 0:50:21 | 0:50:22 | |
Maybe you're driving along, maybe you're in outer space. Wherever you are, let's get the fanfare, | 0:50:22 | 0:50:26 | |
because the moment is about to come. | 0:50:26 | 0:50:28 | |
Yes. | 0:50:28 | 0:50:30 | |
Every year, it gets to this moment. Another year almost over. | 0:50:30 | 0:50:38 | |
Just the last few moments. | 0:50:38 | 0:50:41 | |
And that gives us ten seconds! | 0:50:46 | 0:50:49 | |
Ten, nine, eight, seven, | 0:50:49 | 0:50:54 | |
six, five, four, three, two, one... | 0:50:54 | 0:51:00 | |
Happy New Year! | 0:51:00 | 0:51:02 | |
Happy New Year! Happy New Year! | 0:51:02 | 0:51:08 | |
Happy New Year. | 0:51:08 | 0:51:10 | |
Happy New Year. | 0:51:10 | 0:51:13 | |
MUSIC: "Auld Lang Syne" | 0:51:13 | 0:51:15 | |
Happy New Year! | 0:51:23 | 0:51:25 | |
Happy New Year! | 0:51:25 | 0:51:26 | |
# ..For auld lang syne | 0:51:45 | 0:51:50 | |
# We'll take a cup of kindness yet | 0:51:50 | 0:51:56 | |
# For the sake of auld lang syne | 0:51:56 | 0:52:01 | |
# For auld lang syne, my dear | 0:52:01 | 0:52:06 | |
# For auld lang syne | 0:52:06 | 0:52:11 | |
# We'll take a couple of kindness yet | 0:52:11 | 0:52:16 | |
# For the sake of auld lang syne | 0:52:16 | 0:52:21 | |
# For auld lang syne, my dear | 0:52:21 | 0:52:26 | |
# For auld lang syne | 0:52:26 | 0:52:31 | |
# We'll take a couple of kindness yet | 0:52:31 | 0:52:37 | |
# For the sake of auld lang syne | 0:52:37 | 0:52:42 | |
# For auld lang syne, my dear... # | 0:52:42 | 0:52:46 | |
-Happy New Year! -# For auld lang syne | 0:52:46 | 0:52:52 | |
# We'll take a couple of kindness yet | 0:52:52 | 0:52:57 | |
# For the sake of auld lang syne! # | 0:52:57 | 0:53:05 | |
Happy New Year to us all! Happy New Year to each and all of us. | 0:53:15 | 0:53:20 | |
Thank you, pipes and drums of the 1st Battalion of the Scots Guards. | 0:53:21 | 0:53:25 | |
CHEERING | 0:53:25 | 0:53:28 | |
Wherever you may be in this land or the world, we hope the New Year | 0:53:28 | 0:53:33 | |
brings everything that you may wish and lots of love and peace to all. | 0:53:33 | 0:53:38 | |
And so now, it is just gone midnight. | 0:53:38 | 0:53:40 | |
It is the first just-gone-midnight of this year. | 0:53:40 | 0:53:43 | |
So let's have I'm A Midnight Mover and let's enjoy the amazing, | 0:53:43 | 0:53:48 | |
the legendary Mr Bobby Womack! | 0:53:48 | 0:53:51 | |
Thank you! | 0:53:51 | 0:53:53 | |
# Oh, yeah | 0:53:56 | 0:53:58 | |
# Midnight mover | 0:54:01 | 0:54:03 | |
# All-night groover | 0:54:04 | 0:54:07 | |
# I'm a midnight teaser | 0:54:09 | 0:54:12 | |
# Real soul pleaser | 0:54:13 | 0:54:15 | |
# I'm a midnight hugger | 0:54:17 | 0:54:20 | |
# All-night lover | 0:54:21 | 0:54:24 | |
# Listen to me now | 0:54:24 | 0:54:26 | |
# Trust in me when you're down and out | 0:54:27 | 0:54:31 | |
# I will always bring you out, yeah | 0:54:31 | 0:54:35 | |
# Oh, they call me the midnight mover | 0:54:37 | 0:54:40 | |
# Ow | 0:54:40 | 0:54:42 | |
# I'm a midnight teaser | 0:54:42 | 0:54:44 | |
# Real soul pleaser | 0:54:46 | 0:54:48 | |
# I'm a midnight rover | 0:54:50 | 0:54:52 | |
# I've been looking things over | 0:54:53 | 0:54:58 | |
# I'm a midnight creeper | 0:54:58 | 0:55:00 | |
# All-day sleeper | 0:55:02 | 0:55:06 | |
# Trust in me when you're down and out | 0:55:08 | 0:55:11 | |
# I will always bring you out | 0:55:12 | 0:55:15 | |
# Yeah | 0:55:15 | 0:55:16 | |
# Wow! | 0:55:18 | 0:55:20 | |
-# Groover -Groover | 0:55:20 | 0:55:22 | |
-# Mover -Mover | 0:55:22 | 0:55:24 | |
-# Teaser -Teaser | 0:55:24 | 0:55:26 | |
-# Hugger -Hugger | 0:55:26 | 0:55:28 | |
-# Lover -Walker | 0:55:28 | 0:55:30 | |
-# Walker -Hugger | 0:55:30 | 0:55:32 | |
-# Talker -Talker | 0:55:32 | 0:55:34 | |
# Lover | 0:55:34 | 0:55:36 | |
# Got to be a midnight mover | 0:55:36 | 0:55:39 | |
# Can you hear me, got to be a | 0:55:39 | 0:55:41 | |
# Got to be a midnight mover | 0:55:44 | 0:55:47 | |
# Got to be a soul groover | 0:55:47 | 0:55:51 | |
# Oh | 0:55:51 | 0:55:53 | |
# Yeah | 0:55:55 | 0:55:57 | |
# Ow! # | 0:55:59 | 0:56:02 | |
Yeah! | 0:56:02 | 0:56:04 | |
# Yeah, yeah, yeah, yeah. # | 0:56:06 | 0:56:09 | |
The fantastic Bobby Womack! All right! | 0:56:09 | 0:56:16 | |
Happy New Year, Bobby. Happy New Year to you, Bobby. Happy New Year! | 0:56:16 | 0:56:21 | |
Happy New Year to us all. Happy New Year. Happy New Year! | 0:56:21 | 0:56:27 | |
-And Ruby, happy New Year! -Happy New Year, darling. -So there we are. | 0:56:27 | 0:56:32 | |
I hope you're feeling like that at home. | 0:56:32 | 0:56:34 | |
Wherever you may be, we love you madly, | 0:56:34 | 0:56:38 | |
and it's time to go around the room. Happy New Year to all over there. | 0:56:38 | 0:56:42 | |
Ah, happy New... happy New Year, happy New Year! | 0:56:42 | 0:56:47 | |
Oh, my word. I hope the neighbours are not complaining. | 0:56:50 | 0:56:54 | |
If they are, here's something to really get the volume going. | 0:56:54 | 0:56:56 | |
The wonderful Adam Ant. | 0:56:56 | 0:56:58 | |
# Stand and deliver! | 0:57:06 | 0:57:07 | |
# Oh, oh, oh, oh | 0:57:10 | 0:57:14 | |
# Oh, oh, oh | 0:57:14 | 0:57:17 | |
# I'm the dandy highwayman who you're too scared to mention | 0:57:22 | 0:57:25 | |
# I spend my cash on looking flash and grabbing your attention | 0:57:25 | 0:57:29 | |
# Devil take your stereo and your record collection | 0:57:29 | 0:57:32 | |
# The way you look, you qualify for next year's old age pension | 0:57:32 | 0:57:35 | |
# Stand and deliver | 0:57:35 | 0:57:38 | |
# Your money or your life | 0:57:38 | 0:57:41 | |
# Ho | 0:57:41 | 0:57:42 | |
# Try and use a mirror | 0:57:42 | 0:57:45 | |
# No bullet or a knife | 0:57:45 | 0:57:47 | |
# Ho | 0:57:47 | 0:57:49 | |
# We're the dandy highwaymen so sick of easy fashion | 0:57:49 | 0:57:52 | |
# The clumsy boots, peek-a-boo roots that people think so dashing | 0:57:52 | 0:57:55 | |
# So what's the point of robbery when nothing is worth taking? | 0:57:55 | 0:57:58 | |
# Oh, oh | 0:57:58 | 0:57:59 | |
# Kind of tough to tell a scruff the big mistake he's making | 0:57:59 | 0:58:02 | |
-# Stand and deliver -Oh, oh | 0:58:02 | 0:58:05 | |
# Money or your life | 0:58:05 | 0:58:07 | |
# Ho | 0:58:07 | 0:58:09 | |
# Try and use a mirror | 0:58:09 | 0:58:12 | |
# No bullet or a knife | 0:58:12 | 0:58:14 | |
# Ho | 0:58:14 | 0:58:16 | |
# Even though you fool your soul Your conscience will be mine | 0:58:16 | 0:58:21 | |
# All mine | 0:58:21 | 0:58:22 | |
# Oh-oh-oh | 0:58:27 | 0:58:30 | |
# Oh | 0:58:34 | 0:58:36 | |
# We're the dandy highwaymen so tired of excuses | 0:58:36 | 0:58:39 | |
# Of deep-meaning philosophies where only showbiz loses | 0:58:39 | 0:58:42 | |
# We're the dandy highwaymen and here's our invitation | 0:58:42 | 0:58:45 | |
# Throw your safety overboard and join our insect nation | 0:58:45 | 0:58:49 | |
-# Stand and deliver -Oh, oh | 0:58:49 | 0:58:52 | |
# Your money or your life | 0:58:52 | 0:58:55 | |
# Ho | 0:58:55 | 0:58:56 | |
# Try and use a mirror | 0:58:56 | 0:58:59 | |
# No bullet or a knife | 0:58:59 | 0:59:01 | |
# Ho | 0:59:01 | 0:59:02 | |
# Even though you fool your soul Your conscience will be mine | 0:59:02 | 0:59:08 | |
# All mine | 0:59:08 | 0:59:09 | |
# Qua qua da diddley qua qua | 0:59:09 | 0:59:11 | |
# Da diddley qua qua | 0:59:11 | 0:59:13 | |
# Da diddley qua qua | 0:59:13 | 0:59:15 | |
# Da diddley qua qua | 0:59:15 | 0:59:16 | |
# Da diddley qua qua | 0:59:16 | 0:59:18 | |
# Da diddley qua qua | 0:59:18 | 0:59:19 | |
# Da diddley qua qua | 0:59:19 | 0:59:20 | |
# Da diddley qua qua | 0:59:20 | 0:59:21 | |
# Da diddley qua qua | 0:59:21 | 0:59:23 | |
-# Stand and deliver -Da diddley qua qua | 0:59:23 | 0:59:25 | |
-# Your money or your life -Da diddley qua qua | 0:59:25 | 0:59:29 | |
-# Stand and deliver -Da diddley qua qua | 0:59:29 | 0:59:32 | |
-# Your money or your life -Da diddley qua qua | 0:59:32 | 0:59:36 | |
-# Stand and deliver -Da diddley qua qua | 0:59:36 | 0:59:39 | |
-# Stand and deliver -Da diddley qua qua | 0:59:39 | 0:59:42 | |
# Stand and... Stand and deliver! # | 0:59:42 | 0:59:48 | |
# Oh, sometimes I get a good feeling, yeah | 1:00:08 | 1:00:14 | |
# Yeah | 1:00:15 | 1:00:20 | |
# Oh, I get a feeling that I never Never, never had before, no, no | 1:00:20 | 1:00:26 | |
# Yeah | 1:00:26 | 1:00:28 | |
# I wanna tell you right now that I | 1:00:28 | 1:00:33 | |
# Oh, yeah | 1:00:33 | 1:00:34 | |
# I believe | 1:00:34 | 1:00:37 | |
# I do believe that | 1:00:37 | 1:00:40 | |
# Something got a hold on me right now | 1:00:41 | 1:00:44 | |
# Oh, must be love | 1:00:44 | 1:00:47 | |
# Oh, something's got a hold on me right now, child | 1:00:47 | 1:00:51 | |
# Oh, must be love | 1:00:51 | 1:00:53 | |
# Let me tell you now | 1:00:53 | 1:00:55 | |
# I've never felt like this before | 1:00:55 | 1:00:58 | |
# Something's got a hold of me that won't let go | 1:00:58 | 1:01:01 | |
# Believe I'd die if I only could | 1:01:01 | 1:01:04 | |
# I sure feel strange, and it sure feels good | 1:01:04 | 1:01:07 | |
-# I said oh -Oh | 1:01:07 | 1:01:10 | |
-# Oh -Oh | 1:01:10 | 1:01:11 | |
-# Oh -Oh | 1:01:11 | 1:01:13 | |
-# Oh -Oh | 1:01:13 | 1:01:15 | |
# Yeah, yeah it must be love | 1:01:15 | 1:01:19 | |
# Yeah, it must be love | 1:01:19 | 1:01:20 | |
# Let me tell you now | 1:01:20 | 1:01:22 | |
# Something's got a hold on me Yeah, yeah | 1:01:22 | 1:01:25 | |
# Oh, it must be love | 1:01:25 | 1:01:27 | |
# Oh, something's got a hold on me right now, child | 1:01:27 | 1:01:32 | |
# Oh, it must be love | 1:01:32 | 1:01:34 | |
# Let me tell you now | 1:01:34 | 1:01:35 | |
# I've got a feeling I feel so strange | 1:01:35 | 1:01:39 | |
# Everything about me seems to have changed | 1:01:39 | 1:01:42 | |
# Step-by-step I got a brand-new walk | 1:01:42 | 1:01:45 | |
# I even sound sweeter when I talk | 1:01:45 | 1:01:49 | |
-# I said oh -Oh | 1:01:49 | 1:01:50 | |
-# Oh -Oh | 1:01:50 | 1:01:52 | |
-# Oh -Oh | 1:01:52 | 1:01:53 | |
-# Oh -Oh | 1:01:53 | 1:01:55 | |
# Yeah, oh, it must be love | 1:01:55 | 1:01:59 | |
# Oh, it must be love | 1:01:59 | 1:02:01 | |
# Let me tell you now | 1:02:01 | 1:02:02 | |
# My heart feels heavy My feet feel light | 1:02:02 | 1:02:06 | |
# I shake all over but I feel all right | 1:02:06 | 1:02:09 | |
# I never felt like this before | 1:02:09 | 1:02:13 | |
# Something's got a hold of me that won't let go | 1:02:13 | 1:02:16 | |
# I never thought it would happen to me | 1:02:16 | 1:02:19 | |
# Heart feels heavy when in misery | 1:02:19 | 1:02:22 | |
# I never knew it would be this way | 1:02:22 | 1:02:26 | |
# Love's sure gonna put a hurtin' on me | 1:02:26 | 1:02:29 | |
-# I said Oh -Oh | 1:02:29 | 1:02:31 | |
-# Oh -Oh | 1:02:31 | 1:02:33 | |
-# Oh -Oh | 1:02:33 | 1:02:34 | |
-# Oh -Oh | 1:02:34 | 1:02:36 | |
# Yeah, oh, it must be love | 1:02:36 | 1:02:40 | |
# Oh, it must be love | 1:02:40 | 1:02:42 | |
# Yeah, he walks like love | 1:02:42 | 1:02:44 | |
# Walks like love | 1:02:44 | 1:02:45 | |
# Yeah, he talks like love | 1:02:45 | 1:02:47 | |
# Yeah, talks like love | 1:02:47 | 1:02:49 | |
# Makes me feel all right | 1:02:49 | 1:02:51 | |
# Makes me feel all right | 1:02:51 | 1:02:52 | |
# In the middle of the night | 1:02:52 | 1:02:54 | |
# In the middle of the night | 1:02:54 | 1:02:56 | |
# Na na na na na | 1:02:56 | 1:02:58 | |
# Na na na na | 1:02:58 | 1:02:59 | |
# Na na na na na | 1:02:59 | 1:03:01 | |
# Na na na na | 1:03:01 | 1:03:03 | |
# Woo-hoo-oo-ooh | 1:03:03 | 1:03:05 | |
# Na na na na | 1:03:05 | 1:03:06 | |
# Woo-hoo-oo-ooh | 1:03:06 | 1:03:08 | |
# Na na na na | 1:03:08 | 1:03:10 | |
# Oh, let me tell you right now | 1:03:10 | 1:03:14 | |
# Something's got a hold | 1:03:14 | 1:03:18 | |
# On | 1:03:18 | 1:03:21 | |
# Me, yeah, oh. # | 1:03:21 | 1:03:29 | |
Happy New Year! | 1:03:29 | 1:03:30 | |
Sensation. Our Miss Faith in 2013. The brilliant Paloma Faith! | 1:03:35 | 1:03:42 | |
It's all our own golden age of song. And so, more people... | 1:03:42 | 1:03:48 | |
I'm going to find out what happens in Sweden in a moment | 1:03:48 | 1:03:51 | |
by asking them, but first, let's hear more of their brilliant music. The Hives. | 1:03:51 | 1:03:55 | |
# Oh, yeah | 1:04:08 | 1:04:10 | |
# Do what I want cos I can and if I don't because I wanna | 1:04:30 | 1:04:34 | |
# Be ignored by the stiff and the bored because I'm gonna | 1:04:36 | 1:04:40 | |
# Spit and retrieve cos I give and receive because I wanna | 1:04:43 | 1:04:47 | |
# Gonna get through your head what the mystery man said | 1:04:50 | 1:04:53 | |
# Because I'm gonna | 1:04:53 | 1:04:54 | |
# Oh | 1:04:54 | 1:04:57 | |
# Hate to say I told you So, all right | 1:04:57 | 1:05:01 | |
# Come on | 1:05:03 | 1:05:04 | |
# Do believe I told you so | 1:05:08 | 1:05:11 | |
# Now it's all out and you know | 1:05:13 | 1:05:16 | |
# Cos I wanna | 1:05:16 | 1:05:18 | |
# Turn my back on the rot that's been planning the plot cos I'm gonna | 1:05:21 | 1:05:26 | |
# Ain't no need for me to wait because I wanna | 1:05:28 | 1:05:33 | |
# Ain't no need, two, three too late because I'm gonna | 1:05:35 | 1:05:40 | |
# Hate to say I told you so All right | 1:05:42 | 1:05:46 | |
# Come on | 1:05:48 | 1:05:50 | |
# Do believe I told you so | 1:05:53 | 1:05:57 | |
# Yeah... # | 1:05:57 | 1:06:00 | |
Use your hands, ladies and gentlemen! | 1:06:11 | 1:06:13 | |
# Do what I please Gonna spread this disease | 1:06:18 | 1:06:21 | |
# Because I wanna | 1:06:21 | 1:06:22 | |
# I'm gonna call all the shots for the noes and the nots | 1:06:24 | 1:06:27 | |
# Because I wanna | 1:06:27 | 1:06:29 | |
# Yeah | 1:06:31 | 1:06:35 | |
# Ask me once, I'll answer twice cos what I know I'll tell because I wanna | 1:06:39 | 1:06:43 | |
# Sound device and lots of ice | 1:06:46 | 1:06:48 | |
# I'll spell my name out loud because I'm gonna | 1:06:48 | 1:06:50 | |
# Yeah! # | 1:06:53 | 1:06:56 | |
Thank you! | 1:07:20 | 1:07:23 | |
Thank you! | 1:07:23 | 1:07:24 | |
Thank you! | 1:07:25 | 1:07:27 | |
Hate To Say I Told You So, The Hives. | 1:07:40 | 1:07:43 | |
CHEERING | 1:07:43 | 1:07:44 | |
I think that also answers our question, what do people do in Sweden on New Year's Eve. | 1:07:44 | 1:07:48 | |
Pretty much the same as they do here. | 1:07:48 | 1:07:50 | |
So I just wonder how John Bishop over there... Earlier on... | 1:07:50 | 1:07:56 | |
He was predicting you would say certain things. Any response to him? | 1:07:56 | 1:08:00 | |
Yeah, what he said is, that I was going to say Hootenanny and... | 1:08:00 | 1:08:04 | |
I haven't said it yet! I've got to build up to it in a very slow, deliberate way. | 1:08:06 | 1:08:11 | |
-Are we ready? One, two, three - Hootenanny! ALL: -Hootenanny! | 1:08:11 | 1:08:18 | |
Thank you so much. Very enlightening. Have you seen The Hives before? | 1:08:18 | 1:08:21 | |
-I've only seen them on your show before. -Excellent. -I've been absolutely... | 1:08:21 | 1:08:24 | |
They dress like they come from another century, but they look fantastic. | 1:08:24 | 1:08:27 | |
Yes, lovely. Have you been to Sweden, on New Year's Eve? | 1:08:27 | 1:08:30 | |
-If everyone dresses like that, I will definitely be there. -They do? -They do? | 1:08:30 | 1:08:34 | |
Fiona, how is it going over here now? Happy New Year. | 1:08:34 | 1:08:36 | |
-Oh, thank you very much. -Has everybody been behaving themselves? | 1:08:36 | 1:08:39 | |
-Well, John's a bit, you know... -Yes. -John and his mates. | 1:08:39 | 1:08:43 | |
-They're having a good time, aren't they? -We're doing OK. | 1:08:43 | 1:08:46 | |
-Dancing to The Hives, it's great. -They've got the wrong hats on there. | 1:08:46 | 1:08:49 | |
They should have these ones on. It's looking very good. | 1:08:49 | 1:08:51 | |
I'm going to come back and see you in a moment. You're beautiful. | 1:08:51 | 1:08:54 | |
We love you madly. Have a lovely New Year. | 1:08:54 | 1:08:56 | |
The room is filled, really, with incredibly talented people. | 1:08:58 | 1:09:01 | |
Now, of course, at this moment, brand-new nascent moments | 1:09:01 | 1:09:05 | |
of the New Year, it's time to look forward but also to look back, | 1:09:05 | 1:09:08 | |
and sometimes I look back at the music I've enjoyed over the years. | 1:09:08 | 1:09:12 | |
In 1982, there was a number one record I really enjoy it. | 1:09:12 | 1:09:14 | |
Goodness, it's lovely when you come across beautiful musicians who can play something. | 1:09:14 | 1:09:18 | |
Could you give us a little bit of something? | 1:09:18 | 1:09:21 | |
Ah, sweetness. | 1:09:22 | 1:09:24 | |
Number 1 in 1982. How marvellous to have Dexys in the room! Dexys! | 1:09:29 | 1:09:36 | |
# Everybody sing | 1:09:54 | 1:09:55 | |
# Come on, Eileen | 1:09:58 | 1:09:59 | |
-# Come on, Eileen -Come on, Eileen | 1:10:04 | 1:10:08 | |
# Poor old Johnny Ray | 1:10:12 | 1:10:15 | |
# Sounded sad upon the radio | 1:10:15 | 1:10:18 | |
# Broke a million hearts in mono | 1:10:18 | 1:10:21 | |
# Our mothers cried | 1:10:21 | 1:10:24 | |
# Sang along, who would blame them | 1:10:24 | 1:10:27 | |
-# Now you've grown -You've grown up | 1:10:29 | 1:10:31 | |
-# So grown -So grown up | 1:10:31 | 1:10:33 | |
# Oh, I must say, more than ever now | 1:10:33 | 1:10:36 | |
# Come on, Eileen | 1:10:36 | 1:10:37 | |
# Toora loora toora loo rye aye | 1:10:37 | 1:10:43 | |
# And we can sing just like our fathers | 1:10:43 | 1:10:49 | |
# Come on, Eileen | 1:10:49 | 1:10:51 | |
-# Well, I swear -What he means | 1:10:51 | 1:10:52 | |
# At this moment | 1:10:52 | 1:10:54 | |
# You mean everything | 1:10:54 | 1:10:57 | |
-# You -In that dress | 1:10:57 | 1:10:59 | |
-# My thoughts -I confess | 1:10:59 | 1:11:01 | |
# Verge on dirty | 1:11:01 | 1:11:03 | |
# Oh, come on, Eileen | 1:11:03 | 1:11:06 | |
# Come on, Eileen | 1:11:14 | 1:11:15 | |
# These people round here | 1:11:19 | 1:11:23 | |
# Wear beaten down eyes sunk in smoke-dried faces | 1:11:23 | 1:11:26 | |
# So resigned to what their fate is | 1:11:26 | 1:11:28 | |
-# But not us -No never | 1:11:28 | 1:11:30 | |
-# Not us -Not ever | 1:11:30 | 1:11:32 | |
# We were far too young and clever | 1:11:32 | 1:11:34 | |
-# Or we thought -Remember | 1:11:34 | 1:11:37 | |
# Toora loora toora loo rye aye | 1:11:37 | 1:11:43 | |
# And you'll hum this tune for ever | 1:11:43 | 1:11:48 | |
# Come on, Eileen | 1:11:48 | 1:11:50 | |
-# Oh, I swear -What he means | 1:11:50 | 1:11:52 | |
-# At this moment, you mean -Everything | 1:11:52 | 1:11:57 | |
# You in that dress | 1:11:57 | 1:11:58 | |
-# Eileen -Tell him yes | 1:11:58 | 1:12:01 | |
# Come on, darling | 1:12:01 | 1:12:03 | |
-# Take off -Everything | 1:12:03 | 1:12:06 | |
# Pretty red dress | 1:12:06 | 1:12:07 | |
-# Eileen -Tell me yes | 1:12:07 | 1:12:10 | |
# Oh, come on, let's | 1:12:10 | 1:12:11 | |
# Oh, come on, Eileen | 1:12:11 | 1:12:17 | |
# Come on, Eileen, tooloora yay | 1:12:21 | 1:12:26 | |
# Come on, Eileen, tooloora yay | 1:12:26 | 1:12:31 | |
# Now that you've grown | 1:12:31 | 1:12:33 | |
# Now that you have shown Oh, Eileen | 1:12:33 | 1:12:39 | |
-# I said, come on, Eileen -Eileen, toora to loora yay | 1:12:39 | 1:12:46 | |
# I know exactly how you feel | 1:12:48 | 1:12:50 | |
# Stay close to me Oh, baby, eventually | 1:12:50 | 1:12:55 | |
# Things around here will change | 1:12:55 | 1:12:59 | |
-# I said, come on, Eileen -Tooloora yay | 1:12:59 | 1:13:06 | |
# Come on, Eileen, tooloora yay | 1:13:08 | 1:13:10 | |
# Toora toora to loo rye aye | 1:13:10 | 1:13:14 | |
-# Come on, Eileen, I swear -What he means | 1:13:17 | 1:13:20 | |
# At this moment, you mean | 1:13:20 | 1:13:23 | |
# Everything | 1:13:23 | 1:13:25 | |
# With you in that dress | 1:13:25 | 1:13:27 | |
# My thoughts, I confess | 1:13:27 | 1:13:29 | |
# Verge on dirty, dirty, dirty Dirty, dirty | 1:13:29 | 1:13:32 | |
# Oh, come on, Eileen | 1:13:32 | 1:13:34 | |
# Come on, Eileen | 1:13:34 | 1:13:36 | |
# This love is real | 1:13:36 | 1:13:37 | |
# Now I've got to show you all the pain that I feel | 1:13:37 | 1:13:41 | |
# You know | 1:13:41 | 1:13:42 | |
# All right | 1:13:42 | 1:13:43 | |
# Come on, Eileen | 1:13:47 | 1:13:53 | |
# Please. # | 1:13:56 | 1:14:04 | |
Thank you, Dexys. What a treat for us to have that in this room. | 1:14:13 | 1:14:19 | |
And now, I'm joined by Professor Green. | 1:14:19 | 1:14:21 | |
She was the biggest selling artist in 2012. | 1:14:21 | 1:14:24 | |
But we've only been in 2013 for a few minutes, | 1:14:24 | 1:14:27 | |
and the shops aren't open. | 1:14:27 | 1:14:28 | |
But we're delighted to have Emeli Sande. | 1:14:28 | 1:14:31 | |
# I wanna sing | 1:14:35 | 1:14:38 | |
# I wanna shout | 1:14:38 | 1:14:40 | |
# I wanna scream till the words dry out | 1:14:40 | 1:14:44 | |
# So put it in all of the papers | 1:14:44 | 1:14:49 | |
# I'm not afraid | 1:14:49 | 1:14:51 | |
# They can read all about it | 1:14:51 | 1:14:54 | |
# Read all about it, oh | 1:14:54 | 1:14:59 | |
Nothing to hide, stifle or smother | 1:14:59 | 1:15:01 | |
Suffered and cried Strife made me tougher | 1:15:01 | 1:15:04 | |
Never mothered or shy To trouble, I rise above all | 1:15:04 | 1:15:06 | |
Expectations, forget rep Ain't ever begged yet | 1:15:06 | 1:15:08 | |
When I wanted to get pence hustled to be here | 1:15:08 | 1:15:11 | |
I'm exactly what my neck says | 1:15:11 | 1:15:13 | |
She said I tried to cash in on my Dad's death | 1:15:13 | 1:15:15 | |
I wanted to vent but I never said ... all | 1:15:15 | 1:15:18 | |
After all, you were never kin to me | 1:15:18 | 1:15:20 | |
Family is something that you never been to me | 1:15:20 | 1:15:22 | |
In fact, making it harder for me to see my father | 1:15:22 | 1:15:25 | |
Was the only thing that you ever did for me... | 1:15:25 | 1:15:29 | |
# I wanna sing | 1:15:27 | 1:15:29 | |
# I wanna shout | 1:15:29 | 1:15:31 | |
# I wanna scream till the words dry out | 1:15:31 | 1:15:36 | |
# So put it in all of the papers | 1:15:36 | 1:15:40 | |
# I'm not afraid | 1:15:40 | 1:15:41 | |
# They can read all about it | 1:15:41 | 1:15:45 | |
# Read all about it, oh, oh, oh | 1:15:45 | 1:15:50 | |
# Oh, oh, oh | 1:15:50 | 1:15:52 | |
# Oh, oh, oh | 1:15:52 | 1:15:56 | |
As a kid, I looked up to you | 1:15:57 | 1:15:59 | |
Only thing was I never saw enough of you | 1:15:59 | 1:16:01 | |
Last thing I said to you was I hated you | 1:16:01 | 1:16:04 | |
I loved you, but now it's too late to say it to you | 1:16:04 | 1:16:06 | |
Just didn't know what to do and how to deal with it | 1:16:06 | 1:16:09 | |
Even now, deep down, I still live it | 1:16:09 | 1:16:11 | |
To think I used to blame me | 1:16:11 | 1:16:13 | |
I wonder what I did to you to make you hate me | 1:16:13 | 1:16:16 | |
I wasn't even five | 1:16:16 | 1:16:17 | |
Life's a journey and mine wasn't an easy ride | 1:16:17 | 1:16:20 | |
You never even got to see me rap | 1:16:20 | 1:16:21 | |
I just wish you woulda reached out | 1:16:21 | 1:16:23 | |
I wish you woulda been round when I been down | 1:16:23 | 1:16:26 | |
I wish that you could see me now | 1:16:26 | 1:16:28 | |
Wherever you are I really hope you find peace | 1:16:28 | 1:16:31 | |
But know that if I ever have kids | 1:16:31 | 1:16:33 | |
Unlike you, I'll never let them be without me | 1:16:33 | 1:16:35 | |
# I wanna sing | 1:16:35 | 1:16:37 | |
# I wanna shout | 1:16:37 | 1:16:39 | |
# I wanna scream till the words dry out | 1:16:39 | 1:16:44 | |
# So put it in all of the papers | 1:16:44 | 1:16:48 | |
# I'm not afraid | 1:16:48 | 1:16:50 | |
# They can read all about it | 1:16:50 | 1:16:53 | |
# Read all about it | 1:16:53 | 1:16:55 | |
-# Oh, oh, oh -I write songs I couldn't listen to | 1:16:55 | 1:16:59 | |
-# Oh, oh, oh -Everything I have, I give to you | 1:16:59 | 1:17:01 | |
-# Oh, oh, oh -In every one of these lines I sing to you | 1:17:01 | 1:17:04 | |
# Oh, oh, oh | 1:17:04 | 1:17:05 | |
My job is more like public service | 1:17:05 | 1:17:08 | |
My life just became yours to read and interpret | 1:17:08 | 1:17:10 | |
If you heard it, it's come across as a little different at times | 1:17:10 | 1:17:13 | |
I throw fits when I read how they word things | 1:17:13 | 1:17:16 | |
You see me smile | 1:17:16 | 1:17:18 | |
Gonna have to see me hurtin' | 1:17:18 | 1:17:20 | |
Cos pretending everything is all right | 1:17:20 | 1:17:22 | |
When it ain't really isn't working | 1:17:22 | 1:17:24 | |
# I wanna sing | 1:17:24 | 1:17:26 | |
# I wanna shout | 1:17:26 | 1:17:29 | |
# I wanna scream until the words dry out | 1:17:29 | 1:17:33 | |
# So put it in all of the papers | 1:17:33 | 1:17:37 | |
# I'm not afraid | 1:17:37 | 1:17:39 | |
# They can read all about it | 1:17:39 | 1:17:43 | |
# Read all about it, oh | 1:17:43 | 1:17:46 | |
-# Oh, oh, oh -I ain't censoring myself for nobody | 1:17:46 | 1:17:48 | |
-# Oh, oh, oh -I'm the only thing I can be | 1:17:48 | 1:17:52 | |
-# Oh, oh, oh -Yeah, yeah, yeah | 1:17:52 | 1:17:56 | |
# Oh, oh, oh | 1:17:56 | 1:17:58 | |
# Oh, oh, oh | 1:17:58 | 1:18:00 | |
-# Oh, oh, oh -All that is me | 1:18:00 | 1:18:03 | |
# I wanna sing | 1:18:03 | 1:18:05 | |
# I wanna shout | 1:18:05 | 1:18:08 | |
# I wanna scream till the words dry out | 1:18:08 | 1:18:13 | |
# So put it in all of the papers | 1:18:13 | 1:18:17 | |
# I'm not afraid | 1:18:17 | 1:18:19 | |
# They can read all about it | 1:18:19 | 1:18:23 | |
# Read all about it | 1:18:23 | 1:18:27 | |
# Oh. # | 1:18:27 | 1:18:31 | |
CHEERING | 1:18:32 | 1:18:35 | |
# When you're alone and life is making you lonely | 1:18:51 | 1:18:55 | |
# You can always go | 1:18:55 | 1:18:58 | |
# Downtown | 1:18:58 | 1:19:00 | |
# When you've got worries All the noise and the hurry | 1:19:00 | 1:19:03 | |
# Seems to help, I know | 1:19:03 | 1:19:06 | |
# Downtown | 1:19:06 | 1:19:08 | |
# Just listen to the music of the traffic in the city | 1:19:08 | 1:19:12 | |
# Linger on the sidewalk where the neon signs are pretty | 1:19:12 | 1:19:16 | |
# How can you lose? | 1:19:16 | 1:19:19 | |
# The lights are much brighter there | 1:19:19 | 1:19:22 | |
# You can forget all your troubles | 1:19:22 | 1:19:24 | |
# Forget all your cares and go | 1:19:24 | 1:19:27 | |
# Downtown | 1:19:27 | 1:19:29 | |
# Things will be great when you're | 1:19:29 | 1:19:31 | |
# Downtown | 1:19:31 | 1:19:33 | |
# No finer place for sure | 1:19:33 | 1:19:35 | |
# Downtown | 1:19:35 | 1:19:36 | |
# Everything's waiting for you | 1:19:36 | 1:19:39 | |
# Downtown | 1:19:39 | 1:19:42 | |
# Downtown | 1:19:42 | 1:19:47 | |
# Don't hang around and let your problems surround you | 1:19:47 | 1:19:50 | |
# There are movie shows Where? | 1:19:50 | 1:19:53 | |
# Downtown | 1:19:53 | 1:19:55 | |
# Maybe you know some little places to go to | 1:19:55 | 1:19:58 | |
# Where they never close Where? | 1:19:58 | 1:20:01 | |
# Downtown | 1:20:01 | 1:20:03 | |
# Just listen to the rhythm of the gentle bossa nova | 1:20:03 | 1:20:07 | |
# You will be dancing with them too before the night is over | 1:20:07 | 1:20:11 | |
# Happy again | 1:20:11 | 1:20:14 | |
# The lights are much brighter there | 1:20:14 | 1:20:16 | |
# You can forget all your troubles | 1:20:16 | 1:20:19 | |
# Forget all your cares, so go | 1:20:19 | 1:20:22 | |
# Downtown | 1:20:22 | 1:20:23 | |
# Where all the lights are bright | 1:20:23 | 1:20:25 | |
# Downtown | 1:20:25 | 1:20:27 | |
# Waiting for us tonight | 1:20:27 | 1:20:29 | |
# Downtown | 1:20:29 | 1:20:31 | |
# We're going to be all right | 1:20:31 | 1:20:36 | |
# Downtown | 1:20:34 | 1:20:36 | |
# Downtown, downtown | 1:20:37 | 1:20:41 | |
# Downtown | 1:20:47 | 1:20:49 | |
# Downtown | 1:20:56 | 1:20:57 | |
# And you may find somebody kind to help and understand you | 1:20:57 | 1:21:01 | |
# Someone who is just like you and needs a gentle hand | 1:21:01 | 1:21:04 | |
# To guide them along | 1:21:04 | 1:21:07 | |
# So maybe I'll see you there | 1:21:07 | 1:21:10 | |
# We can forget all our troubles Forget all our cares | 1:21:10 | 1:21:14 | |
# So go | 1:21:14 | 1:21:15 | |
# Downtown Things will be great when you're | 1:21:15 | 1:21:19 | |
# Downtown Don't wait a minute more | 1:21:19 | 1:21:22 | |
# Downtown Everything's waiting for you | 1:21:22 | 1:21:28 | |
# I mean all of you | 1:21:28 | 1:21:33 | |
# Where? | 1:21:33 | 1:21:35 | |
# Downto-o-o-o-o-o-o-o-o-own! # | 1:21:35 | 1:21:46 | |
CHEERING AND APPLAUSE | 1:21:46 | 1:21:50 | |
-The fantastic Petula Clark! Happy New Year! -Happy New Year! | 1:21:52 | 1:21:58 | |
Fantastic, and people... Didn't we love that, the people? | 1:21:58 | 1:22:01 | |
-CHEERING -The whole... Everybody who was watching that loved that. | 1:22:01 | 1:22:06 | |
-That was fantastic. Here, have a seat between us. -Thank you. | 1:22:06 | 1:22:09 | |
Now, you know, it's fantastic. | 1:22:11 | 1:22:13 | |
Of all the New Year's Eves you've spent... | 1:22:13 | 1:22:15 | |
Let me just take this a moment, so I can... | 1:22:15 | 1:22:17 | |
It is so fantastic to have you. | 1:22:17 | 1:22:19 | |
You've got an incredible new record out, but of all the New... | 1:22:19 | 1:22:22 | |
What you like to do best on New Year's Eve? | 1:22:22 | 1:22:25 | |
Oh, I like to do pretty well what we're doing now. | 1:22:25 | 1:22:28 | |
Have a good time, good music and dance and all that stuff. | 1:22:28 | 1:22:32 | |
You know, just having fun. | 1:22:32 | 1:22:35 | |
You've got a very interesting new record, and in a moment | 1:22:35 | 1:22:37 | |
you're going to do a song off it that people might not expect. | 1:22:37 | 1:22:41 | |
I think they probably won't expect what I'm going to be singing later. | 1:22:41 | 1:22:44 | |
But I enjoy singing it, and the whole album, really - | 1:22:44 | 1:22:47 | |
it comes out in February - is a mixture of all kinds of things. | 1:22:47 | 1:22:51 | |
I've recorded Downtown in a totally different way... | 1:22:51 | 1:22:54 | |
Well, we love it any way that you're going to do it. | 1:22:54 | 1:22:57 | |
Hello, you're here with us, fantastic earlier. | 1:22:57 | 1:22:59 | |
-Happy New Year to you. -Thank you very much. | 1:22:59 | 1:23:01 | |
-Happy New Year to you too. -I loved it. | 1:23:01 | 1:23:03 | |
Thank you very much. | 1:23:03 | 1:23:05 | |
In Sweden, what would be the traditional way of having | 1:23:05 | 1:23:07 | |
a New Year's Eve sort of thing? | 1:23:07 | 1:23:09 | |
-Well, I think it usually includes herring-flavoured schnapps... -Yes? | 1:23:09 | 1:23:15 | |
-..sauna and free sex for everybody. -Yes. So in other words... | 1:23:15 | 1:23:18 | |
Maybe polar bear wrestling, if we feel up for it. | 1:23:18 | 1:23:21 | |
-That's exactly the same as here! -Yeah, it is. -What a coincidence. | 1:23:21 | 1:23:23 | |
-Similar. But more snow. -Yes. | 1:23:23 | 1:23:26 | |
And what will you be doing...? | 1:23:26 | 1:23:27 | |
Any predictions for this new year that's coming? | 1:23:27 | 1:23:30 | |
I think this year is going to be the best yet, because I feel | 1:23:30 | 1:23:33 | |
like every year my entire life has been better than the last one. | 1:23:33 | 1:23:36 | |
Very interesting. Petula, you've seen lots of people come and go. | 1:23:36 | 1:23:39 | |
-Would you go along with that theory - does it get better and better? -Oh, I think so, yeah. | 1:23:39 | 1:23:43 | |
It has for me, and I think next year is going to be great. | 1:23:43 | 1:23:46 | |
-I'm really looking forward to it. -There we go. Thank you very much, | 1:23:46 | 1:23:50 | |
Petula Clark. Thank you very much indeed, Pelle from The Hives. | 1:23:50 | 1:23:54 | |
Happy New Year, Bettye LaVette! Happy New Year! | 1:23:54 | 1:23:56 | |
Happy New Year, Orchestra! Happy New Year to you wherever you are! | 1:23:56 | 1:24:01 | |
And now let's really enjoy ourselves and thrust into some music | 1:24:01 | 1:24:05 | |
that will get our knees going up, and that is the music | 1:24:05 | 1:24:07 | |
of The Dubliners! | 1:24:07 | 1:24:09 | |
CHEERING AND APPLAUSE | 1:24:09 | 1:24:12 | |
# In the Year of Our Lord 1806 | 1:24:21 | 1:24:25 | |
# We set sail from the fair cove of Cork | 1:24:25 | 1:24:28 | |
# We were sailing away with a cargo of bricks | 1:24:28 | 1:24:32 | |
# For the Grand City Hall in New York | 1:24:32 | 1:24:36 | |
# We'd an elegant craft | 1:24:36 | 1:24:38 | |
# It was rigged fore and aft | 1:24:38 | 1:24:40 | |
# And how the trade winds drove her | 1:24:40 | 1:24:44 | |
# She had 23 masts | 1:24:44 | 1:24:46 | |
# She stood several blasts | 1:24:46 | 1:24:48 | |
# They called her the Irish Rover | 1:24:48 | 1:24:51 | |
# There was Barney McGee | 1:24:53 | 1:24:55 | |
# From the banks of the Lee | 1:24:55 | 1:24:56 | |
# There was Hogan from County Tyrone | 1:24:56 | 1:25:00 | |
# There was young Mick McGurk | 1:25:00 | 1:25:02 | |
# Who was scared stiff of work | 1:25:02 | 1:25:04 | |
# And a chap from Westmeath called Malone | 1:25:04 | 1:25:07 | |
Lovely! | 1:25:07 | 1:25:08 | |
# There was Slugger O'Toole who was drunk as a rule | 1:25:08 | 1:25:12 | |
# And Fighting Bill Treacy from Dover | 1:25:12 | 1:25:16 | |
# And your man, Mick MacCann from the banks of the Bann | 1:25:16 | 1:25:19 | |
# Was the skipper on the Irish Rover | 1:25:19 | 1:25:23 | |
Here we go! | 1:25:29 | 1:25:31 | |
Very good! | 1:25:35 | 1:25:36 | |
Lovely. | 1:25:46 | 1:25:47 | |
# We had one million bags of the best Sligo rags | 1:25:56 | 1:26:00 | |
# Two million barrels of bone | 1:26:00 | 1:26:04 | |
# We had three million bales of old nanny-goats' tails | 1:26:04 | 1:26:08 | |
# Four million barrels of bone | 1:26:08 | 1:26:12 | |
# We had five million hogs | 1:26:12 | 1:26:13 | |
# We had six million dogs | 1:26:13 | 1:26:15 | |
# Seven million barrels of porter | 1:26:15 | 1:26:19 | |
# We had eight million sides of old blind horses' hides | 1:26:19 | 1:26:23 | |
# All on board on the Irish Rover | 1:26:23 | 1:26:28 | |
# Well, we sailed seven years | 1:26:28 | 1:26:30 | |
# The measles broke out | 1:26:30 | 1:26:32 | |
# And our ship lost its way in the fog | 1:26:32 | 1:26:34 | |
# And the whole of that crew was reduced down to two | 1:26:36 | 1:26:39 | |
# Myself and the captain's old dog | 1:26:39 | 1:26:43 | |
# Then the ship struck a rock | 1:26:43 | 1:26:45 | |
# Oh, Lord, what a shock | 1:26:45 | 1:26:47 | |
# It nearly turned right over | 1:26:47 | 1:26:53 | |
# It spun nine times around | 1:26:53 | 1:26:57 | |
# And the poor old dog got drowned | 1:26:57 | 1:27:01 | |
Two, three! | 1:27:01 | 1:27:02 | |
# I'm the last on the Irish Rover. # | 1:27:02 | 1:27:05 | |
Whoa! | 1:27:05 | 1:27:07 | |
Lovely! | 1:27:19 | 1:27:21 | |
CHEERING AND APPLAUSE | 1:27:38 | 1:27:41 | |
Thank you! God bless you. Happy New Year. | 1:27:44 | 1:27:46 | |
The Irish Rover, The Dubliners! | 1:27:48 | 1:27:52 | |
CHEERING AND APPLAUSE | 1:27:52 | 1:27:55 | |
And now I think it is time to return to this incredibly talented man | 1:27:57 | 1:28:02 | |
over here, the magnificent, the sensational, Roland Gift! | 1:28:02 | 1:28:08 | |
CHEERING AND APPLAUSE | 1:28:08 | 1:28:11 | |
# We're caught in a trap | 1:28:17 | 1:28:19 | |
# Can't walk out | 1:28:21 | 1:28:24 | |
# Because I love you too much, baby | 1:28:25 | 1:28:30 | |
# Why can't you see | 1:28:33 | 1:28:35 | |
# What you're doing to me | 1:28:37 | 1:28:40 | |
# When you don't believe a word I say? | 1:28:41 | 1:28:45 | |
# Don't believe a word I say | 1:28:45 | 1:28:49 | |
# We can't go on together | 1:28:49 | 1:28:53 | |
# With suspicious minds | 1:28:53 | 1:28:55 | |
# With suspicious minds | 1:28:55 | 1:28:57 | |
# And we can't build our dreams | 1:28:57 | 1:29:01 | |
# On suspicious minds | 1:29:01 | 1:29:06 | |
# So if an old friend I know | 1:29:07 | 1:29:11 | |
# Stops and says hello | 1:29:11 | 1:29:13 | |
# Would I still see suspicion in your eyes? | 1:29:15 | 1:29:21 | |
# Here you go again | 1:29:24 | 1:29:26 | |
# Asking where I've been | 1:29:28 | 1:29:30 | |
# You can't see the tears are real | 1:29:31 | 1:29:36 | |
# Can't you see the tears I'm crying? | 1:29:36 | 1:29:39 | |
# We can't go on together | 1:29:39 | 1:29:44 | |
# With suspicious minds | 1:29:44 | 1:29:45 | |
# With suspicious minds | 1:29:45 | 1:29:48 | |
# And we can't build our dreams | 1:29:48 | 1:29:51 | |
# On suspicious minds | 1:29:51 | 1:29:56 | |
# Oh, let our love survive | 1:29:57 | 1:30:01 | |
# I'll dry those tears that you cry | 1:30:03 | 1:30:06 | |
# Don't let this good thing die | 1:30:08 | 1:30:11 | |
# You know I would never lie to you | 1:30:11 | 1:30:15 | |
# No | 1:30:17 | 1:30:19 | |
# No | 1:30:19 | 1:30:21 | |
# No! | 1:30:21 | 1:30:23 | |
# We're caught in a trap | 1:30:23 | 1:30:26 | |
# I can't walk out | 1:30:28 | 1:30:30 | |
# Because I love you too much, baby | 1:30:32 | 1:30:36 | |
# Why can't you see | 1:30:40 | 1:30:42 | |
# What you're doing to me | 1:30:44 | 1:30:47 | |
# When you don't believe a word I say? | 1:30:48 | 1:30:52 | |
# Don't believe a word I say | 1:30:52 | 1:30:55 | |
# We can't go on together | 1:30:55 | 1:31:00 | |
# With suspicious minds | 1:31:00 | 1:31:02 | |
# With suspicious minds | 1:31:02 | 1:31:04 | |
# And we can't build our dreams | 1:31:04 | 1:31:07 | |
# On suspicious minds | 1:31:07 | 1:31:12 | |
# We're caught in a trap | 1:31:14 | 1:31:16 | |
# I can't walk out | 1:31:18 | 1:31:20 | |
# Because I love you too much, baby | 1:31:22 | 1:31:26 | |
# Why can't you see | 1:31:30 | 1:31:33 | |
# What you're doing to me | 1:31:34 | 1:31:36 | |
# When you don't believe a word I say? | 1:31:38 | 1:31:42 | |
# We're caught in a trap | 1:31:46 | 1:31:49 | |
# And I can't walk out | 1:31:50 | 1:31:52 | |
# Because I love you too much Yeah, yeah, yeah, yeah | 1:31:54 | 1:31:59 | |
# Yeah yeah, baby | 1:31:59 | 1:32:01 | |
# Why can't you see | 1:32:03 | 1:32:04 | |
# What you're doing to me | 1:32:06 | 1:32:08 | |
# When you don't believe a word I say? | 1:32:10 | 1:32:15 | |
# Na-na-na-na | 1:32:15 | 1:32:17 | |
# Na-na-na-na | 1:32:17 | 1:32:19 | |
# Na! # | 1:32:19 | 1:32:20 | |
CHEERING AND APPLAUSE | 1:32:20 | 1:32:24 | |
Yes, the fantabulous Roland Gift! | 1:32:24 | 1:32:30 | |
CHEERING AND APPLAUSE | 1:32:30 | 1:32:34 | |
I think we're going to keep the music going. We've got a few more guests we'll be saying hello to, | 1:32:34 | 1:32:38 | |
-but we'll keep the music going. Hey, there's Ron Dennis. Hello, Ron! -CHEERING | 1:32:38 | 1:32:41 | |
INAUDIBLE | 1:32:41 | 1:32:42 | |
..Formula One, but now we keep going with all that music, because | 1:32:42 | 1:32:47 | |
I think we're going to enjoy Adam Ant! | 1:32:47 | 1:32:49 | |
CHEERING AND APPLAUSE | 1:32:49 | 1:32:52 | |
Yeah! | 1:33:12 | 1:33:14 | |
# Well, I'm standing here looking at you | 1:33:19 | 1:33:21 | |
# What do I see? | 1:33:21 | 1:33:23 | |
# I'm looking straight through | 1:33:23 | 1:33:25 | |
# It's so sad | 1:33:25 | 1:33:26 | |
# When you're young | 1:33:26 | 1:33:28 | |
# To be told that | 1:33:28 | 1:33:30 | |
# You're having fun So unplug the jukebox | 1:33:30 | 1:33:34 | |
# And do us all a favour, yeah | 1:33:34 | 1:33:36 | |
# That music's lost its taste | 1:33:36 | 1:33:40 | |
# So try another flavour | 1:33:40 | 1:33:42 | |
# Antmusic | 1:33:42 | 1:33:44 | |
# Oh-oh-oh-oh-oh | 1:33:44 | 1:33:45 | |
# Antmusic | 1:33:45 | 1:33:46 | |
# Oh-oh-oh-oh-oh | 1:33:46 | 1:33:47 | |
# Antmusic | 1:33:47 | 1:33:49 | |
# Oh-oh-oh-oh-oh | 1:33:49 | 1:33:50 | |
# Antmusic | 1:33:50 | 1:33:52 | |
# Oh-oh-oh-oh-oh | 1:33:52 | 1:33:54 | |
# I'm standing here What do I see? | 1:33:54 | 1:33:57 | |
# A big nothing | 1:33:57 | 1:33:59 | |
# Threatening me It's so sad | 1:33:59 | 1:34:02 | |
# When you're young | 1:34:02 | 1:34:03 | |
# To be told that | 1:34:03 | 1:34:05 | |
# You're having fun So unplug the jukebox | 1:34:05 | 1:34:09 | |
# And do us all a favour, yeah | 1:34:09 | 1:34:12 | |
# That music's lost its taste | 1:34:12 | 1:34:15 | |
# So try another flavour | 1:34:15 | 1:34:17 | |
# Antmusic | 1:34:17 | 1:34:19 | |
# Oh-oh-oh-oh-oh | 1:34:19 | 1:34:20 | |
# Antmusic | 1:34:20 | 1:34:22 | |
# Oh-oh-oh-oh-oh | 1:34:22 | 1:34:23 | |
# Antmusic | 1:34:23 | 1:34:25 | |
# Oh-oh-oh-oh-oh | 1:34:25 | 1:34:26 | |
# Antmusic | 1:34:26 | 1:34:28 | |
# Oh-oh-oh-oh-oh | 1:34:28 | 1:34:29 | |
And it's guitar time. | 1:34:29 | 1:34:30 | |
# Woo-doo-doo-doo! | 1:34:32 | 1:34:33 | |
# Woo-doo-doo-doo! | 1:34:38 | 1:34:39 | |
# Unplug the jukebox | 1:34:41 | 1:34:44 | |
# And do us all a favour, yeah | 1:34:44 | 1:34:47 | |
# That music's lost its taste | 1:34:47 | 1:34:50 | |
# So try another flavour | 1:34:50 | 1:34:53 | |
# Antmusic | 1:34:53 | 1:34:54 | |
# Oh-oh-oh-oh-oh | 1:34:54 | 1:34:56 | |
# Antmusic | 1:34:56 | 1:34:57 | |
# Oh-oh-oh-oh-oh | 1:34:57 | 1:34:59 | |
# Antmusic | 1:34:59 | 1:35:00 | |
# Oh-oh-oh-oh-oh | 1:35:00 | 1:35:02 | |
# Antmusic | 1:35:02 | 1:35:03 | |
# Oh-oh-oh-oh-oh | 1:35:03 | 1:35:05 | |
# Don't tread on an ant He's done nothing to you | 1:35:05 | 1:35:07 | |
# There might come a day When he's treading on you | 1:35:07 | 1:35:10 | |
# Don't tread on an ant You'll end up black and blue | 1:35:10 | 1:35:13 | |
# You cut off his head Legs come looking for you | 1:35:13 | 1:35:16 | |
# Unplug the jukebox | 1:35:16 | 1:35:19 | |
# And do us all a favour | 1:35:19 | 1:35:23 | |
# That music's lost its taste | 1:35:23 | 1:35:25 | |
# So try another flavour | 1:35:25 | 1:35:28 | |
# Oh-oh-oh-oh-oh | 1:35:28 | 1:35:30 | |
# Antmusic | 1:35:30 | 1:35:32 | |
# Oh-oh-oh-oh-oh | 1:35:32 | 1:35:33 | |
# Antmusic | 1:35:33 | 1:35:34 | |
# Oh-oh-oh-oh-oh | 1:35:34 | 1:35:36 | |
# Antmusic | 1:35:36 | 1:35:37 | |
# Oh-oh-oh-oh-oh | 1:35:37 | 1:35:38 | |
One more time! We're gonna... | 1:35:38 | 1:35:40 | |
# Unplug the jukebox | 1:35:40 | 1:35:43 | |
# And do us all a favour, yeah | 1:35:43 | 1:35:46 | |
# That music's lost its taste | 1:35:46 | 1:35:49 | |
# So try another flavour | 1:35:49 | 1:35:52 | |
# Oh-oh-oh-oh-oh | 1:35:52 | 1:35:54 | |
# Antmusic | 1:35:54 | 1:35:56 | |
# Oh-oh-oh-oh-oh | 1:35:56 | 1:35:57 | |
# Antmusic | 1:35:57 | 1:35:59 | |
# Oh-oh-oh-oh-oh | 1:35:59 | 1:36:00 | |
# Antmusic | 1:36:00 | 1:36:02 | |
# Oh-oh-oh-oh-oh | 1:36:02 | 1:36:03 | |
# Antmusic | 1:36:03 | 1:36:05 | |
# Oh-oh-oh-oh-oh | 1:36:05 | 1:36:06 | |
# Antmusic | 1:36:06 | 1:36:08 | |
# Oh-oh-oh-oh-oh | 1:36:08 | 1:36:09 | |
# Antmusic | 1:36:09 | 1:36:11 | |
# Oh-oh-oh-oh-oh | 1:36:11 | 1:36:12 | |
# Antmusic! Yee-ah! # | 1:36:12 | 1:36:14 | |
CHEERING AND APPLAUSE | 1:36:16 | 1:36:19 | |
Brrr! | 1:36:33 | 1:36:34 | |
# And it was back in '68 in a sweaty club | 1:36:53 | 1:36:58 | |
# Oh, Geno | 1:36:58 | 1:37:00 | |
# It was | 1:37:00 | 1:37:01 | |
# Before Jimmy's Machine | 1:37:01 | 1:37:03 | |
# Rock-Rock-Rocksteady Rub, now | 1:37:03 | 1:37:06 | |
# Oh-oh-oh, Geno-o | 1:37:06 | 1:37:09 | |
# On a night when flowers didn't suit these shoes | 1:37:09 | 1:37:13 | |
# After a week of flunkin' and bunkin' school | 1:37:13 | 1:37:17 | |
# The lowest head in the crowd that night | 1:37:17 | 1:37:22 | |
# Practisin' steps and keepin' outta the fights | 1:37:22 | 1:37:26 | |
# Academic inspiration | 1:37:26 | 1:37:30 | |
# You gave me none | 1:37:30 | 1:37:33 | |
# But you were Michael the lover | 1:37:34 | 1:37:38 | |
# You were the fighter that won | 1:37:38 | 1:37:41 | |
# And now you got to look at me, Geno | 1:37:43 | 1:37:46 | |
# I'm looking down upon you Not in a bad way | 1:37:46 | 1:37:50 | |
# You see, I'm not being flash | 1:37:50 | 1:37:53 | |
# It's just what I was built to do | 1:37:53 | 1:37:57 | |
# That man took the stage | 1:38:11 | 1:38:13 | |
# With his towel swingin' high | 1:38:13 | 1:38:16 | |
# Oh, Geno | 1:38:16 | 1:38:18 | |
# This man was my bombers | 1:38:18 | 1:38:22 | |
# My Dexys, my high | 1:38:22 | 1:38:23 | |
# Oh-oh-oh, Geno-o | 1:38:23 | 1:38:26 | |
# Well, now, crowd they all hailed you | 1:38:26 | 1:38:29 | |
# They chanted your name | 1:38:29 | 1:38:30 | |
# But they never knew like we knew | 1:38:30 | 1:38:32 | |
# Me and you, we're the same | 1:38:32 | 1:38:34 | |
-# That's right! -And now you're all over | 1:38:34 | 1:38:37 | |
-# Your song is so tame -Brrrrr | 1:38:37 | 1:38:39 | |
# You fed me, you bred me I'll remember your name | 1:38:39 | 1:38:43 | |
# Academic inspiration | 1:38:43 | 1:38:47 | |
# Geno, you didn't give me none! | 1:38:47 | 1:38:49 | |
# Ooh | 1:38:49 | 1:38:51 | |
# You were Michael the lover | 1:38:51 | 1:38:55 | |
# You were the fighter that won | 1:38:55 | 1:38:58 | |
# But now you got to look at me, Geno | 1:38:59 | 1:39:03 | |
# I'm looking down upon you | 1:39:03 | 1:39:05 | |
# Oh, no, no I'm not being flash | 1:39:06 | 1:39:10 | |
# It's what I What I was built to do | 1:39:10 | 1:39:13 | |
# You know | 1:39:13 | 1:39:15 | |
Ow! | 1:39:21 | 1:39:22 | |
# Oh, Geno | 1:39:40 | 1:39:42 | |
Ha! | 1:39:42 | 1:39:44 | |
# Oh-oh-oh, Geno-o | 1:39:44 | 1:39:46 | |
# Geno, Geno | 1:39:46 | 1:39:47 | |
-# Oh, Geno -Give it to me | 1:39:47 | 1:39:50 | |
# Oh-oh-oh, Geno-o | 1:39:50 | 1:39:54 | |
# Geno, Geno | 1:39:54 | 1:39:55 | |
# Ha! | 1:39:55 | 1:39:56 | |
# Oh, Geno | 1:39:56 | 1:39:58 | |
# Oh, Geno | 1:40:00 | 1:40:02 | |
# Oh, Geno | 1:40:04 | 1:40:05 | |
Come on! | 1:40:05 | 1:40:07 | |
# Oh, Geno | 1:40:07 | 1:40:09 | |
# You know, you know, Geno. # | 1:40:09 | 1:40:11 | |
CHEERING AND APPLAUSE | 1:40:16 | 1:40:20 | |
WHISTLING | 1:40:20 | 1:40:22 | |
Thank you! Dexys, | 1:40:22 | 1:40:25 | |
and Geno. | 1:40:25 | 1:40:27 | |
Before that, we enjoyed Adam Ant | 1:40:27 | 1:40:29 | |
and we now move in to a man who was a great new star in 2012. | 1:40:29 | 1:40:34 | |
From Nottingham, it is Jake Bugg. | 1:40:34 | 1:40:37 | |
CHEERING AND APPLAUSE | 1:40:37 | 1:40:39 | |
# Morning It's another pure grey morning | 1:40:46 | 1:40:50 | |
# Don't know what the day is holding | 1:40:50 | 1:40:52 | |
# When I get uptight and I walk right into the path | 1:40:52 | 1:40:54 | |
# Of a lightning bolt | 1:40:54 | 1:40:56 | |
# Siren of an ambulance comes howling | 1:40:59 | 1:41:01 | |
# Right through the centre of town and | 1:41:01 | 1:41:04 | |
# No-one blinks an eye | 1:41:04 | 1:41:05 | |
# And I look up to the sky in the path of a lighting bolt | 1:41:05 | 1:41:08 | |
# Met her as the angels parted for her | 1:41:11 | 1:41:14 | |
# But it only brought me torture | 1:41:14 | 1:41:16 | |
# But that's what happens when it's you that's standing | 1:41:16 | 1:41:18 | |
# In the path of a lightning bolt | 1:41:18 | 1:41:20 | |
# Everyone I see just wants to walk with gritted teeth | 1:41:23 | 1:41:27 | |
# But I just stand by and I wait my time | 1:41:27 | 1:41:30 | |
# They say you gotta toe the line They want the water not the wine | 1:41:30 | 1:41:35 | |
# But when I see the signs I jump on that lightning bolt | 1:41:35 | 1:41:40 | |
CHEERING, CLAPPING IN TIME TO MUSIC | 1:41:42 | 1:41:45 | |
# Chances People tell you not to take chances | 1:41:47 | 1:41:50 | |
# And they tell you there aren't any answers | 1:41:50 | 1:41:52 | |
# And I was starting to agree | 1:41:52 | 1:41:53 | |
# But I awoke suddenly in the path of a lightning bolt | 1:41:53 | 1:41:57 | |
# Fortune People talking all about fortune | 1:42:00 | 1:42:02 | |
# Do you make it or does it just call you? | 1:42:02 | 1:42:04 | |
# In the blinking of an eye | 1:42:04 | 1:42:05 | |
# Just another passer-by in the path of a lightning bolt | 1:42:05 | 1:42:09 | |
# Everyone I see just wants to walk with gritted teeth | 1:42:11 | 1:42:15 | |
# But I just stand by and I wait my time | 1:42:15 | 1:42:19 | |
# They say you gotta toe the line They want the water not the wine | 1:42:19 | 1:42:23 | |
# But when I see the signs I jump on that lightning bolt | 1:42:23 | 1:42:29 | |
# Silence I was lying back, gazing skywards | 1:42:36 | 1:42:39 | |
# When the moment got shattered I remembered what she said | 1:42:39 | 1:42:42 | |
# And then she fled in the path of a lightning bolt. # | 1:42:42 | 1:42:46 | |
CHEERING AND APPLAUSE | 1:42:52 | 1:42:56 | |
# Love me or leave me Just let me be lonely | 1:43:12 | 1:43:15 | |
# You won't believe me but I love you only | 1:43:15 | 1:43:18 | |
# I'd rather be lonely than happy with somebody else | 1:43:18 | 1:43:22 | |
# You might find the night time the right time for kissing | 1:43:23 | 1:43:27 | |
# Night time is my time for just reminiscing | 1:43:27 | 1:43:29 | |
# Regretting instead of forgetting with somebody else | 1:43:29 | 1:43:33 | |
# There'll be no-one if that someone isn't you | 1:43:34 | 1:43:41 | |
# I decided to be independently blue | 1:43:41 | 1:43:46 | |
# I want your love I don't wanna borrow | 1:43:46 | 1:43:49 | |
# Have it today Give tomorrow | 1:43:49 | 1:43:51 | |
# Your love is your love and nobody else | 1:43:51 | 1:43:56 | |
# Hey, love me or leave me Just let me be lonely | 1:45:24 | 1:45:28 | |
# You won't believe me but I love you only | 1:45:28 | 1:45:31 | |
# I'd rather be lonely than happy with somebody else | 1:45:31 | 1:45:36 | |
# You might find the night time the right time for kissing | 1:45:36 | 1:45:39 | |
# Night time is my time for just reminiscing | 1:45:39 | 1:45:42 | |
# Regretting instead of forgetting with somebody else | 1:45:42 | 1:45:47 | |
# There won't be no-one if that someone isn't you | 1:45:47 | 1:45:53 | |
# I'd rather be happily blue | 1:45:53 | 1:45:59 | |
# Oh, I want your love I don't wanna borrow | 1:45:59 | 1:46:01 | |
# Have it today to give back tomorrow | 1:46:01 | 1:46:05 | |
# My love is my love | 1:46:05 | 1:46:07 | |
# Your love is my love | 1:46:07 | 1:46:10 | |
# I have no other love for no-one else. # | 1:46:10 | 1:46:17 | |
CHEERING AND APPLAUSE | 1:46:30 | 1:46:35 | |
What a beautiful, beautiful delivery of a great song. | 1:46:35 | 1:46:38 | |
Emeli Sande! Love Me Or Leave Me. | 1:46:38 | 1:46:42 | |
Come on - let me escort you back over here, | 1:46:42 | 1:46:44 | |
and I'd like you to swap chairs. It's New Year's Eve. | 1:46:44 | 1:46:47 | |
Everybody feeling good there? | 1:46:47 | 1:46:48 | |
CHEERING | 1:46:48 | 1:46:50 | |
See the marvellous brand-new talent? Great talent. Legendary talent. | 1:46:50 | 1:46:54 | |
-Now, Petula, can I escort you back here? -You may. | 1:46:54 | 1:46:58 | |
This room is packed with talent. | 1:46:58 | 1:47:00 | |
You're going to do a brand-new song for us, aren't you? | 1:47:00 | 1:47:03 | |
Well, it is not brand-new. | 1:47:03 | 1:47:04 | |
Well, it's brand-new for you and it's brand-new for us. | 1:47:04 | 1:47:08 | |
-And it is the first time this year. -OK. | 1:47:08 | 1:47:10 | |
-Petula Clark, ladies and gentlemen! -Thank you. | 1:47:10 | 1:47:13 | |
And a happy New Year to us all. | 1:47:15 | 1:47:17 | |
# I remember when | 1:47:40 | 1:47:42 | |
# I remember when I lost my mind | 1:47:42 | 1:47:46 | |
# There was something so pleasant about that place | 1:47:48 | 1:47:52 | |
# Even your emotions had an echo | 1:47:52 | 1:47:55 | |
# In so much space | 1:47:55 | 1:47:58 | |
# So much space | 1:47:58 | 1:48:01 | |
# And when you we're out there | 1:48:02 | 1:48:04 | |
# Without care | 1:48:04 | 1:48:06 | |
# I was out of touch | 1:48:06 | 1:48:09 | |
# But it wasn't because I didn't know enough | 1:48:10 | 1:48:13 | |
# No | 1:48:13 | 1:48:15 | |
# I just knew too much | 1:48:17 | 1:48:21 | |
# Does that make me crazy? | 1:48:22 | 1:48:27 | |
# Does that make me crazy? | 1:48:28 | 1:48:32 | |
# Does that make me crazy? | 1:48:33 | 1:48:37 | |
# Possibly, yeah | 1:48:39 | 1:48:42 | |
# And I hope that you are having the time of your life | 1:48:46 | 1:48:54 | |
# But think twice | 1:48:56 | 1:48:59 | |
# That's my only advice | 1:48:59 | 1:49:04 | |
# Come on, now | 1:49:06 | 1:49:08 | |
# Who do you, who do you Who do you think you are? | 1:49:08 | 1:49:13 | |
Ha! | 1:49:14 | 1:49:16 | |
# Well, bless your soul | 1:49:16 | 1:49:19 | |
# You really think you're in control | 1:49:21 | 1:49:25 | |
Ha! | 1:49:25 | 1:49:26 | |
# Well, I think you're crazy | 1:49:27 | 1:49:33 | |
# I think you're crazy | 1:49:33 | 1:49:36 | |
# I think you're crazy | 1:49:38 | 1:49:43 | |
# Just like me, yeah | 1:49:43 | 1:49:47 | |
# And my heroes had the heart | 1:49:51 | 1:49:54 | |
# To lose their lives out on a limb | 1:49:54 | 1:49:58 | |
# And all I remember | 1:49:59 | 1:50:02 | |
# Is thinking I want to be like them | 1:50:04 | 1:50:09 | |
# Ever since I was little | 1:50:12 | 1:50:14 | |
# Ever since I was little It looked like fun | 1:50:14 | 1:50:19 | |
# And it's no coincidence I've come | 1:50:20 | 1:50:26 | |
# And I can die when I'm done | 1:50:26 | 1:50:32 | |
# But maybe I'm crazy | 1:50:32 | 1:50:37 | |
# Maybe you're crazy | 1:50:37 | 1:50:43 | |
# Maybe we're crazy | 1:50:43 | 1:50:48 | |
# Probably, yeah | 1:50:48 | 1:50:55 | |
# Crazy | 1:50:55 | 1:50:57 | |
# Maybe we're crazy | 1:50:59 | 1:51:04 | |
# Maybe we're crazy | 1:51:05 | 1:51:09 | |
# Crazy | 1:51:12 | 1:51:16 | |
# Yeah, yeah, yeah, yeah, yeah | 1:51:16 | 1:51:19 | |
# Crazy. # | 1:51:19 | 1:51:23 | |
CHEERING AND APPLAUSE | 1:51:23 | 1:51:27 | |
# Oh! | 1:51:47 | 1:51:50 | |
# Yeah I was right all along | 1:51:55 | 1:52:00 | |
# Yeah You come taggin' along | 1:52:02 | 1:52:06 | |
# Exhibit A, on the tray What you say? | 1:52:08 | 1:52:11 | |
# As I throw it in your face | 1:52:11 | 1:52:13 | |
# Exhibit B, what you see? | 1:52:15 | 1:52:17 | |
# Well, that's me I put you back in your place | 1:52:17 | 1:52:20 | |
# I done it before and I can do it some more | 1:52:22 | 1:52:25 | |
# So what you waiting for? | 1:52:25 | 1:52:28 | |
# Yeah I was right all along | 1:52:29 | 1:52:33 | |
# You know I've done it before | 1:52:34 | 1:52:37 | |
# And I can do it some more | 1:52:37 | 1:52:39 | |
# I got my eye on the score | 1:52:39 | 1:52:41 | |
# I'm gonna cut to the core | 1:52:41 | 1:52:42 | |
# It's too late it's too soon Or is it? | 1:52:42 | 1:52:45 | |
# Tick, tick, tick, tick Tick, tick, tick... | 1:52:45 | 1:52:49 | |
All right! Everybody! Scream! | 1:52:52 | 1:52:55 | |
SCREAMING AND CHEERING | 1:52:55 | 1:52:58 | |
# Yeah I was right, you were wrong | 1:53:00 | 1:53:04 | |
# Yeah You'll go dying alone | 1:53:06 | 1:53:11 | |
# I saw your hesitating Waiting too much | 1:53:12 | 1:53:16 | |
# Till it slipped through your hands | 1:53:16 | 1:53:18 | |
# And then you stagger to your feet | 1:53:19 | 1:53:21 | |
# And out the door cos there's no second chance | 1:53:21 | 1:53:24 | |
# You know I've done it before and I can do it some more | 1:53:26 | 1:53:30 | |
# I got my eye on the score | 1:53:30 | 1:53:32 | |
# I'm gonna cut to the core | 1:53:32 | 1:53:34 | |
# It's too late it's too soon Or is it? | 1:53:34 | 1:53:35 | |
# Tick, tick, tick, tick Tick, tick, tick... | 1:53:35 | 1:53:39 | |
MUSIC STOPS, CHORDS RING OUT | 1:53:39 | 1:53:41 | |
CHEERING AND APPLAUSE | 1:53:41 | 1:53:46 | |
SCREAMING AND APPLAUSE | 1:53:51 | 1:53:56 | |
FEEDBACK FROM AMPS | 1:53:56 | 1:54:00 | |
MUSIC STARTS UP AGAIN | 1:54:01 | 1:54:04 | |
All right, ladies! | 1:54:12 | 1:54:14 | |
WOMEN CHEER | 1:54:14 | 1:54:17 | |
And gentlemen! | 1:54:17 | 1:54:18 | |
MEN CHEER | 1:54:18 | 1:54:20 | |
Ladies and gentlemen! | 1:54:20 | 1:54:23 | |
ALL CHEER | 1:54:23 | 1:54:24 | |
It didn't stop! The Mayans were wrong! We are still here! | 1:54:24 | 1:54:30 | |
CHEERING | 1:54:30 | 1:54:32 | |
2013 and still no flying car! | 1:54:32 | 1:54:36 | |
So what do we have to say about that? | 1:54:38 | 1:54:42 | |
Our delegation from Sweden says... | 1:54:43 | 1:54:45 | |
Fasten your seatbelt! | 1:54:47 | 1:54:49 | |
# And you come flying to me | 1:54:50 | 1:54:52 | |
# Too late | 1:54:52 | 1:54:53 | |
# The man you try hard to be | 1:54:53 | 1:54:56 | |
# But it's too late | 1:54:56 | 1:54:57 | |
# You get your head out the sand | 1:54:57 | 1:54:59 | |
# But it's too late | 1:54:59 | 1:55:01 | |
# It's too late, too late, too late | 1:55:01 | 1:55:04 | |
# Yeah! | 1:55:04 | 1:55:06 | |
Come on! | 1:55:08 | 1:55:10 | |
# Yeah, but it's too late | 1:55:11 | 1:55:14 | |
# Yeah, but it's too late | 1:55:14 | 1:55:17 | |
# Get your head out the sand | 1:55:17 | 1:55:20 | |
# But it's too late | 1:55:20 | 1:55:21 | |
# It's too late, too late You know | 1:55:21 | 1:55:24 | |
# I've done it before and I can do it some more | 1:55:24 | 1:55:27 | |
# I got my eye on the score | 1:55:27 | 1:55:29 | |
# I'm gonna cut to the core | 1:55:29 | 1:55:31 | |
# You know I've done it before and I can do it some more | 1:55:31 | 1:55:34 | |
# I got my eye on the score | 1:55:34 | 1:55:36 | |
# I'm gonna cut to the core | 1:55:36 | 1:55:38 | |
# It's too late, it's too soon It's too late, it's too soon | 1:55:38 | 1:55:41 | |
# It's too late, it's too soon Or is it? | 1:55:41 | 1:55:43 | |
# Tick, tick, tick, tick, tick, tick, tick... # | 1:55:43 | 1:55:48 | |
CHEERING AND APPLAUSE Happy New Year! | 1:55:48 | 1:55:52 | |
Thank you, The Hives, Tick Tick Tick Tick... | 1:56:01 | 1:56:04 | |
HE MOUTHS | 1:56:04 | 1:56:05 | |
CHEERING AND APPLAUSE | 1:56:05 | 1:56:07 | |
Before that, we enjoyed Petula Clark. | 1:56:07 | 1:56:10 | |
Did you know that EL James, the novelist 50 Shades Of Grey, is in this room? | 1:56:10 | 1:56:14 | |
But enough of that. Maybe her in a moment. | 1:56:14 | 1:56:16 | |
But now, let's enjoy the person that's been a great sensation | 1:56:16 | 1:56:20 | |
this year, who we enjoyed earlier. Lianne La Havas. | 1:56:20 | 1:56:24 | |
CHEERING AND APPLAUSE | 1:56:24 | 1:56:27 | |
# Why do I love him? | 1:56:36 | 1:56:39 | |
# He don't love back | 1:56:39 | 1:56:41 | |
# When I call his name He turns his back | 1:56:41 | 1:56:45 | |
# The weather is growing cold and I want him back again | 1:56:45 | 1:56:50 | |
# I kinda know this other guy but he's rather | 1:56:52 | 1:56:57 | |
# Old enough to be my father | 1:56:57 | 1:57:02 | |
# So he's not the one for me | 1:57:02 | 1:57:05 | |
# Cos I fancy younger men | 1:57:05 | 1:57:07 | |
# I'm at a loss | 1:57:10 | 1:57:12 | |
# Not a coincidence he left me, because | 1:57:13 | 1:57:17 | |
# My older man | 1:57:18 | 1:57:21 | |
# Was ready to love me like the woman that I am | 1:57:21 | 1:57:26 | |
# Oooh | 1:57:28 | 1:57:30 | |
# So is it such a problem if he's old? | 1:57:30 | 1:57:35 | |
# As long as he does whatever he is told | 1:57:35 | 1:57:40 | |
# I'm glad that it's just my heart that he stole | 1:57:40 | 1:57:43 | |
# And left my dignity alone | 1:57:43 | 1:57:47 | |
# When in Rome we landed our first kiss | 1:57:49 | 1:57:54 | |
# I slurred my words but he pretended not to notice | 1:57:54 | 1:57:59 | |
# And then he sat down to play | 1:57:59 | 1:58:01 | |
# My heart sang a symphony | 1:58:01 | 1:58:04 | |
# So far, so swimmingly | 1:58:06 | 1:58:09 | |
# I'm glad I got up to find my fish in that sea | 1:58:10 | 1:58:14 | |
# And we've come so far | 1:58:14 | 1:58:18 | |
# So who gives a damn about the ages we are? | 1:58:18 | 1:58:24 | |
# Oooh | 1:58:25 | 1:58:28 | |
# Is it such a problem that he's old? | 1:58:28 | 1:58:33 | |
# As long as he does whatever he is told | 1:58:33 | 1:58:37 | |
# I'm glad that it's just my heart that he stole | 1:58:37 | 1:58:41 | |
# And left my dignity alone | 1:58:41 | 1:58:46 | |
# So is it such a problem if he's old? | 1:58:46 | 1:58:50 | |
# As long as he does whatever he is told | 1:58:50 | 1:58:55 | |
# I know that I'm gonna survive the December cold | 1:58:55 | 1:58:59 | |
# With somebody to retrieve | 1:58:59 | 1:59:01 | |
# My long lost soul | 1:59:01 | 1:59:04 | |
# With somebody to retrieve my long lost soul. # | 1:59:04 | 1:59:08 | |
CHEERING AND APPLAUSE | 1:59:10 | 1:59:13 | |
Beautiful. | 1:59:16 | 1:59:18 | |
Ravishing voice of Lianne La Havas. | 1:59:18 | 1:59:21 | |
CHEERING | 1:59:21 | 1:59:24 | |
Right, better get a microphone in here. Thanks very much. | 1:59:24 | 1:59:27 | |
Now, we've a number of interesting guests over here. | 1:59:27 | 1:59:30 | |
A myriad of people here. Now, we have Erica. | 1:59:30 | 1:59:34 | |
Should it be Erica, or EL? | 1:59:34 | 1:59:36 | |
-EL. -EL. -El, Erica's fine. | 1:59:36 | 1:59:38 | |
EL, but I have to say, | 1:59:38 | 1:59:40 | |
congratulations on an incredibly successful year, marvellous. | 1:59:40 | 1:59:43 | |
-Thank you. -50 Shades Of Grey, a huge success. -Very unexpected. | 1:59:43 | 1:59:47 | |
One of the real successes of the year. All the ladies are blushing. | 1:59:47 | 1:59:51 | |
-Have you read the book, Ruby? -I've started it. -Have you read it, Paloma? | 1:59:51 | 1:59:55 | |
I'm really sorry - I just put it in Room 101! | 1:59:55 | 1:59:59 | |
-Have you read it? -It's not for everybody. Trust me! | 2:00:01 | 2:00:04 | |
-Roland's read it! -Full of interesting tips. -Thank you, yes. | 2:00:04 | 2:00:08 | |
What people don't realise is you actually used to work on Later With Jools Holland. | 2:00:08 | 2:00:12 | |
I did, yes! This is my third Hootenanny and it's the first time I'm in front of the camera. | 2:00:12 | 2:00:17 | |
So, what we need to know is, | 2:00:17 | 2:00:18 | |
was some of the book based on your experiences working on our show? | 2:00:18 | 2:00:23 | |
-It's all based on you, Jools. -I knew it all along! | 2:00:23 | 2:00:28 | |
And now we're in the New Year, are you working on more volumes? | 2:00:28 | 2:00:32 | |
I'd like to write some more, yes. | 2:00:32 | 2:00:33 | |
I just need some time away from everything to do that. | 2:00:33 | 2:00:36 | |
-Well, congratulations, you've been an amazing success. -Thank you. | 2:00:36 | 2:00:39 | |
Millions of copies - the world, not just this room, | 2:00:39 | 2:00:42 | |
-but the world loves your books. -Thank you. | 2:00:42 | 2:00:44 | |
And Ruby's just started it, but I might have to confiscate it. | 2:00:44 | 2:00:47 | |
Roland's picked up tips. | 2:00:47 | 2:00:49 | |
Thank you very much indeed, all the beautiful guests here - | 2:00:49 | 2:00:51 | |
Paloma Faith, EL James, Ruby Turner, Roland Gift, | 2:00:51 | 2:00:54 | |
marvellous selection of people. | 2:00:54 | 2:00:56 | |
So now, hey, let's go back with a beautiful brand-new song from Dexys! | 2:00:56 | 2:01:02 | |
APPLAUSE | 2:01:02 | 2:01:05 | |
Pete, Pete, can I have a word? | 2:01:38 | 2:01:41 | |
Listen... | 2:01:41 | 2:01:43 | |
Pete... | 2:01:44 | 2:01:46 | |
# She got a wiggle | 2:01:47 | 2:01:50 | |
# She got a wiggle that makes me melt | 2:01:50 | 2:01:58 | |
# The problem is I don't know | 2:01:58 | 2:02:00 | |
# If she even likes me | 2:02:01 | 2:02:04 | |
You see? | 2:02:04 | 2:02:05 | |
# She's such a woman | 2:02:07 | 2:02:10 | |
# She's such a woman | 2:02:10 | 2:02:12 | |
# She's all I need | 2:02:12 | 2:02:18 | |
# And I'm the one who loves her so | 2:02:18 | 2:02:20 | |
# And I'm the one who loves her so | 2:02:20 | 2:02:22 | |
# And now you know | 2:02:22 | 2:02:24 | |
# And here I go | 2:02:24 | 2:02:26 | |
Listen | 2:02:26 | 2:02:28 | |
# I love her face And her soft brown hair | 2:02:28 | 2:02:32 | |
# The poses she strikes when she's standing there | 2:02:32 | 2:02:37 | |
# She is woman | 2:02:37 | 2:02:39 | |
# I got to have her | 2:02:42 | 2:02:44 | |
# And in my mind she says | 2:02:46 | 2:02:47 | |
# I'm mad about you | 2:02:47 | 2:02:50 | |
# I'm mad about you | 2:02:50 | 2:02:52 | |
-# She's mad about me -I'm mad about you | 2:02:52 | 2:02:54 | |
# I'm mad about you | 2:02:54 | 2:02:57 | |
-# She's mad about me -I'm mad about you | 2:02:57 | 2:03:00 | |
# I'm mad about you | 2:03:00 | 2:03:02 | |
-# She's mad about me -# I'm mad about you | 2:03:02 | 2:03:05 | |
-# But it's only a dream -# I'm mad about you | 2:03:05 | 2:03:08 | |
# She got a voice | 2:03:08 | 2:03:10 | |
# That's soft and moist | 2:03:10 | 2:03:13 | |
# Caresses my ears | 2:03:13 | 2:03:15 | |
# While it's heightening my senses | 2:03:15 | 2:03:18 | |
# It's sexy and warm and tender | 2:03:18 | 2:03:22 | |
# I like it | 2:03:22 | 2:03:26 | |
Listen | 2:03:26 | 2:03:28 | |
# She got a wiggle | 2:03:28 | 2:03:31 | |
# She got a wiggle that makes me melt | 2:03:31 | 2:03:36 | |
One big problem... | 2:03:36 | 2:03:38 | |
# I'm afraid to let her know | 2:03:38 | 2:03:40 | |
# That I'm the one who loves her so | 2:03:40 | 2:03:42 | |
# I love her, love her, love her, love her, love her, love her | 2:03:42 | 2:03:46 | |
# And in my mind she said | 2:03:46 | 2:03:48 | |
# I'm mad about you | 2:03:48 | 2:03:49 | |
# I'm mad about you | 2:03:49 | 2:03:52 | |
-# She's mad about me -I'm mad about you | 2:03:52 | 2:03:54 | |
# I'm mad about you | 2:03:54 | 2:03:57 | |
-# She's mad about me -I'm mad about you | 2:03:57 | 2:04:00 | |
# I'm mad about you | 2:04:00 | 2:04:01 | |
-# She's mad about me -I'm mad about you | 2:04:01 | 2:04:04 | |
# I'm mad about you | 2:04:04 | 2:04:08 | |
# Can't live without you | 2:04:08 | 2:04:10 | |
# Can't live without you | 2:04:10 | 2:04:12 | |
# Oh, my darling, darling, darling, darling, darling | 2:04:12 | 2:04:16 | |
-# I got to have you -# Can't live without you | 2:04:16 | 2:04:18 | |
# Can't live without you | 2:04:18 | 2:04:20 | |
-# I got to have you -Can't live without you | 2:04:20 | 2:04:23 | |
-# But it's only a dream -Can't live without you | 2:04:23 | 2:04:25 | |
-# Do you know what I mean? -Can't live without you | 2:04:25 | 2:04:27 | |
Listen | 2:04:27 | 2:04:28 | |
THEY MIME CONVERSATION | 2:04:33 | 2:04:35 | |
# I'm mad about you | 2:04:49 | 2:04:50 | |
# I'm mad about you | 2:04:50 | 2:04:53 | |
-# She's mad about me -I'm mad about you | 2:04:53 | 2:04:55 | |
-# She's mad about me -I'm mad about you | 2:04:55 | 2:04:58 | |
-# She's mad about me -I'm mad about you | 2:04:58 | 2:05:01 | |
# I'm mad about you | 2:05:01 | 2:05:03 | |
-# She's mad about me -I'm mad about you | 2:05:03 | 2:05:05 | |
-# But it's only a dream -I'm mad about you | 2:05:05 | 2:05:08 | |
# She got a wiggle | 2:05:08 | 2:05:11 | |
# She got a wiggle that makes me melt | 2:05:11 | 2:05:17 | |
# But I'm somehow going to find a way | 2:05:19 | 2:05:23 | |
# To make her love me. # | 2:05:24 | 2:05:30 | |
APPLAUSE | 2:05:32 | 2:05:34 | |
Thank you, Dexys, She's Got A Wiggle. | 2:05:40 | 2:05:44 | |
Thank you, Maddie. | 2:05:44 | 2:05:46 | |
And now, The Dubliners! | 2:05:46 | 2:05:49 | |
APPLAUSE | 2:05:49 | 2:05:52 | |
# In a neat little town they call Belfast | 2:05:53 | 2:05:57 | |
# Apprentice to trade I was bound | 2:05:57 | 2:06:00 | |
# And as many as an hour sweet happiness | 2:06:00 | 2:06:04 | |
# Have I spent in that neat little town | 2:06:04 | 2:06:08 | |
# Till a sad misfortune came over me | 2:06:08 | 2:06:12 | |
# Which caused me to stray from the land | 2:06:12 | 2:06:15 | |
# Far away from me friends and relations | 2:06:15 | 2:06:20 | |
# Betrayed by the black velvet band | 2:06:20 | 2:06:24 | |
# Her eyes they shone like diamonds | 2:06:24 | 2:06:27 | |
# I thought her the queen of the land | 2:06:27 | 2:06:31 | |
# And her hair it hung over her shoulder | 2:06:31 | 2:06:35 | |
# Tied up with a black velvet band | 2:06:35 | 2:06:38 | |
# I took a stroll with this pretty fair maid | 2:06:39 | 2:06:43 | |
# And a gentleman passing us by | 2:06:43 | 2:06:47 | |
# I knew she meant the undoing of me | 2:06:47 | 2:06:51 | |
# By the look in her roguish black eye | 2:06:51 | 2:06:54 | |
# Oh, a gold watch she took from his pocket | 2:06:54 | 2:06:58 | |
# And she placed it right into my hand | 2:06:58 | 2:07:02 | |
# And the very first thing that I thought was | 2:07:02 | 2:07:06 | |
# Bad luck to the black velvet band | 2:07:06 | 2:07:10 | |
# Her eyes they shone like diamonds | 2:07:10 | 2:07:13 | |
# I thought her the queen of the land | 2:07:13 | 2:07:17 | |
# And her hair It hung over her shoulder | 2:07:17 | 2:07:21 | |
# Tied up with a black velvet band | 2:07:21 | 2:07:25 | |
# Now before a judge and a jury | 2:07:25 | 2:07:29 | |
# Next morning I had to appear | 2:07:29 | 2:07:33 | |
# Oh, the judge he says to me | 2:07:33 | 2:07:36 | |
# Young man, your case it is proven clear | 2:07:36 | 2:07:41 | |
# We'll give you seven years penal servitude | 2:07:41 | 2:07:45 | |
# To be spent far away from the land | 2:07:45 | 2:07:49 | |
# Far away from your friends and relations | 2:07:49 | 2:07:53 | |
# Betrayed by the black velvet band | 2:07:53 | 2:07:57 | |
# Her eyes they shone like diamonds | 2:07:57 | 2:08:00 | |
# I thought her the queen of the land | 2:08:00 | 2:08:04 | |
# And her hair it hung over her shoulder | 2:08:04 | 2:08:08 | |
# Tied up with a black velvet band | 2:08:08 | 2:08:12 | |
# So come all you jolly young fellows | 2:08:12 | 2:08:16 | |
# And a warning take by me | 2:08:16 | 2:08:20 | |
# Well when you are out on the town, me lads | 2:08:20 | 2:08:24 | |
# Beware of them pretty Colleens | 2:08:24 | 2:08:28 | |
# They'll feed you with strong ale my lad | 2:08:28 | 2:08:32 | |
# Until you are unable to stand | 2:08:32 | 2:08:36 | |
# And the very first thing that you'll know, me lads | 2:08:36 | 2:08:40 | |
# Is you've landed in Van Dieman's Land | 2:08:40 | 2:08:44 | |
# Her eyes they shone like diamonds | 2:08:44 | 2:08:48 | |
# I thought her the queen of the land | 2:08:48 | 2:08:51 | |
# And her hair it hung over her shoulder | 2:08:51 | 2:08:56 | |
# Tied up with a black velvet band. # | 2:08:56 | 2:09:03 | |
APPLAUSE | 2:09:03 | 2:09:06 | |
# I've been tried | 2:09:41 | 2:09:46 | |
# And I've been tested | 2:09:46 | 2:09:49 | |
# I was born tired | 2:09:49 | 2:09:52 | |
# And I still ain't got rested | 2:09:52 | 2:09:57 | |
# Harder than marble stone | 2:09:57 | 2:10:01 | |
# I'm better off | 2:10:03 | 2:10:05 | |
# I'm better off left alone | 2:10:05 | 2:10:10 | |
# Cos I'm not the one | 2:10:11 | 2:10:15 | |
# I'm not the one | 2:10:15 | 2:10:18 | |
# You wanted it all | 2:10:19 | 2:10:23 | |
# I ain't going to give you none | 2:10:23 | 2:10:27 | |
# Cos I'm not the one | 2:10:28 | 2:10:31 | |
# Hey now, you want to talk to me | 2:10:31 | 2:10:34 | |
# Like I'm a kid? | 2:10:36 | 2:10:38 | |
# Cos when your daddy said jump | 2:10:39 | 2:10:43 | |
# Your mamma did | 2:10:43 | 2:10:46 | |
# Like you know, your daddy knows | 2:10:46 | 2:10:50 | |
# Your mama knows | 2:10:50 | 2:10:52 | |
# And I know that's wrong | 2:10:52 | 2:10:56 | |
# So now it's time for you to move on | 2:10:56 | 2:11:00 | |
# Cos I ain't the one | 2:11:01 | 2:11:05 | |
# I'm not the one | 2:11:05 | 2:11:09 | |
# You wanted it all | 2:11:09 | 2:11:12 | |
# I ain't going to give you none | 2:11:12 | 2:11:17 | |
# Cos I'm not the one | 2:11:17 | 2:11:20 | |
# Oh-oh-ohh | 2:11:25 | 2:11:29 | |
# I'm not the one | 2:11:29 | 2:11:33 | |
# Now you thought | 2:11:35 | 2:11:39 | |
# I was normal | 2:11:39 | 2:11:43 | |
# All of these years | 2:11:43 | 2:11:46 | |
# I'm just trying to warn you | 2:11:46 | 2:11:50 | |
# You'd do good | 2:11:50 | 2:11:53 | |
# To move on | 2:11:53 | 2:11:56 | |
# Cos it ain't going to hurt me, honey | 2:11:56 | 2:12:00 | |
# It ain't going to hurt me none | 2:12:00 | 2:12:03 | |
# Cos I'm not the one | 2:12:03 | 2:12:09 | |
# I ain't the one | 2:12:09 | 2:12:13 | |
# You wanted it all | 2:12:13 | 2:12:16 | |
# I ain't going to give you none | 2:12:16 | 2:12:20 | |
# Cos I'm not the one | 2:12:20 | 2:12:24 | |
# Oh-oh-ohh | 2:12:28 | 2:12:31 | |
# I'm not the one | 2:12:31 | 2:12:35 | |
# Oh-oh-ohh | 2:12:41 | 2:12:45 | |
# Oh-ohh | 2:12:45 | 2:12:47 | |
# I'm not the one | 2:12:47 | 2:12:50 | |
# I'm not the one | 2:12:52 | 2:12:57 | |
# I'm not the one | 2:13:00 | 2:13:04 | |
# You wanted it all | 2:13:07 | 2:13:11 | |
# You wanted it all | 2:13:11 | 2:13:15 | |
# But I'm not the one | 2:13:15 | 2:13:19 | |
# It ain't me, baby | 2:13:21 | 2:13:24 | |
# It ain't me, babe | 2:13:25 | 2:13:29 | |
# It ain't me, baby | 2:13:29 | 2:13:32 | |
# No, no, no, no, no-oh | 2:13:32 | 2:13:37 | |
# I'm not the one. # | 2:13:39 | 2:13:42 | |
APPLAUSE | 2:13:43 | 2:13:46 | |
The legendary Bettye LaVette! | 2:13:53 | 2:13:56 | |
The brand-new song, I'm Not The One, from her brand-new record. | 2:13:56 | 2:13:59 | |
Now, have you got a microphone for me there? Thank you very much. | 2:13:59 | 2:14:02 | |
I think we've got a few people sitting over here we can talk to. | 2:14:02 | 2:14:05 | |
Henry, you've got lipstick all over you. Somebody's been kissing you. | 2:14:05 | 2:14:08 | |
-My dear old thing, I'm not hard enough, I'm afraid. -Very good. | 2:14:08 | 2:14:13 | |
The champagne isn't quite up to it, I have too say, | 2:14:13 | 2:14:16 | |
but I want you to enjoy it anyway. | 2:14:16 | 2:14:18 | |
It's great to have you here, | 2:14:18 | 2:14:20 | |
Ron Dennis, Formula One guru and insider and team man. | 2:14:20 | 2:14:25 | |
Now we're in this New Year, what are you looking forward to? | 2:14:25 | 2:14:28 | |
-Winning more races, that's what it's all about. -Exactly. | 2:14:28 | 2:14:30 | |
-We only won seven last year. -Is that all? That's lucky. | 2:14:30 | 2:14:33 | |
-Only seven, yeah. -Very good. | 2:14:33 | 2:14:34 | |
Well, we can find out what's in store for your team now, | 2:14:34 | 2:14:37 | |
because we have Jonathan Cainer with us, one of the gurus of... | 2:14:37 | 2:14:41 | |
I'm just going to move around here to Jonathan. | 2:14:41 | 2:14:43 | |
I literally don't make a move without reading your column in the morning because you... | 2:14:43 | 2:14:47 | |
Mind you, last year, you guaranteed that America was going to have a woman president. | 2:14:47 | 2:14:51 | |
-That wasn't last year, it was some while ago. -Yes, yes. | 2:14:51 | 2:14:54 | |
I'm very, very embarrassed. | 2:14:54 | 2:14:55 | |
But I thought it might mean that in fact, Mrs Obama has got the reins. | 2:14:55 | 2:15:00 | |
The future is full of surprises, Jools. | 2:15:00 | 2:15:02 | |
-But this year is such a wonderful year. -A wonderful year! | 2:15:02 | 2:15:07 | |
Every time I come onto your show I want to tell you so much | 2:15:07 | 2:15:10 | |
about the things that will touch us all and change our lives. | 2:15:10 | 2:15:13 | |
Two incredible comets will grace the sky in 2013 | 2:15:13 | 2:15:17 | |
and they will both be visible to the naked eye, | 2:15:17 | 2:15:20 | |
and they will be so inspiring and they will bring forth, look... | 2:15:20 | 2:15:24 | |
-This is the world. -Here's the world as we know it. | 2:15:24 | 2:15:27 | |
-This is the state of the world as we know it now. -Bandaged up. | 2:15:27 | 2:15:30 | |
Yes, the world's in a pickle right now. | 2:15:30 | 2:15:32 | |
But in 2013, it's going to get better | 2:15:32 | 2:15:35 | |
and the experience we will ALL have throughout the coming year | 2:15:35 | 2:15:39 | |
is of healing the world as we heal ourselves. | 2:15:39 | 2:15:42 | |
Healing the world as we heal ourselves! You heard it here first. | 2:15:42 | 2:15:45 | |
I won't make a move without listening to you, | 2:15:45 | 2:15:47 | |
and there is the world bandaged up. | 2:15:47 | 2:15:50 | |
If you could share with Ron Dennis privately what's going to happen for his team, | 2:15:50 | 2:15:54 | |
and we'll see how he looks at the end of the evening. | 2:15:54 | 2:15:56 | |
Thank you very much, Jonathan Cainer, thank you, Ron Dennis. | 2:15:56 | 2:15:59 | |
And now, a woman that's had phenomenal success this year. | 2:15:59 | 2:16:02 | |
And why is that? Well, last year, and she'll have it this year, | 2:16:02 | 2:16:05 | |
and why? Because she's amazingly talented. She is Paloma Faith. | 2:16:05 | 2:16:09 | |
CHEERING AND APPLAUSE | 2:16:09 | 2:16:12 | |
# Let's get old together | 2:16:24 | 2:16:29 | |
# Let's be unhappy for ever | 2:16:30 | 2:16:35 | |
# Cos there's no-one else in this world | 2:16:36 | 2:16:40 | |
# That I'd rather be unhappy with | 2:16:42 | 2:16:46 | |
# Let's be exposed and unprotected | 2:16:49 | 2:16:53 | |
# Let's see one another when we're weak | 2:16:55 | 2:17:00 | |
# Let's go our separate ways in the night like two moths | 2:17:01 | 2:17:07 | |
# But know that you're flying home to me | 2:17:07 | 2:17:11 | |
# I was born thinking | 2:17:13 | 2:17:16 | |
# It would all be dreamy | 2:17:16 | 2:17:19 | |
# But I know that I wouldn't be happy that way | 2:17:19 | 2:17:25 | |
# You wear me out with frustration and heartache and anger | 2:17:25 | 2:17:31 | |
# But we wait for the wave just to wash it away | 2:17:31 | 2:17:37 | |
# Don't say nothing | 2:17:38 | 2:17:43 | |
# Just sit next to me | 2:17:43 | 2:17:48 | |
# Don't say nothing | 2:17:50 | 2:17:55 | |
# Shhh | 2:17:55 | 2:17:57 | |
# Just be, just be, just be | 2:17:59 | 2:18:03 | |
# Let's let go together | 2:18:08 | 2:18:13 | |
# Let us unfold one another | 2:18:14 | 2:18:20 | |
# And watch all the little things that once drew me to you | 2:18:20 | 2:18:25 | |
# Eventually get on my nerves | 2:18:26 | 2:18:31 | |
# I wear you out with frustration and heartache and anger | 2:18:32 | 2:18:38 | |
# But we wait for the wave just to wash it away | 2:18:38 | 2:18:44 | |
# Don't say nothing | 2:18:45 | 2:18:49 | |
# Just sit next to me | 2:18:50 | 2:18:55 | |
# Don't say nothing | 2:18:57 | 2:19:02 | |
# Shhh | 2:19:02 | 2:19:03 | |
# Just be, just be, just be | 2:19:05 | 2:19:10 | |
# Oh whoa, whoa, whoa | 2:19:10 | 2:19:13 | |
# When you're sick of the everyday | 2:19:13 | 2:19:16 | |
# Oh-oh-oh | 2:19:16 | 2:19:18 | |
# And you're tired of my voice | 2:19:18 | 2:19:21 | |
# When you tell me | 2:19:24 | 2:19:26 | |
# You'll walk out that door | 2:19:26 | 2:19:28 | |
# That's when I know that you'll stay | 2:19:28 | 2:19:34 | |
# Oh-oh | 2:19:34 | 2:19:36 | |
# Don't say nothing | 2:19:38 | 2:19:42 | |
# Shhhhh. # | 2:19:42 | 2:19:45 | |
APPLAUSE | 2:19:47 | 2:19:49 | |
# You won't find him drinking at the tables | 2:20:12 | 2:20:17 | |
# Rolling dice and staying out till three | 2:20:17 | 2:20:22 | |
# You won't ever find him being unfaithful | 2:20:22 | 2:20:26 | |
# You will find him | 2:20:26 | 2:20:28 | |
# You'll find him next to me | 2:20:28 | 2:20:30 | |
# You won't find him trying to chase the devil | 2:20:32 | 2:20:37 | |
# For money, fame, for power Out of greed | 2:20:37 | 2:20:41 | |
# You won't ever find him where the rest go | 2:20:42 | 2:20:47 | |
# You will find him | 2:20:47 | 2:20:48 | |
# You'll find him next to me | 2:20:48 | 2:20:52 | |
# Next to me | 2:20:52 | 2:20:54 | |
# Woo-hoo | 2:20:54 | 2:20:57 | |
# Next to me | 2:20:57 | 2:20:59 | |
# Woo-hoo | 2:20:59 | 2:21:02 | |
# Next to me | 2:21:02 | 2:21:04 | |
# Woo-hoo | 2:21:04 | 2:21:07 | |
# You will find him | 2:21:07 | 2:21:08 | |
# You'll find him next to me | 2:21:08 | 2:21:11 | |
# When the money's spent and all my friends have vanished | 2:21:13 | 2:21:16 | |
# I can't seem to find no help or love for free | 2:21:17 | 2:21:21 | |
# I know there's no need for me to panic | 2:21:23 | 2:21:27 | |
# Cos I'll find him | 2:21:27 | 2:21:29 | |
# I'll find him next to me | 2:21:29 | 2:21:31 | |
# When the skies are grey and all the doors are closing | 2:21:33 | 2:21:37 | |
# And the rising pressure makes it hard to breathe | 2:21:37 | 2:21:43 | |
# When all I need's a hand to stop the tears from falling | 2:21:43 | 2:21:47 | |
# I will find him | 2:21:47 | 2:21:49 | |
# I'll find him next to me | 2:21:49 | 2:21:52 | |
# Next to me | 2:21:52 | 2:21:55 | |
# Woo-hoo | 2:21:55 | 2:21:57 | |
# Next to me | 2:21:57 | 2:22:00 | |
# Woo-hoo | 2:22:00 | 2:22:02 | |
# Next to me | 2:22:02 | 2:22:05 | |
# Woo-hoo | 2:22:05 | 2:22:07 | |
# You will find him | 2:22:07 | 2:22:09 | |
# You'll find him next to me | 2:22:09 | 2:22:12 | |
# When the end has come and buildings falling down fast | 2:22:13 | 2:22:18 | |
# When we've spoilt the land and dried up all the sea | 2:22:18 | 2:22:22 | |
# When everyone has lost their heads around us | 2:22:23 | 2:22:27 | |
# You will find him | 2:22:27 | 2:22:29 | |
# You'll find him next to me | 2:22:29 | 2:22:33 | |
# Next to me | 2:22:33 | 2:22:35 | |
# Woo-hoo | 2:22:35 | 2:22:38 | |
# Next to me | 2:22:38 | 2:22:40 | |
# Woo-hoo | 2:22:40 | 2:22:43 | |
# Next to me | 2:22:43 | 2:22:46 | |
# Woo-hoo | 2:22:46 | 2:22:48 | |
# You will find him | 2:22:48 | 2:22:49 | |
# You'll find him next to me | 2:22:49 | 2:22:52 | |
# Next to me | 2:22:53 | 2:22:55 | |
# Woo-hoo | 2:22:55 | 2:22:58 | |
# Next to me | 2:22:58 | 2:23:01 | |
# Woo-hoo | 2:23:01 | 2:23:03 | |
# Next to me | 2:23:03 | 2:23:06 | |
# Woo-hoo | 2:23:06 | 2:23:08 | |
# You will find him | 2:23:08 | 2:23:10 | |
# You'll find him next to me | 2:23:10 | 2:23:13 | |
# Next to me | 2:23:13 | 2:23:16 | |
# Woo-hoo | 2:23:16 | 2:23:18 | |
# Next to me | 2:23:18 | 2:23:21 | |
# Woo-hoo | 2:23:21 | 2:23:23 | |
# Next to me | 2:23:23 | 2:23:26 | |
# Woo-hoo | 2:23:26 | 2:23:29 | |
# You will find him | 2:23:29 | 2:23:31 | |
# You'll find him next to me. # | 2:23:31 | 2:23:35 | |
APPLAUSE | 2:23:37 | 2:23:39 | |
Biggest selling artist last year and why not? | 2:23:43 | 2:23:45 | |
Before that, the amazing Paloma Faith. What a show it's been. | 2:23:45 | 2:23:49 | |
We've got time for one more number before our big finish | 2:23:49 | 2:23:51 | |
and I think that number should be for all those people who are looking for a love, | 2:23:51 | 2:23:55 | |
because we've got the one and only Mr Bobby Womack. | 2:23:55 | 2:23:58 | |
APPLAUSE | 2:23:59 | 2:24:01 | |
Thank you! | 2:24:01 | 2:24:03 | |
Let's go back. | 2:24:03 | 2:24:05 | |
# For a lover | 2:24:05 | 2:24:06 | |
# Mmm | 2:24:06 | 2:24:08 | |
# Looking for a lover | 2:24:08 | 2:24:10 | |
# I'm looking for a love | 2:24:10 | 2:24:14 | |
-# I'm looking -I'm looking | 2:24:14 | 2:24:16 | |
# I've got to find a love | 2:24:16 | 2:24:18 | |
-# I'm looking for a love -For a love | 2:24:18 | 2:24:22 | |
-# Looking for a love -I'm looking for a love | 2:24:22 | 2:24:25 | |
# Well now, I'm looking here and there | 2:24:25 | 2:24:28 | |
# I'm searching everywhere | 2:24:28 | 2:24:30 | |
# And I'm looking | 2:24:30 | 2:24:31 | |
# I'm looking | 2:24:31 | 2:24:32 | |
# I'm looking | 2:24:32 | 2:24:33 | |
# I'm looking | 2:24:33 | 2:24:34 | |
# Oh, looking for a love | 2:24:34 | 2:24:36 | |
# To call my own | 2:24:36 | 2:24:38 | |
# Oh, looking for my love | 2:24:38 | 2:24:41 | |
# Yeah, yeah, yeah, yeah, yeah, yeah | 2:24:41 | 2:24:43 | |
# I'm looking for a love | 2:24:43 | 2:24:45 | |
# Well, well now I'm looking here and there | 2:24:45 | 2:24:49 | |
# Searching everywhere | 2:24:49 | 2:24:50 | |
# Gotta look I'm looking | 2:24:50 | 2:24:52 | |
# I'm looking I'm looking | 2:24:52 | 2:24:54 | |
# I'm looking for a love | 2:24:54 | 2:24:56 | |
# To call my own | 2:24:56 | 2:24:58 | |
# Someone to get up in the mornin' | 2:24:58 | 2:25:01 | |
# And rub my head | 2:25:01 | 2:25:03 | |
# I'm looking for a love | 2:25:03 | 2:25:04 | |
# To call my own | 2:25:04 | 2:25:06 | |
# Someone to fix my breakfast | 2:25:06 | 2:25:09 | |
# And bring it to my bed | 2:25:09 | 2:25:10 | |
# I'm looking for a love | 2:25:10 | 2:25:13 | |
# To call my own | 2:25:13 | 2:25:14 | |
# Someone to do a little housework | 2:25:14 | 2:25:17 | |
# And pamper me again | 2:25:17 | 2:25:18 | |
# I'm looking for a love | 2:25:18 | 2:25:20 | |
# To call my own | 2:25:20 | 2:25:23 | |
# With lots of love and kisses | 2:25:23 | 2:25:25 | |
# And people, until then | 2:25:25 | 2:25:27 | |
# I'm looking for a love | 2:25:27 | 2:25:30 | |
# Right now, oh | 2:25:30 | 2:25:32 | |
# I'm looking for a love | 2:25:32 | 2:25:34 | |
# Has anybody got that? | 2:25:34 | 2:25:35 | |
# Looking for a love | 2:25:35 | 2:25:38 | |
# Well, I'm looking here and there | 2:25:38 | 2:25:41 | |
# Searching everywhere | 2:25:41 | 2:25:43 | |
# You got me I'm looking | 2:25:43 | 2:25:45 | |
# I'm looking | 2:25:45 | 2:25:46 | |
# I'm looking | 2:25:46 | 2:25:47 | |
# Oh, looking for a love | 2:25:47 | 2:25:49 | |
# Break it down one time | 2:25:49 | 2:25:51 | |
# Looking | 2:25:51 | 2:25:52 | |
# I'm looking for a love | 2:25:52 | 2:25:55 | |
# Looking | 2:25:55 | 2:25:56 | |
# I'm looking for a love | 2:25:56 | 2:25:59 | |
# Has anybody got that? I'm looking | 2:25:59 | 2:26:01 | |
# Looking for love all night | 2:26:01 | 2:26:05 | |
# I'm looking for a love | 2:26:05 | 2:26:07 | |
# I want everybody | 2:26:07 | 2:26:10 | |
# Everybody in the house tonight | 2:26:10 | 2:26:13 | |
# I'm looking for a love | 2:26:13 | 2:26:15 | |
# Clap your hands | 2:26:15 | 2:26:17 | |
# I'm looking for a love | 2:26:17 | 2:26:20 | |
# Got to get that feeling | 2:26:20 | 2:26:21 | |
# I'm looking for a love | 2:26:21 | 2:26:23 | |
# Do you want that feeling? | 2:26:23 | 2:26:25 | |
# I'm looking for a love | 2:26:25 | 2:26:27 | |
# Do you want that feeling? | 2:26:27 | 2:26:31 | |
# Say hey | 2:26:31 | 2:26:33 | |
# Hey | 2:26:33 | 2:26:35 | |
# Hey | 2:26:35 | 2:26:37 | |
# Hey | 2:26:37 | 2:26:39 | |
# Hey | 2:26:39 | 2:26:41 | |
# Hey | 2:26:41 | 2:26:43 | |
# Hey | 2:26:43 | 2:26:45 | |
# Hey | 2:26:45 | 2:26:47 | |
# Say hey | 2:26:47 | 2:26:50 | |
# Hey | 2:26:50 | 2:26:51 | |
# Hey | 2:26:51 | 2:26:53 | |
# Hey | 2:26:53 | 2:26:55 | |
# Hey | 2:26:55 | 2:26:57 | |
# Hey | 2:26:57 | 2:26:59 | |
# Ahhh! | 2:26:59 | 2:27:02 | |
# Do you feel it? | 2:27:04 | 2:27:06 | |
# Can you feel it? | 2:27:06 | 2:27:08 | |
# Do you feel it? | 2:27:08 | 2:27:10 | |
# Don't you feel it? | 2:27:10 | 2:27:12 | |
# Do you feel it? | 2:27:12 | 2:27:14 | |
# Can you feel it? | 2:27:14 | 2:27:15 | |
# Well. # | 2:27:15 | 2:27:17 | |
APPLAUSE | 2:27:21 | 2:27:23 | |
Thank you so much. | 2:27:23 | 2:27:25 | |
The fantastic Mr Bobby Womack, Looking For Love. | 2:27:27 | 2:27:31 | |
And the amazing Rhythm & Blues Orchestra. | 2:27:31 | 2:27:34 | |
Mr Bobby Womack. Thanks for all of our guests, | 2:27:36 | 2:27:38 | |
thank you Paloma Faith, Ruby Turner, Lianne La Havas, Roland Gift. | 2:27:38 | 2:27:44 | |
Thank you The Hives, thank you The Dubliners, | 2:27:44 | 2:27:47 | |
thank you Emeli Sande, | 2:27:47 | 2:27:50 | |
thank you to all of our super guests. | 2:27:50 | 2:27:52 | |
Thank you Jake Bugg, thank you Adam Ant, thank you Petula Clark, | 2:27:52 | 2:27:58 | |
thank you Dexys, thank you Bettye LaVette, | 2:27:58 | 2:28:01 | |
thank you Damon Albarn. | 2:28:01 | 2:28:02 | |
Now, ladies and gentlemen, I think there's only one thing we can do | 2:28:02 | 2:28:05 | |
and I think there's only one direction we can go in it. | 2:28:05 | 2:28:07 | |
Whether you're at home in your shed, your bed, in your car, | 2:28:07 | 2:28:11 | |
or perhaps you're in the countryside in a field... | 2:28:11 | 2:28:14 | |
# Hey, yeah | 2:28:20 | 2:28:22 | |
# Hey, yeah | 2:28:22 | 2:28:24 | |
# Hey, yeah | 2:28:24 | 2:28:26 | |
# Hey, yeah | 2:28:26 | 2:28:28 | |
# Hey, yeah | 2:28:28 | 2:28:30 | |
# Hey, yeah | 2:28:30 | 2:28:31 | |
# I said a hey, yeah | 2:28:31 | 2:28:34 | |
# Hey, yeah | 2:28:34 | 2:28:36 | |
-# I said a hey -Hey | 2:28:36 | 2:28:38 | |
-# Ho -Ho | 2:28:38 | 2:28:40 | |
-# Hey -Hey | 2:28:40 | 2:28:41 | |
-# Ho -Ho | 2:28:41 | 2:28:42 | |
-# Hey -Hey | 2:28:42 | 2:28:43 | |
-# Ho -Ho | 2:28:43 | 2:28:44 | |
# Good to have fun when you're young | 2:28:44 | 2:28:49 | |
# Cos you're only young but that once | 2:28:51 | 2:28:56 | |
# Oh, yeah | 2:28:56 | 2:28:59 | |
# Enjoy yourself | 2:28:59 | 2:29:02 | |
# Have a lot of fun | 2:29:02 | 2:29:06 | |
# So go my friend | 2:29:06 | 2:29:08 | |
# And live like you are never done | 2:29:08 | 2:29:11 | |
# But enjoy yourself | 2:29:14 | 2:29:18 | |
# It's later than you think | 2:29:18 | 2:29:22 | |
# Enjoy yourself | 2:29:22 | 2:29:25 | |
# While you're still in the pink | 2:29:25 | 2:29:30 | |
# As the years go by | 2:29:30 | 2:29:32 | |
# Go by | 2:29:32 | 2:29:34 | |
# As swiftly as a wink | 2:29:34 | 2:29:37 | |
# Enjoy yourself | 2:29:37 | 2:29:39 | |
# Enjoy yourself | 2:29:39 | 2:29:41 | |
# It's later than you think | 2:29:41 | 2:29:45 | |
# Get wisdom, get knowledge and understanding | 2:30:17 | 2:30:22 | |
# These three were given free | 2:30:24 | 2:30:27 | |
# By the maker | 2:30:27 | 2:30:29 | |
# Go to school and learn the rules | 2:30:32 | 2:30:35 | |
# And be no faker | 2:30:35 | 2:30:37 | |
# For it's not wise for you to be another man's footstool | 2:30:39 | 2:30:45 | |
# Enjoy yourself | 2:30:48 | 2:30:51 | |
# It's later than you think | 2:30:51 | 2:30:55 | |
# Enjoy yourself | 2:30:55 | 2:30:58 | |
# While you're still in the pink | 2:30:59 | 2:31:03 | |
# As the years go by | 2:31:03 | 2:31:07 | |
# As quickly as a wink | 2:31:07 | 2:31:10 | |
# Enjoy yourself | 2:31:10 | 2:31:13 | |
# Enjoy yourself | 2:31:13 | 2:31:15 | |
# It's later than you think | 2:31:15 | 2:31:19 | |
# Enjoy yourself | 2:31:19 | 2:31:21 | |
# Enjoy yourself | 2:31:21 | 2:31:23 | |
# It's later than you think. # | 2:31:23 | 2:31:31 | |
All right! | 2:31:35 | 2:31:37 | |
Let's give it up! | 2:31:37 | 2:31:39 | |
APPLAUSE | 2:31:39 | 2:31:41 | |
Happy New Year, everybody! | 2:31:41 | 2:31:45 | |
Subtitles by Red Bee Media Ltd | 2:31:45 | 2:31:48 |